Project Gutenberg's Rebecca of Sunnybrook Farm, by Kate Douglas Wiggin

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Rebecca of Sunnybrook Farm

Author: Kate Douglas Wiggin

Posting Date: September 27, 2008 [EBook #498]
Release Date: April, 1996
[Last updated: January 25, 2014]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK REBECCA OF SUNNYBROOK FARM ***




Produced by Charles Keller.  HTML version by Al Haines.








Rebecca Of Sunnybrook Farm


by

Kate Douglas Wiggin




TO MY MOTHER


  Her eyes as stars of Twilight fair;
  Like Twilight's, too, her dusky hair;
  But all things else about her drawn
  From May-time and the cheerful Dawn;
  A dancing Shape, an Image gay,
  To haunt, to startle, and way-lay.

                            Wordsworth.




CONTENTS


      I.  "WE ARE SEVEN"
     II.  REBECCA'S RELATIONS
    III.  A DIFFERENCE IN HEARTS
     IV.  REBECCA'S POINT OF VIEW
      V.  WISDOM'S WAYS
     VI.  SUNSHINE IN A SHADY PLACE
    VII.  RIVERBORO SECRETS
   VIII.  COLOR OF ROSE
     IX.  ASHES OF ROSES
      X.  RAINBOW BRIDGES
     XI.  "THE STIRRING OF THE POWERS"
    XII.  "SEE THE PALE MARTYR"
   XIII.  SNOW-WHITE; ROSE-RED
    XIV.  MR. ALADDIN
     XV.  THE BANQUET LAMP
    XVI.  SEASONS OF GROWTH
   XVII.  GRAY DAYS AND GOLD
  XVIII.  REBECCA REPRESENTS THE FAMILY
    XIX.  DEACON ISRAEL'S SUCCESSOR
     XX.  A CHANGE OF HEART
    XXI.  THE SKY LINE WIDENS
   XXII.  CLOVER BLOSSOMS AND SUNFLOWERS
  XXIII.  THE HILL DIFFICULTY
   XXIV.  ALADDIN RUBS HIS LAMP
    XXV.  ROSES OF JOY
   XXVI.  OVER THE TEACUPS
  XXVII.  "THE VISION SPLENDID"
 XXVIII.  "TH' INEVITABLE YOKE"
   XXIX.  MOTHER AND DAUGHTER
    XXX.  "GOOD-BY, SUNNYBROOK!"
   XXXI.  AUNT MIRANDA'S APOLOGY




REBECCA OF SUNNYBROOK FARM



I

"WE ARE SEVEN"

The old stage coach was rumbling along the dusty road that runs from
Maplewood to Riverboro. The day was as warm as midsummer, though it was
only the middle of May, and Mr. Jeremiah Cobb was favoring the horses
as much as possible, yet never losing sight of the fact that he carried
the mail. The hills were many, and the reins lay loosely in his hands
as he lolled back in his seat and extended one foot and leg luxuriously
over the dashboard. His brimmed hat of worn felt was well pulled over
his eyes, and he revolved a quid of tobacco in his left cheek.

There was one passenger in the coach,--a small dark-haired person in a
glossy buff calico dress. She was so slender and so stiffly starched
that she slid from space to space on the leather cushions, though she
braced herself against the middle seat with her feet and extended her
cotton-gloved hands on each side, in order to maintain some sort of
balance. Whenever the wheels sank farther than usual into a rut, or
jolted suddenly over a stone, she bounded involuntarily into the air,
came down again, pushed back her funny little straw hat, and picked up
or settled more firmly a small pink sun shade, which seemed to be her
chief responsibility,--unless we except a bead purse, into which she
looked whenever the condition of the roads would permit, finding great
apparent satisfaction in that its precious contents neither disappeared
nor grew less. Mr. Cobb guessed nothing of these harassing details of
travel, his business being to carry people to their destinations, not,
necessarily, to make them comfortable on the way. Indeed he had
forgotten the very existence of this one unnoteworthy little passenger.

When he was about to leave the post-office in Maplewood that morning, a
woman had alighted from a wagon, and coming up to him, inquired whether
this were the Riverboro stage, and if he were Mr. Cobb. Being answered
in the affirmative, she nodded to a child who was eagerly waiting for
the answer, and who ran towards her as if she feared to be a moment too
late. The child might have been ten or eleven years old perhaps, but
whatever the number of her summers, she had an air of being small for
her age. Her mother helped her into the stage coach, deposited a bundle
and a bouquet of lilacs beside her, superintended the "roping on"
behind of an old hair trunk, and finally paid the fare, counting out
the silver with great care.

"I want you should take her to my sisters' in Riverboro," she said. "Do
you know Mirandy and Jane Sawyer? They live in the brick house."

Lord bless your soul, he knew 'em as well as if he'd made 'em!

"Well, she's going there, and they're expecting her. Will you keep an
eye on her, please? If she can get out anywhere and get with folks, or
get anybody in to keep her company, she'll do it. Good-by, Rebecca; try
not to get into any mischief, and sit quiet, so you'll look neat an'
nice when you get there. Don't be any trouble to Mr. Cobb.--You see,
she's kind of excited.--We came on the cars from Temperance yesterday,
slept all night at my cousin's, and drove from her house--eight miles
it is--this morning."

"Good-by, mother, don't worry; you know it isn't as if I hadn't
traveled before."

The woman gave a short sardonic laugh and said in an explanatory way to
Mr. Cobb, "She's been to Wareham and stayed over night; that isn't much
to be journey-proud on!"

"It WAS TRAVELING, mother," said the child eagerly and willfully. "It
was leaving the farm, and putting up lunch in a basket, and a little
riding and a little steam cars, and we carried our nightgowns."

"Don't tell the whole village about it, if we did," said the mother,
interrupting the reminiscences of this experienced voyager. "Haven't I
told you before," she whispered, in a last attempt at discipline, "that
you shouldn't talk about night gowns and stockings and--things like
that, in a loud tone of voice, and especially when there's men folks
round?"

"I know, mother, I know, and I won't. All I want to say is"--here Mr.
Cobb gave a cluck, slapped the reins, and the horses started sedately
on their daily task--"all I want to say is that it is a journey
when"--the stage was really under way now and Rebecca had to put her
head out of the window over the door in order to finish her
sentence--"it IS a journey when you carry a nightgown!"

The objectionable word, uttered in a high treble, floated back to the
offended ears of Mrs. Randall, who watched the stage out of sight,
gathered up her packages from the bench at the store door, and stepped
into the wagon that had been standing at the hitching-post. As she
turned the horse's head towards home she rose to her feet for a moment,
and shading her eyes with her hand, looked at a cloud of dust in the
dim distance.

"Mirandy'll have her hands full, I guess," she said to herself; "but I
shouldn't wonder if it would be the making of Rebecca."

All this had been half an hour ago, and the sun, the heat, the dust,
the contemplation of errands to be done in the great metropolis of
Milltown, had lulled Mr. Cobb's never active mind into complete
oblivion as to his promise of keeping an eye on Rebecca.

Suddenly he heard a small voice above the rattle and rumble of the
wheels and the creaking of the harness. At first he thought it was a
cricket, a tree toad, or a bird, but having determined the direction
from which it came, he turned his head over his shoulder and saw a
small shape hanging as far out of the window as safety would allow. A
long black braid of hair swung with the motion of the coach; the child
held her hat in one hand and with the other made ineffectual attempts
to stab the driver with her microscopic sunshade.

"Please let me speak!" she called.

Mr. Cobb drew up the horses obediently.

"Does it cost any more to ride up there with you?" she asked. "It's so
slippery and shiny down here, and the stage is so much too big for me,
that I rattle round in it till I'm 'most black and blue. And the
windows are so small I can only see pieces of things, and I've 'most
broken my neck stretching round to find out whether my trunk has fallen
off the back. It's my mother's trunk, and she's very choice of it."

Mr. Cobb waited until this flow of conversation, or more properly
speaking this flood of criticism, had ceased, and then said jocularly:--

"You can come up if you want to; there ain't no extry charge to sit
side o' me." Whereupon he helped her out, "boosted" her up to the front
seat, and resumed his own place.

Rebecca sat down carefully, smoothing her dress under her with
painstaking precision, and putting her sunshade under its extended
folds between the driver and herself. This done she pushed back her
hat, pulled up her darned white cotton gloves, and said delightedly:--

"Oh! this is better! This is like traveling! I am a real passenger now,
and down there I felt like our setting hen when we shut her up in a
coop. I hope we have a long, long ways to go?"

"Oh! we've only just started on it," Mr. Cobb responded genially; "it's
more 'n two hours."

"Only two hours," she sighed "That will be half past one; mother will
be at cousin Ann's, the children at home will have had their dinner,
and Hannah cleared all away. I have some lunch, because mother said it
would be a bad beginning to get to the brick house hungry and have aunt
Mirandy have to get me something to eat the first thing.--It's a good
growing day, isn't it?"

"It is, certain; too hot, most. Why don't you put up your parasol?"

She extended her dress still farther over the article in question as
she said, "Oh dear no! I never put it up when the sun shines; pink
fades awfully, you know, and I only carry it to meetin' cloudy Sundays;
sometimes the sun comes out all of a sudden, and I have a dreadful time
covering it up; it's the dearest thing in life to me, but it's an awful
care."

At this moment the thought gradually permeated Mr. Jeremiah Cobb's
slow-moving mind that the bird perched by his side was a bird of very
different feather from those to which he was accustomed in his daily
drives. He put the whip back in its socket, took his foot from the
dashboard, pushed his hat back, blew his quid of tobacco into the road,
and having thus cleared his mental decks for action, he took his first
good look at the passenger, a look which she met with a grave,
childlike stare of friendly curiosity.

The buff calico was faded, but scrupulously clean, and starched within
an inch of its life. From the little standing ruffle at the neck the
child's slender throat rose very brown and thin, and the head looked
small to bear the weight of dark hair that hung in a thick braid to her
waist. She wore an odd little vizored cap of white leghorn, which may
either have been the latest thing in children's hats, or some bit of
ancient finery furbished up for the occasion. It was trimmed with a
twist of buff ribbon and a cluster of black and orange porcupine
quills, which hung or bristled stiffly over one ear, giving her the
quaintest and most unusual appearance. Her face was without color and
sharp in outline. As to features, she must have had the usual number,
though Mr. Cobb's attention never proceeded so far as nose, forehead,
or chin, being caught on the way and held fast by the eyes. Rebecca's
eyes were like faith,--"the substance of things hoped for, the evidence
of things not seen." Under her delicately etched brows they glowed like
two stars, their dancing lights half hidden in lustrous darkness. Their
glance was eager and full of interest, yet never satisfied; their
steadfast gaze was brilliant and mysterious, and had the effect of
looking directly through the obvious to something beyond, in the
object, in the landscape, in you. They had never been accounted for,
Rebecca's eyes. The school teacher and the minister at Temperance had
tried and failed; the young artist who came for the summer to sketch
the red barn, the ruined mill, and the bridge ended by giving up all
these local beauties and devoting herself to the face of a child,--a
small, plain face illuminated by a pair of eyes carrying such messages,
such suggestions, such hints of sleeping power and insight, that one
never tired of looking into their shining depths, nor of fancying that
what one saw there was the reflection of one's own thought.

Mr. Cobb made none of these generalizations; his remark to his wife
that night was simply to the effect that whenever the child looked at
him she knocked him galley-west.

"Miss Ross, a lady that paints, gave me the sunshade," said Rebecca,
when she had exchanged looks with Mr. Cobb and learned his face by
heart. "Did you notice the pinked double ruffle and the white tip and
handle? They're ivory. The handle is scarred, you see. That's because
Fanny sucked and chewed it in meeting when I wasn't looking. I've never
felt the same to Fanny since."

"Is Fanny your sister?"

"She's one of them."

"How many are there of you?"

"Seven. There's verses written about seven children:--

  "'Quick was the little Maid's reply,
    O master! we are seven!'

I learned it to speak in school, but the scholars were hateful and
laughed. Hannah is the oldest, I come next, then John, then Jenny, then
Mark, then Fanny, then Mira."

"Well, that IS a big family!"

"Far too big, everybody says," replied Rebecca with an unexpected and
thoroughly grown-up candor that induced Mr. Cobb to murmur, "I swan!"
and insert more tobacco in his left cheek.

"They're dear, but such a bother, and cost so much to feed, you see,"
she rippled on. "Hannah and I haven't done anything but put babies to
bed at night and take them up in the morning for years and years. But
it's finished, that's one comfort, and we'll have a lovely time when
we're all grown up and the mortgage is paid off."

"All finished? Oh, you mean you've come away?"

"No, I mean they're all over and done with; our family 's finished.
Mother says so, and she always keeps her promises. There hasn't been
any since Mira, and she's three. She was born the day father died. Aunt
Miranda wanted Hannah to come to Riverboro instead of me, but mother
couldn't spare her; she takes hold of housework better than I do,
Hannah does. I told mother last night if there was likely to be any
more children while I was away I'd have to be sent for, for when
there's a baby it always takes Hannah and me both, for mother has the
cooking and the farm."

"Oh, you live on a farm, do ye? Where is it?--near to where you got on?"

"Near? Why, it must be thousands of miles! We came from Temperance in
the cars. Then we drove a long ways to cousin Ann's and went to bed.
Then we got up and drove ever so far to Maplewood, where the stage was.
Our farm is away off from everywheres, but our school and meeting house
is at Temperance, and that's only two miles. Sitting up here with you
is most as good as climbing the meeting-house steeple. I know a boy
who's been up on our steeple. He said the people and cows looked like
flies. We haven't met any people yet, but I'm KIND of disappointed in
the cows;--they don't look so little as I hoped they would; still
(brightening) they don't look quite as big as if we were down side of
them, do they? Boys always do the nice splendid things, and girls can
only do the nasty dull ones that get left over. They can't climb so
high, or go so far, or stay out so late, or run so fast, or anything."

Mr. Cobb wiped his mouth on the back of his hand and gasped. He had a
feeling that he was being hurried from peak to peak of a mountain range
without time to take a good breath in between.

"I can't seem to locate your farm," he said, "though I've been to
Temperance and used to live up that way. What's your folks' name?"

"Randall. My mother's name is Aurelia Randall; our names are Hannah
Lucy Randall, Rebecca Rowena Randall, John Halifax Randall, Jenny Lind
Randall, Marquis Randall, Fanny Ellsler Randall, and Miranda Randall.
Mother named half of us and father the other half, but we didn't come
out even, so they both thought it would be nice to name Mira after aunt
Miranda in Riverboro; they hoped it might do some good, but it didn't,
and now we call her Mira. We are all named after somebody in
particular. Hannah is Hannah at the Window Binding Shoes, and I am
taken out of Ivanhoe; John Halifax was a gentleman in a book; Mark is
after his uncle Marquis de Lafayette that died a twin. (Twins very
often don't live to grow up, and triplets almost never--did you know
that, Mr. Cobb?) We don't call him Marquis, only Mark. Jenny is named
for a singer and Fanny for a beautiful dancer, but mother says they're
both misfits, for Jenny can't carry a tune and Fanny's kind of
stiff-legged. Mother would like to call them Jane and Frances and give
up their middle names, but she says it wouldn't be fair to father. She
says we must always stand up for father, because everything was against
him, and he wouldn't have died if he hadn't had such bad luck. I think
that's all there is to tell about us," she finished seriously.

"Land o' Liberty! I should think it was enough," ejaculated Mr. Cobb.
"There wa'n't many names left when your mother got through choosin'!
You've got a powerful good memory! I guess it ain't no trouble for you
to learn your lessons, is it?"

"Not much; the trouble is to get the shoes to go and learn 'em. These
are spandy new I've got on, and they have to last six months. Mother
always says to save my shoes. There don't seem to be any way of saving
shoes but taking 'em off and going barefoot; but I can't do that in
Riverboro without shaming aunt Mirandy. I'm going to school right along
now when I'm living with aunt Mirandy, and in two years I'm going to
the seminary at Wareham; mother says it ought to be the making of me!
I'm going to be a painter like Miss Ross when I get through school. At
any rate, that's what _I_ think I'm going to be. Mother thinks I'd
better teach."

"Your farm ain't the old Hobbs place, is it?"

"No, it's just Randall's Farm. At least that's what mother calls it. I
call it Sunnybrook Farm."

"I guess it don't make no difference what you call it so long as you
know where it is," remarked Mr. Cobb sententiously.

Rebecca turned the full light of her eyes upon him reproachfully,
almost severely, as she answered:--

"Oh! don't say that, and be like all the rest! It does make a
difference what you call things. When I say Randall's Farm, do you see
how it looks?"

"No, I can't say I do," responded Mr. Cobb uneasily.

"Now when I say Sunnybrook Farm, what does it make you think of?"

Mr. Cobb felt like a fish removed from his native element and left
panting on the sand; there was no evading the awful responsibility of a
reply, for Rebecca's eyes were searchlights, that pierced the fiction
of his brain and perceived the bald spot on the back of his head.

"I s'pose there's a brook somewheres near it," he said timorously.

Rebecca looked disappointed but not quite dis-heartened. "That's pretty
good," she said encouragingly. "You're warm but not hot; there's a
brook, but not a common brook. It has young trees and baby bushes on
each side of it, and it's a shallow chattering little brook with a
white sandy bottom and lots of little shiny pebbles. Whenever there's a
bit of sunshine the brook catches it, and it's always full of sparkles
the livelong day. Don't your stomach feel hollow? Mine doest I was so
'fraid I'd miss the stage I couldn't eat any breakfast."

"You'd better have your lunch, then. I don't eat nothin' till I get to
Milltown; then I get a piece o' pie and cup o' coffee."

"I wish I could see Milltown. I suppose it's bigger and grander even
than Wareham; more like Paris? Miss Ross told me about Paris; she
bought my pink sunshade there and my bead purse. You see how it opens
with a snap? I've twenty cents in it, and it's got to last three
months, for stamps and paper and ink. Mother says aunt Mirandy won't
want to buy things like those when she's feeding and clothing me and
paying for my school books."

"Paris ain't no great," said Mr. Cobb disparagingly. "It's the dullest
place in the State o' Maine. I've druv there many a time."

Again Rebecca was obliged to reprove Mr. Cobb, tacitly and quietly, but
none the less surely, though the reproof was dealt with one glance,
quickly sent and as quickly withdrawn.

"Paris is the capital of France, and you have to go to it on a boat,"
she said instructively. "It's in my geography, and it says: 'The French
are a gay and polite people, fond of dancing and light wines.' I asked
the teacher what light wines were, and he thought it was something like
new cider, or maybe ginger pop. I can see Paris as plain as day by just
shutting my eyes. The beautiful ladies are always gayly dancing around
with pink sunshades and bead purses, and the grand gentlemen are
politely dancing and drinking ginger pop. But you can see Milltown most
every day with your eyes wide open," Rebecca said wistfully.

"Milltown ain't no great, neither," replied Mr. Cobb, with the air of
having visited all the cities of the earth and found them as naught.
"Now you watch me heave this newspaper right onto Mis' Brown's
doorstep."

Piff! and the packet landed exactly as it was intended, on the corn
husk mat in front of the screen door.

"Oh, how splendid that was!" cried Rebecca with enthusiasm. "Just like
the knife thrower Mark saw at the circus. I wish there was a long, long
row of houses each with a corn husk mat and a screen door in the
middle, and a newspaper to throw on every one!"

"I might fail on some of 'em, you know," said Mr. Cobb, beaming with
modest pride. "If your aunt Mirandy'll let you, I'll take you down to
Milltown some day this summer when the stage ain't full."

A thrill of delicious excitement ran through Rebecca's frame, from her
new shoes up, up to the leghorn cap and down the black braid. She
pressed Mr. Cobb's knee ardently and said in a voice choking with tears
of joy and astonishment, "Oh, it can't be true, it can't; to think I
should see Milltown. It's like having a fairy godmother who asks you
your wish and then gives it to you! Did you ever read Cinderella, or
The Yellow Dwarf, or The Enchanted Frog, or The Fair One with Golden
Locks?"

"No," said Mr. Cobb cautiously, after a moment's reflection. "I don't
seem to think I ever did read jest those partic'lar ones. Where'd you
get a chance at so much readin'?"

"Oh, I've read lots of books," answered Rebecca casually. "Father's and
Miss Ross's and all the dif'rent school teachers', and all in the
Sunday-school library. I've read The Lamplighter, and Scottish Chiefs,
and Ivanhoe, and The Heir of Redclyffe, and Cora, the Doctor's Wife,
and David Copperfield, and The Gold of Chickaree, and Plutarch's Lives,
and Thaddeus of Warsaw, and Pilgrim's Progress, and lots more.--What
have you read?"

"I've never happened to read those partic'lar books; but land! I've
read a sight in my time! Nowadays I'm so drove I get along with the
Almanac, the Weekly Argus, and the Maine State Agriculturist.--There's
the river again; this is the last long hill, and when we get to the top
of it we'll see the chimbleys of Riverboro in the distance. 'T ain't
fur. I live 'bout half a mile beyond the brick house myself."

Rebecca's hand stirred nervously in her lap and she moved in her seat.
"I didn't think I was going to be afraid," she said almost under her
breath; "but I guess I am, just a little mite--when you say it's coming
so near."

"Would you go back?" asked Mr. Cobb curiously.

She flashed him an intrepid look and then said proudly, "I'd never go
back--I might be frightened, but I'd be ashamed to run. Going to aunt
Mirandy's is like going down cellar in the dark. There might be ogres
and giants under the stairs,--but, as I tell Hannah, there MIGHT be
elves and fairies and enchanted frogs!--Is there a main street to the
village, like that in Wareham?"

"I s'pose you might call it a main street, an' your aunt Sawyer lives
on it, but there ain't no stores nor mills, an' it's an awful one-horse
village! You have to go 'cross the river an' get on to our side if you
want to see anything goin' on."

"I'm almost sorry," she sighed, "because it would be so grand to drive
down a real main street, sitting high up like this behind two splendid
horses, with my pink sunshade up, and everybody in town wondering who
the bunch of lilacs and the hair trunk belongs to. It would be just
like the beautiful lady in the parade. Last summer the circus came to
Temperance, and they had a procession in the morning. Mother let us all
walk in and wheel Mira in the baby carriage, because we couldn't afford
to go to the circus in the afternoon. And there were lovely horses and
animals in cages, and clowns on horseback; and at the very end came a
little red and gold chariot drawn by two ponies, and in it, sitting on
a velvet cushion, was the snake charmer, all dressed in satin and
spangles. She was so beautiful beyond compare, Mr. Cobb, that you had
to swallow lumps in your throat when you looked at her, and little cold
feelings crept up and down your back. Don't you know how I mean? Didn't
you ever see anybody that made you feel like that?"

Mr. Cobb was more distinctly uncomfortable at this moment than he had
been at any one time during the eventful morning, but he evaded the
point dexterously by saying, "There ain't no harm, as I can see, in our
makin' the grand entry in the biggest style we can. I'll take the whip
out, set up straight, an' drive fast; you hold your bo'quet in your
lap, an' open your little red parasol, an' we'll jest make the natives
stare!"

The child's face was radiant for a moment, but the glow faded just as
quickly as she said, "I forgot--mother put me inside, and maybe she'd
want me to be there when I got to aunt Mirandy's. Maybe I'd be more
genteel inside, and then I wouldn't have to be jumped down and my
clothes fly up, but could open the door and step down like a lady
passenger. Would you please stop a minute, Mr. Cobb, and let me change?"

The stage driver good-naturedly pulled up his horses, lifted the
excited little creature down, opened the door, and helped her in,
putting the lilacs and the pink sunshade beside her.

"We've had a great trip," he said, "and we've got real well acquainted,
haven't we?--You won't forget about Milltown?"

"Never!" she exclaimed fervently; "and you're sure you won't, either?"

"Never! Cross my heart!" vowed Mr. Cobb solemnly, as he remounted his
perch; and as the stage rumbled down the village street between the
green maples, those who looked from their windows saw a little brown
elf in buff calico sitting primly on the back seat holding a great
bouquet tightly in one hand and a pink parasol in the other. Had they
been farsighted enough they might have seen, when the stage turned into
the side dooryard of the old brick house, a calico yoke rising and
falling tempestuously over the beating heart beneath, the red color
coming and going in two pale cheeks, and a mist of tears swimming in
two brilliant dark eyes.

Rebecca's journey had ended.

"There's the stage turnin' into the Sawyer girls' dooryard," said Mrs.
Perkins to her husband. "That must be the niece from up Temperance way.
It seems they wrote to Aurelia and invited Hannah, the oldest, but
Aurelia said she could spare Rebecca better, if 't was all the same to
Mirandy 'n' Jane; so it's Rebecca that's come. She'll be good comp'ny
for our Emma Jane, but I don't believe they'll keep her three months!
She looks black as an Injun what I can see of her; black and kind of
up-an-comin'. They used to say that one o' the Randalls married a
Spanish woman, somebody that was teachin' music and languages at a
boardin' school. Lorenzo was dark complected, you remember, and this
child is, too. Well, I don't know as Spanish blood is any real
disgrace, not if it's a good ways back and the woman was respectable."



II

REBECCA'S RELATIONS

They had been called the Sawyer girls when Miranda at eighteen, Jane at
twelve, and Aurelia at eight participated in the various activities of
village life; and when Riverboro fell into a habit of thought or
speech, it saw no reason for falling out of it, at any rate in the same
century. So although Miranda and Jane were between fifty and sixty at
the time this story opens, Riverboro still called them the Sawyer
girls. They were spinsters; but Aurelia, the youngest, had made what
she called a romantic marriage and what her sisters termed a mighty
poor speculation. "There's worse things than bein' old maids," they
said; whether they thought so is quite another matter.

The element of romance in Aurelia's marriage existed chiefly in the
fact that Mr. L. D. M. Randall had a soul above farming or trading and
was a votary of the Muses. He taught the weekly singing-school (then a
feature of village life) in half a dozen neighboring towns, he played
the violin and "called off" at dances, or evoked rich harmonies from
church melodeons on Sundays. He taught certain uncouth lads, when they
were of an age to enter society, the intricacies of contra dances, or
the steps of the schottische and mazurka, and he was a marked figure in
all social assemblies, though conspicuously absent from town-meetings
and the purely masculine gatherings at the store or tavern or bridge.

His hair was a little longer, his hands a little whiter, his shoes a
little thinner, his manner a trifle more polished, than that of his
soberer mates; indeed the only department of life in which he failed to
shine was the making of sufficient money to live upon. Luckily he had
no responsibilities; his father and his twin brother had died when he
was yet a boy, and his mother, whose only noteworthy achievement had
been the naming of her twin sons Marquis de Lafayette and Lorenzo de
Medici Randall, had supported herself and educated her child by making
coats up to the very day of her death. She was wont to say plaintively,
"I'm afraid the faculties was too much divided up between my twins. L.
D. M. is awful talented, but I guess M. D. L. would 'a' ben the
practical one if he'd 'a' lived."

"L. D. M. was practical enough to get the richest girl in the village,"
replied Mrs. Robinson.

"Yes," sighed his mother, "there it is again; if the twins could 'a'
married Aurelia Sawyer, 't would 'a' been all right. L. D. M. was
talented 'nough to GET Reely's money, but M. D. L. would 'a' ben
practical 'nough to have KEP' it."

Aurelia's share of the modest Sawyer property had been put into one
thing after another by the handsome and luckless Lorenzo de Medici. He
had a graceful and poetic way of making an investment for each new son
and daughter that blessed their union. "A birthday present for our
child, Aurelia," he would say,--"a little nest-egg for the future;" but
Aurelia once remarked in a moment of bitterness that the hen never
lived that could sit on those eggs and hatch anything out of them.

Miranda and Jane had virtually washed their hands of Aurelia when she
married Lorenzo de Medici Randall. Having exhausted the resources of
Riverboro and its immediate vicinity, the unfortunate couple had moved
on and on in a steadily decreasing scale of prosperity until they had
reached Temperance, where they had settled down and invited fate to do
its worst, an invitation which was promptly accepted. The maiden
sisters at home wrote to Aurelia two or three times a year, and sent
modest but serviceable presents to the children at Christmas, but
refused to assist L. D. M. with the regular expenses of his rapidly
growing family. His last investment, made shortly before the birth of
Miranda (named in a lively hope of favors which never came), was a
small farm two miles from Temperance. Aurelia managed this herself, and
so it proved a home at least, and a place for the unsuccessful Lorenzo
to die and to be buried from, a duty somewhat too long deferred, many
thought, which he performed on the day of Mira's birth.

It was in this happy-go-lucky household that Rebecca had grown up. It
was just an ordinary family; two or three of the children were handsome
and the rest plain, three of them rather clever, two industrious, and
two commonplace and dull. Rebecca had her father's facility and had
been his aptest pupil. She "carried" the alto by ear, danced without
being taught, played the melodeon without knowing the notes. Her love
of books she inherited chiefly from her mother, who found it hard to
sweep or cook or sew when there was a novel in the house. Fortunately
books were scarce, or the children might sometimes have gone ragged and
hungry.

But other forces had been at work in Rebecca, and the traits of unknown
forbears had been wrought into her fibre. Lorenzo de Medici was flabby
and boneless; Rebecca was a thing of fire and spirit: he lacked energy
and courage; Rebecca was plucky at two and dauntless at five. Mrs.
Randall and Hannah had no sense of humor; Rebecca possessed and showed
it as soon as she could walk and talk.

She had not been able, however, to borrow her parents' virtues and
those of other generous ancestors and escape all the weaknesses in the
calendar. She had not her sister Hannah's patience or her brother
John's sturdy staying power. Her will was sometimes willfulness, and
the ease with which she did most things led her to be impatient of hard
tasks or long ones. But whatever else there was or was not, there was
freedom at Randall's farm. The children grew, worked, fought, ate what
and slept where they could; loved one another and their parents pretty
well, but with no tropical passion; and educated themselves for nine
months of the year, each one in his own way.

As a result of this method Hannah, who could only have been developed
by forces applied from without, was painstaking, humdrum, and limited;
while Rebecca, who apparently needed nothing but space to develop in,
and a knowledge of terms in which to express herself, grew and grew and
grew, always from within outward. Her forces of one sort and another
had seemingly been set in motion when she was born; they needed no
daily spur, but moved of their own accord--towards what no one knew,
least of all Rebecca herself. The field for the exhibition of her
creative instinct was painfully small, and the only use she had made of
it as yet was to leave eggs out of the corn bread one day and milk
another, to see how it would turn out; to part Fanny's hair sometimes
in the middle, sometimes on the right, and sometimes on the left side;
and to play all sorts of fantastic pranks with the children,
occasionally bringing them to the table as fictitious or historical
characters found in her favorite books. Rebecca amused her mother and
her family generally, but she never was counted of serious importance,
and though considered "smart" and old for her age, she was never
thought superior in any way. Aurelia's experience of genius, as
exemplified in the deceased Lorenzo de Medici led her into a greater
admiration of plain, every-day common sense, a quality in which
Rebecca, it must be confessed, seemed sometimes painfully deficient.

Hannah was her mother's favorite, so far as Aurelia could indulge
herself in such recreations as partiality. The parent who is obliged to
feed and clothe seven children on an income of fifteen dollars a month
seldom has time to discriminate carefully between the various members
of her brood, but Hannah at fourteen was at once companion and partner
in all her mother's problems. She it was who kept the house while
Aurelia busied herself in barn and field. Rebecca was capable of
certain set tasks, such as keeping the small children from killing
themselves and one another, feeding the poultry, picking up chips,
hulling strawberries, wiping dishes; but she was thought irresponsible,
and Aurelia, needing somebody to lean on (having never enjoyed that
luxury with the gifted Lorenzo), leaned on Hannah. Hannah showed the
result of this attitude somewhat, being a trifle careworn in face and
sharp in manner; but she was a self-contained, well-behaved, dependable
child, and that is the reason her aunts had invited her to Riverboro to
be a member of their family and participate in all the advantages of
their loftier position in the world. It was several years since Miranda
and Jane had seen the children, but they remembered with pleasure that
Hannah had not spoken a word during the interview, and it was for this
reason that they had asked for the pleasure of her company. Rebecca, on
the other hand, had dressed up the dog in John's clothes, and being
requested to get the three younger children ready for dinner, she had
held them under the pump and then proceeded to "smack" their hair flat
to their heads by vigorous brushing, bringing them to the table in such
a moist and hideous state of shininess that their mother was ashamed of
their appearance. Rebecca's own black locks were commonly pushed
smoothly off her forehead, but on this occasion she formed what I must
perforce call by its only name, a spit-curl, directly in the centre of
her brow, an ornament which she was allowed to wear a very short time,
only in fact till Hannah was able to call her mother's attention to it,
when she was sent into the next room to remove it and to come back
looking like a Christian. This command she interpreted somewhat too
literally perhaps, because she contrived in a space of two minutes an
extremely pious style of hairdressing, fully as effective if not as
startling as the first. These antics were solely the result of nervous
irritation, a mood born of Miss Miranda Sawyer's stiff, grim, and
martial attitude. The remembrance of Rebecca was so vivid that their
sister Aurelia's letter was something of a shock to the quiet, elderly
spinsters of the brick house; for it said that Hannah could not
possibly be spared for a few years yet, but that Rebecca would come as
soon as she could be made ready; that the offer was most thankfully
appreciated, and that the regular schooling and church privileges, as
well as the influence of the Sawyer home, would doubtless be "the
making of Rebecca."



III

A DIFFERENCE IN HEARTS

"I don' know as I cal'lated to be the makin' of any child," Miranda had
said as she folded Aurelia's letter and laid it in the light-stand
drawer. "I s'posed, of course, Aurelia would send us the one we asked
for, but it's just like her to palm off that wild young one on somebody
else."

"You remember we said that Rebecca or even Jenny might come, in case
Hannah couldn't," interposed Jane.

"I know we did, but we hadn't any notion it would turn out that way,"
grumbled Miranda.

"She was a mite of a thing when we saw her three years ago," ventured
Jane; "she's had time to improve."

"And time to grow worse!"

"Won't it be kind of a privilege to put her on the right track?" asked
Jane timidly.

"I don' know about the privilege part; it'll be considerable of a
chore, I guess. If her mother hain't got her on the right track by now,
she won't take to it herself all of a sudden."

This depressed and depressing frame of mind had lasted until the
eventful day dawned on which Rebecca was to arrive.

"If she makes as much work after she comes as she has before, we might
as well give up hope of ever gettin' any rest," sighed Miranda as she
hung the dish towels on the barberry bushes at the side door.

"But we should have had to clean house, Rebecca or no Rebecca," urged
Jane; "and I can't see why you've scrubbed and washed and baked as you
have for that one child, nor why you've about bought out Watson's stock
of dry goods."

"I know Aurelia if you don't," responded Miranda. "I've seen her house,
and I've seen that batch o' children, wearin' one another's clothes and
never carin' whether they had 'em on right sid' out or not; I know what
they've had to live and dress on, and so do you. That child will like
as not come here with a passel o' things borrowed from the rest o' the
family. She'll have Hannah's shoes and John's undershirts and Mark's
socks most likely. I suppose she never had a thimble on her finger in
her life, but she'll know the feelin' o' one before she's ben here many
days. I've bought a piece of unbleached muslin and a piece o' brown
gingham for her to make up; that'll keep her busy. Of course she won't
pick up anything after herself; she probably never see a duster, and
she'll be as hard to train into our ways as if she was a heathen."

"She'll make a dif'rence," acknowledged Jane, "but she may turn out
more biddable 'n we think."

"She'll mind when she's spoken to, biddable or not," remarked Miranda
with a shake of the last towel.

Miranda Sawyer had a heart, of course, but she had never used it for
any other purpose than the pumping and circulating of blood. She was
just, conscientious, economical, industrious; a regular attendant at
church and Sunday-school, and a member of the State Missionary and
Bible societies, but in the presence of all these chilly virtues you
longed for one warm little fault, or lacking that, one likable failing,
something to make you sure she was thoroughly alive. She had never had
any education other than that of the neighborhood district school, for
her desires and ambitions had all pointed to the management of the
house, the farm, and the dairy. Jane, on the other hand, had gone to an
academy, and also to a boarding-school for young ladies; so had
Aurelia; and after all the years that had elapsed there was still a
slight difference in language and in manner between the elder and the
two younger sisters.

Jane, too, had had the inestimable advantage of a sorrow; not the
natural grief at the loss of her aged father and mother, for she had
been content to let them go; but something far deeper. She was engaged
to marry young Tom Carter, who had nothing to marry on, it is true, but
who was sure to have, some time or other. Then the war broke out. Tom
enlisted at the first call. Up to that time Jane had loved him with a
quiet, friendly sort of affection, and had given her country a mild
emotion of the same sort. But the strife, the danger, the anxiety of
the time, set new currents of feeling in motion. Life became something
other than the three meals a day, the round of cooking, washing,
sewing, and church going. Personal gossip vanished from the village
conversation. Big things took the place of trifling ones,--sacred
sorrows of wives and mothers, pangs of fathers and husbands,
self-denials, sympathies, new desire to bear one another's burdens. Men
and women grew fast in those days of the nation's trouble and danger,
and Jane awoke from the vague dull dream she had hitherto called life
to new hopes, new fears, new purposes. Then after a year's anxiety, a
year when one never looked in the newspaper without dread and sickness
of suspense, came the telegram saying that Tom was wounded; and without
so much as asking Miranda's leave, she packed her trunk and started for
the South. She was in time to hold Tom's hand through hours of pain; to
show him for once the heart of a prim New England girl when it is
ablaze with love and grief; to put her arms about him so that he could
have a home to die in, and that was all;--all, but it served.

It carried her through weary months of nursing--nursing of other
soldiers for Tom's dear sake; it sent her home a better woman; and
though she had never left Riverboro in all the years that lay between,
and had grown into the counterfeit presentment of her sister and of all
other thin, spare, New England spinsters, it was something of a
counterfeit, and underneath was still the faint echo of that wild
heart-beat of her girlhood. Having learned the trick of beating and
loving and suffering, the poor faithful heart persisted, although it
lived on memories and carried on its sentimental operations mostly in
secret.

"You're soft, Jane," said Miranda once; "you allers was soft, and you
allers will be. If 't wa'n't for me keeping you stiffened up, I b'lieve
you'd leak out o' the house into the dooryard."


It was already past the appointed hour for Mr. Cobb and his coach to be
lumbering down the street.

"The stage ought to be here," said Miranda, glancing nervously at the
tall clock for the twentieth time. "I guess everything 's done. I've
tacked up two thick towels back of her washstand and put a mat under
her slop-jar; but children are awful hard on furniture. I expect we
sha'n't know this house a year from now."

Jane's frame of mind was naturally depressed and timorous, having been
affected by Miranda's gloomy presages of evil to come. The only
difference between the sisters in this matter was that while Miranda
only wondered how they could endure Rebecca, Jane had flashes of
inspiration in which she wondered how Rebecca would endure them. It was
in one of these flashes that she ran up the back stairs to put a vase
of apple blossoms and a red tomato-pincushion on Rebecca's bureau.

The stage rumbled to the side door of the brick house, and Mr. Cobb
handed Rebecca out like a real lady passenger. She alighted with great
circumspection, put the bunch of faded flowers in her aunt Miranda's
hand, and received her salute; it could hardly be called a kiss without
injuring the fair name of that commodity.

"You needn't 'a' bothered to bring flowers," remarked that gracious and
tactful lady; "the garden 's always full of 'em here when it comes
time."

Jane then kissed Rebecca, giving a somewhat better imitation of the
real thing than her sister. "Put the trunk in the entry, Jeremiah, and
we'll get it carried upstairs this afternoon," she said.

"I'll take it up for ye now, if ye say the word, girls."

"No, no; don't leave the horses; somebody'll be comin' past, and we can
call 'em in."

"Well, good-by, Rebecca; good-day, Mirandy 'n' Jane. You've got a
lively little girl there. I guess she'll be a first-rate company
keeper."

Miss Sawyer shuddered openly at the adjective "lively" as applied to a
child; her belief being that though children might be seen, if
absolutely necessary, they certainly should never be heard if she could
help it. "We're not much used to noise, Jane and me," she remarked
acidly.

Mr. Cobb saw that he had taken the wrong tack, but he was too unused to
argument to explain himself readily, so he drove away, trying to think
by what safer word than "lively" he might have described his
interesting little passenger.

"I'll take you up and show you your room, Rebecca," Miss Miranda said.
"Shut the mosquito nettin' door tight behind you, so 's to keep the
flies out; it ain't flytime yet, but I want you to start right; take
your passel along with ye and then you won't have to come down for it;
always make your head save your heels. Rub your feet on that braided
rug; hang your hat and cape in the entry there as you go past."

"It's my best hat," said Rebecca

"Take it upstairs then and put it in the clothes-press; but I shouldn't
'a' thought you'd 'a' worn your best hat on the stage."

"It's my only hat," explained Rebecca. "My every-day hat wasn't good
enough to bring. Fanny's going to finish it."

"Lay your parasol in the entry closet."

"Do you mind if I keep it in my room, please? It always seems safer."

"There ain't any thieves hereabouts, and if there was, I guess they
wouldn't make for your sunshade, but come along. Remember to always go
up the back way; we don't use the front stairs on account o' the
carpet; take care o' the turn and don't ketch your foot; look to your
right and go in. When you've washed your face and hands and brushed
your hair you can come down, and by and by we'll unpack your trunk and
get you settled before supper. Ain't you got your dress on hind sid'
foremost?"

Rebecca drew her chin down and looked at the row of smoked pearl
buttons running up and down the middle of her flat little chest.

"Hind side foremost? Oh, I see! No, that's all right. If you have seven
children you can't keep buttonin' and unbuttonin' 'em all the
time--they have to do themselves. We're always buttoned up in front at
our house. Mira's only three, but she's buttoned up in front, too."

Miranda said nothing as she closed the door, but her looks were at once
equivalent to and more eloquent than words.

Rebecca stood perfectly still in the centre of the floor and looked
about her. There was a square of oilcloth in front of each article of
furniture and a drawn-in rug beside the single four poster, which was
covered with a fringed white dimity counterpane.

Everything was as neat as wax, but the ceilings were much higher than
Rebecca was accustomed to. It was a north room, and the window, which
was long and narrow, looked out on the back buildings and the barn.

It was not the room, which was far more comfortable than Rebecca's own
at the farm, nor the lack of view, nor yet the long journey, for she
was not conscious of weariness; it was not the fear of a strange place,
for she loved new places and courted new sensations; it was because of
some curious blending of uncomprehended emotions that Rebecca stood her
sunshade in the corner, tore off her best hat, flung it on the bureau
with the porcupine quills on the under side, and stripping down the
dimity spread, precipitated herself into the middle of the bed and
pulled the counterpane over her head.

In a moment the door opened quietly. Knocking was a refinement quite
unknown in Riverboro, and if it had been heard of would never have been
wasted on a child.

Miss Miranda entered, and as her eye wandered about the vacant room, it
fell upon a white and tempestuous ocean of counterpane, an ocean
breaking into strange movements of wave and crest and billow.

"REBECCA!"

The tone in which the word was voiced gave it all the effect of having
been shouted from the housetops.

A dark ruffled head and two frightened eyes appeared above the dimity
spread.

"What are you layin' on your good bed in the daytime for, messin' up
the feathers, and dirtyin' the pillers with your dusty boots?"

Rebecca rose guiltily. There seemed no excuse to make. Her offense was
beyond explanation or apology.

"I'm sorry, aunt Mirandy--something came over me; I don't know what."

"Well, if it comes over you very soon again we'll have to find out what
't is. Spread your bed up smooth this minute, for 'Bijah Flagg 's
bringin' your trunk upstairs, and I wouldn't let him see such a
cluttered-up room for anything; he'd tell it all over town."


When Mr. Cobb had put up his horses that night he carried a kitchen
chair to the side of his wife, who was sitting on the back porch.

"I brought a little Randall girl down on the stage from Maplewood
to-day, mother. She's kin to the Sawyer girls an' is goin' to live with
'em," he said, as he sat down and began to whittle. "She's that
Aurelia's child, the one that ran away with Susan Randall's son just
before we come here to live."

"How old a child?"

