| PLATE LIX | HABERDASHER'S HALL: GREAT HALL |
The Project Gutenberg EBook of The Brochure Series of Architectural
Illustration, vol. 06, No. 8, August 1900, by Various
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license
Title: The Brochure Series of Architectural Illustration, vol. 06, No. 8, August 1900
The Guild Halls of London
Author: Various
Release Date: January 8, 2015 [EBook #47914]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK THE BROCHURE SERIES OF ARCHITECTURAL ILLUSTRATION ***
Produced by Juliet Sutherland, Haragos Pál and the Online
Distributed Proofreading Team at http://www.pgdp.net
THE BROCHURE SERIES
|
| PLATE LIX | HABERDASHER'S HALL: GREAT HALL |
THE |
||
| 1900. | AUGUST | No. 8. |
Perhaps there are no corporate bodies now existing in England which can trace their beginnings in a more unbroken line to the earliest recorded historical events of the country, and surely none which have exercised so great political and civic influence, as the famous trade-guilds of London. There now exist in that city about one hundred such associations, the twelve most prominent and influential of them being styled as the Twelve Great Livery Companies, and these associations exercise no slight share in the government of the world's metropolis. From rights which have survived to them from ancient charters, their members, although self-elected and not deriving their power from any popular suffrage, still choose the Lord Mayor of London from among the twenty-six aldermen of the city's wards, and his election takes place at the Guildhall, or central office of all the companies.
The ceremony is a most interesting one. The floor of the Hall is strewn with aromatic herbs, which is perhaps the only survival of the mediĉval method of carpeting a floor with rushes. The aldermen or heads of the city wards, gather in their scarlet gowns, and are met by the representatives of the companies, all clad in the robes or "liveries," which, by ancient grants bestowed upon them, they are privileged to wear, whence their name of "Liverymen" is derived. To this assembly the recorder or law officer of the city then makes a short, set speech, declaring that from the time of King John the liverymen have possessed the rights of election which they are now to exercise. The liverymen thereupon proceed to choose, by vote, two of the aldermen for the office of Lord Mayor, and from these two the incumbent Lord Mayor and the aldermen with formal ceremony select one, who is to become Lord Mayor of London for the ensuing term. This selection the liverymen must ratify by stating that the man named is their free choice. On the evening of his election the new Lord Mayor presides at a splendid feast in the Guildhall, and among the illustrious company assembled not the least picturesque figures are the liverymen of London in their gowns edged with fur, wearing the golden chain-like collars from which depend jewelled badges.
| PLATE LX | ARMOURER'S HALL: BOARD ROOM |
Not only do these private companies thus possess civic powers which are strange to Americans of more republican traditions, but they exercise other inherited privileges of no small importance. The Company of Stationers records and grants all copyright privileges in England. The Fishmongers Company controls and regulates the sale of fish in the metropolis. Every piece of gold or silver plate manufactured in London must be stamped or "hall-marked" at the Hall of the Goldsmiths with the crest of their order, the panther's head. The Company of Clothworkers still guard the silver yard-stick which is the standard for all English and American measures, and other companies possess and exercise similar public functions and authorities.
