The Project Gutenberg eBook, The Gathering of the Nations, by Anonymous This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Gathering of the Nations Author: Anonymous Release Date: January 9, 2017 [eBook #53931] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE GATHERING OF THE NATIONS***
Transcribed from the [1862?] John Stabb (Tract 272) edition by David Price, email ccx074@pglaf.org
There is something especially imposing in the sight of great multitudes; hence, apart from the bliss, the glory, and the joy which the happy hosts are represented as possessing in the Apocalyptic vision, there is a peculiar sublimity in the description given in Revelation vii. 9, 10: “After this I beheld, and, lo, a great multitude, which no man could number, of all nations, and kindreds, and people, and tongues, stood before the throne and before the Lamb, clothed with white robes, and palms in their hands; and cried with a loud voice, saying, Salvation to our God which sitteth upon the throne, and unto the Lamb.”
The solitary traveller excites no attention; the ordinary concourse of even crowded cities soon becomes familiar; but when large masses of humanity are congregated together for any common object, it is impossible to be an unconcerned spectator of the scene. We may have little personal interest in the purpose that has led them to assemble; we may be perfect strangers to the mighty host; but by some mysterious law we identify ourselves with them, and that not only when they are actually present, but even when they have but an imaginary existence on the graphic page of descriptive narrative.
These emotions were powerfully excited on the occasion of the Exhibition in 1851, when such vast numbers visited our metropolis to inspect the contents of the palace of glass. The accumulated treasures of art and skill excited the astonishment of the observer; but it was the countless millions of our fellow-men, who were continually moving in our midst, that commanded the wondering observation of the most unreflecting mind. And now we are called to witness a similar influx from all parts of our country and the world, to examine another display of the varieties of international skill. p. 2Europe, forgetful for a time of the agitations of political strife, is pouring forth her thousands who are intent on the encouragement of those arts which tend to the promotion of peace. Asia is sending her representatives to inspect those accumulations of treasure before which the boasted magnificence of Oriental splendour grows pale. America spares some from her fratricidal struggle to admire the far more harmless and honourable competitions of industry. Even Africa and the inhabitants of the beauteous islands of the vast Pacific have an interested share in the general gathering; while our colonies afford, by their contributions, and the number of visitors, pleasing indications of the rapidity with which they are following us in the race of civilization. From the sunny dales, the fertile fields, and the rural villages, as well as from the busy towns and cities of our own land, our countrymen are also flocking to share in the peaceful rivalry of the assembled nations. Who can look with indifference on this continually increasing aggregate of active, living men? Imagination cannot but speculate concerning the various emotions which are throbbing in these countless bosoms; on the different objects each is pursuing; on the diversified impressions individuals will receive as they survey our busy streets, our ever flowing tide of population, our temples of religion, our government, our virtues, and our sins. Piety, too, will anxiously inquire, as she surveys the mighty throng, “Who among them feareth the Lord? Whither are all these immortal spirits tending? What are the stores they are laying up for eternity?” No, we cannot be indifferent to the scene. We may look unmoved upon the majestic river, hastening onwards to the sea—upon the lofty mountain, towering to the skies—upon the solid fabric, which the skill of the architect has so reared that it may defy the attacks of ages; but it is impossible to behold with apathy the thousands whose minds are liable, like our own, to the ever shifting anxieties of life’s struggles, whose hearts are subject to the same conflicting passions with which our own are familiar, and whose souls are destined to survive the wreck of all material things in the joys or sorrows of an endless life. Hence, amid the varied specimens of artistic skill, of splendid luxury, of earth’s products, and of the discoveries of science, which appear on every side, it is, we contend, the crowding hosts of the many families and races of mankind which troop along the aisles of the International Exhibition, which will, to a thoughtful mind, still present the most serious matter for interested meditation. Oh, that the scene may awaken those who profess the religion of the Bible so to display its p. 3influence, that these occasional visitors may carry back with them deep, lasting, and salutary impressions of “the truth as it is in Jesus,” and learn that “it is righteousness alone which exalteth a nation!” The opportunity is as favourable for exhibiting the moral influence of genuine Christianity as it is unusual. May a powerful conviction of our national responsibility lead our countrymen to be faithful and effectual “witnesses for God,” and not impede the progress of the world’s evangelization by haughty pride, sordid covetousness, disgraceful profligacy, or atheistic indifference. Our common faith is on its trial, and thousands of our fellow-men will be spectators of the issue.