"'Bout ten, or somewhere along there, an' small for her age; but land!
she might be a hundred to hear her talk! She kep' me jumpin' tryin' to
answer her! Of all the queer children I ever come across she's the
queerest. She ain't no beauty--her face is all eyes; but if she ever
grows up to them eyes an' fills out a little she'll make folks stare.
Land, mother! I wish 't you could 'a' heard her talk."

"I don't see what she had to talk about, a child like that, to a
stranger," replied Mrs. Cobb.

"Stranger or no stranger, 't wouldn't make no difference to her. She'd
talk to a pump or a grind-stun; she'd talk to herself ruther 'n keep
still."

"What did she talk about?"

"Blamed if I can repeat any of it. She kep' me so surprised I didn't
have my wits about me. She had a little pink sunshade--it kind o'
looked like a doll's amberill, 'n' she clung to it like a burr to a
woolen stockin'. I advised her to open it up--the sun was so hot; but
she said no, 't would fade, an' she tucked it under her dress. 'It's
the dearest thing in life to me,' says she, 'but it's a dreadful care.'
Them 's the very words, an' it's all the words I remember. 'It's the
dearest thing in life to me, but it's an awful care!' "--here Mr. Cobb
laughed aloud as he tipped his chair back against the side of the
house. "There was another thing, but I can't get it right exactly. She
was talkin' 'bout the circus parade an' the snake charmer in a gold
chariot, an' says she, 'She was so beautiful beyond compare, Mr. Cobb,
that it made you have lumps in your throat to look at her.' She'll be
comin' over to see you, mother, an' you can size her up for yourself. I
don' know how she'll git on with Mirandy Sawyer--poor little soul!"

This doubt was more or less openly expressed in Riverboro, which,
however, had two opinions on the subject; one that it was a most
generous thing in the Sawyer girls to take one of Aurelia's children to
educate, the other that the education would be bought at a price wholly
out of proportion to its intrinsic value.

Rebecca's first letters to her mother would seem to indicate that she
cordially coincided with the latter view of the situation.



IV

REBECCA'S POINT OF VIEW

    Dear Mother,--I am safely here. My dress was not much tumbled
    and Aunt Jane helped me press it out. I like Mr. Cobb very
    much. He chews but throws newspapers straight up to the
    doors. I rode outside a little while, but got inside before I
    got to Aunt Miranda's house. I did not want to, but thought
    you would like it better. Miranda is such a long word that I
    think I will say Aunt M. and Aunt J. in my Sunday letters.
    Aunt J. has given me a dictionary to look up all the hard
    words in. It takes a good deal of time and I am glad people
    can talk without stoping to spell. It is much eesier to talk
    than write and much more fun. The brick house looks just the
    same as you have told us. The parler is splendid and gives
    you creeps and chills when you look in the door. The
    furnature is ellergant too, and all the rooms but there are
    no good sitting-down places exsept in the kitchen. The same
    cat is here but they do not save kittens when she has them,
    and the cat is too old to play with. Hannah told me once you
    ran away with father and I can see it would be nice. If Aunt
    M. would run away I think I should like to live with Aunt J.
    She does not hate me as bad as Aunt M. does. Tell Mark he can
    have my paint box, but I should like him to keep the red cake
    in case I come home again. I hope Hannah and John do not get
    tired doing my chores.

    Your afectionate friend

    Rebecca.

    P. S. Please give the piece of poetry to John because he
    likes my poetry even when it is not very good. This piece is
    not very good but it is true but I hope you won't mind what
    is in it as you ran away.

       This house is dark and dull and dreer
       No light doth shine from far or near
           Its like the tomb.

       And those of us who live herein
       Are most as dead as serrafim
           Though not as good.

       My gardian angel is asleep
       At leest he doth no vigil keep

       Ah! woe is me!

       Then give me back my lonely farm
       Where none alive did wish me harm
           Dear home of youth!

    P. S. again. I made the poetry like a piece in a book but
    could not get it right at first. You see "tomb" and "good" do
    not sound well together but I wanted to say "tomb" dreadfully
    and as serrafim are always "good" I couldn't take that out. I
    have made it over now. It does not say my thoughts as well
    but think it is more right. Give the best one to John as he
    keeps them in a box with his birds' eggs. This is the best
    one.


      SUNDAY THOUGHTS

             BY

      REBECCA ROWENA RANDALL

      This house is dark and dull and drear
      No light doth shine from far or near
          Nor ever could.

      And those of us who live herein
      Are most as dead as seraphim
          Though not as good.

      My guardian angel is asleep
      At least he doth no vigil keep
          But far doth roam.

      Then give me back my lonely farm
      Where none alive did wish me harm,
          Dear childhood home!


    Dear Mother,--I am thrilling with unhappyness this morning. I
    got that out of Cora The Doctor's Wife whose husband's mother
    was very cross and unfealing to her like Aunt M. to me. I
    wish Hannah had come instead of me for it was Hannah that was
    wanted and she is better than I am and does not answer back
    so quick. Are there any peaces of my buff calico. Aunt J.
    wants enough to make a new waste button behind so I wont look
    so outlandish. The stiles are quite pretty in Riverboro and
    those at Meeting quite ellergant more so than in Temperance.

      This town is stilish, gay and fair,
      And full of wellthy riches rare,
      But I would pillow on my arm
      The thought of my sweet Brookside Farm.

    School is pretty good. The Teacher can answer more questions
    than the Temperance one but not so many as I can ask. I am
    smarter than all the girls but one but not so smart as two
    boys. Emma Jane can add and subtract in her head like a
    streek of lightning and knows the speling book right through
    but has no thoughts of any kind. She is in the Third Reader
    but does not like stories in books. I am in the Sixth Reader
    but just because I cannot say the seven multiplication Table
    Miss Dearborn threttens to put me in the baby primer class
    with Elijah and Elisha Simpson little twins.

      Sore is my heart and bent my stubborn pride,
      With Lijah and with Lisha am I tied,
      My soul recoyles like Cora Doctor's Wife,
      Like her I feer I cannot bare this life.


    I am going to try for the speling prize but fear I cannot get
    it. I would not care but wrong speling looks dreadful in
    poetry. Last Sunday when I found seraphim in the dictionary I
    was ashamed I had made it serrafim but seraphim is not a word
    you can guess at like another long one outlandish in this
    letter which spells itself. Miss Dearborn says use the words
    you CAN spell and if you cant spell seraphim make angel do
    but angels are not just the same as seraphims. Seraphims are
    brighter whiter and have bigger wings and I think are older
    and longer dead than angels which are just freshly dead and
    after a long time in heaven around the great white throne
    grow to be seraphims.

    I sew on brown gingham dresses every afternoon when Emma Jane
    and the Simpsons are playing house or running on the Logs
    when their mothers do not know it. Their mothers are afraid
    they will drown and Aunt M. is afraid I will wet my clothes
    so will not let me either. I can play from half past four to
    supper and after supper a little bit and Saturday afternoons.
    I am glad our cow has a calf and it is spotted. It is going
    to be a good year for apples and hay so you and John will be
    glad and we can pay a little more morgage. Miss Dearborn
    asked us what is the object of edducation and I said the
    object of mine was to help pay off the morgage. She told Aunt
    M. and I had to sew extra for punishment because she says a
    morgage is disgrace like stealing or smallpox and it will be
    all over town that we have one on our farm. Emma Jane is not
    morgaged nor Richard Carter nor Dr. Winship but the Simpsons
    are.

      Rise my soul, strain every nerve,
      Thy morgage to remove,
      Gain thy mother's heartfelt thanks
      Thy family's grateful love.

    Pronounce family QUICK or it won't sound right

    Your loving little friend
    Rebecca


    Dear John,--You remember when we tide the new dog in the barn
    how he bit the rope and howled I am just like him only the
    brick house is the barn and I can not bite Aunt M. because I
    must be grateful and edducation is going to be the making of
    me and help you pay off the morgage when we grow up.
    Your loving

    Becky.



V

WISDOM'S WAYS

The day of Rebecca's arrival had been Friday, and on the Monday
following she began her education at the school which was in Riverboro
Centre, about a mile distant. Miss Sawyer borrowed a neighbor's horse
and wagon and drove her to the schoolhouse, interviewing the teacher,
Miss Dearborn, arranging for books, and generally starting the child on
the path that was to lead to boundless knowledge. Miss Dearborn, it may
be said in passing, had had no special preparation in the art of
teaching. It came to her naturally, so her family said, and perhaps for
this reason she, like Tom Tulliver's clergyman tutor, "set about it
with that uniformity of method and independence of circumstances which
distinguish the actions of animals understood to be under the immediate
teaching of Nature." You remember the beaver which a naturalist tells
us "busied himself as earnestly in constructing a dam in a room up
three pair of stairs in London as if he had been laying his foundation
in a lake in Upper Canada. It was his function to build, the absence of
water or of possible progeny was an accident for which he was not
accountable." In the same manner did Miss Dearborn lay what she fondly
imagined to be foundations in the infant mind.

Rebecca walked to school after the first morning. She loved this part
of the day's programme. When the dew was not too heavy and the weather
was fair there was a short cut through the woods. She turned off the
main road, crept through uncle Josh Woodman's bars, waved away Mrs.
Carter's cows, trod the short grass of the pasture, with its well-worn
path running through gardens of buttercups and white-weed, and groves
of ivory leaves and sweet fern. She descended a little hill, jumped
from stone to stone across a woodland brook, startling the drowsy
frogs, who were always winking and blinking in the morning sun. Then
came the "woodsy bit," with her feet pressing the slippery carpet of
brown pine needles; the "woodsy bit" so full of dewy morning,
surprises,--fungous growths of brilliant orange and crimson springing
up around the stumps of dead trees, beautiful things born in a single
night; and now and then the miracle of a little clump of waxen Indian
pipes, seen just quickly enough to be saved from her careless tread.
Then she climbed a stile, went through a grassy meadow, slid under
another pair of bars, and came out into the road again having gained
nearly half a mile.

How delicious it all was! Rebecca clasped her Quackenbos's Grammar and
Greenleaf's Arithmetic with a joyful sense of knowing her lessons. Her
dinner pail swung from her right hand, and she had a blissful
consciousness of the two soda biscuits spread with butter and syrup,
the baked cup-custard, the doughnut, and the square of hard
gingerbread. Sometimes she said whatever "piece" she was going to speak
on the next Friday afternoon.

  "A soldier of the Legion lay dying in Algiers,
   There was lack of woman's nursing, there was dearth of
          woman's tears."

How she loved the swing and the sentiment of it! How her young voice
quivered whenever she came to the refrain:--

  "But we'll meet no more at Bingen, dear Bingen on the Rhine."

It always sounded beautiful in her ears, as she sent her tearful little
treble into the clear morning air. Another early favorite (for we must
remember that Rebecca's only knowledge of the great world of poetry
consisted of the selections in vogue in school readers) was:--

  "Woodman, spare that tree!
    Touch not a single bough!
  In youth it sheltered me,
    And I'll protect it now."

When Emma Jane Perkins walked through the "short cut" with her, the two
children used to render this with appropriate dramatic action. Emma
Jane always chose to be the woodman because she had nothing to do but
raise on high an imaginary axe. On the one occasion when she essayed
the part of the tree's romantic protector, she represented herself as
feeling "so awful foolish" that she refused to undertake it again, much
to the secret delight of Rebecca, who found the woodman's role much too
tame for her vaulting ambition. She reveled in the impassioned appeal
of the poet, and implored the ruthless woodman to be as brutal as
possible with the axe, so that she might properly put greater spirit
into her lines. One morning, feeling more frisky than usual, she fell
upon her knees and wept in the woodman's petticoat. Curiously enough,
her sense of proportion rejected this as soon as it was done.

"That wasn't right, it was silly, Emma Jane; but I'll tell you where it
might come in--in Give me Three Grains of Corn. You be the mother, and
I'll be the famishing Irish child. For pity's sake put the axe down;
you are not the woodman any longer!"

"What'll I do with my hands, then?" asked Emma Jane.

"Whatever you like," Rebecca answered wearily; "you're just a
mother--that's all. What does YOUR mother do with her hands? Now here
goes!

  "'Give me three grains of corn, mother,
    Only three grains of corn,
  'T will keep the little life I have
    Till the coming of the morn.'"

This sort of thing made Emma Jane nervous and fidgety, but she was
Rebecca's slave and hugged her chains, no matter how uncomfortable they
made her.

At the last pair of bars the two girls were sometimes met by a
detachment of the Simpson children, who lived in a black house with a
red door and a red barn behind, on the Blueberry Plains road. Rebecca
felt an interest in the Simpsons from the first, because there were so
many of them and they were so patched and darned, just like her own
brood at the home farm.

The little schoolhouse with its flagpole on top and its two doors in
front, one for boys and the other for girls, stood on the crest of a
hill, with rolling fields and meadows on one side, a stretch of pine
woods on the other, and the river glinting and sparkling in the
distance. It boasted no attractions within. All was as bare and ugly
and uncomfortable as it well could be, for the villages along the river
expended so much money in repairing and rebuilding bridges that they
were obliged to be very economical in school privileges. The teacher's
desk and chair stood on a platform in one corner; there was an uncouth
stove, never blackened oftener than once a year, a map of the United
States, two black-boards, a ten-quart tin pail of water and
long-handled dipper on a corner shelf, and wooden desks and benches for
the scholars, who only numbered twenty in Rebecca's time. The seats
were higher in the back of the room, and the more advanced and
longer-legged pupils sat there, the position being greatly to be
envied, as they were at once nearer to the windows and farther from the
teacher.

There were classes of a sort, although nobody, broadly speaking,
studied the same book with anybody else, or had arrived at the same
degree of proficiency in any one branch of learning. Rebecca in
particular was so difficult to classify that Miss Dearborn at the end
of a fortnight gave up the attempt altogether. She read with Dick
Carter and Living Perkins, who were fitting for the academy; recited
arithmetic with lisping little Thuthan Thimpthon; geography with Emma
Jane Perkins, and grammar after school hours to Miss Dearborn alone.
Full to the brim as she was of clever thoughts and quaint fancies, she
made at first but a poor hand at composition. The labor of writing and
spelling, with the added difficulties of punctuation and capitals,
interfered sadly with the free expression of ideas. She took history
with Alice Robinson's class, which was attacking the subject of the
Revolution, while Rebecca was bidden to begin with the discovery of
America. In a week she had mastered the course of events up to the
Revolution, and in ten days had arrived at Yorktown, where the class
had apparently established summer quarters. Then finding that extra
effort would only result in her reciting with the oldest Simpson boy,
she deliberately held herself back, for wisdom's ways were not those of
pleasantness nor her paths those of peace if one were compelled to
tread them in the company of Seesaw Simpson. Samuel Simpson was
generally called Seesaw, because of his difficulty in making up his
mind. Whether it were a question of fact, of spelling, or of date, of
going swimming or fishing, of choosing a book in the Sunday-school
library or a stick of candy at the village store, he had no sooner
determined on one plan of action than his wish fondly reverted to the
opposite one. Seesaw was pale, flaxen haired, blue eyed, round
shouldered, and given to stammering when nervous. Perhaps because of
his very weakness Rebecca's decision of character had a fascination for
him, and although she snubbed him to the verge of madness, he could
never keep his eyes away from her. The force with which she tied her
shoe when the lacing came undone, the flirt over shoulder she gave her
black braid when she was excited or warm, her manner of studying,--book
on desk, arms folded, eyes fixed on the opposite wall,--all had an
abiding charm for Seesaw Simpson. When, having obtained permission, she
walked to the water pail in the corner and drank from the dipper,
unseen forces dragged Seesaw from his seat to go and drink after her.
It was not only that there was something akin to association and
intimacy in drinking next, but there was the fearful joy of meeting her
in transit and receiving a cold and disdainful look from her wonderful
eyes.

On a certain warm day in summer Rebecca's thirst exceeded the bounds of
propriety. When she asked a third time for permission to quench it at
the common fountain Miss Dearborn nodded "yes," but lifted her eyebrows
unpleasantly as Rebecca neared the desk. As she replaced the dipper
Seesaw promptly raised his hand, and Miss Dearborn indicated a weary
affirmative.

"What is the matter with you, Rebecca?" she asked.

"I had salt mackerel for breakfast," answered Rebecca.

There seemed nothing humorous about this reply, which was merely the
statement of a fact, but an irrepressible titter ran through the
school. Miss Dearborn did not enjoy jokes neither made nor understood
by herself, and her face flushed.

"I think you had better stand by the pail for five minutes, Rebecca; it
may help you to control your thirst."

Rebecca's heart fluttered. She to stand in the corner by the water pail
and be stared at by all the scholars! She unconsciously made a gesture
of angry dissent and moved a step nearer her seat, but was arrested by
Miss Dearborn's command in a still firmer voice.

"Stand by the pail, Rebecca! Samuel, how many times have you asked for
water to-day?"

"This is the f-f-fourth."

"Don't touch the dipper, please. The school has done nothing but drink
this afternoon; it has had no time whatever to study. I suppose you had
something salt for breakfast, Samuel?" queried Miss Dearborn with
sarcasm.

"I had m-m-mackerel, j-just like Reb-b-becca." (Irrepressible giggles
by the school.)

"I judged so. Stand by the other side of the pail, Samuel."

Rebecca's head was bowed with shame and wrath. Life looked too black a
thing to be endured. The punishment was bad enough, but to be coupled
in correction with Seesaw Simpson was beyond human endurance.

Singing was the last exercise in the afternoon, and Minnie Smellie
chose Shall we Gather at the River? It was a baleful choice and seemed
to hold some secret and subtle association with the situation and
general progress of events; or at any rate there was apparently some
obscure reason for the energy and vim with which the scholars shouted
the choral invitation again and again:--

  "Shall we gather at the river,
  The beautiful, the beautiful river?"

Miss Dearborn stole a look at Rebecca's bent head and was frightened.
The child's face was pale save for two red spots glowing on her cheeks.
Tears hung on her lashes; her breath came and went quickly, and the
hand that held her pocket handkerchief trembled like a leaf.

"You may go to your seat, Rebecca," said Miss Dearborn at the end of
the first song. "Samuel, stay where you are till the close of school.
And let me tell you, scholars, that I asked Rebecca to stand by the
pail only to break up this habit of incessant drinking, which is
nothing but empty-mindedness and desire to walk to and fro over the
floor. Every time Rebecca has asked for a drink to-day the whole school
has gone to the pail one after another. She is really thirsty, and I
dare say I ought to have punished you for following her example, not
her for setting it. What shall we sing now, Alice?"

"The Old Oaken Bucket, please."

"Think of something dry, Alice, and change the subject. Yes, The Star
Spangled Banner if you like, or anything else."

Rebecca sank into her seat and pulled the singing book from her desk.
Miss Dearborn's public explanation had shifted some of the weight from
her heart, and she felt a trifle raised in her self-esteem.

Under cover of the general relaxation of singing, votive offerings of
respectful sympathy began to make their appearance at her shrine.
Living Perkins, who could not sing, dropped a piece of maple sugar in
her lap as he passed her on his way to the blackboard to draw the map
of Maine. Alice Robinson rolled a perfectly new slate pencil over the
floor with her foot until it reached Rebecca's place, while her
seat-mate, Emma Jane, had made up a little mound of paper balls and
labeled them "Bullets for you know who."

Altogether existence grew brighter, and when she was left alone with
the teacher for her grammar lesson she had nearly recovered her
equanimity, which was more than Miss Dearborn had. The last clattering
foot had echoed through the hall, Seesaw's backward glance of penitence
had been met and answered defiantly by one of cold disdain.

"Rebecca, I am afraid I punished you more than I meant," said Miss
Dearborn, who was only eighteen herself, and in her year of teaching
country schools had never encountered a child like Rebecca.

"I hadn't missed a question this whole day, nor whispered either,"
quavered the culprit; "and I don't think I ought to be shamed just for
drinking."

"You started all the others, or it seemed as if you did. Whatever you
do they all do, whether you laugh, or miss, or write notes, or ask to
leave the room, or drink; and it must be stopped."

"Sam Simpson is a copycoat!" stormed Rebecca "I wouldn't have minded
standing in the corner alone--that is, not so very much; but I couldn't
bear standing with him."

"I saw that you couldn't, and that's the reason I told you to take your
seat, and left him in the corner. Remember that you are a stranger in
the place, and they take more notice of what you do, so you must be
careful. Now let's have our conjugations. Give me the verb 'to be,'
potential mood, past perfect tense."

  "I might have been           "We might have been
  Thou mightst have been       You might have been
  He might have been           They might have been."

"Give me an example, please."

  "I might have been glad
  Thou mightst have been glad
  He, she, or it might have been glad."

"'He' or 'she' might have been glad because they are masculine and
feminine, but could 'it' have been glad?" asked Miss Dearborn, who was
very fond of splitting hairs.

"Why not?" asked Rebecca

"Because 'it' is neuter gender."

"Couldn't we say, 'The kitten might have been glad if it had known it
was not going to be drowned'?"

"Ye--es," Miss Dearborn answered hesitatingly, never very sure of
herself under Rebecca's fire; "but though we often speak of a baby, a
chicken, or a kitten as 'it,' they are really masculine or feminine
gender, not neuter."

Rebecca reflected a long moment and then asked, "Is a hollyhock neuter?"

"Oh yes, of course it is, Rebecca"

"Well, couldn't we say, 'The hollyhock might have been glad to see the
rain, but there was a weak little hollyhock bud growing out of its
stalk and it was afraid that that might be hurt by the storm; so the
big hollyhock was kind of afraid, instead of being real glad'?"

Miss Dearborn looked puzzled as she answered, "Of course, Rebecca,
hollyhocks could not be sorry, or glad, or afraid, really."

"We can't tell, I s'pose," replied the child; "but _I_ think they are,
anyway. Now what shall I say?"

"The subjunctive mood, past perfect tense of the verb 'to know.'"

  "If I had known            "If we had known
  If thou hadst known        If you had known
  If he had known            If they had known.

"Oh, it is the saddest tense," sighed Rebecca with a little break in
her voice; "nothing but IFS, IFS, IFS! And it makes you feel that if
they only HAD known, things might have been better!"

Miss Dearborn had not thought of it before, but on reflection she
believed the subjunctive mood was a "sad" one and "if" rather a sorry
"part of speech."

"Give me some more examples of the subjunctive, Rebecca, and that will
do for this afternoon," she said.

"If I had not loved mackerel I should not have been thirsty;" said
Rebecca with an April smile, as she closed her grammar. "If thou hadst
loved me truly thou wouldst not have stood me up in the corner. If
Samuel had not loved wickedness he would not have followed me to the
water pail."

"And if Rebecca had loved the rules of the school she would have
controlled her thirst," finished Miss Dearborn with a kiss, and the two
parted friends.



VI

SUNSHINE IN A SHADY PLACE

The little schoolhouse on the hill had its moments of triumph as well
as its scenes of tribulation, but it was fortunate that Rebecca had her
books and her new acquaintances to keep her interested and occupied, or
life would have gone heavily with her that first summer in Riverboro.
She tried to like her aunt Miranda (the idea of loving her had been
given up at the moment of meeting), but failed ignominiously in the
attempt. She was a very faulty and passionately human child, with no
aspirations towards being an angel of the house, but she had a sense of
duty and a desire to be good,--respectably, decently good. Whenever she
fell below this self-imposed standard she was miserable. She did not
like to be under her aunt's roof, eating bread, wearing clothes, and
studying books provided by her, and dislike her so heartily all the
time. She felt instinctively that this was wrong and mean, and whenever
the feeling of remorse was strong within her she made a desperate
effort to please her grim and difficult relative. But how could she
succeed when she was never herself in her aunt Miranda's presence? The
searching look of the eyes, the sharp voice, the hard knotty fingers,
the thin straight lips, the long silences, the "front-piece" that
didn't match her hair, the very obvious "parting" that seemed sewed in
with linen thread on black net,--there was not a single item that
appealed to Rebecca. There are certain narrow, unimaginative, and
autocratic old people who seem to call out the most mischievous, and
sometimes the worst traits in children. Miss Miranda, had she lived in
a populous neighborhood, would have had her doorbell pulled, her gate
tied up, or "dirt traps" set in her garden paths. The Simpson twins
stood in such awe of her that they could not be persuaded to come to
the side door even when Miss Jane held gingerbread cookies in her
outstretched hands.

It is needless to say that Rebecca irritated her aunt with every breath
she drew. She continually forgot and started up the front stairs
because it was the shortest route to her bedroom; she left the dipper
on the kitchen shelf instead of hanging it up over the pail; she sat in
the chair the cat liked best; she was willing to go on errands, but
often forgot what she was sent for; she left the screen doors ajar, so
that flies came in; her tongue was ever in motion; she sang or whistled
when she was picking up chips; she was always messing with flowers,
putting them in vases, pinning them on her dress, and sticking them in
her hat; finally she was an everlasting reminder of her foolish,
worthless father, whose handsome face and engaging manner had so
deceived Aurelia, and perhaps, if the facts were known, others besides
Aurelia. The Randalls were aliens. They had not been born in Riverboro
nor even in York County. Miranda would have allowed, on compulsion,
that in the nature of things a large number of persons must necessarily
be born outside this sacred precinct; but she had her opinion of them,
and it was not a flattering one. Now if Hannah had come--Hannah took
after the other side of the house; she was "all Sawyer." (Poor Hannah!
that was true!) Hannah spoke only when spoken to, instead of first,
last, and all the time; Hannah at fourteen was a member of the church;
Hannah liked to knit; Hannah was, probably, or would have been, a
pattern of all the smaller virtues; instead of which here was this
black-haired gypsy, with eyes as big as cartwheels, installed as a
member of the household.

What sunshine in a shady place was aunt Jane to Rebecca! Aunt Jane with
her quiet voice, her understanding eyes, her ready excuses, in these
first difficult weeks, when the impulsive little stranger was trying to
settle down into the "brick house ways." She did learn them, in part,
and by degrees, and the constant fitting of herself to these new and
difficult standards of conduct seemed to make her older than ever for
her years.

The child took her sewing and sat beside aunt Jane in the kitchen while
aunt Miranda had the post of observation at the sitting-room window.
Sometimes they would work on the side porch where the clematis and
woodbine shaded them from the hot sun. To Rebecca the lengths of brown
gingham were interminable. She made hard work of sewing, broke the
thread, dropped her thimble into the syringa bushes, pricked her
finger, wiped the perspiration from her forehead, could not match the
checks, puckered the seams. She polished her needles to nothing,
pushing them in and out of the emery strawberry, but they always
squeaked. Still aunt Jane's patience held good, and some small measure
of skill was creeping into Rebecca's fingers, fingers that held pencil,
paint brush, and pen so cleverly and were so clumsy with the dainty
little needle.

When the first brown gingham frock was completed, the child seized what
she thought an opportune moment and asked her aunt Miranda if she might
have another color for the next one.

"I bought a whole piece of the brown," said Miranda laconically.
"That'll give you two more dresses, with plenty for new sleeves, and to
patch and let down with, an' be more economical."

"I know. But Mr. Watson says he'll take back part of it, and let us
have pink and blue for the same price."

"Did you ask him?"

"Yes'm."

"It was none o' your business."

"I was helping Emma Jane choose aprons, and didn't think you'd mind
which color I had. Pink keeps clean just as nice as brown, and Mr.
Watson says it'll boil without fading."

"Mr. Watson 's a splendid judge of washing, I guess. I don't approve of
children being rigged out in fancy colors, but I'll see what your aunt
Jane thinks."

"I think it would be all right to let Rebecca have one pink and one
blue gingham," said Jane. "A child gets tired of sewing on one color.
It's only natural she should long for a change; besides she'd look like
a charity child always wearing the same brown with a white apron. And
it's dreadful unbecoming to her!"

"'Handsome is as handsome does,' say I. Rebecca never'll come to grief
along of her beauty, that's certain, and there's no use in humoring her
to think about her looks. I believe she's vain as a peacock now,
without anything to be vain of."

"She's young and attracted to bright things--that's all. I remember
well enough how I felt at her age."

"You was considerable of a fool at her age, Jane."

"Yes, I was, thank the Lord! I only wish I'd known how to take a little
of my foolishness along with me, as some folks do, to brighten my
declining years."

There finally was a pink gingham, and when it was nicely finished, aunt
Jane gave Rebecca a delightful surprise. She showed her how to make a
pretty trimming of narrow white linen tape, by folding it in pointed
shapes and sewing it down very flat with neat little stitches.

"It'll be good fancy work for you, Rebecca; for your aunt Miranda won't
like to see you always reading in the long winter evenings. Now if you
think you can baste two rows of white tape round the bottom of your
pink skirt and keep it straight by the checks, I'll stitch them on for
you and trim the waist and sleeves with pointed tape-trimming, so the
dress'll be real pretty for second best."

Rebecca's joy knew no bounds. "I'll baste like a house afire!" she
exclaimed. "It's a thousand yards round that skirt, as well I know,
having hemmed it; but I could sew pretty trimming on if it was from
here to Milltown. Oh! do you think aunt Mirandy'll ever let me go to
Milltown with Mr. Cobb? He's asked me again, you know; but one Saturday
I had to pick strawberries, and another it rained, and I don't think
she really approves of my going. It's TWENTY-NINE minutes past four,
aunt Jane, and Alice Robinson has been sitting under the currant bushes
for a long time waiting for me. Can I go and play?"

"Yes, you may go, and you'd better run as far as you can out behind the
barn, so 't your noise won't distract your aunt Mirandy. I see Susan
Simpson and the twins and Emma Jane Perkins hiding behind the fence."

Rebecca leaped off the porch, snatched Alice Robinson from under the
currant bushes, and, what was much more difficult, succeeded, by means
of a complicated system of signals, in getting Emma Jane away from the
Simpson party and giving them the slip altogether. They were much too
small for certain pleasurable activities planned for that afternoon;
but they were not to be despised, for they had the most fascinating
dooryard in the village. In it, in bewildering confusion, were old
sleighs, pungs, horse rakes, hogsheads, settees without backs,
bed-steads without heads, in all stages of disability, and never the
same on two consecutive days. Mrs. Simpson was seldom at home, and even
when she was, had little concern as to what happened on the premises. A
favorite diversion was to make the house into a fort, gallantly held by
a handful of American soldiers against a besieging force of the British
army. Great care was used in apportioning the parts, for there was no
disposition to let anybody win but the Americans. Seesaw Simpson was
usually made commander-in-chief of the British army, and a limp and
uncertain one he was, capable, with his contradictory orders and his
fondness for the extreme rear, of leading any regiment to an inglorious
death. Sometimes the long-suffering house was a log hut, and the brave
settlers defeated a band of hostile Indians, or occasionally were
massacred by them; but in either case the Simpson house looked, to
quote a Riverboro expression, "as if the devil had been having an
auction in it."

Next to this uncommonly interesting playground, as a field of action,
came, in the children's opinion, the "secret spot." There was a velvety
stretch of ground in the Sawyer pasture which was full of fascinating
hollows and hillocks, as well as verdant levels, on which to build
houses. A group of trees concealed it somewhat from view and flung a
grateful shade over the dwellings erected there. It had been hard
though sweet labor to take armfuls of "stickins" and "cutrounds" from
the mill to this secluded spot, and that it had been done mostly after
supper in the dusk of the evenings gave it a still greater flavor. Here
in soap boxes hidden among the trees were stored all their treasures:
wee baskets and plates and cups made of burdock balls, bits of broken
china for parties, dolls, soon to be outgrown, but serving well as
characters in all sorts of romances enacted there,--deaths, funerals,
weddings, christenings. A tall, square house of stickins was to be
built round Rebecca this afternoon, and she was to be Charlotte Corday
leaning against the bars of her prison.

It was a wonderful experience standing inside the building with Emma
Jane's apron wound about her hair; wonderful to feel that when she
leaned her head against the bars they seemed to turn to cold iron; that
her eyes were no longer Rebecca Randall's but mirrored something of
Charlotte Corday's hapless woe.

"Ain't it lovely?" sighed the humble twain, who had done most of the
labor, but who generously admired the result.

"I hate to have to take it down," said Alice, "it's been such a sight
of work."

"If you think you could move up some stones and just take off the top
rows, I could step out over," suggested Charlotte Corday. "Then leave
the stones, and you two can step down into the prison to-morrow and be
the two little princes in the Tower, and I can murder you."

"What princes? What tower?" asked Alice and Emma Jane in one breath.
"Tell us about them."

"Not now, it's my supper time." (Rebecca was a somewhat firm
disciplinarian.)

"It would be elergant being murdered by you," said Emma Jane loyally,
"though you are awful real when you murder; or we could have Elijah and
Elisha for the princes."

"They'd yell when they was murdered," objected Alice; "you know how
silly they are at plays, all except Clara Belle. Besides if we once
show them this secret place, they'll play in it all the time, and
perhaps they'd steal things, like their father."

"They needn't steal just because their father does," argued Rebecca;
"and don't you ever talk about it before them if you want to be my
secret, partic'lar friends. My mother tells me never to say hard things
about people's own folks to their face. She says nobody can bear it,
and it's wicked to shame them for what isn't their fault. Remember
Minnie Smellie!"

Well, they had no difficulty in recalling that dramatic episode, for it
had occurred only a few days before; and a version of it that would
have melted the stoniest heart had been presented to every girl in the
village by Minnie Smellie herself, who, though it was Rebecca and not
she who came off victorious in the bloody battle of words, nursed her
resentment and intended to have revenge.



VII

RIVERBORO SECRETS

Mr. Simpson spent little time with his family, owing to certain awkward
methods of horse-trading, or the "swapping" of farm implements and
vehicles of various kinds,--operations in which his customers were
never long suited. After every successful trade he generally passed a
longer or shorter term in jail; for when a poor man without goods or
chattels has the inveterate habit of swapping, it follows naturally
that he must have something to swap; and having nothing of his own, it
follows still more naturally that he must swap something belonging to
his neighbors.

Mr. Simpson was absent from the home circle for the moment because he
had exchanged the Widow Rideout's sleigh for Joseph Goodwin's plough.
Goodwin had lately moved to North Edgewood and had never before met the
urbane and persuasive Mr. Simpson. The Goodwin plough Mr. Simpson
speedily bartered with a man "over Wareham way," and got in exchange
for it an old horse which his owner did not need, as he was leaving
town to visit his daughter for a year, Simpson fattened the aged
animal, keeping him for several weeks (at early morning or after
nightfall) in one neighbor's pasture after another, and then exchanged
him with a Milltown man for a top buggy. It was at this juncture that
the Widow Rideout missed her sleigh from the old carriage house. She
had not used it for fifteen years and might not sit in it for another
fifteen, but it was property, and she did not intend to part with it
without a struggle. Such is the suspicious nature of the village mind
that the moment she discovered her loss her thought at once reverted to
Abner Simpson. So complicated, however, was the nature of this
particular business transaction, and so tortuous the paths of its
progress (partly owing to the complete disappearance of the owner of
the horse, who had gone to the West and left no address), that it took
the sheriff many weeks to prove Mr. Simpson's guilt to the town's and
to the Widow Rideout's satisfaction. Abner himself avowed his complete
innocence, and told the neighbors how a red-haired man with a hare lip
and a pepper-and-salt suit of clothes had called him up one morning
about daylight and offered to swap him a good sleigh for an old cider
press he had layin' out in the dooryard. The bargain was struck, and
he, Abner, had paid the hare-lipped stranger four dollars and
seventy-five cents to boot; whereupon the mysterious one set down the
sleigh, took the press on his cart, and vanished up the road, never to
be seen or heard from afterwards.

"If I could once ketch that consarned old thief," exclaimed Abner
righteously, "I'd make him dance,--workin' off a stolen sleigh on me
an' takin' away my good money an' cider press, to say nothin' o' my
character!"

"You'll never ketch him, Ab," responded the sheriff. "He's cut off the
same piece o' goods as that there cider press and that there character
and that there four-seventy-five o' yourn; nobody ever see any of 'em
but you, and you'll never see 'em again!"

Mrs. Simpson, who was decidedly Abner's better half, took in washing
and went out to do days' cleaning, and the town helped in the feeding
and clothing of the children. George, a lanky boy of fourteen, did
chores on neighboring farms, and the others, Samuel, Clara Belle,
Susan, Elijah, and Elisha, went to school, when sufficiently clothed
and not otherwise more pleasantly engaged.

There were no secrets in the villages that lay along the banks of
Pleasant River. There were many hard-working people among the
inhabitants, but life wore away so quietly and slowly that there was a
good deal of spare time for conversation,--under the trees at noon in
the hayfield; hanging over the bridge at nightfall; seated about the
stove in the village store of an evening. These meeting-places
furnished ample ground for the discussion of current events as viewed
by the masculine eye, while choir rehearsals, sewing societies, reading
circles, church picnics, and the like, gave opportunity for the
expression of feminine opinion. All this was taken very much for
granted, as a rule, but now and then some supersensitive person made
violent objections to it, as a theory of life.

Delia Weeks, for example, was a maiden lady who did dressmaking in a
small way; she fell ill, and although attended by all the physicians in
the neighborhood, was sinking slowly into a decline when her cousin
Cyrus asked her to come and keep house for him in Lewiston. She went,
and in a year grew into a robust, hearty, cheerful woman. Returning to
Riverboro on a brief visit, she was asked if she meant to end her days
away from home.

"I do most certainly, if I can get any other place to stay," she
responded candidly. "I was bein' worn to a shadder here, tryin' to keep
my little secrets to myself, an' never succeedin'. First they had it I
wanted to marry the minister, and when he took a wife in Standish I was
known to be disappointed. Then for five or six years they suspicioned I
was tryin' for a place to teach school, and when I gave up hope, an'
took to dressmakin', they pitied me and sympathized with me for that.
When father died I was bound I'd never let anybody know how I was left,
for that spites 'em worse than anything else; but there's ways o'
findin' out, an' they found out, hard as I fought 'em! Then there was
my brother James that went to Arizona when he was sixteen. I gave good
news of him for thirty years runnin', but aunt Achsy Tarbox had a
ferretin' cousin that went out to Tombstone for her health, and she
wrote to a postmaster, or to some kind of a town authority, and found
Jim and wrote back aunt Achsy all about him and just how unfortunate
he'd been. They knew when I had my teeth out and a new set made; they
knew when I put on a false front-piece; they knew when the fruit
peddler asked me to be his third wife--I never told 'em, an' you can be
sure HE never did, but they don't NEED to be told in this village; they
have nothin' to do but guess, an' they'll guess right every time. I was
all tuckered out tryin' to mislead 'em and deceive 'em and sidetrack
'em; but the minute I got where I wa'n't put under a microscope by day
an' a telescope by night and had myself TO myself without sayin' 'By
your leave,' I begun to pick up. Cousin Cyrus is an old man an'
consid'able trouble, but he thinks my teeth are handsome an' says I've
got a splendid suit of hair. There ain't a person in Lewiston that
knows about the minister, or father's will, or Jim's doin's, or the
fruit peddler; an' if they should find out, they wouldn't care, an'
they couldn't remember; for Lewiston 's a busy place, thanks be!"

Miss Delia Weeks may have exaggerated matters somewhat, but it is easy
to imagine that Rebecca as well as all the other Riverboro children had
heard the particulars of the Widow Rideout's missing sleigh and Abner
Simpson's supposed connection with it.

There is not an excess of delicacy or chivalry in the ordinary country
school, and several choice conundrums and bits of verse dealing with
the Simpson affair were bandied about among the scholars, uttered
always, be it said to their credit, in undertones, and when the Simpson
children were not in the group.

Rebecca Randall was of precisely the same stock, and had had much the
same associations as her schoolmates, so one can hardly say why she so
hated mean gossip and so instinctively held herself aloof from it.

Among the Riverboro girls of her own age was a certain excellently
named Minnie Smellie, who was anything but a general favorite. She was
a ferret-eyed, blond-haired, spindle-legged little creature whose mind
was a cross between that of a parrot and a sheep. She was suspected of
copying answers from other girls' slates, although she had never been
caught in the act. Rebecca and Emma Jane always knew when she had
brought a tart or a triangle of layer cake with her school luncheon,
because on those days she forsook the cheerful society of her mates and
sought a safe solitude in the woods, returning after a time with a
jocund smile on her smug face.

After one of these private luncheons Rebecca had been tempted beyond
her strength, and when Minnie took her seat among them asked, "Is your
headache better, Minnie? Let me wipe off that strawberry jam over your
mouth."

There was no jam there as a matter of fact, but the guilty Minnie's
handkerchief went to her crimson face in a flash.

Rebecca confessed to Emma Jane that same afternoon that she felt
ashamed of her prank. "I do hate her ways," she exclaimed, "but I'm
sorry I let her know we 'spected her; and so to make up, I gave her
that little piece of broken coral I keep in my bead purse; you know the
one?"

"It don't hardly seem as if she deserved that, and her so greedy,"
remarked Emma Jane.

"I know it, but it makes me feel better," said Rebecca largely; "and
then I've had it two years, and it's broken so it wouldn't ever be any
real good, beautiful as it is to look at."

The coral had partly served its purpose as a reconciling bond, when one
afternoon Rebecca, who had stayed after school for her grammar lesson
as usual, was returning home by way of the short cut. Far ahead, beyond
the bars, she espied the Simpson children just entering the woodsy bit.
Seesaw was not with them, so she hastened her steps in order to secure
company on her homeward walk. They were speedily lost to view, but when
she had almost overtaken them she heard, in the trees beyond, Minnie
Smellie's voice lifted high in song, and the sound of a child's
sobbing. Clara Belle, Susan, and the twins were running along the path,
and Minnie was dancing up and down, shrieking:--

  "'What made the sleigh love Simpson so?'
     The eager children cried;
  'Why Simpson loved the sleigh, you know,'
      The teacher quick replied."

The last glimpse of the routed Simpson tribe, and the last futter of
their tattered garments, disappeared in the dim distance. The fall of
one small stone cast by the valiant Elijah, known as "the fighting
twin," did break the stillness of the woods for a moment, but it did
not come within a hundred yards of Minnie, who shouted "Jail Birds" at
the top of her lungs and then turned, with an agreeable feeling of
excitement, to meet Rebecca, standing perfectly still in the path, with
a day of reckoning plainly set forth in her blazing eyes.

Minnie's face was not pleasant to see, for a coward detected at the
moment of wrongdoing is not an object of delight.

"Minnie Smellie, if ever--I--catch--you--singing--that--to the Simpsons
again--do you know what I'll do?" asked Rebecca in a tone of
concentrated rage.

"I don't know and I don't care," said Minnie jauntily, though her looks
belied her.

"I'll take that piece of coral away from you, and I THINK I shall slap
you besides!"

"You wouldn't darst," retorted Minnie. "If you do, I'll tell my mother
and the teacher, so there!"

"I don't care if you tell your mother, my mother, and all your
relations, and the president," said Rebecca, gaining courage as the
noble words fell from her lips. "I don't care if you tell the town, the
whole of York county, the state of Maine and--and the nation!" she
finished grandiloquently. "Now you run home and remember what I say. If
you do it again, and especially if you say 'Jail Birds,' if I think
it's right and my duty, I shall punish you somehow."

The next morning at recess Rebecca observed Minnie telling the tale
with variations to Huldah Meserve. "She THREATENED me," whispered
Minnie, "but I never believe a word she says."

The latter remark was spoken with the direct intention of being
overheard, for Minnie had spasms of bravery, when well surrounded by
the machinery of law and order.

As Rebecca went back to her seat she asked Miss Dearborn if she might
pass a note to Minnie Smellie and received permission. This was the
note:--

    Of all the girls that are so mean There's none like Minnie
    Smellie. I'll take away the gift I gave And pound her into
    jelly.

    _P. S. Now do you believe me?_

    R. Randall.

The effect of this piece of doggerel was entirely convincing, and for
days afterwards whenever Minnie met the Simpsons even a mile from the
brick house she shuddered and held her peace.



