POEMS
BY
JULIA C. R. DORR
COMPLETE EDITION
NEW YORK
CHARLES SCRIBNER’S SONS
MDCCCXCII
Copyright, 1879, 1885, 1892,
by
CHARLES SCRIBNER’S SONS
TROW DIRECTORY
PRINTING AND BOOKBINDING COMPANY
NEW YORK
CONTENTS
PAGE | |
Dedication. To S. M. D. | v |
EARLIER POEMS. |
|
The Three Ships, | 3 |
Maud and Madge, | 6 |
A Mother’s Question, | 8 |
Over the Wall, | 9 |
Outgrown, | 11 |
A Song for Two, | 14 |
A Picture, | 15 |
Hymn to Life, | 16 |
The Chimney Swallow, | 18 |
Heirship, | 20 |
Hilda, Spinning, | 22 |
Hereafter, | 25 |
Without and Within, | 27 |
Vashti’s Scroll, | 29 |
What my Friend Said to Me, | 37 |
Hymn. For the Dedication of a Cemetery, | 38 |
Yesterday and To-day, | 39 |
Lyric. For the Dedication of a Music-Hall, | 41 |
What I Lost, | 43 |
Once! | 45 |
Catharine, | 47[viii] |
The Name, | 48 |
Under the Palm-Trees, | 49 |
Night and Morning, | 51 |
Agnes, | 53 |
“Into Thy Hands,” | 55 |
Idle Words, | 56 |
The Sparrow to the Skylark, | 58 |
The Bell of St. Paul’s, | 60 |
December 26, 1910. A Ballad of Major Anderson, | 62 |
From Baton Rouge, | 66 |
In the Wilderness, | 68 |
Charley of Malvern Hill, | 70 |
Supplicamus, | 73 |
The Last of Six, | 75 |
The Drummer Boy’s Burial, | 79 |
Eighteen Hundred and Sixty-five, | 82 |
Our Flags at the Capitol, | 84 |
My Mocking-Bird, | 86 |
Coming Home, | 88 |
Wakening Early, | 90 |
Blest, | 92 |
Helen, | 94 |
“PRO PATRIA.” |
|
The Dead Century, | 97 |
The River Otter, | 106 |
Past and Present, | 109 |
Vermont, | 114 |
Gettysburg. 1863-1889. | 126 |
“No More the Thunder of Cannon,” | 133 |
Grant, | 135[ix] |
FRIAR ANSELMO, AND OTHER POEMS. |
|
Friar Anselmo, | 141 |
The King’s Rosebud, | 146 |
Somewhere, | 147 |
Peradventure, | 148 |
Rena. A Legend of Brussels, | 150 |
A Secret, | 159 |
This Day, | 161 |
“Christus!” | 163 |
The Kiss, | 167 |
What She Thought, | 168 |
What Need? | 170 |
Two, | 172 |
Unanswered, | 175 |
The Clay to the Rose, | 178 |
At the Last, | 180 |
To the “Bouquet Club,” | 181 |
Eventide, | 182 |
My Lovers, | 184 |
The Legend of the Organ-builder, | 186 |
Butterfly and Baby Blue, | 190 |
King Ivan’s Oath, | 192 |
At Dawn, | 199 |
In Memoriam, | 201 |
Weaving the Web, | 203 |
The “Christus” of Oberammergau, | 205 |
Rabbi Benaiah, | 206 |
A Child’s Thought, | 209 |
“God Knows,” | 211 |
The Mountain Road, | 213 |
Entering In, | 215 |
A Flower for the Dead, | 217 |
Thou Knowest, | 219 |
Winter, | 220 |
Five, | 221 |
Unsolved, | 223 |
Quietness, | 226 |
The Difference, | 227 |
My Birthday, | 229 |
A Red Rose, | 231 |
Twenty-one, | 233 |
Singing in the Dark, | 235 |
Thomas Moore, | 236 |
A Last Word, | 238[x] |
SONNETS. |
|
The Sonnet. I. To a Critic. | 241 |
" " II. To a Poet. | 241 |
At Rest, | 243 |
Too Wide! | 244 |
Mercédès, | 245 |
Grass-Grown, | 246 |
To Zülma, I., II., | 247 |
Sleep, | 249 |
In King’s Chapel, | 250 |
To-day, | 251 |
F. A. F., | 252 |
Day and Night, I., II., | 253 |
Thy Name, | 255 |
Resurgamus, | 256 |
At the Tomb, | 257 |
Three Days, I., II., III., | 258 |
Darkness, | 260 |
Silence, | 261 |
Sanctified, | 262 |
A Message, | 263 |
When Lesser Loves, | 264 |
George Eliot, | 265 |
Knowing, | 266 |
A Thought, | 267 |
To-morrow, I., II., | 268 |
“O Earth! Art Thou not Weary?” | 270 |
Alexander, | 271 |
The Place, I., II., III., [xi] | 272 |