How varied the scenes from which these teeming multitudes have come! What diversities, arising from birth, residence, and occupation, mark their separate histories! and, when viewed in the light of the sacred Scriptures, what solemn thoughts arise in reference to them all! Some have come from regions where the false prophet deludes the minds of millions with fatalism and sensual hopes; others from the wide-spread countries where Popery corrupts the truth of revelation, burdens the simplicity of the Gospel with Pharisaic rites, and hides the doctrines of the Cross behind the crucifix. Some from the dark plains of heathenism, with its “lords many and gods many,” worshipped under hideous forms, where the glory of the incorruptible God has been changed into “an image made like to corruptible man, and to birds, and four-footed beasts, and creeping things;” others from various parts of our own favoured land, where the Bible is known, and its truths professedly honoured. But how few, it may be feared, of this vast multitude, have yielded their hearts to the influence of the Gospel! how few have realized their real condition as sinners, their solemn responsibility as accountable beings, and their need of the atoning blood of Christ! Immersed in the world, and striving to make the most of their brief sojourn here, must it not be suspected that they are living for temporal purposes alone, and that very many are “without hope, and without God in the world”?
How painful is such a thought, when viewed in connection with the rapidity with which the generations of men are passing away from the face of the earth!
Eleven years since, and a similar gathering, buoyant with hope and energy, assembled in the Palace of Glass, and wandered amid the treasures then collected; but what numbers of the busy throng have now passed into the more impressive realities of eternity! some to inhabit the “house of many mansions;” p. 4others into scenes where unavailing remorse is the bitter fruit of opportunities neglected and privileges slighted! The shadow of death seems indeed to mingle with the bright colours of splendour which adorn the present Exhibition. We miss the familiar countenances of some who took prominent parts in the gorgeous ceremonial of 1851. Our beloved Queen, whose presence shed a light and a lustre over the joyous throng, is absent, for death has entered her palace, and bereaved her of her Consort, so justly dear. She, in widowed solitude, mourns his decease; and none who visit this stately building can fail to miss the lamented Prince, whose comprehensive intellect first adopted the idea, and defined the principles which regulated the arrangement of the former and the present Exhibition—whose cultivated taste was pervaded by genuine piety, and whose loss will not soon be forgotten by a grateful and a mourning nation. He has been called to a nobler, a happier, a mightier assembly than that of which he was the guiding spirit here.
The venerable parent of our afflicted monarch, who gained the gratitude of the people of these realms by the appropriate training of the present illustrious occupant of the throne, has, too, become an inhabitant of the silent grave. The aged Wellington, the hero of a hundred battles, formerly so interested in the trophies of a peaceful world, has yielded to the mighty conqueror, Death, and closed his chequered career. These, with many others known only to the omniscient God, have gone, leaving mourning hearts and bereaved homes to recall those hours of happy and enlightened interest they spent eleven years since, amid the gathering of the nations. They have gone to their account, and without vainly attempting to scan the varied, the solemn lot which is now their eternal destiny, let us listen to the warning voice, which says, “It is appointed unto men once to die, and after that the judgment;” and cry, “O Lord, so teach us to number our days, that we may apply our hearts unto wisdom.” They have gone, and we are yet left; but how earnest should be the inquiry, “What progress are we making in the great purposes of our existence? What have we done to benefit our race and promote the glory of our God? Have the powers with which we have been entrusted been employed for good, or prostituted to evil? Have we advanced in fitness for that state to which we are hastening, or have we yielded ourselves more willing slaves to those sins which degrade, debase, and destroy the soul?”