VIII

COLOR OF ROSE

On the very next Friday after this "dreadfullest fight that ever was
seen," as Bunyan says in Pilgrim's Progress, there were great doings in
the little schoolhouse on the hill. Friday afternoon was always the
time chosen for dialogues, songs, and recitations, but it cannot be
stated that it was a gala day in any true sense of the word. Most of
the children hated "speaking pieces;" hated the burden of learning
them, dreaded the danger of breaking down in them. Miss Dearborn
commonly went home with a headache, and never left her bed during the
rest of the afternoon or evening; and the casual female parent who
attended the exercises sat on a front bench with beads of cold sweat on
her forehead, listening to the all-too-familiar halts and stammers.
Sometimes a bellowing infant who had clean forgotten his verse would
cast himself bodily on the maternal bosom and be borne out into the
open air, where he was sometimes kissed and occasionally spanked; but
in any case the failure added an extra dash of gloom and dread to the
occasion. The advent of Rebecca had somehow infused a new spirit into
these hitherto terrible afternoons. She had taught Elijah and Elisha
Simpson so that they recited three verses of something with such
comical effect that they delighted themselves, the teacher, and the
school; while Susan, who lisped, had been provided with a humorous poem
in which she impersonated a lisping child. Emma Jane and Rebecca had a
dialogue, and the sense of companionship buoyed up Emma Jane and gave
her self-reliance. In fact, Miss Dearborn announced on this particular
Friday morning that the exercises promised to be so interesting that
she had invited the doctor's wife, the minister's wife, two members of
the school committee, and a few mothers. Living Perkins was asked to
decorate one of the black-boards and Rebecca the other. Living, who was
the star artist of the school, chose the map of North America. Rebecca
liked better to draw things less realistic, and speedily, before the
eyes of the enchanted multitude, there grew under her skillful fingers
an American flag done in red, white, and blue chalk, every star in its
right place, every stripe fluttering in the breeze. Beside this
appeared a figure of Columbia, copied from the top of the cigar box
that held the crayons.

Miss Dearborn was delighted. "I propose we give Rebecca a good
hand-clapping for such a beautiful picture--one that the whole school
may well be proud of!"

The scholars clapped heartily, and Dick Carter, waving his hand, gave a
rousing cheer.

Rebecca's heart leaped for joy, and to her confusion she felt the tears
rising in her eyes. She could hardly see the way back to her seat, for
in her ignorant lonely little life she had never been singled out for
applause, never lauded, nor crowned, as in this wonderful, dazzling
moment. If "nobleness enkindleth nobleness," so does enthusiasm beget
enthusiasm, and so do wit and talent enkindle wit and talent. Alice
Robinson proposed that the school should sing Three Cheers for the Red,
White, and Blue! and when they came to the chorus, all point to
Rebecca's flag. Dick Carter suggested that Living Perkins and Rebecca
Randall should sign their names to their pictures, so that the visitors
would know who drew them. Huldah Meserve asked permission to cover the
largest holes in the plastered walls with boughs and fill the water
pail with wild flowers. Rebecca's mood was above and beyond all
practical details. She sat silent, her heart so full of grateful joy
that she could hardly remember the words of her dialogue. At recess she
bore herself modestly, notwithstanding her great triumph, while in the
general atmosphere of good will the Smellie-Randall hatchet was buried
and Minnie gathered maple boughs and covered the ugly stove with them,
under Rebecca's direction.

Miss Dearborn dismissed the morning session at quarter to twelve, so
that those who lived near enough could go home for a change of dress.
Emma Jane and Rebecca ran nearly every step of the way, from sheer
excitement, only stopping to breathe at the stiles.

"Will your aunt Mirandy let you wear your best, or only your buff
calico?" asked Emma Jane.

"I think I'll ask aunt Jane," Rebecca replied. "Oh! if my pink was only
finished! I left aunt Jane making the buttonholes!"

"I'm going to ask my mother to let me wear her garnet ring," said Emma
Jane. "It would look perfectly elergant flashing in the sun when I
point to the flag. Good-by; don't wait for me going back; I may get a
ride."

Rebecca found the side door locked, but she knew that the key was under
the step, and so of course did everybody else in Riverboro, for they
all did about the same thing with it. She unlocked the door and went
into the dining-room to find her lunch laid on the table and a note
from aunt Jane saying that they had gone to Moderation with Mrs.
Robinson in her carryall. Rebecca swallowed a piece of bread and
butter, and flew up the front stairs to her bedroom. On the bed lay the
pink gingham dress finished by aunt Jane's kind hands. Could she, dare
she, wear it without asking? Did the occasion justify a new costume, or
would her aunts think she ought to keep it for the concert?

"I'll wear it," thought Rebecca. "They're not here to ask, and maybe
they wouldn't mind a bit; it's only gingham after all, and wouldn't be
so grand if it wasn't new, and hadn't tape trimming on it, and wasn't
pink."

She unbraided her two pig-tails, combed out the waves of her hair and
tied them back with a ribbon, changed her shoes, and then slipped on
the pretty frock, managing to fasten all but the three middle buttons,
which she reserved for Emma Jane.

Then her eye fell on her cherished pink sunshade, the exact match, and
the girls had never seen it. It wasn't quite appropriate for school,
but she needn't take it into the room; she would wrap it in a piece of
paper, just show it, and carry it coming home. She glanced in the
parlor looking-glass downstairs and was electrified at the vision. It
seemed almost as if beauty of apparel could go no further than that
heavenly pink gingham dress! The sparkle of her eyes, glow of her
cheeks, sheen of her falling hair, passed unnoticed in the
all-conquering charm of the rose-colored garment. Goodness! it was
twenty minutes to one and she would be late. She danced out the side
door, pulled a pink rose from a bush at the gate, and covered the mile
between the brick house and the seat of learning in an incredibly short
time, meeting Emma Jane, also breathless and resplendent, at the
entrance.

"Rebecca Randall!" exclaimed Emma Jane, "you're handsome as a picture!"

"I?" laughed Rebecca "Nonsense! it's only the pink gingham."

"You're not good looking every day," insisted Emma Jane; "but you're
different somehow. See my garnet ring; mother scrubbed it in soap and
water. How on earth did your aunt Mirandy let you put on your bran' new
dress?"

"They were both away and I didn't ask," Rebecca responded anxiously.
"Why? Do you think they'd have said no?"

"Miss Mirandy always says no, doesn't she?" asked Emma Jane.

"Ye--es; but this afternoon is very special--almost like a
Sunday-school concert."

"Yes," assented Emma Jane, "it is, of course; with your name on the
board, and our pointing to your flag, and our elergant dialogue, and
all that."

The afternoon was one succession of solid triumphs for everybody
concerned. There were no real failures at all, no tears, no parents
ashamed of their offspring. Miss Dearborn heard many admiring remarks
passed upon her ability, and wondered whether they belonged to her or
partly, at least, to Rebecca. The child had no more to do than several
others, but she was somehow in the foreground. It transpired afterwards
at various village entertainments that Rebecca couldn't be kept in the
background; it positively refused to hold her. Her worst enemy could
not have called her pushing. She was ready and willing and never shy;
but she sought for no chances of display and was, indeed, remarkably
lacking in self-consciousness, as well as eager to bring others into
whatever fun or entertainment there was. If wherever the MacGregor sat
was the head of the table, so in the same way wherever Rebecca stood
was the centre of the stage. Her clear high treble soared above all the
rest in the choruses, and somehow everybody watched her, took note of
her gestures, her whole-souled singing, her irrepressible enthusiasm.

Finally it was all over, and it seemed to Rebecca as if she should
never be cool and calm again, as she loitered on the homeward path.
There would be no lessons to learn to-night, and the vision of helping
with the preserves on the morrow had no terrors for her--fears could
not draw breath in the radiance that flooded her soul. There were thick
gathering clouds in the sky, but she took no note of them save to be
glad that she could raise her sunshade. She did not tread the solid
ground at all, or have any sense of belonging to the common human
family, until she entered the side yard of the brick house and saw her
aunt Miranda standing in the open doorway. Then with a rush she came
back to earth.



IX

ASHES OF ROSES

"There she is, over an hour late; a little more an' she'd 'a' been
caught in a thunder shower, but she'd never look ahead," said Miranda
to Jane; "and added to all her other iniquities, if she ain't rigged
out in that new dress, steppin' along with her father's dancin'-school
steps, and swingin' her parasol for all the world as if she was
play-actin'. Now I'm the oldest, Jane, an' I intend to have my say out;
if you don't like it you can go into the kitchen till it's over. Step
right in here, Rebecca; I want to talk to you. What did you put on that
good new dress for, on a school day, without permission?"

"I had intended to ask you at noontime, but you weren't at home, so I
couldn't," began Rebecca.

"You did no such a thing; you put it on because you was left alone,
though you knew well enough I wouldn't have let you."

"If I'd been CERTAIN you wouldn't have let me I'd never have done it,"
said Rebecca, trying to be truthful; "but I wasn't CERTAIN, and it was
worth risking. I thought perhaps you might, if you knew it was almost a
real exhibition at school."

"Exhibition!" exclaimed Miranda scornfully; "you are exhibition enough
by yourself, I should say. Was you exhibitin' your parasol?"

"The parasol WAS silly," confessed Rebecca, hanging her head; "but it's
the only time in my whole life when I had anything to match it, and it
looked so beautiful with the pink dress! Emma Jane and I spoke a
dialogue about a city girl and a country girl, and it came to me just
the minute before I started how nice it would come in for the city
girl; and it did. I haven't hurt my dress a mite, aunt Mirandy."

"It's the craftiness and underhandedness of your actions that's the
worst," said Miranda coldly. "And look at the other things you've done!
It seems as if Satan possessed you! You went up the front stairs to
your room, but you didn't hide your tracks, for you dropped your
handkerchief on the way up. You left the screen out of your bedroom
window for the flies to come in all over the house. You never cleared
away your lunch nor set away a dish, AND YOU LEFT THE SIDE DOOR
UNLOCKED from half past twelve to three o'clock, so 't anybody could
'a' come in and stolen what they liked!"

Rebecca sat down heavily in her chair as she heard the list of her
transgressions. How could she have been so careless? The tears began to
flow now as she attempted to explain sins that never could be explained
or justified.

"Oh, I'm so sorry!" she faltered. "I was trimming the schoolroom, and
got belated, and ran all the way home. It was hard getting into my
dress alone, and I hadn't time to eat but a mouthful, and just at the
last minute, when I honestly--HONESTLY--would have thought about
clearing away and locking up, I looked at the clock and knew I could
hardly get back to school in time to form in the line; and I thought
how dreadful it would be to go in late and get my first black mark on a
Friday afternoon, with the minister's wife and the doctor's wife and
the school committee all there!"

"Don't wail and carry on now; it's no good cryin' over spilt milk,"
answered Miranda. "An ounce of good behavior is worth a pound of
repentance. Instead of tryin' to see how little trouble you can make in
a house that ain't your own home, it seems as if you tried to see how
much you could put us out. Take that rose out o' your dress and let me
see the spot it's made on your yoke, an' the rusty holes where the wet
pin went in. No, it ain't; but it's more by luck than forethought. I
ain't got any patience with your flowers and frizzled-out hair and
furbelows an' airs an' graces, for all the world like your Miss-Nancy
father."

Rebecca lifted her head in a flash. "Look here, aunt Mirandy, I'll be
as good as I know how to be. I'll mind quick when I'm spoken to and
never leave the door unlocked again, but I won't have my father called
names. He was a p-perfectly l-lovely father, that's what he was, and
it's MEAN to call him Miss Nancy!"

"Don't you dare answer me back that imperdent way, Rebecca, tellin' me
I'm mean; your father was a vain, foolish, shiftless man, an' you might
as well hear it from me as anybody else; he spent your mother's money
and left her with seven children to provide for."

"It's s-something to leave s-seven nice children," sobbed Rebecca.

"Not when other folks have to help feed, clothe, and educate 'em,"
responded Miranda. "Now you step upstairs, put on your nightgown, go to
bed, and stay there till to-morrow mornin'. You'll find a bowl o'
crackers an' milk on your bureau, an' I don't want to hear a sound from
you till breakfast time. Jane, run an' take the dish towels off the
line and shut the shed doors; we're goin' to have a turrible shower."

"We've had it, I should think," said Jane quietly, as she went to do
her sister's bidding. "I don't often speak my mind, Mirandy; but you
ought not to have said what you did about Lorenzo. He was what he was,
and can't be made any different; but he was Rebecca's father, and
Aurelia always says he was a good husband."

Miranda had never heard the proverbial phrase about the only "good
Indian," but her mind worked in the conventional manner when she said
grimly, "Yes, I've noticed that dead husbands are usually good ones;
but the truth needs an airin' now and then, and that child will never
amount to a hill o' beans till she gets some of her father trounced out
of her. I'm glad I said just what I did."

"I daresay you are," remarked Jane, with what might be described as one
of her annual bursts of courage; "but all the same, Mirandy, it wasn't
good manners, and it wasn't good religion!"

The clap of thunder that shook the house just at that moment made no
such peal in Miranda Sawyer's ears as Jane's remark made when it fell
with a deafening roar on her conscience.

Perhaps after all it is just as well to speak only once a year and then
speak to the purpose.

Rebecca mounted the back stairs wearily, closed the door of her
bedroom, and took off the beloved pink gingham with trembling fingers.
Her cotton handkerchief was rolled into a hard ball, and in the
intervals of reaching the more difficult buttons that lay between her
shoulder blades and her belt, she dabbed her wet eyes carefully, so
that they should not rain salt water on the finery that had been worn
at such a price. She smoothed it out carefully, pinched up the white
ruffle at the neck, and laid it away in a drawer with an extra little
sob at the roughness of life. The withered pink rose fell on the floor.
Rebecca looked at it and thought to herself, "Just like my happy day!"
Nothing could show more clearly the kind of child she was than the fact
that she instantly perceived the symbolism of the rose, and laid it in
the drawer with the dress as if she were burying the whole episode with
all its sad memories. It was a child's poetic instinct with a dawning
hint of woman's sentiment in it.

She braided her hair in the two accustomed pig-tails, took off her best
shoes (which had happily escaped notice), with all the while a fixed
resolve growing in her mind, that of leaving the brick house and going
back to the farm. She would not be received there with open
arms,--there was no hope of that,--but she would help her mother about
the house and send Hannah to Riverboro in her place. "I hope she'll
like it!" she thought in a momentary burst of vindictiveness. She sat
by the window trying to make some sort of plan, watching the lightning
play over the hilltop and the streams of rain chasing each other down
the lightning rod. And this was the day that had dawned so joyfully! It
had been a red sunrise, and she had leaned on the window sill studying
her lesson and thinking what a lovely world it was. And what a golden
morning! The changing of the bare, ugly little schoolroom into a bower
of beauty; Miss Dearborn's pleasure at her success with the Simpson
twins' recitation; the privilege of decorating the blackboard; the
happy thought of drawing Columbia from the cigar box; the intoxicating
moment when the school clapped her! And what an afternoon! How it went
on from glory to glory, beginning with Emma Jane's telling her, Rebecca
Randall, that she was as "handsome as a picture."

She lived through the exercises again in memory, especially her
dialogue with Emma Jane and her inspiration of using the bough-covered
stove as a mossy bank where the country girl could sit and watch her
flocks. This gave Emma Jane a feeling of such ease that she never
recited better; and how generous it was of her to lend the garnet ring
to the city girl, fancying truly how it would flash as she furled her
parasol and approached the awe-stricken shepherdess! She had thought
aunt Miranda might be pleased that the niece invited down from the farm
had succeeded so well at school; but no, there was no hope of pleasing
her in that or in any other way. She would go to Maplewood on the stage
next day with Mr. Cobb and get home somehow from cousin Ann's. On
second thoughts her aunts might not allow it. Very well, she would slip
away now and see if she could stay all night with the Cobbs and be off
next morning before breakfast.

Rebecca never stopped long to think, more 's the pity, so she put on
her oldest dress and hat and jacket, then wrapped her nightdress, comb,
and toothbrush in a bundle and dropped it softly out of the window. Her
room was in the L and her window at no very dangerous distance from the
ground, though had it been, nothing could have stopped her at that
moment. Somebody who had gone on the roof to clean out the gutters had
left a cleat nailed to the side of the house about halfway between the
window and the top of the back porch. Rebecca heard the sound of the
sewing machine in the dining-room and the chopping of meat in the
kitchen; so knowing the whereabouts of both her aunts, she scrambled
out of the window, caught hold of the lightning rod, slid down to the
helpful cleat, jumped to the porch, used the woodbine trellis for a
ladder, and was flying up the road in the storm before she had time to
arrange any details of her future movements.

Jeremiah Cobb sat at his lonely supper at the table by the kitchen
window. "Mother," as he with his old-fashioned habits was in the habit
of calling his wife, was nursing a sick neighbor. Mrs. Cobb was mother
only to a little headstone in the churchyard, where reposed "Sarah Ann,
beloved daughter of Jeremiah and Sarah Cobb, aged seventeen months;"
but the name of mother was better than nothing, and served at any rate
as a reminder of her woman's crown of blessedness.

The rain still fell, and the heavens were dark, though it was scarcely
five o'clock. Looking up from his "dish of tea," the old man saw at the
open door a very figure of woe. Rebecca's face was so swollen with
tears and so sharp with misery that for a moment he scarcely recognized
her. Then when he heard her voice asking, "Please may I come in, Mr.
Cobb?" he cried, "Well I vow! It's my little lady passenger! Come to
call on old uncle Jerry and pass the time o' day, hev ye? Why, you're
wet as sops. Draw up to the stove. I made a fire, hot as it was,
thinkin' I wanted somethin' warm for my supper, bein' kind o' lonesome
without mother. She's settin' up with Seth Strout to-night. There,
we'll hang your soppy hat on the nail, put your jacket over the chair
rail, an' then you turn your back to the stove an' dry yourself good."

Uncle Jerry had never before said so many words at a time, but he had
caught sight of the child's red eyes and tear-stained cheeks, and his
big heart went out to her in her trouble, quite regardless of any
circumstances that might have caused it.

Rebecca stood still for a moment until uncle Jerry took his seat again
at the table, and then, unable to contain herself longer, cried, "Oh,
Mr. Cobb, I've run away from the brick house, and I want to go back to
the farm. Will you keep me to-night and take me up to Maplewood in the
stage? I haven't got any money for my fare, but I'll earn it somehow
afterwards."

"Well, I guess we won't quarrel 'bout money, you and me," said the old
man; "and we've never had our ride together, anyway, though we allers
meant to go down river, not up."

"I shall never see Milltown now!" sobbed Rebecca.

"Come over here side o' me an' tell me all about it," coaxed uncle
Jerry. "Jest set down on that there wooden cricket an' out with the
whole story."

Rebecca leaned her aching head against Mr. Cobb's homespun knee and
recounted the history of her trouble. Tragic as that history seemed to
her passionate and undisciplined mind, she told it truthfully and
without exaggeration.



X

RAINBOW BRIDGES

Uncle Jerry coughed and stirred in his chair a good deal during
Rebecca's recital, but he carefully concealed any undue feeling of
sympathy, just muttering, "Poor little soul! We'll see what we can do
for her!"

"You will take me to Maplewood, won't you, Mr. Cobb?" begged Rebecca
piteously.

"Don't you fret a mite," he answered, with a crafty little notion at
the back of his mind; "I'll see the lady passenger through somehow. Now
take a bite o' somethin' to eat, child. Spread some o' that tomato
preserve on your bread; draw up to the table. How'd you like to set in
mother's place an' pour me out another cup o' hot tea?"

Mr. Jeremiah Cobb's mental machinery was simple, and did not move very
smoothly save when propelled by his affection or sympathy. In the
present case these were both employed to his advantage, and mourning
his stupidity and praying for some flash of inspiration to light his
path, he blundered along, trusting to Providence.

Rebecca, comforted by the old man's tone, and timidly enjoying the
dignity of sitting in Mrs. Cobb's seat and lifting the blue china
teapot, smiled faintly, smoothed her hair, and dried her eyes.

"I suppose your mother'll be turrible glad to see you back again?"
queried Mr. Cobb.

A tiny fear--just a baby thing--in the bottom of Rebecca's heart
stirred and grew larger the moment it was touched with a question.

"She won't like it that I ran away, I s'pose, and she'll be sorry that
I couldn't please aunt Mirandy; but I'll make her understand, just as I
did you."

"I s'pose she was thinkin' o' your schoolin', lettin' you come down
here; but land! you can go to school in Temperance, I s'pose?"

"There's only two months' school now in Temperance, and the farm 's too
far from all the other schools."

"Oh well! there's other things in the world beside edjercation,"
responded uncle Jerry, attacking a piece of apple pie.

"Ye--es; though mother thought that was going to be the making of me,"
returned Rebecca sadly, giving a dry little sob as she tried to drink
her tea.

"It'll be nice for you to be all together again at the farm--such a
house full o' children!" remarked the dear old deceiver, who longed for
nothing so much as to cuddle and comfort the poor little creature.

"It's too full--that's the trouble. But I'll make Hannah come to
Riverboro in my place."

"S'pose Mirandy 'n' Jane'll have her? I should be 'most afraid they
wouldn't. They'll be kind o' mad at your goin' home, you know, and you
can't hardly blame 'em."

This was quite a new thought,--that the brick house might be closed to
Hannah, since she, Rebecca, had turned her back upon its cold
hospitality.

"How is this school down here in Riverboro--pretty good?" inquired
uncle Jerry, whose brain was working with an altogether unaccustomed
rapidity,--so much so that it almost terrified him.

"Oh, it's a splendid school! And Miss Dearborn is a splendid teacher!"

"You like her, do you? Well, you'd better believe she returns the
compliment. Mother was down to the store this afternoon buyin' liniment
for Seth Strout, an' she met Miss Dearborn on the bridge. They got to
talkin' 'bout school, for mother has summer-boarded a lot o' the
schoolmarms, an' likes 'em. 'How does the little Temperance girl git
along?' asks mother. 'Oh, she's the best scholar I have!' says Miss
Dearborn. 'I could teach school from sun-up to sun-down if scholars was
all like Rebecca Randall,' says she."

"Oh, Mr. Cobb, DID she say that?" glowed Rebecca, her face sparkling
and dimpling in an instant. "I've tried hard all the time, but I'll
study the covers right off of the books now."

"You mean you would if you'd ben goin' to stay here," interposed uncle
Jerry. "Now ain't it too bad you've jest got to give it all up on
account o' your aunt Mirandy? Well, I can't hardly blame ye. She's
cranky an' she's sour; I should think she'd ben nussed on bonny-clabber
an' green apples. She needs bearin' with; an' I guess you ain't much on
patience, be ye?"

"Not very much," replied Rebecca dolefully.

"If I'd had this talk with ye yesterday," pursued Mr. Cobb, "I believe
I'd have advised ye different. It's too late now, an' I don't feel to
say you've ben all in the wrong; but if 't was to do over again, I'd
say, well, your aunt Mirandy gives you clothes and board and schoolin'
and is goin' to send you to Wareham at a big expense. She's turrible
hard to get along with, an' kind o' heaves benefits at your head, same
's she would bricks; but they're benefits jest the same, an' mebbe it's
your job to kind o' pay for 'em in good behavior. Jane's a leetle bit
more easy goin' than Mirandy, ain't she, or is she jest as hard to
please?"

"Oh, aunt Jane and I get along splendidly," exclaimed Rebecca; "she's
just as good and kind as she can be, and I like her better all the
time. I think she kind of likes me, too; she smoothed my hair once. I'd
let her scold me all day long, for she understands; but she can't stand
up for me against aunt Mirandy; she's about as afraid of her as I am."

"Jane'll be real sorry to-morrow to find you've gone away, I guess; but
never mind, it can't be helped. If she has a kind of a dull time with
Mirandy, on account o' her bein' so sharp, why of course she'd set
great store by your comp'ny. Mother was talkin' with her after prayer
meetin' the other night. 'You wouldn't know the brick house, Sarah,'
says Jane. 'I'm keepin' a sewin' school, an' my scholar has made three
dresses. What do you think o' that,' says she, 'for an old maid's
child? I've taken a class in Sunday-school,' says Jane, 'an' think o'
renewin' my youth an' goin' to the picnic with Rebecca,' says she; an'
mother declares she never see her look so young 'n' happy."

There was a silence that could be felt in the little kitchen; a silence
only broken by the ticking of the tall clock and the beating of
Rebecca's heart, which, it seemed to her, almost drowned the voice of
the clock. The rain ceased, a sudden rosy light filled the room, and
through the window a rainbow arch could be seen spanning the heavens
like a radiant bridge. Bridges took one across difficult places,
thought Rebecca, and uncle Jerry seemed to have built one over her
troubles and given her strength to walk.

"The shower 's over," said the old man, filling his pipe; "it's cleared
the air, washed the face o' the airth nice an' clean, an' everything
to-morrer will shine like a new pin--when you an' I are drivin' up
river."

Rebecca pushed her cup away, rose from the table, and put on her hat
and jacket quietly. "I'm not going to drive up river, Mr. Cobb," she
said. "I'm going to stay here and--catch bricks; catch 'em without
throwing 'em back, too. I don't know as aunt Mirandy will take me in
after I've run away, but I'm going back now while I have the courage.
You wouldn't be so good as to go with me, would you, Mr. Cobb?"

"You'd better b'lieve your uncle Jerry don't propose to leave till he
gits this thing fixed up," cried the old man delightedly. "Now you've
had all you can stan' to-night, poor little soul, without gettin' a fit
o' sickness; an' Mirandy'll be sore an' cross an' in no condition for
argyment; so my plan is jest this: to drive you over to the brick house
in my top buggy; to have you set back in the corner, an' I git out an'
go to the side door; an' when I git your aunt Mirandy 'n' aunt Jane out
int' the shed to plan for a load o' wood I'm goin' to have hauled there
this week, you'll slip out o' the buggy and go upstairs to bed. The
front door won't be locked, will it?"

"Not this time of night," Rebecca answered; "not till aunt Mirandy goes
to bed; but oh! what if it should be?"

"Well, it won't; an' if 't is, why we'll have to face it out; though in
my opinion there's things that won't bear facin' out an' had better be
settled comfortable an' quiet. You see you ain't run away yet; you've
only come over here to consult me 'bout runnin' away, an' we've
concluded it ain't wuth the trouble. The only real sin you've
committed, as I figger it out, was in comin' here by the winder when
you'd ben sent to bed. That ain't so very black, an' you can tell your
aunt Jane 'bout it come Sunday, when she's chock full o' religion, an'
she can advise you when you'd better tell your aunt Mirandy. I don't
believe in deceivin' folks, but if you've hed hard thoughts you ain't
obleeged to own 'em up; take 'em to the Lord in prayer, as the hymn
says, and then don't go on hevin' 'em. Now come on; I'm all hitched up
to go over to the post-office; don't forget your bundle; 'it's always a
journey, mother, when you carry a nightgown;' them 's the first words
your uncle Jerry ever heard you say! He didn't think you'd be bringin'
your nightgown over to his house. Step in an' curl up in the corner; we
ain't goin' to let folks see little runaway gals, 'cause they're goin'
back to begin all over ag'in!"


When Rebecca crept upstairs, and undressing in the dark finally found
herself in her bed that night, though she was aching and throbbing in
every nerve, she felt a kind of peace stealing over her. She had been
saved from foolishness and error; kept from troubling her poor mother;
prevented from angering and mortifying her aunts.

Her heart was melted now, and she determined to win aunt Miranda's
approval by some desperate means, and to try and forget the one thing
that rankled worst, the scornful mention of her father, of whom she
thought with the greatest admiration, and whom she had not yet heard
criticised; for such sorrows and disappointments as Aurelia Randall had
suffered had never been communicated to her children.

It would have been some comfort to the bruised, unhappy little spirit
to know that Miranda Sawyer was passing an uncomfortable night, and
that she tacitly regretted her harshness, partly because Jane had taken
such a lofty and virtuous position in the matter. She could not endure
Jane's disapproval, although she would never have confessed to such a
weakness.

As uncle Jerry drove homeward under the stars, well content with his
attempts at keeping the peace, he thought wistfully of the touch of
Rebecca's head on his knee, and the rain of her tears on his hand; of
the sweet reasonableness of her mind when she had the matter put
rightly before her; of her quick decision when she had once seen the
path of duty; of the touching hunger for love and understanding that
were so characteristic in her. "Lord A'mighty!" he ejaculated under his
breath, "Lord A'mighty! to hector and abuse a child like that one! 'T
ain't ABUSE exactly, I know, or 't wouldn't be to some o' your
elephant-hided young ones; but to that little tender will-o'-the-wisp a
hard word 's like a lash. Mirandy Sawyer would be a heap better woman
if she had a little gravestun to remember, same's mother 'n' I have."


"I never see a child improve in her work as Rebecca has to-day,"
remarked Miranda Sawyer to Jane on Saturday evening. "That settin' down
I gave her was probably just what she needed, and I daresay it'll last
for a month."

"I'm glad you're pleased," returned Jane. "A cringing worm is what you
want, not a bright, smiling child. Rebecca looks to me as if she'd been
through the Seven Years' War. When she came downstairs this morning it
seemed to me she'd grown old in the night. If you follow my advice,
which you seldom do, you'll let me take her and Emma Jane down beside
the river to-morrow afternoon and bring Emma Jane home to a good Sunday
supper. Then if you'll let her go to Milltown with the Cobbs on
Wednesday, that'll hearten her up a little and coax back her appetite.
Wednesday 's a holiday on account of Miss Dearborn's going home to her
sister's wedding, and the Cobbs and Perkinses want to go down to the
Agricultural Fair."



XI

"THE STIRRING OF THE POWERS"

Rebecca's visit to Milltown was all that her glowing fancy had painted
it, except that recent readings about Rome and Venice disposed her to
believe that those cities might have an advantage over Milltown in the
matter of mere pictorial beauty. So soon does the soul outgrow its
mansions that after once seeing Milltown her fancy ran out to the
future sight of Portland; for that, having islands and a harbor and two
public monuments, must be far more beautiful than Milltown, which
would, she felt, take its proud place among the cities of the earth, by
reason of its tremendous business activity rather than by any
irresistible appeal to the imagination.

It would be impossible for two children to see more, do more, walk
more, talk more, eat more, or ask more questions than Rebecca and Emma
Jane did on that eventful Wednesday.

"She's the best company I ever see in all my life," said Mrs. Cobb to
her husband that evening. "We ain't had a dull minute this day. She's
well-mannered, too; she didn't ask for anything, and was thankful for
whatever she got. Did you watch her face when we went into that tent
where they was actin' out Uncle Tom's Cabin? And did you take notice of
the way she told us about the book when we sat down to have our ice
cream? I tell you Harriet Beecher Stowe herself couldn't 'a' done it
better justice."

"I took it all in," responded Mr. Cobb, who was pleased that "mother"
agreed with him about Rebecca. "I ain't sure but she's goin' to turn
out somethin' remarkable,--a singer, or a writer, or a lady doctor like
that Miss Parks up to Cornish."

"Lady doctors are always home'paths, ain't they?" asked Mrs. Cobb, who,
it is needless to say, was distinctly of the old school in medicine.

"Land, no, mother; there ain't no home'path 'bout Miss Parks--she
drives all over the country."

"I can't see Rebecca as a lady doctor, somehow," mused Mrs. Cobb. "Her
gift o' gab is what's goin' to be the makin' of her; mebbe she'll
lecture, or recite pieces, like that Portland elocutionist that come
out here to the harvest supper."

"I guess she'll be able to write down her own pieces," said Mr. Cobb
confidently; "she could make 'em up faster 'n she could read 'em out of
a book."

"It's a pity she's so plain looking," remarked Mrs. Cobb, blowing out
the candle.

"PLAIN LOOKING, mother?" exclaimed her husband in astonishment. "Look
at the eyes of her; look at the hair of her, an' the smile, an' that
there dimple! Look at Alice Robinson, that's called the prettiest child
on the river, an' see how Rebecca shines her ri' down out o' sight! I
hope Mirandy'll favor her comin' over to see us real often, for she'll
let off some of her steam here, an' the brick house'll be consid'able
safer for everybody concerned. We've known what it was to hev children,
even if 't was more 'n thirty years ago, an' we can make allowances."

Notwithstanding the encomiums of Mr. and Mrs. Cobb, Rebecca made a poor
hand at composition writing at this time. Miss Dearborn gave her every
sort of subject that she had ever been given herself: Cloud Pictures;
Abraham Lincoln; Nature; Philanthropy; Slavery; Intemperance; Joy and
Duty; Solitude; but with none of them did Rebecca seem to grapple
satisfactorily.

"Write as you talk, Rebecca," insisted poor Miss Dearborn, who secretly
knew that she could never manage a good composition herself.

"But gracious me, Miss Dearborn! I don't talk about nature and slavery.
I can't write unless I have something to say, can I?"

"That is what compositions are for," returned Miss Dearborn doubtfully;
"to make you have things to say. Now in your last one, on solitude, you
haven't said anything very interesting, and you've made it too common
and every-day to sound well. There are too many 'yous' and 'yours' in
it; you ought to say 'one' now and then, to make it seem more like good
writing. 'One opens a favorite book;' 'One's thoughts are a great
comfort in solitude,' and so on."

"I don't know any more about solitude this week than I did about joy
and duty last week," grumbled Rebecca.

"You tried to be funny about joy and duty," said Miss Dearborn
reprovingly; "so of course you didn't succeed."

"I didn't know you were going to make us read the things out loud,"
said Rebecca with an embarrassed smile of recollection.

"Joy and Duty" had been the inspiring subject given to the older
children for a theme to be written in five minutes.

Rebecca had wrestled, struggled, perspired in vain. When her turn came
to read she was obliged to confess she had written nothing.

"You have at least two lines, Rebecca," insisted the teacher, "for I
see them on your slate."

"I'd rather not read them, please; they are not good," pleaded Rebecca.

"Read what you have, good or bad, little or much; I am excusing nobody."

Rebecca rose, overcome with secret laughter dread, and mortification;
then in a low voice she read the couplet:--

    When Joy and Duty clash
    Let Duty go to smash.

Dick Carter's head disappeared under the desk, while Living Perkins
choked with laughter.

Miss Dearborn laughed too; she was little more than a girl, and the
training of the young idea seldom appealed to the sense of humor.

"You must stay after school and try again, Rebecca," she said, but she
said it smilingly. "Your poetry hasn't a very nice idea in it for a
good little girl who ought to love duty."

"It wasn't MY idea," said Rebecca apologetically. "I had only made the
first line when I saw you were going to ring the bell and say the time
was up. I had 'clash' written, and I couldn't think of anything then
but 'hash' or 'rash' or 'smash.' I'll change it to this:--

    When Joy and Duty clash,
    'T is Joy must go to smash."

"That is better," Miss Dearborn answered, "though I cannot think 'going
to smash' is a pretty expression for poetry."

Having been instructed in the use of the indefinite pronoun "one" as
giving a refined and elegant touch to literary efforts, Rebecca
painstakingly rewrote her composition on solitude, giving it all the
benefit of Miss Dearborn's suggestion. It then appeared in the
following form, which hardly satisfied either teacher or pupil:--

SOLITUDE

It would be false to say that one could ever be alone when one has
one's lovely thoughts to comfort one. One sits by one's self, it is
true, but one thinks; one opens one's favorite book and reads one's
favorite story; one speaks to one's aunt or one's brother, fondles
one's cat, or looks at one's photograph album. There is one's work
also: what a joy it is to one, if one happens to like work. All one's
little household tasks keep one from being lonely. Does one ever feel
bereft when one picks up one's chips to light one's fire for one's
evening meal? Or when one washes one's milk pail before milking one's
cow? One would fancy not.

R. R. R.

"It is perfectly dreadful," sighed Rebecca when she read it aloud after
school. "Putting in 'one' all the time doesn't make it sound any more
like a book, and it looks silly besides."

"You say such queer things," objected Miss Dearborn. "I don't see what
makes you do it. Why did you put in anything so common as picking up
chips?"

"Because I was talking about 'household tasks' in the sentence before,
and it IS one of my household tasks. Don't you think calling supper
'one's evening meal' is pretty? and isn't 'bereft' a nice word?"

"Yes, that part of it does very well. It is the cat, the chips, and the
milk pail that I don't like."

"All right!" sighed Rebecca. "Out they go; Does the cow go too?"

"Yes, I don't like a cow in a composition," said the difficult Miss
Dearborn.


The Milltown trip had not been without its tragic consequences of a
small sort; for the next week Minnie Smellie's mother told Miranda
Sawyer that she'd better look after Rebecca, for she was given to
"swearing and profane language;" that she had been heard saying
something dreadful that very afternoon, saying it before Emma Jane and
Living Perkins, who only laughed and got down on all fours and chased
her.

Rebecca, on being confronted and charged with the crime, denied it
indignantly, and aunt Jane believed her.

"Search your memory, Rebecca, and try to think what Minnie overheard
you say," she pleaded. "Don't be ugly and obstinate, but think real
hard. When did they chase you up the road, and what were you doing?"

A sudden light broke upon Rebecca's darkness.

"Oh! I see it now," she exclaimed. "It had rained hard all the morning,
you know, and the road was full of puddles. Emma Jane, Living, and I
were walking along, and I was ahead. I saw the water streaming over the
road towards the ditch, and it reminded me of Uncle Tom's Cabin at
Milltown, when Eliza took her baby and ran across the Mississippi on
the ice blocks, pursued by the bloodhounds. We couldn't keep from
laughing after we came out of the tent because they were acting on such
a small platform that Eliza had to run round and round, and part of the
time the one dog they had pursued her, and part of the time she had to
pursue the dog. I knew Living would remember, too, so I took off my
waterproof and wrapped it round my books for a baby; then I shouted,
'MY GOD! THE RIVER!' just like that--the same as Eliza did in the play;
then I leaped from puddle to puddle, and Living and Emma Jane pursued
me like the bloodhounds. It's just like that stupid Minnie Smellie who
doesn't know a game when she sees one. And Eliza wasn't swearing when
she said 'My God! the river!' It was more like praying."

"Well, you've got no call to be prayin', any more than swearin', in the
middle of the road," said Miranda; "but I'm thankful it's no worse.
You're born to trouble as the sparks fly upward, an' I'm afraid you
allers will be till you learn to bridle your unruly tongue."

"I wish sometimes that I could bridle Minnie's," murmured Rebecca, as
she went to set the table for supper.

"I declare she IS the beatin'est child!" said Miranda, taking off her
spectacles and laying down her mending. "You don't think she's a leetle
mite crazy, do you, Jane?"

"I don't think she's like the rest of us," responded Jane thoughtfully
and with some anxiety in her pleasant face; "but whether it's for the
better or the worse I can't hardly tell till she grows up. She's got
the making of 'most anything in her, Rebecca has; but I feel sometimes
as if we were not fitted to cope with her."

"Stuff an' nonsense!" said Miranda "Speak for yourself. I feel fitted
to cope with any child that ever was born int' the world!"

"I know you do, Mirandy; but that don't MAKE you so," returned Jane
with a smile.

The habit of speaking her mind freely was certainly growing on Jane to
an altogether terrifying extent.



XII

"SEE THE PALE MARTYR"

It was about this time that Rebecca, who had been reading about the
Spartan boy, conceived the idea of some mild form of self-punishment to
be applied on occasions when she was fully convinced in her own mind
that it would be salutary. The immediate cause of the decision was a
somewhat sadder accident than was common, even in a career prolific in
such things.

Clad in her best, Rebecca had gone to take tea with the Cobbs; but
while crossing the bridge she was suddenly overcome by the beauty of
the river and leaned over the newly painted rail to feast her eyes on
the dashing torrent of the fall. Resting her elbows on the topmost
board, and inclining her little figure forward in delicious ease, she
stood there dreaming.

The river above the dam was a glassy lake with all the loveliness of
blue heaven and green shore reflected in its surface; the fall was a
swirling wonder of water, ever pouring itself over and over
inexhaustibly in luminous golden gushes that lost themselves in snowy
depths of foam. Sparkling in the sunshine, gleaming under the summer
moon, cold and gray beneath a November sky, trickling over the dam in
some burning July drought, swollen with turbulent power in some April
freshet, how many young eyes gazed into the mystery and majesty of the
falls along that river, and how many young hearts dreamed out their
futures leaning over the bridge rail, seeing "the vision splendid"
reflected there and often, too, watching it fade into "the light of
common day."

Rebecca never went across the bridge without bending over the rail to
wonder and to ponder, and at this special moment she was putting the
finishing touches on a poem.

  Two maidens by a river strayed
       Down in the state of Maine.
  The one was called Rebecca,
       The other Emma Jane.
  "I would my life were like the stream,"
       Said her named Emma Jane,
  "So quiet and so very smooth,
       So free from every pain."

  "I'd rather be a little drop
       In the great rushing fall!
  I would not choose the glassy lake,
       'T would not suit me at all!"
  (It was the darker maiden spoke
       The words I just have stated,
  The maidens twain were simply friends
       And not at all related.)

  But O! alas I we may not have
       The things we hope to gain;
  The quiet life may come to me,
       The rush to Emma Jane!

"I don't like 'the rush to Emma Jane,' and I can't think of anything
else. Oh! what a smell of paint! Oh! it is ON me! Oh! it's all over my
best dress! Oh I what WILL aunt Miranda say!"

With tears of self-reproach streaming from her eyes, Rebecca flew up
the hill, sure of sympathy, and hoping against hope for help of some
sort.

Mrs. Cobb took in the situation at a glance, and professed herself able
to remove almost any stain from almost any fabric; and in this she was
corroborated by uncle Jerry, who vowed that mother could git anything
out. Sometimes she took the cloth right along with the spot, but she
had a sure hand, mother had!

The damaged garment was removed and partially immersed in turpentine,
while Rebecca graced the festal board clad in a blue calico wrapper of
Mrs. Cobb's.

"Don't let it take your appetite away," crooned Mrs. Cobb. "I've got
cream biscuit and honey for you. If the turpentine don't work, I'll try
French chalk, magneshy, and warm suds. If they fail, father shall run
over to Strout's and borry some of the stuff Marthy got in Milltown to
take the currant pie out of her weddin' dress."

"I ain't got to understandin' this paintin' accident yet," said uncle
Jerry jocosely, as he handed Rebecca the honey. "Bein' as how there's
'Fresh Paint' signs hung all over the breedge, so 't a blind asylum
couldn't miss 'em, I can't hardly account for your gettin' int' the
pesky stuff."

"I didn't notice the signs," Rebecca said dolefully. "I suppose I was
looking at the falls."

"The falls has been there sence the beginnin' o' time, an' I cal'late
they'll be there till the end on 't; so you needn't 'a' been in sech a
brash to git a sight of 'em. Children comes turrible high, mother, but
I s'pose we must have 'em!" he said, winking at Mrs. Cobb.

When supper was cleared away Rebecca insisted on washing and wiping the
dishes, while Mrs. Cobb worked on the dress with an energy that plainly
showed the gravity of the task. Rebecca kept leaving her post at the
sink to bend anxiously over the basin and watch her progress, while
uncle Jerry offered advice from time to time.

"You must 'a' laid all over the breedge, deary," said Mrs. Cobb; "for
the paint 's not only on your elbows and yoke and waist, but it about
covers your front breadth."

As the garment began to look a little better Rebecca's spirits took an
upward turn, and at length she left it to dry in the fresh air, and
went into the sitting-room.

"Have you a piece of paper, please?" asked Rebecca. "I'll copy out the
poetry I was making while I was lying in the paint."

Mrs. Cobb sat by her mending basket, and uncle Jerry took down a
gingham bag of strings and occupied himself in taking the snarls out of
them,--a favorite evening amusement with him.

Rebecca soon had the lines copied in her round school-girl hand, making
such improvements as occurred to her on sober second thought.

    THE TWO WISHES
        BY
    REBECCA RANDALL

  Two maidens by a river strayed,
       'T was in the state of Maine.
  Rebecca was the darker one,
       The fairer, Emma Jane.
  The fairer maiden said, "I would
       My life were as the stream;
  So peaceful, and so smooth and still,
       So pleasant and serene."

  "I'd rather be a little drop
       In the great rushing fall;
  I'd never choose the quiet lake;
       'T would not please me at all."
  (It was the darker maiden spoke
       The words we just have stated;
  The maidens twain were simply friends,
       Not sisters, or related.)