To a Goddess, | 274 |
O. W. H., | 275 |
Gifts for the King, | 276 |
Recognition, I., II., | 277 |
Shakespeare, | 279 |
To E. C. S., | 280 |
A Christmas Sonnet, | 281 |
Poverty, | 282 |
Surprises, I., II., | 283 |
C. H. R., | 285 |
A New Beatitude, | 286 |
Compensation, I., II., | 287 |
Questionings, | 289 |
Remembrance, | 290 |
In the High Tower, | 291 |
AFTERNOON SONGS. |
|
Four O’Clocks, | 295 |
A Dream of Songs Unsung, | 296 |
Questioning a Rose, | 304 |
The Fallow Field, | 306 |
Out and In, | 309 |
Her Flowers, | 310 |
Three Laddies, | 312 |
Summer, | 314 |
Thornless Roses, | 315 |
Treasure-Ships, | 316 |
Choosing, | 318 |
Not Mine, | 320 |
The Chamber of Silence, | 322 |
Three Roses, | 325 |
Four Letters, | 326 |
Valdemar, | 328 |
Jubilate! | 338 |
Easter Lilies, | 339[xii] |
“O, Wind that Blows Out of the West,” | 340 |
A Summer Song, | 342 |
The Urn, | 344 |
The Parson’s Daughter, | 345 |
March Fourth, 1881-1882, | 348 |
Roy, | 350 |
The Painter’s Prayer, | 351 |
From Exile, | 354 |
A Mother-Song, | 358 |
Easter Morning, | 359 |
Sealed Orders, | 363 |
An Anniversary, | 365 |
Martha, | 367 |
The Hour, | 368 |
The Closed Gate, | 369 |
Content, | 371 |
My Wonderland, | 373 |
The Guest, | 375 |
An Old-fashioned Garden, | 377 |
Discontent, | 380 |
The Doves at Mendon, | 383 |
A Late Rose, | 386 |
Periwinkle, | 387 |
Afternoon, | 389 |
The Lady of the Prow, | 392 |
Thou and I, | 395 |
LATER POEMS. |
|
The Legend of the Baboushka. | |
A Christmas Ballad, | 399 |
Daybreak. An Easter Poem, | 405 |
The Apple-Tree, | 411 |
The Comforter, | 413 |
Santa-Claus, | 415 |
The Armorer’s Errand, | 417 |
Foreshadowings, | 423[xiii] |
Won, | 425 |
Baptism of Fire, | 427 |
At the Feast, | 429 |
Over and Over, | 430 |
A Listening Bird, | 432 |
The First Fire, | 433 |
Midnight Chimes, | 436 |
My Lady Sleep, | 438 |
The King’s Touch, | 440 |
“By Divers Paths,” | 442 |
The Blind Bird’s Nest, | 444 |
Two Paths, | 446 |
St. John’s Eve, | 447 |
A Little Song, | 449 |
The Princes’ Chamber, | 450 |
Wonderland, | 453 |
In a Gallery, | 455 |
In Marble Prayer, | 457 |
Nocturne, | 459 |
Come What May, | 460 |
Nuremberg, | 462 |
A Mater Dolorosa, | 464 |
After Long Waiting, | 470 |
“The great bell of St. Paul’s, which
only sounds
when the King is dead.”
[Cyrus M. and Mary Ripley Fisher,
lost on steamship Atlantic,
April 1, 1873.]
[In an old almanac of the year 1809, against the date August 29th, there is this record, “Son b.” The sand that was thrown upon the fresh ink seventy years ago can still be seen upon the page.]
(An incident in the painting of Holman Hunt’s
“Light of the World.”)
(A Mother speaks)
(The Brier Rose speaks.)
(The Garden Rose speaks.)
“The nest of the blind bird is built by God.”—Turkish Proverb.
Transcriber's Notes:
The cover image was created by the transcriber, and is in the public domain.
Uncertain or antiquated spellings or ancient words were not corrected.
Errors in punctuation and inconsistent hyphenation were not corrected unless otherwise noted.
Typographical errors have been silently corrected but other variations in spelling and punctuation remain unaltered.
Where double quotes have been repeated at the beginnings of consecutive stanzas, they have been omitted for clarity.