
The Project Gutenberg EBook of Index of The Project Gutenberg Works of
Oliver Goldsmith, by Oliver Goldsmith

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Index of The Project Gutenberg Works of Oliver Goldsmith

Author: Oliver Goldsmith

Editor: David Widger

Release Date: October 5, 2018 [EBook #58029]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF PG WORKS OF GOLDSMITH ***




Produced by David Widger

INDEX OF THE PROJECT GUTENBERG
WORKS OF

OLIVER GOLDSMITH

Compiled by David Widger

Click on the ## before each title to view a linked
table of contents for each of the twelve volumes.

Click on the title itself to open the original online file.

## SHE STOOPS TO CONQUER

## THE VICAR OF WAKEFIELD

## THE HISTORY OF ROME

DEATH OF A MAD DOG

ELEGY ON THE GLORY OF HER SEX

## DALZIELS' ILLUSTRATED GOLDSMITH

## THE POEMS OF OLIVER GOLDSMITH

## THE DESERTED VILLAGE

## COMPLETE POETICAL WORKS OF OLIVER GOLDSMITH

TABLES OF CONTENTS OF VOLUMES

"SHE STOOPS TO CONQUER"

By Oliver Goldsmith

THE VICAR OF WAKEFIELD

A TALE

By Oliver Goldsmith

ADVERTISEMENT

CHAPTER 1 -- The description of the family of Wakefield; in which a kindred likeness prevails as well of minds as of persons

CHAPTER 2 -- Family misfortunes. The loss of fortune only serves to encrease the pride of the worthy

CHAPTER 3 -- A migration. The fortunate circumstances of our lives are generally found at last to be of our own procuring

CHAPTER 4 -- A proof that even the humblest fortune may grant happiness, which depends not on circumstance, but constitution

CHAPTER 5 -- A new and great acquaintance introduced. What we place most hopes upon, generally proves most fatal

CHAPTER 6 -- The happiness of a country fire-side

CHAPTER 7 -- A town wit described. The dullest fellows may learn to be comical for a night or two

CHAPTER 8 -- An amour, which promises little good fortune, yet may be productive of much

CHAPTER 9 -- Two ladies of great distinction introduced. Superior finery ever seems to confer superior breeding

CHAPTER 10 -- The family endeavours to cope with their betters. The miseries of the poor when they attempt to appear above their circumstances

CHAPTER 11 -- The family still resolve to hold up their heads

CHAPTER 12 -- Fortune seems resolved to humble the family of Wakefield. Mortifications are often more painful than real calamities

CHAPTER 13 -- Mr Burchell is found to be an enemy; for he has the confidence to give disagreeable advice

CHAPTER 14 -- Fresh mortifications, or a demonstration that seeming calamities may be real blessings

CHAPTER 15 -- All, Mr Burchell's villainy at once detected. The folly of being over-wise

CHAPTER 16 -- The family use art, which is opposed with, still greater

CHAPTER 17 -- Scarce any virtue found to resist the power of long and pleasing temptation

CHAPTER 18 -- The pursuit of a father to reclaim a lost child to virtue

CHAPTER 19 -- The description of a person discontented with the present government, and apprehensive of the loss of our liberties

CHAPTER 20 -- The history of a philosophic vagabond, pursuing novelty, but losing content

CHAPTER 21 -- The short continuance of friendship amongst the vicious, which is coeval only with mutual satisfaction

CHAPTER 22 -- Offences are easily pardoned where there is love at bottom

CHAPTER 23 -- None but the guilty can be long and completely miserable

CHAPTER 24 -- Fresh calamities

CHAPTER 25 -- No situation, however wretched it seems, but has some sort of comfort attending it

CHAPTER 26 -- A reformation in the gaol. To make laws complete, they should reward as well as punish

CHAPTER 27 -- The same subject continued

CHAPTER 28 -- Happiness and misery rather the result of prudence than of virtue in this life. Temporal evils or felicities being regarded by heaven as things merely in themselves trifling and unworthy its care in the distribution

CHAPTER 29 -- The equal dealings of providence demonstrated with regard to the happy and the miserable here below. That from the nature of pleasure and pain, the wretched must be repaid the balance of their sufferings in the life hereafter

CHAPTER 30 -- Happier prospects begin to appear. Let us be inflexible, and fortune will at last change in our favour

CHAPTER 31 -- Former benevolence now repaid with unexpected interest

CHAPTER 32. -- The Conclusion

HISTORY OF ROME:

By Oliver Goldsmith

INTRODUCTION.