  But O! alas! we may not have
       The things we hope to gain.
  The quiet life may come to me,
       The rush to Emma Jane!

She read it aloud, and the Cobbs thought it not only surpassingly
beautiful, but a marvelous production.

"I guess if that writer that lived on Congress Street in Portland could
'a' heard your poetry he'd 'a' been astonished," said Mrs. Cobb. "If
you ask me, I say this piece is as good as that one o' his, 'Tell me
not in mournful numbers;' and consid'able clearer."

"I never could fairly make out what 'mournful numbers' was," remarked
Mr. Cobb critically.

"Then I guess you never studied fractions!" flashed Rebecca. "See here,
uncle Jerry and aunt Sarah, would you write another verse, especially
for a last one, as they usually do--one with 'thoughts' in it--to make
a better ending?"

"If you can grind 'em out jest by turnin' the crank, why I should say
the more the merrier; but I don't hardly see how you could have a
better endin'," observed Mr. Cobb.

"It is horrid!" grumbled Rebecca. "I ought not to have put that 'me'
in. I'm writing the poetry. Nobody ought to know it IS me standing by
the river; it ought to be 'Rebecca,' or 'the darker maiden;' and 'the
rush to Emma Jane' is simply dreadful. Sometimes I think I never will
try poetry, it's so hard to make it come right; and other times it just
says itself. I wonder if this would be better?

  But O! alas! we may not gain
       The good for which we pray
  The quiet life may come to one
       Who likes it rather gay,

I don't know whether that is worse or not. Now for a new last verse!"

In a few minutes the poetess looked up, flushed and triumphant. "It was
as easy as nothing. Just hear!" And she read slowly, with her pretty,
pathetic voice:--

  Then if our lot be bright or sad,
       Be full of smiles, or tears,
  The thought that God has planned it so
       Should help us bear the years.

Mr. and Mrs. Cobb exchanged dumb glances of admiration; indeed uncle
Jerry was obliged to turn his face to the window and wipe his eyes
furtively with the string-bag.

"How in the world did you do it?" Mrs. Cobb exclaimed.

"Oh, it's easy," answered Rebecca; "the hymns at meeting are all like
that. You see there's a school newspaper printed at Wareham Academy
once a month. Dick Carter says the editor is always a boy, of course;
but he allows girls to try and write for it, and then chooses the best.
Dick thinks I can be in it."

"IN it!" exclaimed uncle Jerry. "I shouldn't be a bit surprised if you
had to write the whole paper; an' as for any boy editor, you could lick
him writin', I bate ye, with one hand tied behind ye."

"Can we have a copy of the poetry to keep in the family Bible?"
inquired Mrs. Cobb respectfully.

"Oh! would you like it?" asked Rebecca. "Yes indeed! I'll do a clean,
nice one with violet ink and a fine pen. But I must go and look at my
poor dress."

The old couple followed Rebecca into the kitchen. The frock was quite
dry, and in truth it had been helped a little by aunt Sarah's
ministrations; but the colors had run in the rubbing, the pattern was
blurred, and there were muddy streaks here and there. As a last resort,
it was carefully smoothed with a warm iron, and Rebecca was urged to
attire herself, that they might see if the spots showed as much when it
was on.

They did, most uncompromisingly, and to the dullest eye. Rebecca gave
one searching look, and then said, as she took her hat from a nail in
the entry, "I think I'll be going. Good-night! If I've got to have a
scolding, I want it quick, and get it over."

"Poor little onlucky misfortunate thing!" sighed uncle Jerry, as his
eyes followed her down the hill. "I wish she could pay some attention
to the ground under her feet; but I vow, if she was ourn I'd let her
slop paint all over the house before I could scold her. Here's her
poetry she's left behind. Read it out ag'in, mother. Land!" he
continued, chuckling, as he lighted his cob pipe; "I can just see the
last flap o' that boy-editor's shirt tail as he legs it for the woods,
while Rebecky settles down in his revolvin' cheer! I'm puzzled as to
what kind of a job editin' is, exactly; but she'll find out, Rebecky
will. An' she'll just edit for all she's worth!

  "'The thought that God has planned it so
       Should help us bear the years.'

Land, mother! that takes right holt, kind o' like the gospel. How do
you suppose she thought that out?"

"She couldn't have thought it out at her age," said Mrs. Cobb; "she
must have just guessed it was that way. We know some things without
bein' told, Jeremiah."


Rebecca took her scolding (which she richly deserved) like a soldier.
There was considerable of it, and Miss Miranda remarked, among other
things, that so absent-minded a child was sure to grow up into a
driveling idiot. She was bidden to stay away from Alice Robinson's
birthday party, and doomed to wear her dress, stained and streaked as
it was, until it was worn out. Aunt Jane six months later mitigated
this martyrdom by making her a ruffled dimity pinafore, artfully shaped
to conceal all the spots. She was blessedly ready with these mediations
between the poor little sinner and the full consequences of her sin.

When Rebecca had heard her sentence and gone to the north chamber she
began to think. If there was anything she did not wish to grow into, it
was an idiot of any sort, particularly a driveling one; and she
resolved to punish herself every time she incurred what she considered
to be the righteous displeasure of her virtuous relative. She didn't
mind staying away from Alice Robinson's. She had told Emma Jane it
would be like a picnic in a graveyard, the Robinson house being as near
an approach to a tomb as a house can manage to be. Children were
commonly brought in at the back door, and requested to stand on
newspapers while making their call, so that Alice was begged by her
friends to "receive" in the shed or barn whenever possible. Mrs.
Robinson was not only "turrible neat," but "turrible close," so that
the refreshments were likely to be peppermint lozenges and glasses of
well water.

After considering the relative values, as penances, of a piece of
haircloth worn next the skin, and a pebble in the shoe, she dismissed
them both. The haircloth could not be found, and the pebble would
attract the notice of the Argus-eyed aunt, besides being a foolish bar
to the activity of a person who had to do housework and walk a mile and
a half to school.

Her first experimental attempt at martyrdom had not been a
distinguished success. She had stayed at home from the Sunday-school
concert, a function of which, in ignorance of more alluring ones, she
was extremely fond. As a result of her desertion, two infants who
relied upon her to prompt them (she knew the verses of all the children
better than they did themselves) broke down ignominiously. The class to
which she belonged had to read a difficult chapter of Scripture in
rotation, and the various members spent an arduous Sabbath afternoon
counting out verses according to their seats in the pew, and practicing
the ones that would inevitably fall to them. They were too ignorant to
realize, when they were called upon, that Rebecca's absence would make
everything come wrong, and the blow descended with crushing force when
the Jebusites and Amorites, the Girgashites, Hivites, and Perizzites
had to be pronounced by the persons of all others least capable of
grappling with them.

Self-punishment, then, to be adequate and proper, must begin, like
charity, at home, and unlike charity should end there too. Rebecca
looked about the room vaguely as she sat by the window. She must give
up something, and truth to tell she possessed little to give, hardly
anything but--yes, that would do, the beloved pink parasol. She could
not hide it in the attic, for in some moment of weakness she would be
sure to take it out again. She feared she had not the moral energy to
break it into bits. Her eyes moved from the parasol to the apple-trees
in the side yard, and then fell to the well curb. That would do; she
would fling her dearest possession into the depths of the water. Action
followed quickly upon decision, as usual. She slipped down in the
darkness, stole out the front door, approached the place of sacrifice,
lifted the cover of the well, gave one unresigned shudder, and flung
the parasol downward with all her force. At the crucial instant of
renunciation she was greatly helped by the reflection that she closely
resembled the heathen mothers who cast their babes to the crocodiles in
the Ganges.

She slept well and arose refreshed, as a consecrated spirit always
should and sometimes does. But there was great difficulty in drawing
water after breakfast. Rebecca, chastened and uplifted, had gone to
school. Abijah Flagg was summoned, lifted the well cover, explored,
found the inciting cause of trouble, and with the help of Yankee wit
succeeded in removing it. The fact was that the ivory hook of the
parasol had caught in the chain gear, and when the first attempt at
drawing water was made, the little offering of a contrite heart was
jerked up, bent, its strong ribs jammed into the well side, and
entangled with a twig root. It is needless to say that no
sleight-of-hand performer, however expert, unless aided by the powers
of darkness, could have accomplished this feat; but a luckless child in
the pursuit of virtue had done it with a turn of the wrist.

We will draw a veil over the scene that occurred after Rebecca's return
from school. You who read may be well advanced in years, you may be
gifted in rhetoric, ingenious in argument; but even you might quail at
the thought of explaining the tortuous mental processes that led you
into throwing your beloved pink parasol into Miranda Sawyer's well.
Perhaps you feel equal to discussing the efficacy of spiritual
self-chastisement with a person who closes her lips into a thin line
and looks at you out of blank, uncomprehending eyes! Common sense,
right, and logic were all arrayed on Miranda's side. When poor Rebecca,
driven to the wall, had to avow the reasons lying behind the sacrifice
of the sunshade, her aunt said, "Now see here, Rebecca, you're too big
to be whipped, and I shall never whip you; but when you think you ain't
punished enough, just tell me, and I'll make out to invent a little
something more. I ain't so smart as some folks, but I can do that much;
and whatever it is, it'll be something that won't punish the whole
family, and make 'em drink ivory dust, wood chips, and pink silk rags
with their water."



XIII

SNOW-WHITE; ROSE-RED

Just before Thanksgiving the affairs of the Simpsons reached what might
have been called a crisis, even in their family, which had been born
and reared in a state of adventurous poverty and perilous uncertainty.

Riverboro was doing its best to return the entire tribe of Simpsons to
the land of its fathers, so to speak, thinking rightly that the town
which had given them birth, rather than the town of their adoption,
should feed them and keep a roof over their heads until the children
were of an age for self-support. There was little to eat in the
household and less to wear, though Mrs. Simpson did, as always, her
poor best. The children managed to satisfy their appetites by sitting
modestly outside their neighbors' kitchen doors when meals were about
to be served. They were not exactly popular favorites, but they did
receive certain undesirable morsels from the more charitable housewives.

Life was rather dull and dreary, however, and in the chill and gloom of
November weather, with the vision of other people's turkeys bursting
with fat, and other people's golden pumpkins and squashes and corn
being garnered into barns, the young Simpsons groped about for some
inexpensive form of excitement, and settled upon the selling of soap
for a premium. They had sold enough to their immediate neighbors during
the earlier autumn to secure a child's handcart, which, though very
weak on its pins, could be trundled over the country roads. With large
business sagacity and an executive capacity which must have been
inherited from their father, they now proposed to extend their
operations to a larger area and distribute soap to contiguous villages,
if these villages could be induced to buy. The Excelsior Soap Company
paid a very small return of any kind to its infantile agents, who were
scattered through the state, but it inflamed their imaginations by the
issue of circulars with highly colored pictures of the premiums to be
awarded for the sale of a certain number of cakes. It was at this
juncture that Clara Belle and Susan Simpson consulted Rebecca, who
threw herself solidly and wholeheartedly into the enterprise, promising
her help and that of Emma Jane Perkins. The premiums within their
possible grasp were three: a bookcase, a plush reclining chair, and a
banquet lamp. Of course the Simpsons had no books, and casting aside,
without thought or pang, the plush chair, which might have been of some
use in a family of seven persons (not counting Mr. Simpson, who
ordinarily sat elsewhere at the town's expense), they warmed themselves
rapturously in the vision of the banquet lamp, which speedily became to
them more desirable than food, drink, or clothing. Neither Emma Jane
nor Rebecca perceived anything incongruous in the idea of the Simpsons
striving for a banquet lamp. They looked at the picture daily and knew
that if they themselves were free agents they would toil, suffer, ay
sweat, for the happy privilege of occupying the same room with that
lamp through the coming winter evenings. It looked to be about eight
feet tall in the catalogue, and Emma Jane advised Clara Belle to
measure the height of the Simpson ceilings; but a note in the margin of
the circular informed them that it stood two and a half feet high when
set up in all its dignity and splendor on a proper table, three dollars
extra. It was only of polished brass, continued the circular, though it
was invariably mistaken for solid gold, and the shade that accompanied
it (at least it accompanied it if the agent sold a hundred extra cakes)
was of crinkled crepe paper printed in a dozen delicious hues, from
which the joy-dazzled agent might take his choice.

Seesaw Simpson was not in the syndicate. Clara Belle was rather a
successful agent, but Susan, who could only say "thoap," never made
large returns, and the twins, who were somewhat young to be thoroughly
trustworthy, could be given only a half dozen cakes at a time, and were
obliged to carry with them on their business trips a brief document
stating the price per cake, dozen, and box. Rebecca and Emma Jane
offered to go two or three miles in some one direction and see what
they could do in the way of stirring up a popular demand for the
Snow-White and Rose-Red brands, the former being devoted to laundry
purposes and the latter being intended for the toilet.

There was a great amount of hilarity in the preparation for this event,
and a long council in Emma Jane's attic. They had the soap company's
circular from which to arrange a proper speech, and they had, what was
still better, the remembrance of a certain patent-medicine vender's
discourse at the Milltown Fair. His method, when once observed, could
never be forgotten; nor his manner, nor his vocabulary. Emma Jane
practiced it on Rebecca, and Rebecca on Emma Jane.

"Can I sell you a little soap this afternoon? It is called the
Snow-White and Rose-Red Soap, six cakes in an ornamental box, only
twenty cents for the white, twenty-five cents for the red. It is made
from the purest ingredients, and if desired could be eaten by an
invalid with relish and profit."

"Oh, Rebecca, don't let's say that!" interposed Emma Jane hysterically.
"It makes me feel like a fool."

"It takes so little to make you feel like a fool, Emma Jane," rebuked
Rebecca, "that sometimes I think that you must BE one I don't get to
feeling like a fool so awfully easy; now leave out that eating part if
you don't like it, and go on."

"The Snow-White is probably the most remarkable laundry soap ever
manufactured. Immerse the garments in a tub, lightly rubbing the more
soiled portions with the soap; leave them submerged in water from
sunset to sunrise, and then the youngest baby can wash them without the
slightest effort."

"BABE, not baby," corrected Rebecca from the circular.

"It's just the same thing," argued Emma Jane.

"Of course it's just the same THING; but a baby has got to be called
babe or infant in a circular, the same as it is in poetry! Would you
rather say infant?"

"No," grumbled Emma Jane; "infant is worse even than babe. Rebecca, do
you think we'd better do as the circular says, and let Elijah or Elisha
try the soap before we begin selling?"

"I can't imagine a babe doing a family wash with ANY soap," answered
Rebecca; "but it must be true or they would never dare to print it, so
don't let's bother. Oh! won't it be the greatest fun, Emma Jane? At
some of the houses--where they can't possibly know me--I shan't be
frightened, and I shall reel off the whole rigmarole, invalid, babe,
and all. Perhaps I shall say even the last sentence, if I can remember
it: 'We sound every chord in the great mac-ro-cosm of satisfaction."

This conversation took place on a Friday afternoon at Emma Jane's
house, where Rebecca, to her unbounded joy, was to stay over Sunday,
her aunts having gone to Portland to the funeral of an old friend.
Saturday being a holiday, they were going to have the old white horse,
drive to North Riverboro three miles away, eat a twelve o'clock dinner
with Emma Jane's cousins, and be back at four o'clock punctually.

When the children asked Mrs. Perkins if they could call at just a few
houses coming and going, and sell a little soap for the Simpsons, she
at first replied decidedly in the negative. She was an indulgent
parent, however, and really had little objection to Emma Jane amusing
herself in this unusual way; it was only for Rebecca, as the niece of
the difficult Miranda Sawyer, that she raised scruples; but when fully
persuaded that the enterprise was a charitable one, she acquiesced.

The girls called at Mr. Watson's store, and arranged for several large
boxes of soap to be charged to Clara Belle Simpson's account. These
were lifted into the back of the wagon, and a happier couple never
drove along the country road than Rebecca and her companion. It was a
glorious Indian summer day, which suggested nothing of Thanksgiving,
near at hand as it was. It was a rustly day, a scarlet and buff, yellow
and carmine, bronze and crimson day. There were still many leaves on
the oaks and maples, making a goodly show of red and brown and gold.
The air was like sparkling cider, and every field had its heaps of
yellow and russet good things to eat, all ready for the barns, the
mills, and the markets. The horse forgot his twenty years, sniffed the
sweet bright air, and trotted like a colt; Nokomis Mountain looked blue
and clear in the distance; Rebecca stood in the wagon, and
apostrophized the landscape with sudden joy of living:--

  "Great, wide, beautiful, wonderful World,
  With the wonderful water round you curled,
  And the wonderful grass upon your breast,
  World, you are beautifully drest!"

Dull Emma Jane had never seemed to Rebecca so near, so dear, so tried
and true; and Rebecca, to Emma Jane's faithful heart, had never been so
brilliant, so bewildering, so fascinating, as in this visit together,
with its intimacy, its freedom, and the added delights of an exciting
business enterprise.

A gorgeous leaf blew into the wagon.

"Does color make you sort of dizzy?" asked Rebecca.

"No," answered Emma Jane after a long pause; "no, it don't; not a mite."

"Perhaps dizzy isn't just the right word, but it's nearest. I'd like to
eat color, and drink it, and sleep in it. If you could be a tree, which
one would you choose?"

Emma Jane had enjoyed considerable experience of this kind, and Rebecca
had succeeded in unstopping her ears, ungluing her eyes, and loosening
her tongue, so that she could "play the game" after a fashion.

"I'd rather be an apple-tree in blossom,--that one that blooms pink, by
our pig-pen."

Rebecca laughed. There was always something unexpected in Emma Jane's
replies. "I'd choose to be that scarlet maple just on the edge of the
pond there,"--and she pointed with the whip. "Then I could see so much
more than your pink apple-tree by the pig-pen. I could look at all the
rest of the woods, see my scarlet dress in my beautiful looking-glass,
and watch all the yellow and brown trees growing upside down in the
water. When I'm old enough to earn money, I'm going to have a dress
like this leaf, all ruby color--thin, you know, with a sweeping train
and ruffly, curly edges; then I think I'll have a brown sash like the
trunk of the tree, and where could I be green? Do they have green
petticoats, I wonder? I'd like a green petticoat coming out now and
then underneath to show what my leaves were like before I was a scarlet
maple."

"I think it would be awful homely," said Emma Jane. "I'm going to have
a white satin with a pink sash, pink stockings, bronze slippers, and a
spangled fan."



XIV

MR. ALADDIN

A single hour's experience of the vicissitudes incident to a business
career clouded the children's spirits just the least bit. They did not
accompany each other to the doors of their chosen victims, feeling sure
that together they could not approach the subject seriously; but they
parted at the gate of each house, the one holding the horse while the
other took the soap samples and interviewed any one who seemed of a
coming-on disposition. Emma Jane had disposed of three single cakes,
Rebecca of three small boxes; for a difference in their ability to
persuade the public was clearly defined at the start, though neither of
them ascribed either success or defeat to anything but the imperious
force of circumstances. Housewives looked at Emma Jane and desired no
soap; listened to her description of its merits, and still desired
none. Other stars in their courses governed Rebecca's doings. The
people whom she interviewed either remembered their present need of
soap, or reminded themselves that they would need it in the future; the
notable point in the case being that lucky Rebecca accomplished, with
almost no effort, results that poor little Emma Jane failed to attain
by hard and conscientious labor.

"It's your turn, Rebecca, and I'm glad, too," said Emma Jane, drawing
up to a gateway and indicating a house that was set a considerable
distance from the road. "I haven't got over trembling from the last
place yet." (A lady had put her head out of an upstairs window and
called, "Go away, little girl; whatever you have in your box we don't
want any.") "I don't know who lives here, and the blinds are all shut
in front. If there's nobody at home you mustn't count it, but take the
next house as yours."

Rebecca walked up the lane and went to the side door. There was a porch
there, and seated in a rocking-chair, husking corn, was a good-looking
young man, or was he middle aged? Rebecca could not make up her mind.
At all events he had an air of the city about him,--well-shaven face,
well-trimmed mustache, well-fitting clothes. Rebecca was a trifle shy
at this unexpected encounter, but there was nothing to be done but
explain her presence, so she asked, "Is the lady of the house at home?"

"I am the lady of the house at present," said the stranger, with a
whimsical smile. "What can I do for you?"

"Have you ever heard of the--would you like, or I mean--do you need any
soap?" queried Rebecca.

"Do I look as if I did?" he responded unexpectedly.

Rebecca dimpled. "I didn't mean THAT; I have some soap to sell; I mean
I would like to introduce to you a very remarkable soap, the best now
on the market. It is called the"--

"Oh! I must know that soap," said the gentleman genially. "Made out of
pure vegetable fats, isn't it?"

"The very purest," corroborated Rebecca.

"No acid in it?"

"Not a trace."

"And yet a child could do the Monday washing with it and use no force."

"A babe," corrected Rebecca

"Oh! a babe, eh? That child grows younger every year, instead of
older--wise child!"

This was great good fortune, to find a customer who knew all the
virtues of the article in advance. Rebecca dimpled more and more, and
at her new friend's invitation sat down on a stool at his side near the
edge of the porch. The beauties of the ornamental box which held the
Rose-Red were disclosed, and the prices of both that and the Snow-White
were unfolded. Presently she forgot all about her silent partner at the
gate and was talking as if she had known this grand personage all her
life.

"I'm keeping house to-day, but I don't live here," explained the
delightful gentleman. "I'm just on a visit to my aunt, who has gone to
Portland. I used to be here as a boy and I am very fond of the spot."

"I don't think anything takes the place of the farm where one lived
when one was a child," observed Rebecca, nearly bursting with pride at
having at last successfully used the indefinite pronoun in general
conversation.

The man darted a look at her and put down his ear of corn. "So you
consider your childhood a thing of the past, do you, young lady?"

"I can still remember it," answered Rebecca gravely, "though it seems a
long time ago."

"I can remember mine well enough, and a particularly unpleasant one it
was," said the stranger.

"So was mine," sighed Rebecca. "What was your worst trouble?"

"Lack of food and clothes principally."

"Oh!" exclaimed Rebecca sympathetically,--"mine was no shoes and too
many babies and not enough books. But you're all right and happy now,
aren't you?" she asked doubtfully, for though he looked handsome,
well-fed, and prosperous, any child could see that his eyes were tired
and his mouth was sad when he was not speaking.

"I'm doing pretty well, thank you," said the man, with a delightful
smile. "Now tell me, how much soap ought I to buy to-day?"

"How much has your aunt on hand now?" suggested the very modest and
inexperienced agent; "and how much would she need?"

"Oh, I don't know about that; soap keeps, doesn't it?"

"I'm not certain," said Rebecca conscientiously, "but I'll look in the
circular--it's sure to tell;" and she drew the document from her pocket.

"What are you going to do with the magnificent profits you get from
this business?"

"We are not selling for our own benefit," said Rebecca confidentially.
"My friend who is holding the horse at the gate is the daughter of a
very rich blacksmith, and doesn't need any money. I am poor, but I live
with my aunts in a brick house, and of course they wouldn't like me to
be a peddler. We are trying to get a premium for some friends of ours."

Rebecca had never thought of alluding to the circumstances with her
previous customers, but unexpectedly she found herself describing Mr.
Simpson, Mrs. Simpson, and the Simpson family; their poverty, their
joyless life, and their abject need of a banquet lamp to brighten their
existence.

"You needn't argue that point," laughed the man, as he stood up to get
a glimpse of the "rich blacksmith's daughter" at the gate. "I can see
that they ought to have it if they want it, and especially if you want
them to have it. I've known what it was myself to do without a banquet
lamp. Now give me the circular, and let's do some figuring. How much do
the Simpsons lack at this moment?"

"If they sell two hundred more cakes this month and next, they can have
the lamp by Christmas," Rebecca answered, "and they can get a shade by
summer time; but I'm afraid I can't help very much after to-day,
because my aunt Miranda may not like to have me."

"I see. Well, that's all right. I'll take three hundred cakes, and that
will give them shade and all."

Rebecca had been seated on a stool very near to the edge of the porch,
and at this remark she made a sudden movement, tipped over, and
disappeared into a clump of lilac bushes. It was a very short distance,
fortunately, and the amused capitalist picked her up, set her on her
feet, and brushed her off. "You should never seem surprised when you
have taken a large order," said he; "you ought to have replied 'Can't
you make it three hundred and fifty?' instead of capsizing in that
unbusinesslike way."

"Oh, I could never say anything like that!" exclaimed Rebecca, who was
blushing crimson at her awkward fall. "But it doesn't seem right for
you to buy so much. Are you sure you can afford it?"

"If I can't, I'll save on something else," returned the jocose
philanthropist.

"What if your aunt shouldn't like the kind of soap?" queried Rebecca
nervously.

"My aunt always likes what I like," he returned

"Mine doesn't!" exclaimed Rebecca

"Then there's something wrong with your aunt!"

"Or with me," laughed Rebecca.

"What is your name, young lady?"

"Rebecca Rowena Randall, sir."

"What?" with an amused smile. "BOTH? Your mother was generous."

"She couldn't bear to give up either of the names she says."

"Do you want to hear my name?"

"I think I know already," answered Rebecca, with a bright glance. "I'm
sure you must be Mr. Aladdin in the Arabian Nights. Oh, please, can I
run down and tell Emma Jane? She must be so tired waiting, and she will
be so glad!"

At the man's nod of assent Rebecca sped down the lane, crying
irrepressibly as she neared the wagon, "Oh, Emma Jane! Emma Jane! we
are sold out!"

Mr. Aladdin followed smilingly to corroborate this astonishing,
unbelievable statement; lifted all their boxes from the back of the
wagon, and taking the circular, promised to write to the Excelsior
Company that night concerning the premium.

"If you could contrive to keep a secret,--you two little girls,--it
would be rather a nice surprise to have the lamp arrive at the
Simpsons' on Thanksgiving Day, wouldn't it?" he asked, as he tucked the
old lap robe cosily over their feet.

They gladly assented, and broke into a chorus of excited thanks during
which tears of joy stood in Rebecca's eyes.

"Oh, don't mention it!" laughed Mr. Aladdin, lifting his hat. "I was a
sort of commercial traveler myself once,--years ago,--and I like to see
the thing well done. Good-by Miss Rebecca Rowena! Just let me know
whenever you have anything to sell, for I'm certain beforehand I shall
want it."

"Good-by, Mr. Aladdin! I surely will!" cried Rebecca, tossing back her
dark braids delightedly and waving her hand.

"Oh, Rebecca!" said Emma Jane in an awe-struck whisper. "He raised his
hat to us, and we not thirteen! It'll be five years before we're
ladies."

"Never mind," answered Rebecca; "we are the BEGINNINGS of ladies, even
now."

"He tucked the lap robe round us, too," continued Emma Jane, in an
ecstasy of reminiscence. "Oh! isn't he perfectly elergant? And wasn't
it lovely of him to buy us out? And just think of having both the lamp
and the shade for one day's work! Aren't you glad you wore your pink
gingham now, even if mother did make you put on flannel underneath? You
do look so pretty in pink and red, Rebecca, and so homely in drab and
brown!"

"I know it," sighed Rebecca "I wish I was like you--pretty in all
colors!" And Rebecca looked longingly at Emma Jane's fat, rosy cheeks;
at her blue eyes, which said nothing; at her neat nose, which had no
character; at her red lips, from between which no word worth listening
to had ever issued.

"Never mind!" said Emma Jane comfortingly. "Everybody says you're awful
bright and smart, and mother thinks you'll be better looking all the
time as you grow older. You wouldn't believe it, but I was a dreadful
homely baby, and homely right along till just a year or two ago, when
my red hair began to grow dark. What was the nice man's name?"

"I never thought to ask!" ejaculated Rebecca. "Aunt Miranda would say
that was just like me, and it is. But I called him Mr. Aladdin because
he gave us a lamp. You know the story of Aladdin and the wonderful
lamp?"

"Oh, Rebecca! how could you call him a nickname the very first time you
ever saw him?"

"Aladdin isn't a nickname exactly; anyway, he laughed and seemed to
like it."

By dint of superhuman effort, and putting such a seal upon their lips
as never mortals put before, the two girls succeeded in keeping their
wonderful news to themselves; although it was obvious to all beholders
that they were in an extraordinary and abnormal state of mind.

On Thanksgiving the lamp arrived in a large packing box, and was taken
out and set up by Seesaw Simpson, who suddenly began to admire and
respect the business ability of his sisters. Rebecca had heard the news
of its arrival, but waited until nearly dark before asking permission
to go to the Simpsons', so that she might see the gorgeous trophy
lighted and sending a blaze of crimson glory through its red crepe
paper shade.



XV

THE BANQUET LAMP

There had been company at the brick house to the bountiful Thanksgiving
dinner which had been provided at one o'clock,--the Burnham sisters,
who lived between North Riverboro and Shaker Village, and who for more
than a quarter of a century had come to pass the holiday with the
Sawyers every year. Rebecca sat silent with a book after the dinner
dishes were washed, and when it was nearly five asked if she might go
to the Simpsons'.

"What do you want to run after those Simpson children for on a
Thanksgiving Day?" queried Miss Miranda. "Can't you set still for once
and listen to the improvin' conversation of your elders? You never can
let well enough alone, but want to be forever on the move."

"The Simpsons have a new lamp, and Emma Jane and I promised to go up
and see it lighted, and make it a kind of a party."

"What under the canopy did they want of a lamp, and where did they get
the money to pay for it? If Abner was at home, I should think he'd been
swappin' again," said Miss Miranda.

"The children got it as a prize for selling soap," replied Rebecca;
"they've been working for a year, and you know I told you that Emma
Jane and I helped them the Saturday afternoon you were in Portland."

"I didn't take notice, I s'pose, for it's the first time I ever heard
the lamp mentioned. Well, you can go for an hour, and no more. Remember
it's as dark at six as it is at midnight Would you like to take along
some Baldwin apples? What have you got in the pocket of that new dress
that makes it sag down so?"

"It's my nuts and raisins from dinner," replied Rebecca, who never
succeeded in keeping the most innocent action a secret from her aunt
Miranda; "they're just what you gave me on my plate."

"Why didn't you eat them?"

"Because I'd had enough dinner, and I thought if I saved these, it
would make the Simpsons' party better," stammered Rebecca, who hated to
be scolded and examined before company.

"They were your own, Rebecca," interposed aunt Jane, "and if you chose
to save them to give away, it is all right. We ought never to let this
day pass without giving our neighbors something to be thankful for,
instead of taking all the time to think of our own mercies."

The Burnham sisters nodded approvingly as Rebecca went out, and
remarked that they had never seen a child grow and improve so fast in
so short a time.

"There's plenty of room left for more improvement, as you'd know if she
lived in the same house with you," answered Miranda. "She's into every
namable thing in the neighborhood, an' not only into it, but generally
at the head an' front of it, especially when it's mischief. Of all the
foolishness I ever heard of, that lamp beats everything; it's just like
those Simpsons, but I didn't suppose the children had brains enough to
sell anything."

"One of them must have," said Miss Ellen Burnham, "for the girl that
was selling soap at the Ladds' in North Riverboro was described by Adam
Ladd as the most remarkable and winning child he ever saw."

"It must have been Clara Belle, and I should never call her
remarkable," answered Miss Miranda. "Has Adam been home again?"

"Yes, he's been staying a few days with his aunt. There's no limit to
the money he's making, they say; and he always brings presents for all
the neighbors. This time it was a full set of furs for Mrs. Ladd; and
to think we can remember the time he was a barefoot boy without two
shirts to his back! It is strange he hasn't married, with all his
money, and him so fond of children that he always has a pack of them at
his heels."

"There's hope for him still, though," said Miss Jane smilingly; "for I
don't s'pose he's more than thirty."

"He could get a wife in Riverboro if he was a hundred and thirty,"
remarked Miss Miranda.

"Adam's aunt says he was so taken with the little girl that sold the
soap (Clara Belle, did you say her name was?), that he declared he was
going to bring her a Christmas present," continued Miss Ellen.

"Well, there's no accountin' for tastes," exclaimed Miss Miranda.
"Clara Belle's got cross-eyes and red hair, but I'd be the last one to
grudge her a Christmas present; the more Adam Ladd gives to her the
less the town'll have to."

"Isn't there another Simpson girl?" asked Miss Lydia Burnham; "for this
one couldn't have been cross-eyed; I remember Mrs. Ladd saying Adam
remarked about this child's handsome eyes. He said it was her eyes that
made him buy the three hundred cakes. Mrs. Ladd has it stacked up in
the shed chamber."

"Three hundred cakes!" ejaculated Miranda. "Well, there's one crop that
never fails in Riverboro!"

"What's that?" asked Miss Lydia politely.

"The fool crop," responded Miranda tersely, and changed the subject,
much to Jane's gratitude, for she had been nervous and ill at ease for
the last fifteen minutes. What child in Riverboro could be described as
remarkable and winning, save Rebecca? What child had wonderful eyes,
except the same Rebecca? and finally, was there ever a child in the
world who could make a man buy soap by the hundred cakes, save Rebecca?

Meantime the "remarkable" child had flown up the road in the deepening
dusk, but she had not gone far before she heard the sound of hurrying
footsteps, and saw a well-known figure coming in her direction. In a
moment she and Emma Jane met and exchanged a breathless embrace.

"Something awful has happened," panted Emma Jane.

"Don't tell me it's broken," exclaimed Rebecca.

"No! oh, no! not that! It was packed in straw, and every piece came out
all right; and I was there, and I never said a single thing about your
selling the three hundred cakes that got the lamp, so that we could be
together when you told."

"OUR selling the three hundred cakes," corrected Rebecca; "you did as
much as I."

"No, I didn't, Rebecca Randall. I just sat at the gate and held the
horse."

"Yes, but WHOSE horse was it that took us to North Riverboro? And
besides, it just happened to be my turn. If you had gone in and found
Mr. Aladdin you would have had the wonderful lamp given to you; but
what's the trouble?"

"The Simpsons have no kerosene and no wicks. I guess they thought a
banquet lamp was something that lighted itself, and burned without any
help. Seesaw has gone to the doctor's to try if he can borrow a wick,
and mother let me have a pint of oil, but she says she won't give me
any more. We never thought of the expense of keeping up the lamp,
Rebecca."

"No, we didn't, but let's not worry about that till after the party. I
have a handful of nuts and raisins and some apples."

"I have peppermints and maple sugar," said Emma Jane. "They had a real
Thanksgiving dinner; the doctor gave them sweet potatoes and
cranberries and turnips; father sent a spare-rib, and Mrs. Cobb a
chicken and a jar of mince-meat."

At half past five one might have looked in at the Simpsons' windows,
and seen the party at its height. Mrs. Simpson had let the kitchen fire
die out, and had brought the baby to grace the festal scene. The lamp
seemed to be having the party, and receiving the guests. The children
had taken the one small table in the house, and it was placed in the
far corner of the room to serve as a pedestal. On it stood the sacred,
the adored, the long-desired object; almost as beautiful, and nearly
half as large as the advertisement. The brass glistened like gold, and
the crimson paper shade glowed like a giant ruby. In the wide splash of
light that it flung upon the floor sat the Simpsons, in reverent and
solemn silence, Emma Jane standing behind them, hand in hand with
Rebecca. There seemed to be no desire for conversation; the occasion
was too thrilling and serious for that. The lamp, it was tacitly felt
by everybody, was dignifying the party, and providing sufficient
entertainment simply by its presence; being fully as satisfactory in
its way as a pianola or a string band.

"I wish father could see it," said Clara Belle loyally.

"If he onth thaw it he'd want to thwap it," murmured Susan sagaciously.

At the appointed hour Rebecca dragged herself reluctantly away from the
enchanting scene.

"I'll turn the lamp out the minute I think you and Emma Jane are home,"
said Clara Belle. "And, oh! I'm so glad you both live where you can see
it shine from our windows. I wonder how long it will burn without bein'
filled if I only keep it lit one hour every night?"

"You needn't put it out for want o' karosene," said Seesaw, coming in
from the shed, "for there's a great kag of it settin' out there. Mr.
Tubbs brought it over from North Riverboro and said somebody sent an
order by mail for it."

Rebecca squeezed Emma Jane's arm, and Emma Jane gave a rapturous return
squeeze. "It was Mr. Aladdin," whispered Rebecca, as they ran down the
path to the gate. Seesaw followed them and handsomely offered to see
them "apiece" down the road, but Rebecca declined his escort with such
decision that he did not press the matter, but went to bed to dream of
her instead. In his dreams flashes of lightning proceeded from both her
eyes, and she held a flaming sword in either hand.

Rebecca entered the home dining-room joyously. The Burnham sisters had
gone and the two aunts were knitting.

"It was a heavenly party," she cried, taking off her hat and cape.

"Go back and see if you have shut the door tight, and then lock it,"
said Miss Miranda, in her usual austere manner.

"It was a heavenly party," reiterated Rebecca, coming in again, much
too excited to be easily crushed, "and oh! aunt Jane, aunt Miranda, if
you'll only come into the kitchen and look out of the sink window, you
can see the banquet lamp shining all red, just as if the Simpsons'
house was on fire."

"And probably it will be before long," observed Miranda. "I've got no
patience with such foolish goin's-on."

Jane accompanied Rebecca into the kitchen. Although the feeble glimmer
which she was able to see from that distance did not seem to her a
dazzling exhibition, she tried to be as enthusiastic as possible.

"Rebecca, who was it that sold the three hundred cakes of soap to Mr.
Ladd in North Riverboro?"

"Mr. WHO?" exclaimed Rebecca.

"Mr. Ladd, in North Riverboro."

"Is that his real name?" queried Rebecca in astonishment. "I didn't
make a bad guess;" and she laughed softly to herself.

"I asked you who sold the soap to Adam Ladd?" resumed Miss Jane.

"Adam Ladd! then he's A. Ladd, too; what fun!"

"Answer me, Rebecca."

"Oh! excuse me, aunt Jane, I was so busy thinking. Emma Jane and I sold
the soap to Mr. Ladd."

"Did you tease him, or make him buy it?"

"Now, aunt Jane, how could I make a big grown-up man buy anything if he
didn't want to? He needed the soap dreadfully as a present for his
aunt."

Miss Jane still looked a little unconvinced, though she only said, "I
hope your aunt Miranda won't mind, but you know how particular she is,
Rebecca, and I really wish you wouldn't do anything out of the ordinary
without asking her first, for your actions are very queer."

"There can't be anything wrong this time," Rebecca answered
confidently. "Emma Jane sold her cakes to her own relations and to
uncle Jerry Cobb, and I went first to those new tenements near the
lumber mill, and then to the Ladds'. Mr. Ladd bought all we had and
made us promise to keep the secret until the premium came, and I've
been going about ever since as if the banquet lamp was inside of me all
lighted up and burning, for everybody to see."

Rebecca's hair was loosened and falling over her forehead in ruffled
waves; her eyes were brilliant, her cheeks crimson; there was a hint of
everything in the girl's face,--of sensitiveness and delicacy as well
as of ardor; there was the sweetness of the mayflower and the strength
of the young oak, but one could easily divine that she was one of

  "The souls by nature pitched too high,
    By suffering plunged too low."


"That's just the way you look, for all the world as if you did have a
lamp burning inside of you," sighed aunt Jane. "Rebecca! Rebecca! I
wish you could take things easier, child; I am fearful for you
sometimes."



XVI

SEASONS OF GROWTH

The days flew by; as summer had melted into autumn so autumn had given
place to winter. Life in the brick house had gone on more placidly of
late, for Rebecca was honestly trying to be more careful in the
performance of her tasks and duties as well as more quiet in her plays,
and she was slowly learning the power of the soft answer in turning
away wrath.

Miranda had not had, perhaps, quite as many opportunities in which to
lose her temper, but it is only just to say that she had not fully
availed herself of all that had offered themselves.

There had been one outburst of righteous wrath occasioned by Rebecca's
over-hospitable habits, which were later shown in a still more dramatic
and unexpected fashion.

On a certain Friday afternoon she asked her aunt Miranda if she might
take half her bread and milk upstairs to a friend.

"What friend have you got up there, for pity's sake?" demanded aunt
Miranda.

"The Simpson baby, come to stay over Sunday; that is, if you're
willing, Mrs. Simpson says she is. Shall I bring her down and show her?
She's dressed in an old dress of Emma Jane's and she looks sweet."

"You can bring her down, but you can't show her to me! You can smuggle
her out the way you smuggled her in and take her back to her mother.
Where on earth do you get your notions, borrowing a baby for Sunday!"

"You're so used to a house without a baby you don't know how dull it
is," sighed Rebecca resignedly, as she moved towards the door; "but at
the farm there was always a nice fresh one to play with and cuddle.
There were too many, but that's not half as bad as none at all. Well,
I'll take her back. She'll be dreadfully disappointed and so will Mrs.
Simpson. She was planning to go to Milltown."

"She can un-plan then," observed Miss Miranda.

"Perhaps I can go up there and take care of the baby?" suggested
Rebecca. "I brought her home so 't I could do my Saturday work just the
same."

"You've got enough to do right here, without any borrowed babies to
make more steps. Now, no answering back, just give the child some
supper and carry it home where it belongs."

"You don't want me to go down the front way, hadn't I better just come
through this room and let you look at her? She has yellow hair and big
blue eyes! Mrs. Simpson says she takes after her father."

Miss Miranda smiled acidly as she said she couldn't take after her
father, for he'd take any thing there was before she got there!

Aunt Jane was in the linen closet upstairs, sorting out the clean
sheets and pillow cases for Saturday, and Rebecca sought comfort from
her.

"I brought the Simpson baby home, aunt Jane, thinking it would help us
over a dull Sunday, but aunt Miranda won't let her stay. Emma Jane has
the promise of her next Sunday and Alice Robinson the next. Mrs.
Simpson wanted I should have her first because I've had so much
experience in babies. Come in and look at her sitting up in my bed,
aunt Jane! Isn't she lovely? She's the fat, gurgly kind, not thin and
fussy like some babies, and I thought I was going to have her to
undress and dress twice each day. Oh dear! I wish I could have a
printed book with everything set down in it that I COULD do, and then I
wouldn't get disappointed so often."

"No book could be printed that would fit you, Rebecca," answered aunt
Jane, "for nobody could imagine beforehand the things you'd want to do.
Are you going to carry that heavy child home in your arms?"

"No, I'm going to drag her in the little soap-wagon. Come, baby! Take
your thumb out of your mouth and come to ride with Becky in your
go-cart." She stretched out her strong young arms to the crowing baby,
sat down in a chair with the child, turned her upside down
unceremoniously, took from her waistband and scornfully flung away a
crooked pin, walked with her (still in a highly reversed position) to
the bureau, selected a large safety pin, and proceeded to attach her
brief red flannel petticoat to a sort of shirt that she wore. Whether
flat on her stomach, or head down, heels in the air, the Simpson baby
knew she was in the hands of an expert, and continued gurgling placidly
while aunt Jane regarded the pantomime with a kind of dazed awe.

"Bless my soul, Rebecca," she ejaculated, "it beats all how handy you
are with babies!"

"I ought to be; I've brought up three and a half of 'em," Rebecca
responded cheerfully, pulling up the infant Simpson's stockings.

"I should think you'd be fonder of dolls than you are," said Jane.

"I do like them, but there's never any change in a doll; it's always
the same everlasting old doll, and you have to make believe it's cross
or sick, or it loves you, or can't bear you. Babies are more trouble,
but nicer."

Miss Jane stretched out a thin hand with a slender, worn band of gold
on the finger, and the baby curled her dimpled fingers round it and
held it fast.

"You wear a ring on your engagement finger, don't you, aunt Jane? Did
you ever think about getting married?"

"Yes, dear, long ago."

"What happened, aunt Jane?"

"He died--just before."

"Oh!" And Rebecca's eyes grew misty.

"He was a soldier and he died of a gunshot wound, in a hospital, down
South."

"Oh! aunt Jane!" softly. "Away from you?"

"No, I was with him."

"Was he young?"

"Yes; young and brave and handsome, Rebecca; he was Mr. Carter's
brother Tom."

"Oh! I'm so glad you were with him! Wasn't he glad, aunt Jane?"