| BUTCHER'S HALL | BOARD ROOM |
Through the increase of their common funds and from the numerous legacies which have been left to them, these companies have become very wealthy. The corporate moneys of sixty-four of them amount to £484,475. The richest company is that of the Drapers, which administers £50,000 and the Mercers own, among one hundred ninety-five members, £4800. In addition, the trust incomes of fifty of the companies amount to £201,427 and the total income of all foots up to no less than £750,000. These incomes are, however, by no means considered by the companies as to be applied to their private uses. Much of the money is, as has been said, in the nature of trust funds which they are bound to disburse according to specified provisions; and in fact, with the exception of a comparatively small amount set aside for public entertainments, private feasts and ceremonies, and the maintenance of their halls, their general incomes are either administered for certain set purposes of trust, or expended in charities. Orphanages, almshouses, prisons, schools, hospitals, technical training colleges and the like, all share in the benefit of these funds. The Drapers gave £10,000 toward the building of the People's Palace, and support a large training school for boys in connection with it. Guy's Hospital was founded by a member of the Worshipful Company of Stationers. A member of the Mercers Company founded St. Paul's School; and the Mercers have recently opened a great technical institute for both sexes. As an example of the trusts which they administer, we may mention that the Apothecaries Company owns a large estate in Chelsea on which a botanical garden was founded in 1672, and given to the Company on condition that they should add to the garden at least fifty varieties of rare plants annually until the number reached two thousand. This they have done, making the most complete collection of medical herbs and simples in the world. It was in this garden that, in 1687, the first attempt was made to grow plants in an artificially heated atmosphere. It will thus be apparent that, though the members of these companies are self-elected, they are by no means unworthy of the public trusts and functions which under royal charters they still exercise.
| PLATE LXI | BREWER'S HALL: GREAT HALL |
Almost all these Guilds can trace their origins far back in English history, although many important records concerning them were destroyed in the great fire of London. The name "guild" is derived from the Saxon gilden meaning to pay, and the original guilds were formed to comply with the exactions of a Saxon law, called "frank-pledge," by which it was ordained that every freeman over fourteen years of age should give securities to keep the peace. To afford such securities, groups of ten families entered into association, and bound themselves to produce any of their members who had committed offence, or, in default of this, to make satisfaction to the injured party. To provide for the payment of fines each guild maintained a common purse. Meantime, in order to better identify the members, as well as, probably, to keep a closer watch upon them, each association assembled at stated periods at a common feast. It is in these associations that we see the germ of the present trade guilds; and to this day the common purse and the feast at stated intervals are invariable institutions among them.
Even during the Anglo-Saxon period a change in organization came about, and instead of being banded together by families they combined, as a more natural form of association, by trades; and such trade associations not only fulfilled their original purpose, but added other features for mutual protection and commercial advantage. At the time of the advent of the Normans so firmly were these trade guilds established in London that they forced William the Conqueror to recognize their corporate existence by giving them the first royal charter which is extant; and this charter still remains in the city archives, beautifully written in Anglo-Saxon characters on a slip of parchment. It may be thus translated:—
"William, the king, friendly salutes William the bishop and Godfrey the portreeve, and all the burgesses within London, both English and French. And I declare that I grant you all to be worthy, as you were in the days of King Edward; and I grant that every child shall be his father's heir, after his father's days; and I will not suffer any person to do you wrong. God keep you."
| CARVED ARM-PIECE OF CHOIR STALL |
| CATHEDRAL OF GENOA |
| SIXTEENTH CENTURY |
Under the Norman rule, however, the growth of guilds was much interfered with at first. Henry I. commanded that all should receive royal license; and he subjected several guilds to heavy fines because they had been established without license, or exercised their functions independent of it. This penalty fell heavily on London, where the confraternities were very numerous. They were encouraged by Henry II.; but as they increased under this patronage, and were much given to parading with their respective uniforms or "liveries" and banners, collisions between rival trades became so frequent that at length, under Henry IV., they were forbidden to wear their liveries. In subsequent reigns they were permitted to appear in them at coronations, and finally it became necessary to obtain the royal license for appearing in public with their insignia.
| PLATE LXII | BREWER'S HALL: COUNCIL ROOM |
During the reign of Edward III. the fraternities or Companies of Liverymen as they had now come to be called, not only received specific charters, but the king, having found that they were the main-spring of trades in his kingdom, resolved to raise them in public estimation, and became himself a member of the Company of Merchant Tailors, an example which the nobility were not slow to follow; and it is a despised Company that cannot now-a-days boast of many names of rank upon its rolls.