CHAPTER		PAGE
I.	Geographical Outline of Italy	11
II.	The Latin Language and People—Credibility of the Early History	18
III.	Topography of Rome	23
IV.	The Roman Constitution	30
V.	The Roman Tenure of Land—Colonial Government	37
VI.	The Roman Religion	39
VII.	The Roman Army and Navy	43
VIII.	Roman Law.—Finance	51
IX.	The public Amusements and private Life of the Romans	55
X.	Geography of the empire at the time of its greatest extent	59

HISTORY.

I.	Of the Origin of the Romans	63
II.	From the building of Rome to the death of Romulus	66
III.	From the death of Romulus to the death of Numa	71
IV.	From the death of Numa to the death of Tullus Hostilius	73
V.	From the death of Tullus Hostilius to the death of Ancus Martius	75
VI.	From the death of Ancus Martius to the death of Taiquinius Priscus	77
VII.	From the death of Tarquinius Priscus to the death of Servius Tullius	80
VIII.	From the death of Servius Tullius to the banishment of Tarquinius Superbus	83
IX.	From the banishment of Tarquinius Superbus to the appointment of the first Dictator	88
X.	From the Creation of the Dictator to the election of the Tribunes	93
XI.	From the Creation of the Tribunes to the appointment of the Decemviri, viz.
	Section 1.—The great Volscian war	96
	—— 2.—Civil commotions on account of the Agrarian law	101
XII.	From the creation of the Decemviri to the destruction of the city by the Gauls, viz.
	Section 1.—Tyranny of the Decemviri	106
	—— 2.—Crimes of Appius—Revolt of the army	110
	—— 3.—Election of Military Tribunes— Creation of the Censorship	115
	—— 4.—Siege and capture of Veii—Invasion of the Gauls	119
	—— 5.—Deliverance of Rome from the Gauls	125
XIII.	From the wars with the Samnites to the First Punic war, viz.
	Section 1.—The Latin war	131
	—— 2.—Invasion of Italy by Pyrrhus, king of Epirus	135
	—— 3.—Defeat and departure of Pyrrhus	140
XIV.	From the beginning of the First Punic war to the beginning of the Second, viz.
	Section 1.—Causes and commencement of the war—Invasion of Africa by Regulus	144
	—— 2.—Death of Regulus—Final Triumph of the Romans	149
XV.	The Second Punic war, viz.
	Section 1.—Commencement of the war—Hannibal's invasion of Italy	151
	—— 2.—Victorious career of Hannibal	155
	—— 3.—Retrieval of the Roman affairs—Invasion of Africa by Scipio—Conclusion of the war	160
XVI.	Macedonian, Syrian, Third Punic, and Spanish wars	164
XVII.	From the Destruction of Carthage to the end of the Sedition of the Gracchi, viz.
	Section 1.—Murder of Tiberius Gracchus	170
	—— 2.—Slaughter of Caius Gracchus and his adherents	174
XVIII.	From the Sedition of Gracchus to the perpetual Dictatorship of Sylla, viz.
	Section 1.—The Jugurthine and Social wars	178
	—— 2.—The cruel massacres perpetrated by Marius and Sylla	183
XIX.	From the perpetual Dictatorship of Sylla to the first Triumvirate	188
XX.	From the First Triumvirate to the death of Pompey, viz.
	Section 1.—Cæsar's wars in Gaul—Commencement of the Civil war	194
	—— 2.—Cæsar's victorious career	199
	—— 3.—The campaign in Thessaly and Epirus	204
	—— 4.—The battle of Pharsalia	208
	—— 5.—Death of Pompey	212
XXI.	From the Destruction of the Commonwealth to the establishment of the first Emperor, Augustus, viz.
	Section 1.—Cæsar's Egyptian campaign	218
	—— 2.—The African campaign	223
	—— 3.—Death of Cæsar	228
	—— 4.—The Second Triumvirate	234
	—— 5.—The Battle of Philippi	239
	—— 6.—Dissensions of Antony and Augustus	244
	—— 7.—The Battle of Actium	249
	—— 8.—The Conquest of Egypt	255
XXII.	From the accession of Augustus to the death of Domitian, viz.
	Section 1.—The beneficent Administration of Augustus	262
	—— 2.—Death of Augustus	267
	—— 3.—The reign of Tiberius—Death of Germanicus	271
	—— 4.—Death of Sejanus and Tiberius—Accession of Caligula	276
	—— 5.—Extravagant cruelties of Caligula—His death	281
	—— 6.—The Reign of Claudius	285
	—— 7.—The reign of Nero	291
	—— 8.—Death of Nero—Reigns of Galba and Otho	296
	—— 9.—The reigns of Vitellius and Vespasian—The siege of Jerusalem by Titus	301
	—— 10.—The Reigns of Titus and Domitian	307
	—— 11.—The assassination of Domitian	312
XXIII.	The Five good emperors of Rome, viz.
	Section 1.—The Reigns of Nerva and Trajan	316
	—— 2.—The Reign of Adrian	321
	—— 3.—The Reign of Antoninus Pius	325
	—— 4.—The reign of Marcus Aurelius	330
XXIV.	From the accession of Commodus to the change of the seat of Government, from Rome to Constantinople, viz.
	Section 1.—The Reigns of Commodus, Pertinax, and Didius	333
	—— 2.—The Reigns of Severus, Caracalla, Maximus, and Heliogabalus	337
	—— 3.—The reigns of Alexander, Maximin, and Gordian	342
	—— 4.—The Reigns of Philip, Decius, Gallus, Valerian, Claudius, Aurelian, Tacitus, and Probus	346
	—— 5.—The reigns of Carus, Carinus, Dioclesian, and Constantius—Accession of Constantine	350
	—— 6.—The reign of Constantine	355
XXV.	From the death of Constantine, to the reunion of the Roman empire under Theodosius the Great, viz.
	Section 1.—The Reign of Constantius	358
	—— 2.—The Reigns of Julian Jovian, the Valentinians, and Theodosius	365
XXVI.	From the death of Theodosius to the subversion of the Western Empire, viz.
	Section 1.—The division of the Roman dominions into the Eastern and Western empires	373
	—— 2.—Decline and fall of the Western empire	377
XXVII.	Historical notices of the different barbarous tribes that aided in overthrowing the Roman empire	385
XXVIII.	The progress of Christianity	391
	Chronological Index	395