Jane looked back across the half-forgotten years, and the vision of
Tom's gladness flashed upon her: his haggard smile, the tears in his
tired eyes, his outstretched arms, his weak voice saying, "Oh, Jenny!
Dear Jenny! I've wanted you so, Jenny!" It was too much! She had never
breathed a word of it before to a human creature, for there was no one
who would have understood. Now, in a shamefaced way, to hide her
brimming eyes, she put her head down on the young shoulder beside her,
saying, "It was hard, Rebecca!"

The Simpson baby had cuddled down sleepily in Rebecca's lap, leaning
her head back and sucking her thumb contentedly. Rebecca put her cheek
down until it touched her aunt's gray hair and softly patted her, as
she said, "I'm sorry, aunt Jane!"

The girl's eyes were soft and tender and the heart within her stretched
a little and grew; grew in sweetness and intuition and depth of
feeling. It had looked into another heart, felt it beat, and heard it
sigh; and that is how all hearts grow.

Episodes like these enlivened the quiet course of every-day existence,
made more quiet by the departure of Dick Carter, Living Perkins, and
Huldah Meserve for Wareham, and the small attendance at the winter
school, from which the younger children of the place stayed away during
the cold weather.

Life, however, could never be thoroughly dull or lacking in adventure
to a child of Rebecca's temperament. Her nature was full of
adaptability, fluidity, receptivity. She made friends everywhere she
went, and snatched up acquaintances in every corner.

It was she who ran to the shed door to take the dish to the "meat man"
or "fish man;" she who knew the family histories of the itinerant fruit
venders and tin peddlers; she who was asked to take supper or pass the
night with children in neighboring villages--children of whose parents
her aunts had never so much as heard. As to the nature of these
friendships, which seemed so many to the eye of the superficial
observer, they were of various kinds, and while the girl pursued them
with enthusiasm and ardor, they left her unsatisfied and heart-hungry;
they were never intimacies such as are so readily made by shallow
natures. She loved Emma Jane, but it was a friendship born of
propinquity and circumstance, not of true affinity. It was her
neighbor's amiability, constancy, and devotion that she loved, and
although she rated these qualities at their true value, she was always
searching beyond them for intellectual treasures; searching and never
finding, for although Emma Jane had the advantage in years she was
still immature. Huldah Meserve had an instinctive love of fun which
appealed to Rebecca; she also had a fascinating knowledge of the world,
from having visited her married sisters in Milltown and Portland; but
on the other hand there was a certain sharpness and lack of sympathy in
Huldah which repelled rather than attracted. With Dick Carter she could
at least talk intelligently about lessons. He was a very ambitious boy,
full of plans for his future, which he discussed quite freely with
Rebecca, but when she broached the subject of her future his interest
sensibly lessened. Into the world of the ideal Emma Jane, Huldah, and
Dick alike never seemed to have peeped, and the consciousness of this
was always a fixed gulf between them and Rebecca.

"Uncle Jerry" and "aunt Sarah" Cobb were dear friends of quite another
sort, a very satisfying and perhaps a somewhat dangerous one. A visit
from Rebecca always sent them into a twitter of delight. Her merry
conversation and quaint comments on life in general fairly dazzled the
old couple, who hung on her lightest word as if it had been a prophet's
utterance; and Rebecca, though she had had no previous experience,
owned to herself a perilous pleasure in being dazzling, even to a
couple of dear humdrum old people like Mr. and Mrs. Cobb. Aunt Sarah
flew to the pantry or cellar whenever Rebecca's slim little shape first
appeared on the crest of the hill, and a jelly tart or a frosted cake
was sure to be forthcoming. The sight of old uncle Jerry's spare figure
in its clean white shirt sleeves, whatever the weather, always made
Rebecca's heart warm when she saw him peer longingly from the kitchen
window. Before the snow came, many was the time he had come out to sit
on a pile of boards at the gate, to see if by any chance she was
mounting the hill that led to their house. In the autumn Rebecca was
often the old man's companion while he was digging potatoes or shelling
beans, and now in the winter, when a younger man was driving the stage,
she sometimes stayed with him while he did his evening milking. It is
safe to say that he was the only creature in Riverboro who possessed
Rebecca's entire confidence; the only being to whom she poured out her
whole heart, with its wealth of hopes, and dreams, and vague ambitions.
At the brick house she practiced scales and exercises, but at the
Cobbs' cabinet organ she sang like a bird, improvising simple
accompaniments that seemed to her ignorant auditors nothing short of
marvelous. Here she was happy, here she was loved, here she was drawn
out of herself and admired and made much of. But, she thought, if there
were somebody who not only loved but understood; who spoke her
language, comprehended her desires, and responded to her mysterious
longings! Perhaps in the big world of Wareham there would be people who
thought and dreamed and wondered as she did.

In reality Jane did not understand her niece very much better than
Miranda; the difference between the sisters was, that while Jane was
puzzled, she was also attracted, and when she was quite in the dark for
an explanation of some quaint or unusual action she was sympathetic as
to its possible motive and believed the best. A greater change had come
over Jane than over any other person in the brick house, but it had
been wrought so secretly, and concealed so religiously, that it
scarcely appeared to the ordinary observer. Life had now a motive
utterly lacking before. Breakfast was not eaten in the kitchen, because
it seemed worth while, now that there were three persons, to lay the
cloth in the dining-room; it was also a more bountiful meal than of
yore, when there was no child to consider. The morning was made
cheerful by Rebecca's start for school, the packing of the luncheon
basket, the final word about umbrella, waterproof, or rubbers; the
parting admonition and the unconscious waiting at the window for the
last wave of the hand. She found herself taking pride in Rebecca's
improved appearance, her rounder throat and cheeks, and her better
color; she was wont to mention the length of Rebecca's hair and add a
word as to its remarkable evenness and lustre, at times when Mrs.
Perkins grew too diffuse about Emma Jane's complexion. She threw
herself wholeheartedly on her niece's side when it became a question
between a crimson or a brown linsey-woolsey dress, and went through a
memorable struggle with her sister concerning the purchase of a red
bird for Rebecca's black felt hat. No one guessed the quiet pleasure
that lay hidden in her heart when she watched the girl's dark head bent
over her lessons at night, nor dreamed of her joy it, certain quiet
evenings when Miranda went to prayer meeting; evenings when Rebecca
would read aloud Hiawatha or Barbara Frietchie, The Bugle Song, or The
Brook. Her narrow, humdrum existence bloomed under the dews that fell
from this fresh spirit; her dullness brightened under the kindling
touch of the younger mind, took fire from the "vital spark of heavenly
flame" that seemed always to radiate from Rebecca's presence.

Rebecca's idea of being a painter like her friend Miss Ross was
gradually receding, owing to the apparently insuperable difficulties in
securing any instruction. Her aunt Miranda saw no wisdom in cultivating
such a talent, and could not conceive that any money could ever be
earned by its exercise, "Hand painted pictures" were held in little
esteem in Riverboro, where the cheerful chromo or the dignified steel
engraving were respected and valued. There was a slight, a very slight
hope, that Rebecca might be allowed a few music lessons from Miss
Morton, who played the church cabinet organ, but this depended entirely
upon whether Mrs. Morton would decide to accept a hayrack in return for
a year's instruction from her daughter. She had the matter under
advisement, but a doubt as to whether or not she would sell or rent her
hayfields kept her from coming to a conclusion. Music, in common with
all other accomplishments, was viewed by Miss Miranda as a trivial,
useless, and foolish amusement, but she allowed Rebecca an hour a day
for practice on the old piano, and a little extra time for lessons, if
Jane could secure them without payment of actual cash.

The news from Sunnybrook Farm was hopeful rather than otherwise. Cousin
Ann's husband had died, and John, Rebecca's favorite brother, had gone
to be the man of the house to the widowed cousin. He was to have good
schooling in return for his care of the horse and cow and barn, and
what was still more dazzling, the use of the old doctor's medical
library of two or three dozen volumes. John's whole heart was set on
becoming a country doctor, with Rebecca to keep house for him, and the
vision seemed now so true, so near, that he could almost imagine his
horse ploughing through snowdrifts on errands of mercy, or, less
dramatic but none the less attractive, could see a physician's neat
turncut trundling along the shady country roads, a medicine case
between his, Dr. Randall's, feet, and Miss Rebecca Randall sitting in a
black silk dress by his side.

Hannah now wore her hair in a coil and her dresses a trifle below her
ankles, these concessions being due to her extreme height. Mark had
broken his collar bone, but it was healing well. Little Mira was
growing very pretty. There was even a rumor that the projected railroad
from Temperance to Plumville might go near the Randall farm, in which
case land would rise in value from nothing-at-all an acre to something
at least resembling a price. Mrs. Randall refused to consider any
improvement in their financial condition as a possibility. Content to
work from sunrise to sunset to gain a mere subsistence for her
children, she lived in their future, not in her own present, as a
mother is wont to do when her own lot seems hard and cheerless.



XVII

GRAY DAYS AND GOLD

When Rebecca looked back upon the year or two that followed the
Simpsons' Thanksgiving party, she could see only certain milestones
rising in the quiet pathway of the months.

The first milestone was Christmas Day. It was a fresh, crystal morning,
with icicles hanging like dazzling pendants from the trees and a glaze
of pale blue on the surface of the snow. The Simpsons' red barn stood
out, a glowing mass of color in the white landscape. Rebecca had been
busy for weeks before, trying to make a present for each of the seven
persons at Sunnybrook Farm, a somewhat difficult proceeding on an
expenditure of fifty cents, hoarded by incredible exertion. Success had
been achieved, however, and the precious packet had been sent by post
two days previous. Miss Sawyer had bought her niece a nice gray
squirrel muff and tippet, which was even more unbecoming if possible,
than Rebecca's other articles of wearing apparel; but aunt Jane had
made her the loveliest dress of green cashmere, a soft, soft green like
that of a young leaf. It was very simply made, but the color delighted
the eye. Then there was a beautiful "tatting" collar from her mother,
some scarlet mittens from Mrs. Cobb, and a handkerchief from Emma Jane.

Rebecca herself had fashioned an elaborate tea-cosy with a letter "M"
in outline stitch, and a pretty frilled pincushion marked with a "J,"
for her two aunts, so that taken all together the day would have been
an unequivocal success had nothing else happened; but something else
did.

There was a knock at the door at breakfast time, and Rebecca, answering
it, was asked by a boy if Miss Rebecca Randall lived there. On being
told that she did, he handed her a parcel bearing her name, a parcel
which she took like one in a dream and bore into the dining-room.

"It's a present; it must be," she said, looking at it in a dazed sort
of way; "but I can't think who it could be from."

"A good way to find out would be to open it," remarked Miss Miranda.

The parcel being untied proved to have two smaller packages within, and
Rebecca opened with trembling fingers the one addressed to her.
Anybody's fingers would have trembled. There was a case which, when the
cover was lifted, disclosed a long chain of delicate pink coral
beads,--a chain ending in a cross made of coral rosebuds. A card with
"Merry Christmas from Mr. Aladdin" lay under the cross.

"Of all things!" exclaimed the two old ladies, rising in their seats.
"Who sent it?"

"Mr. Ladd," said Rebecca under her breath.

"Adam Ladd! Well I never! Don't you remember Ellen Burnham said he was
going to send Rebecca a Christmas present? But I never supposed he'd
think of it again," said Jane. "What's the other package?"

It proved to be a silver chain with a blue enamel locket on it, marked
for Emma Jane. That added the last touch--to have him remember them
both! There was a letter also, which ran:--

    Dear Miss Rebecca Rowena,--My idea of a Christmas present is
    something entirely unnecessary and useless. I have always
    noticed when I give this sort of thing that people love it,
    so I hope I have not chosen wrong for you and your friend.
    You must wear your chain this afternoon, please, and let me
    see it on your neck, for I am coming over in my new sleigh to
    take you both to drive. My aunt is delighted with the soap.

    Sincerely your friend,

    Adam Ladd.

"Well, well!" cried Miss Jane, "isn't that kind of him? He's very fond
of children, Lyddy Burnham says. Now eat your breakfast, Rebecca, and
after we've done the dishes you can run over to Emma's and give her her
chain--What's the matter, child?"

Rebecca's emotions seemed always to be stored, as it were, in adjoining
compartments, and to be continually getting mixed. At this moment,
though her joy was too deep for words, her bread and butter almost
choked her, and at intervals a tear stole furtively down her cheek.

Mr. Ladd called as he promised, and made the acquaintance of the aunts,
understanding them both in five minutes as well as if he had known them
for years. On a footstool near the open fire sat Rebecca, silent and
shy, so conscious of her fine apparel and the presence of aunt Miranda
that she could not utter a word. It was one of her "beauty days."
Happiness, excitement, the color of the green dress, and the touch of
lovely pink in the coral necklace had transformed the little brown wren
for the time into a bird of plumage, and Adam Ladd watched her with
evident satisfaction. Then there was the sleigh ride, during which she
found her tongue and chattered like any magpie, and so ended that
glorious Christmas Day; and many and many a night thereafter did
Rebecca go to sleep with the precious coral chain under her pillow, one
hand always upon it to be certain that it was safe.

Another milestone was the departure of the Simpsons from Riverboro, bag
and baggage, the banquet lamp being their most conspicuous possession.
It was delightful to be rid of Seesaw's hateful presence; but otherwise
the loss of several playmates at one fell swoop made rather a gap in
Riverboro's "younger set," and Rebecca was obliged to make friends with
the Robinson baby, he being the only long-clothes child in the village
that winter. The faithful Seesaw had called at the side door of the
brick house on the evening before his departure, and when Rebecca
answered his knock, stammered solemnly, "Can I k-keep comp'ny with you
when you g-g-row up?" "Certainly NOT," replied Rebecca, closing the
door somewhat too speedily upon her precocious swain.

Mr. Simpson had come home in time to move his wife and children back to
the town that had given them birth, a town by no means waiting with
open arms to receive them. The Simpsons' moving was presided over by
the village authorities and somewhat anxiously watched by the entire
neighborhood, but in spite of all precautions a pulpit chair, several
kerosene lamps, and a small stove disappeared from the church and were
successfully swapped in the course of Mr. Simpson's driving tour from
the old home to the new. It gave Rebecca and Emma Jane some hours of
sorrow to learn that a certain village in the wake of Abner Simpson's
line of progress had acquired, through the medium of an ambitious young
minister, a magnificent lamp for its new church parlors. No money
changed hands in the operation; for the minister succeeded in getting
the lamp in return for an old bicycle. The only pleasant feature of the
whole affair was that Mr. Simpson, wholly unable to console his
offspring for the loss of the beloved object, mounted the bicycle and
rode away on it, not to be seen or heard of again for many a long day.

The year was notable also as being the one in which Rebecca shot up
like a young tree. She had seemingly never grown an inch since she was
ten years old, but once started she attended to growing precisely as
she did other things,--with such energy, that Miss Jane did nothing for
months but lengthen skirts, sleeves, and waists. In spite of all the
arts known to a thrifty New England woman, the limit of letting down
and piecing down was reached at last, and the dresses were sent to
Sunnybrook Farm to be made over for Jenny.

There was another milestone, a sad one, marking a little grave under a
willow tree at Sunnybrook Farm. Mira, the baby of the Randall family,
died, and Rebecca went home for a fortnight's visit. The sight of the
small still shape that had been Mira, the baby who had been her special
charge ever since her birth, woke into being a host of new thoughts and
wonderments; for it is sometimes the mystery of death that brings one
to a consciousness of the still greater mystery of life.

It was a sorrowful home-coming for Rebecca. The death of Mira, the
absence of John, who had been her special comrade, the sadness of her
mother, the isolation of the little house, and the pinching economies
that went on within it, all conspired to depress a child who was so
sensitive to beauty and harmony as Rebecca.

Hannah seemed to have grown into a woman during Rebecca's absence.
There had always been a strange unchildlike air about Hannah, but in
certain ways she now appeared older than aunt Jane--soberer, and more
settled. She was pretty, though in a colorless fashion; pretty and
capable.

Rebecca walked through all the old playgrounds and favorite haunts of
her early childhood; all her familiar, her secret places; some of them
known to John, some to herself alone. There was the spot where the
Indian pipes grew; the particular bit of marshy ground where the
fringed gentians used to be largest and bluest; the rock maple where
she found the oriole's nest; the hedge where the field mice lived; the
moss-covered stump where the white toadstools were wont to spring up as
if by magic; the hole at the root of the old pine where an ancient and
honorable toad made his home; these were the landmarks of her
childhood, and she looked at them as across an immeasurable distance.
The dear little sunny brook, her chief companion after John, was sorry
company at this season. There was no laughing water sparkling in the
sunshine. In summer the merry stream had danced over white pebbles on
its way to deep pools where it could be still and think. Now, like
Mira, it was cold and quiet, wrapped in its shroud of snow; but Rebecca
knelt by the brink, and putting her ear to the glaze of ice, fancied,
where it used to be deepest, she could hear a faint, tinkling sound. It
was all right! Sunnybrook would sing again in the spring; perhaps Mira
too would have her singing time somewhere--she wondered where and how.
In the course of these lonely rambles she was ever thinking, thinking,
of one subject. Hannah had never had a chance; never been freed from
the daily care and work of the farm. She, Rebecca, had enjoyed all the
privileges thus far. Life at the brick house had not been by any means
a path of roses, but there had been comfort and the companionship of
other children, as well as chances for study and reading. Riverboro had
not been the world itself, but it had been a glimpse of it through a
tiny peephole that was infinitely better than nothing. Rebecca shed
more than one quiet tear before she could trust herself to offer up as
a sacrifice that which she so much desired for herself. Then one
morning as her visit neared its end she plunged into the subject boldly
and said, "Hannah, after this term I'm going to stay at home and let
you go away. Aunt Miranda has always wanted you, and it's only fair you
should have your turn."

Hannah was darning stockings, and she threaded her needle and snipped
off the yarn before she answered, "No, thank you, Becky. Mother
couldn't do without me, and I hate going to school. I can read and
write and cipher as well as anybody now, and that's enough for me. I'd
die rather than teach school for a living. The winter'll go fast, for
Will Melville is going to lend me his mother's sewing machine, and I'm
going to make white petticoats out of the piece of muslin aunt Jane
sent, and have 'em just solid with tucks. Then there's going to be a
singing-school and a social circle in Temperance after New Year's, and
I shall have a real good time now I'm grown up. I'm not one to be
lonesome, Becky," Hannah ended with a blush; "I love this place."

Rebecca saw that she was speaking the truth, but she did not understand
the blush till a year or two later.



XVIII

REBECCA REPRESENTS THE FAMILY

There was another milestone; it was more than that, it was an "event;"
an event that made a deep impression in several quarters and left a
wake of smaller events in its train. This was the coming to Riverboro
of the Reverend Amos Burch and wife, returned missionaries from Syria.

The Aid Society had called its meeting for a certain Wednesday in March
of the year in which Rebecca ended her Riverboro school days and began
her studies at Wareham. It was a raw, blustering day, snow on the
ground and a look in the sky of more to follow. Both Miranda and Jane
had taken cold and decided that they could not leave the house in such
weather, and this deflection from the path of duty worried Miranda,
since she was an officer of the society. After making the breakfast
table sufficiently uncomfortable and wishing plaintively that Jane
wouldn't always insist on being sick at the same time she was, she
decided that Rebecca must go to the meeting in their stead. "You'll be
better than nobody, Rebecca," she said flatteringly; "your aunt Jane
shall write an excuse from afternoon school for you; you can wear your
rubber boots and come home by the way of the meetin' house. This Mr.
Burch, if I remember right, used to know your grandfather Sawyer, and
stayed here once when he was candidatin'. He'll mebbe look for us
there, and you must just go and represent the family, an' give him our
respects. Be careful how you behave. Bow your head in prayer; sing all
the hymns, but not too loud and bold; ask after Mis' Strout's boy; tell
everybody what awful colds we've got; if you see a good chance, take
your pocket handkerchief and wipe the dust off the melodeon before the
meetin' begins, and get twenty-five cents out of the sittin' room
match-box in case there should be a collection."

Rebecca willingly assented. Anything interested her, even a village
missionary meeting, and the idea of representing the family was rather
intoxicating.

The service was held in the Sunday-school room, and although the Rev.
Mr. Burch was on the platform when Rebecca entered, there were only a
dozen persons present. Feeling a little shy and considerably too young
for this assemblage, Rebecca sought the shelter of a friendly face, and
seeing Mrs. Robinson in one of the side seats near the front, she
walked up the aisle and sat beside her.

"Both my aunts had bad colds," she said softly, "and sent me to
represent the family."

"That's Mrs. Burch on the platform with her husband," whispered Mrs.
Robinson. "She's awful tanned up, ain't she? If you're goin' to save
souls seems like you hev' to part with your complexion. Eudoxy Morton
ain't come yet; I hope to the land she will, or Mis' Deacon Milliken'll
pitch the tunes where we can't reach 'em with a ladder; can't you
pitch, afore she gits her breath and clears her throat?"

Mrs. Burch was a slim, frail little woman with dark hair, a broad low
forehead, and patient mouth. She was dressed in a well-worn black silk,
and looked so tired that Rebecca's heart went out to her.

"They're poor as Job's turkey," whispered Mrs. Robinson; "but if you
give 'em anything they'd turn right round and give it to the heathen.
His congregation up to Parsonsfield clubbed together and give him that
gold watch he carries; I s'pose he'd 'a' handed that over too, only
heathens always tell time by the sun 'n' don't need watches. Eudoxy
ain't comin'; now for massy's sake, Rebecca, do git ahead of Mis'
Deacon Milliken and pitch real low."

The meeting began with prayer and then the Rev. Mr. Burch announced, to
the tune of Mendon:--

  "Church of our God I arise and shine,
  Bright with the beams of truth divine:
  Then shall thy radiance stream afar,
  Wide as the heathen nations are.

  "Gentiles and kings thy light shall view,
  And shall admire and love thee too;
  They come, like clouds across the sky,
  As doves that to their windows fly."

"Is there any one present who will assist us at the instrument?" he
asked unexpectedly.

Everybody looked at everybody else, and nobody moved; then there came a
voice out of a far corner saying informally, "Rebecca, why don't you?"
It was Mrs. Cobb. Rebecca could have played Mendon in the dark, so she
went to the melodeon and did so without any ado, no member of her
family being present to give her self-consciousness.

The talk that ensued was much the usual sort of thing. Mr. Burch made
impassioned appeals for the spreading of the gospel, and added his
entreaties that all who were prevented from visiting in person the
peoples who sat in darkness should contribute liberally to the support
of others who could. But he did more than this. He was a pleasant,
earnest speaker, and he interwove his discourse with stories of life in
a foreign land,--of the manners, the customs, the speech, the point of
view; even giving glimpses of the daily round, the common task, of his
own household, the work of his devoted helpmate and their little group
of children, all born under Syrian skies.

Rebecca sat entranced, having been given the key of another world.
Riverboro had faded; the Sunday-school room, with Mrs. Robinson's red
plaid shawl, and Deacon Milliken's wig, on crooked, the bare benches
and torn hymn-books, the hanging texts and maps, were no longer
visible, and she saw blue skies and burning stars, white turbans and
gay colors; Mr. Burch had not said so, but perhaps there were mosques
and temples and minarets and date-palms. What stories they must know,
those children born under Syrian skies! Then she was called upon to
play "Jesus shall reign where'er the sun."

The contribution box was passed and Mr. Burch prayed. As he opened his
eyes and gave out the last hymn he looked at the handful of people, at
the scattered pennies and dimes in the contribution box, and reflected
that his mission was not only to gather funds for the building of his
church, but to keep alive, in all these remote and lonely
neighborhoods, that love for the cause which was its only hope in the
years to come.

"If any of the sisters will provide entertainment," he said, "Mrs.
Burch and I will remain among you to-night and to-morrow. In that event
we could hold a parlor meeting. My wife and one of my children would
wear the native costume, we would display some specimens of Syrian
handiwork, and give an account of our educational methods with the
children. These informal parlor meetings, admitting of questions or
conversation, are often the means of interesting those not commonly
found at church services so I repeat, if any member of the congregation
desires it and offers her hospitality, we will gladly stay and tell you
more of the Lord's work."

A pall of silence settled over the little assembly. There was some
cogent reason why every "sister" there was disinclined for company.
Some had no spare room, some had a larder less well stocked than usual,
some had sickness in the family, some were "unequally yoked together
with unbelievers" who disliked strange ministers. Mrs. Burch's thin
hands fingered her black silk nervously. "Would no one speak!" thought
Rebecca, her heart fluttering with sympathy. Mrs. Robinson leaned over
and whispered significantly, "The missionaries always used to be
entertained at the brick house; your grandfather never would let 'em
sleep anywheres else when he was alive." She meant this for a stab at
Miss Miranda's parsimony, remembering the four spare chambers, closed
from January to December; but Rebecca thought it was intended as a
suggestion. If it had been a former custom, perhaps her aunts would
want her to do the right thing; for what else was she representing the
family? So, delighted that duty lay in so pleasant a direction, she
rose from her seat and said in the pretty voice and with the quaint
manner that so separated her from all the other young people in the
village, "My aunts, Miss Miranda and Miss Jane Sawyer, would be very
happy to have you visit them at the brick house, as the ministers
always used to do when their father was alive. They sent their respects
by me." The "respects" might have been the freedom of the city, or an
equestrian statue, when presented in this way, and the aunts would have
shuddered could they have foreseen the manner of delivery; but it was
vastly impressive to the audience, who concluded that Mirandy Sawyer
must be making her way uncommonly fast to mansions in the skies, else
what meant this abrupt change of heart?

Mr. Burch bowed courteously, accepted the invitation "in the same
spirit in which it was offered," and asked Brother Milliken to lead in
prayer.

If the Eternal Ear could ever tire it would have ceased long ere this
to listen to Deacon Milliken, who had wafted to the throne of grace the
same prayer, with very slight variations, for forty years. Mrs. Perkins
followed; she had several petitions at her command, good sincere ones
too, but a little cut and dried, made of scripture texts laboriously
woven together. Rebecca wondered why she always ended, at the most
peaceful seasons, with the form, "Do Thou be with us, God of Battles,
while we strive onward like Christian soldiers marching as to war;" but
everything sounded real to her to-day, she was in a devout mood, and
many things Mr. Burch had said had moved her strangely. As she lifted
her head the minister looked directly at her and said, "Will our young
sister close the service by leading us in prayer?"

Every drop of blood in Rebecca's body seemed to stand still, and her
heart almost stopped beating. Mrs. Cobb's excited breathing could be
heard distinctly in the silence. There was nothing extraordinary in Mr.
Burch's request. In his journeyings among country congregations he was
constantly in the habit of meeting young members who had "experienced
religion" and joined the church when nine or ten years old. Rebecca was
now thirteen; she had played the melodeon, led the singing, delivered
her aunts' invitation with an air of great worldly wisdom, and he,
concluding that she must be a youthful pillar of the church, called
upon her with the utmost simplicity.

Rebecca's plight was pathetic. How could she refuse; how could she
explain she was not a "member;" how could she pray before all those
elderly women! John Rogers at the stake hardly suffered more than this
poor child for the moment as she rose to her feet, forgetting that
ladies prayed sitting, while deacons stood in prayer. Her mind was a
maze of pictures that the Rev. Mr. Burch had flung on the screen. She
knew the conventional phraseology, of course; what New England child,
accustomed to Wednesday evening meetings, does not? But her own secret
prayers were different. However, she began slowly and tremulously:--

    "Our Father who art in Heaven, ... Thou art God in Syria
    just the same as in Maine; ...over there to-day are blue
    skies and yellow stars and burning suns . . . the great trees
    are waving in the warm air, while here the snow lies thick
    under our feet, ... but no distance is too far for God to
    travel and so He is with us here as He is with them there, ...
    and our thoughts rise to Him 'as doves that to their
    windows fly.' ...

    "We cannot all be missionaries, teaching people to be good, ...
    some of us have not learned yet how to be good ourselves,
    but if thy kingdom is to come and thy will is to be done on
    earth as it is in heaven, everybody must try and everybody
    must help, ... those who are old and tired and those who
    are young and strong.... The little children of whom we
    have heard, those born under Syrian skies, have strange and
    interesting work to do for Thee, and some of us would like to
    travel in far lands and do wonderful brave things for the
    heathen and gently take away their idols of wood and stone.
    But perhaps we have to stay at home and do what is given us
    to do ... sometimes even things we dislike, ... but that
    must be what it means in the hymn we sang, when it talked
    about the sweet perfume that rises with every morning
    sacrifice.... This is the way that God teaches us to be
    meek and patient, and the thought that He has willed it so
    should rob us of our fears and help us bear the years. Amen."

Poor little ignorant, fantastic child! Her petition was simply a
succession of lines from the various hymns, and images the minister had
used in his sermon, but she had her own way of recombining and applying
these things, even of using them in a new connection, so that they had
a curious effect of belonging to her. The words of some people might
generally be written with a minus sign after them, the minus meaning
that the personality of the speaker subtracted from, rather than added
to, their weight; but Rebecca's words might always have borne the plus
sign.

The "Amen" said, she sat down, or presumed she sat down, on what she
believed to be a bench, and there was a benediction. In a moment or
two, when the room ceased spinning, she went up to Mrs. Burch, who
kissed her affectionately and said, "My dear, how glad I am that we are
going to stay with you. Will half past five be too late for us to come?
It is three now, and we have to go to the station for our valise and
for our children. We left them there, being uncertain whether we should
go back or stop here."

Rebecca said that half past five was their supper hour, and then
accepted an invitation to drive home with Mrs. Cobb. Her face was
flushed and her lip quivered in a way that aunt Sarah had learned to
know, so the homeward drive was taken almost in silence. The bleak wind
and aunt Sarah's quieting presence brought her back to herself,
however, and she entered the brick house cheerily. Being too full of
news to wait in the side entry to take off her rubber boots, she
carefully lifted a braided rug into the sitting-room and stood on that
while she opened her budget.

"There are your shoes warming by the fire," said aunt Jane. "Slip them
right on while you talk."



XIX

DEACON ISRAEL'S SUCCESSOR

"It was a very small meeting, aunt Miranda," began Rebecca, "and the
missionary and his wife are lovely people, and they are coming here to
stay all night and to-morrow with you. I hope you won't mind."

"Coming here!" exclaimed Miranda, letting her knitting fall in her lap,
and taking her spectacles off, as she always did in moments of extreme
excitement. "Did they invite themselves?"

"No," Rebecca answered. "I had to invite them for you; but I thought
you'd like to have such interesting company. It was this way"--

"Stop your explainin', and tell me first when they'll be here. Right
away?"

"No, not for two hours--about half past five."

"Then you can explain, if you can, who gave you any authority to invite
a passel of strangers to stop here over night, when you know we ain't
had any company for twenty years, and don't intend to have any for
another twenty,--or at any rate while I'm the head of the house."

"Don't blame her, Miranda, till you've heard her story," said Jane. "It
was in my mind right along, if we went to the meeting, some such thing
might happen, on account of Mr. Burch knowing father."

"The meeting was a small one," began Rebecca "I gave all your messages,
and everybody was disappointed you couldn't come, for the president
wasn't there, and Mrs. Matthews took the chair, which was a pity, for
the seat wasn't nearly big enough for her, and she reminded me of a
line in a hymn we sang, 'Wide as the heathen nations are,' and she wore
that kind of a beaver garden-hat that always gets on one side. And Mr.
Burch talked beautifully about the Syrian heathen, and the singing went
real well, and there looked to be about forty cents in the basket that
was passed on our side. And that wouldn't save even a heathen baby,
would it? Then Mr. Burch said, if any sister would offer entertainment,
they would pass the night, and have a parlor meeting in Riverboro
to-morrow, with Mrs. Burch in Syrian costume, and lovely foreign things
to show. Then he waited and waited, and nobody said a word. I was so
mortified I didn't know what to do. And then he repeated what he said,
an explained why he wanted to stay, and you could see he thought it was
his duty. Just then Mrs. Robinson whispered to me and said the
missionaries always used to go to the brick house when grandfather was
alive, and that he never would let them sleep anywhere else. I didn't
know you had stopped having them because no traveling ministers have
been here, except just for a Sunday morning, since I came to Riverboro.
So I thought I ought to invite them, as you weren't there to do it for
yourself, and you told me to represent the family."

"What did you do--go up and introduce yourself as folks was goin' out?"

"No; I stood right up in meeting. I had to, for Mr. Burch's feelings
were getting hurt at nobody's speaking. So I said, 'My aunts, Miss
Miranda and Miss Jane Sawyer would be happy to have you visit at the
brick house, just as the missionaries always did when their father was
alive, and they sent their respects by me.' Then I sat down; and Mr.
Burch prayed for grandfather, and called him a man of God, and thanked
our Heavenly Father that his spirit was still alive in his descendants
(that was you), and that the good old house where so many of the
brethren had been cheered and helped, and from which so many had gone
out strengthened for the fight, was still hospitably open for the
stranger and wayfarer."

Sometimes, when the heavenly bodies are in just the right conjunction,
nature seems to be the most perfect art. The word or the deed coming
straight from the heart, without any thought of effect, seems inspired.

A certain gateway in Miranda Sawyer's soul had been closed for years;
not all at once had it been done, but gradually, and without her full
knowledge. If Rebecca had plotted for days, and with the utmost
cunning, she could not have effected an entrance into that forbidden
country, and now, unknown to both of them, the gate swung on its stiff
and rusty hinges, and the favoring wind of opportunity opened it wider
and wider as time went on. All things had worked together amazingly for
good. The memory of old days had been evoked, and the daily life of a
pious and venerated father called to mind; the Sawyer name had been
publicly dignified and praised; Rebecca had comported herself as the
granddaughter of Deacon Israel Sawyer should, and showed conclusively
that she was not "all Randall," as had been supposed. Miranda was
rather mollified by and pleased with the turn of events, although she
did not intend to show it, or give anybody any reason to expect that
this expression of hospitality was to serve for a precedent on any
subsequent occasion.

"Well, I see you did only what you was obliged to do, Rebecca," she
said, "and you worded your invitation as nice as anybody could have
done. I wish your aunt Jane and me wasn't both so worthless with these
colds; but it only shows the good of havin' a clean house, with every
room in order, whether open or shut, and enough victuals cooked so 't
you can't be surprised and belittled by anybody, whatever happens.
There was half a dozen there that might have entertained the Burches as
easy as not, if they hadn't 'a' been too mean or lazy. Why didn't your
missionaries come right along with you?"

"They had to go to the station for their valise and their children."

"Are there children?" groaned Miranda.

"Yes, aunt Miranda, all born under Syrian skies."

"Syrian grandmother!" ejaculated Miranda (and it was not a fact). "How
many?"

"I didn't think to ask; but I will get two rooms ready, and if there
are any over I'll take 'em into my bed," said Rebecca, secretly hoping
that this would be the case. "Now, as you're both half sick, couldn't
you trust me just once to get ready for the company? You can come up
when I call. Will you?"

"I believe I will," sighed Miranda reluctantly. "I'll lay down side o'
Jane in our bedroom and see if I can get strength to cook supper. It's
half past three--don't you let me lay a minute past five. I kep' a good
fire in the kitchen stove. I don't know, I'm sure, why I should have
baked a pot o' beans in the middle of the week, but they'll come in
handy. Father used to say there was nothing that went right to the spot
with returned missionaries like pork 'n' beans 'n' brown bread. Fix up
the two south chambers, Rebecca."

Rebecca, given a free hand for the only time in her life, dashed
upstairs like a whirlwind. Every room in the brick house was as neat as
wax, and she had only to pull up the shades, go over the floors with a
whisk broom, and dust the furniture. The aunts could hear her scurrying
to and fro, beating up pillows and feather beds, flapping towels,
jingling crockery, singing meanwhile in her clear voice:--

  "In vain with lavish kindness
       The gifts of God are strown;
  The heathen in his blindness
       Bows down to wood and stone."

She had grown to be a handy little creature, and tasks she was capable
of doing at all she did like a flash, so that when she called her aunts
at five o'clock to pass judgment, she had accomplished wonders. There
were fresh towels on bureaus and washstands, the beds were fair and
smooth, the pitchers were filled, and soap and matches were laid out;
newspaper, kindling, and wood were in the boxes, and a large stick
burned slowly in each air-tight stove. "I thought I'd better just take
the chill off," she explained, "as they're right from Syria; and that
reminds me, I must look it up in the geography before they get here."

There was nothing to disapprove, so the two sisters went downstairs to
make some slight changes in their dress. As they passed the parlor door
Miranda thought she heard a crackle and looked in. The shades were up,
there was a cheerful blaze in the open stove in the front parlor, and a
fire laid on the hearth in the back room. Rebecca's own lamp, her
second Christmas present from Mr. Aladdin, stood on a marble-topped
table in the corner, the light that came softly through its
rose-colored shade transforming the stiff and gloomy ugliness of the
room into a place where one could sit and love one's neighbor.

"For massy's sake, Rebecca," called Miss Miranda up the stairs, "did
you think we'd better open the parlor?"

Rebecca came out on the landing braiding her hair.

"We did on Thanksgiving and Christmas, and I thought this was about as
great an occasion," she said. "I moved the wax flowers off the
mantelpiece so they wouldn't melt, and put the shells, the coral, and
the green stuffed bird on top of the what-not, so the children wouldn't
ask to play with them. Brother Milliken's coming over to see Mr. Burch
about business, and I shouldn't wonder if Brother and Sister Cobb
happened in. Don't go down cellar, I'll be there in a minute to do the
running."

Miranda and Jane exchanged glances.

"Ain't she the beatin'est creetur that ever was born int' the world!"
exclaimed Miranda; "but she can turn off work when she's got a mind to!"

At quarter past five everything was ready, and the neighbors, those at
least who were within sight of the brick house (a prominent object in
the landscape when there were no leaves on the trees), were curious
almost to desperation. Shades up in both parlors! Shades up in the two
south bedrooms! And fires--if human vision was to be relied on--fires
in about every room. If it had not been for the kind offices of a lady
who had been at the meeting, and who charitably called in at one or two
houses and explained the reason of all this preparation, there would
have been no sleep in many families.

The missionary party arrived promptly, and there were but two children,
seven or eight having been left with the brethren in Portland, to
diminish traveling expenses. Jane escorted them all upstairs, while
Miranda watched the cooking of the supper; but Rebecca promptly took
the two little girls away from their mother, divested them of their
wraps, smoothed their hair, and brought them down to the kitchen to
smell the beans.

There was a bountiful supper, and the presence of the young people
robbed it of all possible stiffness. Aunt Jane helped clear the table
and put away the food, while Miranda entertained in the parlor; but
Rebecca and the infant Burches washed the dishes and held high carnival
in the kitchen, doing only trifling damage--breaking a cup and plate
that had been cracked before, emptying a silver spoon with some
dishwater out of the back door (an act never permitted at the brick
house), and putting coffee grounds in the sink. All evidences of crime
having been removed by Rebecca, and damages repaired in all possible
cases, the three entered the parlor, where Mr. and Mrs. Cobb and Deacon
and Mrs. Milliken had already appeared.

It was such a pleasant evening! Occasionally they left the heathen in
his blindness bowing down to wood and stone, not for long, but just to
give themselves (and him) time enough to breathe, and then the Burches
told strange, beautiful, marvelous things. The two smaller children
sang together, and Rebecca, at the urgent request of Mrs. Burch, seated
herself at the tinkling old piano and gave "Wild roved an Indian girl,
bright Alfarata" with considerable spirit and style.

At eight o'clock she crossed the room, handed a palm-leaf fan to her
aunt Miranda, ostensibly that she might shade her eyes from the
lamplight; but it was a piece of strategy that gave her an opportunity
to whisper, "How about cookies?"

"Do you think it's worth while?" sibilated Miss Miranda in answer.

"The Perkinses always do."

"All right. You know where they be."

Rebecca moved quietly towards the door, and the young Burches
cataracted after her as if they could not bear a second's separation.
In five minutes they returned, the little ones bearing plates of thin
caraway wafers,--hearts, diamonds, and circles daintily sugared, and
flecked with caraway seed raised in the garden behind the house. These
were a specialty of Miss Jane's, and Rebecca carried a tray with six
tiny crystal glasses filled with dandelion wine, for which Miss Miranda
had been famous in years gone by. Old Deacon Israel had always had it
passed, and he had bought the glasses himself in Boston. Miranda
admired them greatly, not only for their beauty but because they held
so little. Before their advent the dandelion wine had been served in
sherry glasses.

As soon as these refreshments--commonly called a "colation" in
Riverboro--had been genteelly partaken of, Rebecca looked at the clock,
rose from her chair in the children's corner, and said cheerfully,
"Come! time for little missionaries to be in bed!"

Everybody laughed at this, the big missionaries most of all, as the
young people shook hands and disappeared with Rebecca.



XX

A CHANGE OF HEART

"That niece of yours is the most remarkable girl I have seen in years,"
said Mr. Burch when the door closed.

"She seems to be turnin' out smart enough lately, but she's consid'able
heedless," answered Miranda, "an' most too lively."

"We must remember that it is deficient, not excessive vitality, that
makes the greatest trouble in this world," returned Mr. Burch.

"She'd make a wonderful missionary," said Mrs. Burch; "with her voice,
and her magnetism, and her gift of language."

"If I was to say which of the two she was best adapted for, I'd say
she'd make a better heathen," remarked Miranda curtly.

"My sister don't believe in flattering children," hastily interpolated
Jane, glancing toward Mrs. Burch, who seemed somewhat shocked, and was
about to open her lips to ask if Rebecca was not a "professor."

Mrs. Cobb had been looking for this question all the evening and
dreading some allusion to her favorite as gifted in prayer. She had
taken an instantaneous and illogical dislike to the Rev. Mr. Burch in
the afternoon because he called upon Rebecca to "lead." She had seen
the pallor creep into the girl's face, the hunted look in her eyes, and
the trembling of the lashes on her cheeks, and realized the ordeal
through which she was passing. Her prejudice against the minister had
relaxed under his genial talk and presence, but feeling that Mrs. Burch
was about to tread on dangerous ground, she hastily asked her if one
had to change cars many times going from Riverboro to Syria. She felt
that it was not a particularly appropriate question, but it served her
turn.

Deacon Milliken, meantime, said to Miss Sawyer, "Mirandy, do you know
who Rebecky reminds me of?"

"I can guess pretty well," she replied.

"Then you've noticed it too! I thought at first, seein' she favored her
father so on the outside, that she was the same all through; but she
ain't, she's like your father, Israel Sawyer."

"I don't see how you make that out," said Miranda, thoroughly
astonished.

"It struck me this afternoon when she got up to give your invitation in
meetin'. It was kind o' cur'ous, but she set in the same seat he used
to when he was leader o' the Sabbath-school. You know his old way of
holdin' his chin up and throwin' his head back a leetle when he got up
to say anything? Well, she done the very same thing; there was more'n
one spoke of it."

The callers left before nine, and at that hour (an impossibly
dissipated one for the brick house) the family retired for the night.
As Rebecca carried Mrs. Burch's candle upstairs and found herself thus
alone with her for a minute, she said shyly, "Will you please tell Mr.
Burch that I'm not a member of the church? I didn't know what to do
when he asked me to pray this afternoon. I hadn't the courage to say I
had never done it out loud and didn't know how. I couldn't think; and I
was so frightened I wanted to sink into the floor. It seemed bold and
wicked for me to pray before all those old church members and make
believe I was better than I really was; but then again, wouldn't God
think I was wicked not to be willing to pray when a minister asked me
to?"

The candle light fell on Rebecca's flushed, sensitive face. Mrs. Burch
bent and kissed her good-night. "Don't be troubled," she said. "I'll
tell Mr. Burch, and I guess God will understand."

Rebecca waked before six the next morning, so full of household cares
that sleep was impossible. She went to the window and looked out; it
was still dark, and a blustering, boisterous day.

"Aunt Jane told me she should get up at half past six and have
breakfast at half past seven," she thought; "but I daresay they are
both sick with their colds, and aunt Miranda will be fidgety with so
many in the house. I believe I'll creep down and start things for a
surprise."

She put on a wadded wrapper and slippers and stole quietly down the
tabooed front stairs, carefully closed the kitchen door behind her so
that no noise should waken the rest of the household, busied herself
for a half hour with the early morning routine she knew so well, and
then went back to her room to dress before calling the children.