In the records of the thirty-sixth Parliament of Edward's reign, a petition from the commons is preserved, which shows not only how powerful these guilds had by that time become, but also that the evil of "trusts," recently so much lamented, is not of such modern origin as we may suppose. This petition recites that the Guild of Grocers had become so great and monopolistic as to threaten ruin to the numerous other fraternities that had now sprung up, and complains that they "engrossed all manner of merchandise vendible, suddenly raised the prices of such merchandise within the realm, and by ordinance made amongst themselves, in their own society, kept such merchandise in store to be sold at higher rates in times of dearth and scarcity."
From this time forward we find many records of charters granted to these companies, and the granting of such charters, for which the guilds were made to pay liberally, became a strictly business transaction, being one of the methods by which the sovereigns raised money for their numerous wars in France and Scotland. From 1280 to 1420, twelve companies were chartered; from 1420 to 1740, ten companies received charters; during the fourteen years of Elizabeth's reign, five companies were incorporated; and with the arrival of the poverty-stricken Stuarts, a shower of charters were granted, James granting seventeen and Charles twenty-two. With the expulsion of the Stuarts, however, the granting of charters practically ceased, only one having been issued since that time, and that one, appropriately enough, to the Fan Makers in the bric-à-brac age of Queen Anne.
Under the Restoration the guilds fared hard. The great fire of London destroyed their halls and warehouses. Charles's idiotic foreign policy, and the high-handed "quo warranto" proceedings which their wealth brought upon them, crippled their gains and liberties; and after the advent of the German dynasty, with its importation of the German aristocratic contempt for trade, the younger sons of nobles and country gentlemen ceased to enter mercantile pursuits.
But we find—and to their credit be it said—that the guilds have on the whole, and throughout their history, devoted themselves wisely to the promotion of public advantage, always standing shoulder to shoulder against every attempt at royal encroachment upon the freedom of the commoner, advancing wise measures for the government of the city and the undisturbed conduct of business, and taking all proper care that no member of their fraternity or any merchant of their trade should sell under weight or produce articles below a certain standard of quality.
The history of each of the companies is very similar. To briefly follow one of them, the Worshipful Company of Grocers, for example, let us quote the account recently given by Mr. Moore in the Century Magazine.
"On June 12, 1345," he writes,"a number of pepperers, as the grocers were then styled, met together at dinner by agreement at the town mansion of the Abbot of Bury in St. Mary Axe. They talked their common affairs over, and agreed to form themselves into a voluntary association to settle trade disputes, to help poor members, and to say prayers for the souls of the departed members. They took St. Anthony for their patron, elected two wardens to preside over them and a chaplain to pray for them. Ever since, they have met each year on St. Anthony's day and dined together, electing new wardens and crowning them with garlands. In 1427 they bought some land in Old Jewry, a street leading out of Cheapside, there built a hall, and there remain to this day. After their association had been in existence eighty-four years, the Grocers obtained a charter from the king, in the year 1429; and soon after were given the public duty of inspecting and cleansing all the spices sold in London. King Charles II. became their master, and they always dine on the day of his birth, the 29th of May. At the end of his reign, in 1685, they were nearly destroyed by the tyrannical proceedings under which the king tried to seize their charters and abolish their privileges and those of London and other cities. They just managed to survive the horrors of the 'quo warranto,' as this proceeding was called, and joyfully elected William III. master when he came to the throne and made civil liberty once more secure. From this day to our own they have grown richer, while their functions as cleansers and inspectors of spices have slowly become obsolete. Now with much good fellowship and cheerful hospitality they administer charities, do good in other ways and harm to no one; so that all citizens may heartily join in their grace, 'God preserve the Church, the Queen, and the Worshipful Company of Grocers! Root and branch, may it flourish forever!'"
| PLATE LXIII | CURRIER'S HALL: GREAT HALL |
Such, with slight variations in detail, has been the history of the companies. Each began as a voluntary association, received in the fourteenth century, or later, a charter from the crown, exercised control over its especial trade, was nearly destroyed by Charles II., and has since steadily increased in riches; while, with a few exceptions, changes in the nature of commerce have worn away all its mediĉval functions except the happy one of promoting good-fellowship among men.
