The Project Gutenberg EBook of The Unbearable Bassington, by Saki (#2 in our series by Saki) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Unbearable Bassington Author: Saki Release Date: Jun, 1996 [EBook #555] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 7, 1996] [Most recently updated: August 27, 2002] Edition: 10 Language: English Character set encoding: ASCII
Transcribed from the 1913 John Lane edition by David Price, email ccx074@coventry.ac.uk
THE UNBEARABLE BASSINGTON
CHAPTER I
Francesca Bassington sat in the drawing-room of her house in Blue Street,
W., regaling herself and her estimable brother Henry with China tea
and small cress sandwiches. The meal was of that elegant proportion
which, while ministering sympathetically to the desires of the moment,
is happily reminiscent of a satisfactory luncheon and blessedly expectant
of an elaborate dinner to come.
In her younger days Francesca had been known as the beautiful Miss Greech;
at forty, although much of the original beauty remained, she was just
dear Francesca Bassington. No one would have dreamed of calling
her sweet, but a good many people who scarcely knew her were punctilious
about putting in the “dear.”
Her enemies, in their honester moments, would have admitted that she
was svelte and knew how to dress, but they would have agreed with her
friends in asserting that she had no soul. When one’s friends
and enemies agree on any particular point they are usually wrong.
Francesca herself, if pressed in an unguarded moment to describe her
soul, would probably have described her drawing-room. Not that
she would have considered that the one had stamped the impress of its
character on the other, so that close scrutiny might reveal its outstanding
features, and even suggest its hidden places, but because she might
have dimly recognised that her drawing-room was her soul.
Francesca was one of those women towards whom Fate appears to have the
best intentions and never to carry them into practice. With the
advantages put at her disposal she might have been expected to command
a more than average share of feminine happiness. So many of the
things that make for fretfulness, disappointment and discouragement
in a woman’s life were removed from her path that she might well
have been considered the fortunate Miss Greech, or later, lucky Francesca
Bassington. And she was not of the perverse band of those who
make a rock-garden of their souls by dragging into them all the stoney
griefs and unclaimed troubles they can find lying around them.
Francesca loved the smooth ways and pleasant places of life; she liked
not merely to look on the bright side of things but to live there and
stay there. And the fact that things had, at one time and another,
gone badly with her and cheated her of some of her early illusions made
her cling the closer to such good fortune as remained to her now that
she seemed to have reached a calmer period of her life. To undiscriminating
friends she appeared in the guise of a rather selfish woman, but it
was merely the selfishness of one who had seen the happy and unhappy
sides of life and wished to enjoy to the utmost what was left to her
of the former. The vicissitudes of fortune had not soured her,
but they had perhaps narrowed her in the sense of making her concentrate
much of her sympathies on things that immediately pleased and amused
her, or that recalled and perpetuated the pleasing and successful incidents
of other days. And it was her drawing-room in particular that
enshrined the memorials or tokens of past and present happiness.
Into that comfortable quaint-shaped room of angles and bays and alcoves
had sailed, as into a harbour, those precious personal possessions and
trophies that had survived the buffetings and storms of a not very tranquil
married life. Wherever her eyes might turn she saw the embodied
results of her successes, economies, good luck, good management or good
taste. The battle had more than once gone against her, but she
had somehow always contrived to save her baggage train, and her complacent
gaze could roam over object after object that represented the spoils
of victory or the salvage of honourable defeat. The delicious
bronze Fremiet on the mantelpiece had been the outcome of a Grand Prix
sweepstake of many years ago; a group of Dresden figures of some considerable
value had been bequeathed to her by a discreet admirer, who had added
death to his other kindnesses; another group had been a self-bestowed
present, purchased in blessed and unfading memory of a wonderful nine-days’
bridge winnings at a country-house party. There were old Persian
and Bokharan rugs and Worcester tea-services of glowing colour, and
little treasures of antique silver that each enshrined a history or
a memory in addition to its own intrinsic value. It amused her
at times to think of the bygone craftsmen and artificers who had hammered
and wrought and woven in far distant countries and ages, to produce
the wonderful and beautiful things that had come, one way and another,
into her possession. Workers in the studios of medieval Italian
towns and of later Paris, in the bazaars of Baghdad and of Central Asia,
in old-time English workshops and German factories, in all manner of
queer hidden corners where craft secrets were jealously guarded, nameless
unremembered men and men whose names were world-renowned and deathless.
And above all her other treasures, dominating in her estimation every
other object that the room contained, was the great Van der Meulen that
had come from her father’s home as part of her wedding dowry.
It fitted exactly into the central wall panel above the narrow buhl
cabinet, and filled exactly its right space in the composition and balance
of the room. From wherever you sat it seemed to confront you as
the dominating feature of its surroundings. There was a pleasing
serenity about the great pompous battle scene with its solemn courtly
warriors bestriding their heavily prancing steeds, grey or skewbald
or dun, all gravely in earnest, and yet somehow conveying the impression
that their campaigns were but vast serious picnics arranged in the grand
manner. Francesca could not imagine the drawing-room without the
crowning complement of the stately well-hung picture, just as she could
not imagine herself in any other setting than this house in Blue Street
with its crowded Pantheon of cherished household gods.
And herein sprouted one of the thorns that obtruded through the rose-leaf
damask of what might otherwise have been Francesca’s peace of
mind. One’s happiness always lies in the future rather than
in the past. With due deference to an esteemed lyrical authority
one may safely say that a sorrow’s crown of sorrow is anticipating
unhappier things. The house in Blue Street had been left to her
by her old friend Sophie Chetrof, but only until such time as her niece
Emmeline Chetrof should marry, when it was to pass to her as a wedding
present. Emmeline was now seventeen and passably good-looking,
and four or five years were all that could be safely allotted to the
span of her continued spinsterhood. Beyond that period lay chaos,
the wrenching asunder of Francesca from the sheltering habitation that
had grown to be her soul. It is true that in imagination she had
built herself a bridge across the chasm, a bridge of a single span.
The bridge in question was her schoolboy son Comus, now being educated
somewhere in the southern counties, or rather one should say the bridge
consisted of the possibility of his eventual marriage with Emmeline,
in which case Francesca saw herself still reigning, a trifle squeezed
and incommoded perhaps, but still reigning in the house in Blue Street.
The Van der Meulen would still catch its requisite afternoon light in
its place of honour, the Fremiet and the Dresden and Old Worcester would
continue undisturbed in their accustomed niches. Emmeline could
have the Japanese snuggery, where Francesca sometimes drank her after-dinner
coffee, as a separate drawing-room, where she could put her own things.
The details of the bridge structure had all been carefully thought out.
Only - it was an unfortunate circumstance that Comus should have been
the span on which everything balanced.
Francesca’s husband had insisted on giving the boy that strange
Pagan name, and had not lived long enough to judge as to the appropriateness,
or otherwise, of its significance. In seventeen years and some
odd months Francesca had had ample opportunity for forming an opinion
concerning her son’s characteristics. The spirit of mirthfulness
which one associates with the name certainly ran riot in the boy, but
it was a twisted wayward sort of mirth of which Francesca herself could
seldom see the humorous side. In her brother Henry, who sat eating
small cress sandwiches as solemnly as though they had been ordained
in some immemorial Book of Observances, fate had been undisguisedly
kind to her. He might so easily have married some pretty helpless
little woman, and lived at Notting Hill Gate, and been the father of
a long string of pale, clever useless children, who would have had birthdays
and the sort of illnesses that one is expected to send grapes to, and
who would have painted fatuous objects in a South Kensington manner
as Christmas offerings to an aunt whose cubic space for lumber was limited.
Instead of committing these unbrotherly actions, which are so frequent
in family life that they might almost be called brotherly, Henry had
married a woman who had both money and a sense of repose, and their
one child had the brilliant virtue of never saying anything which even
its parents could consider worth repeating. Then he had gone into
Parliament, possibly with the idea of making his home life seem less
dull; at any rate it redeemed his career from insignificance, for no
man whose death can produce the item “another by-election”
on the news posters can be wholly a nonentity. Henry, in short,
who might have been an embarrassment and a handicap, had chosen rather
to be a friend and counsellor, at times even an emergency bank balance;
Francesca on her part, with the partiality which a clever and lazily-inclined
woman often feels for a reliable fool, not only sought his counsel but
frequently followed it. When convenient, moreover, she repaid
his loans.
Against this good service on the part of Fate in providing her with
Henry for a brother, Francesca could well set the plaguy malice of the
destiny that had given her Comus for a son. The boy was one of
those untameable young lords of misrule that frolic and chafe themselves
through nursery and preparatory and public-school days with the utmost
allowance of storm and dust and dislocation and the least possible amount
of collar-work, and come somehow with a laugh through a series of catastrophes
that has reduced everyone else concerned to tears or Cassandra-like
forebodings. Sometimes they sober down in after-life and become
uninteresting, forgetting that they were ever lords of anything; sometimes
Fate plays royally into their hands, and they do great things in a spacious
manner, and are thanked by Parliaments and the Press and acclaimed by
gala-day crowds. But in most cases their tragedy begins when they
leave school and turn themselves loose in a world that has grown too
civilised and too crowded and too empty to have any place for them.
And they are very many.
Henry Greech had made an end of biting small sandwiches, and settled
down like a dust-storm refreshed, to discuss one of the fashionably
prevalent topics of the moment, the prevention of destitution.
“It is a question that is only being nibbled at, smelt at, one
might say, at the present moment,” he observed, “but it
is one that will have to engage our serious attention and consideration
before long. The first thing that we shall have to do is to get
out of the dilettante and academic way of approaching it. We must
collect and assimilate hard facts. It is a subject that ought
to appeal to all thinking minds, and yet, you know, I find it surprisingly
difficult to interest people in it.”
Francesca made some monosyllabic response, a sort of sympathetic grunt
which was meant to indicate that she was, to a certain extent, listening
and appreciating. In reality she was reflecting that Henry possibly
found it difficult to interest people in any topic that he enlarged
on. His talents lay so thoroughly in the direction of being uninteresting,
that even as an eye-witness of the massacre of St. Bartholomew he would
probably have infused a flavour of boredom into his descriptions of
the event.
“I was speaking down in Leicestershire the other day on this subject,”
continued Henry, “and I pointed out at some length a thing that
few people ever stop to consider - ”
Francesca went over immediately but decorously to the majority that
will not stop to consider.
“Did you come across any of the Barnets when you were down there?”
she interrupted; “Eliza Barnet is rather taken up with all those
subjects.”
In the propagandist movements of Sociology, as in other arenas of life
and struggle, the fiercest competition and rivalry is frequently to
be found between closely allied types and species. Eliza Barnet
shared many of Henry Greech’s political and social views, but
she also shared his fondness for pointing things out at some length;
there had been occasions when she had extensively occupied the strictly
limited span allotted to the platform oratory of a group of speakers
of whom Henry Greech had been an impatient unit. He might see
eye to eye with her on the leading questions of the day, but he persistently
wore mental blinkers as far as her estimable qualities were concerned,
and the mention of her name was a skilful lure drawn across the trail
of his discourse; if Francesca had to listen to his eloquence on any
subject she much preferred that it should be a disparagement of Eliza
Barnet rather than the prevention of destitution.
“I’ve no doubt she means well,” said Henry, “but
it would be a good thing if she could be induced to keep her own personality
a little more in the background, and not to imagine that she is the
necessary mouthpiece of all the progressive thought in the countryside.
I fancy Canon Besomley must have had her in his mind when he said that
some people came into the world to shake empires and others to move
amendments.”
Francesca laughed with genuine amusement.
“I suppose she is really wonderfully well up in all the subjects
she talks about,” was her provocative comment.
Henry grew possibly conscious of the fact that he was being drawn out
on the subject of Eliza Barnet, and he presently turned on to a more
personal topic.
“From the general air of tranquillity about the house I presume
Comus has gone back to Thaleby,” he observed.
“Yes,” said Francesca, “he went back yesterday.
Of course, I’m very fond of him, but I bear the separation well.
When he’s here it’s rather like having a live volcano in
the house, a volcano that in its quietest moments asks incessant questions
and uses strong scent.”
“It is only a temporary respite,” said Henry; “in
a year or two he will be leaving school, and then what?”
Francesca closed her eyes with the air of one who seeks to shut out
a distressing vision. She was not fond of looking intimately at
the future in the presence of another person, especially when the future
was draped in doubtfully auspicious colours.
“And then what?” persisted Henry.
“Then I suppose he will be upon my hands.”
“Exactly.”
“Don’t sit there looking judicial. I’m quite
ready to listen to suggestions if you’ve any to make.”
“In the case of any ordinary boy,” said Henry, “I
might make lots of suggestions as to the finding of suitable employment.
From what we know of Comus it would be rather a waste of time for either
of us to look for jobs which he wouldn’t look at when we’d
got them for him.”
“He must do something,” said Francesca.
“I know he must; but he never will. At least, he’ll
never stick to anything. The most hopeful thing to do with him
will be to marry him to an heiress. That would solve the financial
side of his problem. If he had unlimited money at his disposal,
he might go into the wilds somewhere and shoot big game. I never
know what the big game have done to deserve it, but they do help to
deflect the destructive energies of some of our social misfits.”
Henry, who never killed anything larger or fiercer than a trout, was
scornfully superior on the subject of big game shooting.
Francesca brightened at the matrimonial suggestion. “I don’t
know about an heiress,” she said reflectively. “There’s
Emmeline Chetrof of course. One could hardly call her an heiress,
but she’s got a comfortable little income of her own and I suppose
something more will come to her from her grandmother. Then, of
course, you know this house goes to her when she marries.”
“That would be very convenient,” said Henry, probably following
a line of thought that his sister had trodden many hundreds of times
before him. “Do she and Comus hit it off at all well together?”
“Oh, well enough in boy and girl fashion,” said Francesca.
“I must arrange for them to see more of each other in future.
By the way, that little brother of hers that she dotes on, Lancelot,
goes to Thaleby this term. I’ll write and tell Comus to
be specially kind to him; that will be a sure way to Emmeline’s
heart. Comus has been made a prefect, you know. Heaven knows
why.”
“It can only be for prominence in games,” sniffed Henry;
“I think we may safely leave work and conduct out of the question.”
Comus was not a favourite with his uncle.
Francesca had turned to her writing cabinet and was hastily scribbling
a letter to her son in which the delicate health, timid disposition
and other inevitable attributes of the new boy were brought to his notice,
and commanded to his care. When she had sealed and stamped the
envelope Henry uttered a belated caution.
“Perhaps on the whole it would be wiser to say nothing about the
boy to Comus. He doesn’t always respond to directions you
know.”
Francesca did know, and already was more than half of her brother’s
opinion; but the woman who can sacrifice a clean unspoiled penny stamp
is probably yet unborn.
CHAPTER II
Lancelot Chetrof stood at the end of a long bare passage, restlessly
consulting his watch and fervently wishing himself half an hour older
with a certain painful experience already registered in the past; unfortunately
it still belonged to the future, and what was still more horrible, to
the immediate future. Like many boys new to a school he had cultivated
an unhealthy passion for obeying rules and requirements, and his zeal
in this direction had proved his undoing. In his hurry to be doing
two or three estimable things at once he had omitted to study the notice-board
in more than a perfunctory fashion and had thereby missed a football
practice specially ordained for newly-joined boys. His fellow
juniors of a term’s longer standing had graphically enlightened
him as to the inevitable consequences of his lapse; the dread which
attaches to the unknown was, at any rate, deleted from his approaching
doom, though at the moment he felt scarcely grateful for the knowledge
placed at his disposal with such lavish solicitude.
“You’ll get six of the very best, over the back of a chair,”
said one.
“They’ll draw a chalk line across you, of course you know,”
said another.
“A chalk line?”
“Rather. So that every cut can be aimed exactly at the same
spot. It hurts much more that way.”
Lancelot tried to nourish a wan hope that there might be an element
of exaggeration in this uncomfortably realistic description.
Meanwhile in the prefects’ room at the other end of the passage,
Comus Bassington and a fellow prefect sat also waiting on time, but
in a mood of far more pleasurable expectancy. Comus was one of
the most junior of the prefect caste, but by no means the least well-known,
and outside the masters’ common-room he enjoyed a certain fitful
popularity, or at any rate admiration. At football he was too
erratic to be a really brilliant player, but he tackled as if the act
of bringing his man headlong to the ground was in itself a sensuous
pleasure, and his weird swear-words whenever he got hurt were eagerly
treasured by those who were fortunate enough to hear them. At
athletics in general he was a showy performer, and although new to the
functions of a prefect he had already established a reputation as an
effective and artistic caner. In appearance he exactly fitted
his fanciful Pagan name. His large green-grey eyes seemed for
ever asparkle with goblin mischief and the joy of revelry, and the curved
lips might have been those of some wickedly-laughing faun; one almost
expected to see embryo horns fretting the smoothness of his sleek dark
hair. The chin was firm, but one looked in vain for a redeeming
touch of ill-temper in the handsome, half-mocking, half-petulant face.
With a strain of sourness in him Comus might have been leavened into
something creative and masterful; fate had fashioned him with a certain
whimsical charm, and left him all unequipped for the greater purposes
of life. Perhaps no one would have called him a lovable character,
but in many respects he was adorable; in all respects he was certainly
damned.
Rutley, his companion of the moment, sat watching him and wondering,
from the depths of a very ordinary brain, whether he liked or hated
him; it was easy to do either.
“It’s not really your turn to cane,” he said.
“I know it’s not,” said Comus, fingering a very serviceable-looking
cane as lovingly as a pious violinist might handle his Strad.
“I gave Greyson some mint-chocolate to let me toss whether I caned
or him, and I won. He was rather decent over it and let me have
half the chocolate back.”
The droll lightheartedness which won Comus Bassington such measure of
popularity as he enjoyed among his fellows did not materially help to
endear him to the succession of masters with whom he came in contact
during the course of his schooldays. He amused and interested
such of them as had the saving grace of humour at their disposal, but
if they sighed when he passed from their immediate responsibility it
was a sigh of relief rather than of regret. The more enlightened
and experienced of them realised that he was something outside the scope
of the things that they were called upon to deal with. A man who
has been trained to cope with storms, to foresee their coming, and to
minimise their consequences, may be pardoned if he feels a certain reluctance
to measure himself against a tornado.
Men of more limited outlook and with a correspondingly larger belief
in their own powers were ready to tackle the tornado had time permitted.
“I think I could tame young Bassington if I had your opportunities,”
a form-master once remarked to a colleague whose House had the embarrassing
distinction of numbering Comus among its inmates.
“Heaven forbid that I should try,” replied the housemaster.
“But why?” asked the reformer.
“Because Nature hates any interference with her own arrangements,
and if you start in to tame the obviously untameable you are taking
a fearful responsibility on yourself.”
“Nonsense; boys are Nature’s raw material.”
“Millions of boys are. There are just a few, and Bassington
is one of them, who are Nature’s highly finished product when
they are in the schoolboy stage, and we, who are supposed to be moulding
raw material, are quite helpless when we come in contact with them.”
“But what happens to them when they grow up?”
“They never do grow up,” said the housemaster; “that
is their tragedy. Bassington will certainly never grow out of
his present stage.”
“Now you are talking in the language of Peter Pan,” said
the form-master.
“I am not thinking in the manner of Peter Pan,” said the
other. “With all reverence for the author of that masterpiece
I should say he had a wonderful and tender insight into the child mind
and knew nothing whatever about boys. To make only one criticism
on that particular work, can you imagine a lot of British boys, or boys
of any country that one knows of, who would stay contentedly playing
children’s games in an underground cave when there were wolves
and pirates and Red Indians to be had for the asking on the other side
of the trap door?”
The form-master laughed. “You evidently think that the ‘Boy
who would not grow up’ must have been written by a ‘grown-up
who could never have been a boy.’ Perhaps that is the meaning
of the ‘Never-never Land.’ I daresay you’re
right in your criticism, but I don’t agree with you about Bassington.
He’s a handful to deal with, as anyone knows who has come in contact
with him, but if one’s hands weren’t full with a thousand
and one other things I hold to my opinion that he could be tamed.”
And he went his way, having maintained a form-master’s inalienable
privilege of being in the right.
* * * * *
In the prefects’ room, Comus busied himself with the exact position
of a chair planted out in the middle of the floor.
“I think everything’s ready,” he said.
Rutley glanced at the clock with the air of a Roman elegant in the Circus,
languidly awaiting the introduction of an expected Christian to an expectant
tiger.
“The kid is due in two minutes,” he said.
“He’d jolly well better not be late,” said Comus.
Comus had gone through the mill of many scorching castigations in his
earlier school days, and was able to appreciate to the last ounce the
panic that must be now possessing his foredoomed victim, probably at
this moment hovering miserably outside the door. After all, that
was part of the fun of the thing, and most things have their amusing
side if one knows where to look for it.
There was a knock at the door, and Lancelot entered in response to a
hearty friendly summons to “come in.”
“I’ve come to be caned,” he said breathlessly; adding
by way of identification, “my name’s Chetrof.”
“That’s quite bad enough in itself,” said Comus, “but
there is probably worse to follow. You are evidently keeping something
back from us.”
“I missed a footer practice,” said Lancelot
“Six,” said Comus briefly, picking up his cane.
“I didn’t see the notice on the board,” hazarded Lancelot
as a forlorn hope.
“We are always pleased to listen to excuses, and our charge is
two extra cuts. That will be eight. Get over.”
And Comus indicated the chair that stood in sinister isolation in the
middle of the room. Never had an article of furniture seemed more
hateful in Lancelot’s eyes. Comus could well remember the
time when a chair stuck in the middle of a room had seemed to him the
most horrible of manufactured things.
“Lend me a piece of chalk,” he said to his brother prefect.
Lancelot ruefully recognised the truth of the chalk-line story.
Comus drew the desired line with an anxious exactitude which he would
have scorned to apply to a diagram of Euclid or a map of the Russo-Persian
frontier.
“Bend a little more forward,” he said to the victim, “and
much tighter. Don’t trouble to look pleasant, because I
can’t see your face anyway. It may sound unorthodox to say
so, but this is going to hurt you much more than it will hurt me.”
There was a carefully measured pause, and then Lancelot was made vividly
aware of what a good cane can be made to do in really efficient hands.
At the second cut he projected himself hurriedly off the chair.
“Now I’ve lost count,” said Comus; “we shall
have to begin all over again. Kindly get back into the same position.
If you get down again before I’ve finished Rutley will hold you
over and you’ll get a dozen.”
Lancelot got back on to the chair, and was re-arranged to the taste
of his executioner. He stayed there somehow or other while Comus
made eight accurate and agonisingly effective shots at the chalk line.
“By the way,” he said to his gasping and gulping victim
when the infliction was over, “you said Chetrof, didn’t
you? I believe I’ve been asked to be kind to you.
As a beginning you can clean out my study this afternoon. Be awfully
careful how you dust the old china. If you break any don’t
come and tell me but just go and drown yourself somewhere; it will save
you from a worse fate.”
“I don’t know where your study is,” said Lancelot
between his chokes.
“You’d better find it or I shall have to beat you, really
hard this time. Here, you’d better keep this chalk in your
pocket, it’s sure to come in handy later on. Don’t
stop to thank me for all I’ve done, it only embarrasses me.”
As Comus hadn’t got a study Lancelot spent a feverish half-hour
in looking for it, incidentally missing another footer practice.
“Everything is very jolly here,” wrote Lancelot to his sister
Emmeline. “The prefects can give you an awful hot time if
they like, but most of them are rather decent. Some are Beasts.
Bassington is a prefect though only a junior one. He is the Limit
as Beasts go. At least I think so.”
Schoolboy reticence went no further, but Emmeline filled in the gaps
for herself with the lavish splendour of feminine imagination.
Francesca’s bridge went crashing into the abyss.
CHAPTER III
On the evening of a certain November day, two years after the events
heretofore chronicled, Francesca Bassington steered her way through
the crowd that filled the rooms of her friend Serena Golackly, bestowing
nods of vague recognition as she went, but with eyes that were obviously
intent on focussing one particular figure. Parliament had pulled
its energies together for an Autumn Session, and both political Parties
were fairly well represented in the throng. Serena had a harmless
way of inviting a number of more or less public men and women to her
house, and hoping that if you left them together long enough they would
constitute a salon. In pursuance of the same instinct she
planted the flower borders at her week-end cottage retreat in Surrey
with a large mixture of bulbs, and called the result a Dutch garden.
Unfortunately, though you may bring brilliant talkers into your home,
you cannot always make them talk brilliantly, or even talk at all; what
is worse you cannot restrict the output of those starling-voiced dullards
who seem to have, on all subjects, so much to say that was well worth
leaving unsaid. One group that Francesca passed was discussing
a Spanish painter, who was forty-three, and had painted thousands of
square yards of canvas in his time, but of whom no one in London had
heard till a few months ago; now the starling-voices seemed determined
that one should hear of very little else. Three women knew how
his name was pronounced, another always felt that she must go into a
forest and pray whenever she saw his pictures, another had noticed that
there were always pomegranates in his later compositions, and a man
with an indefensible collar knew what the pomegranates “meant.”
“What I think so splendid about him,” said a stout lady
in a loud challenging voice, “is the way he defies all the conventions
of art while retaining all that the conventions stand for.”
“Ah, but have you noticed - ” put in the man with the atrocious
collar, and Francesca pushed desperately on, wondering dimly as she
went, what people found so unsupportable in the affliction of deafness.
Her progress was impeded for a moment by a couple engaged in earnest
and voluble discussion of some smouldering question of the day; a thin
spectacled young man with the receding forehead that so often denotes
advanced opinions, was talking to a spectacled young woman with a similar
type of forehead, and exceedingly untidy hair. It was her ambition
in life to be taken for a Russian girl-student, and she had spent weeks
of patient research in trying to find out exactly where you put the
tea-leaves in a samovar. She had once been introduced to a young
Jewess from Odessa, who had died of pneumonia the following week; the
experience, slight as it was, constituted the spectacled young lady
an authority on all things Russian in the eyes of her immediate set.
“Talk is helpful, talk is needful,” the young man was saying,
“but what we have got to do is to lift the subject out of the
furrow of indisciplined talk and place it on the threshing-floor of
practical discussion.”
The young woman took advantage of the rhetorical full-stop to dash in
with the remark which was already marshalled on the tip of her tongue.
“In emancipating the serfs of poverty we must be careful to avoid
the mistakes which Russian bureaucracy stumbled into when liberating
the serfs of the soil.”
She paused in her turn for the sake of declamatory effect, but recovered
her breath quickly enough to start afresh on level terms with the young
man, who had jumped into the stride of his next sentence.
“They got off to a good start that time,” said Francesca
to herself; “I suppose it’s the Prevention of Destitution
they’re hammering at. What on earth would become of these
dear good people if anyone started a crusade for the prevention of mediocrity?”
Midway through one of the smaller rooms, still questing for an elusive
presence, she caught sight of someone that she knew, and the shadow
of a frown passed across her face. The object of her faintly signalled
displeasure was Courtenay Youghal, a political spur-winner who seemed
absurdly youthful to a generation that had never heard of Pitt.
It was Youghal’s ambition - or perhaps his hobby - to infuse into
the greyness of modern political life some of the colour of Disraelian
dandyism, tempered with the correctness of Anglo-Saxon taste, and supplemented
by the flashes of wit that were inherent from the Celtic strain in him.
His success was only a half-measure. The public missed in him
that touch of blatancy which it looks for in its rising public men;
the decorative smoothness of his chestnut-golden hair, and the lively
sparkle of his epigrams were counted to him for good, but the restrained
sumptuousness of his waistcoats and cravats were as wasted efforts.
If he had habitually smoked cigarettes in a pink coral mouthpiece, or
worn spats of Mackenzie tartan, the great heart of the voting-man, and
the gush of the paragraph-makers might have been unreservedly his.
The art of public life consists to a great extent of knowing exactly
where to stop and going a bit further.
It was not Youghal’s lack of political sagacity that had brought
the momentary look of disapproval into Francesca’s face.
The fact was that Comus, who had left off being a schoolboy and was
now a social problem, had lately enrolled himself among the young politician’s
associates and admirers, and as the boy knew and cared nothing about
politics, and merely copied Youghal’s waistcoats, and, less successfully,
his conversation, Francesca felt herself justified in deploring the
intimacy. To a woman who dressed well on comparatively nothing
a year it was an anxious experience to have a son who dressed sumptuously
on absolutely nothing.
The cloud that had passed over her face when she caught sight of the
offending Youghal was presently succeeded by a smile of gratified achievement,
as she encountered a bow of recognition and welcome from a portly middle-aged
gentleman, who seemed genuinely anxious to include her in the rather
meagre group that he had gathered about him.