Contrary to expectation, Miss Jane, who the evening before felt better
than Miranda, grew worse in the night, and was wholly unable to leave
her bed in the morning. Miranda grumbled without ceasing during the
progress of her hasty toilet, blaming everybody in the universe for the
afflictions she had borne and was to bear during the day; she even
castigated the Missionary Board that had sent the Burches to Syria, and
gave it as her unbiased opinion that those who went to foreign lands
for the purpose of saving heathen should stay there and save 'em, and
not go gallivantin' all over the earth with a passel o' children,
visitin' folks that didn't want 'em and never asked 'em.

Jane lay anxiously and restlessly in bed with a feverish headache,
wondering how her sister could manage without her.

Miranda walked stiffly through the dining-room, tying a shawl over her
head to keep the draughts away, intending to start the breakfast fire
and then call Rebecca down, set her to work, and tell her, meanwhile, a
few plain facts concerning the proper way of representing the family at
a missionary meeting.

She opened the kitchen door and stared vaguely about her, wondering
whether she had strayed into the wrong house by mistake.

The shades were up, and there was a roaring fire in the stove; the
teakettle was singing and bubbling as it sent out a cloud of steam, and
pushed over its capacious nose was a half sheet of note paper with
"Compliments of Rebecca" scrawled on it. The coffee pot was scalding,
the coffee was measured out in a bowl, and broken eggshells for the
settling process were standing near. The cold potatoes and corned beef
were in the wooden tray, and "Regards of Rebecca" stuck on the chopping
knife. The brown loaf was out, the white loaf was out, the toast rack
was out, the doughnuts were out, the milk was skimmed, the butter had
been brought from the dairy.

Miranda removed the shawl from her head and sank into the kitchen
rocker, ejaculating under her breath, "She is the beatin'est child! I
declare she's all Sawyer!"

The day and the evening passed off with credit and honor to everybody
concerned, even to Jane, who had the discretion to recover instead of
growing worse and acting as a damper to the general enjoyment. The
Burches left with lively regrets, and the little missionaries, bathed
in tears, swore eternal friendship with Rebecca, who pressed into their
hands at parting a poem composed before breakfast.

TO MARY AND MARTHA BURCH

  Born under Syrian skies,
       'Neath hotter suns than ours;
  The children grew and bloomed,
       Like little tropic flowers.

  When they first saw the light,
       'T was in a heathen land.
  Not Greenland's icy mountains,
       Nor India's coral strand,

  But some mysterious country
       Where men are nearly black
  And where of true religion,
       There is a painful lack.

  Then let us haste in helping
       The Missionary Board,
  Seek dark-skinned unbelievers,
       And teach them of their Lord.
            Rebecca Rowena Randall.

It can readily be seen that this visit of the returned missionaries to
Riverboro was not without somewhat far-reaching results. Mr. and Mrs.
Burch themselves looked back upon it as one of the rarest pleasures of
their half year at home. The neighborhood extracted considerable eager
conversation from it; argument, rebuttal, suspicion, certainty,
retrospect, and prophecy. Deacon Milliken gave ten dollars towards the
conversion of Syria to Congregationalism, and Mrs. Milliken had a spell
of sickness over her husband's rash generosity.

It would be pleasant to state that Miranda Sawyer was an entirely
changed woman afterwards, but that is not the fact. The tree that has
been getting a twist for twenty years cannot be straightened in the
twinkling of an eye. It is certain, however, that although the
difference to the outward eye was very small, it nevertheless existed,
and she was less censorious in her treatment of Rebecca, less harsh in
her judgments, more hopeful of final salvation for her. This had come
about largely from her sudden vision that Rebecca, after all, inherited
something from the Sawyer side of the house instead of belonging, mind,
body, and soul, to the despised Randall stock. Everything that was
interesting in Rebecca, and every evidence of power, capability, or
talent afterwards displayed by her, Miranda ascribed to the brick house
training, and this gave her a feeling of honest pride, the pride of a
master workman who has built success out of the most unpromising
material; but never, to the very end, even when the waning of her
bodily strength relaxed her iron grip and weakened her power of
repression, never once did she show that pride or make a single
demonstration of affection.

Poor misplaced, belittled Lorenzo de Medici Randall, thought ridiculous
and good-for-naught by his associates, because he resembled them in
nothing! If Riverboro could have been suddenly emptied into a larger
community, with different and more flexible opinions, he was, perhaps,
the only personage in the entire population who would have attracted
the smallest attention. It was fortunate for his daughter that she had
been dowered with a little practical ability from her mother's family,
but if Lorenzo had never done anything else in the world, he might have
glorified himself that he had prevented Rebecca from being all Sawyer.
Failure as he was, complete and entire, he had generously handed down
to her all that was best in himself, and prudently retained all that
was unworthy. Few fathers are capable of such delicate discrimination.

The brick house did not speedily become a sort of wayside inn, a place
of innocent revelry and joyous welcome; but the missionary company was
an entering wedge, and Miranda allowed one spare bed to be made up "in
case anything should happen," while the crystal glasses were kept on
the second from the top, instead of the top shelf, in the china closet.
Rebecca had had to stand on a chair to reach them; now she could do it
by stretching; and this is symbolic of the way in which she
unconsciously scaled the walls of Miss Miranda's dogmatism and
prejudice.

Miranda went so far as to say that she wouldn't mind if the Burches
came every once in a while, but she was afraid he'd spread abroad the
fact of his visit, and missionaries' families would be underfoot the
whole continual time. As a case in point, she gracefully cited the fact
that if a tramp got a good meal at anybody's back door, 't was said
that he'd leave some kind of a sign so that all other tramps would know
where they were likely to receive the same treatment.

It is to be feared that there is some truth in this homely
illustration, and Miss Miranda's dread as to her future
responsibilities had some foundation, though not of the precise sort
she had in mind. The soul grows into lovely habits as easily as into
ugly ones, and the moment a life begins to blossom into beautiful words
and deeds, that moment a new standard of conduct is established, and
your eager neighbors look to you for a continuous manifestation of the
good cheer, the sympathy, the ready wit, the comradeship, or the
inspiration, you once showed yourself capable of. Bear figs for a
season or two, and the world outside the orchard is very unwilling you
should bear thistles.

The effect of the Burches' visit on Rebecca is not easily described.
Nevertheless, as she looked back upon it from the vantage ground of
after years, she felt that the moment when Mr. Burch asked her to "lead
in prayer" marked an epoch in her life.

If you have ever observed how courteous and gracious and mannerly you
feel when you don a beautiful new frock; if you have ever noticed the
feeling of reverence stealing over you when you close your eyes, clasp
your hands, and bow your head; if you have ever watched your sense of
repulsion toward a fellow creature melt a little under the exercise of
daily politeness, you may understand how the adoption of the outward
and visible sign has some strange influence in developing the inward
and spiritual state of which it is the expression.

It is only when one has grown old and dull that the soul is heavy and
refuses to rise. The young soul is ever winged; a breath stirs it to an
upward flight. Rebecca was asked to bear witness to a state of mind or
feeling of whose existence she had only the vaguest consciousness. She
obeyed, and as she uttered words they became true in the uttering; as
she voiced aspirations they settled into realities.

As "dove that to its window flies," her spirit soared towards a great
light, dimly discovered at first, but brighter as she came closer to
it. To become sensible of oneness with the Divine heart before any
sense of separation has been felt, this is surely the most beautiful
way for the child to find God.



XXI

THE SKY LINE WIDENS

The time so long and eagerly waited for had come, and Rebecca was a
student at Wareham. Persons who had enjoyed the social bewilderments
and advantages of foreign courts, or had mingled freely in the
intellectual circles of great universities, might not have looked upon
Wareham as an extraordinary experience; but it was as much of an
advance upon Riverboro as that village had been upon Sunnybrook Farm.
Rebecca's intention was to complete the four years' course in three, as
it was felt by all the parties concerned that when she had attained the
ripe age of seventeen she must be ready to earn her own living and help
in the education of the younger children. While she was wondering how
this could be successfully accomplished, some of the other girls were
cogitating as to how they could meander through the four years and come
out at the end knowing no more than at the beginning. This would seem a
difficult, well-nigh an impossible task, but it can be achieved, and
has been, at other seats of learning than modest little Wareham.

Rebecca was to go to and fro on the cars daily from September to
Christmas, and then board in Wareham during the three coldest months.
Emma Jane's parents had always thought that a year or two in the
Edgewood high school (three miles from Riverboro) would serve every
purpose for their daughter and send her into the world with as fine an
intellectual polish as she could well sustain. Emma Jane had hitherto
heartily concurred in this opinion, for if there was any one thing that
she detested it was the learning of lessons. One book was as bad as
another in her eyes, and she could have seen the libraries of the world
sinking into ocean depths and have eaten her dinner cheerfully the
while; but matters assumed a different complexion when she was sent to
Edgewood and Rebecca to Wareham. She bore it for a week--seven endless
days of absence from the beloved object, whom she could see only in the
evenings when both were busy with their lessons. Sunday offered an
opportunity to put the matter before her father, who proved obdurate.
He didn't believe in education and thought she had full enough already.
He never intended to keep up "blacksmithing" for good when he leased
his farm and came into Riverboro, but proposed to go back to it
presently, and by that time Emma Jane would have finished school and
would be ready to help her mother with the dairy work.

Another week passed. Emma Jane pined visibly and audibly. Her color
faded, and her appetite (at table) dwindled almost to nothing.

Her mother alluded plaintively to the fact that the Perkinses had a
habit of going into declines; that she'd always feared that Emma Jane's
complexion was too beautiful to be healthy; that some men would be
proud of having an ambitious daughter, and be glad to give her the best
advantages; that she feared the daily journeys to Edgewood were going
to be too much for her own health, and Mr. Perkins would have to hire a
boy to drive Emma Jane; and finally that when a girl had such a passion
for learning as Emma Jane, it seemed almost like wickedness to cross
her will.

Mr. Perkins bore this for several days until his temper, digestion, and
appetite were all sensibly affected; then he bowed his head to the
inevitable, and Emma Jane flew, like a captive set free, to the loved
one's bower. Neither did her courage flag, although it was put to
terrific tests when she entered the academic groves of Wareham. She
passed in only two subjects, but went cheerfully into the preparatory
department with her five "conditions," intending to let the stream of
education play gently over her mental surfaces and not get any wetter
than she could help. It is not possible to blink the truth that Emma
Jane was dull; but a dogged, unswerving loyalty, and the gift of
devoted, unselfish loving, these, after all, are talents of a sort, and
may possibly be of as much value in the world as a sense of numbers or
a faculty for languages.

Wareham was a pretty village with a broad main street shaded by great
maples and elms. It had an apothecary, a blacksmith, a plumber, several
shops of one sort and another, two churches, and many boarding-houses;
but all its interests gathered about its seminary and its academy.
These seats of learning were neither better nor worse than others of
their kind, but differed much in efficiency, according as the principal
who chanced to be at the head was a man of power and inspiration or the
reverse. There were boys and girls gathered from all parts of the
county and state, and they were of every kind and degree as to birth,
position in the world, wealth or poverty. There was an opportunity for
a deal of foolish and imprudent behavior, but on the whole surprisingly
little advantage was taken of it. Among the third and fourth year
students there was a certain amount of going to and from the trains in
couples; some carrying of heavy books up the hill by the sterner sex
for their feminine schoolmates, and occasional bursts of silliness on
the part of heedless and precocious girls, among whom was Huldah
Meserve. She was friendly enough with Emma Jane and Rebecca, but grew
less and less intimate as time went on. She was extremely pretty, with
a profusion of auburn hair, and a few very tiny freckles, to which she
constantly alluded, as no one could possibly detect them without noting
her porcelain skin and her curling lashes. She had merry eyes, a
somewhat too plump figure for her years, and was popularly supposed to
have a fascinating way with her. Riverboro being poorly furnished with
beaux, she intended to have as good a time during her four years at
Wareham as circumstances would permit. Her idea of pleasure was an
ever-changing circle of admirers to fetch and carry for her, the more
publicly the better; incessant chaff and laughter and vivacious
conversation, made eloquent and effective by arch looks and telling
glances. She had a habit of confiding her conquests to less fortunate
girls and bewailing the incessant havoc and damage she was doing; a
damage she avowed herself as innocent of, in intention, as any new-born
lamb. It does not take much of this sort of thing to wreck an ordinary
friendship, so before long Rebecca and Emma Jane sat in one end of the
railway train in going to and from Riverboro, and Huldah occupied the
other with her court. Sometimes this was brilliant beyond words,
including a certain youthful Monte Cristo, who on Fridays expended
thirty cents on a round trip ticket and traveled from Wareham to
Riverboro merely to be near Huldah; sometimes, too, the circle was
reduced to the popcorn-and-peanut boy of the train, who seemed to serve
every purpose in default of better game.

Rebecca was in the normally unconscious state that belonged to her
years; boys were good comrades, but no more; she liked reciting in the
same class with them, everything seemed to move better; but from vulgar
and precocious flirtations she was protected by her ideals. There was
little in the lads she had met thus far to awaken her fancy, for it
habitually fed on better meat. Huldah's school-girl romances, with
their wealth of commonplace detail, were not the stuff her dreams were
made of, when dreams did flutter across the sensitive plate of her mind.

Among the teachers at Wareham was one who influenced Rebecca
profoundly, Miss Emily Maxwell, with whom she studied English
literature and composition. Miss Maxwell, as the niece of one of
Maine's ex-governors and the daughter of one of Bowdoin's professors,
was the most remarkable personality in Wareham, and that her few years
of teaching happened to be in Rebecca's time was the happiest of all
chances. There was no indecision or delay in the establishment of their
relations; Rebecca's heart flew like an arrow to its mark, and her
mind, meeting its superior, settled at once into an abiding attitude of
respectful homage.

It was rumored that Miss Maxwell "wrote," which word, when uttered in a
certain tone, was understood to mean not that a person had command of
penmanship, Spencerian or otherwise, but that she had appeared in print.

"You'll like her; she writes," whispered Huldah to Rebecca the first
morning at prayers, where the faculty sat in an imposing row on the
front seats. "She writes; and I call her stuck up."

Nobody seemed possessed of exact information with which to satisfy the
hungry mind, but there was believed to be at least one person in
existence who had seen, with his own eyes, an essay by Miss Maxwell in
a magazine. This height of achievement made Rebecca somewhat shy of
her, but she looked her admiration; something that most of the class
could never do with the unsatisfactory organs of vision given them by
Mother Nature. Miss Maxwell's glance was always meeting a pair of eager
dark eyes; when she said anything particularly good, she looked for
approval to the corner of the second bench, where every shade of
feeling she wished to evoke was reflected on a certain sensitive young
face.

One day, when the first essay of the class was under discussion, she
asked each new pupil to bring her some composition written during the
year before, that she might judge the work, and know precisely with
what material she had to deal. Rebecca lingered after the others, and
approached the desk shyly.

"I haven't any compositions here, Miss Maxwell, but I can find one when
I go home on Friday. They are packed away in a box in the attic."

"Carefully tied with pink and blue ribbons?" asked Miss Maxwell, with a
whimsical smile.

"No," answered Rebecca, shaking her head decidedly; "I wanted to use
ribbons, because all the other girls did, and they looked so pretty,
but I used to tie my essays with twine strings on purpose; and the one
on solitude I fastened with an old shoelacing just to show it what I
thought of it!"

"Solitude!" laughed Miss Maxwell, raising her eyebrows. "Did you choose
your own subject?"

"No; Miss Dearborn thought we were not old enough to find good ones."

"What were some of the others?"

"Fireside Reveries, Grant as a Soldier, Reflections on the Life of P.
T. Barnum, Buried Cities; I can't remember any more now. They were all
bad, and I can't bear to show them; I can write poetry easier and
better, Miss Maxwell."

"Poetry!" she exclaimed. "Did Miss Dearborn require you to do it?"

"Oh, no; I always did it even at the farm. Shall I bring all I have? It
isn't much."

Rebecca took the blank-book in which she kept copies of her effusions
and left it at Miss Maxwell's door, hoping that she might be asked in
and thus obtain a private interview; but a servant answered her ring,
and she could only walk away, disappointed.

A few days afterward she saw the black-covered book on Miss Maxwell's
desk and knew that the dreaded moment of criticism had come, so she was
not surprised to be asked to remain after class.

The room was quiet; the red leaves rustled in the breeze and flew in at
the open window, bearing the first compliments of the season. Miss
Maxwell came and sat by Rebecca's side on the bench.

"Did you think these were good?" she asked, giving her the verses.

"Not so very," confessed Rebecca; "but it's hard to tell all by
yourself. The Perkinses and the Cobbs always said they were wonderful,
but when Mrs. Cobb told me she thought they were better than Mr.
Longfellow's I was worried, because I knew that couldn't be true."

This ingenuous remark confirmed Miss Maxwell's opinion of Rebecca as a
girl who could hear the truth and profit by it.

"Well, my child," she said smilingly, "your friends were wrong and you
were right; judged by the proper tests, they are pretty bad."

"Then I must give up all hope of ever being a writer!" sighed Rebecca,
who was tasting the bitterness of hemlock and wondering if she could
keep the tears back until the interview was over.

"Don't go so fast," interrupted Miss Maxwell. "Though they don't amount
to anything as poetry, they show a good deal of promise in certain
directions. You almost never make a mistake in rhyme or metre, and this
shows you have a natural sense of what is right; a 'sense of form,'
poets would call it. When you grow older, have a little more
experience,--in fact, when you have something to say, I think you may
write very good verses. Poetry needs knowledge and vision, experience
and imagination, Rebecca. You have not the first three yet, but I
rather think you have a touch of the last."

"Must I never try any more poetry, not even to amuse myself?"

"Certainly you may; it will only help you to write better prose. Now
for the first composition. I am going to ask all the new students to
write a letter giving some description of the town and a hint of the
school life."

"Shall I have to be myself?" asked Rebecca.

"What do you mean?"

"A letter from Rebecca Randall to her sister Hannah at Sunnybrook Farm,
or to her aunt Jane at the brick house, Riverboro, is so dull and
stupid, if it is a real letter; but if I could make believe I was a
different girl altogether, and write to somebody who would be sure to
understand everything I said, I could make it nicer."

"Very well; I think that's a delightful plan," said Miss Maxwell; "and
whom will you suppose yourself to be?"

"I like heiresses very much," replied Rebecca contemplatively. "Of
course I never saw one, but interesting things are always happening to
heiresses, especially to the golden-haired kind. My heiress wouldn't be
vain and haughty like the wicked sisters in Cinderella; she would be
noble and generous. She would give up a grand school in Boston because
she wanted to come here where her father lived when he was a boy, long
before he made his fortune. The father is dead now, and she has a
guardian, the best and kindest man in the world; he is rather old of
course, and sometimes very quiet and grave, but sometimes when he is
happy, he is full of fun, and then Evelyn is not afraid of him. Yes,
the girl shall be called Evelyn Abercrombie, and her guardian's name
shall be Mr. Adam Ladd."

"Do you know Mr. Ladd?" asked Miss Maxwell in surprise.

"Yes, he's my very best friend," cried Rebecca delightedly. "Do you
know him too?"

"Oh, yes; he is a trustee of these schools, you know, and often comes
here. But if I let you 'suppose' any more, you will tell me your whole
letter and then I shall lose a pleasant surprise."


What Rebecca thought of Miss Maxwell we already know; how the teacher
regarded the pupil may be gathered from the following letter written
two or three months later.

    Wareham, December 1st

    My Dear Father,--As you well know, I have not always been an
    enthusiast on the subject of teaching. The task of cramming
    knowledge into these self-sufficient, inefficient youngsters
    of both sexes discourages me at times. The more stupid they
    are, the less they are aware of it. If my department were
    geography or mathematics, I believe I should feel that I was
    accomplishing something, for in those branches application
    and industry work wonders; but in English literature and
    composition one yearns for brains, for appreciation, for
    imagination! Month after month I toil on, opening oyster
    after oyster, but seldom finding a pearl. Fancy my joy this
    term when, without any violent effort at shell-splitting, I
    came upon a rare pearl; a black one, but of satin skin and
    beautiful lustre! Her name is Rebecca, and she looks not
    unlike Rebekah at the Well in our family Bible; her hair and
    eyes being so dark as to suggest a strain of Italian or
    Spanish blood. She is nobody in particular. Man has done
    nothing for her; she has no family to speak of, no money, no
    education worthy the name, has had no advantages of any sort;
    but Dame Nature flung herself into the breach and said:--

      "This child I to myself will take;
       She shall be mine and I will make
       A Lady of my own."

    Blessed Wordsworth! How he makes us understand! And the pearl
    never heard of him until now! Think of reading Lucy to a
    class, and when you finish, seeing a fourteen-year-old pair
    of lips quivering with delight, and a pair of eyes brimming
    with comprehending tears!

    You poor darling! You, too, know the discouragement of sowing
    lovely seed in rocky earth, in sand, in water, and (it almost
    seems sometimes) in mud; knowing that if anything comes up at
    all it will be some poor starveling plant. Fancy the joy of
    finding a real mind; of dropping seed in a soil so warm, so
    fertile, that one knows there are sure to be foliage,
    blossoms, and fruit all in good time! I wish I were not so
    impatient and so greedy of results! I am not fit to be a
    teacher; no one is who is so scornful of stupidity as I am. .
    . . The pearl writes quaint countrified little verses,
    doggerel they are; but somehow or other she always contrives
    to put in one line, one thought, one image, that shows you
    she is, quite unconsciously to herself, in possession of the
    secret. . . . Good-by; I'll bring Rebecca home with me some
    Friday, and let you and mother see her for yourselves.

    Your affectionate daughter,

    Emily.



XXII

CLOVER BLOSSOMS AND SUNFLOWERS

"How d' ye do, girls?" said Huldah Meserve, peeping in at the door.
"Can you stop studying a minute and show me your room? Say, I've just
been down to the store and bought me these gloves, for I was bound I
wouldn't wear mittens this winter; they're simply too countrified. It's
your first year here, and you're younger than I am, so I s'pose you
don't mind, but I simply suffer if I don't keep up some kind of style.
Say, your room is simply too cute for words! I don't believe any of the
others can begin to compare with it! I don't know what gives it that
simply gorgeous look, whether it's the full curtains, or that elegant
screen, or Rebecca's lamp; but you certainly do have a faculty for
fixing up. I like a pretty room too, but I never have a minute to
attend to mine; I'm always so busy on my clothes that half the time I
don't get my bed made up till noon; and after all, having no callers
but the girls, it don't make much difference. When I graduate, I'm
going to fix up our parlor at home so it'll be simply regal. I've
learned decalcomania, and after I take up lustre painting I shall have
it simply stiff with drapes and tidies and placques and sofa pillows,
and make mother let me have a fire, and receive my friends there
evenings. May I dry my feet at your register? I can't bear to wear
rubbers unless the mud or the slush is simply knee-deep, they make your
feet look so awfully big. I had such a fuss getting this pair of
French-heeled boots that I don't intend to spoil the looks of them with
rubbers any oftener than I can help. I believe boys notice feet quicker
than anything. Elmer Webster stepped on one of mine yesterday when I
accidentally had it out in the aisle, and when he apologized after
class, he said he wasn't so much to blame, for the foot was so little
he really couldn't see it! Isn't he perfectly great? Of course that's
only his way of talking, for after all I only wear a number two, but
these French heels and pointed toes do certainly make your foot look
smaller, and it's always said a high instep helps, too. I used to think
mine was almost a deformity, but they say it's a great beauty. Just put
your feet beside mine, girls, and look at the difference; not that I
care much, but just for fun."

"My feet are very comfortable where they are," responded Rebecca dryly.
"I can't stop to measure insteps on algebra days; I've noticed your
habit of keeping a foot in the aisle ever since you had those new
shoes, so I don't wonder it was stepped on."

"Perhaps I am a little mite conscious of them, because they're not so
very comfortable at first, till you get them broken in. Say, haven't
you got a lot of new things?"

"Our Christmas presents, you mean," said Emma Jane. "The pillow-cases
are from Mrs. Cobb, the rug from cousin Mary in North Riverboro, the
scrap-basket from Living and Dick. We gave each other the bureau and
cushion covers, and the screen is mine from Mr. Ladd."

"Well, you were lucky when you met him! Gracious! I wish I could meet
somebody like that. The way he keeps it up, too! It just hides your
bed, doesn't it, and I always say that a bed takes the style off any
room--specially when it's not made up; though you have an alcove, and
it's the only one in the whole building. I don't see how you managed to
get this good room when you're such new scholars," she finished
discontentedly.

"We shouldn't have, except that Ruth Berry had to go away suddenly on
account of her father's death. This room was empty, and Miss Maxwell
asked if we might have it," returned Emma Jane.

"The great and only Max is more stiff and standoffish than ever this
year," said Huldah. "I've simply given up trying to please her, for
there's no justice in her; she is good to her favorites, but she
doesn't pay the least attention to anybody else, except to make
sarcastic speeches about things that are none of her business. I wanted
to tell her yesterday it was her place to teach me Latin, not manners."

"I wish you wouldn't talk against Miss Maxwell to me," said Rebecca
hotly. "You know how I feel."

"I know; but I can't understand how you can abide her."

"I not only abide, I love her!" exclaimed Rebecca. "I wouldn't let the
sun shine too hot on her, or the wind blow too cold. I'd like to put a
marble platform in her class-room and have her sit in a velvet chair
behind a golden table!"

"Well, don't have a fit!--because she can sit where she likes for all
of me; I've got something better to think of," and Huldah tossed her
head.

"Isn't this your study hour?" asked Emma Jane, to stop possible
discussion.

"Yes, but I lost my Latin grammar yesterday; I left it in the hall half
an hour while I was having a regular scene with Herbert Dunn. I haven't
spoken to him for a week and gave him back his class pin. He was simply
furious. Then when I came back to the hall, the book was gone. I had to
go down town for my gloves and to the principal's office to see if the
grammar had been handed in, and that's the reason I'm so fine."

Huldah was wearing a woolen dress that had once been gray, but had been
dyed a brilliant blue. She had added three rows of white braid and
large white pearl buttons to her gray jacket, in order to make it a
little more "dressy." Her gray felt hat had a white feather on it, and
a white tissue veil with large black dots made her delicate skin look
brilliant. Rebecca thought how lovely the knot of red hair looked under
the hat behind, and how the color of the front had been dulled by
incessant frizzing with curling irons. Her open jacket disclosed a
galaxy of souvenirs pinned to the background of bright blue,--a small
American flag, a button of the Wareham Rowing Club, and one or two
society pins. These decorations proved her popularity in very much the
same way as do the cotillion favors hanging on the bedroom walls of the
fashionable belle. She had been pinning and unpinning, arranging and
disarranging her veil ever since she entered the room, in the hope that
the girls would ask her whose ring she was wearing this week; but
although both had noticed the new ornament instantly, wild horses could
not have drawn the question from them; her desire to be asked was too
obvious. With her gay plumage, her "nods and becks and wreathed
smiles," and her cheerful cackle, Huldah closely resembled the parrot
in Wordsworth's poem:--

  "Arch, volatile, a sportive bird,
       By social glee inspired;
  Ambitious to be seen or heard,
       And pleased to be admired!"

"Mr. Morrison thinks the grammar will be returned, and lent me
another," Huldah continued.

"He was rather snippy about my leaving a book in the hall. There was a
perfectly elegant gentleman in the office, a stranger to me. I wish he
was a new teacher, but there's no such luck. He was too young to be the
father of any of the girls, and too old to be a brother, but he was
handsome as a picture and had on an awful stylish suit of clothes. He
looked at me about every minute I was in the room. It made me so
embarrassed I couldn't hardly answer Mr. Morrison's questions straight."

"You'll have to wear a mask pretty soon, if you're going to have any
comfort, Huldah," said Rebecca. "Did he offer to lend you his class
pin, or has it been so long since he graduated that he's left off
wearing it? And tell us now whether the principal asked for a lock of
your hair to put in his watch?"

This was all said merrily and laughingly, but there were times when
Huldah could scarcely make up her mind whether Rebecca was trying to be
witty, or whether she was jealous; but she generally decided it was
merely the latter feeling, rather natural in a girl who had little
attention.

"He wore no jewelry but a cameo scarf pin and a perfectly gorgeous
ring,--a queer kind of one that wound round and round his finger. Oh
dear, I must run! Where has the hour gone? There's the study bell!"

Rebecca had pricked up her ears at Huldah's speech. She remembered a
certain strange ring, and it belonged to the only person in the world
(save Miss Maxwell) who appealed to her imagination,--Mr. Aladdin. Her
feeling for him, and that of Emma Jane, was a mixture of romantic and
reverent admiration for the man himself and the liveliest gratitude for
his beautiful gifts. Since they first met him not a Christmas had gone
by without some remembrance for them both; remembrances chosen with the
rarest taste and forethought. Emma Jane had seen him only twice, but he
had called several times at the brick house, and Rebecca had learned to
know him better. It was she, too, who always wrote the notes of
acknowledgment and thanks, taking infinite pains to make Emma Jane's
quite different from her own. Sometimes he had written from Boston and
asked her the news of Riverboro, and she had sent him pages of quaint
and childlike gossip, interspersed, on two occasions, with poetry,
which he read and reread with infinite relish. If Huldah's stranger
should be Mr. Aladdin, would he come to see her, and could she and Emma
Jane show him their beautiful room with so many of his gifts in
evidence?

When the girls had established themselves in Wareham as real boarding
pupils, it seemed to them existence was as full of joy as it well could
hold. This first winter was, in fact, the most tranquilly happy of
Rebecca's school life,--a winter long to be looked back upon. She and
Emma Jane were room-mates, and had put their modest possessions
together to make their surroundings pretty and homelike. The room had,
to begin with, a cheerful red ingrain carpet and a set of maple
furniture. As to the rest, Rebecca had furnished the ideas and Emma
Jane the materials and labor, a method of dividing responsibilities
that seemed to suit the circumstances admirably. Mrs. Perkins's father
had been a storekeeper, and on his death had left the goods of which he
was possessed to his married daughter. The molasses, vinegar, and
kerosene had lasted the family for five years, and the Perkins attic
was still a treasure-house of ginghams, cottons, and "Yankee notions."
So at Rebecca's instigation Mrs. Perkins had made full curtains and
lambrequins of unbleached muslin, which she had trimmed and looped back
with bands of Turkey red cotton. There were two table covers to match,
and each of the girls had her study corner. Rebecca, after much
coaxing, had been allowed to bring over her precious lamp, which would
have given a luxurious air to any apartment, and when Mr. Aladdin's
last Christmas presents were added,--the Japanese screen for Emma Jane
and the little shelf of English Poets for Rebecca,--they declared that
it was all quite as much fun as being married and going to housekeeping.

The day of Huldah's call was Friday, and on Fridays from three to half
past four Rebecca was free to take a pleasure to which she looked
forward the entire week. She always ran down the snowy path through the
pine woods at the back of the seminary, and coming out on a quiet
village street, went directly to the large white house where Miss
Maxwell lived. The maid-of-all-work answered her knock; she took off
her hat and cape and hung them in the hall, put her rubber shoes and
umbrella carefully in the corner, and then opened the door of paradise.
Miss Maxwell's sitting-room was lined on two sides with bookshelves,
and Rebecca was allowed to sit before the fire and browse among the
books to her heart's delight for an hour or more. Then Miss Maxwell
would come back from her class, and there would be a precious half hour
of chat before Rebecca had to meet Emma Jane at the station and take
the train for Riverboro, where her Saturdays and Sundays were spent,
and where she was washed, ironed, mended, and examined, approved and
reproved, warned and advised in quite sufficient quantity to last her
the succeeding week.

On this Friday she buried her face in the blooming geraniums on Miss
Maxwell's plant-stand, selected Romola from one of the bookcases, and
sank into a seat by the window with a sigh of infinite content, She
glanced at the clock now and then, remembering the day on which she had
been so immersed in David Copperfield that the Riverboro train had no
place in her mind. The distracted Emma Jane had refused to leave
without her, and had run from the station to look for her at Miss
Maxwell's. There was but one later train, and that went only to a place
three miles the other side of Riverboro, so that the two girls appeared
at their respective homes long after dark, having had a weary walk in
the snow.

When she had read for half an hour she glanced out of the window and
saw two figures issuing from the path through the woods. The knot of
bright hair and the coquettish hat could belong to but one person; and
her companion, as the couple approached, proved to be none other than
Mr. Aladdin. Huldah was lifting her skirts daintily and picking safe
stepping-places for the high-heeled shoes, her cheeks glowing, her eyes
sparkling under the black and white veil.

Rebecca slipped from her post by the window to the rug before the
bright fire and leaned her head on the seat of the great easy-chair.
She was frightened at the storm in her heart; at the suddenness with
which it had come on, as well as at the strangeness of an entirely new
sensation. She felt all at once as if she could not bear to give up her
share of Mr. Aladdin's friendship to Huldah: Huldah so bright, saucy,
and pretty; so gay and ready, and such good company! She had always
joyfully admitted Emma Jane into the precious partnership, but perhaps
unconsciously to herself she had realized that Emma Jane had never held
anything but a secondary place in Mr. Aladdin's regard; yet who was she
herself, after all, that she could hope to be first?

Suddenly the door opened softly and somebody looked in, somebody who
said: "Miss Maxwell told me I should find Miss Rebecca Randall here."

Rebecca started at the sound and sprang to her feet, saying joyfully,
"Mr. Aladdin! Oh! I knew you were in Wareham, and I was afraid you
wouldn't have time to come and see us."

"Who is 'us'? The aunts are not here, are they? Oh, you mean the rich
blacksmith's daughter, whose name I can never remember. Is she here?"

"Yes, and my room-mate," answered Rebecca, who thought her own knell of
doom had sounded, if he had forgotten Emma Jane's name.

The light in the room grew softer, the fire crackled cheerily, and they
talked of many things, until the old sweet sense of friendliness and
familiarity crept back into Rebecca's heart. Adam had not seen her for
several months, and there was much to be learned about school matters
as viewed from her own standpoint; he had already inquired concerning
her progress from Mr. Morrison.

"Well, little Miss Rebecca," he said, rousing himself at length, "I
must be thinking of my drive to Portland. There is a meeting of railway
directors there to-morrow, and I always take this opportunity of
visiting the school and giving my valuable advice concerning its
affairs, educational and financial."

"It seems funny for you to be a school trustee," said Rebecca
contemplatively. "I can't seem to make it fit."

"You are a remarkably wise young person and I quite agree with you," he
answered; "the fact is," he added soberly, "I accepted the trusteeship
in memory of my poor little mother, whose last happy years were spent
here."

"That was a long time ago!"

"Let me see, I am thirty-two; only thirty-two, despite an occasional
gray hair. My mother was married a month after she graduated, and she
lived only until I was ten; yes, it is a long way back to my mother's
time here, though the school was fifteen or twenty years old then, I
believe. Would you like to see my mother, Miss Rebecca?"

The girl took the leather case gently and opened it to find an
innocent, pink-and-white daisy of a face, so confiding, so sensitive,
that it went straight to the heart. It made Rebecca feel old,
experienced, and maternal. She longed on the instant to comfort and
strengthen such a tender young thing.

"Oh, what a sweet, sweet, flowery face!" she whispered softly.

"The flower had to bear all sorts of storms," said Adam gravely. "The
bitter weather of the world bent its slender stalk, bowed its head, and
dragged it to the earth. I was only a child and could do nothing to
protect and nourish it, and there was no one else to stand between it
and trouble. Now I have success and money and power, all that would
have kept her alive and happy, and it is too late. She died for lack of
love and care, nursing and cherishing, and I can never forget it. All
that has come to me seems now and then so useless, since I cannot share
it with her!"

This was a new Mr. Aladdin, and Rebecca's heart gave a throb of
sympathy and comprehension. This explained the tired look in his eyes,
the look that peeped out now and then, under all his gay speech and
laughter.

"I'm so glad I know," she said, "and so glad I could see her just as
she was when she tied that white muslin hat under her chin and saw her
yellow curls and her sky-blue eyes in the glass. Mustn't she have been
happy! I wish she could have been kept so, and had lived to see you
grow up strong and good. My mother is always sad and busy, but once
when she looked at John I heard her say, 'He makes up for everything.'
That's what your mother would have thought about you if she had lived,
and perhaps she does as it is."

"You are a comforting little person, Rebecca," said Adam, rising from
his chair.

As Rebecca rose, the tears still trembling on her lashes, he looked at
her suddenly as with new vision.

"Good-by!" he said, taking her slim brown hands in his, adding, as if
he saw her for the first time, "Why, little Rose-Red-Snow-White is
making way for a new girl! Burning the midnight oil and doing four
years' work in three is supposed to dull the eye and blanch the cheek,
yet Rebecca's eyes are bright and she has a rosy color! Her long braids
are looped one on the other so that they make a black letter U behind,
and they are tied with grand bows at the top! She is so tall that she
reaches almost to my shoulder. This will never do in the world! How
will Mr. Aladdin get on without his comforting little friend! He
doesn't like grown-up young ladies in long trains and wonderful fine
clothes; they frighten and bore him!"

"Oh, Mr. Aladdin!" cried Rebecca eagerly, taking his jest quite
seriously; "I am not fifteen yet, and it will be three years before I'm
a young lady; please don't give me up until you have to!"

"I won't; I promise you that," said Adam. "Rebecca," he continued,
after a moment's pause, "who is that young girl with a lot of pretty
red hair and very citified manners? She escorted me down the hill; do
you know whom I mean?"

"It must be Huldah Meserve; she is from Riverboro."

Adam put a finger under Rebecca's chin and looked into her eyes; eyes
as soft, as clear, as unconscious, and childlike as they had been when
she was ten. He remembered the other pair of challenging blue ones that
had darted coquettish glances through half-dropped lids, shot arrowy
beams from under archly lifted brows, and said gravely, "Don't form
yourself on her, Rebecca; clover blossoms that grow in the fields
beside Sunnybrook mustn't be tied in the same bouquet with gaudy
sunflowers; they are too sweet and fragrant and wholesome."



XXIII

THE HILL DIFFICULTY

The first happy year at Wareham, with its widened sky-line, its larger
vision, its greater opportunity, was over and gone. Rebecca had studied
during the summer vacation, and had passed, on her return in the
autumn, certain examinations which would enable her, if she carried out
the same programme the next season, to complete the course in three
instead of four years. She came off with no flying colors,--that would
have been impossible in consideration of her inadequate training; but
she did wonderfully well in some of the required subjects, and so
brilliantly in others that the average was respectable. She would never
have been a remarkable scholar under any circumstances, perhaps, and
she was easily out-stripped in mathematics and the natural sciences by
a dozen girls, but in some inexplicable way she became, as the months
went on, the foremost figure in the school. When she had entirely
forgotten the facts which would enable her to answer a question fully
and conclusively, she commonly had some original theory to expound; it
was not always correct, but it was generally unique and sometimes
amusing. She was only fair in Latin or French grammar, but when it came
to translation, her freedom, her choice of words, and her sympathetic
understanding of the spirit of the text made her the delight of her
teachers and the despair of her rivals.

"She can be perfectly ignorant of a subject," said Miss Maxwell to Adam
Ladd, "but entirely intelligent the moment she has a clue. Most of the
other girls are full of information and as stupid as sheep."

Rebecca's gifts had not been discovered save by the few, during the
first year, when she was adjusting herself quietly to the situation.
She was distinctly one of the poorer girls; she had no fine dresses to
attract attention, no visitors, no friends in the town. She had more
study hours, and less time, therefore, for the companionship of other
girls, gladly as she would have welcomed the gayety of that side of
school life. Still, water will find its own level in some way, and by
the spring of the second year she had naturally settled into the same
sort of leadership which had been hers in the smaller community of
Riverboro. She was unanimously elected assistant editor of the Wareham
School Pilot, being the first girl to assume that enviable, though
somewhat arduous and thankless position, and when her maiden number
went to the Cobbs, uncle Jerry and aunt Sarah could hardly eat or sleep
for pride.

"She'll always get votes," said Huldah Meserve, when discussing the
election, "for whether she knows anything or not, she looks as if she
did, and whether she's capable of filling an office or not, she looks
as if she was. I only wish I was tall and dark and had the gift of
making people believe I was great things, like Rebecca Randall. There's
one thing: though the boys call her handsome, you notice they don't
trouble her with much attention."

It was a fact that Rebecca's attitude towards the opposite sex was
still somewhat indifferent and oblivious, even for fifteen and a half!
No one could look at her and doubt that she had potentialities of
attraction latent within her somewhere, but that side of her nature was
happily biding its time. A human being is capable only of a certain
amount of activity at a given moment, and it will inevitably satisfy
first its most pressing needs, its most ardent desires, its chief
ambitions. Rebecca was full of small anxieties and fears, for matters
were not going well at the brick house and were anything but hopeful at
the home farm. She was overbusy and overtaxed, and her thoughts were
naturally drawn towards the difficult problems of daily living.

It had seemed to her during the autumn and winter of that year as if
her aunt Miranda had never been, save at the very first, so censorious
and so fault-finding. One Saturday Rebecca ran upstairs and, bursting
into a flood of tears, exclaimed, "Aunt Jane, it seems as if I never
could stand her continual scoldings. Nothing I can do suits aunt
Miranda; she's just said it will take me my whole life to get the
Randall out of me, and I'm not convinced that I want it all out, so
there we are!"

Aunt Jane, never demonstrative, cried with Rebecca as she attempted to
soothe her.

"You must be patient," she said, wiping first her own eyes and then
Rebecca's. "I haven't told you, for it isn't fair you should be
troubled when you're studying so hard, but your aunt Miranda isn't
well. One Monday morning about a month ago, she had a kind of faint
spell; it wasn't bad, but the doctor is afraid it was a shock, and if
so, it's the beginning of the end. Seems to me she's failing right
along, and that's what makes her so fretful and easy vexed. She has
other troubles too, that you don't know anything about, and if you're
not kind to your aunt Miranda now, child, you'll be dreadful sorry some
time."

All the temper faded from Rebecca's face, and she stopped crying to say
penitently, "Oh! the poor dear thing! I won't mind a bit what she says
now. She's just asked me for some milk toast and I was dreading to take
it to her, but this will make everything different. Don't worry yet,
aunt Jane, for perhaps it won't be as bad as you think."

So when she carried the toast to her aunt a little later, it was in the
best gilt-edged china bowl, with a fringed napkin on the tray and a
sprig of geranium lying across the salt cellar.

"Now, aunt Miranda," she said cheerily, "I expect you to smack your
lips and say this is good; it's not Randall, but Sawyer milk toast."

"You've tried all kinds on me, one time an' another," Miranda answered.
"This tastes real kind o' good; but I wish you hadn't wasted that nice
geranium."

"You can't tell what's wasted," said Rebecca philosophically; "perhaps
that geranium has been hoping this long time it could brighten
somebody's supper, so don't disappoint it by making believe you don't
like it. I've seen geraniums cry,--in the very early morning!"

The mysterious trouble to which Jane had alluded was a very real one,
but it was held in profound secrecy. Twenty-five hundred dollars of the
small Sawyer property had been invested in the business of a friend of
their father's, and had returned them a regular annual income of a
hundred dollars. The family friend had been dead for some five years,
but his son had succeeded to his interests and all went on as formerly.
Suddenly there came a letter saying that the firm had gone into
bankruptcy, that the business had been completely wrecked, and that the
Sawyer money had been swept away with everything else.

The loss of one hundred dollars a year is a very trifling matter, but
it made all the difference between comfort and self-denial to the two
old spinsters Their manner of life had been so rigid and careful that
it was difficult to economize any further, and the blow had fallen just
when it was most inconvenient, for Rebecca's school and boarding
expenses, small as they were, had to be paid promptly and in cash.

"Can we possibly go on doing it? Shan't we have to give up and tell her
why?" asked Jane tearfully of the elder sister.