Membership in one of these companies was originally to be obtained only by going through a period of apprenticeship in its trade and by money payment. In later times, however, the actual apprenticeship became obsolete, so that the companies of London are now, in this respect, practically upon the same basis as ordinary clubs, to which an applicant who possesses the requisite qualifications may be elected upon payment of an admission fee. Places in the membership are also inherited from father to son, and families belong to certain companies for generations. It has also become unnecessary for an applicant to belong to the trade which the guild represents; and indeed only three of the greater companies, the Drapers, the Apothecaries and the Goldsmiths, retain more than a small minority of actual craftsmen among their members.
| DETAIL OF CARVING |
| CHURCH OF S. GIUSTO, LUCCA |
| TWELFTH CENTURY |
With the exception of the public duties and the administration of the charities before mentioned, the only functions of the guilds at present are those of hospitality and good fellowship. The livery companies take it upon themselves to do much of the hospitality of the city of London. They give receptions to royalty and distinguished men; they take large part in such civic festivities as the Lord Mayor's show; they make gifts to the reigning family upon their marriages, and the fame of their city dinners has passed into a proverb. The same writer from whom we have just quoted thus describes one of these guild dinners:—
| PLATE LXIV | TALLOW-CHANDLER'S HALL: COURT ROOM |
"Happy the man who is entertained by the Guild of the Body of Christ of the Skinners of London, as the company style themselves in all official documents. A beadle receives him with lofty courtesy and calls out his name as he ascends a handsome staircase. At the top the guest suddenly finds himself in the august presence of the master and wardens. They shake hands with him and bid him welcome as if he was the one guest who, long invited and never coming, had at last appeared and satisfied a lifelong wish on their part to see him.
"The guest seems to have entered into their very hearts, when suddenly he feels that they can smile on him no more, and that the absorbing attention with which they receive him is exchanged in an instant for total neglect. It is merely that these high functioners are receiving another guest, and so another and another, till the list is complete and dinner is served. All dinners of all companies are noble feasts, and the tables of the great companies are brilliant with splendid pieces of plate. Among the skinners' plate are some curious flagons made in form of beasts and birds. The skinners like to tell how these are used. On the day of election of master and wardens, the court, or governing body of the guild, is assembled in the hall, and ten blue-coat boys, with the almsmen of the company, the master and wardens, all in procession, preceded by trumpeters blowing blasts, march round the hall. Three great birds of silver are brought in and handed to the master and wardens. The birds' heads are screwed off, and the master and wardens drink wine from these quaint flagons.
"Three 'caps of maintenance' are then brought in. The old master puts one on. It will not fit him. He hands it to another, and he to another, and both declare that it does not fit. Then it reaches the skinner who is to be master for the year. Wonderful to relate it fits him to a nicety. The trumpeters flourish their trumpets, the skinners and the almsmen shout for joy. The wardens next find out whom the cap fits, with the other two caps of maintenance, and so the high authorities of the guild are installed for the year."
The most expensive and magnificent of the feasts ever given by the united companies was that given to the Emperor of Russia, the King of Prussia and the Prince Regent in 1814, in celebration of the end of the Napoleonic wars. The associated merchants of London, whose gold had made these wars possible, invited to their table the three most powerful monarchs in Europe, and spent upon a single entertainment the sum of £25,000, while the gold and silver plate upon which the food was served was valued at equal amount, the larger part of it being the gift of kings, and some of it the work of Benvenuto Cellini's own hands.