“We were just talking about my new charge,” he observed
genially, including in the “we” his somewhat depressed-looking
listeners, who in all human probability had done none of the talking.
“I was just telling them, and you may be interested to hear this
- ”
Francesca, with Spartan stoicism, continued to wear an ingratiating
smile, though the character of the deaf adder that stoppeth her ear
and will not hearken, seemed to her at that moment a beautiful one.
Sir Julian Jull had been a member of a House of Commons distinguished
for its high standard of well-informed mediocrity, and had harmonised
so thoroughly with his surroundings that the most attentive observer
of Parliamentary proceedings could scarcely have told even on which
side of the House he sat. A baronetcy bestowed on him by the Party
in power had at least removed that doubt; some weeks later he had been
made Governor of some West Indian dependency, whether as a reward for
having accepted the baronetcy, or as an application of a theory that
West Indian islands get the Governors they deserve, it would have been
hard to say. To Sir Julian the appointment was, doubtless, one
of some importance; during the span of his Governorship the island might
possibly be visited by a member of the Royal Family, or at the least
by an earthquake, and in either case his name would get into the papers.
To the public the matter was one of absolute indifference; “who
is he and where is it?” would have correctly epitomised the sum
total of general information on the personal and geographical aspects
of the case.
Francesca, however, from the moment she had heard of the likelihood
of the appointment, had taken a deep and lively interest in Sir Julian.
As a Member of Parliament he had not filled any very pressing social
want in her life, and on the rare occasions when she took tea on the
Terrace of the House she was wont to lapse into rapt contemplation of
St. Thomas’s Hospital whenever she saw him within bowing distance.
But as Governor of an island he would, of course, want a private secretary,
and as a friend and colleague of Henry Greech, to whom he was indebted
for many little acts of political support (they had once jointly drafted
an amendment which had been ruled out of order), what was more natural
and proper than that he should let his choice fall on Henry’s
nephew Comus? While privately doubting whether the boy would make
the sort of secretary that any public man would esteem as a treasure,
Henry was thoroughly in agreement with Francesca as to the excellence
and desirability of an arrangement which would transplant that troublesome’
young animal from the too restricted and conspicuous area that centres
in the parish of St. James’s to some misty corner of the British
dominion overseas. Brother and sister had conspired to give an
elaborate and at the same time cosy little luncheon to Sir Julian on
the very day that his appointment was officially announced, and the
question of the secretaryship had been mooted and sedulously fostered
as occasion permitted, until all that was now needed to clinch the matter
was a formal interview between His Excellency and Comus. The boy
had from the first shewn very little gratification at the prospect of
his deportation. To live on a remote shark-girt island, as he
expressed it, with the Jull family as his chief social mainstay, and
Sir Julian’s conversation as a daily item of his existence, did
not inspire him with the same degree of enthusiasm as was displayed
by his mother and uncle, who, after all, were not making the experiment.
Even the necessity for an entirely new outfit did not appeal to his
imagination with the force that might have been expected. But,
however lukewarm his adhesion to the project might be, Francesca and
her brother were clearly determined that no lack of deft persistence
on their part should endanger its success. It was for the purpose
of reminding Sir Julian of his promise to meet Comus at lunch on the
following day, and definitely settle the matter of the secretaryship
that Francesca was now enduring the ordeal of a long harangue on the
value of the West Indian group as an Imperial asset. Other listeners
dexterously detached themselves one by one, but Francesca’s patience
outlasted even Sir Julian’s flow of commonplaces, and her devotion
was duly rewarded by a renewed acknowledgment of the lunch engagement
and its purpose. She pushed her way back through the throng of
starling-voiced chatterers fortified by a sense of well-earned victory.
Dear Serena’s absurd salons served some good purpose after
all.
Francesca was not an early riser and her breakfast was only just beginning
to mobilise on the breakfast-table next morning when a copy of The
Times, sent by special messenger from her brother’s house,
was brought up to her room. A heavy margin of blue pencilling
drew her attention to a prominently-printed letter which bore the ironical
heading: “Julian Jull, Proconsul.” The matter of the
letter was a cruel dis-interment of some fatuous and forgotten speeches
made by Sir Julian to his constituents not many years ago, in which
the value of some of our Colonial possessions, particularly certain
West Indian islands, was decried in a medley of pomposity, ignorance
and amazingly cheap humour. The extracts given sounded weak and
foolish enough, taken by themselves, but the writer of the letter had
interlarded them with comments of his own, which sparkled with an ironical
brilliance that was Cervantes-like in its polished cruelty. Remembering
her ordeal of the previous evening Francesca permitted herself a certain
feeling of amusement as she read the merciless stabs inflicted on the
newly-appointed Governor; then she came to the signature at the foot
of the letter, and the laughter died out of her eyes. “Comus
Bassington” stared at her from above a thick layer of blue pencil
lines marked by Henry Greech’s shaking hand.
Comus could no more have devised such a letter than he could have written
an Episcopal charge to the clergy of any given diocese. It was
obviously the work of Courtenay Youghal, and Comus, for a palpable purpose
of his own, had wheedled him into foregoing for once the pride of authorship
in a clever piece of political raillery, and letting his young friend
stand sponsor instead. It was a daring stroke, and there could
be no question as to its success; the secretaryship and the distant
shark-girt island faded away into the horizon of impossible things.
Francesca, forgetting the golden rule of strategy which enjoins a careful
choosing of ground and opportunity before entering on hostilities, made
straight for the bathroom door, behind which a lively din of splashing
betokened that Comus had at least begun his toilet.
“You wicked boy, what have you done?” she cried, reproachfully.
“Me washee,” came a cheerful shout; “me washee from
the neck all the way down to the merrythought, and now washee down from
the merrythought to - ”
“You have ruined your future. The Times has printed
that miserable letter with your signature.”
A loud squeal of joy came from the bath. “Oh, Mummy!
Let me see!”
There were sounds as of a sprawling dripping body clambering hastily
out of the bath. Francesca fled. One cannot effectively
scold a moist nineteen-year old boy clad only in a bath-towel and a
cloud of steam.
Another messenger arrived before Francesca’s breakfast was over.
This one brought a letter from Sir Julian Jull, excusing himself from
fulfilment of the luncheon engagement.
CHAPTER IV
Francesca prided herself on being able to see things from other people’s
points of view, which meant, as it usually does, that she could see
her own point of view from various aspects. As regards Comus,
whose doings and non-doings bulked largely in her thoughts at the present
moment, she had mapped out in her mind so clearly what his outlook in
life ought to be, that she was peculiarly unfitted to understand the
drift of his feelings or the impulses that governed them. Fate
had endowed her with a son; in limiting the endowment to a solitary
offspring Fate had certainly shown a moderation which Francesca was
perfectly willing to acknowledge and be thankful for; but then, as she
pointed out to a certain complacent friend of hers who cheerfully sustained
an endowment of half-a-dozen male offsprings and a girl or two, her
one child was Comus. Moderation in numbers was more than counterbalanced
in his case by extravagance in characteristics.
Francesca mentally compared her son with hundreds of other young men
whom she saw around her, steadily, and no doubt happily, engaged in
the process of transforming themselves from nice boys into useful citizens.
Most of them had occupations, or were industriously engaged in qualifying
for such; in their leisure moments they smoked reasonably-priced cigarettes,
went to the cheaper seats at music-halls, watched an occasional cricket
match at Lord’s with apparent interest, saw most of the world’s
spectacular events through the medium of the cinematograph, and were
wont to exchange at parting seemingly superfluous injunctions to “be
good.” The whole of Bond Street and many of the tributary
thoroughfares of Piccadilly might have been swept off the face of modern
London without in any way interfering with the supply of their daily
wants. They were doubtless dull as acquaintances, but as sons
they would have been eminently restful. With a growing sense of
irritation Francesca compared these deserving young men with her own
intractable offspring, and wondered why Fate should have singled her
out to be the parent of such a vexatious variant from a comfortable
and desirable type. As far as remunerative achievement was concerned,
Comus copied the insouciance of the field lily with a dangerous fidelity.
Like his mother he looked round with wistful irritation at the example
afforded by contemporary youth, but he concentrated his attention exclusively
on the richer circles of his acquaintance, young men who bought cars
and polo ponies as unconcernedly as he might purchase a carnation for
his buttonhole, and went for trips to Cairo or the Tigris valley with
less difficulty and finance-stretching than he encountered in contriving
a week-end at Brighton.
Gaiety and good-looks had carried Comus successfully and, on the whole,
pleasantly, through schooldays and a recurring succession of holidays;
the same desirable assets were still at his service to advance him along
his road, but it was a disconcerting experience to find that they could
not be relied on to go all distances at all times. In an animal
world, and a fiercely competitive animal world at that, something more
was needed than the decorative abandon of the field lily, and
it was just that something more which Comus seemed unable or unwilling
to provide on his own account; it was just the lack of that something
more which left him sulking with Fate over the numerous breakdowns and
stumbling-blocks that held him up on what he expected to be a triumphal
or, at any rate, unimpeded progress.
Francesca was, in her own way, fonder of Comus than of anyone else in
the world, and if he had been browning his skin somewhere east of Suez
she would probably have kissed his photograph with genuine fervour every
night before going to bed; the appearance of a cholera scare or rumour
of native rising in the columns of her daily news-sheet would have caused
her a flutter of anxiety, and she would have mentally likened herself
to a Spartan mother sacrificing her best-beloved on the altar of State
necessities. But with the best-beloved installed under her roof,
occupying an unreasonable amount of cubic space, and demanding daily
sacrifices instead of providing the raw material for one, her feelings
were tinged with irritation rather than affection. She might have
forgiven Comus generously for misdeeds of some gravity committed in
another continent, but she could never overlook the fact that out of
a dish of five plovers’ eggs he was certain to take three.
The absent may be always wrong, but they are seldom in a position to
be inconsiderate.
Thus a wall of ice had grown up gradually between mother and son, a
barrier across which they could hold converse, but which gave a wintry
chill even to the sparkle of their lightest words. The boy had
the gift of being irresistibly amusing when he chose to exert himself
in that direction, and after a long series of moody or jangling meal-sittings
he would break forth into a torrential flow of small talk, scandal and
malicious anecdote, true or more generally invented, to which Francesca
listened with a relish and appreciation, that was all the more flattering
from being so unwillingly bestowed.
“If you chose your friends from a rather more reputable set you
would be doubtless less amusing, but there would be compensating advantages.”
Francesca snapped the remark out at lunch one day when she had been
betrayed into a broader smile than she considered the circumstances
of her attitude towards Comus warranted.
“I’m going to move in quite decent society to-night,”
replied Comus with a pleased chuckle; “I’m going to meet
you and Uncle Henry and heaps of nice dull God-fearing people at dinner.”
Francesca gave a little gasp of surprise and annoyance.
“You don’t mean to say Caroline has asked you to dinner
to-night?” she said; “and of course without telling me.
How exceedingly like her!”
Lady Caroline Benaresq had reached that age when you can say and do
what you like in defiance of people’s most sensitive feelings
and most cherished antipathies. Not that she had waited to attain
her present age before pursuing that line of conduct; she came of a
family whose individual members went through life, from the nursery
to the grave, with as much tact and consideration as a cactus-hedge
might show in going through a crowded bathing tent. It was a compensating
mercy that they disagreed rather more among themselves than they did
with the outside world; every known variety and shade of religion and
politics had been pressed into the family service to avoid the possibility
of any agreement on the larger essentials of life, and such unlooked-for
happenings as the Home Rule schism, the Tariff-Reform upheaval and the
Suffragette crusade were thankfully seized on as furnishing occasion
for further differences and sub-divisions. Lady Caroline’s
favourite scheme of entertaining was to bring jarring and antagonistic
elements into close contact and play them remorselessly one against
the other. “One gets much better results under those circumstances”
she used to observe, “than by asking people who wish to meet each
other. Few people talk as brilliantly to impress a friend as they
do to depress an enemy.”
She admitted that her theory broke down rather badly if you applied
it to Parliamentary debates. At her own dinner table its success
was usually triumphantly vindicated.
“Who else is to be there?” Francesca asked, with some pardonable
misgiving.
“Courtenay Youghal. He’ll probably sit next to you,
so you’d better think out a lot of annihilating remarks in readiness.
And Elaine de Frey.”
“I don’t think I’ve heard of her. Who is she?”
“Nobody in particular, but rather nice-looking in a solemn sort
of way, and almost indecently rich.”
“Marry her” was the advice which sprang to Francesca’s
lips, but she choked it back with a salted almond, having a rare perception
of the fact that words are sometimes given to us to defeat our purposes.
“Caroline has probably marked her down for Toby or one of the
grand-nephews,” she said, carelessly; “a little money would
be rather useful in that quarter, I imagine.”
Comus tucked in his underlip with just the shade of pugnacity that she
wanted to see.
An advantageous marriage was so obviously the most sensible course for
him to embark on that she scarcely dared to hope that he would seriously
entertain it; yet there was just a chance that if he got as far as the
flirtation stage with an attractive (and attracted) girl who was also
an heiress, the sheer perversity of his nature might carry him on to
more definite courtship, if only from the desire to thrust other more
genuinely enamoured suitors into the background. It was a forlorn
hope; so forlorn that the idea even crossed her mind of throwing herself
on the mercy of her bête noire, Courtenay Youghal,
and trying to enlist the influence which he seemed to possess over Comus
for the purpose of furthering her hurriedly conceived project.
Anyhow, the dinner promised to be more interesting than she had originally
anticipated.
Lady Caroline was a professed Socialist in politics, chiefly, it was
believed, because she was thus enabled to disagree with most of the
Liberals and Conservatives, and all the Socialists of the day.
She did not permit her Socialism, however, to penetrate below stairs;
her cook and butler had every encouragement to be Individualists.
Francesca, who was a keen and intelligent food critic, harboured no
misgivings as to her hostess’s kitchen and cellar departments;
some of the human side-dishes at the feast gave her more ground for
uneasiness. Courtenay Youghal, for instance, would probably be
brilliantly silent; her brother Henry would almost certainly be the
reverse.
The dinner party was a large one and Francesca arrived late with little
time to take preliminary stock of the guests; a card with the name,
“Miss de Frey,” immediately opposite her own place at the
other side of the table, indicated, however, the whereabouts of the
heiress. It was characteristic of Francesca that she first carefully
read the menu from end to end, and then indulged in an equally careful
though less open scrutiny of the girl who sat opposite her, the girl
who was nobody in particular, but whose income was everything that could
be desired. She was pretty in a restrained nut-brown fashion,
and had a look of grave reflective calm that probably masked a speculative
unsettled temperament. Her pose, if one wished to be critical,
was just a little too elaborately careless. She wore some excellently
set rubies with that indefinable air of having more at home that is
so difficult to improvise. Francesca was distinctly pleased with
her survey.
“You seem interested in your vis-à-vis,” said
Courtenay Youghal.
“I almost think I’ve seen her before,” said Francesca;
“her face seems familiar to me.”
“The narrow gallery at the Louvre; attributed to Leonardo da Vinci,”
said Youghal.
“Of course,” said Francesca, her feelings divided between
satisfaction at capturing an elusive impression and annoyance that Youghal
should have been her helper. A stronger tinge of annoyance possessed
her when she heard the voice of Henry Greech raised in painful prominence
at Lady Caroline’s end of the table.
“I called on the Trudhams yesterday,” he announced; “it
was their Silver Wedding, you know, at least the day before was.
Such lots of silver presents, quite a show. Of course there were
a great many duplicates, but still, very nice to have. I think
they were very pleased to get so many.”
“We must not grudge them their show of presents after their twenty-five
years of married life,” said Lady Caroline, gently; “it
is the silver lining to their cloud.”
A third of the guests present were related to the Trudhams.
“Lady Caroline is beginning well,” murmured Courtenay Youghal.
“I should hardly call twenty-five years of married life a cloud,”
said Henry Greech, lamely.
“Don’t let’s talk about married life,” said
a tall handsome woman, who looked like some modern painter’s conception
of the goddess Bellona; “it’s my misfortune to write eternally
about husbands and wives and their variants. My public expects
it of me. I do so envy journalists who can write about plagues
and strikes and Anarchist plots, and other pleasing things, instead
of being tied down to one stale old topic.”
“Who is that woman and what has she written?” Francesca
asked Youghal; she dimly remembered having seen her at one of Serena
Golackly’s gatherings, surrounded by a little Court of admirers.
“I forget her name; she has a villa at San Remo or Mentone, or
somewhere where one does have villas, and plays an extraordinary good
game of bridge. Also she has the reputation, rather rare in your
sex, of being a wonderfully sound judge of wine.”
“But what has she written?”
“Oh, several novels of the thinnish ice order. Her last
one, ‘The Woman who wished it was Wednesday,’ has been banned
at all the libraries. I expect you’ve read it.”
“I don’t see why you should think so,” said Francesca,
coldly.
“Only because Comus lent me your copy yesterday,” said Youghal.
He threw back his handsome head and gave her a sidelong glance of quizzical
amusement. He knew that she hated his intimacy with Comus, and
he was secretly rather proud of his influence over the boy, shallow
and negative though he knew it to be. It had been, on his part,
an unsought intimacy, and it would probably fall to pieces the moment
he tried seriously to take up the rôle of mentor.
The fact that Comus’s mother openly disapproved of the friendship
gave it perhaps its chief interest in the young politician’s eyes.
Francesca turned her attention to her brother’s end of the table.
Henry Greech had willingly availed himself of the invitation to leave
the subject of married life, and had launched forthwith into the equally
well-worn theme of current politics. He was not a person who was
in much demand for public meetings, and the House showed no great impatience
to hear his views on the topics of the moment; its impatience, indeed,
was manifested rather in the opposite direction. Hence he was
prone to unburden himself of accumulated political wisdom as occasion
presented itself - sometimes, indeed, to assume an occasion that was
hardly visible to the naked intelligence.
“Our opponents are engaged in a hopelessly uphill struggle, and
they know it,” he chirruped, defiantly; “they’ve become
possessed, like the Gadarene swine, with a whole legion of - ”
“Surely the Gadarene swine went downhill,” put in Lady Caroline
in a gently enquiring voice.
Henry Greech hastily abandoned simile and fell back on platitude and
the safer kinds of fact.
Francesca did not regard her brother’s views on statecraft either
in the light of gospel or revelation; as Comus once remarked, they more
usually suggested exodus. In the present instance she found distraction
in a renewed scrutiny of the girl opposite her, who seemed to be only
moderately interested in the conversational efforts of the diners on
either side of her. Comus who was looking and talking his best,
was sitting at the further end of the table, and Francesca was quick
to notice in which direction the girl’s glances were continually
straying. Once or twice the eyes of the young people met and a
swift flush of pleasure and a half-smile that spoke of good understanding
came to the heiress’s face. It did not need the gift of
the traditional intuition of her sex to enable Francesca to guess that
the girl with the desirable banking account was already considerably
attracted by the lively young Pagan who had, when he cared to practise
it, such an art of winning admiration. For the first time for
many, many months Francesca saw her son’s prospects in a rose-coloured
setting, and she began, unconsciously, to wonder exactly how much wealth
was summed up in the expressive label “almost indecently rich.”
A wife with a really large fortune and a correspondingly big dower of
character and ambition, might, perhaps, succeed in turning Comus’s
latent energies into a groove which would provide him, if not with a
career, at least with an occupation, and the young serious face opposite
looked as if its owner lacked neither character or ambition. Francesca’s
speculations took a more personal turn. Out of the well-filled
coffers with which her imagination was toying, an inconsiderable sum
might eventually be devoted to the leasing, or even perhaps the purchase
of, the house in Blue Street when the present convenient arrangement
should have come to an end, and Francesca and the Van der Meulen would
not be obliged to seek fresh quarters.
A woman’s voice, talking in a discreet undertone on the other
side of Courtenay Youghal, broke in on her bridge-building.
“Tons of money and really very presentable. Just the wife
for a rising young politician. Go in and win her before she’s
snapped up by some fortune hunter.”
Youghal and his instructress in worldly wisdom were looking straight
across the table at the Leonardo da Vinci girl with the grave reflective
eyes and the over-emphasised air of repose. Francesca felt a quick
throb of anger against her match-making neighbour; why, she asked herself,
must some women, with no end or purpose of their own to serve, except
the sheer love of meddling in the affairs of others, plunge their hands
into plots and schemings of this sort, in which the happiness of more
than one person was concerned? And more clearly than ever she
realised how thoroughly she detested Courtenay Youghal. She had
disliked him as an evil influence, setting before her son an example
of showy ambition that he was not in the least likely to follow, and
providing him with a model of extravagant dandyism that he was only
too certain to copy. In her heart she knew that Comus would have
embarked just as surely on his present course of idle self-indulgence
if he had never known of the existence of Youghal, but she chose to
regard that young man as her son’s evil genius, and now he seemed
likely to justify more than ever the character she had fastened on to
him. For once in his life Comus appeared to have an idea of behaving
sensibly and making some use of his opportunities, and almost at the
same moment Courtenay Youghal arrived on the scene as a possible and
very dangerous rival. Against the good looks and fitful powers
of fascination that Comus could bring into the field, the young politician
could match half-a-dozen dazzling qualities which would go far to recommend
him in the eyes of a woman of the world, still more in those of a young
girl in search of an ideal. Good-looking in his own way, if not
on such showy lines as Comus, always well turned-out, witty, self-confident
without being bumptious, with a conspicuous Parliamentary career alongside
him, and heaven knew what else in front of him, Courtenay Youghal certainly
was not a rival whose chances could be held very lightly. Francesca
laughed bitterly to herself as she remembered that a few hours ago she
had entertained the idea of begging for his good offices in helping
on Comus’s wooing. One consolation, at least, she found
for herself: if Youghal really meant to step in and try and cut out
his young friend, the latter at any rate had snatched a useful start.
Comus had mentioned Miss de Frey at luncheon that day, casually and
dispassionately; if the subject of the dinner guests had not come up
he would probably not have mentioned her at all. But they were
obviously already very good friends. It was part and parcel of
the state of domestic tension at Blue Street that Francesca should only
have come to know of this highly interesting heiress by an accidental
sorting of guests at a dinner party.
Lady Caroline’s voice broke in on her reflections; it was a gentle
purring voice, that possessed an uncanny quality of being able to make
itself heard down the longest dinner table.
“The dear Archdeacon is getting so absent-minded. He read
a list of box-holders for the opera as the First Lesson the other Sunday,
instead of the families and lots of the tribes of Israel that entered
Canaan. Fortunately no one noticed the mistake.”
CHAPTER V
On a conveniently secluded bench facing the Northern Pheasantry in the
Zoological Society’s Gardens, Regent’s Park, Courtenay Youghal
sat immersed in mature flirtation with a lady, who, though certainly
young in fact and appearance, was some four or five years his senior.
When he was a schoolboy of sixteen, Molly McQuade had personally conducted
him to the Zoo and stood him dinner afterwards at Kettner’s, and
whenever the two of them happened to be in town on the anniversary of
that bygone festivity they religiously repeated the programme in its
entirety. Even the menu of the dinner was adhered to as nearly
as possible; the original selection of food and wine that schoolboy
exuberance, tempered by schoolboy shyness, had pitched on those many
years ago, confronted Youghal on those occasions, as a drowning man’s
past life is said to rise up and parade itself in his last moments of
consciousness.
The flirtation which was thus perennially restored to its old-time footing
owed its longevity more to the enterprising solicitude of Miss McQuade
than to any conscious sentimental effort on the part of Youghal himself.
Molly McQuade was known to her neighbours in a minor hunting shire as
a hard-riding conventionally unconventional type of young woman, who
came naturally into the classification, “a good sort.”
She was just sufficiently good-looking, sufficiently reticent about
her own illnesses, when she had any, and sufficiently appreciative of
her neighbours’ gardens, children and hunters to be generally
popular. Most men liked her, and the percentage of women who disliked
her was not inconveniently high. One of these days, it was assumed,
she would marry a brewer or a Master of Otter Hounds, and, after a brief
interval, be known to the world as the mother of a boy or two at Malvern
or some similar seat of learning. The romantic side of her nature
was altogether unguessed by the countryside.
Her romances were mostly in serial form and suffered perhaps in fervour
from their disconnected course what they gained in length of days.
Her affectionate interest in the several young men who figured in her
affairs of the heart was perfectly honest, and she certainly made no
attempt either to conceal their separate existences, or to play them
off one against the other. Neither could it be said that she was
a husband hunter; she had made up her mind what sort of man she was
likely to marry, and her forecast did not differ very widely from that
formed by her local acquaintances. If her married life were eventually
to turn out a failure, at least she looked forward to it with very moderate
expectations. Her love affairs she put on a very different footing
and apparently they were the all-absorbing element in her life.
She possessed the happily constituted temperament which enables a man
or woman to be a “pluralist,” and to observe the sage precaution
of not putting all one’s eggs into one basket. Her demands
were not exacting; she required of her affinity that he should be young,
good-looking, and at least, moderately amusing; she would have preferred
him to be invariably faithful, but, with her own example before her,
she was prepared for the probability, bordering on certainty, that he
would be nothing of the sort. The philosophy of the “Garden
of Kama” was the compass by which she steered her barque and thus
far, if she had encountered some storms and buffeting, she had at least
escaped being either shipwrecked or becalmed.
Courtenay Youghal had not been designed by Nature to fulfil the rôle
of an ardent or devoted lover, and he scrupulously respected the limits
which Nature had laid down. For Molly, however, he had a certain
responsive affection. She had always obviously admired him, and
at the same time she never beset him with crude flattery; the principal
reason why the flirtation had stood the test of so many years was the
fact that it only flared into active existence at convenient intervals.
In an age when the telephone has undermined almost every fastness of
human privacy, and the sanctity of one’s seclusion depends often
on the ability for tactful falsehood shown by a club pageboy, Youghal
was duly appreciative of the circumstance that his lady fair spent a
large part of the year pursuing foxes, in lieu of pursuing him.
Also the honestly admitted fact that, in her human hunting, she rode
after more than one quarry, made the inevitable break-up of the affair
a matter to which both could look forward without a sense of coming
embarrassment and recrimination. When the time for gathering ye
rosebuds should be over, neither of them could accuse the other of having
wrecked his or her entire life. At the most they would only have
disorganised a week-end.
On this particular afternoon, when old reminiscences had been gone through,
and the intervening gossip of past months duly recounted, a lull in
the conversation made itself rather obstinately felt. Molly had
already guessed that matters were about to slip into a new phase; the
affair had reached maturity long ago, and a new phase must be in the
nature of a wane.
“You’re a clever brute,” she said, suddenly, with
an air of affectionate regret; “I always knew you’d get
on in the House, but I hardly expected you to come to the front so soon.”
“I’m coming to the front,” admitted Youghal, judicially;
“the problem is, shall I be able to stay there. Unless something
happens in the financial line before long, I don’t see how I’m
to stay in Parliament at all. Economy is out of the question.
It would open people’s eyes, I fancy, if they knew how little
I exist on as it is. And I’m living so far beyond my income
that we may almost be said to be living apart.”
“It will have to be a rich wife, I suppose,” said Molly,
slowly; “that’s the worst of success, it imposes so many
conditions. I rather knew, from something in your manner, that
you were drifting that way.”
Youghal said nothing in the way of contradiction; he gazed steadfastly
at the aviary in front of him as though exotic pheasants were for the
moment the most absorbing study in the world. As a matter of fact,
his mind was centred on the image of Elaine de Frey, with her clear
untroubled eyes and her Leonardo da Vinci air. He was wondering
whether he was likely to fall into a frame of mind concerning her which
would be in the least like falling in love.
“I shall mind horribly,” continued Molly, after a pause,
“but, of course, I have always known that something of the sort
would have to happen one of these days. When a man goes into politics
he can’t call his soul his own, and I suppose his heart becomes
an impersonal possession in the same way.”
“Most people who know me would tell you that I haven’t got
a heart,” said Youghal.
“I’ve often felt inclined to agree with them,” said
Molly; “and then, now and again, I think you have a heart tucked
away somewhere.”
“I hope I have,” said Youghal, “because I’m
trying to break to you the fact that I think I’m falling in love
with somebody.”
Molly McQuade turned sharply to look at her companion, who still fixed
his gaze on the pheasant run in front of him.
“Don’t tell me you’re losing your head over somebody
useless, someone without money,” she said; “I don’t
think I could stand that.”
For the moment she feared that Courtenay’s selfishness might have
taken an unexpected turn, in which ambition had given way to the fancy
of the hour; he might be going to sacrifice his Parliamentary career
for a life of stupid lounging in momentarily attractive company.
He quickly undeceived her.
