The Project Gutenberg EBook of A Satyr Against Hypocrites, by John Phillips This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: A Satyr Against Hypocrites Author: John Phillips Contributor: Leon Howard Release Date: June 29, 2015 [EBook #49323] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK A SATYR AGAINST HYPOCRITES *** Produced by David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net
The Augustan Reprint Society
JOHN PHILLIPS
A Satyr Against Hypocrites
(1655)
With an Introduction by
Leon Howard
Publication Number 38
Los Angeles
William Andrews Clark Memorial Library
University of California
1953
GENERAL EDITORS
H. Richard Archer, Clark Memorial Library
Richard C. Boys, University of Michigan
Ralph Cohen, University of California, Los Angeles
Vinton A. Dearing, University of California, Los Angeles
ASSISTANT EDITOR
W. Earl Britton, University of Michigan
ADVISORY EDITORS
Emmett L. Avery, State College of Washington
Benjamin Boyce, Duke University
Louis Bredvold, University of Michigan
John Butt, King’s College, University of Durham
James L. Clifford, Columbia University
Arthur Friedman, University of Chicago
Edward Niles Hooker, University of California, Los Angeles
Louis A. Landa, Princeton University
Samuel H. Monk, University of Minnesota
Earnest Mossner, University of Texas
James Sutherland, University College, London
H. T. Swedenberg, Jr., University of California, Los Angeles
CORRESPONDING SECRETARY
Edna C. Davis, Clark Memorial Library
John Phillips’ anonymous poem, A Satyr Against Hypocrites, was entered in the Stationers’ Register on March 14, 1654-55 as the work of his brother Edward and the property of his publisher Nathaniel Brook, and it was probably published on August 17 (David Masson, The Life of John Milton [London, 1877], V, 228n., cites the “Thomason copy” as indicating the date of publication). Actually, two issues appeared in 1655. One gave no indication of the publisher and is reproduced here, as perhaps the rarest, from the copy in the William Andrews Clark Memorial Library. The other was “Printed for N.B. at the Angel in Corn-hill.” The 1655 text was reprinted in 1661 as The Religion of the Hypocritical Presbyterians in Meeter, and a revised and enlarged edition appeared in 1671 under the original title. It was this rather than the original version which is known through the summary given by William Godwin (Lives of Edward and John Phillips [London, 1815], pp. 49-51) and quoted by Masson as the most “exact description” possible of the 1655 “performance” (ibid., V, 228). Other editions have been recorded for 1674, 1677, 1680, 1689, and 1710, the last being attributed to the author’s uncle, John Milton. Of these, the editions which I have seen show only minor revisions of the 1671 text. A holograph manuscript, preserved in the Bodleian Library, includes a two-page dedication to the successful barrister John Churchill, but the dedication was apparently never printed.
Neither the unpublished dedication nor the poem itself contains a clear indication of the purpose or the direction of the satire. In pleading her case for John Phillips’ authorship of the anonymous life of Milton, Miss Helen Derbyshire (The Early Lives of Milton [London, 1932], pp. xxii-xxv) has taken issue with the common statement that it marked Phillips’ departure from his uncle’s teachings and has described it as a satire against the Presbyterians from an Independent position with which Milton might well have sympathized. Yet the text hardly supports these contentions. The Sunday service which Phillips burlesques shows no signs of Presbyterian discipline. In fact, sectarianism is almost at its worst in his picture of a congregation crying destruction against Covenant-breakers, making grinning appeals for free grace, and screaming for the Fifth Monarchy in a state of revelation-madness. Furthermore, the Brother Elnathan who makes his appearance at the dinner following the Wednesday service received his name in a Baptist “Ducking-pond” rather than from the customary Presbyterian sprinkling. There may be some significance, too, in the fact that the particularly satiric reference to “the man midwife,” Dr. Peter Chamberlain, was to a noted Independent.