"We have put our hand to the plough, and we can't turn back," answered
Miranda in her grimmest tone; "we've taken her away from her mother and
offered her an education, and we've got to keep our word. She's
Aurelia's only hope for years to come, to my way o' thinkin'. Hannah's
beau takes all her time 'n' thought, and when she gits a husband her
mother'll be out o' sight and out o' mind. John, instead of farmin',
thinks he must be a doctor,--as if folks wasn't gettin' unhealthy
enough these days, without turnin' out more young doctors to help 'em
into their graves. No, Jane; we'll skimp 'n' do without, 'n' plan to
git along on our interest money somehow, but we won't break into our
principal, whatever happens."

"Breaking into the principal" was, in the minds of most thrifty New
England women, a sin only second to arson, theft, or murder; and,
though the rule was occasionally carried too far for common sense,--as
in this case, where two elderly women of sixty might reasonably have
drawn something from their little hoard in time of special need,--it
doubtless wrought more of good than evil in the community.

Rebecca, who knew nothing of their business affairs, merely saw her
aunts grow more and more saving, pinching here and there, cutting off
this and that relentlessly. Less meat and fish were bought; the woman
who had lately been coming two days a week for washing, ironing, and
scrubbing was dismissed; the old bonnets of the season before were
brushed up and retrimmed; there were no drives to Moderation or trips
to Portland. Economy was carried to its very extreme; but though
Miranda was well-nigh as gloomy and uncompromising in her manner and
conversation as a woman could well be, she at least never twitted her
niece of being a burden; so Rebecca's share of the Sawyers' misfortunes
consisted only in wearing her old dresses, hats, and jackets, without
any apparent hope of a change.

There was, however, no concealing the state of things at Sunnybrook,
where chapters of accidents had unfolded themselves in a sort of serial
story that had run through the year. The potato crop had failed; there
were no apples to speak of; the hay had been poor; Aurelia had turns of
dizziness in her head; Mark had broken his ankle. As this was his
fourth offense, Miranda inquired how many bones there were in the human
body, "so 't they'd know when Mark got through breakin' 'em." The time
for paying the interest on the mortgage, that incubus that had crushed
all the joy out of the Randall household, had come and gone, and there
was no possibility, for the first time in fourteen years, of paying the
required forty-eight dollars. The only bright spot in the horizon was
Hannah's engagement to Will Melville,--a young farmer whose land joined
Sunnybrook, who had a good house, was alone in the world, and his own
master. Hannah was so satisfied with her own unexpectedly radiant
prospects that she hardly realized her mother's anxieties; for there
are natures which flourish, in adversity, and deteriorate when exposed
to sudden prosperity. She had made a visit of a week at the brick
house; and Miranda's impression, conveyed in privacy to Jane, was that
Hannah was close as the bark of a tree, and consid'able selfish too;
that when she'd clim' as fur as she could in the world, she'd kick the
ladder out from under her, everlastin' quick; that, on being sounded as
to her ability to be of use to the younger children in the future, she
said she guessed she'd done her share a'ready, and she wan't goin' to
burden Will with her poor relations. "She's Susan Randall through and
through!" ejaculated Miranda. "I was glad to see her face turned
towards Temperance. If that mortgage is ever cleared from the farm, 't
won't be Hannah that'll do it; it'll be Rebecca or me!"



XXIV

ALADDIN RUBS HIS LAMP

"Your esteemed contribution entitled Wareham Wildflowers has been
accepted for The Pilot, Miss Perkins," said Rebecca, entering the room
where Emma Jane was darning the firm's stockings. "I stayed to tea with
Miss Maxwell, but came home early to tell you."

"You are joking, Becky!" faltered Emma Jane, looking up from her work.

"Not a bit; the senior editor read it and thought it highly
instructive; it appears in the next issue."

"Not in the same number with your poem about the golden gates that
close behind us when we leave school?"--and Emma Jane held her breath
as she awaited the reply.

"Even so, Miss Perkins."

"Rebecca," said Emma Jane, with the nearest approach to tragedy that
her nature would permit, "I don't know as I shall be able to bear it,
and if anything happens to me, I ask you solemnly to bury that number
of The Pilot with me."

Rebecca did not seem to think this the expression of an exaggerated
state of feeling, inasmuch as she replied, "I know; that's just the way
it seemed to me at first, and even now, whenever I'm alone and take out
the Pilot back numbers to read over my contributions, I almost burst
with pleasure; and it's not that they are good either, for they look
worse to me every time I read them."

"If you would only live with me in some little house when we get
older," mused Emma Jane, as with her darning needle poised in air she
regarded the opposite wall dreamily, "I would do the housework and
cooking, and copy all your poems and stories, and take them to the
post-office, and you needn't do anything but write. It would be
perfectly elergant!"

"I'd like nothing better, if I hadn't promised to keep house for John,"
replied Rebecca.

"He won't have a house for a good many years, will he?"

"No," sighed Rebecca ruefully, flinging herself down by the table and
resting her head on her hand. "Not unless we can contrive to pay off
that detestable mortgage. The day grows farther off instead of nearer
now that we haven't paid the interest this year."

She pulled a piece of paper towards her, and scribbling idly on it read
aloud in a moment or two:--

  "Will you pay a little faster?" said the mortgage to the farm;
       "I confess I'm very tired of this place."
  "The weariness is mutual," Rebecca Randall cried;
       "I would I'd never gazed upon your face!"

"A note has a 'face,'" observed Emma Jane, who was gifted in
arithmetic. "I didn't know that a mortgage had."

"Our mortgage has," said Rebecca revengefully. "I should know him if I
met him in the dark. Wait and I'll draw him for you. It will be good
for you to know how he looks, and then when you have a husband and
seven children, you won't allow him to come anywhere within a mile of
your farm."

The sketch when completed was of a sort to be shunned by a timid person
on the verge of slumber. There was a tiny house on the right, and a
weeping family gathered in front of it. The mortgage was depicted as a
cross between a fiend and an ogre, and held an axe uplifted in his red
right hand. A figure with streaming black locks was staying the blow,
and this, Rebecca explained complacently, was intended as a likeness of
herself, though she was rather vague as to the method she should use in
attaining her end.

"He's terrible," said Emma Jane, "but awfully wizened and small."

"It's only a twelve hundred dollar mortgage," said Rebecca, "and that's
called a small one. John saw a man once that was mortgaged for twelve
thousand."

"Shall you be a writer or an editor?" asked Emma Jane presently, as if
one had only to choose and the thing were done.

"I shall have to do what turns up first, I suppose."

"Why not go out as a missionary to Syria, as the Burches are always
coaxing you to? The Board would pay your expenses."

"I can't make up my mind to be a missionary," Rebecca answered. "I'm
not good enough in the first place, and I don't 'feel a call,' as Mr.
Burch says you must. I would like to do something for somebody and make
things move, somewhere, but I don't want to go thousands of miles away
teaching people how to live when I haven't learned myself. It isn't as
if the heathen really needed me; I'm sure they'll come out all right in
the end."

"I can't see how; if all the people who ought to go out to save them
stay at home as we do," argued Emma Jane.

"Why, whatever God is, and wherever He is, He must always be there,
ready and waiting. He can't move about and miss people. It may take the
heathen a little longer to find Him, but God will make allowances, of
course. He knows if they live in such hot climates it must make them
lazy and slow; and the parrots and tigers and snakes and bread-fruit
trees distract their minds; and having no books, they can't think as
well; but they'll find God somehow, some time."

"What if they die first?" asked Emma Jane.

"Oh, well, they can't be blamed for that; they don't die on purpose,"
said Rebecca, with a comfortable theology.


In these days Adam Ladd sometimes went to Temperance on business
connected with the proposed branch of the railroad familiarly known as
the "York and Yank 'em," and while there he gained an inkling of
Sunnybrook affairs. The building of the new road was not yet a
certainty, and there was a difference of opinion as to the best route
from Temperance to Plumville. In one event the way would lead directly
through Sunnybrook, from corner to corner, and Mrs. Randall would be
compensated; in the other, her interests would not be affected either
for good or ill, save as all land in the immediate neighborhood might
rise a little in value.

Coming from Temperance to Wareham one day, Adam had a long walk and
talk with Rebecca, whom he thought looking pale and thin, though she
was holding bravely to her self-imposed hours of work. She was wearing
a black cashmere dress that had been her aunt Jane's second best. We
are familiar with the heroine of romance whose foot is so exquisitely
shaped that the coarsest shoe cannot conceal its perfections, and one
always cherishes a doubt of the statement; yet it is true that
Rebecca's peculiar and individual charm seemed wholly independent of
accessories. The lines of her figure, the rare coloring of skin and
hair and eyes, triumphed over shabby clothing, though, had the
advantage of artistic apparel been given her, the little world of
Wareham would probably at once have dubbed her a beauty. The long black
braids were now disposed after a quaint fashion of her own. They were
crossed behind, carried up to the front, and crossed again, the
tapering ends finally brought down and hidden in the thicker part at
the neck. Then a purely feminine touch was given to the hair that waved
back from the face,--a touch that rescued little crests and wavelets
from bondage and set them free to take a new color in the sun.

Adam Ladd looked at her in a way that made her put her hands over her
face and laugh through them shyly as she said: "I know what you are
thinking, Mr. Aladdin,--that my dress is an inch longer than last year,
and my hair different; but I'm not nearly a young lady yet; truly I'm
not. Sixteen is a month off still, and you promised not to give me up
till my dress trails. If you don't like me to grow old, why don't you
grow young? Then we can meet in the halfway house and have nice times.
Now that I think about it," she continued, "that's just what you've
been doing all along. When you bought the soap, I thought you were
grandfather Sawyer's age; when you danced with me at the flag-raising,
you seemed like my father; but when you showed me your mother's
picture, I felt as if you were my John, because I was so sorry for you."

"That will do very well," smiled Adam; "unless you go so swiftly that
you become my grandmother before I really need one. You are studying
too hard, Miss Rebecca Rowena!"

"Just a little," she confessed. "But vacation comes soon, you know."

"And are you going to have a good rest and try to recover your dimples?
They are really worth preserving."

A shadow crept over Rebecca's face and her eyes suffused. "Don't be
kind, Mr. Aladdin, I can't bear it;--it's--it's not one of my dimply
days!" and she ran in at the seminary gate, and disappeared with a
farewell wave of her hand.

Adam Ladd wended his way to the principal's office in a thoughtful
mood. He had come to Wareham to unfold a plan that he had been
considering for several days. This year was the fiftieth anniversary of
the founding of the Wareham schools, and he meant to tell Mr. Morrison
that in addition to his gift of a hundred volumes to the reference
library, he intended to celebrate it by offering prizes in English
composition, a subject in which he was much interested. He wished the
boys and girls of the two upper classes to compete; the award to be
made to the writers of the two best essays. As to the nature of the
prizes he had not quite made up his mind, but they would be substantial
ones, either of money or of books.

This interview accomplished, he called upon Miss Maxwell, thinking as
he took the path through the woods, "Rose-Red-Snow-White needs the
help, and since there is no way of my giving it to her without causing
remark, she must earn it, poor little soul! I wonder if my money is
always to be useless where most I wish to spend it!"

He had scarcely greeted his hostess when he said: "Miss Maxwell,
doesn't it strike you that our friend Rebecca looks wretchedly tired?"

"She does indeed, and I am considering whether I can take her away with
me. I always go South for the spring vacation, traveling by sea to Old
Point Comfort, and rusticating in some quiet spot near by. I should
like nothing better than to have Rebecca for a companion."

"The very thing!" assented Adam heartily; "but why should you take the
whole responsibility? Why not let me help? I am greatly interested in
the child, and have been for some years."

"You needn't pretend you discovered her," interrupted Miss Maxwell
warmly, "for I did that myself."

"She was an intimate friend of mine long before you ever came to
Wareham," laughed Adam, and he told Miss Maxwell the circumstances of
his first meeting with Rebecca. "From the beginning I've tried to think
of a way I could be useful in her development, but no reasonable
solution seemed to offer itself."

"Luckily she attends to her own development," answered Miss Maxwell.
"In a sense she is independent of everything and everybody; she follows
her saint without being conscious of it. But she needs a hundred
practical things that money would buy for her, and alas! I have a
slender purse."

"Take mine, I beg, and let me act through you," pleaded Adam. "I could
not bear to see even a young tree trying its best to grow without light
or air,--how much less a gifted child! I interviewed her aunts a year
ago, hoping I might be permitted to give her a musical education. I
assured them it was a most ordinary occurrence, and that I was willing
to be repaid later on if they insisted, but it was no use. The elder
Miss Sawyer remarked that no member of her family ever had lived on
charity, and she guessed they wouldn't begin at this late day."

"I rather like that uncompromising New England grit," exclaimed Miss
Maxwell, "and so far, I don't regret one burden that Rebecca has borne
or one sorrow that she has shared. Necessity has only made her brave;
poverty has only made her daring and self-reliant. As to her present
needs, there are certain things only a woman ought to do for a girl,
and I should not like to have you do them for Rebecca; I should feel
that I was wounding her pride and self-respect, even though she were
ignorant; but there is no reason why I may not do them if necessary and
let you pay her traveling expenses. I would accept those for her
without the slightest embarrassment, but I agree that the matter would
better be kept private between us."

"You are a real fairy godmother!" exclaimed Adam, shaking her hand
warmly. "Would it be less trouble for you to invite her room-mate
too,--the pink-and-white inseparable?"

"No, thank you, I prefer to have Rebecca all to myself," said Miss
Maxwell.

"I can understand that," replied Adam absent-mindedly; "I mean, of
course, that one child is less trouble than two. There she is now."

Here Rebecca appeared in sight, walking down the quiet street with a
lad of sixteen. They were in animated conversation, and were apparently
reading something aloud to each other, for the black head and the curly
brown one were both bent over a sheet of letter paper. Rebecca kept
glancing up at her companion, her eyes sparkling with appreciation.

"Miss Maxwell," said Adam, "I am a trustee of this institution, but
upon my word I don't believe in coeducation!"

"I have my own occasional hours of doubt," she answered, "but surely
its disadvantages are reduced to a minimum with--children! That is a
very impressive sight which you are privileged to witness, Mr. Ladd.
The folk in Cambridge often gloated on the spectacle of Longfellow and
Lowell arm in arm. The little school world of Wareham palpitates with
excitement when it sees the senior and the junior editors of The Pilot
walking together!"



XXV

ROSES OF JOY

The day before Rebecca started for the South with Miss Maxwell she was
in the library with Emma Jane and Huldah, consulting dictionaries and
encyclopaedias. As they were leaving they passed the locked cases
containing the library of fiction, open to the teachers and
townspeople, but forbidden to the students.

They looked longingly through the glass, getting some little comfort
from the titles of the volumes, as hungry children imbibe emotional
nourishment from the pies and tarts inside a confectioner's window.
Rebecca's eyes fell upon a new book in the corner, and she read the
name aloud with delight: "_The Rose of Joy_. Listen, girls; isn't that
lovely? _The Rose of Joy_. It looks beautiful, and it sounds beautiful.
What does it mean, I wonder?"

"I guess everybody has a different rose," said Huldah shrewdly. "I know
what mine would be, and I'm not ashamed to own it. I'd like a year in a
city, with just as much money as I wanted to spend, horses and splendid
clothes and amusements every minute of the day; and I'd like above
everything to live with people that wear low necks." (Poor Huldah never
took off her dress without bewailing the fact that her lot was cast in
Riverboro, where her pretty white shoulders could never be seen.)

"That would be fun, for a while anyway," Emma Jane remarked. "But
wouldn't that be pleasure more than joy? Oh, I've got an idea!"

"Don't shriek so!" said the startled Huldah. "I thought it was a mouse."

"I don't have them very often," apologized Emma Jane,--"ideas, I mean;
this one shook me like a stroke of lightning. Rebecca, couldn't it be
success?"

"That's good," mused Rebecca; "I can see that success would be a joy,
but it doesn't seem to me like a rose, somehow. I was wondering if it
could be love?"

"I wish we could have a peep at the book! It must be perfectly
elergant!" said Emma Jane. "But now you say it is love, I think that's
the best guess yet."

All day long the four words haunted and possessed Rebecca; she said
them over to herself continually. Even the prosaic Emma Jane was
affected by them, for in the evening she said, "I don't expect you to
believe it, but I have another idea,--that's two in one day; I had it
while I was putting cologne on your head. The rose of joy might be
helpfulness."

"If it is, then it is always blooming in your dear little heart, you
darlingest, kind Emmie, taking such good care of your troublesome
Becky!"

"Don't dare to call yourself troublesome! You're--you're--you're my
rose of joy, that's what you are!" And the two girls hugged each other
affectionately.

In the middle of the night Rebecca touched Emma Jane on the shoulder
softly. "Are you very fast asleep, Emmie?" she whispered.

"Not so very," answered Emma Jane drowsily.

"I've thought of something new. If you sang or painted or wrote,--not a
little, but beautifully, you know,--wouldn't the doing of it, just as
much as you wanted, give you the rose of joy?"

"It might if it was a real talent," answered Emma Jane, "though I don't
like it so well as love. If you have another thought, Becky, keep it
till morning."

"I did have one more inspiration," said Rebecca when they were dressing
next morning, "but I didn't wake you. I wondered if the rose of joy
could be sacrifice? But I think sacrifice would be a lily, not a rose;
don't you?"


The journey southward, the first glimpse of the ocean, the strange new
scenes, the ease and delicious freedom, the intimacy with Miss Maxwell,
almost intoxicated Rebecca. In three days she was not only herself
again, she was another self, thrilling with delight, anticipation, and
realization. She had always had such eager hunger for knowledge, such
thirst for love, such passionate longing for the music, the beauty, the
poetry of existence! She had always been straining to make the outward
world conform to her inward dreams, and now life had grown all at once
rich and sweet, wide and full. She was using all her natural, God-given
outlets; and Emily Maxwell marveled daily at the inexhaustible way in
which the girl poured out and gathered in the treasures of thought and
experience that belonged to her. She was a lifegiver, altering the
whole scheme of any picture she made a part of, by contributing new
values. Have you never seen the dull blues and greens of a room
changed, transfigured by a burst of sunshine? That seemed to Miss
Maxwell the effect of Rebecca on the groups of people with whom they
now and then mingled; but they were commonly alone, reading to each
other and having quiet talks. The prize essay was very much on
Rebecca's mind. Secretly she thought she could never be happy unless
she won it. She cared nothing for the value of it, and in this case
almost nothing for the honor; she wanted to please Mr. Aladdin and
justify his belief in her.

"If I ever succeed in choosing a subject, I must ask if you think I can
write well on it; and then I suppose I must work in silence and secret,
never even reading the essay to you, nor talking about it."

Miss Maxwell and Rebecca were sitting by a little brook on a sunny
spring day. They had been in a stretch of wood by the sea since
breakfast, going every now and then for a bask on the warm white sand,
and returning to their shady solitude when tired of the sun's glare.

"The subject is very important," said Miss Maxwell, "but I do not dare
choose for you. Have you decided on anything yet?"

"No," Rebecca answered; "I plan a new essay every night. I've begun one
on What is Failure? and another on He and She. That would be a dialogue
between a boy and girl just as they were leaving school, and would tell
their ideals of life. Then do you remember you said to me one day,
'Follow your Saint'? I'd love to write about that. I didn't have a
single thought in Wareham, and now I have a new one every minute, so I
must try and write the essay here; think it out, at any rate, while I
am so happy and free and rested. Look at the pebbles in the bottom of
the pool, Miss Emily, so round and smooth and shining."

"Yes, but where did they get that beautiful polish, that satin skin,
that lovely shape, Rebecca? Not in the still pool lying on the sands.
It was never there that their angles were rubbed off and their rough
surfaces polished, but in the strife and warfare of running waters.
They have jostled against other pebbles, dashed against sharp rocks,
and now we look at them and call them beautiful."

  "If Fate had not made somebody a teacher,
    She might have been, oh! such a splendid preacher!"

rhymed Rebecca. "Oh! if I could only think and speak as you do!" she
sighed. "I am so afraid I shall never get education enough to make a
good writer."

"You could worry about plenty of other things to better advantage,"
said Miss Maxwell, a little scornfully. "Be afraid, for instance, that
you won't understand human nature; that you won't realize the beauty of
the outer world; that you may lack sympathy, and thus never be able to
read a heart; that your faculty of expression may not keep pace with
your ideas,--a thousand things, every one of them more important to the
writer than the knowledge that is found in books. AEsop was a Greek
slave who could not even write down his wonderful fables; yet all the
world reads them."

"I didn't know that," said Rebecca, with a half sob. "I didn't know
anything until I met you!"

"You will only have had a high school course, but the most famous
universities do not always succeed in making men and women. When I long
to go abroad and study, I always remember that there were three great
schools in Athens and two in Jerusalem, but the Teacher of all teachers
came out of Nazareth, a little village hidden away from the bigger,
busier world."

"Mr. Ladd says that you are almost wasted on Wareham," said Rebecca
thoughtfully.

"He is wrong; my talent is not a great one, but no talent is wholly
wasted unless its owner chooses to hide it in a napkin. Remember that
of your own gifts, Rebecca; they may not be praised of men, but they
may cheer, console, inspire, perhaps, when and where you least expect.
The brimming glass that overflows its own rim moistens the earth about
it."

"Did you ever hear of The Rose of Joy?" asked Rebecca, after a long
silence.

"Yes, of course; where did you see it?"

"On the outside of a book in the library."

"I saw it on the inside of a book in the library," smiled Miss Maxwell.
"It is from Emerson, but I'm afraid you haven't quite grown up to it,
Rebecca, and it is one of the things impossible to explain."

"Oh, try me, dear Miss Maxwell!" pleaded Rebecca. "Perhaps by thinking
hard I can guess a little bit what it means."

"'In the actual--this painful kingdom of time and chance--are Care,
Canker, and Sorrow; with thought, with the Ideal, is immortal
hilarity--the rose of Joy; round it all the Muses sing,'" quoted Miss
Maxwell.

Rebecca repeated it over and over again until she had learned it by
heart; then she said, "I don't want to be conceited, but I almost
believe I do understand it, Miss Maxwell. Not altogether, perhaps,
because it is puzzling and difficult; but a little, enough to go on
with. It's as if a splendid shape galloped past you on horseback; you
are so surprised and your eyes move so slowly you cannot half see it,
but you just catch a glimpse as it whisks by, and you know it is
beautiful. It's all settled. My essay is going to be called The Rose of
Joy. I've just decided. It hasn't any beginning, nor any middle, but
there will be a thrilling ending, something like this: let me see; joy,
boy, toy, ahoy, decoy, alloy:--

  Then come what will of weal or woe
       (Since all gold hath alloy),
  Thou 'lt bloom unwithered in this heart,
       My Rose of Joy!

Now I'm going to tuck you up in the shawl and give you the fir pillow,
and while you sleep I am going down on the shore and write a fairy
story for you. It's one of our 'supposing' kind; it flies far, far into
the future, and makes beautiful things happen that may never really all
come to pass; but some of them will,--you'll see! and then you'll take
out the little fairy story from your desk and remember Rebecca."

"I wonder why these young things always choose subjects that would tax
the powers of a great essayist!" thought Miss Maxwell, as she tried to
sleep. "Are they dazzled, captivated, taken possession of, by the
splendor of the theme, and do they fancy they can write up to it? Poor
little innocents, hitching their toy wagons to the stars! How pretty
this particular innocent looks under her new sunshade!"

Adam Ladd had been driving through Boston streets on a cold spring day
when nature and the fashion-mongers were holding out promises which
seemed far from performance. Suddenly his vision was assailed by the
sight of a rose-colored parasol gayly unfurled in a shop window,
signaling the passer-by and setting him to dream of summer sunshine. It
reminded Adam of a New England apple-tree in full bloom, the outer
covering of deep pink shining through the thin white lining, and a
fluffy, fringe-like edge of mingled rose and cream dropping over the
green handle. All at once he remembered one of Rebecca's early
confidences,--the little pink sunshade that had given her the only peep
into the gay world of fashion that her childhood had ever known; her
adoration of the flimsy bit of finery and its tragic and sacrificial
end. He entered the shop, bought the extravagant bauble, and expressed
it to Wareham at once, not a single doubt of its appropriateness
crossing the darkness of his masculine mind. He thought only of the joy
in Rebecca's eyes; of the poise of her head under the apple-blossom
canopy. It was a trifle embarrassing to return an hour later and buy a
blue parasol for Emma Jane Perkins, but it seemed increasingly
difficult, as the years went on, to remember her existence at all the
proper times and seasons.

This is Rebecca's fairy story, copied the next day and given to Emily
Maxwell just as she was going to her room for the night. She read it
with tears in her eyes and then sent it to Adam Ladd, thinking he had
earned a share in it, and that he deserved a glimpse of the girl's
budding imagination, as well as of her grateful young heart.

A FAIRY STORY

There was once a tired and rather poverty-stricken Princess who dwelt
in a cottage on the great highway between two cities. She was not as
unhappy as thousands of others; indeed, she had much to be grateful
for, but the life she lived and the work she did were full hard for one
who was fashioned slenderly.

Now the cottage stood by the edge of a great green forest where the
wind was always singing in the branches and the sunshine filtering
through the leaves.

And one day when the Princess was sitting by the wayside quite spent by
her labor in the fields, she saw a golden chariot rolling down the
King's Highway, and in it a person who could be none other than
somebody's Fairy Godmother on her way to the Court. The chariot halted
at her door, and though the Princess had read of such beneficent
personages, she never dreamed for an instant that one of them could
ever alight at her cottage.

"If you are tired, poor little Princess, why do you not go into the
cool green forest and rest?" asked the Fairy Godmother.

"Because I have no time," she answered. "I must go back to my plough."

"Is that your plough leaning by the tree, and is it not too heavy?"

"It is heavy," answered the Princess, "but I love to turn the hard
earth into soft furrows and know that I am making good soil wherein my
seeds may grow. When I feel the weight too much, I try to think of the
harvest."

The golden chariot passed on, and the two talked no more together that
day; nevertheless the King's messengers were busy, for they whispered
one word into the ear of the Fairy Godmother and another into the ear
of the Princess, though so faintly that neither of them realized that
the King had spoken.

The next morning a strong man knocked at the cottage door, and doffing
his hat to the Princess said: "A golden chariot passed me yesterday,
and one within it flung me a purse of ducats, saying: 'Go out into the
King's Highway and search until you find a cottage and a heavy plough
leaning against a tree near by. Enter and say to the Princess whom you
will find there: "I will guide the plough and you must go and rest, or
walk in the cool green forest; for this is the command of your Fairy
Godmother."'"

And the same thing happened every day, and every day the tired Princess
walked in the green wood. Many times she caught the glitter of the
chariot and ran into the Highway to give thanks to the Fairy Godmother;
but she was never fleet enough to reach the spot. She could only stand
with eager eyes and longing heart as the chariot passed by. Yet she
never failed to catch a smile, and sometimes a word or two floated back
to her, words that sounded like: "I would not be thanked. We are all
children of the same King, and I am only his messenger."

Now as the Princess walked daily in the green forest, hearing the wind
singing in the branches and seeing the sunlight filter through the
lattice-work of green leaves, there came unto her thoughts that had
lain asleep in the stifling air of the cottage and the weariness of
guiding the plough. And by and by she took a needle from her girdle and
pricked the thoughts on the leaves of the trees and sent them into the
air to float hither and thither. And it came to pass that people began
to pick them up, and holding them against the sun, to read what was
written on them, and this was because the simple little words on the
leaves were only, after all, a part of one of the King's messages, such
as the Fairy Godmother dropped continually from her golden chariot.

But the miracle of the story lies deeper than all this.

Whenever the Princess pricked the words upon the leaves she added a
thought of her Fairy Godmother, and folding it close within, sent the
leaf out on the breeze to float hither and thither and fall where it
would. And many other little Princesses felt the same impulse and did
the same thing. And as nothing is ever lost in the King's Dominion, so
these thoughts and wishes and hopes, being full of love and gratitude,
had no power to die, but took unto themselves other shapes and lived on
forever. They cannot be seen, our vision is too weak; nor heard, our
hearing is too dull; but they can sometimes be felt, and we know not
what force is stirring our hearts to nobler aims.

The end of the story is not come, but it may be that some day when the
Fairy Godmother has a message to deliver in person straight to the
King, he will say: "Your face I know; your voice, your thoughts, and
your heart. I have heard the rumble of your chariot wheels on the great
Highway, and I knew that you were on the King's business. Here in my
hand is a sheaf of messages from every quarter of my kingdom. They were
delivered by weary and footsore travelers, who said that they could
never have reached the gate in safety had it not been for your help and
inspiration. Read them, that you may know when and where and how you
sped the King's service."

And when the Fairy Godmother reads them, it may be that sweet odors
will rise from the pages, and half-forgotten memories will stir the
air; but in the gladness of the moment nothing will be half so lovely
as the voice of the King when he said: "Read, and know how you sped the
King's service."

Rebecca Rowena Randall



XXVI

"OVER THE TEACUPS"

The summer term at Wareham had ended, and Huldah Meserve, Dick Carter,
and Living Perkins had finished school, leaving Rebecca and Emma Jane
to represent Riverboro in the year to come. Delia Weeks was at home
from Lewiston on a brief visit, and Mrs. Robinson was celebrating the
occasion by a small and select party, the particular day having been
set because strawberries were ripe and there was a rooster that wanted
killing. Mrs. Robinson explained this to her husband, and requested
that he eat his dinner on the carpenter's bench in the shed, as the
party was to be a ladies' affair.

"All right; it won't be any loss to me," said Mr. Robinson. "Give me
beans, that's all I ask. When a rooster wants to be killed, I want
somebody else to eat him, not me!"

Mrs. Robinson had company only once or twice a year, and was generally
much prostrated for several days afterward, the struggle between pride
and parsimony being quite too great a strain upon her. It was
necessary, in order to maintain her standing in the community, to
furnish a good "set out," yet the extravagance of the proceeding goaded
her from the first moment she began to stir the marble cake to the
moment when the feast appeared upon the table.

The rooster had been boiling steadily over a slow fire since morning,
but such was his power of resistance that his shape was as firm and
handsome in the pot as on the first moment when he was lowered into it.

"He ain't goin' to give up!" said Alice, peering nervously under the
cover, "and he looks like a scarecrow."

"We'll see whether he gives up or not when I take a sharp knife to
him," her mother answered; "and as to his looks, a platter full o'
gravy makes a sight o' difference with old roosters, and I'll put
dumplings round the aidge; they're turrible fillin', though they don't
belong with boiled chicken."

The rooster did indeed make an impressive showing, lying in his border
of dumplings, and the dish was much complimented when it was borne in
by Alice. This was fortunate, as the chorus of admiration ceased
abruptly when the ladies began to eat the fowl.

"I was glad you could git over to Huldy's graduation, Delia," said Mrs.
Meserve, who sat at the foot of the table and helped the chicken while
Mrs. Robinson poured coffee at the other end. She was a fit mother for
Huldah, being much the most stylish person in Riverboro; ill health and
dress were, indeed, her two chief enjoyments in life. It was rumored
that her elaborately curled "front piece" had cost five dollars, and
that it was sent into Portland twice a year to be dressed and frizzed;
but it is extremely difficult to discover the precise facts in such
cases, and a conscientious historian always prefers to warn a too
credulous reader against imbibing as gospel truth something that might
be the basest perversion of it. As to Mrs. Meserve's appearance, have
you ever, in earlier years, sought the comforting society of the cook
and hung over the kitchen table while she rolled out sugar gingerbread?
Perhaps then, in some unaccustomed moment of amiability, she made you a
dough lady, cutting the outline deftly with her pastry knife, and then,
at last, placing the human stamp upon it by sticking in two black
currants for eyes. Just call to mind the face of that sugar gingerbread
lady and you will have an exact portrait of Huldah's mother,--Mis'
Peter Meserve, she was generally called, there being several others.

"How'd you like Huldy's dress, Delia?" she asked, snapping the elastic
in her black jet bracelets after an irritating fashion she had.

"I thought it was about the handsomest of any," answered Delia; "and
her composition was first rate. It was the only real amusin' one there
was, and she read it so loud and clear we didn't miss any of it; most
o' the girls spoke as if they had hasty pudtin' in their mouths."

"That was the composition she wrote for Adam Ladd's prize," explained
Mrs. Meserve, "and they do say she'd 'a' come out first, 'stead o'
fourth, if her subject had been dif'rent. There was three ministers and
three deacons on the committee, and it was only natural they should
choose a serious piece; hers was too lively to suit 'em."

Huldah's inspiring theme had been Boys, and she certainly had a fund of
knowledge and experience that fitted her to write most intelligently
upon it. It was vastly popular with the audience, who enjoyed the
rather cheap jokes and allusions with which it coruscated; but judged
from a purely literary standpoint, it left much to be desired.

"Rebecca's piece wan't read out loud, but the one that took the boy's
prize was; why was that?" asked Mrs. Robinson.

"Because she wan't graduatin'," explained Mrs. Cobb, "and couldn't take
part in the exercises; it'll be printed, with Herbert Dunn's, in the
school paper."

"I'm glad o' that, for I'll never believe it was better 'n Huldy's till
I read it with my own eyes; it seems as if the prize ought to 'a' gone
to one of the seniors."

"Well, no, Marthy, not if Ladd offered it to any of the two upper
classes that wanted to try for it," argued Mrs. Robinson. "They say
they asked him to give out the prizes, and he refused, up and down. It
seems odd, his bein' so rich and travelin' about all over the country,
that he was too modest to git up on that platform."

"My Huldy could 'a' done it, and not winked an eyelash," observed Mrs.
Meserve complacently; a remark which there seemed no disposition on the
part of any of the company to controvert.

"It was complete, though, the governor happening to be there to see his
niece graduate," said Delia Weeks. "Land! he looked elegant! They say
he's only six feet, but he might 'a' been sixteen, and he certainly did
make a fine speech."

"Did you notice Rebecca, how white she was, and how she trembled when
she and Herbert Dunn stood there while the governor was praisin' 'em?
He'd read her composition, too, for he wrote the Sawyer girls a letter
about it." This remark was from the sympathetic Mrs. Cobb.

"I thought 't was kind o' foolish, his makin' so much of her when it
wan't her graduation," objected Mrs. Meserve; "layin' his hand on her
head 'n' all that, as if he was a Pope pronouncin' benediction. But
there! I'm glad the prize come to Riverboro 't any rate, and a
han'somer one never was give out from the Wareham platform. I guess
there ain't no end to Adam Ladd's money. The fifty dollars would 'a'
been good enough, but he must needs go and put it into those elegant
purses."

"I set so fur back I couldn't see 'em fairly," complained Delia, "and
now Rebecca has taken hers home to show her mother."

"It was kind of a gold net bag with a chain," said Mrs. Perkins, "and
there was five ten-dollar gold pieces in it. Herbert Dunn's was put in
a fine leather wallet."

"How long is Rebecca goin' to stay at the farm?" asked Delia.

"Till they get over Hannah's bein' married, and get the house to
runnin' without her," answered Mrs. Perkins. "It seems as if Hannah
might 'a' waited a little longer. Aurelia was set against her goin'
away while Rebecca was at school, but she's obstinate as a mule, Hannah
is, and she just took her own way in spite of her mother. She's been
doin' her sewin' for a year; the awfullest coarse cotton cloth she had,
but she's nearly blinded herself with fine stitchin' and rufflin' and
tuckin'. Did you hear about the quilt she made? It's white, and has a
big bunch o' grapes in the centre, quilted by a thimble top. Then
there's a row of circle-borderin' round the grapes, and she done them
the size of a spool. The next border was done with a sherry glass, and
the last with a port glass, an' all outside o' that was solid stitchin'
done in straight rows; she's goin' to exhibit it at the county fair."

"She'd better 'a' been takin' in sewin' and earnin' money, 'stead o'
blindin' her eyes on such foolishness as quilted counterpanes," said
Mrs. Cobb. "The next thing you know that mortgage will be foreclosed on
Mis' Randall, and she and the children won't have a roof over their
heads."

"Don't they say there's a good chance of the railroad goin' through her
place?" asked Mrs. Robinson. "If it does, she'll git as much as the
farm is worth and more. Adam Ladd 's one of the stockholders, and
everything is a success he takes holt of. They're fightin' it in
Augusty, but I'd back Ladd agin any o' them legislaters if he thought
he was in the right."

"Rebecca'll have some new clothes now," said Delia, "and the land knows
she needs 'em. Seems to me the Sawyer girls are gittin' turrible near!"

"Rebecca won't have any new clothes out o' the prize money," remarked
Mrs. Perkins, "for she sent it away the next day to pay the interest on
that mortgage."

"Poor little girl!" exclaimed Delia Weeks.

"She might as well help along her folks as spend it on foolishness,"
affirmed Mrs. Robinson. "I think she was mighty lucky to git it to pay
the interest with, but she's probably like all the Randalls; it was
easy come, easy go, with them."

"That's more than could be said of the Sawyer stock," retorted Mrs.
Perkins; "seems like they enjoyed savin' more'n anything in the world,
and it's gainin' on Mirandy sence her shock."

"I don't believe it was a shock; it stands to reason she'd never 'a'
got up after it and been so smart as she is now; we had three o' the
worst shocks in our family that there ever was on this river, and I
know every symptom of 'em better'n the doctors." And Mrs. Peter Meserve
shook her head wisely.

"Mirandy 's smart enough," said Mrs. Cobb, "but you notice she stays
right to home, and she's more close-mouthed than ever she was; never
took a mite o' pride in the prize, as I could see, though it pretty
nigh drove Jeremiah out o' his senses. I thought I should 'a' died o'
shame when he cried 'Hooray!' and swung his straw hat when the governor
shook hands with Rebecca. It's lucky he couldn't get fur into the
church and had to stand back by the door, for as it was, he made a
spectacle of himself. My suspicion is"--and here every lady stopped
eating and sat up straight--"that the Sawyer girls have lost money.
They don't know a thing about business 'n' never did, and Mirandy's too
secretive and contrairy to ask advice."

"The most o' what they've got is in gov'ment bonds, I always heard, and
you can't lose money on them. Jane had the timber land left her, an'
Mirandy had the brick house. She probably took it awful hard that
Rebecca's fifty dollars had to be swallowed up in a mortgage, 'stead of
goin' towards school expenses. The more I think of it, the more I think
Adam Ladd intended Rebecca should have that prize when he gave it." The
mind of Huldah's mother ran towards the idea that her daughter's rights
had been assailed.

"Land, Marthy, what foolishness you talk!" exclaimed Mrs. Perkins; "you
don't suppose he could tell what composition the committee was going to
choose; and why should he offer another fifty dollars for a boy's
prize, if he wan't interested in helpin' along the school? He's give
Emma Jane about the same present as Rebecca every Christmas for five
years; that's the way he does."

"Some time he'll forget one of 'em and give to the other, or drop 'em
both and give to some new girl!" said Delia Weeks, with an experience
born of fifty years of spinsterhood.

"Like as not," assented Mrs. Peter Meserve, "though it's easy to see he
ain't the marryin' kind. There's men that would marry once a year if
their wives would die fast enough, and there's men that seems to want
to live alone."

"If Ladd was a Mormon, I guess he could have every woman in North
Riverboro that's a suitable age, accordin' to what my cousins say,"
remarked Mrs. Perkins.

"'T ain't likely he could be ketched by any North Riverboro girl,"
demurred Mrs. Robinson; "not when he prob'bly has had the pick o'
Boston. I guess Marthy hit it when she said there's men that ain't the
marryin' kind."

"I wouldn't trust any of 'em when Miss Right comes along!" laughed Mrs.
Cobb genially. "You never can tell what 'n' who 's goin' to please 'em.
You know Jeremiah's contrairy horse, Buster? He won't let anybody put
the bit into his mouth if he can help it. He'll fight Jerry, and fight
me, till he has to give in. Rebecca didn't know nothin' about his
tricks, and the other day she went int' the barn to hitch up. I
followed right along, knowing she'd have trouble with the headstall,
and I declare if she wan't pattin' Buster's nose and talkin' to him,
and when she put her little fingers into his mouth he opened it so fur
I thought he'd swaller her, for sure. He jest smacked his lips over the
bit as if 't was a lump o' sugar. 'Land, Rebecca,' I says, 'how'd you
persuade him to take the bit?' 'I didn't,' she says, 'he seemed to want
it; perhaps he's tired of his stall and wants to get out in the fresh
air.'"



XXVII

"THE VISION SPLENDID"

A year had elapsed since Adam Ladd's prize had been discussed over the
teacups in Riverboro. The months had come and gone, and at length the
great day had dawned for Rebecca,--the day to which she had been
looking forward for five years, as the first goal to be reached on her
little journey through the world. School-days were ended, and the
mystic function known to the initiated as "graduation" was about to be
celebrated; it was even now heralded by the sun dawning in the eastern
sky. Rebecca stole softly out of bed, crept to the window, threw open
the blinds, and welcomed the rosy light that meant a cloudless morning.
Even the sun looked different somehow,--larger, redder, more important
than usual; and if it were really so, there was no member of the
graduating class who would have thought it strange or unbecoming, in
view of all the circumstances. Emma Jane stirred on her pillow, woke,
and seeing Rebecca at the window, came and knelt on the floor beside
her. "It's going to be pleasant!" she sighed gratefully. "If it wasn't
wicked, I could thank the Lord, I'm so relieved in mind! Did you sleep?"

"Not much; the words of my class poem kept running through my head, and
the accompaniments of the songs; and worse than anything, Mary Queen of
Scots' prayer in Latin; it seemed as if

  "'Adoro, imploro,
      Ut liberes me!'

were burned into my brain."

No one who is unfamiliar with life in rural neighborhoods can imagine
the gravity, the importance, the solemnity of this last day of school.
In the matter of preparation, wealth of detail, and general excitement
it far surpasses a wedding; for that is commonly a simple affair in the
country, sometimes even beginning and ending in a visit to the
parsonage. Nothing quite equals graduation in the minds of the
graduates themselves, their families, and the younger students, unless
it be the inauguration of a governor at the State Capitol. Wareham,
then, was shaken to its very centre on this day of days. Mothers and
fathers of the scholars, as well as relatives to the remotest
generation, had been coming on the train and driving into the town
since breakfast time; old pupils, both married and single, with and
without families, streamed back to the dear old village. The two livery
stables were crowded with vehicles of all sorts, and lines of buggies
and wagons were drawn up along the sides of the shady roads, the horses
switching their tails in luxurious idleness. The streets were filled
with people wearing their best clothes, and the fashions included not
only "the latest thing," but the well preserved relic of a bygone day.
There were all sorts and conditions of men and women, for there were
sons and daughters of storekeepers, lawyers, butchers, doctors,
shoemakers, professors, ministers, and farmers at the Wareham schools,
either as boarders or day scholars. In the seminary building there was
an excitement so deep and profound that it expressed itself in a kind
of hushed silence, a transient suspension of life, as those most
interested approached the crucial moment. The feminine graduates-to-be
were seated in their own bedrooms, dressed with a completeness of
detail to which all their past lives seemed to have been but a prelude.
At least, this was the case with their bodies; but their heads, owing
to the extreme heat of the day, were one and all ornamented with leads,
or papers, or dozens of little braids, to issue later in every sort of
curl known to the girl of that period. Rolling the hair on leads or
papers was a favorite method of attaining the desired result, and
though it often entailed a sleepless night, there were those who gladly
paid the price. Others, in whose veins the blood of martyrs did not
flow, substituted rags for leads and pretended that they made a more
natural and less woolly curl. Heat, however, will melt the proudest
head and reduce to fiddling strings the finest product of the
waving-pin; so anxious mothers were stationed over their offspring,
waving palm-leaf fans, it having been decided that the supreme instant
when the town clock struck ten should be the one chosen for releasing
the prisoners from their self-imposed tortures.

Dotted or plain Swiss muslin was the favorite garb, though there were
those who were steaming in white cashmere or alpaca, because in some
cases such frocks were thought more useful afterwards. Blue and pink
waist ribbons were lying over the backs of chairs, and the girl who had
a Roman sash was praying that she might be kept from vanity and pride.