“She’s got heaps of money.”
Molly gave a grunt of relief. Her affection for Courtenay had
produced the anxiety which underlay her first question; a natural jealousy
prompted the next one.
“Is she young and pretty and all that sort of thing, or is she
just a good sort with a sympathetic manner and nice eyes? As a
rule that’s the kind that goes with a lot of money.”
“Young and quite good-looking in her way, and a distinct style
of her own. Some people would call her beautiful. As a political
hostess I should think she’d be splendid. I imagine I’m
rather in love with her.”
“And is she in love with you?”
Youghal threw back his head with the slight assertive movement that
Molly knew and liked.
“She’s a girl who I fancy would let judgment influence her
a lot. And without being stupidly conceited, I think I may say
she might do worse than throw herself away on me. I’m young
and quite good-looking, and I’m making a name for myself in the
House; she’ll be able to read all sorts of nice and horrid things
about me in the papers at breakfast-time. I can be brilliantly
amusing at times, and I understand the value of silence; there is no
fear that I shall ever degenerate into that fearsome thing - a cheerful
talkative husband. For a girl with money and social ambitions
I should think I was rather a good thing.”
“You are certainly in love, Courtenay,” said Molly, “but
it’s the old love and not a new one. I’m rather glad.
I should have hated to have you head-over-heels in love with a pretty
woman, even for a short time. You’ll be much happier as
it is. And I’m going to put all my feelings in the background,
and tell you to go in and win. You’ve got to marry a rich
woman, and if she’s nice and will make a good hostess, so much
the better for everybody. You’ll be happier in your married
life than I shall be in mine, when it comes; you’ll have other
interests to absorb you. I shall just have the garden and dairy
and nursery and lending library, as like as two peas to all the gardens
and dairies and nurseries for hundreds of miles round. You won’t
care for your wife enough to be worried every time she has a finger-ache,
and you’ll like her well enough to be pleased to meet her sometimes
at your own house. I shouldn’t wonder if you were quite
happy. She will probably be miserable, but any woman who married
you would be.”
There was a short pause; they were both staring at the pheasant cages.
Then Molly spoke again, with the swift nervous tone of a general who
is hurriedly altering the disposition of his forces for a strategic
retreat.
“When you are safely married and honey-mooned and all that sort
of thing, and have put your wife through her paces as a political hostess,
some time, when the House isn’t sitting, you must come down by
yourself, and do a little hunting with us. Will you? It
won’t be quite the same as old times, but it will be something
to look forward to when I’m reading the endless paragraphs about
your fashionable political wedding.”
“You’re looking forward pretty far,” laughed Youghal;
“the lady may take your view as to the probable unhappiness of
a future shared with me, and I may have to content myself with penurious
political bachelorhood. Anyhow, the present is still with us.
We dine at Kettner’s to-night, don’t we?”
“Rather,” said Molly, “though it will be more or less
a throat-lumpy feast as far as I am concerned. We shall have to
drink to the health of the future Mrs. Youghal. By the way, it’s
rather characteristic of you that you haven’t told me who she
is, and of me that I haven’t asked. And now, like a dear
boy, trot away and leave me. I haven’t got to say good-bye
to you yet, but I’m going to take a quiet farewell of the Pheasantry.
We’ve had some jolly good talks, you and I, sitting on this seat,
haven’t we? And I know, as well as I know anything, that
this is the last of them. Eight o’clock to-night, as punctually
as possible.”
She watched his retreating figure with eyes that grew slowly misty;
he had been such a jolly comely boy-friend, and they had had such good
times together. The mist deepened on her lashes as she looked
round at the familiar rendezvous where they had so often kept tryst
since the day when they had first come there together, he a schoolboy
and she but lately out of her teens. For the moment she felt herself
in the thrall of a very real sorrow.
Then, with the admirable energy of one who is only in town for a fleeting
fortnight, she raced away to have tea with a world-faring naval admirer
at his club. Pluralism is a merciful narcotic.
CHAPTER VI
Elaine de Frey sat at ease - at bodily ease - at any rate - in a low
wicker chair placed under the shade of a group of cedars in the heart
of a stately spacious garden that had almost made up its mind to be
a park. The shallow stone basin of an old fountain, on whose wide
ledge a leaden-moulded otter for ever preyed on a leaden salmon, filled
a conspicuous place in the immediate foreground. Around its rim
ran an inscription in Latin, warning mortal man that time flows as swiftly
as water and exhorting him to make the most of his hours; after which
piece of Jacobean moralising it set itself shamelessly to beguile all
who might pass that way into an abandonment of contemplative repose.
On all sides of it a stretch of smooth turf spread away, broken up here
and there by groups of dwarfish chestnut and mulberry trees, whose leaves
and branches cast a laced pattern of shade beneath them. On one
side the lawn sloped gently down to a small lake, whereon floated a
quartette of swans, their movements suggestive of a certain mournful
listlessness, as though a weary dignity of caste held them back from
the joyous bustling life of the lesser waterfowl. Elaine liked
to imagine that they re-embodied the souls of unhappy boys who had been
forced by family interests to become high ecclesiastical dignitaries
and had grown prematurely Right Reverend. A low stone balustrade
fenced part of the shore of the lake, making a miniature terrace above
its level, and here roses grew in a rich multitude. Other rose
bushes, carefully pruned and tended, formed little oases of colour and
perfume amid the restful green of the sward, and in the distance the
eye caught the variegated blaze of a many-hued hedge of rhododendron.
With these favoured exceptions flowers were hard to find in this well-ordered
garden; the misguided tyranny of staring geranium beds and beflowered
archways leading to nowhere, so dear to the suburban gardener, found
no expression here. Magnificent Amherst pheasants, whose plumage
challenged and almost shamed the peacock on his own ground, stepped
to and fro over the emerald turf with the assured self-conscious pride
of reigning sultans. It was a garden where summer seemed a part-proprietor
rather than a hurried visitor.
By the side of Elaine’s chair under the shadow of the cedars a
wicker table was set out with the paraphernalia of afternoon tea.
On some cushions at her feet reclined Courtenay Youghal, smoothly preened
and youthfully elegant, the personification of decorative repose; equally
decorative, but with the showy restlessness of a dragonfly, Comus disported
his flannelled person over a considerable span of the available foreground.
The intimacy existing between the two young men had suffered no immediate
dislocation from the circumstance that they were tacitly paying court
to the same lady. It was an intimacy founded not in the least
on friendship or community of tastes and ideas, but owed its existence
to the fact that each was amused and interested by the other.
Youghal found Comus, for the time being at any rate, just as amusing
and interesting as a rival for Elaine’s favour as he had been
in the rôle of scapegrace boy-about-Town; Comus for his
part did not wish to lose touch with Youghal, who among other attractions
possessed the recommendation of being under the ban of Comus’s
mother. She disapproved, it is true, of a great many of her son’s
friends and associates, but this particular one was a special and persistent
source of irritation to her from the fact that he figured prominently
and more or less successfully in the public life of the day. There
was something peculiarly exasperating in reading a brilliant and incisive
attack on the Government’s rash handling of public expenditure
delivered by a young man who encouraged her son in every imaginable
extravagance. The actual extent of Youghal’s influence over
the boy was of the slightest; Comus was quite capable of deriving encouragement
to rash outlay and frivolous conversation from an anchorite or an East-end
parson if he had been thrown into close companionship with such an individual.
Francesca, however, exercised a mother’s privilege in assuming
her son’s bachelor associates to be industrious in labouring to
achieve his undoing. Therefore the young politician was a source
of unconcealed annoyance to her, and in the same degree as she expressed
her disapproval of him Comus was careful to maintain and parade the
intimacy. Its existence, or rather its continued existence, was
one of the things that faintly puzzled the young lady whose sought-for
favour might have been expected to furnish an occasion for its rapid
dissolution.
With two suitors, one of whom at least she found markedly attractive,
courting her at the same moment, Elaine should have had reasonable cause
for being on good terms with the world, and with herself in particular.
Happiness was not, however, at this auspicious moment, her dominant
mood. The grave calm of her face masked as usual a certain degree
of grave perturbation. A succession of well-meaning governesses
and a plentiful supply of moralising aunts on both sides of her family,
had impressed on her young mind the theoretical fact that wealth is
a great responsibility. The consciousness of her responsibility
set her continually wondering, not as to her own fitness to discharge
her “stewardship,” but as to the motives and merits of people
with whom she came in contact. The knowledge that there was so
much in the world that she could buy, invited speculation as to how
much there was that was worth buying. Gradually she had come to
regard her mind as a sort of appeal court before whose secret sittings
were examined and judged the motives and actions, the motives especially,
of the world in general. In her schoolroom days she had sat in
conscientious judgment on the motives that guided or misguided Charles
and Cromwell and Monck, Wallenstein and Savonarola. In her present
stage she was equally occupied in examining the political sincerity
of the Secretary for Foreign Affairs, the good-faith of a honey-tongued
but possibly loyal-hearted waiting-maid, and the disinterestedness of
a whole circle of indulgent and flattering acquaintances. Even
more absorbing, and in her eyes, more urgently necessary, was the task
of dissecting and appraising the characters of the two young men who
were favouring her with their attentions. And herein lay cause
for much thinking and some perturbation. Youghal, for example,
might have baffled a more experienced observer of human nature.
Elaine was too clever to confound his dandyism with foppishness or self-advertisement.
He admired his own toilet effect in a mirror from a genuine sense of
pleasure in a thing good to look upon, just as he would feel a sensuous
appreciation of the sight of a well-bred, well-matched, well-turned-out
pair of horses. Behind his careful political flippancy and cynicism
one might also detect a certain careless sincerity, which would probably
in the long run save him from moderate success, and turn him into one
of the brilliant failures of his day. Beyond this it was difficult
to form an exact appreciation of Courtenay Youghal, and Elaine, who
liked to have her impressions distinctly labelled and pigeon-holed,
was perpetually scrutinising the outer surface of his characteristics
and utterances, like a baffled art critic vainly searching beneath the
varnish and scratches of a doubtfully assigned picture for an enlightening
signature. The young man added to her perplexities by his deliberate
policy of never trying to show himself in a favourable light even when
most anxious to impart a favourable impression. He preferred that
people should hunt for his good qualities, and merely took very good
care that as far as possible they should never draw blank; even in the
matter of selfishness, which was the anchor-sheet of his existence,
he contrived to be noted, and justly noted, for doing remarkably unselfish
things. As a ruler he would have been reasonably popular; as a
husband he would probably be unendurable.
Comus was to a certain extent as great a mystification as Youghal, but
here Elaine was herself responsible for some of the perplexity which
enshrouded his character in her eyes. She had taken more than
a passing fancy for the boy - for the boy as he might be, that was to
say - and she was desperately unwilling to see him and appraise him
as he really was. Thus the mental court of appeal was constantly
engaged in examining witnesses as to character, most of whom signally
failed to give any testimony which would support the favourable judgment
which the tribunal was so anxious to arrive at. A woman with wider
experience of the world’s ways and shortcomings would probably
have contented herself with an endeavour to find out whether her liking
for the boy outweighed her dislike of his characteristics; Elaine took
her judgments too seriously to approach the matter from such a simple
and convenient standpoint. The fact that she was much more than
half in love with Comus made it dreadfully important that she should
discover him to have a lovable soul, and Comus, it must be confessed,
did little to help forward the discovery.
“At any rate he is honest,” she would observe to herself,
after some outspoken admission of unprincipled conduct on his part,
and then she would ruefully recall certain episodes in which he had
figured, from which honesty had been conspicuously absent. What
she tried to label honesty in his candour was probably only a cynical
defiance of the laws of right and wrong.
“You look more than usually thoughtful this afternoon,”
said Comus to her, “as if you had invented this summer day and
were trying to think out improvements.”
“If I had the power to create improvements anywhere I think I
should begin with you,” retorted Elaine.
“I’m sure it’s much better to leave me as I am,”
protested Comus; “you’re like a relative of mine up in Argyllshire,
who spends his time producing improved breeds of sheep and pigs and
chickens. So patronising and irritating to the Almighty I should
think, to go about putting superior finishing touches to Creation.”
Elaine frowned, and then laughed, and finally gave a little sigh.
“It’s not easy to talk sense to you,” she said.
“Whatever else you take in hand,” said Youghal, “you
must never improve this garden. It’s what our idea of Heaven
might be like if the Jews hadn’t invented one for us on totally
different lines. It’s dreadful that we should accept them
as the impresarios of our religious dreamland instead of the Greeks.”
“You are not very fond of the Jews,” said Elaine.
“I’ve travelled and lived a good deal in Eastern Europe,”
said Youghal.
“It seems largely a question of geography,” said Elaine;
“in England no one really is anti-Semitic.”
Youghal shook his head. “I know a great many Jews who are.”
Servants had quietly, almost reverently, placed tea and its accessories
on the wicker table, and quietly receded from the landscape. Elaine
sat like a grave young goddess about to dispense some mysterious potion
to her devotees. Her mind was still sitting in judgment on the
Jewish question.
Comus scrambled to his feet.
“It’s too hot for tea,” he said; “I shall go
and feed the swans.”
And he walked off with a little silver basket-dish containing brown
bread-and-butter.
Elaine laughed quietly.
“It’s so like Comus,” she said, “to go off with
our one dish of bread-and-butter.”
Youghal chuckled responsively. It was an undoubted opportunity
for him to put in some disparaging criticism of Comus, and Elaine sat
alert in readiness to judge the critic and reserve judgment on the criticised.
“His selfishness is splendid but absolutely futile,” said
Youghal; “now my selfishness is commonplace, but always thoroughly
practical and calculated. He will have great difficulty in getting
the swans to accept his offering, and he incurs the odium of reducing
us to a bread-and-butterless condition. Incidentally he will get
very hot.”
Elaine again had the sense of being thoroughly baffled. If Youghal
had said anything unkind it was about himself.
“If my cousin Suzette had been here,” she observed, with
the shadow of a malicious smile on her lips, “I believe she would
have gone into a flood of tears at the loss of her bread-and-butter,
and Comus would have figured ever after in her mind as something black
and destroying and hateful. In fact I don’t really know
why we took our loss so unprotestingly.”
“For two reasons,” said Youghal; “you are rather fond
of Comus. And I - am not very fond of bread-and-butter.”
The jesting remark brought a throb of pleasure to Elaine’s heart.
She had known full well that she cared for Comus, but now that Courtenay
Youghal had openly proclaimed the fact as something unchallenged and
understood matters seemed placed at once on a more advanced footing.
The warm sunlit garden grew suddenly into a Heaven that held the secret
of eternal happiness. Youth and comeliness would always walk here,
under the low-boughed mulberry trees, as unchanging as the leaden otter
that for ever preyed on the leaden salmon on the edge of the old fountain,
and somehow the lovers would always wear the aspect of herself and the
boy who was talking to the four white swans by the water steps.
Youghal was right; this was the real Heaven of one’s dreams and
longings, immeasurably removed from that Rue de la Paix Paradise about
which one professed utterly insincere hankerings in places of public
worship. Elaine drank her tea in a happy silence; besides being
a brilliant talker Youghal understood the rarer art of being a non-talker
on occasion.
Comus came back across the grass swinging the empty basket-dish in his
hand.
“Swans were very pleased,” he cried, gaily, “and said
they hoped I would keep the bread-and-butter dish as a souvenir of a
happy tea-party. I may really have it, mayn’t I?”
he continued in an anxious voice; “it will do to keep studs and
things in. You don’t want it.”
“It’s got the family crest on it,” said Elaine.
Some of the happiness had died out of her eyes.
“I’ll have that scratched off and my own put on,”
said Comus.
“It’s been in the family for generations,” protested
Elaine, who did not share Comus’s view that because you were rich
your lesser possessions could have no value in your eyes.
“I want it dreadfully,” said Comus, sulkily, “and
you’ve heaps of other things to put bread-and-butter in.”
For the moment he was possessed by an overmastering desire to keep the
dish at all costs; a look of greedy determination dominated his face,
and he had not for an instant relaxed his grip of the coveted object.
Elaine was genuinely angry by this time, and was busily telling herself
that it was absurd to be put out over such a trifle; at the same moment
a sense of justice was telling her that Comus was displaying a good
deal of rather shabby selfishness. And somehow her chief anxiety
at the moment was to keep Courtenay Youghal from seeing that she was
angry.
“I know you don’t really want it, so I’m going to
keep it,” persisted Comus.
“It’s too hot to argue,” said Elaine.
“Happy mistress of your destinies,” laughed Youghal; “you
can suit your disputations to the desired time and temperature.
I have to go and argue, or what is worse, listen to other people’s
arguments, in a hot and doctored atmosphere suitable to an invalid lizard.”
“You haven’t got to argue about a bread-and-butter dish,”
said Elaine.
“Chiefly about bread-and-butter,” said Youghal; “our
great preoccupation is other people’s bread-and-butter.
They earn or produce the material, but we busy ourselves with making
rules how it shall be cut up, and the size of the slices, and how much
butter shall go on how much bread. That is what is called legislation.
If we could only make rules as to how the bread-and-butter should be
digested we should be quite happy.”
Elaine had been brought up to regard Parliaments as something to be
treated with cheerful solemnity, like illness or family re-unions.
Youghal’s flippant disparagement of the career in which he was
involved did not, however, jar on her susceptibilities. She knew
him to be not only a lively and effective debater but an industrious
worker on committees. If he made light of his labours, at least
he afforded no one else a loophole for doing so. And certainly,
the Parliamentary atmosphere was not inviting on this hot afternoon.
“When must you go?” she asked, sympathetically.
Youghal looked ruefully at his watch. Before he could answer,
a cheerful hoot came through the air, as of an owl joyously challenging
the sunlight with a foreboding of the coming night. He sprang
laughing to his feet.
“Listen! My summons back to my galley,” he cried.
“The Gods have given me an hour in this enchanted garden, so I
must not complain.”
Then in a lower voice he almost whispered, “It’s the Persian
debate to-night,”
It was the one hint he had given in the midst of his talking and laughing
that he was really keenly enthralled in the work that lay before him.
It was the one little intimate touch that gave Elaine the knowledge
that he cared for her opinion of his work.
Comus, who had emptied his cigarette-case, became suddenly clamorous
at the prospect of being temporarily stranded without a smoke.
Youghal took the last remaining cigarette from his own case and gravely
bisected it.
“Friendship could go no further,” he observed, as he gave
one-half to the doubtfully appeased Comus, and lit the other himself.
“There are heaps more in the hall,” said Elaine.
“It was only done for the Saint Martin of Tours effect,”
said Youghal; “I hate smoking when I’m rushing through the
air. Good-bye.”
The departing galley-slave stepped forth into the sunlight, radiant
and confident. A few minutes later Elaine could see glimpses of
his white car as it rushed past the rhododendron bushes. He woos
best who leaves first, particularly if he goes forth to battle or the
semblance of battle.
Somehow Elaine’s garden of Eternal Youth had already become clouded
in its imagery. The girl-figure who walked in it was still distinctly
and unchangingly herself, but her companion was more blurred and undefined,
as a picture that has been superimposed on another.
Youghal sped townward well satisfied with himself. To-morrow,
he reflected, Elaine would read his speech in her morning paper, and
he knew in advance that it was not going to be one of his worst efforts.
He knew almost exactly where the punctuations of laughter and applause
would burst in, he knew that nimble fingers in the Press Gallery would
be taking down each gibe and argument as he flung it at the impassive
Minister confronting him, and that the fair lady of his desire would
be able to judge what manner of young man this was who spent his afternoon
in her garden, lazily chaffing himself and his world.
And he further reflected, with an amused chuckle, that she would be
vividly reminded of Comus for days to come, when she took her afternoon
tea, and saw the bread-and-butter reposing in an unaccustomed dish.
CHAPTER VII
Towards four o’clock on a hot afternoon Francesca stepped out
from a shop entrance near the Piccadilly end of Bond Street and ran
almost into the arms of Merla Blathlington. The afternoon seemed
to get instantly hotter. Merla was one of those human flies that
buzz; in crowded streets, at bazaars and in warm weather, she attained
to the proportions of a human bluebottle. Lady Caroline Benaresq
had openly predicted that a special fly-paper was being reserved for
her accommodation in another world; others, however, held the opinion
that she would be miraculously multiplied in a future state, and that
four or more Merla Blathlingtons, according to deserts, would be in
perpetual and unremitting attendance on each lost soul.
“Here we are,” she cried, with a glad eager buzz, “popping
in and out of shops like rabbits; not that rabbits do pop in and out
of shops very extensively.”
It was evidently one of her bluebottle days.
“Don’t you love Bond Street?” she gabbled on.
“There’s something so unusual and distinctive about it;
no other street anywhere else is quite like it. Don’t you
know those ikons and images and things scattered up and down Europe,
that are supposed to have been painted or carved, as the case may be,
by St. Luke or Zaccheus, or somebody of that sort; I always like to
think that some notable person of those times designed Bond Street.
St. Paul, perhaps. He travelled about a lot.”
“Not in Middlesex, though,” said Francesca.
“One can’t be sure,” persisted Merla; “when
one wanders about as much as he did one gets mixed up and forgets where
one has been. I can never remember whether I’ve been
to the Tyrol twice and St. Moritz once, or the other way about; I always
have to ask my maid. And there’s something about the name
Bond that suggests St. Paul; didn’t he write a lot about the bond
and the free?”
“I fancy he wrote in Hebrew or Greek,” objected Francesca;
“the word wouldn’t have the least resemblance.”
“So dreadfully non-committal to go about pamphleteering in those
bizarre languages,” complained Merla; “that’s what
makes all those people so elusive. As soon as you try to pin them
down to a definite statement about anything you’re told that some
vitally important word has fifteen other meanings in the original.
I wonder our Cabinet Ministers and politicians don’t adopt a sort
of dog-Latin or Esperanto jargon to deliver their speeches in; what
a lot of subsequent explaining away would be saved. But to go
back to Bond Street - not that we’ve left it - ”
“I’m afraid I must leave it now,” said Francesca,
preparing to turn up Grafton Street; “Good-bye.”
“Must you be going? Come and have tea somewhere. I
know of a cosy little place where one can talk undisturbed.”
Francesca repressed a shudder and pleaded an urgent engagement.
“I know where you’re going,” said Merla, with the
resentful buzz of a bluebottle that finds itself thwarted by the cold
unreasoning resistance of a windowpane. “You’re going
to play bridge at Serena Golackly’s. She never asks me to
her bridge parties.”
Francesca shuddered openly this time; the prospect of having to play
bridge anywhere in the near neighbourhood of Merla’s voice was
not one that could be contemplated with ordinary calmness.
“Good-bye,” she said again firmly, and passed out of earshot;
it was rather like leaving the machinery section of an exhibition.
Merla’s diagnosis of her destination had been a correct one; Francesca
made her way slowly through the hot streets in the direction of Serena
Golackly’s house on the far side of Berkeley Square. To
the blessed certainty of finding a game of bridge, she hopefully added
the possibility of hearing some fragments of news which might prove
interesting and enlightening. And of enlightenment on a particular
subject, in which she was acutely and personally interested, she stood
in some need. Comus of late had been provokingly reticent as to
his movements and doings; partly, perhaps, because it was his nature
to be provoking, partly because the daily bickerings over money matters
were gradually choking other forms of conversation. Francesca
had seen him once or twice in the Park in the desirable company of Elaine
de Frey, and from time to time she heard of the young people as having
danced together at various houses; on the other hand, she had seen and
heard quite as much evidence to connect the heiress’s name with
that of Courtenay Youghal. Beyond this meagre and conflicting
and altogether tantalising information, her knowledge of the present
position of affairs did not go. If either of the young men was
seriously “making the running,” it was probable that she
would hear some sly hint or open comment about it from one of Serena’s
gossip-laden friends, without having to go out of her way to introduce
the subject and unduly disclose her own state of ignorance. And
a game of bridge, played for moderately high points, gave ample excuse
for convenient lapses into reticence; if questions took an embarrassingly
inquisitive turn, one could always find refuge in a defensive spade.
The afternoon was too warm to make bridge a generally popular diversion,
and Serena’s party was a comparatively small one. Only one
table was incomplete when Francesca made her appearance on the scene;
at it was seated Serena herself, confronted by Ada Spelvexit, whom everyone
was wont to explain as “one of the Cheshire Spelvexits,”
as though any other variety would have been intolerable. Ada Spelvexit
was one of those naturally stagnant souls who take infinite pleasure
in what are called “movements.” “Most of the
really great lessons I have learned have been taught me by the Poor,”
was one of her favourite statements. The one great lesson that
the Poor in general would have liked to have taught her, that their
kitchens and sickrooms were not unreservedly at her disposal as private
lecture halls, she had never been able to assimilate. She was
ready to give them unlimited advice as to how they should keep the wolf
from their doors, but in return she claimed and enforced for herself
the penetrating powers of an east wind or a dust storm. Her visits
among her wealthier acquaintances were equally extensive and enterprising,
and hardly more welcome; in country-house parties, while partaking to
the fullest extent of the hospitality offered her, she made a practice
of unburdening herself of homilies on the evils of leisure and luxury,
which did not particularly endear her to her fellow guests. Hostesses
regarded her philosophically as a form of social measles which everyone
had to have once.
The third prospective player, Francesca noted without any special enthusiasm,
was Lady Caroline Benaresq. Lady Caroline was far from being a
remarkably good bridge player, but she always managed to domineer mercilessly
over any table that was favoured with her presence, and generally managed
to win. A domineering player usually inflicts the chief damage
and demoralisation on his partner; Lady Caroline’s special achievement
was to harass and demoralise partner and opponents alike.
“Weak and weak,” she announced in her gentle voice, as she
cut her hostess for a partner; “I suppose we had better play only
five shillings a hundred.”
Francesca wondered at the old woman’s moderate assessment of the
stake, knowing her fondness for highish play and her usual good luck
in card holding.
“I don’t mind what we play,” said Ada Spelvexit, with
an incautious parade of elegant indifference; as a matter of fact she
was inwardly relieved and rejoicing at the reasonable figure proposed
by Lady Caroline, and she would certainly have demurred if a higher
stake had been suggested. She was not as a rule a successful player,
and money lost at cards was always a poignant bereavement to her.
“Then as you don’t mind we’ll make it ten shillings
a hundred,” said Lady Caroline, with the pleased chuckle of one
who has spread a net in the sight of a bird and disproved the vanity
of the proceeding.
It proved a tiresome ding-dong rubber, with the strength of the cards
slightly on Francesca’s side, and the luck of the table going
mostly the other way. She was too keen a player not to feel a
certain absorption in the game once it had started, but she was conscious
to-day of a distracting interest that competed with the momentary importance
of leads and discards and declarations. The little accumulations
of talk that were unpent during the dealing of the hands became as noteworthy
to her alert attention as the play of the hands themselves.
“Yes, quite a small party this afternoon,” said Serena,
in reply to a seemingly casual remark on Francesca’s part; “and
two or three non-players, which is unusual on a Wednesday. Canon
Besomley was here just before you came; you know, the big preaching
man.”
“I’ve been to hear him scold the human race once or twice,”
said Francesca.
“A strong man with a wonderfully strong message,” said Ada
Spelvexit, in an impressive and assertive tone.
“The sort of popular pulpiteer who spanks the vices of his age
and lunches with them afterwards,” said Lady Caroline.
“Hardly a fair summary of the man and his work,” protested
Ada. “I’ve been to hear him many times when I’ve
been depressed or discouraged, and I simply can’t tell you the
impression his words leave - ”
“At least you can tell us what you intend to make trumps,”
broke in Lady Caroline, gently.
“Diamonds,” pronounced Ada, after a rather flurried survey
of her hand.
“Doubled,” said Lady Caroline, with increased gentleness,
and a few minutes later she was pencilling an addition of twenty-four
to her score.
“I stayed with his people down in Herefordshire last May,”
said Ada, returning to the unfinished theme of the Canon; “such
an exquisite rural retreat, and so restful and healing to the nerves.
Real country scenery; apple blossom everywhere.”
“Surely only on the apple trees,” said Lady Caroline.
Ada Spelvexit gave up the attempt to reproduce the decorative setting
of the Canon’s homelife, and fell back on the small but practical
consolation of scoring the odd trick in her opponent’s declaration
of hearts.
“If you had led your highest club to start with, instead of the
nine, we should have saved the trick,” remarked Lady Caroline
to her partner in a tone of coldly, gentle reproof; “it’s
no use, my dear,” she continued, as Serena flustered out a halting
apology, “no earthly use to attempt to play bridge at one table
and try to see and hear what’s going on at two or three other
tables.”
“I can generally manage to attend to more than one thing at a
time,” said Serena, rashly; “I think I must have a sort
of double brain.”