On the other hand, the church specifically identified as the scene of the weekday service was St. Mary’s Aldermanbury, and its minister was the Reverend Edmund Calamy, whose inclinations were Presbyterian and whose personally conducted fastday services were notoriously popular. Although Calamy’s custom of preaching from the desk rather than from the pulpit makes it unlikely that he was the minister satirized in the early part of the poem, he would normally have been identified as the object of Phillips’ most severe and scandalous attack; and the device of having him refer to “the Laud” instead of the Lord may have had reference to the rumors of early conformity which still haunted Calamy despite his service to the Puritan cause as one of the Smectymnuans and a member of the Westminster Assembly of Divines. There is no evidence, however, that Presbyterianism as a particular nonconformist sect stirred Phillips to any special antagonism.
In any case, it seems impossible to represent A Satyr Against Hypocrites seriously as a document of which John Milton would have approved. If he could have tolerated the violation of the Scriptures and the punning obscenity of his nephew’s introduction of the Prophet Habakkuk into the poem, he might have felt a personal offense in the use of such material for an attack upon the church in which he was to register his espousal of the pure-minded Katharine Woodcock. At best, Milton could have considered this first rhymed flowering of his nephew’s satiric humor a pointless piece of scurrility which lacked real wit, coherence, or character. If Phillips did not publish it in open recalcitrance, he published it with less confidence in his uncle’s sympathy than in his blindness and in the decent reluctance of friends to disclose the extent of a young man’s departure from the paths of good instruction.
The republication of A Satyr Against Hypocrites as The Religion of the Hypocritical Presbyterians, in 1661, was no more than an attempt to attract new interest with a title which would appeal to the post-Restoration tendency to condemn the strongest of the Puritan sects. The incongruity between the new title and the old poem, though, seems to have been more evident to the author than to later readers; for in the 1671 edition he introduced a satire on the ceremony of infant baptism which nullified the allusion to the “Ducking-pond” by making the Sunday congregation, at least, clearly Presbyterian. The other major revisions and additions were in the direction of greater licentiousness and more frequent references to “the Laud.” The editions of 1680 and 1689 (which are the only two later versions I have seen) are based upon that of 1671 and contain only such minor changes as might have been made by a printer alert to the possibility of introducing new bawdy implications by the change of an occasional word or letter.
The Bodleian manuscript is an approximate but not a true copy of the version which was first printed. A few lines appear in the published poem which are not to be found in the manuscript, the printed marginal annotations are fewer in number and considerably changed, and there are some differences in the musical notation. Except for an indication that the old Robin mentioned at the beginning of the poem was a particular “fool well known in the city,” however, the manuscript annotations are similar in character to those printed and add little to the comprehensibility of the text. The author’s signed dedication to Churchill shows an inclination (like that revealed in the concluding lines of the published text) to justify his poem as a defense of true religion against the sectaries whose words and actions brought it into contempt; but A Satyr Against Hypocrites appears to have been, in reality, little more than the irresponsible outburst of a young man of twenty-three who was tired of discipline, disappointed in his expectations of political preferment, and angry at the sort of people who had taken over the country but who seemed incapable of appreciating his peculiar merits.
Leon Howard
University of California, Los Angeles
Juvenal. Sat. 1.
Juvenal. Sat. 14.
Printed in the Year, 1655.
FINIS.
First Year (1946-47)
Numbers 1-6 out of print.
Second Year (1947-1948)
7. John Gay’s The Present State of Wit (1711); and a section on Wit from The English Theophrastus (1702).
8. Rapin’s De Carmine Pastorali, translated by Creech (1684).
9. T. Hanmer’s (?) Some Remarks on the Tragedy of Hamlet (1736).
10. Corbyn Morris’ Essay towards Fixing the True Standards of Wit, etc. (1744).
11. Thomas Purney’s Discourse on the Pastoral (1717).
12. Essays on the Stage, selected, with an Introduction by Joseph Wood Krutch.
Third Year (1948-1949)
13. Sir John Falstaff (pseud.), The Theatre (1720).
14. Edward Moore’s The Gamester (1753).
15. John Oldmixon’s Reflections on Dr. Swift’s Letter to Harley (1712); and Arthur Mainwaring’s The British Academy (1712).
16. Nevil Payne’s Fatal Jealousy (1673).
17. Nicholas Rowe’s Some Account of the Life of Mr. William Shakespeare (1709).
18. “Of Genius,” in The Occasional Paper, Vol. III, No. 10 (1719); and Aaron Hill’s Preface to The Creation (1720).