DALZIELS' ILLUSTRATED GOLDSMITH

AND A SKETCH OF THE LIFE OF OLIVER GOLDSMITH

One Hundred Pictures Drawn By G. J. Pinwell

	PAGE

A SKETCH OF THE LIFE OF OLIVER GOLDSMITH	1

THE TRAVELLER	189

THE HAUNCH OF VENISON	205

RETALIATION	225

THE GOOD-NATURED MAN	361

THE POEMS OF OLIVER GOLDSMITH

Illustrations By Birket Foster And H. N. Humphreys, Printed In Colours By Edmund Evans.

FOOTNOTES:

1 Miscellaneous Prose Works of Goldsmith, vol. i., p. 79.

2 "The year of Dr. Goldsmith's birth had been universally mistaken, till his family, some time after his death, furnished correct information of the circumstance."—Percy.

	PAGE
The Traveller	1
The Deserted Village	29
The Hermit	57
The Captivity	67
The Haunch of Venison	85
Retaliation	91
The Double Transformation	99
The Gift to Iris	104
The Logicians Refuted	105
An Elegy on the Death of a Mad Dog	108
Threnodia Augustalis	110
A New Simile	122
On a Beautiful Youth struck Blind by Lightning	125
Stanzas on Woman	126
Translation from Scarròn	126
Stanzas on the Taking of Quebec	127
Epitaph on Edward Purdon	128xix
Translation of a South American Ode	128
Epitaph on Thomas Parnell	129
Description of an Author's Bed-chamber	130
Song, from the Comedy of "She Stoops to Conquer"	131
Answer to an Invitation to Dinner.	133
Song, intended to have been sung in "She Stoops to Conquer"	135
From the Latin of Vida	135
An Elegy on Mrs. Mary Blaize	136
Answer to an Invitation to pass the Christmas at Barton	138
On Seeing a Lady Perform a Certain Character	141
Birds	142
Prologue written and spoken by the Poet Laberius	143
Prologue to "Zobeide"	144
Epilogue to "The Sister"	146
Epilogue intended for "She Stoops to Conquer"	148
Another Intended Epilogue	153
Epilogue to "She Stoops to Conquer"	155
Epilogue to "The Good-natured Man"	157
On the Death of the Right Hon. ——	159
Epilogue Written for Mr. Charles Lee Lewes	163

ILLUSTRATIONS

ENGRAVED BY EDMUND EVANS,
FROM DRAWINGS BY BIRKET FOSTER.