“Much better to economise and have one really good one,”
observed Lady Caroline.
“La belle dame sans merci scoring a verbal trick or two
as usual,” said a player at another table in a discreet undertone.
“Did I tell you Sir Edward Roan is coming to my next big evening,”
said Serena, hurriedly, by way, perhaps, of restoring herself a little
in her own esteem.
“Poor dear, good Sir Edward. What have you made trumps?”
asked Lady Caroline, in one breath.
“Clubs,” said Francesca; “and pray, why these adjectives
of commiseration?”
Francesca was a Ministerialist by family interest and allegiance, and
was inclined to take up the cudgels at the suggested disparagement aimed
at the Foreign Secretary.
“He amuses me so much,” purred Lady Caroline. Her
amusement was usually of the sort that a sporting cat derives from watching
the Swedish exercises of a well-spent and carefully thought-out mouse.
“Really? He has been rather a brilliant success at the Foreign
Office, you know,” said Francesca.
“He reminds one so of a circus elephant - infinitely more intelligent
than the people who direct him, but quite content to go on putting his
foot down or taking it up as may be required, quite unconcerned whether
he steps on a meringue or a hornet’s nest in the process of going
where he’s expected to go.”
“How can you say such things?” protested Francesca.
“I can’t,” said Lady Caroline; “Courtenay Youghal
said it in the House last night. Didn’t you read the debate?
He was really rather in form. I disagree entirely with his point
of view, of course, but some of the things he says have just enough
truth behind them to redeem them from being merely smart; for instance,
his summing up of the Government’s attitude towards our embarrassing
Colonial Empire in the wistful phrase ‘happy is the country that
has no geography.’”
“What an absurdly unjust thing to say,” put in Francesca;
“I daresay some of our Party at some time have taken up that attitude,
but every one knows that Sir Edward is a sound Imperialist at heart.”
“Most politicians are something or other at heart, but no one
would be rash enough to insure a politician against heart failure.
Particularly when he happens to be in office.”
“Anyhow, I don’t see that the Opposition leaders would have
acted any differently in the present case,” said Francesca.
“One should always speak guardedly of the Opposition leaders,”
said Lady Caroline, in her gentlest voice; “one never knows what
a turn in the situation may do for them.”
“You mean they may one day be at the head of affairs?” asked
Serena, briskly.
“I mean they may one day lead the Opposition. One never
knows.”
Lady Caroline had just remembered that her hostess was on the Opposition
side in politics.
Francesca and her partner scored four tricks in clubs; the game stood
irresolutely at twenty-four all.
“If you had followed the excellent lyrical advice given to the
Maid of Athens and returned my heart we should have made two more tricks
and gone game,” said Lady Caroline to her partner.
“Mr. Youghal seems pushing himself to the fore of late,”
remarked Francesca, as Serena took up the cards to deal. Since
the young politician’s name had been introduced into their conversation
the opportunity for turning the talk more directly on him and his affairs
was too good to be missed.
“I think he’s got a career before him,” said Serena;
“the House always fills when he’s speaking, and that’s
a good sign. And then he’s young and got rather an attractive
personality, which is always something in the political world.”
“His lack of money will handicap him, unless he can find himself
a rich wife or persuade someone to die and leave him a fat legacy,”
said Francesca; “since M.P.’s have become the recipients
of a salary rather more is expected and demanded of them in the expenditure
line than before.”
“Yes, the House of Commons still remains rather at the opposite
pole to the Kingdom of Heaven as regards entrance qualifications,”
observed Lady Caroline.
“There ought to be no difficulty about Youghal picking up a girl
with money,” said Serena; “with his prospects he would make
an excellent husband for any woman with social ambitions.”
And she half sighed, as though she almost regretted that a previous
matrimonial arrangement precluded her from entering into the competition
on her own account.
Francesca, under an assumption of languid interest, was watching Lady
Caroline narrowly for some hint of suppressed knowledge of Youghal’s
courtship of Miss de Frey.
“Whom are you marrying and giving in marriage?”
The question came from George St. Michael, who had strayed over from
a neighbouring table, attracted by the fragments of small-talk that
had reached his ears.
St. Michael was one of those dapper bird-like illusorily-active men,
who seem to have been in a certain stage of middle-age for as long as
human memory can recall them. A close-cut peaked beard lent a
certain dignity to his appearance - a loan which the rest of his features
and mannerisms were continually and successfully repudiating.
His profession, if he had one, was submerged in his hobby, which consisted
of being an advance-agent for small happenings or possible happenings
that were or seemed imminent in the social world around him; he found
a perpetual and unflagging satisfaction in acquiring and retailing any
stray items of gossip or information, particularly of a matrimonial
nature, that chanced to come his way. Given the bare outline of
an officially announced engagement he would immediately fill it in with
all manner of details, true or, at any rate, probable, drawn from his
own imagination or from some equally exclusive source. The Morning
Post might content itself with the mere statement of the arrangement
which would shortly take place, but it was St. Michael’s breathless
little voice that proclaimed how the contracting parties had originally
met over a salmon-fishing incident, why the Guards’ Chapel would
not be used, why her Aunt Mary had at first opposed the match, how the
question of the children’s religious upbringing had been compromised,
etc., etc., to all whom it might interest and to many whom it might
not. Beyond his industriously-earned pre-eminence in this special
branch of intelligence, he was chiefly noteworthy for having a wife
reputed to be the tallest and thinnest woman in the Home Counties.
The two were sometimes seen together in Society, where they passed under
the collective name of St. Michael and All Angles.
“We are trying to find a rich wife for Courtenay Youghal,”
said Serena, in answer to St. Michael’s question.
“Ah, there I’m afraid you’re a little late,”
he observed, glowing with the importance of pending revelation; “I’m
afraid you’re a little late,” he repeated, watching the
effect of his words as a gardener might watch the development of a bed
of carefully tended asparagus. “I think the young gentleman
has been before you and already found himself a rich mate in prospect.”
He lowered his voice as he spoke, not with a view to imparting impressive
mystery to his statement, but because there were other table groups
within hearing to whom he hoped presently to have the privilege of re-disclosing
his revelation.
“Do you mean - ?” began Serena.
“Miss de Frey,” broke in St. Michael, hurriedly, fearful
lest his revelation should be forestalled, even in guesswork; “quite
an ideal choice, the very wife for a man who means to make his mark
in politics. Twenty-four thousand a year, with prospects of more
to come, and a charming place of her own not too far from town.
Quite the type of girl, too, who will make a good political hostess,
brains without being brainy, you know. Just the right thing.
Of course, it would be premature to make any definite announcement at
present - ”
“It would hardly be premature for my partner to announce what
she means to make trumps,” interrupted Lady Caroline, in a voice
of such sinister gentleness that St. Michael fled headlong back to his
own table.
“Oh, is it me? I beg your pardon. I leave it,”
said Serena.
“Thank you. No trumps,” declared Lady Caroline.
The hand was successful, and the rubber ultimately fell to her with
a comfortable margin of honours. The same partners cut together
again, and this time the cards went distinctly against Francesca and
Ada Spelvexit, and a heavily piled-up score confronted them at the close
of the rubber. Francesca was conscious that a certain amount of
rather erratic play on her part had at least contributed to the result.
St. Michael’s incursion into the conversation had proved rather
a powerful distraction to her ordinarily sound bridge-craft.
Ada Spelvexit emptied her purse of several gold pieces and infused a
corresponding degree of superiority into her manner.
“I must be going now,” she announced; “I’m dining
early. I have to give an address to some charwomen afterwards.”
“Why?” asked Lady Caroline, with a disconcerting directness
that was one of her most formidable characteristics.
“Oh, well, I have some things to say to them that I daresay they
will like to hear,” said Ada, with a thin laugh.
Her statement was received with a silence that betokened profound unbelief
in any such probability.
“I go about a good deal among working-class women,” she
added.
“No one has ever said it,” observed Lady Caroline, “but
how painfully true it is that the poor have us always with them.”
Ada Spelvexit hastened her departure; the marred impressiveness of her
retreat came as a culminating discomfiture on the top of her ill-fortune
at the card-table. Possibly, however, the multiplication of her
own annoyances enabled her to survey charwomen’s troubles with
increased cheerfulness. None of them, at any rate, had spent an
afternoon with Lady Caroline.
Francesca cut in at another table and with better fortune attending
on her, succeeded in winning back most of her losses. A sense
of satisfaction was distinctly dominant as she took leave of her hostess.
St. Michael’s gossip, or rather the manner in which it had been
received, had given her a clue to the real state of affairs, which,
however slender and conjectural, at least pointed in the desired direction.
At first she had been horribly afraid lest she should be listening to
a definite announcement which would have been the death-blow to her
hopes, but as the recitation went on without any of those assured little
minor details which St. Michael so loved to supply, she had come to
the conclusion that it was merely a piece of intelligent guesswork.
And if Lady Caroline had really believed in the story of Elaine de Frey’s
virtual engagement to Courtenay Youghal she would have taken a malicious
pleasure in encouraging St. Michael in his confidences, and in watching
Francesca’s discomfiture under the recital. The irritated
manner in which she had cut short the discussion betrayed the fact,
that, as far as the old woman’s information went, it was Comus
and not Courtenay Youghal who held the field. And in this particular
case Lady Caroline’s information was likely to be nearer the truth
than St. Michael’s confident gossip.
Francesca always gave a penny to the first crossing-sweeper or match-seller
she chanced across after a successful sitting at bridge. This
afternoon she had come out of the fray some fifteen shillings to the
bad, but she gave two pennies to a crossing-sweeper at the north-west
corner of Berkeley Square as a sort of thank-offering to the Gods.
CHAPTER VIII
It was a fresh rain-repentant afternoon, following a morning that had
been sultry and torrentially wet by turns; the sort of afternoon that
impels people to talk graciously of the rain as having done a lot of
good, its chief merit in their eyes probably having been its recognition
of the art of moderation. Also it was an afternoon that invited
bodily activity after the convalescent languor of the earlier part of
the day. Elaine had instinctively found her way into her riding-habit
and sent an order down to the stables - a blessed oasis that still smelt
sweetly of horse and hay and cleanliness in a world that reeked of petrol,
and now she set her mare at a smart pace through a succession of long-stretching
country lanes. She was due some time that afternoon at a garden-party,
but she rode with determination in an opposite direction. In the
first place neither Comus or Courtenay would be at the party, which
fact seemed to remove any valid reason that could be thought of for
inviting her attendance thereat; in the second place about a hundred
human beings would be gathered there, and human gatherings were not
her most crying need at the present moment. Since her last encounter
with her wooers, under the cedars in her own garden, Elaine realised
that she was either very happy or cruelly unhappy, she could not quite
determine which. She seemed to have what she most wanted in the
world lying at her feet, and she was dreadfully uncertain in her more
reflective moments whether she really wanted to stretch out her hand
and take it. It was all very like some situation in an Arabian
Nights tale or a story of Pagan Hellas, and consequently the more puzzling
and disconcerting to a girl brought up on the methodical lines of Victorian
Christianity. Her appeal court was in permanent session these
last few days, but it gave no decisions, at least none that she would
listen to. And the ride on her fast light-stepping little mare,
alone and unattended, through the fresh-smelling leafy lanes into unexplored
country, seemed just what she wanted at the moment. The mare made
some small delicate pretence of being roadshy, not the staring dolt-like
kind of nervousness that shows itself in an irritating hanging-back
as each conspicuous wayside object presents itself, but the nerve-flutter
of an imaginative animal that merely results in a quick whisk of the
head and a swifter bound forward. She might have paraphrased the
mental attitude of the immortalised Peter Bell into
A basket underneath a tree
A yellow tiger is to me,
If it is nothing more.
The more really alarming episodes of the road, the hoot and whir of
a passing motor-car or the loud vibrating hum of a wayside threshing-machine,
were treated with indifference.
On turning a corner out of a narrow coppice-bordered lane into a wider
road that sloped steadily upward in a long stretch of hill Elaine saw,
coming toward her at no great distance, a string of yellow-painted vans,
drawn for the most part by skewbald or speckled horses. A certain
rakish air about these oncoming road-craft proclaimed them as belonging
to a travelling wild-beast show, decked out in the rich primitive colouring
that one’s taste in childhood would have insisted on before it
had been schooled in the artistic value of dulness. It was an
unlooked-for and distinctly unwelcome encounter. The mare had
already commenced a sixfold scrutiny with nostrils, eyes and daintily-pricked
ears; one ear made hurried little backward movements to hear what Elaine
was saying about the eminent niceness and respectability of the approaching
caravan, but even Elaine felt that she would be unable satisfactorily
to explain the elephants and camels that would certainly form part of
the procession. To turn back would seem rather craven, and the
mare might take fright at the manoeuvre and try to bolt; a gate standing
ajar at the entrance to a farmyard lane provided a convenient way out
of the difficulty.
As Elaine pushed her way through she became aware of a man standing
just inside the lane, who made a movement forward to open the gate for
her.
“Thank you. I’m just getting out of the way of a wild-beast
show,” she explained; “my mare is tolerant of motors and
traction-engines, but I expect camels - hullo,” she broke off,
recognising the man as an old acquaintance, “I heard you had taken
rooms in a farmhouse somewhere. Fancy meeting you in this way.”
In the not very distant days of her little-girlhood, Tom Keriway had
been a man to be looked upon with a certain awe and envy; indeed the
glamour of his roving career would have fired the imagination, and wistful
desire to do likewise, of many young Englishmen. It seemed to
be the grown-up realisation of the games played in dark rooms in winter
fire-lit evenings, and the dreams dreamed over favourite books of adventure.
Making Vienna his headquarters, almost his home, he had rambled where
he listed through the lands of the Near and Middle East as leisurely
and thoroughly as tamer souls might explore Paris. He had wandered
through Hungarian horse-fairs, hunted shy crafty beasts on lonely Balkan
hillsides, dropped himself pebble-wise into the stagnant human pool
of some Bulgarian monastery, threaded his way through the strange racial
mosaic of Salonika, listened with amused politeness to the shallow ultra-modern
opinions of a voluble editor or lawyer in some wayside Russian town,
or learned wisdom from a chance tavern companion, one of the atoms of
the busy ant-stream of men and merchandise that moves untiringly round
the shores of the Black Sea. And far and wide as he might roam
he always managed to turn up at frequent intervals, at ball and supper
and theatre, in the gay Hauptstadt of the Habsburgs, haunting his favourite
cafés and wine-vaults, skimming through his favourite news-sheets,
greeting old acquaintances and friends, from ambassadors down to cobblers
in the social scale. He seldom talked of his travels, but it might
be said that his travels talked of him; there was an air about him that
a German diplomat once summed up in a phrase: “a man that wolves
have sniffed at.”
And then two things happened, which he had not mapped out in his route;
a severe illness shook half the life and all the energy out of him,
and a heavy money loss brought him almost to the door of destitution.
With something, perhaps, of the impulse which drives a stricken animal
away from its kind, Tom Keriway left the haunts where he had known so
much happiness, and withdrew into the shelter of a secluded farmhouse
lodging; more than ever he became to Elaine a hearsay personality.
And now the chance meeting with the caravan had flung her across the
threshold of his retreat.
“What a charming little nook you’ve got hold of,”
she exclaimed with instinctive politeness, and then looked searchingly
round, and discovered that she had spoken the truth; it really was charming.
The farmhouse had that intensely English look that one seldom sees out
of Normandy. Over the whole scene of rickyard, garden, outbuildings,
horsepond and orchard, brooded that air which seems rightfully to belong
to out-of-the-way farmyards, an air of wakeful dreaminess which suggests
that here, man and beast and bird have got up so early that the rest
of the world has never caught them up and never will.
Elaine dismounted, and Keriway led the mare round to a little paddock
by the side of a great grey barn. At the end of the lane they
could see the show go past, a string of lumbering vans and great striding
beasts that seemed to link the vast silences of the desert with the
noises and sights and smells, the naphtha-flares and advertisement hoardings
and trampled orange-peel, of an endless succession of towns.
“You had better let the caravan pass well on its way before you
get on the road again,” said Keriway; “the smell of the
beasts may make your mare nervous and restive going home.”
Then he called to a boy who was busy with a hoe among some defiantly
prosperous weeds, to fetch the lady a glass of milk and a piece of currant
loaf.
“I don’t know when I’ve seen anything so utterly charming
and peaceful,” said Elaine, propping herself on a seat that a
pear-tree had obligingly designed in the fantastic curve of its trunk.
“Charming, certainly,” said Keriway, “but too full
of the stress of its own little life struggle to be peaceful.
Since I have lived here I’ve learnt, what I’ve always suspected,
that a country farmhouse, set away in a world of its own, is one of
the most wonderful studies of interwoven happenings and tragedies that
can be imagined. It is like the old chronicles of medieval Europe
in the days when there was a sort of ordered anarchy between feudal
lords and overlords, and burg-grafs, and mitred abbots, and prince-bishops,
robber barons and merchant guilds, and Electors and so forth, all striving
and contending and counter-plotting, and interfering with each other
under some vague code of loosely-applied rules. Here one sees
it reproduced under one’s eyes, like a musty page of black-letter
come to life. Look at one little section of it, the poultry-life
on the farm. Villa poultry, dull egg-machines, with records kept
of how many ounces of food they eat, and how many pennyworths of eggs
they lay, give you no idea of the wonder-life of these farm-birds; their
feuds and jealousies, and carefully maintained prerogatives, their unsparing
tyrannies and persecutions, their calculated courage and bravado or
sedulously hidden cowardice, it might all be some human chapter from
the annals of the old Rhineland or medieval Italy. And then, outside
their own bickering wars and hates, the grim enemies that come up against
them from the woodlands; the hawk that dashes among the coops like a
moss-trooper raiding the border, knowing well that a charge of shot
may tear him to bits at any moment. And the stoat, a creeping
slip of brown fur a few inches long, intently and unstayably out for
blood. And the hunger-taught master of craft, the red fox, who
has waited perhaps half the afternoon for his chance while the fowls
were dusting themselves under the hedge, and just as they were turning
supper-ward to the yard one has stopped a moment to give her feathers
a final shake and found death springing upon her. Do you know,”
he continued, as Elaine fed herself and the mare with morsels of currant-loaf,
“I don’t think any tragedy in literature that I have ever
come across impressed me so much as the first one, that I spelled out
slowly for myself in words of three letters: the bad fox has got the
red hen. There was something so dramatically complete about it;
the badness of the fox, added to all the traditional guile of his race,
seemed to heighten the horror of the hen’s fate, and there was
such a suggestion of masterful malice about the word ‘got.’
One felt that a countryside in arms would not get that hen away from
the bad fox. They used to think me a slow dull reader for not
getting on with my lesson, but I used to sit and picture to myself the
red hen, with its wings beating helplessly, screeching in terrified
protest, or perhaps, if he had got it by the neck, with beak wide agape
and silent, and eyes staring, as it left the farmyard for ever.
I have seen blood-spillings and down-crushings and abject defeat here
and there in my time, but the red hen has remained in my mind as the
type of helpless tragedy.” He was silent for a moment as
if he were again musing over the three-letter drama that had so dwelt
in his childhood’s imagination. “Tell me some of the
things you have seen in your time,” was the request that was nearly
on Elaine’s lips, but she hastily checked herself and substituted
another.
“Tell me more about the farm, please.”
And he told her of a whole world, or rather of several intermingled
worlds, set apart in this sleepy hollow in the hills, of beast lore
and wood lore and farm craft, at times touching almost the border of
witchcraft - passing lightly here, not with the probing eagerness of
those who know nothing, but with the averted glance of those who fear
to see too much. He told her of those things that slept and those
that prowled when the dusk fell, of strange hunting cats, of the yard
swine and the stalled cattle, of the farm folk themselves, as curious
and remote in their way, in their ideas and fears and wants and tragedies,
as the brutes and feathered stock that they tended. It seemed
to Elaine as if a musty store of old-world children’s books had
been fetched down from some cobwebbed lumber-room and brought to life.
Sitting there in the little paddock, grown thickly with tall weeds and
rank grasses, and shadowed by the weather-beaten old grey barn, listening
to this chronicle of wonderful things, half fanciful, half very real,
she could scarcely believe that a few miles away there was a garden-party
in full swing, with smart frocks and smart conversation, fashionable
refreshments and fashionable music, and a fevered undercurrent of social
strivings and snubbings. Did Vienna and the Balkan Mountains and
the Black Sea seem as remote and hard to believe in, she wondered, to
the man sitting by her side, who had discovered or invented this wonderful
fairyland? Was it a true and merciful arrangement of fate and
life that the things of the moment thrust out the after-taste of the
things that had been? Here was one who had held much that was
priceless in the hollow of his hand and lost it all, and he was happy
and absorbed and well-content with the little wayside corner of the
world into which he had crept. And Elaine, who held so many desirable
things in the hollow of her hand, could not make up her mind to be even
moderately happy. She did not even know whether to take this hero
of her childhood down from his pedestal, or to place him on a higher
one; on the whole she was inclined to resent rather than approve the
idea that ill-health and misfortune could so completely subdue and tame
an erstwhile bold and roving spirit.
The mare was showing signs of delicately-hinted impatience; the paddock,
with its teasing insects and very indifferent grazing, had not thrust
out the image of her own comfortable well-foddered loose-box.
Elaine divested her habit of some remaining crumbs of bun-loaf and jumped
lightly on to her saddle. As she rode slowly down the lane, with
Keriway escorting her as far as its gate, she looked round at what had
seemed to her, a short while ago, just a picturesque old farmstead,
a place of bee-hives and hollyhocks and gabled cart-sheds; now it was
in her eyes a magic city, with an undercurrent of reality beneath its
magic.
“You are a person to be envied,” she said to Keriway; “you
have created a fairyland, and you are living in it yourself.”
“Envied?”
He shot the question out with sudden bitterness. She looked down
and saw the wistful misery that had come into his face.
“Once,” he said to her, “in a German paper I read
a short story about a tame crippled crane that lived in the park of
some small town. I forget what happened in the story, but there
was one line that I shall always remember: ‘it was lame, that
is why it was tame.’”
He had created a fairyland, but assuredly he was not living in it.
CHAPTER IX
In the warmth of a late June morning the long shaded stretch of raked
earth, gravel-walk and rhododendron bush that is known affectionately
as the Row was alive with the monotonous movement and alert stagnation
appropriate to the time and place. The seekers after health, the
seekers after notoriety and recognition, and the lovers of good exercise
were all well represented on the galloping ground; the gravel-walk and
chairs and long seats held a population whose varied instincts and motives
would have baffled a social catalogue-maker. The children, handled
or in perambulators, might be excused from instinct or motive; they
were brought.
Pleasingly conspicuous among a bunch of indifferent riders pacing along
by the rails where the onlookers were thickest was Courtenay Youghal,
on his handsome plum-roan gelding Anne de Joyeuse. That delicately
stepping animal had taken a prize at Islington and nearly taken the
life of a stable-boy of whom he disapproved, but his strongest claims
to distinction were his good looks and his high opinion of himself.
Youghal evidently believed in thorough accord between horse and rider.
“Please stop and talk to me,” said a quiet beckoning voice
from the other side of the rails, and Youghal drew rein and greeted
Lady Veula Croot. Lady Veula had married into a family of commercial
solidity and enterprising political nonentity. She had a devoted
husband, some blonde teachable children, and a look of unutterable weariness
in her eyes. To see her standing at the top of an expensively
horticultured staircase receiving her husband’s guests was rather
like watching an animal performing on a music-hall stage.
One always tells oneself that the animal likes it, and one always knows
that it doesn’t.
“Lady Veula is an ardent Free Trader, isn’t she?”
someone once remarked to Lady Caroline.
“I wonder,” said Lady Caroline, in her gently questioning
voice; “a woman whose dresses are made in Paris and whose marriage
has been made in Heaven might be equally biassed for and against free
imports.”
Lady Veula looked at Youghal and his mount with slow critical appraisement,
and there was a note of blended raillery and wistfulness in her voice.
“You two dear things, I should love to stroke you both, but I’m
not sure how Joyeuse would take it. So I’ll stroke you down
verbally instead. I admired your attack on Sir Edward immensely,
though of course I don’t agree with a word of it. Your description
of him building a hedge round the German cuckoo and hoping he was isolating
it was rather sweet. Seriously though, I regard him as one of
the pillars of the Administration.”
“So do I,” said Youghal; “the misfortune is that he
is merely propping up a canvas roof. It’s just his regrettable
solidity and integrity that makes him so expensively dangerous.
The average Briton arrives at the same judgment about Roan’s handling
of foreign affairs as Omar does of the Supreme Being in his dealings
with the world: He’s a good fellow and ‘twill all be well.’”
Lady Veula laughed lightly. “My Party is in power so I may
exercise the privilege of being optimistic. Who is that who bowed
to you?” she continued, as a dark young man with an inclination
to stoutness passed by them on foot; “I’ve seen him about
a good deal lately. He’s been to one or two of my dances.”
“Andrei Drakoloff,” said Youghal; “he’s just
produced a play that has had a big success in Moscow and is certain
to be extremely popular all over Russia. In the first three acts
the heroine is supposed to be dying of consumption; in the last act
they find she is really dying of cancer.”
“Are the Russians really such a gloomy people?”
“Gloom-loving but not in the least gloomy. They merely take
their sadness pleasurably, just as we are accused of taking our pleasures
sadly. Have you noticed that dreadful Klopstock youth has been
pounding past us at shortening intervals. He’ll come up
and talk if he half catches your eye.”
“I only just know him. Isn’t he at an agricultural
college or something of the sort?”
“Yes, studying to be a gentleman farmer, he told me. I didn’t
ask if both subjects were compulsory.”
“You’re really rather dreadful,” said Lady Veula,
trying to look as if she thought so; “remember, we are all equal
in the sight of Heaven.”
For a preacher of wholesome truths her voice rather lacked conviction.
“If I and Ernest Klopstock are really equal in the sight of Heaven,”
said Youghal, with intense complacency, “I should recommend Heaven
to consult an eye specialist.”
There was a heavy spattering of loose earth, and a squelching of saddle-leather,
as the Klopstock youth lumbered up to the rails and delivered himself
of loud, cheerful greetings. Joyeuse laid his ears well back as the
ungainly bay cob and his appropriately matched rider drew up beside
him; his verdict was reflected and endorsed by the cold stare of Youghal’s
eyes.
“I’ve been having a nailing fine time,” recounted
the newcomer with clamorous enthusiasm; “I was over in Paris last
month and had lots of strawberries there, then I had a lot more in London,
and now I’ve been having a late crop of them in Herefordshire,
so I’ve had quite a lot this year.” And he laughed
as one who had deserved well and received well of Fate.
“The charm of that story,” said Youghal, “is that
it can be told in any drawing-room.” And with a sweep of
his wide-brimmed hat to Lady Veula he turned the impatient Joyeuse into
the moving stream of horse and horsemen.
“That woman reminds me of some verse I’ve read and liked,”
thought Youghal, as Joyeuse sprang into a light showy canter that gave
full recognition to the existence of observant human beings along the
side walk. “Ah, I have it.”
And he quoted almost aloud, as one does in the exhilaration of a canter:
“How much I loved that way you had
Of smiling most, when very sad,
A smile which carried tender hints
Of sun and spring,
And yet, more than all other thing,
Of weariness beyond all words.”
And having satisfactorily fitted Lady Veula on to a quotation he dismissed
her from his mind. With the constancy of her sex she thought about
him, his good looks and his youth and his railing tongue, till late
in the afternoon.
While Youghal was putting Joyeuse through his paces under the elm trees
of the Row a little drama in which he was directly interested was being
played out not many hundred yards away. Elaine and Comus were
indulging themselves in two pennyworths of Park chair, drawn aside just
a little from the serried rows of sitters who were set out like bedded
plants over an acre or so of turf. Comus was, for the moment,
in a mood of pugnacious gaiety, disbursing a fund of pointed criticism
and unsparing anecdote concerning those of the promenaders or loungers
whom he knew personally or by sight. Elaine was rather quieter
than usual, and the grave serenity of the Leonardo da Vinci portrait
seemed intensified in her face this morning. In his leisurely
courtship Comus had relied almost exclusively on his physical attraction
and the fitful drollery of his wit and high spirits, and these graces
had gone far to make him seem a very desirable and rather lovable thing
in Elaine’s eyes. But he had left out of account the disfavour
which he constantly risked and sometimes incurred from his frank and
undisguised indifference to other people’s interests and wishes,
including, at times, Elaine’s. And the more that she felt
that she liked him the more she was irritated by his lack of consideration
for her. Without expecting that her every wish should become a
law to him she would at least have liked it to reach the formality of
a Second Reading. Another important factor he had also left out
of his reckoning, namely the presence on the scene of another suitor,
who also had youth and wit to recommend him, and who certainly did not
lack physical attractions. Comus, marching carelessly through
unknown country to effect what seemed already an assured victory, made
the mistake of disregarding the existence of an unbeaten army on his
flank.