The way to any graduating dress at all had not seemed clear to Rebecca
until a month before. Then, in company with Emma Jane, she visited the
Perkins attic, found piece after piece of white butter-muslin or
cheesecloth, and decided that, at a pinch, it would do. The "rich
blacksmith's daughter" cast the thought of dotted Swiss behind her, and
elected to follow Rebecca in cheesecloth as she had in higher matters;
straightway devising costumes that included such drawing of threads,
such hemstitching and pin-tucking, such insertions of fine thread
tatting that, in order to be finished, Rebecca's dress was given out in
sections,--the sash to Hannah, waist and sleeves to Mrs. Cobb, and
skirt to aunt Jane. The stitches that went into the despised material,
worth only three or four pennies a yard, made the dresses altogether
lovely, and as for the folds and lines into which they fell, they could
have given points to satins and brocades.

The two girls were waiting in their room alone, Emma Jane in rather a
tearful state of mind. She kept thinking that it was the last day that
they would be together in this altogether sweet and close intimacy. The
beginning of the end seemed to have dawned, for two positions had been
offered Rebecca by Mr. Morrison the day before: one in which she would
play for singing and calisthenics, and superintend the piano practice
of the younger girls in a boarding-school; the other an assistant's
place in the Edgewood High School. Both were very modest as to salary,
but the former included educational advantages that Miss Maxwell
thought might be valuable.

Rebecca's mood had passed from that of excitement into a sort of
exaltation, and when the first bell rang through the corridors
announcing that in five minutes the class would proceed in a body to
the church for the exercises, she stood motionless and speechless at
the window with her hand on her heart.

"It is coming, Emmie," she said presently; "do you remember in The Mill
on the Floss, when Maggie Tulliver closed the golden gates of childhood
behind her? I can almost see them swing; almost hear them clang; and I
can't tell whether I am glad or sorry."

"I shouldn't care how they swung or clanged," said Emma Jane, "if only
you and I were on the same side of the gate; but we shan't be, I know
we shan't!"

"Emmie, don't dare to cry, for I'm just on the brink myself! If only
you were graduating with me; that's my only sorrow! There! I hear the
rumble of the wheels! People will be seeing our grand surprise now! Hug
me once for luck, dear Emmie; a careful hug, remembering our
butter-muslin frailty!"

Ten minutes later, Adam Ladd, who had just arrived from Portland and
was wending his way to the church, came suddenly into the main street
and stopped short under a tree by the wayside, riveted to the spot by a
scene of picturesque loveliness such as his eyes had seldom witnessed
before. The class of which Rebecca was president was not likely to
follow accepted customs. Instead of marching two by two from the
seminary to the church, they had elected to proceed thither by royal
chariot. A haycart had been decked with green vines and bunches of
long-stemmed field daisies, those gay darlings of New England meadows.
Every inch of the rail, the body, even the spokes, all were twined with
yellow and green and white. There were two white horses, flower-trimmed
reins, and in the floral bower, seated on maple boughs, were the twelve
girls of the class, while the ten boys marched on either side of the
vehicle, wearing buttonhole bouquets of daisies, the class flower.

Rebecca drove, seated on a green-covered bench that looked not unlike a
throne. No girl clad in white muslin, no happy girl of seventeen, is
plain; and the twelve little country maids, from the vantage ground of
their setting, looked beautiful, as the June sunlight filtered down on
their uncovered heads, showing their bright eyes, their fresh cheeks,
their smiles, and their dimples.

Rebecca, Adam thought, as he took off his hat and saluted the pretty
panorama,--Rebecca, with her tall slenderness, her thoughtful brow, the
fire of young joy in her face, her fillet of dark braided hair, might
have been a young Muse or Sibyl; and the flowery hayrack, with its
freight of blooming girlhood, might have been painted as an allegorical
picture of The Morning of Life. It all passed him, as he stood under
the elms in the old village street where his mother had walked half a
century ago, and he was turning with the crowd towards the church when
he heard a little sob. Behind a hedge in the garden near where he was
standing was a forlorn person in white, whose neat nose, chestnut hair,
and blue eyes he seemed to know. He stepped inside the gate and said,
"What's wrong, Miss Emma?"

"Oh, is it you, Mr. Ladd? Rebecca wouldn't let me cry for fear of
spoiling my looks, but I must have just one chance before I go in. I
can be as homely as I like, after all, for I only have to sing with the
school; I'm not graduating, I'm just leaving! Not that I mind that;
it's only being separated from Rebecca that I never can stand!"

The two walked along together, Adam comforting the disconsolate Emma
Jane, until they reached the old meeting-house where the Commencement
exercises were always held. The interior, with its decorations of
yellow, green, and white, was crowded, the air hot and breathless, the
essays and songs and recitations precisely like all others that have
been since the world began. One always fears that the platform may sink
under the weight of youthful platitudes uttered on such occasions; yet
one can never be properly critical, because the sight of the boys and
girls themselves, those young and hopeful makers of to-morrow, disarms
one's scorn. We yawn desperately at the essays, but our hearts go out
to the essayists, all the same, for "the vision splendid" is shining in
their eyes, and there is no fear of "th' inevitable yoke" that the
years are so surely bringing them.

Rebecca saw Hannah and her husband in the audience; dear old John and
cousin Ann also, and felt a pang at the absence of her mother, though
she had known there was no possibility of seeing her; for poor Aurelia
was kept at Sunnybrook by cares of children and farm, and lack of money
either for the journey or for suitable dress. The Cobbs she saw too. No
one, indeed, could fail to see uncle Jerry; for he shed tears more than
once, and in the intervals between the essays descanted to his
neighbors concerning the marvelous gifts of one of the graduating class
whom he had known ever since she was a child; in fact, had driven her
from Maplewood to Riverboro when she left her home, and he had told
mother that same night that there wan't nary rung on the ladder o' fame
that that child wouldn't mount before she got through with it.

The Cobbs, then, had come, and there were other Riverboro faces, but
where was aunt Jane, in her black silk made over especially for this
occasion? Aunt Miranda had not intended to come, she knew, but where,
on this day of days, was her beloved aunt Jane? However, this thought,
like all others, came and went in a flash, for the whole morning was
like a series of magic lantern pictures, crossing and recrossing her
field of vision. She played, she sang, she recited Queen Mary's Latin
prayer, like one in a dream, only brought to consciousness by meeting
Mr. Aladdin's eyes as she spoke the last line. Then at the end of the
programme came her class poem, Makers of To-morrow; and there, as on
many a former occasion, her personality played so great a part that she
seemed to be uttering Miltonic sentiments instead of school-girl verse.
Her voice, her eyes, her body breathed conviction, earnestness,
emotion; and when she left the platform the audience felt that they had
listened to a masterpiece. Most of her hearers knew little of Carlyle
or Emerson, or they might have remembered that the one said, "We are
all poets when we read a poem well," and the other, "'T is the good
reader makes the good book."

It was over! The diplomas had been presented, and each girl, after
giving furtive touches to her hair, sly tweaks to her muslin skirts,
and caressing pats to her sash, had gone forward to receive the roll of
parchment with a bow that had been the subject of anxious thought for
weeks. Rounds of applause greeted each graduate at this thrilling
moment, and Jeremiah Cobb's behavior, when Rebecca came forward, was
the talk of Wareham and Riverboro for days. Old Mrs. Webb avowed that
he, in the space of two hours, had worn out her pew more--the carpet,
the cushions, and woodwork--than she had by sitting in it forty years.
Yes, it was over, and after the crowd had thinned a little, Adam Ladd
made his way to the platform. Rebecca turned from speaking to some
strangers and met him in the aisle. "Oh, Mr. Aladdin, I am so glad you
could come! Tell me"--and she looked at him half shyly, for his
approval was dearer to her, and more difficult to win, than that of the
others--"tell me, Mr. Aladdin,--were you satisfied?"

"More than satisfied!" he said; "glad I met the child, proud I know the
girl, longing to meet the woman!"



XXVIII

"TH' INEVITABLE YOKE"

Rebecca's heart beat high at this sweet praise from her hero's lips,
but before she had found words to thank him, Mr. and Mrs. Cobb, who had
been modestly biding their time in a corner, approached her and she
introduced them to Mr. Ladd.

"Where, where is aunt Jane?" she cried, holding aunt Sarah's hand on
one side and uncle Jerry's on the other.

"I'm sorry, lovey, but we've got bad news for you."

"Is aunt Miranda worse? She is; I can see it by your looks;" and
Rebecca's color faded.

"She had a second stroke yesterday morning jest when she was helpin'
Jane lay out her things to come here to-day. Jane said you wan't to
know anything about it till the exercises was all over, and we promised
to keep it secret till then."

"I will go right home with you, aunt Sarah. I must just run to tell
Miss Maxwell, for after I had packed up to-morrow I was going to
Brunswick with her. Poor aunt Miranda! And I have been so gay and happy
all day, except that I was longing for mother and aunt Jane."

"There ain't no harm in bein' gay, lovey; that's what Jane wanted you
to be. And Miranda's got her speech back, for your aunt has just sent a
letter sayin' she's better; and I'm goin' to set up to-night, so you
can stay here and have a good sleep, and get your things together
comfortably to-morrow."

"I'll pack your trunk for you, Becky dear, and attend to all our room
things," said Emma Jane, who had come towards the group and heard the
sorrowful news from the brick house.

They moved into one of the quiet side pews, where Hannah and her
husband and John joined them. From time to time some straggling
acquaintance or old schoolmate would come up to congratulate Rebecca
and ask why she had hidden herself in a corner. Then some member of the
class would call to her excitedly, reminding her not to be late at the
picnic luncheon, or begging her to be early at the class party in the
evening. All this had an air of unreality to Rebecca. In the midst of
the happy excitement of the last two days, when "blushing honors" had
been falling thick upon her, and behind the delicious exaltation of the
morning, had been the feeling that the condition was a transient one,
and that the burden, the struggle, the anxiety, would soon loom again
on the horizon. She longed to steal away into the woods with dear old
John, grown so manly and handsome, and get some comfort from him.

Meantime Adam Ladd and Mr. Cobb had been having an animated
conversation.

"I s'pose up to Boston, girls like that one are as thick as
blackb'ries?" uncle Jerry said, jerking his head interrogatively in
Rebecca's direction.

"They may be," smiled Adam, taking in the old man's mood; "only I don't
happen to know one."

"My eyesight bein' poor 's the reason she looked han'somest of any girl
on the platform, I s'pose?"

"There's no failure in my eyes," responded Adam, "but that was how the
thing seemed to me!"

"What did you think of her voice? Anything extry about it?"

"Made the others sound poor and thin, I thought."

"Well, I'm glad to hear your opinion, you bein' a traveled man, for
mother says I'm foolish 'bout Rebecky and hev been sence the fust.
Mother scolds me for spoilin' her, but I notice mother ain't fur behind
when it comes to spoilin'. Land! it made me sick, thinkin' o' them
parents travelin' miles to see their young ones graduate, and then when
they got here hevin' to compare 'em with Rebecky. Good-by, Mr. Ladd,
drop in some day when you come to Riverboro."

"I will," said Adam, shaking the old man's hand cordially; "perhaps
to-morrow if I drive Rebecca home, as I shall offer to do. Do you think
Miss Sawyer's condition is serious?"

"Well, the doctor don't seem to know; but anyhow she's paralyzed, and
she'll never walk fur again, poor soul! She ain't lost her speech;
that'll be a comfort to her."

Adam left the church, and in crossing the common came upon Miss Maxwell
doing the honors of the institution, as she passed from group to group
of strangers and guests. Knowing that she was deeply interested in all
Rebecca's plans, he told her, as he drew her aside, that the girl would
have to leave Wareham for Riverboro the next day.

"That is almost more than I can bear!" exclaimed Miss Maxwell, sitting
down on a bench and stabbing the greensward with her parasol. "It seems
to me Rebecca never has any respite. I had so many plans for her this
next month in fitting her for her position, and now she will settle
down to housework again, and to the nursing of that poor, sick, cross
old aunt."

"If it had not been for the cross old aunt, Rebecca would still have
been at Sunnybrook; and from the standpoint of educational advantages,
or indeed advantages of any sort, she might as well have been in the
backwoods," returned Adam.

"That is true; I was vexed when I spoke, for I thought an easier and
happier day was dawning for my prodigy and pearl."

"OUR prodigy and pearl," corrected Adam.

"Oh, yes!" she laughed. "I always forget that it pleases you to pretend
you discovered Rebecca."

"I believe, though, that happier days are dawning for her," continued
Adam. "It must be a secret for the present, but Mrs. Randall's farm
will be bought by the new railroad. We must have right of way through
the land, and the station will be built on her property. She will
receive six thousand dollars, which, though not a fortune, will yield
her three or four hundred dollars a year, if she will allow me to
invest it for her. There is a mortgage on the land; that paid, and
Rebecca self-supporting, the mother ought to push the education of the
oldest boy, who is a fine, ambitious fellow. He should be taken away
from farm work and settled at his studies."

"We might form ourselves into a Randall Protective Agency, Limited,"
mused Miss Maxwell. "I confess I want Rebecca to have a career."

"I don't," said Adam promptly.

"Of course you don't. Men have no interest in the careers of women! But
I know Rebecca better than you."

"You understand her mind better, but not necessarily her heart. You are
considering her for the moment as prodigy; I am thinking of her more as
pearl."

"Well," sighed Miss Maxwell whimsically, "prodigy or pearl, the Randall
Protective Agency may pull Rebecca in opposite directions, but
nevertheless she will follow her saint."

"That will content me," said Adam gravely.

"Particularly if the saint beckons your way." And Miss Maxwell looked
up and smiled provokingly.


Rebecca did not see her aunt Miranda till she had been at the brick
house for several days. Miranda steadily refused to have any one but
Jane in the room until her face had regained its natural look, but her
door was always ajar, and Jane fancied she liked to hear Rebecca's
quick, light step. Her mind was perfectly clear now, and, save that she
could not move, she was most of the time quite free from pain, and
alert in every nerve to all that was going on within or without the
house. "Were the windfall apples being picked up for sauce; were the
potatoes thick in the hills; was the corn tosselin' out; were they
cuttin' the upper field; were they keepin' fly-paper laid out
everywheres; were there any ants in the dairy; was the kindlin' wood
holdin' out; had the bank sent the cowpons?"

Poor Miranda Sawyer! Hovering on the verge of the great beyond,--her
body "struck" and no longer under control of her iron will,--no divine
visions floated across her tired brain; nothing but petty cares and
sordid anxieties. Not all at once can the soul talk with God, be He
ever so near. If the heavenly language never has been learned, quick as
is the spiritual sense in seizing the facts it needs, then the poor
soul must use the words and phrases it has lived on and grown into day
by day. Poor Miss Miranda!--held fast within the prison walls of her
own nature, blind in the presence of revelation because she had never
used the spiritual eye, deaf to angelic voices because she had not used
the spiritual ear.

There came a morning when she asked for Rebecca. The door was opened
into the dim sick-room, and Rebecca stood there with the sunlight
behind her, her hands full of sweet peas. Miranda's pale, sharp face,
framed in its nightcap, looked haggard on the pillow, and her body was
pitifully still under the counterpane.

"Come in," she said; "I ain't dead yet. Don't mess up the bed with them
flowers, will ye?"

"Oh, no! They're going in a glass pitcher," said Rebecca, turning to
the washstand as she tried to control her voice and stop the tears that
sprang to her eyes.

"Let me look at ye; come closer. What dress are ye wearin'?" said the
old aunt in her cracked, weak voice.

"My blue calico."

"Is your cashmere holdin' its color?"

"Yes, aunt Miranda."

"Do you keep it in a dark closet hung on the wrong side, as I told ye?"

"Always."

"Has your mother made her jelly?"

"She hasn't said."

"She always had the knack o' writin' letters with nothin' in 'em.
What's Mark broke sence I've been sick?"

"Nothing at all, aunt Miranda."

"Why, what's the matter with him? Gittin' lazy, ain't he? How 's John
turnin' out?"

"He's going to be the best of us all."

"I hope you don't slight things in the kitchen because I ain't there.
Do you scald the coffee-pot and turn it upside down on the winder-sill?"

"Yes, aunt Miranda."

"It's always 'yes' with you, and 'yes' with Jane," groaned Miranda,
trying to move her stiffened body; "but all the time I lay here knowin'
there's things done the way I don't like 'em."

There was a long pause, during which Rebecca sat down by the bedside
and timidly touched her aunt's hand, her heart swelling with tender
pity at the gaunt face and closed eyes.

"I was dreadful ashamed to have you graduate in cheesecloth, Rebecca,
but I couldn't help it no-how. You'll hear the reason some time, and
know I tried to make it up to ye. I'm afraid you was a laughin'-stock!"

"No," Rebecca answered. "Ever so many people said our dresses were the
very prettiest; they looked like soft lace. You're not to be anxious
about anything. Here I am all grown up and graduated,--number three in
a class of twenty-two, aunt Miranda,--and good positions offered me
already. Look at me, big and strong and young, all ready to go into the
world and show what you and aunt Jane have done for me. If you want me
near, I'll take the Edgewood school, so that I can be here nights and
Sundays to help; and if you get better, then I'll go to Augusta,--for
that's a hundred dollars more, with music lessons and other things
beside."

"You listen to me," said Miranda quaveringly. "Take the best place,
regardless o' my sickness. I'd like to live long enough to know you'd
paid off that mortgage, but I guess I shan't."

Here she ceased abruptly, having talked more than she had for weeks;
and Rebecca stole out of the room, to cry by herself and wonder if old
age must be so grim, so hard, so unchastened and unsweetened, as it
slipped into the valley of the shadow.

The days went on, and Miranda grew stronger and stronger; her will
seemed unassailable, and before long she could be moved into a chair by
the window, her dominant thought being to arrive at such a condition of
improvement that the doctor need not call more than once a week,
instead of daily; thereby diminishing the bill, that was mounting to
such a terrifying sum that it haunted her thoughts by day and dreams by
night.

Little by little hope stole back into Rebecca's young heart. Aunt Jane
began to "clear starch" her handkerchiefs and collars and purple muslin
dress, so that she might be ready to go to Brunswick at any moment when
the doctor pronounced Miranda well on the road to recovery. Everything
beautiful was to happen in Brunswick if she could be there by
August,--everything that heart could wish or imagination conceive, for
she was to be Miss Emily's very own visitor, and sit at table with
college professors and other great men.

At length the day dawned when the few clean, simple dresses were packed
in the hair trunk, together with her beloved coral necklace, her
cheesecloth graduating dress, her class pin, aunt Jane's lace cape, and
the one new hat, which she tried on every night before going to bed. It
was of white chip with a wreath of cheap white roses and green leaves,
and cost between two and three dollars, an unprecedented sum in
Rebecca's experience. The effect of its glories when worn with her
nightdress was dazzling enough, but if ever it appeared in conjunction
with the cheesecloth gown, Rebecca felt that even reverend professors
might regard it with respect. It is probable indeed that any
professorial gaze lucky enough to meet a pair of dark eyes shining
under that white rose garland would never have stopped at respect!

Then, when all was ready and Abijah Flagg at the door, came a telegram
from Hannah: "Come at once. Mother has had bad accident."

In less than an hour Rebecca was started on her way to Sunnybrook, her
heart palpitating with fear as to what might be awaiting her at her
journey's end.

Death, at all events, was not there to meet her; but something that
looked at first only too much like it. Her mother had been standing on
the haymow superintending some changes in the barn, had been seized
with giddiness, they thought, and slipped. The right knee was fractured
and the back strained and hurt, but she was conscious and in no
immediate danger, so Rebecca wrote, when she had a moment to send aunt
Jane the particulars.

"I don' know how 'tis," grumbled Miranda, who was not able to sit up
that day; "but from a child I could never lay abed without Aurelia's
gettin' sick too. I don' know 's she could help fallin', though it
ain't anyplace for a woman,--a haymow; but if it hadn't been that, 't
would 'a' been somethin' else. Aurelia was born unfortunate. Now she'll
probably be a cripple, and Rebecca'll have to nurse her instead of
earning a good income somewheres else."

"Her first duty 's to her mother," said aunt Jane; "I hope she'll
always remember that."

"Nobody remembers anything they'd ought to,--at seventeen," responded
Miranda. "Now that I'm strong again, there's things I want to consider
with you, Jane, things that are on my mind night and day. We've talked
'em over before; now we'll settle 'em. When I'm laid away, do you want
to take Aurelia and the children down here to the brick house? There's
an awful passel of 'em,--Aurelia, Jenny, and Fanny; but I won't have
Mark. Hannah can take him; I won't have a great boy stompin' out the
carpets and ruinin' the furniture, though I know when I'm dead I can't
hinder ye, if you make up your mind to do anything."

"I shouldn't like to go against your feelings, especially in laying out
your money, Miranda," said Jane.

"Don't tell Rebecca I've willed her the brick house. She won't git it
till I'm gone, and I want to take my time 'bout dyin' and not be
hurried off by them that's goin' to profit by it; nor I don't want to
be thanked, neither. I s'pose she'll use the front stairs as common as
the back and like as not have water brought into the kitchen, but mebbe
when I've been dead a few years I shan't mind. She sets such store by
you, she'll want you to have your home here as long's you live, but
anyway I've wrote it down that way; though Lawyer Burns's wills don't
hold more'n half the time. He's cheaper, but I guess it comes out jest
the same in the end. I wan't goin' to have the fust man Rebecca picks
up for a husband turnin' you ou'doors."

There was a long pause, during which Jane knit silently, wiping the
tears from her eyes from time to time, as she looked at the pitiful
figure lying weakly on the pillows. Suddenly Miranda said slowly and
feebly:--

"I don' know after all but you might as well take Mark; I s'pose
there's tame boys as well as wild ones. There ain't a mite o' sense in
havin' so many children, but it's a turrible risk splittin' up families
and farmin' 'em out here 'n' there; they'd never come to no good, an'
everybody would keep rememberin' their mother was a Sawyer. Now if
you'll draw down the curtin, I'll try to sleep."



XXIX

MOTHER AND DAUGHTER

Two months had gone by,--two months of steady, fagging work; of
cooking, washing, ironing; of mending and caring for the three
children, although Jenny was fast becoming a notable little housewife,
quick, ready, and capable. They were months in which there had been
many a weary night of watching by Aurelia's bedside; of soothing and
bandaging and rubbing; of reading and nursing, even of feeding and
bathing. The ceaseless care was growing less now, and the family
breathed more freely, for the mother's sigh of pain no longer came from
the stifling bedroom, where, during a hot and humid August, Aurelia had
lain, suffering with every breath she drew. There would be no question
of walking for many a month to come, but blessings seemed to multiply
when the blinds could be opened and the bed drawn near the window; when
mother, with pillows behind her, could at least sit and watch the work
going on, could smile at the past agony and forget the weary hours that
had led to her present comparative ease and comfort.

No girl of seventeen can pass through such an ordeal and come out
unchanged; no girl of Rebecca's temperament could go through it without
some inward repining and rebellion. She was doing tasks in which she
could not be fully happy,--heavy and trying tasks, which perhaps she
could never do with complete success or satisfaction; and like promise
of nectar to thirsty lips was the vision of joys she had had to put
aside for the performance of dull daily duty. How brief, how fleeting,
had been those splendid visions when the universe seemed open for her
young strength to battle and triumph in! How soon they had faded into
the light of common day! At first, sympathy and grief were so keen she
thought of nothing but her mother's pain. No consciousness of self
interposed between her and her filial service; then, as the weeks
passed, little blighted hopes began to stir and ache in her breast;
defeated ambitions raised their heads as if to sting her; unattainable
delights teased her by their very nearness; by the narrow line of
separation that lay between her and their realization. It is easy, for
the moment, to tread the narrow way, looking neither to the right nor
left, upborne by the sense of right doing; but that first joy of
self-denial, the joy that is like fire in the blood, dies away; the
path seems drearier and the footsteps falter. Such a time came to
Rebecca, and her bright spirit flagged when the letter was received
saying that her position in Augusta had been filled. There was a
mutinous leap of the heart then, a beating of wings against the door of
the cage, a longing for the freedom of the big world outside. It was
the stirring of the powers within her, though she called it by no such
grand name. She felt as if the wind of destiny were blowing her flame
hither and thither, burning, consuming her, but kindling nothing. All
this meant one stormy night in her little room at Sunnybrook, but the
clouds blew over, the sun shone again, a rainbow stretched across the
sky, while "hope clad in April green" smiled into her upturned face and
beckoned her on, saying:--

  "Grow old along with me,
    The best is yet to be."

Threads of joy ran in and out of the gray tangled web of daily living.
There was the attempt at odd moments to make the bare little house less
bare by bringing in out-of-doors, taking a leaf from Nature's book and
noting how she conceals ugliness wherever she finds it. Then there was
the satisfaction of being mistress of the poor domain; of planning,
governing, deciding; of bringing order out of chaos; of implanting
gayety in the place of inert resignation to the inevitable. Another
element of comfort was the children's love, for they turned to her as
flowers to the sun, drawing confidently on her fund of stories, serene
in the conviction that there was no limit to Rebecca's power of
make-believe. In this, and in yet greater things, little as she
realized it, the law of compensation was working in her behalf, for in
those anxious days mother and daughter found and knew each other as
never before. A new sense was born in Rebecca as she hung over her
mother's bed of pain and unrest,--a sense that comes only of
ministering, a sense that grows only when the strong bend toward the
weak. As for Aurelia, words could never have expressed her dumb
happiness when the real revelation of motherhood was vouchsafed her. In
all the earlier years when her babies were young, carking cares and
anxieties darkened the fireside with their brooding wings. Then Rebecca
had gone away, and in the long months of absence her mind and soul had
grown out of her mother's knowledge, so that now, when Aurelia had time
and strength to study her child, she was like some enchanting
changeling. Aurelia and Hannah had gone on in the dull round and the
common task, growing duller and duller; but now, on a certain stage of
life's journey, who should appear but this bewildering being, who gave
wings to thoughts that had only crept before; who brought color and
grace and harmony into the dun brown texture of existence.

You might harness Rebecca to the heaviest plough, and while she had
youth on her side, she would always remember the green earth under her
feet and the blue sky over her head. Her physical eye saw the cake she
was stirring and the loaf she was kneading; her physical ear heard the
kitchen fire crackling and the teakettle singing, but ever and anon her
fancy mounted on pinions, rested itself, renewed its strength in the
upper air. The bare little farmhouse was a fixed fact, but she had many
a palace into which she now and then withdrew; palaces peopled with
stirring and gallant figures belonging to the world of romance; palaces
not without their heavenly apparitions too, breathing celestial
counsel. Every time she retired to her citadel of dreams she came forth
radiant and refreshed, as one who has seen the evening star, or heard
sweet music, or smelled the rose of joy.

Aurelia could have understood the feeling of a narrow-minded and
conventional hen who has brought a strange, intrepid duckling into the
world; but her situation was still more wonderful, for she could only
compare her sensations to those of some quiet brown Dorking who has
brooded an ordinary egg and hatched a bird of paradise. Such an idea
had crossed her mind more than once during the past fortnight, and it
flashed to and fro this mellow October morning when Rebecca came into
the room with her arms full of goldenrod and flaming autumn leaves.

"Just a hint of the fall styles, mother," she said, slipping the stem
of a gorgeous red and yellow sapling between the mattress and the foot
of the bed. "This was leaning over the pool, and I was afraid it would
be vain if I left it there too long looking at its beautiful
reflection, so I took it away from danger; isn't it wonderful? How I
wish I could carry one to poor aunt Miranda to-day! There's never a
flower in the brick house when I'm away."

It was a marvelous morning. The sun had climbed into a world that held
in remembrance only a succession of golden days and starlit nights. The
air was fragrant with ripening fruit, and there was a mad little bird
on a tree outside the door nearly bursting his throat with joy of
living. He had forgotten that summer was over, that winter must ever
come; and who could think of cold winds, bare boughs, or frozen streams
on such a day? A painted moth came in at the open window and settled on
the tuft of brilliant leaves. Aurelia heard the bird and looked from
the beauty of the glowing bush to her tall, splendid daughter, standing
like young Spring with golden Autumn in her arms.

Then suddenly she covered her eyes and cried, "I can't bear it! Here I
lie chained to this bed, interfering with everything you want to do.
It's all wasted! All my saving and doing without; all your hard study;
all Mirandy's outlay; everything that we thought was going to be the
making of you!"

"Mother, mother, don't talk so, don't think so!" exclaimed Rebecca,
sitting down impetuously on the floor by the bed and dropping the
goldenrod by her side. "Why, mother, I'm only a little past seventeen!
This person in a purple calico apron with flour on her nose is only the
beginnings of me! Do you remember the young tree that John
transplanted? We had a dry summer and a cold winter and it didn't grow
a bit, nor show anything of all we did for it; then there was a good
year and it made up for lost time. This is just my little 'rooting
season,' mother, but don't go and believe my day is over, because it
hasn't begun! The old maple by the well that's in its hundredth year
had new leaves this summer, so there must be hope for me at seventeen!"

"You can put a brave face on it," sobbed Aurelia, "but you can't
deceive me. You've lost your place; you'll never see your friends here,
and you're nothing but a drudge!"

"I look like a drudge," said Rebecca mysteriously, with laughing eyes,
"but I really am a princess; you mustn't tell, but this is only a
disguise; I wear it for reasons of state. The king and queen who are at
present occupying my throne are very old and tottering, and are going
to abdicate shortly in my favor. It's rather a small kingdom, I
suppose, as kingdoms go, so there isn't much struggle for it in royal
circles, and you mustn't expect to see a golden throne set with jewels.
It will probably be only of ivory with a nice screen of peacock
feathers for a background; but you shall have a comfortable chair very
near it, with quantities of slaves to do what they call in novels your
'lightest bidding.'"

Aurelia smiled in spite of herself, and though not perhaps wholly
deceived, she was comforted.

"I only hope you won't have to wait too long for your thrones and your
kingdoms, Rebecca," she said, "and that I shall have a sight of them
before I die; but life looks very hard and rough to me, what with your
aunt Miranda a cripple at the brick house, me another here at the farm,
you tied hand and foot, first with one and then with the other, to say
nothing of Jenny and Fanny and Mark! You've got something of your
father's happy disposition, or it would weigh on you as it does on me."

"Why, mother!" cried Rebecca, clasping her knees with her hands; "why,
mother, it's enough joy just to be here in the world on a day like
this; to have the chance of seeing, feeling, doing, becoming! When you
were seventeen, mother, wasn't it good just to be alive? You haven't
forgotten?"

"No," said Aurelia, "but I wasn't so much alive as you are, never in
the world."

"I often think," Rebecca continued, walking to the window and looking
out at the trees,--"I often think how dreadful it would be if I were
not here at all. If Hannah had come, and then, instead of me, John;
John and Jenny and Fanny and the others, but no Rebecca; never any
Rebecca! To be alive makes up for everything; there ought to be fears
in my heart, but there aren't; something stronger sweeps them out,
something like a wind. Oh, see! There is Will driving up the lane,
mother, and he ought to have a letter from the brick house."



XXX

GOOD-BY, SUNNYBROOK

Will Melville drove up to the window and, tossing a letter into
Rebecca's lap, went off to the barn on an errand.

"Sister 's no worse, then," sighed Aurelia gratefully, "or Jane would
have telegraphed. See what she says."

Rebecca opened the envelope and read in one flash of an eye the whole
brief page:--

    Your aunt Miranda passed away an hour ago. Come at once, if
    your mother is out of danger. I shall not have the funeral
    till you are here. She died very suddenly and without any
    pain. Oh, Rebecca! I long for you so!

    Aunt Jane.

The force of habit was too strong, and even in the hour of death Jane
had remembered that a telegram was twenty-five cents, and that Aurelia
would have to pay half a dollar for its delivery.

Rebecca burst into a passion of tears as she cried, "Poor, poor aunt
Miranda! She is gone without taking a bit of comfort in life, and I
couldn't say good-by to her! Poor lonely aunt Jane! What can I do,
mother? I feel torn in two, between you and the brick house."

"You must go this very instant," said Aurelia; starting from her
pillows. "If I was to die while you were away, I would say the very
same thing. Your aunts have done everything in the world for you,--more
than I've ever been able to do,--and it is your turn to pay back some
o' their kindness and show your gratitude. The doctor says I've turned
the corner and I feel I have. Jenny can make out somehow, if Hannah'll
come over once a day."

"But, mother, I CAN'T go! Who'll turn you in bed?" exclaimed Rebecca,
walking the floor and wringing her hands distractedly.

"It don't make any difference if I don't get turned," replied Aurelia
stoically. "If a woman of my age and the mother of a family hasn't got
sense enough not to slip off haymows, she'd ought to suffer. Go put on
your black dress and pack your bag. I'd give a good deal if I was able
to go to my sister's funeral and prove that I've forgotten and forgiven
all she said when I was married. Her acts were softer 'n her words,
Mirandy's were, and she's made up to you for all she ever sinned
against me 'n' your father! And oh, Rebecca," she continued with
quivering voice, "I remember so well when we were little girls together
and she took such pride in curling my hair; and another time, when we
were grown up, she lent me her best blue muslin: it was when your
father had asked me to lead the grand march with him at the Christmas
dance, and I found out afterwards she thought he'd intended to ask her!"

Here Aurelia broke down and wept bitterly; for the recollection of the
past had softened her heart and brought the comforting tears even more
effectually than the news of her sister's death.

There was only an hour for preparation. Will would drive Rebecca to
Temperance and send Jenny back from school. He volunteered also to
engage a woman to sleep at the farm in case Mrs. Randall should be
worse at any time in the night.

Rebecca flew down over the hill to get a last pail of spring water, and
as she lifted the bucket from the crystal depths and looked out over
the glowing beauty of the autumn landscape, she saw a company of
surveyors with their instruments making calculations and laying lines
that apparently crossed Sunnybrook at the favorite spot where Mirror
Pool lay clear and placid, the yellow leaves on its surface no yellower
than its sparkling sands.

She caught her breath. "The time has come!" she thought. "I am saying
good-by to Sunnybrook, and the golden gates that almost swung together
that last day in Wareham will close forever now. Good-by, dear brook
and hills and meadows; you are going to see life too, so we must be
hopeful and say to one another:--

  "'Grow old along with me,
      The best is yet to be.'"

Will Melville had seen the surveyors too, and had heard in the
Temperance post-office that morning the probable sum that Mrs. Randall
would receive from the railway company. He was in good spirits at his
own improved prospects, for his farm was so placed that its value could
be only increased by the new road; he was also relieved in mind that
his wife's family would no longer be in dire poverty directly at his
doorstep, so to speak. John could now be hurried forward and forced
into the position of head of the family several years sooner than had
been anticipated, so Hannah's husband was obliged to exercise great
self-control or he would have whistled while he was driving Rebecca to
the Temperance station. He could not understand her sad face or the
tears that rolled silently down her cheeks from time to time; for
Hannah had always represented her aunt Miranda as an irascible,
parsimonious old woman, who would be no loss to the world whenever she
should elect to disappear from it.

"Cheer up, Becky!" he said, as he left her at the depot. "You'll find
your mother sitting up when you come back, and the next thing you know
the whole family'll be moving to some nice little house wherever your
work is. Things will never be so bad again as they have been this last
year; that's what Hannah and I think;" and he drove away to tell his
wife the news.

Adam Ladd was in the station and came up to Rebecca instantly, as she
entered the door looking very unlike her bright self.

"The Princess is sad this morning," he said, taking her hand. "Aladdin
must rub the magic lamp; then the slave will appear, and these tears be
dried in a trice."

He spoke lightly, for he thought her trouble was something connected
with affairs at Sunnybrook, and that he could soon bring the smiles by
telling her that the farm was sold and that her mother was to receive a
handsome price in return. He meant to remind her, too, that though she
must leave the home of her youth, it was too remote a place to be a
proper dwelling either for herself or for her lonely mother and the
three younger children. He could hear her say as plainly as if it were
yesterday, "I don't think one ever forgets the spot where one lived as
a child." He could see the quaint little figure sitting on the piazza
at North Riverboro and watch it disappear in the lilac bushes when he
gave the memorable order for three hundred cakes of Rose-Red and
Snow-White soap.

A word or two soon told him that her grief was of another sort, and her
mood was so absent, so sensitive and tearful, that he could only assure
her of his sympathy and beg that he might come soon to the brick house
to see with his own eyes how she was faring.

Adam thought, when he had put her on the train and taken his leave,
that Rebecca was, in her sad dignity and gravity, more beautiful than
he had ever seen her,--all-beautiful and all-womanly. But in that
moment's speech with her he had looked into her eyes and they were
still those of a child; there was no knowledge of the world in their
shining depths, no experience of men or women, no passion, nor
comprehension of it. He turned from the little country station to walk
in the woods by the wayside until his own train should be leaving, and
from time to time he threw himself under a tree to think and dream and
look at the glory of the foliage. He had brought a new copy of The
Arabian Nights for Rebecca, wishing to replace the well-worn old one
that had been the delight of her girlhood; but meeting her at such an
inauspicious time, he had absently carried it away with him. He turned
the pages idly until he came to the story of Aladdin and the Wonderful
Lamp, and presently, in spite of his thirty-four years, the old tale
held him spellbound as it did in the days when he first read it as a
boy. But there were certain paragraphs that especially caught his eye
and arrested his attention,--paragraphs that he read and reread,
finding in them he knew not what secret delight and significance. These
were the quaintly turned phrases describing the effect on the once poor
Aladdin of his wonderful riches, and those descanting upon the beauty
and charm of the Sultan's daughter, the Princess Badroulboudour:--

_Not only those who knew Aladdin when he played in the streets like a
vagabond did not know him again; those who had seen him but a little
while before hardly knew him, so much were his features altered; such
were the effects of the lamp, as to procure by degrees to those who
possessed it, perfections agreeable to the rank the right use of it
advanced them to._

_The Princess was the most beautiful brunette in the world; her eyes
were large, lively, and sparkling; her looks sweet and modest; her nose
was of a just proportion and without a fault; her mouth small, her lips
of a vermilion red, and charmingly agreeable symmetry; in a word, all
the features of her face were perfectly regular. It is not therefore
surprising that Aladdin, who had never seen, and was a stranger to, so
many charms, was dazzled. With all these perfections the Princess had
so delicate a shape, so majestic an air, that the sight of her was
sufficient to inspire respect._

"_Adorable Princess," said Aladdin to her, accosting her, and saluting
her respectfully, "if I have the misfortune to have displeased you by
my boldness in aspiring to the possession of so lovely a creature, I
must tell you that you ought to blame your bright eyes and charms, not
me._"

_"Prince," answered the Princess, "it is enough for me to have seen
you, to tell you that I obey without reluctance."_



XXXI

AUNT MIRANDA'S APOLOGY

When Rebecca alighted from the train at Maplewood and hurried to the
post-office where the stage was standing, what was her joy to see uncle
Jerry Cobb holding the horses' heads.

"The reg'lar driver 's sick," he explained, "and when they sent for me,
thinks I to myself, my drivin' days is over, but Rebecky won't let the
grass grow under her feet when she gits her aunt Jane's letter, and
like as not I'll ketch her to-day; or, if she gits delayed, to-morrow
for certain. So here I be jest as I was more 'n six year ago. Will you
be a real lady passenger, or will ye sit up in front with me?"

Emotions of various sorts were all struggling together in the old man's
face, and the two or three bystanders were astounded when they saw the
handsome, stately girl fling herself on Mr. Cobb's dusty shoulder
crying like a child. "Oh, uncle Jerry!" she sobbed; "dear uncle Jerry!
It's all so long ago, and so much has happened, and we've grown so old,
and so much is going to happen that I'm fairly frightened."

"There, there, lovey," the old man whispered comfortingly, "we'll be
all alone on the stage, and we'll talk things over 's we go along the
road an' mebbe they won't look so bad."

Every mile of the way was as familiar to Rebecca as to uncle Jerry;
every watering-trough, grindstone, red barn, weather-vane, duck-pond,
and sandy brook. And all the time she was looking backward to the day,
seemingly so long ago, when she sat on the box seat for the first time,
her legs dangling in the air, too short to reach the footboard. She
could smell the big bouquet of lilacs, see the pink-flounced parasol,
feel the stiffness of the starched buff calico and the hated prick of
the black and yellow porcupine quills. The drive was taken almost in
silence, but it was a sweet, comforting silence both to uncle Jerry and
the girl.

Then came the sight of Abijah Flagg shelling beans in the barn, and
then the Perkins attic windows with a white cloth fluttering from them.
She could spell Emma Jane's loving thought and welcome in that little
waving flag; a word and a message sent to her just at the first moment
when Riverboro chimneys rose into view; something to warm her heart
till they could meet.

The brick house came next, looking just as of yore; though it seemed to
Rebecca as if death should have cast some mysterious spell over it.
There were the rolling meadows, the stately elms, all yellow and brown
now; the glowing maples, the garden-beds bright with asters, and the
hollyhocks, rising tall against the parlor windows; only in place of
the cheerful pinks and reds of the nodding stalks, with their gay
rosettes of bloom, was a crape scarf holding the blinds together, and
another on the sitting-room side, and another on the brass knocker of
the brown-painted door.

"Stop, uncle Jerry! Don't turn in at the side; hand me my satchel,
please; drop me in the road and let me run up the path by myself. Then
drive away quickly."

At the noise and rumble of the approaching stage the house door opened
from within, just as Rebecca closed the gate behind her. Aunt Jane came
down the stone steps, a changed woman, frail and broken and white.
Rebecca held out her arms and the old aunt crept into them feebly, as
she did on that day when she opened the grave of her buried love and
showed the dead face, just for an instant, to a child. Warmth and
strength and life flowed into the aged frame from the young one.

"Rebecca," she said, raising her head, "before you go in to look at
her, do you feel any bitterness over anything she ever said to you?"

Rebecca's eyes blazed reproach, almost anger, as she said chokingly:
"Oh, aunt Jane! Could you believe it of me? I am going in with a heart
brimful of gratitude!"

"She was a good woman, Rebecca; she had a quick temper and a sharp
tongue, but she wanted to do right, and she did it as near as she
could. She never said so, but I'm sure she was sorry for every hard
word she spoke to you; she didn't take 'em back in life, but she acted
so 't you'd know her feeling when she was gone."

"I told her before I left that she'd been the making of me, just as
mother says," sobbed Rebecca.

"She wasn't that," said Jane. "God made you in the first place, and
you've done considerable yourself to help Him along; but she gave you
the wherewithal to work with, and that ain't to be despised; specially
when anybody gives up her own luxuries and pleasures to do it. Now let
me tell you something, Rebecca. Your aunt Mirandy 's willed all this to
you,--the brick house and buildings and furniture, and the land all
round the house, as far 's you can see."

Rebecca threw off her hat and put her hand to her heart, as she always
did in moments of intense excitement. After a moment's silence she
said: "Let me go in alone; I want to talk to her; I want to thank her;
I feel as if I could make her hear and feel and understand!"

Jane went back into the kitchen to the inexorable tasks that death has
no power, even for a day, to blot from existence. He can stalk through
dwelling after dwelling, leaving despair and desolation behind him, but
the table must be laid, the dishes washed, the beds made, by somebody.

Ten minutes later Rebecca came out from the Great Presence looking
white and spent, but chastened and glorified. She sat in the quiet
doorway, shaded from the little Riverboro world by the overhanging
elms. A wide sense of thankfulness and peace possessed her, as she
looked at the autumn landscape, listened to the rumble of a wagon on
the bridge, and heard the call of the river as it dashed to the sea.
She put up her hand softly and touched first the shining brass knocker
and then the red bricks, glowing in the October sun.

It was home; her roof, her garden, her green acres, her dear trees; it
was shelter for the little family at Sunnybrook; her mother would have
once more the companionship of her sister and the friends of her
girlhood; the children would have teachers and playmates.

And she? Her own future was close-folded still; folded and hidden in
beautiful mists; but she leaned her head against the sun-warmed door,
and closing her eyes, whispered, just as if she had been a child saying
her prayers: "God bless aunt Miranda; God bless the brick house that
was; God bless the brick house that is to be!"








End of Project Gutenberg's Rebecca of Sunnybrook Farm, by Kate Douglas Wiggin

*** END OF THIS PROJECT GUTENBERG EBOOK REBECCA OF SUNNYBROOK FARM ***

***** This file should be named 498.txt or 498.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/4/9/498/

Produced by Charles Keller.  HTML version by Al Haines.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.