The purpose of the present Exhibition is to ascertain what p. 5improvements the various countries have made in the industrial, useful, and ornamental arts since the first comparison of national skill. And truly great has been the progress—humanity has studied with intense eagerness to multiply the conveniences and diminish the evils of social life. Luxury has devised new methods of gratifying the almost sated desires of self-indulgence. Philanthropy has suggested additional means of employment for the increasing numbers of the sons of toil. Science, ever striving to extend the bounds of human knowledge, has shed its illumination upon many subjects seemingly wrapped in hopeless mystery. The religion of Jesus, too, we rejoice to believe, has been making progress during the past eleven years. Though the obstacles which worldliness, infidelity, carelessness, and superstition usually throw into the way have been as great as ever—though the powers of evil have not abated in the least degree their accustomed activity, the Gospel of our salvation has been “mighty through God”—various parts of our own country have been visited with “times of refreshing,” and other lands have received the light of life—the realms of heathenism have been pierced, the gloomy regions of idolatry have been invaded, and in countries where a corrupted form of Christianity has long prevailed, the Word of God has been set free: progression has been the character of the times.
These facts afford cause for gratitude, but they also give intensity to the questions we have proposed. How, then, reader, has it been with you amid this busy energy, this universal stir? Have you realized the proper object of your sojourn here? Have you found your way to the Cross? Have you advanced in the road which leads to eternal blessedness? Have you practically felt the solemn truth contained in our Lord’s words, “Ye must be born again?” Many who at the last Exhibition were living only for this world, are now ripening for that far nobler gathering of which they shall hereafter form a part, “the general assembly and church of the first-born which are written in heaven.” Are you yet a stranger to the blissful anticipation?## Oh, press home the question, Am I born from above? Soon will the crowds which now fill the aisles of this vast edifice be dispersed, to meet again only amid the realities of eternity; in what circumstances and in what condition will you rejoin them? In a short time, the splendours of the International Exhibition will pass away, its bright colours fade, its unparalleled collection be removed, the deserted building remain as an illustration of the transitory character of worldly glory, p. 6and the labour of years be only a thing of memory. But when all these accumulated treasures are scattered, the desire for further progress will still be active. Still the plotting brain and the industrious hand will be engaged in devising new combinations of skill; the restless heart will never cry “Enough!”
Indeed, this panting after some undefinable perfection is the prominent feature of the age in which we live. Since the last Exhibition, the vast empire of China has been opened to the schemes of commercial enterprise, and the efforts of religious zeal; Turkey has been rescued from the ambitious designs of Russia; India has been subdued, and restored to prosperity and peace after the horrors of mutinous anarchy; Italy has made large advances towards its much-desired unity; but still the unsatisfied soul of the world is aspiring after a perfection which is never to be attained by man. The struggle still continues, and the omens of coming change multiply, while they assume a more portentous aspect than ever.
America reels with the internecine conflict which rages between her sons. Rome trembles in the balance of futurity. Popery grasps with senile obstinacy the last remnant of her temporal power. France, indeed, maintains unwonted calmness, but the most sagacious observer is unable to determine whether it is a prelude to a coming storm, or the happy subsidence of its oft-excited elements into prospective peace; and Austria, with her prestige of past splendour, weak yet despotic, stubborn yet irresolute, strives with anxious solicitude to preserve her position among the nations.