To-day Elaine felt that, without having actually quarrelled, she and
Comus had drifted a little bit out of sympathy with one another.
The fault she knew was scarcely hers, in fact from the most good-natured
point of view it could hardly be denied that it was almost entirely
his. The incident of the silver dish had lacked even the attraction
of novelty; it had been one of a series, all bearing a strong connecting
likeness. There had been small unrepaid loans which Elaine would
not have grudged in themselves, though the application for them brought
a certain qualm of distaste; with the perversity which seemed inseparable
from his doings, Comus had always flung away a portion of his borrowings
in some ostentatious piece of glaring and utterly profitless extravagance,
which outraged all the canons of her upbringing without bringing him
an atom of understandable satisfaction. Under these repeated discouragements
it was not surprising that some small part of her affection should have
slipped away, but she had come to the Park that morning with an unconfessed
expectation of being gently wooed back to the mood of gracious forgetfulness
that she was only too eager to assume. It was almost worth while
being angry with Comus for the sake of experiencing the pleasure of
being coaxed into friendliness again with the charm which he knew so
well how to exert. It was delicious here under the trees on this
perfect June morning, and Elaine had the blessed assurance that most
of the women within range were envying her the companionship of the
handsome merry-hearted youth who sat by her side. With special
complacence she contemplated her cousin Suzette, who was self-consciously
but not very elatedly basking in the attentions of her fiancé,
an earnest-looking young man who was superintendent of a People’s
something-or-other on the south side of the river, and whose clothes
Comus had described as having been made in Southwark rather than in
anger.
Most of the pleasures in life must be paid for, and the chair-ticket
vendor in due time made his appearance in quest of pennies.
Comus paid him from out of a varied assortment of coins and then balanced
the remainder in the palm of his hand. Elaine felt a sudden foreknowledge
of something disagreeable about to happen and a red spot deepened in
her cheeks.
“Four shillings and fivepence and a half-penny,” said Comus,
reflectively. “It’s a ridiculous sum to last me for
the next three days, and I owe a card debt of over two pounds.”
“Yes?” commented Elaine dryly and with an apparent lack
of interest in his exchequer statement. Surely, she was thinking
hurriedly to herself, he could not be foolish enough to broach the matter
of another loan.
“The card debt is rather a nuisance,” pursued Comus, with
fatalistic persistency.
“You won seven pounds last week, didn’t you?” asked
Elaine; “don’t you put by any of your winnings to balance
losses?”
“The four shillings and the fivepence and the half-penny represent
the rearguard of the seven pounds,” said Comus; “the rest
have fallen by the way. If I can pay the two pounds to-day I daresay
I shall win something more to go on with; I’m holding rather good
cards just now. But if I can’t pay it of course I shan’t
show up at the club. So you see the fix I am in.”
Elaine took no notice of this indirect application. The Appeal
Court was assembling in haste to consider new evidence, and this time
there was the rapidity of sudden determination about its movement.
The conversation strayed away from the fateful topic for a few moments
and then Comus brought it deliberately back to the danger zone.
“It would be awfully nice if you would let me have a fiver for
a few days, Elaine,” he said quickly; “if you don’t
I really don’t know what I shall do.”
“If you are really bothered about your card debt I will send you
the two pounds by messenger boy early this afternoon.” She
spoke quietly and with great decision. “And I shall not
be at the Connor’s dance to-night,” she continued; “it’s
too hot for dancing. I’m going home now; please don’t
bother to accompany me, I particularly wish to go alone.”
Comus saw that he had overstepped the mark of her good nature.
Wisely he made no immediate attempt to force himself back into her good
graces. He would wait till her indignation had cooled.
His tactics would have been excellent if he had not forgotten that unbeaten
army on his flank.
Elaine de Frey had known very clearly what qualities she had wanted
in Comus, and she had known, against all efforts at self-deception,
that he fell far short of those qualities. She had been willing
to lower her standard of moral requirements in proportion as she was
fond of the boy, but there was a point beyond which she would not go.
He had hurt her pride besides alarming her sense of caution.
Suzette, on whom she felt a thoroughly justified tendency to look down,
had at any rate an attentive and considerate lover. Elaine walked
towards the Park gates feeling that in one essential Suzette possessed
something that had been denied to her, and at the gates she met Joyeuse
and his spruce young rider preparing to turn homeward.
“Get rid of Joyeuse and come and take me out to lunch somewhere,”
demanded Elaine.
“How jolly,” said Youghal. “Let’s go to
the Corridor Restaurant. The head waiter there is an old Viennese
friend of mine and looks after me beautifully. I’ve never
been there with a lady before, and he’s sure to ask me afterwards,
in his fatherly way, if we’re engaged.”
The lunch was a success in every way. There was just enough orchestral
effort to immerse the conversation without drowning it, and Youghal
was an attentive and inspired host. Through an open doorway Elaine
could see the café reading-room, with its imposing array of Neue
Freie Presse, Berliner Tageblatt, and other exotic newspapers
hanging on the wall. She looked across at the young man seated
opposite her, who gave one the impression of having centred the most
serious efforts of his brain on his toilet and his food, and recalled
some of the flattering remarks that the press had bestowed on his recent
speeches.
“Doesn’t it make you conceited, Courtenay,” she asked,
“to look at all those foreign newspapers hanging there and know
that most of them have got paragraphs and articles about your Persian
speech?”
Youghal laughed.
“There’s always a chastening corrective in the thought that
some of them may have printed your portrait. When once you’ve
seen your features hurriedly reproduced in the Matin, for instance,
you feel you would like to be a veiled Turkish woman for the rest of
your life.”
And Youghal gazed long and lovingly at his reflection in the nearest
mirror, as an antidote against possible incitements to humility in the
portrait gallery of fame.
Elaine felt a certain soothed satisfaction in the fact that this young
man, whose knowledge of the Middle East was an embarrassment to Ministers
at question time and in debate, was showing himself equally well-informed
on the subject of her culinary likes and dislikes. If Suzette
could have been forced to attend as a witness at a neighbouring table
she would have felt even happier.
“Did the head waiter ask if we were engaged?” asked Elaine,
when Courtenay had settled the bill, and she had finished collecting
her sunshade and gloves and other impedimenta from the hands of obsequious
attendants.
“Yes,” said Youghal, “and he seemed quite crestfallen
when I had to say ‘no.’”
“It would be horrid to disappoint him when he’s looked after
us so charmingly,” said Elaine; “tell him that we are.”
CHAPTER X
The Rutland Galleries were crowded, especially in the neighbourhood
of the tea-buffet, by a fashionable throng of art-patrons which had
gathered to inspect Mervyn Quentock’s collection of Society portraits.
Quentock was a young artist whose abilities were just receiving due
recognition from the critics; that the recognition was not overdue he
owed largely to his perception of the fact that if one hides one’s
talent under a bushel one must be careful to point out to everyone the
exact bushel under which it is hidden. There are two manners of
receiving recognition: one is to be discovered so long after one’s
death that one’s grandchildren have to write to the papers to
establish their relationship; the other is to be discovered, like the
infant Moses, at the very outset of one’s career. Mervyn
Quentock had chosen the latter and happier manner. In an age when
many aspiring young men strive to advertise their wares by imparting
to them a freakish imbecility, Quentock turned out work that was characterised
by a pleasing delicate restraint, but he contrived to herald his output
with a certain fanfare of personal eccentricity, thereby compelling
an attention which might otherwise have strayed past his studio.
In appearance he was the ordinary cleanly young Englishman, except,
perhaps, that his eyes rather suggested a library edition of the Arabian
Nights; his clothes matched his appearance and showed no taint of the
sartorial disorder by which the bourgeois of the garden-city and the
Latin Quarter anxiously seeks to proclaim his kinship with art and thought.
His eccentricity took the form of flying in the face of some of the
prevailing social currents of the day, but as a reactionary, never as
a reformer. He produced a gasp of admiring astonishment in fashionable
circles by refusing to paint actresses - except, of course, those who
had left the legitimate drama to appear between the boards of Debrett.
He absolutely declined to execute portraits of Americans unless they
hailed from certain favoured States. His “water-colour-line,”
as a New York paper phrased it, earned for him a crop of angry criticisms
and a shoal of Transatlantic commissions, and criticism and commissions
were the things that Quentock most wanted.
“Of course he is perfectly right,” said Lady Caroline Benaresq,
calmly rescuing a piled-up plate of caviare sandwiches from the neighbourhood
of a trio of young ladies who had established themselves hopefully within
easy reach of it. “Art,” she continued, addressing
herself to the Rev. Poltimore Vardon, “has always been geographically
exclusive. London may be more important from most points of view
than Venice, but the art of portrait painting, which would never concern
itself with a Lord Mayor, simply grovels at the feet of the Doges.
As a Socialist I’m bound to recognise the right of Ealing to compare
itself with Avignon, but one cannot expect the Muses to put the two
on a level.”
“Exclusiveness,” said the Reverend Poltimore, “has
been the salvation of Art, just as the lack of it is proving the downfall
of religion. My colleagues of the cloth go about zealously proclaiming
the fact that Christianity, in some form or other, is attracting shoals
of converts among all sorts of races and tribes, that one had scarcely
ever heard of, except in reviews of books of travel that one never read.
That sort of thing was all very well when the world was more sparsely
populated, but nowadays, when it simply teems with human beings, no
one is particularly impressed by the fact that a few million, more or
less, of converts, of a low stage of mental development, have accepted
the teachings of some particular religion. It not only chills
one’s enthusiasm, it positively shakes one’s convictions
when one hears that the things one has been brought up to believe as
true are being very favourably spoken of by Buriats and Samoyeds and
Kanakas.”
The Rev. Poltimore Vardon had once seen a resemblance in himself to
Voltaire, and had lived alongside the comparison ever since.
“No modern cult or fashion,” he continued, “would
be favourably influenced by considerations based on statistics; fancy
adopting a certain style of hat or cut of coat, because it was being
largely worn in Lancashire and the Midlands; fancy favouring a certain
brand of champagne because it was being extensively patronised in German
summer resorts. No wonder that religion is falling into disuse
in this country under such ill-directed methods.”
“You can’t prevent the heathen being converted if they choose
to be,” said Lady Caroline; “this is an age of toleration.”
“You could always deny it,” said the Rev. Poltimore, “like
the Belgians do with regrettable occurrences in the Congo. But
I would go further than that. I would stimulate the waning enthusiasm
for Christianity in this country by labelling it as the exclusive possession
of a privileged few. If one could induce the Duchess of Pelm,
for instance, to assert that the Kingdom of Heaven, as far as the British
Isles are concerned, is strictly limited to herself, two of the under-gardeners
at Pelmby, and, possibly, but not certainly, the Dean of Dunster, there
would be an instant reshaping of the popular attitude towards religious
convictions and observances. Once let the idea get about that
the Christian Church is rather more exclusive than the Lawn at Ascot,
and you would have a quickening of religious life such as this generation
has never witnessed. But as long as the clergy and the religious
organisations advertise their creed on the lines of ‘Everybody
ought to believe in us: millions do,’ one can expect nothing but
indifference and waning faith.”
“Time is just as exclusive in its way as Art,” said Lady
Caroline.
“In what way?” said the Reverend Poltimore.
“Your pleasantries about religion would have sounded quite clever
and advanced in the early ‘nineties. To-day they have a
dreadfully warmed-up flavour. That is the great delusion of you
would-be advanced satirists; you imagine you can sit down comfortably
for a couple of decades saying daring and startling things about the
age you live in, which, whatever other defects it may have, is certainly
not standing still. The whole of the Sherard Blaw school of discursive
drama suggests, to my mind, Early Victorian furniture in a travelling
circus. However, you will always have relays of people from the
suburbs to listen to the Mocking Bird of yesterday, and sincerely imagine
it is the harbinger of something new and revolutionising.”
“Would you mind passing that plate of sandwiches,”
asked one of the trio of young ladies, emboldened by famine.
“With pleasure,” said Lady Caroline, deftly passing her
a nearly empty plate of bread-and-butter.
“I meant the place of caviare sandwiches. So sorry to trouble
you,” persisted the young lady
Her sorrow was misapplied; Lady Caroline had turned her attention to
a newcomer.
“A very interesting exhibition,” Ada Spelvexit was saying;
“faultless technique, as far as I am a judge of technique, and
quite a master-touch in the way of poses. But have you noticed
how very animal his art is? He seems to shut out the soul from
his portraits. I nearly cried when I saw dear Winifred depicted
simply as a good-looking healthy blonde.”
“I wish you had,” said Lady Caroline; “the spectacle
of a strong, brave woman weeping at a private view in the Rutland Galleries
would have been so sensational. It would certainly have been reproduced
in the next Drury Lane drama. And I’m so unlucky; I never
see these sensational events. I was ill with appendicitis, you
know, when Lulu Braminguard dramatically forgave her husband, after
seventeen years of estrangement, during a State luncheon party at Windsor.
The old queen was furious about it. She said it was so disrespectful
to the cook to be thinking of such a thing at such a time.”
Lady Caroline’s recollections of things that hadn’t happened
at the Court of Queen Victoria were notoriously vivid; it was the very
widespread fear that she might one day write a book of reminiscences
that made her so universally respected.
“As for his full-length picture of Lady Brickfield,” continued
Ada, ignoring Lady Caroline’s commentary as far as possible, “all
the expression seems to have been deliberately concentrated in the feet;
beautiful feet, no doubt, but still, hardly the most distinctive part
of a human being.”
“To paint the right people at the wrong end may be an eccentricity,
but it is scarcely an indiscretion,” pronounced Lady Caroline.
One of the portraits which attracted more than a passing flutter of
attention was a costume study of Francesca Bassington. Francesca
had secured some highly desirable patronage for the young artist, and
in return he had enriched her pantheon of personal possessions with
a clever piece of work into which he had thrown an unusual amount of
imaginative detail. He had painted her in a costume of the great
Louis’s brightest period, seated in front of a tapestry that was
so prominent in the composition that it could scarcely be said to form
part of the background. Flowers and fruit, in exotic profusion,
were its dominant note; quinces, pomegranates, passion-flowers, giant
convolvulus, great mauve-pink roses, and grapes that were already being
pressed by gleeful cupids in a riotous Arcadian vintage, stood out on
its woven texture. The same note was struck in the beflowered
satin of the lady’s kirtle, and in the pomegranate pattern of
the brocade that draped the couch on which she was seated. The
artist had called his picture “Recolte.” And after
one had taken in all the details of fruit and flower and foliage that
earned the composition its name, one noted the landscape that showed
through a broad casement in the left-hand corner. It was a landscape
clutched in the grip of winter, naked, bleak, black-frozen; a winter
in which things died and knew no rewakening. If the picture typified
harvest, it was a harvest of artificial growth.
“It leaves a great deal to the imagination, doesn’t it?”
said Ada Spelvexit, who had edged away from the range of Lady Caroline’s
tongue.
“At any rate one can tell who it’s meant for,” said
Serena Golackly.
“Oh, yes, it’s a good likeness of dear Francesca,”
admitted Ada; “of course, it flatters her.”
“That, too, is a fault on the right side in portrait painting,”
said Serena; “after all, if posterity is going to stare at one
for centuries it’s only kind and reasonable to be looking just
a little better than one’s best.”
“What a curiously unequal style the artist has,” continued
Ada, almost as if she felt a personal grievance against him; “I
was just noticing what a lack of soul there was in most of his portraits.
Dear Winifred, you know, who speaks so beautifully and feelingly at
my gatherings for old women, he’s made her look just an ordinary
dairy-maidish blonde; and Francesca, who is quite the most soulless
woman I’ve ever met, well, he’s given her quite - ”
“Hush,” said Serena, “the Bassington boy is just behind
you.”
Comus stood looking at the portrait of his mother with the feeling of
one who comes suddenly across a once-familiar half-forgotten acquaintance
in unfamiliar surroundings. The likeness was undoubtedly a good
one, but the artist had caught an expression in Francesca’s eyes
which few people had ever seen there. It was the expression of
a woman who had forgotten for one short moment to be absorbed in the
small cares and excitements of her life, the money worries and little
social plannings, and had found time to send a look of half-wistful
friendliness to some sympathetic companion. Comus could recall
that look, fitful and fleeting, in his mother’s eyes when she
had been a few years younger, before her world had grown to be such
a committee-room of ways and means. Almost as a re-discovery he
remembered that she had once figured in his boyish mind as a “rather
good sort,” more ready to see the laughable side of a piece of
mischief than to labour forth a reproof. That the bygone feeling
of good fellowship had been stamped out was, he knew, probably in great
part his own doing, and it was possible that the old friendliness was
still there under the surface of things, ready to show itself again
if he willed it, and friends were becoming scarcer with him than enemies
in these days. Looking at the picture with its wistful hint of
a long ago comradeship, Comus made up his mind that he very much wanted
things to be back on their earlier footing, and to see again on his
mother’s face the look that the artist had caught and perpetuated
in its momentary flitting. If the projected Elaine-marriage came
off, and in spite of recent maladroit behaviour on his part he still
counted it an assured thing, much of the immediate cause for estrangement
between himself and his mother would be removed, or at any rate, easily
removable. With the influence of Elaine’s money behind him
he promised himself that he would find some occupation that would remove
from himself the reproach of being a waster and idler. There were
lots of careers, he told himself, that were open to a man with solid
financial backing and good connections. There might yet be jolly
times ahead, in which his mother would have her share of the good things
that were going, and carking thin-lipped Henry Greech and other of Comus’s
detractors could take their sour looks and words out of sight and hearing.
Thus, staring at the picture as though he were studying its every detail,
and seeing really only that wistful friendly smile, Comus made his plans
and dispositions for a battle that was already fought and lost.
The crowd grew thicker in the galleries, cheerfully enduring an amount
of overcrowding that would have been fiercely resented in a railway
carriage. Near the entrance Mervyn Quentock was talking to a Serene
Highness, a lady who led a life of obtrusive usefulness, largely imposed
on her by a good-natured inability to say “No.” “That
woman creates a positive draught with the number of bazaars she opens,”
a frivolously-spoken ex-Cabinet Minister had once remarked. At
the present moment she was being whimsically apologetic.
“When I think of the legions of well-meaning young men and women
to whom I’ve given away prizes for proficiency in art-school curriculum,
I feel that I ought not to show my face inside a picture gallery.
I always imagine that my punishment in another world will be perpetually
sharpening pencils and cleaning palettes for unending relays of misguided
young people whom I deliberately encouraged in their artistic delusions.”
“Do you suppose we shall all get appropriate punishments in another
world for our sins in this?” asked Quentock.
“Not so much for our sins as for our indiscretions; they are the
things which do the most harm and cause the greatest trouble.
I feel certain that Christopher Columbus will undergo the endless torment
of being discovered by parties of American tourists. You see I
am quite old fashioned in my ideas about the terrors and inconveniences
of the next world. And now I must be running away; I’ve
got to open a Free Library somewhere. You know the sort of thing
that happens - one unveils a bust of Carlyle and makes a speech about
Ruskin, and then people come in their thousands and read ‘Rabid
Ralph, or Should he have Bitten Her?’ Don’t forget,
please, I’m going to have the medallion with the fat cupid sitting
on a sundial. And just one thing more - perhaps I ought not to
ask you, but you have such nice kind eyes, you embolden one to make
daring requests, would you send me the recipe for those lovely chestnut-and-chicken-liver
sandwiches? I know the ingredients of course, but it’s the
proportions that make such a difference - just how much liver to how
much chestnut, and what amount of red pepper and other things.
Thank you so much. I really am going now.”
Staring round with a vague half-smile at everybody within nodding distance,
Her Serene Highness made one of her characteristic exits, which Lady
Caroline declared always reminded her of a scrambled egg slipping off
a piece of toast. At the entrance she stopped for a moment to
exchange a word or two with a young man who had just arrived.
From a corner where he was momentarily hemmed in by a group of tea-consuming
dowagers, Comus recognised the newcomer as Courtenay Youghal, and began
slowly to labour his way towards him. Youghal was not at the moment
the person whose society he most craved for in the world, but there
was at least the possibility that he might provide an opportunity for
a game of bridge, which was the dominant desire of the moment.
The young politician was already surrounded by a group of friends and
acquaintances, and was evidently being made the recipient of a salvo
of congratulation - presumably on his recent performances in the Foreign
Office debate, Comus concluded. But Youghal himself seemed to
be announcing the event with which the congratulations were connected.
Had some dramatic catastrophe overtaken the Government, Comus wondered.
And then, as he pressed nearer, a chance word, the coupling of two names,
told him the news.
CHAPTER XI
After the momentous lunch at the Corridor Restaurant Elaine had returned
to Manchester Square (where she was staying with one of her numerous
aunts) in a frame of mind that embraced a tangle of competing emotions.
In the first place she was conscious of a dominant feeling of relief;
in a moment of impetuosity, not wholly uninfluenced by pique, she had
settled the problem which hours of hard thinking and serious heart-searching
had brought no nearer to solution, and, although she felt just a little
inclined to be scared at the headlong manner of her final decision,
she had now very little doubt in her own mind that the decision had
been the right one. In fact the wonder seemed rather that she
should have been so long in doubt as to which of her wooers really enjoyed
her honest approval. She had been in love, these many weeks past
with an imaginary Comus, but now that she had definitely walked out
of her dreamland she saw that nearly all the qualities that had appealed
to her on his behalf had been absent from, or only fitfully present
in, the character of the real Comus. And now that she had installed
Youghal in the first place of her affections he had rapidly acquired
in her eyes some of the qualities which ranked highest in her estimation.
Like the proverbial buyer she had the happy feminine tendency of magnifying
the worth of her possession as soon as she had acquired it. And
Courtenay Youghal gave Elaine some justification for her sense of having
chosen wisely. Above all other things, selfish and cynical though
he might appear at times, he was unfailingly courteous and considerate
towards her. That was a circumstance which would always have carried
weight with her in judging any man; in this case its value was enormously
heightened by contrast with the behaviour of her other wooer.
And Youghal had in her eyes the advantage which the glamour of combat,
even the combat of words and wire-pulling, throws over the fighter.
He stood well in the forefront of a battle which however carefully stage-managed,
however honeycombed with personal insincerities and overlaid with calculated
mock-heroics, really meant something, really counted for good or wrong
in the nation’s development and the world’s history.
Shrewd parliamentary observers might have warned her that Youghal would
never stand much higher in the political world than he did at present,
as a brilliant Opposition freelance, leading lively and rather meaningless
forays against the dull and rather purposeless foreign policy of a Government
that was scarcely either to be blamed for or congratulated on its handling
of foreign affairs. The young politician had not the strength
of character or convictions that keeps a man naturally in the forefront
of affairs and gives his counsels a sterling value, and on the other
hand his insincerity was not deep enough to allow him to pose artificially
and successfully as a leader of men and shaper of movements. For
the moment, however, his place in public life was sufficiently marked
out to give him a secure footing in that world where people are counted
individually and not in herds. The woman whom he would make his
wife would have the chance, too, if she had the will and the skill,
to become an individual who counted.
There was balm to Elaine in this reflection, yet it did not wholly suffice
to drive out the feeling of pique which Comus had called into being
by his slighting view of her as a convenient cash supply in moments
of emergency. She found a certain satisfaction in scrupulously
observing her promise, made earlier on that eventful day, and sent off
a messenger with the stipulated loan. Then a reaction of compunction
set in, and she reminded herself that in fairness she ought to write
and tell her news in as friendly a fashion as possible to her dismissed
suitor before it burst upon him from some other quarter. They
had parted on more or less quarrelling terms it was true, but neither
of them had foreseen the finality of the parting nor the permanence
of the breach between them; Comus might even now be thinking himself
half-forgiven, and the awakening would be rather cruel. The letter,
however, did not prove an easy one to write; not only did it present
difficulties of its own but it suffered from the competing urgency of
a desire to be doing something far pleasanter than writing explanatory
and valedictory phrases. Elaine was possessed with an unusual
but quite overmastering hankering to visit her cousin Suzette Brankley.
They met but rarely at each other’s houses and very seldom anywhere
else, and Elaine for her part was never conscious of feeling that their
opportunities for intercourse lacked anything in the way of adequacy.
Suzette accorded her just that touch of patronage which a moderately
well-off and immoderately dull girl will usually try to mete out to
an acquaintance who is known to be wealthy and suspected of possessing
brains. In return Elaine armed herself with that particular brand
of mock humility which can be so terribly disconcerting if properly
wielded. No quarrel of any description stood between them and
one could not legitimately have described them as enemies, but they
never disarmed in one another’s presence. A misfortune of
any magnitude falling on one of them would have been sincerely regretted
by the other, but any minor discomfiture would have produced a feeling
very much akin to satisfaction. Human nature knows millions of
these inconsequent little feuds, springing up and flourishing apart
from any basis of racial, political, religious or economic causes, as
a hint perhaps to crass unseeing altruists that enmity has its place
and purpose in the world as well as benevolence.
Elaine had not personally congratulated Suzette since the formal announcement
of her engagement to the young man with the dissentient tailoring effects.
The impulse to go and do so now, overmastered her sense of what was
due to Comus in the way of explanation. The letter was still in
its blank unwritten stage, an unmarshalled sequence of sentences forming
in her brain, when she ordered her car and made a hurried but well-thought-out
change into her most sumptuously sober afternoon toilette. Suzette,
she felt tolerably sure, would still be in the costume that she had
worn in the Park that morning, a costume that aimed at elaboration of
detail, and was damned with overmuch success.
Suzette’s mother welcomed her unexpected visitor with obvious
satisfaction. Her daughter’s engagement, she explained,
was not so brilliant from the social point of view as a girl of Suzette’s
attractions and advantages might have legitimately aspired to, but Egbert
was a thoroughly commendable and dependable young man, who would very
probably win his way before long to membership of the County Council.
“From there, of course, the road would be open to him to higher
things.”
“Yes,” said Elaine, “he might become an alderman.”
“Have you seen their photographs, taken together?” asked
Mrs. Brankley, abandoning the subject of Egbert’s prospective
career.
“No, do show me,” said Elaine, with a flattering show of
interest; “I’ve never seen that sort of thing before.
It used to be the fashion once for engaged couples to be photographed
together, didn’t it?”
“It’s very much the fashion now,” said Mrs.
Brankley assertively, but some of the complacency had filtered out of
her voice. Suzette came into the room, wearing the dress that
she had worn in the Park that morning.
“Of course, you’ve been hearing all about the engagement
from mother,” she cried, and then set to work conscientiously
to cover the same ground.
“We met at Grindelwald, you know. He always calls me his
Ice Maiden because we first got to know each other on the skating rink.
Quite romantic, wasn’t it? Then we asked him to tea one
day, and we got to be quite friendly. Then he proposed.”
“He wasn’t the only one who was smitten with Suzette,”
Mrs. Brankley hastened to put in, fearful lest Elaine might suppose
that Egbert had had things all his own way. “There was an
American millionaire who was quite taken with her, and a Polish count
of a very old family. I assure you I felt quite nervous at some
of our tea-parties.”
Mrs. Brankley had given Grindelwald a sinister but rather alluring reputation
among a large circle of untravelled friends as a place where the insolence
of birth and wealth was held in precarious check from breaking forth
into scenes of savage violence.
“My marriage with Egbert will, of course, enlarge the sphere of
my life enormously,” pursued Suzette.
“Yes,” said Elaine; her eyes were rather remorselessly taking
in the details of her cousin’s toilette. It is said that
nothing is sadder than victory except defeat. Suzette began to
feel that the tragedy of both was concentrated in the creation which
had given her such unalloyed gratification, till Elaine had come on
the scene.
“A woman can be so immensely helpful in the social way to a man
who is making a career for himself. And I’m so glad to find
that we’ve a great many ideas in common. We each made out
a list of our idea of the hundred best books, and quite a number of
them were the same.”
“He looks bookish,” said Elaine, with a critical glance
at the photograph.
“Oh, he’s not at all a bookworm,” said Suzette quickly,
“though he’s tremendously well-read. He’s quite
the man of action.”
“Does he hunt?” asked Elaine.
“No, he doesn’t get much time or opportunity for riding.”
“What a pity,” commented Elaine; “I don’t think
I could marry a man who wasn’t fond of riding.”
“Of course that’s a matter of taste,” said Suzette,
stiffly; “horsey men are not usually gifted with overmuch brains,
are they?”