All of the most important of the companies possess halls of their own, and there are more than fifty of these halls in London, each of which contains something beautiful and curious. Most of them, as we have said before, were burned in the great fire, but were rebuilt upon the same sites. The fact that the interiors of these halls are so little known is due to the exclusiveness of the companies, which do not invite sight-seers.
| PLATE LXV | COACHMAKER'S HALL: BOARD ROOM |
In exterior they are generally plain and the door which leads to them is not labeled or in many cases to be distinguished from the doors of offices or warehouses near it. "In a few cases," writes Mr. Moore, "a small and insignificant brass plate near a bell-handle bears the word 'Beadle,' or sometimes even lifts the veil of mystery a little higher and records a name, as 'Weavers' Hall.' To ring the bell requires nearly as much courage as that of Jack the Giant-killer when he blew the horn that hung at the giant's gate. The beadle, or more often the sub-beadle,—for the beadle himself is too great to be lightly disturbed,—appears. You feel instantly that you are intruding, that you had no right to ring, and that you are in much the position of a man who has impertinently rung at the door of a private house and asked to see the drawing-room. If you have an introduction, above all, if you know any one on the court of the company, as its governing body is called, the beadle unbends a little, and you are admitted. You enter a great paneled hall decorated with armorial bearings, with portraits, and with banners. You are in the very heart of the city of London, where land is worth £100,000 or more an acre, yet there is a delicious garden, a court-yard recalling Italy, a splashing fountain, or a noble old tree. This element of surprise, of contrast between the rushing crowd in the street outside and the perfect fourteenth century stillness within the halls of these ancient guilds, adds much to the pleasure of seeing curious things at which you are not asked to look. You feel in a few minutes how great a thing it is to be a merchant tailor or a cloth-worker or a grocer, superlative and unattainable; and you walk round the hall with the beadle in a deferential, humble frame of mind only comparable to the sensation of a pilgrim who is just about to kiss or has just finished kissing the toe of his holiness the Pope.
| CARVED CHOIR STALL |
| BAPTISTERY, PISA MODERN (1856) |
"The halls of nearly all the companies were consumed in the great fire, so that most of their buildings date from the last years of the house of Stuart, and in later times some have been rebuilt in a style of profuse magnificence. Nevertheless, there is hardly one which does not contain some picturesque bit of architecture or wood-carving, curious portrait, quaintly carved figure, beautifully illumined charter, or splendid piece of plate. The wood-carving in many is superb,—in none finer than in the Brewers' Hall,—and the combination of the dark color of old oak with the bright tinctures of painted armorial bearings occurs in endless and always picturesque variety. The quite self-content and the half-private character of the guilds have prevented a thorough investigation of their history. They themselves feel, as any one who with the feeling of ownership dines often in such halls as theirs must come to feel, that no one but one of themselves could do them justice; that a haberdasher alone could write of haberdashers, a grocer of grocers, a vintner of vintners. One or two good histories of particular companies have been written by members, but all the general accounts are deficient in thoroughness. It must be remembered, too, that these ancient corporations suffered a terrible shock at the hands of the law-officers of Charles II., who forced open their muniment chests, asked why and wherefore about everything, and demanded their money or their lives. The 'quo warranto' was hardly forgotten when more modern attacks began; royal commissions were threatened, and the guilds which had never done harm, and thought that merit enough, were perpetually asked why they did not do good, and those who obviously did good, why they did not do more.
"Thus assailed from time to time, but so far surviving assault, no wonder that the companies are a little suspicious of strangers and not too anxious to admit criticising historians."
Brochure Series |
Readers of The Brochure Series who are amateur photographers, as well as those who have made collections of architectural photographs, will be interested in our newly announced "Competition P," details of which are given, under that heading, in the advertising pages of this issue.
| PLATE LXVI | STATIONER'S HALL: GREAT HALL |
End of the Project Gutenberg EBook of The Brochure Series of Architectural
Illustration, vol. 06, No. 8, August 1900, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK THE BROCHURE SERIES OF ARCHITECTURAL ILLUSTRATION ***
***** This file should be named 47914-h.htm or 47914-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/7/9/1/47914/
Produced by Juliet Sutherland, Haragos Pál and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.