At home, all classes and all conditions are forsaking the ancient landmarks, and seeking further advancement. Science strives by its theories to surpass the discoveries which awakened the astonishment of past generations. In politics, what would have been once regarded as the dreams of deluded imagination, are now esteemed as unquestionable principles of equity. Even religion has its innovators, who affect originality, and pretend to be friends of progress by attempting to revive the discarded ceremonies of effete superstition, or by disentombing those rash speculations whose utter want of intellectual or spiritual life had long consigned them to oblivion. In social life, contentment with the allotments of Providence is an uncommon sight, and “onwards and upwards” is the universal cry. Oh, that this feeling arose from enlightened principles, and that it were always directed to appropriate ends!
p. 7Let it not be supposed that with cynic apathy we denounce the desire of progress as evil in itself. So far from this, we believe that it was implanted in the heart of man to stimulate his efforts, and ultimately secure his welfare. But let us not forget that gracious Providence by whose blessing only progress can become a real good, and let us practically recognize the supreme importance of individual progress in the paths of religion and virtue. Formed “for the glory of God, and that we should show forth His praise,” we are not at liberty to devote our hearts exclusively or mainly to mere temporal pursuits. “The fashion of this world passeth away, and the lusts thereof,” but the soul must endure for ever;—of priceless worth, no Koh-i-noor can compare with it in value;—capable of indefinite progression, though polluted with iniquity, nothing can purify and save it but the grace and merit of Christ;—destined to survive when the earth itself shall be a wreck, it must shine eternally like a gem in the Redeemer’s crown, or sink into never-ending wretchedness and ruin. Oh, then, reader! neglect not your deathless soul; be not so dazzled with this passing splendour as to forget the “glory, honour, and immortality” which may yet be yours; while displaying a graceful courtesy to the foreigners who have honoured us with their presence, do not impiously slight that blessed Jesus who came from heaven and gave His heart’s blood for your salvation; while honouring the skilful, the scientific, the industrious minds, the fruits of whose labours are piled around you, do not dishonour that God in whom you live, and move, and have your being. Be not so engrossed with the present as to overlook the future: another Exhibition is preparing—another gathering of the nations will occur—when, around the glorious white throne, “the dead, small and great, shall stand before God; when the sea shall give up the dead which are in it, and death and hell shall deliver up the dead which are in them, and they shall be judged every man according to his work.” Here on earth you are but a unit lost in a crowded world; but in that assembly, in the sight of the omniscient God, your individuality shall stand out clearly and distinctly, with its weight of irremovable responsibility, its noble faculties, and its liability to eternal ruin or immortal joy: then, deeply interested in the proceedings of that solemn day, amid the fierce confusion, the flashing lightning, the rolling thunder, the falling stars, the awful sounds of angelic trumpets, the songs of the blessed, the shrieks of the lost, you shall receive that award p. 8from which there can be no appeal; and even now Time is rapidly hastening on to bring the final end of all things, and develop the dread catastrophe.
Your earthly journey, however, may be closed long ere this event arrives, and death introduce you to that world where your state will be irrevocably fixed. Give, then, your heart to Jesus; do it now, and, faithful to His promise, He will receive you—His blood shall atone for your sin—His intercession secure your acceptance—His Spirit sanctify your nature, and, clothing you with the garments of salvation, more beauteous than were ever fashioned by artistic skill, He will “present you faultless before the presence of His Father with exceeding joy.” Then, in the heavenly city, which needs neither sun nor moon, but where the glory of God sheds its unclouded beams, and the Lamb is the light thereof—where nothing enters that defileth, or worketh abomination, or maketh a lie—there, in the world’s great assembly, in the “building not made with hands, eternal in the heavens,” with the great multitude which no man can number, who “have washed their robes, and made them white in the blood of the Lamb,” shall you join the triumphant shout, “Great and marvellous are thy works, Lord God Almighty! just and true are thy ways, thou King of saints!”
JOHN STABB, 27, RED LION SQUARE, LONDON, W.C.
J. & W. Rider, Printers, 14, Bartholomew Close, London, E.C.
272
***END OF THE PROJECT GUTENBERG EBOOK THE GATHERING OF THE NATIONS***
***** This file should be named 53931-h.htm or 53931-h.zip******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/5/3/9/3/53931
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary
Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.