“There is as much difference between a horseman and a horsey man
as there is between a well-dressed man and a dressy one,” said
Elaine, judicially; “and you may have noticed how seldom a dressy
woman really knows how to dress. As an old lady of my acquaintance
observed the other day, some people are born with a sense of how to
clothe themselves, others acquire it, others look as if their clothes
had been thrust upon them.”
She gave Lady Caroline her due quotation marks, but the sudden tactfulness
with which she looked away from her cousin’s frock was entirely
her own idea.
A young man entering the room at this moment caused a diversion that
was rather welcome to Suzette.
“Here comes Egbert,” she announced, with an air of subdued
triumph; it was at least a satisfaction to be able to produce the captive
of her charms, alive and in good condition, on the scene. Elaine
might be as critical as she pleased, but a live lover outweighed any
number of well-dressed straight-riding cavaliers who existed only as
a distant vision of the delectable husband.
Egbert was one of those men who have no small talk, but possess an inexhaustible
supply of the larger variety. In whatever society he happened
to be, and particularly in the immediate neighbourhood of an afternoon-tea
table, with a limited audience of womenfolk, he gave the impression
of someone who was addressing a public meeting, and would be happy to
answer questions afterwards. A suggestion of gas-lit mission-halls,
wet umbrellas, and discreet applause seemed to accompany him everywhere.
He was an exponent, among other things, of what he called New Thought,
which seemed to lend itself conveniently to the employment of a good
deal of rather stale phraseology. Probably in the course of some
thirty odd years of existence he had never been of any notable use to
man, woman, child or animal, but it was his firmly-announced intention
to leave the world a better, happier, purer place than he had found
it; against the danger of any relapse to earlier conditions after his
disappearance from the scene, he was, of course, powerless to guard.
‘Tis not in mortals to insure succession, and Egbert was admittedly
mortal.
Elaine found him immensely entertaining, and would certainly have exerted
herself to draw him out if such a proceeding had been at all necessary.
She listened to his conversation with the complacent appreciation that
one bestows on a stage tragedy, from whose calamities one can escape
at any moment by the simple process of leaving one’s seat.
When at last he checked the flow of his opinions by a hurried reference
to his watch, and declared that he must be moving on elsewhere, Elaine
almost expected a vote of thanks to be accorded him, or to be asked
to signify herself in favour of some resolution by holding up her hand.
When the young man had bidden the company a rapid business-like farewell,
tempered in Suzette’s case by the exact degree of tender intimacy
that it would have been considered improper to omit or overstep, Elaine
turned to her expectant cousin with an air of cordial congratulation.
“He is exactly the husband I should have chosen for you, Suzette.”
For the second time that afternoon Suzette felt a sense of waning enthusiasm
for one of her possessions.
Mrs. Brankley detected the note of ironical congratulation in her visitor’s
verdict.
“I suppose she means he’s not her idea of a husband, but,
he’s good enough for Suzette,” she observed to herself,
with a snort that expressed itself somewhere in the nostrils of the
brain. Then with a smiling air of heavy patronage she delivered
herself of her one idea of a damaging counter-stroke.
“And when are we to hear of your engagement, my dear?”
“Now,” said Elaine quietly, but with electrical effect;
“I came to announce it to you but I wanted to hear all about Suzette
first. It will be formally announced in the papers in a day or
two.”
“But who is it? Is it the young man who was with you in
the Park this morning?” asked Suzette.
“Let me see, who was I with in the Park this morning? A
very good-looking dark boy? Oh no, not Comus Bassington.
Someone you know by name, anyway, and I expect you’ve seen his
portrait in the papers.”
“A flying-man?” asked Mrs. Brankley.
“Courtenay Youghal,” said Elaine.
Mrs. Brankley and Suzette had often rehearsed in the privacy of their
minds the occasion when Elaine should come to pay her personal congratulations
to her engaged cousin. It had never been in the least like this.
On her return from her enjoyable afternoon visit Elaine found an express
messenger letter waiting for her. It was from Comus, thanking
her for her loan - and returning it.
“I suppose I ought never to have asked you for it,” he wrote,
“but you are always so deliciously solemn about money matters
that I couldn’t resist. Just heard the news of your engagement
to Courtenay. Congrats. to you both. I’m far too stoney
broke to buy you a wedding present so I’m going to give you back
the bread-and-butter dish. Luckily it still has your crest on
it. I shall love to think of you and Courtenay eating bread-and-butter
out of it for the rest of your lives.”
That was all he had to say on the matter about which Elaine had been
preparing to write a long and kindly-expressed letter, closing a rather
momentous chapter in her life and his. There was not a trace of
regret or upbraiding in his note; he had walked out of their mutual
fairyland as abruptly as she had, and to all appearances far more unconcernedly.
Reading the letter again and again Elaine could come to no decision
as to whether this was merely a courageous gibe at defeat, or whether
it represented the real value that Comus set on the thing that he had
lost.
And she would never know. If Comus possessed one useless gift
to perfection it was the gift of laughing at Fate even when it had struck
him hardest. One day, perhaps, the laughter and mockery would
be silent on his lips, and Fate would have the advantage of laughing
last.
CHAPTER XII
A door closed and Francesca Bassington sat alone in her well-beloved
drawing-room. The visitor who had been enjoying the hospitality
of her afternoon-tea table had just taken his departure. The tête-à-tête
had not been a pleasant one, at any rate as far as Francesca was concerned,
but at least it had brought her the information for which she had been
seeking. Her rôle of looker-on from a tactful distance had
necessarily left her much in the dark concerning the progress of the
all-important wooing, but during the last few hours she had, on slender
though significant evidence, exchanged her complacent expectancy for
a conviction that something had gone wrong. She had spent the
previous evening at her brother’s house, and had naturally seen
nothing of Comus in that uncongenial quarter; neither had he put in
an appearance at the breakfast table the following morning. She
had met him in the hall at eleven o’clock, and he had hurried
past her, merely imparting the information that he would not be in till
dinner that evening. He spoke in his sulkiest tone, and his face
wore a look of defeat, thinly masked by an air of defiance; it was not
the defiance of a man who is losing, but of one who has already lost.
Francesca’s conviction that things had gone wrong between Comus
and Elaine de Frey grew in strength as the day wore on. She lunched
at a friend’s house, but it was not a quarter where special social
information of any importance was likely to come early to hand.
Instead of the news she was hankering for, she had to listen to trivial
gossip and speculation on the flirtations and “cases” and
“affairs” of a string of acquaintances whose matrimonial
projects interested her about as much as the nesting arrangements of
the wildfowl in St. James’s Park.
“Of course,” said her hostess, with the duly impressive
emphasis of a privileged chronicler, “we’ve always regarded
Claire as the marrying one of the family, so when Emily came to us and
said, ‘I’ve got some news for you,’ we all said, ‘Claire’s
engaged!’ ‘Oh, no,’ said Emily, ‘it’s
not Claire this time, it’s me.’ So then we had to
guess who the lucky man was. ‘It can’t be Captain
Parminter,’ we all said, ‘because he’s always been
sweet on Joan.’ And then Emily said - ”
The recording voice reeled off the catalogue of inane remarks with a
comfortable purring complacency that held out no hope of an early abandoning
of the topic. Francesca sat and wondered why the innocent acceptance
of a cutlet and a glass of indifferent claret should lay one open to
such unsparing punishment.
A stroll homeward through the Park after lunch brought no further enlightenment
on the subject that was uppermost in her mind; what was worse, it brought
her, without possibility of escape, within hailing distance of Merla
Blathington, who fastened on to her with the enthusiasm of a lonely
tsetse fly encountering an outpost of civilisation.
“Just think,” she buzzed inconsequently, “my sister
in Cambridgeshire has hatched out thirty-three White Orpington chickens
in her incubator!”
“What eggs did she put in it?” asked Francesca.
“Oh, some very special strain of White Orpington.”
“Then I don’t see anything remarkable in the result.
If she had put in crocodile’s eggs and hatched out White Orpingtons,
there might have been something to write to Country Life about.”
“What funny fascinating things these little green park-chairs
are,” said Merla, starting off on a fresh topic; “they always
look so quaint and knowing when they’re stuck away in pairs by
themselves under the trees, as if they were having a heart-to-heart
talk or discussing a piece of very private scandal. If they could
only speak, what tragedies and comedies they could tell us of, what
flirtations and proposals.”
“Let us be devoutly thankful that they can’t,” said
Francesca, with a shuddering recollection of the luncheon-table conversation.
“Of course, it would make one very careful what one said before
them - or above them rather,” Merla rattled on, and then, to Francesca’s
infinite relief, she espied another acquaintance sitting in unprotected
solitude, who promised to supply a more durable audience than her present
rapidly moving companion. Francesca was free to return to her
drawing-room in Blue Street to await with such patience as she could
command the coming of some visitor who might be able to throw light
on the subject that was puzzling and disquieting her. The arrival
of George St. Michael boded bad news, but at any rate news, and she
gave him an almost cordial welcome.
“Well, you see I wasn’t far wrong about Miss de Frey and
Courtenay Youghal, was I?” he chirruped, almost before he had
seated himself. Francesca was to be spared any further spinning-out
of her period of uncertainty. “Yes, it’s officially
given out,” he went on, “and it’s to appear in the
Morning Post to-morrow. I heard it from Colonel Deel this
morning, and he had it direct from Youghal himself. Yes, please,
one lump; I’m not fashionable, you see.” He had made
the same remark about the sugar in his tea with unfailing regularity
for at least thirty years. Fashions in sugar are apparently stationary.
“They say,” he continued, hurriedly, “that he proposed
to her on the Terrace of the House, and a division bell rang, and he
had to hurry off before she had time to give her answer, and when he
got back she simply said, ‘the Ayes have it.’”
St. Michael paused in his narrative to give an appreciative giggle.
“Just the sort of inanity that would go the rounds,” remarked
Francesca, with the satisfaction of knowing that she was making the
criticism direct to the author and begetter of the inanity in question.
Now that the blow had fallen and she knew the full extent of its weight,
her feeling towards the bringer of bad news, who sat complacently nibbling
at her tea-cakes and scattering crumbs of tiresome small-talk at her
feet, was one of wholehearted dislike. She could sympathise with,
or at any rate understand, the tendency of oriental despots to inflict
death or ignominious chastisement on messengers bearing tidings of misfortune
and defeat, and St. Michael, she perfectly well knew, was thoroughly
aware of the fact that her hopes and wishes had been centred on the
possibility of having Elaine for a daughter-in-law; every purring remark
that his mean little soul prompted him to contribute to the conversation
had an easily recognizable undercurrent of malice. Fortunately
for her powers of polite endurance, which had been put to such searching
and repeated tests that day, St. Michael had planned out for himself
a busy little time-table of afternoon visits, at each of which his self-appointed
task of forestalling and embellishing the newspaper announcements of
the Youghal-de Frey engagement would be hurriedly but thoroughly performed.
“They’ll be quite one of the best-looking and most interesting
couples of the Season, won’t they?” he cried, by way of
farewell. The door closed and Francesca Bassington sat alone in
her drawing-room.
Before she could give way to the bitter luxury of reflection on the
downfall of her hopes, it was prudent to take precautionary measures
against unwelcome intrusion. Summoning the maid who had just speeded
the departing St. Michael, she gave the order: “I am not at home
this afternoon to Lady Caroline Benaresq.” On second thoughts
she extended the taboo to all possible callers, and sent a telephone
message to catch Comus at his club, asking him to come and see her as
soon as he could manage before it was time to dress for dinner.
Then she sat down to think, and her thinking was beyond the relief of
tears.
She had built herself a castle of hopes, and it had not been a castle
in Spain, but a structure well on the probable side of the Pyrenees.
There had been a solid foundation on which to build. Miss de Frey’s
fortune was an assured and unhampered one, her liking for Comus had
been an obvious fact; his courtship of her a serious reality.
The young people had been much together in public, and their names had
naturally been coupled in the match-making gossip of the day.
The only serious shadow cast over the scene had been the persistent
presence, in foreground or background, of Courtenay Youghal. And
now the shadow suddenly stood forth as the reality, and the castle of
hopes was a ruin, a hideous mortification of dust and débris,
with the skeleton outlines of its chambers still standing to make mockery
of its discomfited architect. The daily anxiety about Comus and
his extravagant ways and intractable disposition had been gradually
lulled by the prospect of his making an advantageous marriage, which
would have transformed him from a ne’er-do-well and adventurer
into a wealthy idler. He might even have been moulded, by the
resourceful influence of an ambitious wife, into a man with some definite
purpose in life. The prospect had vanished with cruel suddenness,
and the anxieties were crowding back again, more insistent than ever.
The boy had had his one good chance in the matrimonial market and missed
it; if he were to transfer his attentions to some other well-dowered
girl he would be marked down at once as a fortune-hunter, and that would
constitute a heavy handicap to the most plausible of wooers. His
liking for Elaine had evidently been genuine in its way, though perhaps
it would have been rash to read any deeper sentiment into it, but even
with the spur of his own inclination to assist him he had failed to
win the prize that had seemed so temptingly within his reach.
And in the dashing of his prospects, Francesca saw the threatening of
her own. The old anxiety as to her precarious tenure of her present
quarters put on again all its familiar terrors. One day, she foresaw,
in the horribly near future, George St. Michael would come pattering
up her stairs with the breathless intelligence that Emmeline Chetrof
was going to marry somebody or other in the Guards or the Record Office
as the case might be, and then there would be an uprooting of her life
from its home and haven in Blue Street and a wandering forth to some
cheap unhappy far-off dwelling, where the stately Van der Meulen and
its companion host of beautiful and desirable things would be stuffed
and stowed away in soulless surroundings, like courtly émigrés
fallen on evil days. It was unthinkable, but the trouble was that
it had to be thought about. And if Comus had played his cards
well and transformed himself from an encumbrance into a son with wealth
at his command, the tragedy which she saw looming in front of her might
have been avoided or at the worst whittled down to easily bearable proportions.
With money behind one, the problem of where to live approaches more
nearly to the simple question of where do you wish to live, and a rich
daughter-in-law would have surely seen to it that she did not have to
leave her square mile of Mecca and go out into the wilderness of bricks
and mortar. If the house in Blue Street could not have been compounded
for there were other desirable residences which would have been capable
of consoling Francesca for her lost Eden. And now the detested
Courtenay Youghal, with his mocking eyes and air of youthful cynicism,
had stepped in and overthrown those golden hopes and plans whose non-fulfilment
would make such a world of change in her future. Assuredly she
had reason to feel bitter against that young man, and she was not disposed
to take a very lenient view of Comus’s own mismanagement of the
affair; her greeting when he at last arrived, was not couched in a sympathetic
strain.
“So you have lost your chance with the heiress,” she remarked
abruptly.
“Yes,” said Comus, coolly; “Courtenay Youghal has
added her to his other successes.”
“And you have added her to your other failures,” pursued
Francesca, relentlessly; her temper had been tried that day beyond ordinary
limits.
“I thought you seemed getting along so well with her,” she
continued, as Comus remained uncommunicative.
“We hit it off rather well together,” said Comus, and added
with deliberate bluntness, “I suppose she got rather sick at my
borrowing money from her. She thought it was all I was after.”
“You borrowed money from her!” said Francesca; “you
were fool enough to borrow money from a girl who was favourably disposed
towards you, and with Courtenay Youghal in the background waiting to
step in and oust you!”
Francesca’s voice trembled with misery and rage. This great
stroke of good luck that had seemed about to fall into their laps had
been thrust aside by an act or series of acts of wanton paltry folly.
The good ship had been lost for the sake of the traditional ha’porth
of tar. Comus had paid some pressing tailor’s or tobacconist’s
bill with a loan unwillingly put at his disposal by the girl he was
courting, and had flung away his chances of securing a wealthy and in
every way desirable bride. Elaine de Frey and her fortune might
have been the making of Comus, but he had hurried in as usual to effect
his own undoing. Calmness did not in this case come with reflection;
the more Francesca thought about the matter, the more exasperated she
grew. Comus threw himself down in a low chair and watched her
without a trace of embarrassment or concern at her mortification.
He had come to her feeling rather sorry for himself, and bitterly conscious
of his defeat, and she had met him with a taunt and without the least
hint of sympathy; he determined that she should be tantalised with the
knowledge of how small and stupid a thing had stood between the realisation
and ruin of her hopes for him.
“And to think she should be captured by Courtenay Youghal,”
said Francesca, bitterly; “I’ve always deplored your intimacy
with that young man.”
“It’s hardly my intimacy with him that’s made Elaine
accept him,” said Comus.
Francesca realised the futility of further upbraiding. Through
the tears of vexation that stood in her eyes, she looked across at the
handsome boy who sat opposite her, mocking at his own misfortune, perversely
indifferent to his folly, seemingly almost indifferent to its consequences.
“Comus,” she said quietly and wearily, “you are an
exact reversal of the legend of Pandora’s Box. You have
all the charm and advantages that a boy could want to help him on in
the world, and behind it all there is the fatal damning gift of utter
hopelessness.”
“I think,” said Comus, “that is the best description
that anyone has ever given of me.”
For the moment there was a flush of sympathy and something like outspoken
affection between mother and son. They seemed very much alone
in the world just now, and in the general overturn of hopes and plans,
there flickered a chance that each might stretch out a hand to the other,
and summon back to their lives an old dead love that was the best and
strongest feeling either of them had known. But the sting of disappointment
was too keen, and the flood of resentment mounted too high on either
side to allow the chance more than a moment in which to flicker away
into nothingness. The old fatal topic of estrangement came to
the fore, the question of immediate ways and means, and mother and son
faced themselves again as antagonists on a well-disputed field.
“What is done is done,” said Francesca, with a movement
of tragic impatience that belied the philosophy of her words; “there
is nothing to be gained by crying over spilt milk. There is the
present and the future to be thought about, though. One can’t
go on indefinitely as a tenant-for-life in a fools’ paradise.”
Then she pulled herself together and proceeded to deliver an ultimatum
which the force of circumstances no longer permitted her to hold in
reserve.
“It’s not much use talking to you about money, as I know
from long experience, but I can only tell you this, that in the middle
of the Season I’m already obliged to be thinking of leaving Town.
And you, I’m afraid, will have to be thinking of leaving England
at equally short notice. Henry told me the other day that he can
get you something out in West Africa. You’ve had your chance
of doing something better for yourself from the financial point of view,
and you’ve thrown it away for the sake of borrowing a little ready
money for your luxuries, so now you must take what you can get.
The pay won’t be very good at first, but living is not dear out
there.”
“West Africa,” said Comus, reflectively; “it’s
a sort of modern substitute for the old-fashioned oubliette,
a convenient depository for tiresome people. Dear Uncle Henry
may talk lugubriously about the burden of Empire, but he evidently recognises
its uses as a refuse consumer.”
“My dear Comus, you are talking of the West Africa of yesterday.
While you have been wasting your time at school, and worse than wasting
your time in the West End, other people have been grappling with the
study of tropical diseases, and the West African coast country is being
rapidly transformed from a lethal chamber into a sanatorium.”
Comus laughed mockingly.
“What a beautiful bit of persuasive prose; it reminds one of the
Psalms and even more of a company prospectus. If you were honest
you’d confess that you lifted it straight out of a rubber or railway
promotion scheme. Seriously, mother, if I must grub about for
a living, why can’t I do it in England? I could go into
a brewery for instance.”
Francesca shook her head decisively; she could foresee the sort of steady
work Comus was likely to accomplish, with the lodestone of Town and
the minor attractions of race-meetings and similar festivities always
beckoning to him from a conveniently attainable distance, but apart
from that aspect of the case there was a financial obstacle in the way
of his obtaining any employment at home.
“Breweries and all those sort of things necessitate money to start
with; one has to pay premiums or invest capital in the undertaking,
and so forth. And as we have no money available, and can scarcely
pay our debts as it is, it’s no use thinking about it.”
“Can’t we sell something?” asked Comus.
He made no actual suggestion as to what should be sacrificed, but he
was looking straight at the Van der Meulen.
For a moment Francesca felt a stifling sensation of weakness, as though
her heart was going to stop beating. Then she sat forward in her
chair and spoke with energy, almost fierceness.
“When I am dead my things can be sold and dispersed. As
long as I am alive I prefer to keep them by me.”
In her holy place, with all her treasured possessions around her, this
dreadful suggestion had been made. Some of her cherished household
gods, souvenirs and keepsakes from past days, would, perhaps, not have
fetched a very considerable sum in the auction-room, others had a distinct
value of their own, but to her they were all precious. And the
Van der Meulen, at which Comus had looked with impious appraising eyes,
was the most sacred of them all. When Francesca had been away
from her Town residence or had been confined to her bedroom through
illness, the great picture with its stately solemn representation of
a long-ago battle-scene, painted to flatter the flattery-loving soul
of a warrior-king who was dignified even in his campaigns - this was
the first thing she visited on her return to Town or convalescence.
If an alarm of fire had been raised it would have been the first thing
for whose safety she would have troubled. And Comus had almost
suggested that it should be parted with, as one sold railway shares
and other soulless things.
Scolding, she had long ago realised, was a useless waste of time and
energy where Comus was concerned, but this evening she unloosed her
tongue for the mere relief that it gave to her surcharged feelings.
He sat listening without comment, though she purposely let fall remarks
that she hoped might sting him into self-defence or protest. It
was an unsparing indictment, the more damaging in that it was so irrefutably
true, the more tragic in that it came from perhaps the one person in
the world whose opinion he had ever cared for. And he sat through
it as silent and seemingly unmoved as though she had been rehearsing
a speech for some drawing-room comedy. When she had had her say
his method of retort was not the soft answer that turneth away wrath
but the inconsequent one that shelves it.
“Let’s go and dress for dinner.”
The meal, like so many that Francesca and Comus had eaten in each other’s
company of late, was a silent one. Now that the full bearings
of the disaster had been discussed in all its aspects there was nothing
more to be said. Any attempt at ignoring the situation, and passing
on to less controversial topics would have been a mockery and pretence
which neither of them would have troubled to sustain. So the meal
went forward with its dragged-out dreary intimacy of two people who
were separated by a gulf of bitterness, and whose hearts were hard with
resentment against one another.
Francesca felt a sense of relief when she was able to give the maid
the order to serve her coffee upstairs. Comus had a sullen scowl
on his face, but he looked up as she rose to leave the room, and gave
his half-mocking little laugh.
“You needn’t look so tragic,” he said, “You’re
going to have your own way. I’ll go out to that West African
hole.”
CHAPTER XIII
Comus found his way to his seat in the stalls of the Straw Exchange
Theatre and turned to watch the stream of distinguished and distinguishable
people who made their appearance as a matter of course at a First Night
in the height of the Season. Pit and gallery were already packed
with a throng, tense, expectant and alert, that waited for the rise
of the curtain with the eager patience of a terrier watching a dilatory
human prepare for outdoor exercises. Stalls and boxes filled slowly
and hesitatingly with a crowd whose component units seemed for the most
part to recognise the probability that they were quite as interesting
as any play they were likely to see. Those who bore no particular
face-value themselves derived a certain amount of social dignity from
the near neighbourhood of obvious notabilities; if one could not obtain
recognition oneself there was some vague pleasure in being able to recognise
notoriety at intimately close quarters.
“Who is that woman with the auburn hair and a rather effective
belligerent gleam in her eyes?” asked a man sitting just behind
Comus; “she looks as if she might have created the world in six
days and destroyed it on the seventh.”
“I forget her name,” said his neighbour; “she writes.
She’s the author of that book, ‘The Woman who wished it
was Wednesday,’ you know. It used to be the convention that
women writers should be plain and dowdy; now we have gone to the other
extreme and build them on extravagantly decorative lines.”
A buzz of recognition came from the front rows of the pit, together
with a craning of necks on the part of those in less favoured seats.
It heralded the arrival of Sherard Blaw, the dramatist who had discovered
himself, and who had given so ungrudgingly of his discovery to the world.
Lady Caroline, who was already directing little conversational onslaughts
from her box, gazed gently for a moment at the new arrival, and then
turned to the silver-haired Archdeacon sitting beside her.
“They say the poor man is haunted by the fear that he will die
during a general election, and that his obituary notices will be seriously
curtailed by the space taken up by the election results. The curse
of our party system, from his point of view, is that it takes up so
much room in the press.”
The Archdeacon smiled indulgently. As a man he was so exquisitely
worldly that he fully merited the name of the Heavenly Worldling bestowed
on him by an admiring duchess, and withal his texture was shot with
a pattern of such genuine saintliness that one felt that whoever else
might hold the keys of Paradise he, at least, possessed a private latchkey
to that abode.
“Is it not significant of the altered grouping of things,”
he observed, “that the Church, as represented by me, sympathises
with the message of Sherard Blaw, while neither the man nor his message
find acceptance with unbelievers like you, Lady Caroline.”
Lady Caroline blinked her eyes. “My dear Archdeacon,”
she said, “no one can be an unbeliever nowadays. The Christian
Apologists have left one nothing to disbelieve.”
The Archdeacon rose with a delighted chuckle. “I must go
and tell that to De la Poulett,” he said, indicating a clerical
figure sitting in the third row of the stalls; “he spends his
life explaining from his pulpit that the glory of Christianity consists
in the fact that though it is not true it has been found necessary to
invent it.”
The door of the box opened and Courtenay Youghal entered, bringing with
him subtle suggestion of chaminade and an atmosphere of political tension.
The Government had fallen out of the good graces of a section of its
supporters, and those who were not in the know were busy predicting
a serious crisis over a forthcoming division in the Committee stage
of an important Bill. This was Saturday night, and unless some
successful cajolery were effected between now and Monday afternoon,
Ministers would be, seemingly, in danger of defeat.
“Ah, here is Youghal,” said the Archdeacon; “he will
be able to tell us what is going to happen in the next forty-eight hours.
I hear the Prime Minister says it is a matter of conscience, and they
will stand or fall by it.”
His hopes and sympathies were notoriously on the Ministerial side.
Youghal greeted Lady Caroline and subsided gracefully into a chair well
in the front of the box. A buzz of recognition rippled slowly
across the house.
“For the Government to fall on a matter of conscience,”
he said, “would be like a man cutting himself with a safety razor.”
Lady Caroline purred a gentle approval.
“I’m afraid it’s true, Archdeacon,” she said.
No one can effectively defend a Government when it’s been in office
several years. The Archdeacon took refuge in light skirmishing.
“I believe Lady Caroline sees the makings of a great Socialist
statesman in you, Youghal,” he observed.
“Great Socialist statesmen aren’t made, they’re stillborn,”
replied Youghal.
“What is the play about to-night?” asked a pale young woman
who had taken no part in the talk.
“I don’t know,” said Lady Caroline, “but I hope
it’s dull. If there is any brilliant conversation in it
I shall burst into tears.”
In the front row of the upper circle a woman with a restless starling-voice
was discussing the work of a temporarily fashionable composer, chiefly
in relation to her own emotions, which she seemed to think might prove
generally interesting to those around her.
“Whenever I hear his music I feel that I want to go up into a
mountain and pray. Can you understand that feeling?”
The girl to whom she was unburdening herself shook her head.
“You see, I’ve heard his music chiefly in Switzerland, and
we were up among the mountains all the time, so it wouldn’t have
made any difference.”
“In that case,” said the woman, who seemed to have emergency
emotions to suit all geographical conditions, “I should have wanted
to be in a great silent plain by the side of a rushing river.”
“What I think is so splendid about his music - ” commenced
another starling-voice on the further side of the girl. Like sheep
that feed greedily before the coming of a storm the starling-voices
seemed impelled to extra effort by the knowledge of four imminent intervals
of acting during which they would be hushed into constrained silence.
In the back row of the dress circle a late-comer, after a cursory glance
at the programme, had settled down into a comfortable narrative, which
was evidently the resumed thread of an unfinished taxi-drive monologue.
“We all said ‘it can’t be Captain Parminter, because
he’s always been sweet on Joan,’ and then Emily said - ”
The curtain went up, and Emily’s contribution to the discussion
had to be held over till the entr’acte.
The play promised to be a success. The author, avoiding the pitfall
of brilliancy, had aimed at being interesting and as far as possible,
bearing in mind that his play was a comedy, he had striven to be amusing.
Above all he had remembered that in the laws of stage proportions it
is permissible and generally desirable that the part should be greater
than the whole; hence he had been careful to give the leading lady such
a clear and commanding lead over the other characters of the play that
it was impossible for any of them ever to get on level terms with her.
The action of the piece was now and then delayed thereby, but the duration
of its run would be materially prolonged.
The curtain came down on the first act amid an encouraging instalment
of applause, and the audience turned its back on the stage and began
to take a renewed interest in itself. The authoress of “The
Woman who wished it was Wednesday” had swept like a convalescent
whirlwind, subdued but potentially tempestuous, into Lady Caroline’s
box.