Fourth Year (1949-1950)
19. Susanna Centlivre’s The Busie Body (1709).
20. Lewis Theobold’s Preface to The Works of Shakespeare (1734).
21. Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754).
22. Samuel Johnson’s The Vanity of Human Wishes (1749) and Two Rambler papers (1750).
23. John Dryden’s His Majesties Declaration Defended (1681).
24. Pierre Nicole’s An Essay on True and Apparent Beauty in Which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams, translated by J. V. Cunningham.
Fifth Year (1950-51)
25. Thomas Baker’s The Fine Lady’s Airs (1709).
26. Charles Macklin’s The Man of the World (1792).
27. Frances Reynolds’ An Enquiry Concerning the Principles of Taste, and of the Origin of Our Ideas of Beauty, etc. (1785).
28. John Evelyn’s An Apologie for the Royal Party (1659); and A Panegyric to Charles the Second (1661).
29. Daniel Defoe’s A Vindication of the Press (1718).
30. Essays on Taste from John Gilbert Cooper’s Letters Concerning Taste, 3rd edition (1757), & John Armstrong’s Miscellanies (1770).
Sixth Year (1951-1952)
31. Thomas Gray’s An Elegy Wrote in a Country Church Yard (1751); and The Eton College Manuscript.
32. Prefaces to Fiction; Georges de Scudéry’s Preface to Ibrahim (1674), etc.
33. Henry Gally’s A Critical Essay on Characteristic-Writings (1725).
34. Thomas Tyers’ A Biographical Sketch of Dr. Samuel Johnson (1785).
35. James Boswell, Andrew Erskine, and George Dempster. Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch (1763).
36. Joseph Harris’s The City Bride (1696).
37. Thomas Morrison’s A Pindarick Ode on Painting (1767).
The Augustan Reprint Society
General Editors
H. Richard Archer
William Andrews Clark Memorial Library
R. C. Boys
University of Michigan
E. N. Hooker
University of California, Los Angeles
John Loftis
University of California, Los Angeles
The society exists to make available inexpensive reprints (usually facsimile reproductions) of rare seventeenth and eighteenth century works. The editorial policy of the Society continues unchanged. As in the past, the editors welcome suggestions concerning publications. All income of the Society is devoted to defraying cost of publication and mailing.
All correspondence concerning subscriptions in the United States and Canada should be addressed to the William Andrews Clark Memorial Library, 2205 West Adams Boulevard, Los Angeles 18, California. Correspondence concerning editorial matters may be addressed to any of the general editors. The membership fee is $3.00 a year for subscribers in the United States and Canada and 15/- for subscribers in Great Britain and Europe. British and European subscribers should address B. H. Blackwell, Broad Street, Oxford, England.
Publications for the sixth year [1951-1952]
(At least six items, most of them from the following list, will be reprinted.)
Thomas Gray: An Elegy Wrote in a Country Church Yard (1751). Introduction by George Sherburn.
James Boswell, Andrew Erskine, and George Dempster: Critical Strictures on the New Tragedy of Elvira (1763). Introduction by Frederick A. Pottle.
An Essay on the New Species of Writing Founded by Mr. Fielding (1751). Introduction by James A. Work.
Henry Gally: A Critical Essay on Characteristic Writing (1725). Introduction by Alexander Chorney.
[John Phillips]: Satyr Against Hypocrits (1655). Introduction by Leon Howard.
Prefaces to Fiction. Selected and with an Introduction by Benjamin Boyce.
Thomas Tyers: A Biographical Sketch of Dr. Samuel Johnson ([1785]). Introduction by Gerald Dennis Meyer.
Publications for the first five years (with the exception of nos. 1-4, which are out of print) are available at the rate of $3.00 a year. Prices for individual numbers may be obtained by writing to the Society.
THE AUGUSTAN REPRINT SOCIETY
WILLIAM ANDREWS CLARK MEMORIAL LIBRARY
2205 West Adams Boulevard, Los Angeles 18, California
Make check or money order payable to The Regents of the University of California.
End of Project Gutenberg's A Satyr Against Hypocrites, by John Phillips *** END OF THIS PROJECT GUTENBERG EBOOK A SATYR AGAINST HYPOCRITES *** ***** This file should be named 49323-h.htm or 49323-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/9/3/2/49323/ Produced by David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.