“I’ve just trodden with all my weight on the foot of an
eminent publisher as I was leaving my seat,” she cried, with a
peal of delighted laughter. “He was such a dear about it;
I said I hoped I hadn’t hurt him, and he said, ‘I suppose
you think, who drives hard bargains should himself be hard.’
Wasn’t it pet-lamb of him?”
“I’ve never trodden on a pet lamb,” said Lady Caroline,
“so I’ve no idea what its behaviour would be under the circumstances.”
“Tell me,” said the authoress, coming to the front of the
box, the better to survey the house, and perhaps also with a charitable
desire to make things easy for those who might pardonably wish to survey
her, “tell me, please, where is the girl sitting whom Courtenay
Youghal is engaged to?”
Elaine was pointed out to her, sitting in the fourth row of the stalls,
on the opposite side of the house to where Comus had his seat.
Once during the interval she had turned to give him a friendly nod of
recognition as he stood in one of the side gangways, but he was absorbed
at the moment in looking at himself in the glass panel. The grave
brown eyes and the mocking green-grey ones had looked their last into
each other’s depths.
For Comus this first-night performance, with its brilliant gathering
of spectators, its groups and coteries of lively talkers, even its counterfoil
of dull chatterers, its pervading atmosphere of stage and social movement,
and its intruding undercurrent of political flutter, all this composed
a tragedy in which he was the chief character. It was the life
he knew and loved and basked in, and it was the life he was leaving.
It would go on reproducing itself again and again, with its stage interest
and social interest and intruding outside interests, with the same lively
chattering crowd, the people who had done things being pointed out by
people who recognised them to people who didn’t - it would all
go on with unflagging animation and sparkle and enjoyment, and for him
it would have stopped utterly. He would be in some unheard-of
sun-blistered wilderness, where natives and pariah dogs and raucous-throated
crows fringed round mockingly on one’s loneliness, where one rode
for sweltering miles for the chance of meeting a collector or police
officer, with whom most likely on closer acquaintance one had hardly
two ideas in common, where female society was represented at long intervals
by some climate-withered woman missionary or official’s wife,
where food and sickness and veterinary lore became at last the three
outstanding subjects on which the mind settled or rather sank.
That was the life he foresaw and dreaded, and that was the life he was
going to. For a boy who went out to it from the dulness of some
country rectory, from a neighbourhood where a flower show and a cricket
match formed the social landmarks of the year, the feeling of exile
might not be very crushing, might indeed be lost in the sense of change
and adventure. But Comus had lived too thoroughly in the centre
of things to regard life in a backwater as anything else than stagnation,
and stagnation while one is young he justly regarded as an offence against
nature and reason, in keeping with the perverted mockery that sends
decrepit invalids touring painfully about the world and shuts panthers
up in narrow cages. He was being put aside, as a wine is put aside,
but to deteriorate instead of gaining in the process, to lose the best
time of his youth and health and good looks in a world where youth and
health and good looks count for much and where time never returns lost
possessions. And thus, as the curtain swept down on the close
of each act, Comus felt a sense of depression and deprivation sweep
down on himself; bitterly he watched his last evening of social gaiety
slipping away to its end. In less than an hour it would be over;
in a few months’ time it would be an unreal memory.
In the third interval, as he gazed round at the chattering house, someone
touched him on the arm. It was Lady Veula Croot.
“I suppose in a week’s time you’ll be on the high
seas,” she said. “I’m coming to your farewell
dinner, you know; your mother has just asked me. I’m not
going to talk the usual rot to you about how much you will like it and
so on. I sometimes think that one of the advantages of Hell will
be that no one will have the impertinence to point out to you that you’re
really better off than you would be anywhere else. What do you
think of the play? Of course one can foresee the end; she will
come to her husband with the announcement that their longed-for child
is going to be born, and that will smooth over everything. So
conveniently effective, to wind up a comedy with the commencement of
someone else’s tragedy. And every one will go away saying
‘I’m glad it had a happy ending.’”
Lady Veula moved back to her seat, with her pleasant smile on her lips
and the look of infinite weariness in her eyes.
The interval, the last interval, was drawing to a close and the house
began to turn with fidgetty attention towards the stage for the unfolding
of the final phase of the play. Francesca sat in Serena Golackly’s
box listening to Colonel Springfield’s story of what happened
to a pigeon-cote in his compound at Poona. Everyone who knew the
Colonel had to listen to that story a good many times, but Lady Caroline
had mitigated the boredom of the infliction, and in fact invested it
with a certain sporting interest, by offering a prize to the person
who heard it oftenest in the course of the Season, the competitors being
under an honourable understanding not to lead up to the subject.
Ada Spelvexit and a boy in the Foreign Office were at present at the
top of the list with five recitals each to their score, but the former
was suspected of doubtful adherence to the rules and spirit of the competition.
“And there, dear lady,” concluded the Colonel, “were
the eleven dead pigeons. What had become of the bandicoot no one
ever knew.”
Francesca thanked him for his story, and complacently inscribed the
figure 4 on the margin of her theatre programme. Almost at the
same moment she heard George St. Michael’s voice pattering out
a breathless piece of intelligence for the edification of Serena Golackly
and anyone else who might care to listen. Francesca galvanised
into sudden attention.
“Emmeline Chetrof to a fellow in the Indian Forest Department.
He’s got nothing but his pay and they can’t be married for
four or five years; an absurdly long engagement, don’t you think
so? All very well to wait seven years for a wife in patriarchal
times, when you probably had others to go on with, and you lived long
enough to celebrate your own tercentenary, but under modern conditions
it seems a foolish arrangement.”
St. Michael spoke almost with a sense of grievance. A marriage
project that tied up all the small pleasant nuptial gossip-items about
bridesmaids and honeymoon and recalcitrant aunts and so forth, for an
indefinite number of years seemed scarcely decent in his eyes, and there
was little satisfaction or importance to be derived from early and special
knowledge of an event which loomed as far distant as a Presidential
Election or a change of Viceroy. But to Francesca, who had listened
with startled apprehension at the mention of Emmeline Chetrof’s
name, the news came in a flood of relief and thankfulness. Short
of entering a nunnery and taking celibate vows, Emmeline could hardly
have behaved more conveniently than in tying herself up to a lover whose
circumstances made it necessary to relegate marriage to the distant
future. For four or five years Francesca was assured of undisturbed
possession of the house in Blue Street, and after that period who knew
what might happen? The engagement might stretch on indefinitely,
it might even come to nothing under the weight of its accumulated years,
as sometimes happened with these protracted affairs. Emmeline
might lose her fancy for her absentee lover, and might never replace
him with another. A golden possibility of perpetual tenancy of
her present home began to float once more through Francesca’s
mind. As long as Emmeline had been unbespoken in the marriage
market there had always been the haunting likelihood of seeing the dreaded
announcement, “a marriage has been arranged and will shortly take
place,” in connection with her name. And now a marriage
had been arranged and would not shortly take place, might indeed never
take place. St. Michael’s information was likely to be correct
in this instance; he would never have invented a piece of matrimonial
intelligence which gave such little scope for supplementary detail of
the kind he loved to supply. As Francesca turned to watch the
fourth act of the play, her mind was singing a paean of thankfulness
and exultation. It was as though some artificer sent by the Gods
had reinforced with a substantial cord the horsehair thread that held
up the sword of Damocles over her head. Her love for her home,
for her treasured household possessions, and her pleasant social life
was able to expand once more in present security, and feed on future
hope. She was still young enough to count four or five years as
a long time, and to-night she was optimistic enough to prophesy smooth
things of the future that lay beyond that span. Of the fourth
act, with its carefully held back but obviously imminent reconciliation
between the leading characters, she took in but little, except that
she vaguely understood it to have a happy ending. As the lights
went up she looked round on the dispersing audience with a feeling of
friendliness uppermost in her mind; even the sight of Elaine de Frey
and Courtenay Youghal leaving the theatre together did not inspire her
with a tenth part of the annoyance that their entrance had caused her.
Serena’s invitation to go on to the Savoy for supper fitted in
exactly with her mood of exhilaration. It would be a fit and appropriate
wind-up to an auspicious evening. The cold chicken and modest
brand of Chablis waiting for her at home should give way to a banquet
of more festive nature.
In the crush of the vestibule, friends and enemies, personal and political,
were jostled and locked together in the general effort to rejoin temporarily
estranged garments and secure the attendance of elusive vehicles.
Lady Caroline found herself at close quarters with the estimable Henry
Greech, and experienced some of the joy which comes to the homeward
wending sportsman when a chance shot presents itself on which he may
expend his remaining cartridges.
“So the Government is going to climb down, after all,” she
said, with a provocative assumption of private information on the subject.
“I assure you the Government will do nothing of the kind,”
replied the Member of Parliament with befitting dignity; “the
Prime Minister told me last night that under no circumstances - ”
“My dear Mr. Greech,” said Lady Caroline, “we all
know that Prime Ministers are wedded to the truth, but like other wedded
couples they sometimes live apart.”
For her, at any rate, the comedy had had a happy ending.
Comus made his way slowly and lingeringly from the stalls, so slowly
that the lights were already being turned down and great shroud-like
dust-cloths were being swaythed over the ornamental gilt-work.
The laughing, chattering, yawning throng had filtered out of the vestibule,
and was melting away in final groups from the steps of the theatre.
An impatient attendant gave him his coat and locked up the cloak room.
Comus stepped out under the portico; he looked at the posters announcing
the play, and in anticipation he could see other posters announcing
its 200th performance. Two hundred performances; by that time
the Straw Exchange Theatre would be to him something so remote and unreal
that it would hardly seem to exist or to have ever existed except in
his fancy. And to the laughing chattering throng that would pass
in under that portico to the 200th performance, he would be, to those
that had known him, something equally remote and non-existent.
“The good-looking Bassington boy? Oh, dead, or rubber-growing
or sheep-farming or something of that sort.”
CHAPTER XIV
The farewell dinner which Francesca had hurriedly organised in honour
of her son’s departure threatened from the outset to be a doubtfully
successful function. In the first place, as he observed privately,
there was very little of Comus and a good deal of farewell in it.
His own particular friends were unrepresented. Courtenay Youghal
was out of the question; and though Francesca would have stretched a
point and welcomed some of his other male associates of whom she scarcely
approved, he himself had been opposed to including any of them in the
invitations. On the other hand, as Henry Greech had provided Comus
with this job that he was going out to, and was, moreover, finding part
of the money for the necessary outfit, Francesca had felt it her duty
to ask him and his wife to the dinner; the obtuseness that seems to
cling to some people like a garment throughout their life had caused
Mr. Greech to accept the invitation. When Comus heard of the circumstance
he laughed long and boisterously; his spirits, Francesca noted, seemed
to be rising fast as the hour for departure drew near.
The other guests included Serena Golackly and Lady Veula, the latter
having been asked on the inspiration of the moment at the theatrical
first-night. In the height of the Season it was not easy to get
together a goodly selection of guests at short notice, and Francesca
had gladly fallen in with Serena’s suggestion of bringing with
her Stephen Thorle, who was alleged, in loose feminine phrasing, to
“know all about” tropical Africa. His travels and
experiences in those regions probably did not cover much ground or stretch
over any great length of time, but he was one of those individuals who
can describe a continent on the strength of a few days’ stay in
a coast town as intimately and dogmatically as a paleontologist will
reconstruct an extinct mammal from the evidence of a stray shin bone.
He had the loud penetrating voice and the prominent penetrating eyes
of a man who can do no listening in the ordinary way and whose eyes
have to perform the function of listening for him. His vanity
did not necessarily make him unbearable, unless one had to spend much
time in his society, and his need for a wide field of audience and admiration
was mercifully calculated to spread his operations over a considerable
human area. Moreover, his craving for attentive listeners forced
him to interest himself in a wonderful variety of subjects on which
he was able to discourse fluently and with a certain semblance of special
knowledge. Politics he avoided; the ground was too well known,
and there was a definite no to every definite yes that could be put
forward. Moreover, argument was not congenial to his disposition,
which preferred an unchallenged flow of dissertation modified by occasional
helpful questions which formed the starting point for new offshoots
of word-spinning. The promotion of cottage industries, the prevention
of juvenile street trading, the extension of the Borstal prison system,
the furtherance of vague talkative religious movements the fostering
of inter-racial ententes, all found in him a tireless exponent,
a fluent and entertaining, though perhaps not very convincing, advocate.
With the real motive power behind these various causes he was not very
closely identified; to the spade-workers who carried on the actual labours
of each particular movement he bore the relation of a trowel-worker,
delving superficially at the surface, but able to devote a proportionately
far greater amount of time to the advertisement of his progress and
achievements. Such was Stephen Thorle, a governess in the nursery
of Chelsea-bred religions, a skilled window-dresser in the emporium
of his own personality, and needless to say, evanescently popular amid
a wide but shifting circle of acquaintances. He improved on the
record of a socially much-travelled individual whose experience has
become classical, and went to most of the best houses - twice.
His inclusion as a guest at this particular dinner-party was not a very
happy inspiration. He was inclined to patronise Comus, as well
as the African continent, and on even slighter acquaintance. With
the exception of Henry Greech, whose feelings towards his nephew had
been soured by many years of overt antagonism, there was an uncomfortable
feeling among those present that the topic of the black-sheep export
trade, as Comus would have himself expressed it, was being given undue
prominence in what should have been a festive farewell banquet.
And Comus, in whose honour the feast was given, did not contribute much
towards its success; though his spirits seemed strung up to a high pitch
his merriment was more the merriment of a cynical and amused onlooker
than of one who responds to the gaiety of his companions. Sometimes
he laughed quietly to himself at some chance remark of a scarcely mirth-provoking
nature, and Lady Veula, watching him narrowly, came to the conclusion
that an element of fear was blended with his seemingly buoyant spirits.
Once or twice he caught her eye across the table, and a certain sympathy
seemed to grow up between them, as though they were both consciously
watching some lugubrious comedy that was being played out before them.
An untoward little incident had marked the commencement of the meal.
A small still-life picture that hung over the sideboard had snapped
its cord and slid down with an alarming clatter on to the crowded board
beneath it. The picture itself was scarcely damaged, but its fall
had been accompanied by a tinkle of broken glass, and it was found that
a liqueur glass, one out of a set of seven that would be impossible
to match, had been shivered into fragments. Francesca’s
almost motherly love for her possessions made her peculiarly sensible
to a feeling of annoyance and depression at the accident, but she turned
politely to listen to Mrs. Greech’s account of a misfortune in
which four soup-plates were involved. Mrs. Henry was not a brilliant
conversationalist, and her flank was speedily turned by Stephen Thorle,
who recounted a slum experience in which two entire families did all
their feeding out of one damaged soup-plate.
“The gratitude of those poor creatures when I presented them with
a set of table crockery apiece, the tears in their eyes and in their
voices when they thanked me, would be impossible to describe.”
“Thank you all the same for describing it,” said Comus.
The listening eyes went swiftly round the table to gather evidence as
to how this rather disconcerting remark had been received, but Thorle’s
voice continued uninterruptedly to retail stories of East-end gratitude,
never failing to mention the particular deeds of disinterested charity
on his part which had evoked and justified the gratitude. Mrs.
Greech had to suppress the interesting sequel to her broken-crockery
narrative, to wit, how she subsequently matched the shattered soup-plates
at Harrod’s. Like an imported plant species that sometimes
flourishes exceedingly, and makes itself at home to the dwarfing and
overshadowing of all native species, Thorle dominated the dinner-party
and thrust its original purport somewhat into the background.
Serena began to look helplessly apologetic. It was altogether
rather a relief when the filling of champagne glasses gave Francesca
an excuse for bringing matters back to their intended footing.
“We must all drink a health,” she said; “Comus, my
own dear boy, a safe and happy voyage to you, much prosperity in the
life you are going out to, and in due time a safe and happy return -
”
Her hand gave an involuntary jerk in the act of raising the glass, and
the wine went streaming across the tablecloth in a froth of yellow bubbles.
It certainly was not turning out a comfortable or auspicious dinner
party.
“My dear mother,” cried Comus, “you must have been
drinking healths all the afternoon to make your hand so unsteady.”
He laughed gaily and with apparent carelessness, but again Lady Veula
caught the frightened note in his laughter. Mrs. Henry, with practical
sympathy, was telling Francesca two good ways for getting wine stains
out of tablecloths. The smaller economies of life were an unnecessary
branch of learning for Mrs. Greech, but she studied them as carefully
and conscientiously as a stay-at-home plain-dwelling English child commits
to memory the measurements and altitudes of the world’s principal
mountain peaks. Some women of her temperament and mentality know
by heart the favourite colours, flowers and hymn-tunes of all the members
of the Royal Family; Mrs. Greech would possibly have failed in an examination
of that nature, but she knew what to do with carrots that have been
over-long in storage.
Francesca did not renew her speech-making; a chill seemed to have fallen
over all efforts at festivity, and she contented herself with refilling
her glass and simply drinking to her boy’s good health.
The others followed her example, and Comus drained his glass with a
brief “thank you all very much.” The sense of constraint
which hung over the company was not, however, marked by any uncomfortable
pause in the conversation. Henry Greech was a fluent thinker,
of the kind that prefer to do their thinking aloud; the silence that
descended on him as a mantle in the House of Commons was an official
livery of which he divested himself as thoroughly as possible in private
life. He did not propose to sit through dinner as a mere listener
to Mr. Thorle’s personal narrative of philanthropic movements
and experiences, and took the first opportunity of launching himself
into a flow of satirical observations on current political affairs.
Lady Veula was inured to this sort of thing in her own home circle,
and sat listening with the stoical indifference with which an Esquimau
might accept the occurrence of one snowstorm the more, in the course
of an Arctic winter. Serena Golackly felt a certain relief at
the fact that her imported guest was not, after all, monopolising the
conversation. But the latter was too determined a personality
to allow himself to be thrust aside for many minutes by the talkative
M.P. Henry Greech paused for an instant to chuckle at one of his
own shafts of satire, and immediately Thorle’s penetrating voice
swept across the table.
“Oh, you politicians!” he exclaimed, with pleasant superiority;
“you are always fighting about how things should be done, and
the consequence is you are never able to do anything. Would you
like me to tell you what a Unitarian horsedealer said to me at Brindisi
about politicians?”
A Unitarian horsedealer at Brindisi had all the allurement of the unexpected.
Henry Greech’s witticisms at the expense of the Front Opposition
bench were destined to remain as unfinished as his wife’s history
of the broken soup-plates. Thorle was primed with an ample succession
of stories and themes, chiefly concerning poverty, thriftlessness, reclamation,
reformed characters, and so forth, which carried him in an almost uninterrupted
sequence through the remainder of the dinner.
“What I want to do is to make people think,” he said, turning
his prominent eyes on to his hostess; “it’s so hard to make
people think.”
“At any rate you give them the opportunity,” said Comus,
cryptically.
As the ladies rose to leave the table Comus crossed over to pick up
one of Lady Veula’s gloves that had fallen to the floor.
“I did not know you kept a dog,” said Lady Veula.
“We don’t,” said Comus, “there isn’t one
in the house.”
“I could have sworn I saw one follow you across the hall this
evening,” she said.
“A small black dog, something like a schipperke?” asked
Comus in a low voice.
“Yes, that was it.”
“I saw it myself to-night; it ran from behind my chair just as
I was sitting down. Don’t say anything to the others about
it; it would frighten my mother.”
“Have you ever seen it before?” Lady Veula asked quickly.
“Once, when I was six years old. It followed my father downstairs.”
Lady Veula said nothing. She knew that Comus had lost his father
at the age of six.
In the drawing-room Serena made nervous excuses for her talkative friend.
“Really, rather an interesting man, you know, and up to the eyes
in all sorts of movements. Just the sort of person to turn loose
at a drawing-room meeting, or to send down to a mission-hall in some
unheard-of neighbourhood. Given a sounding-board and a harmonium,
and a titled woman of some sort in the chair, and he’ll be perfectly
happy; I must say I hadn’t realised how overpowering he might
be at a small dinner-party.”
“I should say he was a very good man,” said Mrs. Greech;
she had forgiven the mutilation of her soup-plate story.
The party broke up early as most of the guests had other engagements
to keep. With a belated recognition of the farewell nature of
the occasion they made pleasant little good-bye remarks to Comus, with
the usual predictions of prosperity and anticipations of an ultimate
auspicious return. Even Henry Greech sank his personal dislike
of the boy for the moment, and made hearty jocular allusions to a home-coming,
which, in the elder man’s eyes, seemed possibly pleasantly remote.
Lady Veula alone made no reference to the future; she simply said, “Good-bye,
Comus,” but her voice was the kindest of all and he responded
with a look of gratitude. The weariness in her eyes was more marked
than ever as she lay back against the cushions of her carriage.
“What a tragedy life is,” she said, aloud to herself.
Serena and Stephen Thorle were the last to leave, and Francesca stood
alone for a moment at the head of the stairway watching Comus laughing
and chatting as he escorted the departing guests to the door.
The ice-wall was melting under the influence of coming separation, and
never had he looked more adorably handsome in her eyes, never had his
merry laugh and mischief-loving gaiety seemed more infectious than on
this night of his farewell banquet. She was glad enough that he
was going away from a life of idleness and extravagance and temptation,
but she began to suspect that she would miss, for a little while at
any rate, the high-spirited boy who could be so attractive in his better
moods. Her impulse, after the guests had gone, was to call him
to her and hold him once more in her arms, and repeat her wishes for
his happiness and good-luck in the land he was going to, and her promise
of his welcome back, some not too distant day, to the land he was leaving.
She wanted to forget, and to make him forget, the months of irritable
jangling and sharp discussions, the months of cold aloofness and indifference
and to remember only that he was her own dear Comus as in the days of
yore, before he had grown from an unmanageable pickle into a weariful
problem. But she feared lest she should break down, and she did
not wish to cloud his light-hearted gaiety on the very eve of his departure.
She watched him for a moment as he stood in the hall, settling his tie
before a mirror, and then went quietly back to her drawing-room.
It had not been a very successful dinner party, and the general effect
it had left on her was one of depression.
Comus, with a lively musical-comedy air on his lips, and a look of wretchedness
in his eyes, went out to visit the haunts that he was leaving so soon.
CHAPTER XV
Elaine Youghal sat at lunch in the Speise Saal of one of Vienna’s
costlier hotels. The double-headed eagle, with its “K.u.K.”
legend, everywhere met the eye and announced the imperial favour in
which the establishment basked. Some several square yards of yellow
bunting, charged with the image of another double-headed eagle, floating
from the highest flag-staff above the building, betrayed to the initiated
the fact that a Russian Grand Duke was concealed somewhere on the premises.
Unannounced by heraldic symbolism but unconcealable by reason of nature’s
own blazonry, were several citizens and citizenesses of the great republic
of the Western world. One or two Cobdenite members of the British
Parliament engaged in the useful task of proving that the cost of living
in Vienna was on an exorbitant scale, flitted with restrained importance
through a land whose fatness they had come to spy out; every fancied
over-charge in their bills was welcome as providing another nail in
the coffin of their fiscal opponents. It is the glory of democracies
that they may be misled but never driven. Here and there, like
brave deeds in a dust-patterned world, flashed and glittered the sumptuous
uniforms of representatives of the Austrian military caste. Also
in evidence, at discreet intervals, were stray units of the Semetic
tribe that nineteen centuries of European neglect had been unable to
mislay.
Elaine sitting with Courtenay at an elaborately appointed luncheon table,
gay with high goblets of Bohemian glassware, was mistress of three discoveries.
First, to her disappointment, that if you frequent the more expensive
hotels of Europe you must be prepared to find, in whatever country you
may chance to be staying, a depressing international likeness between
them all. Secondly, to her relief, that one is not expected to
be sentimentally amorous during a modern honeymoon. Thirdly, rather
to her dismay, that Courtenay Youghal did not necessarily expect her
to be markedly affectionate in private. Someone had described
him, after their marriage, as one of Nature’s bachelors, and she
began to see how aptly the description fitted him.
“Will those Germans on our left never stop talking?” she
asked, as an undying flow of Teutonic small talk rattled and jangled
across the intervening stretch of carpet. “Not one of those
three women has ceased talking for an instant since we’ve been
sitting here.”
“They will presently, if only for a moment,” said Courtenay;
“when the dish you have ordered comes in there will be a deathly
silence at the next table. No German can see a plat brought
in for someone else without being possessed with a great fear that it
represents a more toothsome morsel or a better money’s worth than
what he has ordered for himself.”
The exuberant Teutonic chatter was balanced on the other side of the
room by an even more penetrating conversation unflaggingly maintained
by a party of Americans, who were sitting in judgment on the cuisine
of the country they were passing through, and finding few extenuating
circumstances.
“What Mr. Lonkins wants is a real deep cherry pie,”
announced a lady in a tone of dramatic and honest conviction.
“Why, yes, that is so,” corroborated a gentleman who was
apparently the Mr. Lonkins in question; “a real deep cherry
pie.”
“We had the same trouble way back in Paris,” proclaimed
another lady; “little Jerome and the girls don’t want to
eat any more crème renversée. I’d give
anything if they could get some real cherry pie.”
“Real deep cherry pie,” assented Mr. Lonkins.
“Way down in Ohio we used to have peach pie that was real good,”
said Mrs. Lonkins, turning on a tap of reminiscence that presently flowed
to a cascade. The subject of pies seemed to lend itself to indefinite
expansion.
“Do those people think of nothing but their food?” asked
Elaine, as the virtues of roasted mutton suddenly came to the fore and
received emphatic recognition, even the absent and youthful Jerome being
quoted in its favour.
“On the contrary,” said Courtenay, “they are a widely-travelled
set, and the man has had a notably interesting career. It is a
form of home-sickness with them to discuss and lament the cookery and
foods that they’ve never had the leisure to stay at home and digest.
The Wandering Jew probably babbled unremittingly about some breakfast
dish that took so long to prepare that he had never time to eat it.”
A waiter deposited a dish of Wiener Nierenbraten in front of Elaine.
At the same moment a magic hush fell upon the three German ladies at
the adjoining table, and the flicker of a great fear passed across their
eyes. Then they burst forth again into tumultuous chatter.
Courtenay had proved a reliable prophet.
Almost at the same moment as the luncheon-dish appeared on the scene,
two ladies arrived at a neighbouring table, and bowed with dignified
cordiality to Elaine and Courtenay. They were two of the more
worldly and travelled of Elaine’s extensive stock of aunts, and
they happened to be making a short stay at the same hotel as the young
couple. They were far too correct and rationally minded to intrude
themselves on their niece, but it was significant of Elaine’s
altered view as to the sanctity of honeymoon life that she secretly
rather welcomed the presence of her two relatives in the hotel, and
had found time and occasion to give them more of her society than she
would have considered necessary or desirable a few weeks ago.
The younger of the two she rather liked, in a restrained fashion, as
one likes an unpretentious watering-place or a restaurant that does
not try to give one a musical education in addition to one’s dinner.
One felt instinctively about her that she would never wear rather more
valuable diamonds than any other woman in the room, and would never
be the only person to be saved in a steamboat disaster or hotel fire.
As a child she might have been perfectly well able to recite “On
Linden when the sun was low,” but one felt certain that nothing
ever induced her to do so. The elder aunt, Mrs. Goldbrook, did
not share her sister’s character as a human rest-cure; most people
found her rather disturbing, chiefly, perhaps, from her habit of asking
unimportant questions with enormous solemnity. Her manner of enquiring
after a trifling ailment gave one the impression that she was more concerned
with the fortunes of the malady than with oneself, and when one got
rid of a cold one felt that she almost expected to be given its postal
address. Probably her manner was merely the defensive outwork
of an innate shyness, but she was not a woman who commanded confidences.
“A telephone call for Courtenay,” commented the younger
of the two women as Youghal hurriedly flashed through the room; “the
telephone system seems to enter very largely into that young man’s
life.”
“The telephone has robbed matrimony of most of its sting,”
said the elder; “so much more discreet than pen and ink communications
which get read by the wrong people.”
Elaine’s aunts were conscientiously worldly; they were the natural
outcome of a stock that had been conscientiously straight-laced for
many generations.
Elaine had progressed to the pancake stage before Courtenay returned.
“Sorry to be away so long,” he said, “but I’ve
arranged something rather nice for to-night. There’s rather
a jolly masquerade ball on. I’ve ‘phoned about getting
a costume for you and it’s alright. It will suit you beautifully,
and I’ve got my harlequin dress with me. Madame Kelnicort,
excellent soul, is going to chaperone you, and she’ll take you
back any time you like; I’m quite unreliable when I get into fancy
dress. I shall probably keep going till some unearthly hour of
the morning.”
A masquerade ball in a strange city hardly represented Elaine’s
idea of enjoyment. Carefully to disguise one’s identity
in a neighbourhood where one was entirely unknown seemed to her rather
meaningless. With Courtenay, of course, it was different; he seemed
to have friends and acquaintances everywhere. However, the matter
had progressed to a point which would have made a refusal to go seem
rather ungracious. Elaine finished her pancake and began to take
a polite interest in her costume.
“What is your character?” asked Madame Kelnicort that evening,
as they uncloaked, preparatory to entering the already crowded ball-room.
“I believe I’m supposed to represent Marjolaine de Montfort,
whoever she may have been,” said Elaine. “Courtenay
declares he only wanted to marry me because I’m his ideal of her.”
“But what a mistake to go as a character you know nothing about.
To enjoy a masquerade ball you ought to throw away your own self and
be the character you represent. Now Courtenay has been Harlequin
since half-way through dinner; I could see it dancing in his eyes.
At about six o’clock to-morrow morning he will fall asleep and
wake up a member of the British House of Parliament on his honeymoon,
but to-night he is unrestrainedly Harlequin.”
Elaine stood in the ball-room surrounded by a laughing jostling throng
of pierrots, jockeys, Dresden-china shepherdesses, Roumanian peasant-girls
and all the lively make-believe creatures that form the ingredients
of a fancy-dress ball. As she stood watching them she experienced
a growing feeling of annoyance, chiefly with herself. She was
assisting, as the French say, at one of the gayest scenes of Europe’s
gayest capital, and she was conscious of being absolutely unaffected
by the gaiety around her. The costumes were certainly interesting
to look at, and the music good to listen to, and to that extent she
was amused, but the abandon of the scene made no appeal to her.
It was like watching a game of which you did not know the rules, and
in the issue of which you were not interested. Elaine began to
wonder what was the earliest moment at which she could drag Madame Kelnicort
away from the revel without being guilty of sheer cruelty. Then
Courtenay wriggled out of the crush and came towards her, a joyous laughing
Courtenay, looking younger and handsomer than she had ever seen him.
She could scarcely recognise in him to-night the rising young debater
who made embarrassing onslaughts on the Government’s foreign policy
before a crowded House of Commons. He claimed her for the dance
that was just starting, and steered her dexterously into the heart of
the waltzing crowd.
“You look more like Marjolaine than I should have thought a mortal
woman of these days could look,” he declared, “only Marjolaine
did smile sometimes. You have rather the air of wondering if you’d
left out enough tea for the servants’ breakfast. Don’t
mind my teasing; I love you to look like that, and besides, it makes
a splendid foil to my Harlequin - my selfishness coming to the fore
again, you see. But you really are to go home the moment you’re
bored; the excellent Kelnicort gets heaps of dances throughout the winter,
so don’t mind sacrificing her.”
A little later in the evening Elaine found herself standing out a dance
with a grave young gentleman from the Russian Embassy.
“Monsieur Courtenay enjoys himself, doesn’t he?” he
observed, as the youthful-looking harlequin flashed past them, looking
like some restless gorgeous-hued dragonfly; “why is it that the
good God has given your countrymen the boon of eternal youth?
Some of your countrywomen, too, but all of the men.”
Elaine could think of many of her countrymen who were not and never
could have been youthful, but as far as Courtenay was concerned she
recognised the fitness of the remark. And the recognition carried
with it a sense of depression. Would he always remain youthful
and keen on gaiety and revelling while she grew staid and retiring?
She had thrust the lively intractable Comus out of her mind, as by his
perverseness he had thrust himself out of her heart, and she had chosen
the brilliant young man of affairs as her husband. He had honestly
let her see the selfish side of his character while he was courting
her, but she had been prepared to make due sacrifices to the selfishness
of a public man who had his career to consider above all other things.
Would she also have to make sacrifices to the harlequin spirit which
was now revealing itself as an undercurrent in his nature? When
one has inured oneself to the idea of a particular form of victimisation
it is disconcerting to be confronted with another. Many a man
who would patiently undergo martyrdom for religion’s sake would
be furiously unwilling to be a martyr to neuralgia.
“I think that is why you English love animals so much,”
pursued the young diplomat; “you are such splendid animals yourselves.
You are lively because you want to be lively, not because people are
looking on at you. Monsieur Courtenay is certainly an animal.
I mean it as a high compliment.”
“Am I an animal?” asked Elaine.
“I was going to say you are an angel,” said the Russian,
in some embarrassment, “but I do not think that would do; angels
and animals would never get on together. To get on with animals
you must have a sense of humour, and I don’t suppose angels have
any sense of humour; you see it would be no use to them as they never
hear any jokes.”
“Perhaps,” said Elaine, with a tinge of bitterness in her
voice, “perhaps I am a vegetable.”
“I think you most remind me of a picture,” said the Russian.
It was not the first time Elaine had heard the simile.
“I know,” she said, “the Narrow Gallery at the Louvre;
attributed to Leonardo da Vinci.”
Evidently the impression she made on people was solely one of externals.
Was that how Courtenay regarded her? Was that to be her function
and place in life, a painted background, a decorative setting to other
people’s triumphs and tragedies? Somehow to-night she had
the feeling that a general might have who brought imposing forces into
the field and could do nothing with them. She possessed youth
and good looks, considerable wealth, and had just made what would be
thought by most people a very satisfactory marriage. And already
she seemed to be standing aside as an onlooker where she had expected
herself to be taking a leading part.
“Does this sort of thing appeal to you?” she asked the young
Russian, nodding towards the gay scrimmage of masqueraders and rather
prepared to hear an amused negative.”
“But yes, of course,” he answered; “costume balls,
fancy fairs, café chantant, casino, anything that is not real
life appeals to us Russians. Real life with us is the sort of
thing that Maxim Gorki deals in. It interests us immensely, but
we like to get away from it sometimes.”
Madame Kelnicort came up with another prospective partner, and Elaine
delivered her ukase: one more dance and then back to the hotel.
Without any special regret she made her retreat from the revel which
Courtenay was enjoying under the impression that it was life and the
young Russian under the firm conviction that it was not.
Elaine breakfasted at her aunts’ table the next morning at much
her usual hour. Courtenay was sleeping the sleep of a happy tired
animal. He had given instructions to be called at eleven o’clock,
from which time onward the Neue Freie Presse, the Zeit,
and his toilet would occupy his attention till he appeared at the luncheon
table. There were not many people breakfasting when Elaine arrived
on the scene, but the room seemed to be fuller than it really was by
reason of a penetrating voice that was engaged in recounting how far
the standard of Viennese breakfast fare fell below the expectations
and desires of little Jerome and the girls.
“If ever little Jerome becomes President of the United States,”
said Elaine, “I shall be able to contribute quite an informing
article on his gastronomic likes and dislikes to the papers.”
The aunts were discreetly inquisitive as to the previous evening’s
entertainment.
“If Elaine would flirt mildly with somebody it would be such a
good thing,” said Mrs. Goldbrook; “it would remind Courtenay
that he’s not the only attractive young man in the world.”
Elaine, however, did not gratify their hopes; she referred to the ball
with the detachment she would have shown in describing a drawing-room
show of cottage industries. It was not difficult to discern in
her description of the affair the confession that she had been slightly
bored. From Courtenay, later in the day, the aunts received a
much livelier impression of the festivities, from which it was abundantly
clear that he at any rate had managed to amuse himself. Neither
did it appear that his good opinion of his own attractions had suffered
any serious shock. He was distinctly in a very good temper.
“The secret of enjoying a honeymoon,” said Mrs. Goldbrook
afterwards to her sister, “is not to attempt too much.”
“You mean - ?”
“Courtenay is content to try and keep one person amused and happy,
and he thoroughly succeeds.”
“I certainly don’t think Elaine is going to be very happy,”
said her sister, “but at least Courtenay saved her from making
the greatest mistake she could have made - marrying that young Bassington.”
“He has also,” said Mrs. Goldbrook, “helped her to
make the next biggest mistake of her life - marrying Courtenay Youghal.
CHAPTER XVI
It was late afternoon by the banks of a swiftly rushing river, a river
that gave back a haze of heat from its waters as though it were some
stagnant steaming lagoon, and yet seemed to be whirling onward with
the determination of a living thing, perpetually eager and remorseless,
leaping savagely at any obstacle that attempted to stay its course;
an unfriendly river, to whose waters you committed yourself at your
peril. Under the hot breathless shade of the trees on its shore
arose that acrid all-pervading smell that seems to hang everywhere about
the tropics, a smell as of some monstrous musty still-room where herbs
and spices have been crushed and distilled and stored for hundreds of
years, and where the windows have seldom been opened. In the dazzling
heat that still held undisputed sway over the scene, insects and birds
seemed preposterously alive and active, flitting their gay colours through
the sunbeams, and crawling over the baked dust in the full swing and
pursuit of their several businesses; the flies engaged in Heaven knows
what, and the fly-catchers busy with the flies. Beasts and humans
showed no such indifference to the temperature; the sun would have to
slant yet further downward before the earth would become a fit arena
for their revived activities. In the sheltered basement of a wayside
rest-house a gang of native hammock-bearers slept or chattered drowsily
through the last hours of the long mid-day halt; wide awake, yet almost
motionless in the thrall of a heavy lassitude, their European master
sat alone in an upper chamber, staring out through a narrow window-opening
at the native village, spreading away in thick clusters of huts girt
around with cultivated vegetation. It seemed a vast human ant-hill,
which would presently be astir with its teeming human life, as though
the Sun God in his last departing stride had roused it with a careless
kick. Even as Comus watched he could see the beginnings of the
evening’s awakening. Women, squatting in front of their
huts, began to pound away at the rice or maize that would form the evening
meal, girls were collecting their water pots preparatory to a walk down
to the river, and enterprising goats made tentative forays through gaps
in the ill-kept fences of neighbouring garden plots; their hurried retreats
showed that here at least someone was keeping alert and wakeful vigil.
Behind a hut perched on a steep hillside, just opposite to the rest-house,
two boys were splitting wood with a certain languid industry; further
down the road a group of dogs were leisurely working themselves up to
quarrelling pitch. Here and there, bands of evil-looking pigs
roamed about, busy with foraging excursions that came unpleasantly athwart
the border-line of scavenging. And from the trees that bounded
and intersected the village rose the horrible, tireless, spiteful-sounding
squawking of the iron-throated crows.
Comus sat and watched it all with a sense of growing aching depression.
It was so utterly trivial to his eyes, so devoid of interest, and yet
it was so real, so serious, so implacable in its continuity. The
brain grew tired with the thought of its unceasing reproduction.
It had all gone on, as it was going on now, by the side of the great
rushing swirling river, this tilling and planting and harvesting, marketing
and store-keeping, feast-making and fetish-worship and love-making,
burying and giving in marriage, child-bearing and child-rearing, all
this had been going on, in the shimmering, blistering heat and the warm
nights, while he had been a youngster at school, dimly recognising Africa
as a division of the earth’s surface that it was advisable to
have a certain nodding acquaintance with.
It had been going on in all its trifling detail, all its serious intensity,
when his father and his grandfather in their day had been little boys
at school, it would go on just as intently as ever long after Comus
and his generation had passed away, just as the shadows would lengthen
and fade under the mulberry trees in that far away English garden, round
the old stone fountain where a leaden otter for ever preyed on a leaden
salmon.
Comus rose impatiently from his seat, and walked wearily across the
hut to another window-opening which commanded a broad view of the river.
There was something which fascinated and then depressed one in its ceaseless
hurrying onward sweep, its tons of water rushing on for all time, as
long as the face of the earth should remain unchanged. On its
further shore could be seen spread out at intervals other teeming villages,
with their cultivated plots and pasture clearings, their moving dots
which meant cattle and goats and dogs and children. And far up
its course, lost in the forest growth that fringed its banks, were hidden
away yet more villages, human herding-grounds where men dwelt and worked
and bartered, squabbled and worshipped, sickened and perished, while
the river went by with its endless swirl and rush of gleaming waters.
One could well understand primitive early races making propitiatory
sacrifices to the spirit of a great river on whose shores they dwelt.
Time and the river were the two great forces that seemed to matter here.
It was almost a relief to turn back to that other outlook and watch
the village life that was now beginning to wake in earnest. The
procession of water-fetchers had formed itself in a long chattering
line that stretched river-wards. Comus wondered how many tens
of thousands of times that procession had been formed since first the
village came into existence. They had been doing it while he was
playing in the cricket-fields at school, while he was spending Christmas
holidays in Paris, while he was going his careless round of theatres,
dances, suppers and card-parties, just as they were doing it now; they
would be doing it when there was no one alive who remembered Comus Bassington.
This thought recurred again and again with painful persistence, a morbid
growth arising in part from his loneliness.
Staring dumbly out at the toiling sweltering human ant-hill Comus marvelled
how missionary enthusiasts could labour hopefully at the work of transplanting
their religion, with its homegrown accretions of fatherly parochial
benevolence, in this heat-blistered, fever-scourged wilderness, where
men lived like groundbait and died like flies. Demons one might
believe in, if one did not hold one’s imagination in healthy check,
but a kindly all-managing God, never. Somewhere in the west country
of England Comus had an uncle who lived in a rose-smothered rectory
and taught a wholesome gentle-hearted creed that expressed itself in
the spirit of “Little lamb, who made thee?” and faithfully
reflected the beautiful homely Christ-child sentiment of Saxon Europe.
What a far away, unreal fairy story it all seemed here in this West
African land, where the bodies of men were of as little account as the
bubbles that floated on the oily froth of the great flowing river, and
where it required a stretch of wild profitless imagination to credit
them with undying souls. In the life he had come from Comus had
been accustomed to think of individuals as definite masterful personalities,
making their several marks on the circumstances that revolved around
them; they did well or ill, or in most cases indifferently, and were
criticised, praised, blamed, thwarted or tolerated, or given way to.
In any case, humdrum or outstanding, they had their spheres of importance,
little or big. They dominated a breakfast table or harassed a
Government, according to their capabilities or opportunities, or perhaps
they merely had irritating mannerisms. At any rate it seemed highly
probable that they had souls. Here a man simply made a unit in
an unnumbered population, an inconsequent dot in a loosely-compiled
deathroll. Even his own position as a white man exalted conspicuously
above a horde of black natives did not save Comus from the depressing
sense of nothingness which his first experience of fever had thrown
over him. He was a lost, soulless body in this great uncaring
land; if he died another would take his place, his few effects would
be inventoried and sent down to the coast, someone else would finish
off any tea or whisky that he left behind - that would be all.
It was nearly time to be starting towards the next halting place where
he would dine or at any rate eat something. But the lassitude
which the fever had bequeathed him made the tedium of travelling through
interminable forest-tracks a weariness to be deferred as long as possible.
The bearers were nothing loth to let another half-hour or so slip by,
and Comus dragged a battered paper-covered novel from the pocket of
his coat. It was a story dealing with the elaborately tangled
love affairs of a surpassingly uninteresting couple, and even in his
almost bookless state Comus had not been able to plough his way through
more than two-thirds of its dull length; bound up with the cover, however,
were some pages of advertisement, and these the exile scanned with a
hungry intentness that the romance itself could never have commanded.
The name of a shop, of a street, the address of a restaurant, came to
him as a bitter reminder of the world he had lost, a world that ate
and drank and flirted, gambled and made merry, a world that debated
and intrigued and wire-pulled, fought or compromised political battles
- and recked nothing of its outcasts wandering through forest paths
and steamy swamps or lying in the grip of fever. Comus read and
re-read those few lines of advertisement, just as he treasured a much-crumpled
programme of a first-night performance at the Straw Exchange Theatre;
they seemed to make a little more real the past that was already so
shadowy and so utterly remote. For a moment he could almost capture
the sensation of being once again in those haunts that he loved; then
he looked round and pushed the book wearily from him. The steaming
heat, the forest, the rushing river hemmed him in on all sides.
The two boys who had been splitting wood ceased from their labours and
straightened their backs; suddenly the smaller of the two gave the other
a resounding whack with a split lath that he still held in his hand,
and flew up the hillside with a scream of laughter and simulated terror,
the bigger lad following in hot pursuit. Up and down the steep
bush-grown slope they raced and twisted and dodged, coming sometimes
to close quarters in a hurricane of squeals and smacks, rolling over
and over like fighting kittens, and breaking away again to start fresh
provocation and fresh pursuit. Now and again they would lie for
a time panting in what seemed the last stage of exhaustion, and then
they would be off in another wild scamper, their dusky bodies flitting
through the bushes, disappearing and reappearing with equal suddenness.
Presently two girls of their own age, who had returned from the water-fetching,
sprang out on them from ambush, and the four joined in one joyous gambol
that lit up the hillside with shrill echoes and glimpses of flying limbs.
Comus sat and watched, at first with an amused interest, then with a
returning flood of depression and heart-ache. Those wild young
human kittens represented the joy of life, he was the outsider, the
lonely alien, watching something in which he could not join, a happiness
in which he had no part or lot. He would pass presently out of
the village and his bearers’ feet would leave their indentations
in the dust; that would be his most permanent memorial in this little
oasis of teeming life. And that other life, in which he once moved
with such confident sense of his own necessary participation in it,
how completely he had passed out of it. Amid all its laughing
throngs, its card parties and race-meetings and country-house gatherings,
he was just a mere name, remembered or forgotten, Comus Bassington,
the boy who went away. He had loved himself very well and never
troubled greatly whether anyone else really loved him, and now he realised
what he had made of his life. And at the same time he knew that
if his chance were to come again he would throw it away just as surely,
just as perversely. Fate played with him with loaded dice; he
would lose always.
One person in the whole world had cared for him, for longer than he
could remember, cared for him perhaps more than he knew, cared for him
perhaps now. But a wall of ice had mounted up between him and
her, and across it there blew that cold-breath that chills or kills
affection.
The words of a well-known old song, the wistful cry of a lost cause,
rang with insistent mockery through his brain:
“Better loved you canna be,
Will ye ne’er come back again?”
If it was love that was to bring him back he must be an exile for ever.
His epitaph in the mouths of those that remembered him would be, Comus
Bassington, the boy who never came back.
And in his unutterable loneliness he bowed his head on his arms, that
he might not see the joyous scrambling frolic on yonder hillside.
CHAPTER XVII
The bleak rawness of a grey December day held sway over St. James’s
Park, that sanctuary of lawn and tree and pool, into which the bourgeois
innovator has rushed ambitiously time and again, to find that he must
take the patent leather from off his feet, for the ground on which he
stands is hallowed ground.
In the lonely hour of early afternoon, when the workers had gone back
to their work, and the loiterers were scarcely yet gathered again, Francesca
Bassington made her way restlessly along the stretches of gravelled
walk that bordered the ornamental water. The overmastering unhappiness
that filled her heart and stifled her thinking powers found answering
echo in her surroundings. There is a sorrow that lingers in old
parks and gardens that the busy streets have no leisure to keep by them;
the dead must bury their dead in Whitehall or the Place de la Concorde,
but there are quieter spots where they may still keep tryst with the
living and intrude the memory of their bygone selves on generations
that have almost forgotten them. Even in tourist-trampled Versailles
the desolation of a tragedy that cannot die haunts the terraces and
fountains like a bloodstain that will not wash out; in the Saxon Garden
at Warsaw there broods the memory of long-dead things, coeval with the
stately trees that shade its walks, and with the carp that swim to-day
in its ponds as they doubtless swam there when “Lieber Augustin”
was a living person and not as yet an immortal couplet. And St.
James’s Park, with its lawns and walks and waterfowl, harbours
still its associations with a bygone order of men and women, whose happiness
and sadness are woven into its history, dim and grey as they were once
bright and glowing, like the faded pattern worked into the fabric of
an old tapestry. It was here that Francesca had made her way when
the intolerable inaction of waiting had driven her forth from her home.
She was waiting for that worst news of all, the news which does not
kill hope, because there has been none to kill, but merely ends suspense.
An early message had said that Comus was ill, which might have meant
much or little; then there had come that morning a cablegram which only
meant one thing; in a few hours she would get a final message, of which
this was the preparatory forerunner. She already knew as much
as that awaited message would tell her. She knew that she would
never see Comus again, and she knew now that she loved him beyond all
things that the world could hold for her. It was no sudden rush
of pity or compunction that clouded her judgment or gilded her recollection
of him; she saw him as he was, the beautiful, wayward, laughing boy,
with his naughtiness, his exasperating selfishness, his insurmountable
folly and perverseness, his cruelty that spared not even himself, and
as he was, as he always had been, she knew that he was the one thing
that the Fates had willed that she should love. She did not stop
to accuse or excuse herself for having sent him forth to what was to
prove his death. It was, doubtless, right and reasonable that
he should have gone out there, as hundreds of other men went out, in
pursuit of careers; the terrible thing was that he would never come
back. The old cruel hopelessness that had always chequered her
pride and pleasure in his good looks and high spirits and fitfully charming
ways had dealt her a last crushing blow; he was dying somewhere thousands
of miles away without hope of recovery, without a word of love to comfort
him, and without hope or shred of consolation she was waiting to hear
of the end. The end; that last dreadful piece of news which would
write “nevermore” across his life and hers.
The lively bustle in the streets had been a torture that she could not
bear. It wanted but two days to Christmas and the gaiety of the
season, forced or genuine, rang out everywhere. Christmas shopping,
with its anxious solicitude or self-centred absorption, overspread the
West End and made the pavements scarcely passable at certain favoured
points. Proud parents, parcel-laden and surrounded by escorts
of their young people, compared notes with one another on the looks
and qualities of their offspring and exchanged loud hurried confidences
on the difficulty or success which each had experienced in getting the
right presents for one and all. Shouted directions where to find
this or that article at its best mingled with salvos of Christmas good
wishes. To Francesca, making her way frantically through the carnival
of happiness with that lonely deathbed in her eyes, it had seemed a
callous mockery of her pain; could not people remember that there were
crucifixions as well as joyous birthdays in the world? Every mother
that she passed happy in the company of a fresh-looking clean-limbed
schoolboy son sent a fresh stab at her heart, and the very shops had
their bitter memories. There was the tea-shop where he and she
had often taken tea together, or, in the days of their estrangement,
sat with their separate friends at separate tables. There were
other shops where extravagantly-incurred bills had furnished material
for those frequently recurring scenes of recrimination, and the Colonial
outfitters, where, as he had phrased it in whimsical mockery, he had
bought grave-clothes for his burying-alive. The “oubliette!”
She remembered the bitter petulant name he had flung at his destined
exile. There at least he had been harder on himself than the Fates
were pleased to will; never, as long as Francesca lived and had a brain
that served her, would she be able to forget. That narcotic would
never be given to her. Unrelenting, unsparing memory would be
with her always to remind her of those last days of tragedy. Already
her mind was dwelling on the details of that ghastly farewell dinner-party
and recalling one by one the incidents of ill-omen that had marked it;
how they had sat down seven to table and how one liqueur glass in the
set of seven had been shivered into fragments; how her glass had slipped
from her hand as she raised it to her lips to wish Comus a safe return;
and the strange, quiet hopelessness of Lady Veula’s “good-bye”;
she remembered now how it had chilled and frightened her at the moment.
The park was filling again with its floating population of loiterers,
and Francesca’s footsteps began to take a homeward direction.
Something seemed to tell her that the message for which she waited had
arrived and was lying there on the hall table. Her brother, who
had announced his intention of visiting her early in the afternoon would
have gone by now; he knew nothing of this morning’s bad news -
the instinct of a wounded animal to creep away by itself had prompted
her to keep her sorrow from him as long as possible. His visit
did not necessitate her presence; he was bringing an Austrian friend,
who was compiling a work on the Franco-Flemish school of painting, to
inspect the Van der Meulen, which Henry Greech hoped might perhaps figure
as an illustration in the book. They were due to arrive shortly
after lunch, and Francesca had left a note of apology, pleading an urgent
engagement elsewhere. As she turned to make her way across the
Mall into the Green Park a gentle voice hailed her from a carriage that
was just drawing up by the sidewalk. Lady Caroline Benaresq had
been favouring the Victoria Memorial with a long unfriendly stare.
“In primitive days,” she remarked, “I believe it was
the fashion for great chiefs and rulers to have large numbers of their
relatives and dependents killed and buried with them; in these more
enlightened times we have invented quite another way of making a great
Sovereign universally regretted. My dear Francesca,” she
broke off suddenly, catching the misery that had settled in the other’s
eyes, “what is the matter? Have you had bad news from out
there?”
“I am waiting for very bad news,” said Francesca, and Lady
Caroline knew what had happened.
“I wish I could say something; I can’t.” Lady
Caroline spoke in a harsh, grunting voice that few people had ever heard
her use.
Francesca crossed the Mall and the carriage drove on.
“Heaven help that poor woman,” said Lady Caroline; which
was, for her, startlingly like a prayer.
As Francesca entered the hall she gave a quick look at the table; several
packages, evidently an early batch of Christmas presents, were there,
and two or three letters. On a salver by itself was the cablegram
for which she had waited. A maid, who had evidently been on the
lookout for her, brought her the salver. The servants were well
aware of the dreadful thing that was happening, and there was pity on
the girl’s face and in her voice.
“This came for you ten minutes ago, ma’am, and Mr. Greech
has been here, ma’am, with another gentleman, and was sorry you
weren’t at home. Mr. Greech said he would call again in
about half-an-hour.”
Francesca carried the cablegram unopened into the drawing-room and sat
down for a moment to think. There was no need to read it yet,
for she knew what she would find written there. For a few pitiful
moments Comus would seem less hopelessly lost to her if she put off
the reading of that last terrible message. She rose and crossed
over to the windows and pulled down the blinds, shutting out the waning
December day, and then reseated herself. Perhaps in the shadowy
half-light her boy would come and sit with her again for awhile and
let her look her last upon his loved face; she could never touch him
again or hear his laughing, petulant voice, but surely she might look
on her dead. And her starving eyes saw only the hateful soulless
things of bronze and silver and porcelain that she had set up and worshipped
as gods; look where she would they were there around her, the cold ruling
deities of the home that held no place for her dead boy. He had
moved in and out among them, the warm, living, breathing thing that
had been hers to love, and she had turned her eyes from that youthful
comely figure to adore a few feet of painted canvas, a musty relic of
a long departed craftsman. And now he was gone from her sight,
from her touch, from her hearing for ever, without even a thought to
flash between them for all the dreary years that she should live, and
these things of canvas and pigment and wrought metal would stay with
her. They were her soul. And what shall it profit a man
if he save his soul and slay his heart in torment?
On a small table by her side was Mervyn Quentock’s portrait of
her - the prophetic symbol of her tragedy; the rich dead harvest of
unreal things that had never known life, and the bleak thrall of black
unending Winter, a Winter in which things died and knew no re-awakening.
Francesca turned to the small envelope lying in her lap; very slowly
she opened it and read the short message. Then she sat numb and
silent for a long, long time, or perhaps only for minutes. The
voice of Henry Greech in the hall, enquiring for her, called her to
herself. Hurriedly she crushed the piece of paper out of sight; he would
have to be told, of course, but just yet her pain seemed too dreadful
to be laid bare. “Comus is dead” was a sentence beyond
her power to speak.
“I have bad news for you, Francesca, I’m sorry to say,”
Henry announced. Had he heard, too?
“Henneberg has been here and looked at the picture,” he
continued, seating himself by her side, “and though he admired
it immensely as a work of art he gave me a disagreeable surprise by
assuring me that it’s not a genuine Van der Meulen. It’s
a splendid copy, but still, unfortunately, only a copy.”
Henry paused and glanced at his sister to see how she had taken the
unwelcome announcement. Even in the dim light he caught some of
the anguish in her eyes.
“My dear Francesca,” he said soothingly, laying his hand
affectionately on her arm, “I know that this must be a great disappointment
to you, you’ve always set such store by this picture, but you
mustn’t take it too much to heart. These disagreeable discoveries
come at times to most picture fanciers and owners. Why, about
twenty per cent. of the alleged Old Masters in the Louvre are supposed
to be wrongly attributed. And there are heaps of similar cases
in this country. Lady Dovecourt was telling me the other day that
they simply daren’t have an expert in to examine the Van Dykes
at Columbey for fear of unwelcome disclosures. And besides, your
picture is such an excellent copy that it’s by no means without
a value of its own. You must get over the disappointment you naturally
feel, and take a philosophical view of the matter. . . ”
Francesca sat in stricken silence, crushing the folded morsel of paper
tightly in her hand and wondering if the thin, cheerful voice with its
pitiless, ghastly mockery of consolation would never stop.
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