MILL AT LISSOY (Frontispiece).
	PAGE
GOLDSMITH'S TOMB IN THE TEMPLE CHURCHYARD	xvii
THE TRAVELLER.
Or where Campania's plain forsaken lies	5
Bless'd that abode, where want and pain repair	6
Even now, where Alpine solitudes ascend	7
Ye lakes, whose vessels catch the busy gale	8
The shuddering tenant of the frigid zone	9
Basks in the glare, or stems the tepid wave	10
While oft some temple's mouldering tops between	12
In florid beauty groves and fields appear	13
A mistress or a saint in every grove	14xxi
Where the bleak Swiss their stormy mansions tread	16
With patient angle trolls the finny deep	17
How often have I led thy sportive choir	18
The willow-tufted bank, the gliding sail	21
There gentle music melts on every spray	24
Where wild Oswego spreads her swamps around	27
THE DESERTED VILLAGE.
The never-failing brook, the busy mill	32
The shelter'd cot, the cultivated farm	33
And many a gambol frolick'd o'er the ground	34
The hollow-sounding bittern guards its nest	35
Where once the cottage stood, the hawthorn grew	37
The swain responsive as the milk-maid sung	38
And fill'd each pause the nightingale had made	39
To pick her wintry faggot from the thorn	40
The village preacher's modest mansion rose	41
Thus to relieve the wretched was his pride	42
At church, with meek and unaffected grace	43
Low lies that house, where nut-brown draughts inspir'd	45
No more the farmer's news, the barber's tale	45
Space for his lake, his park's extended bounds	48
Where the poor houseless, shivering female lies	50
Her modest looks the cottage might adorn	51
Where crouching tigers wait their hapless prey	52
The cooling brook, the grassy-vested green	53
And left a lover's for a father's arms	54xxii
Downward they move, a melancholy band	56
THE HERMIT.
Then turn, to-night, and freely share whate'er my cell bestows	58
The hermit trimm'd his little fire, and cheer'd his pensive guest	61
And when, beside me in the dale; he caroll'd lays of love	64
THE CAPTIVITY.
Ye hills of Lebanon, with cedars crown'd	69
Fierce is the tempest rolling along the furrow'd main	74
As panting flies the hunted hind, where brooks refreshing stray	80
O Babylon! how art thou fall'n	83
THE HAUNCH OF VENISON	90
THE DOUBLE TRANSFORMATION	102
AN ELEGY ON THE DEATH OF A MAD DOG	109
THRENODIA AUGUSTALIS	116
ON A BEAUTIFUL YOUTH STRUCK BLIND BY LIGHTNING	125
SONG—"THE THREE PIGEONS"	130
BIRDS	142
EPILOGUE WRITTEN FOR MR. CHARLES LEE LEWES	162

THE DESERTED VILLAGE

By Oliver Goldsmith

Illustrated by the Etching Club

MDCCCLVII

ILLUSTRATIONS


                                                                     Page

    Sweet Auburn! loveliest milage of the plain...T. Creswick, R.A.....007

    The never-failing brook, the busy mill........T. Creswick, R.A.....008

    The hawthorn bush, with seals in shade........C. W. Cope, R.A......009

    The matron's glance that would reprove........H. J. Townsend.......010

    The hollow sounding bittern guards its nest...F. Tayler............012

    These, far departing, seek a kinder shore.....C. Stonhouse.........014

    Amidst the swains show my book-learn'd skill..J. C. Horsley........015

    And, as a hare, whom hounds and horns pursue..F. Tayler............016

    To spurn imploring famine from the gale.......C. W. Cope, R.A......017

    While resignation gently slopes the way.......T. Creswick, R.A.....018

    The playful children let loose from school....T. Webster, R.A......019

    All but yon widow'd solitary thing............F. Tayler............020

    The village preacher's modest mansion rose....T. Creswick, R.A.....021

    He chid their wanderings; relieved pain.......C. W. Cope, R.A......022

    Shoulder'd his crutch, and show'd fields won..C. W. Cope, R.A......023

    Beside the bed where parting life was laid....R. Redgrave, R.A.....025

    And pluck'd his gown, share the man's smile...J. C. Horsley........026

    The village master taught his little school...T. Webster, R.A......027

    Full well they laugh'd with glee..............T. Webster, R.A......028

    Convey'd the dismal tidings when he frown'd...T. Webster, R.A......028

    In arguing too the parson own'd his skill.....C. W. Cope, R.A......029

    Near yonder thorn, that lifts its head high...T. Creswick, R.A.....030

    Where village statesmen with looks profound...F. Tayler............031

    But the long pomp, the midnight masquerade....J. C. Horsley........033

    Proud swells the tide with loads of ore.......T. Creswick, R.A.....034

    If to some common's fenceless limit stray'd...C. Stonhouse.........036

    Where the poor houseless female lies..........J. C. Horsley........037

    She left her wheel and robes of brown.........J. C. Horsley........038

    The rattling terrors of the vengeful snake....T. Creswick, R.A.....040

    The cooling brookt the grassy-vested green....T. Creswick, R.A.....041

    The good old sire the first prepared to go....C. W. Cope, R.A......042

    Whilst her husband strove to lend relief......R. Redgrave, R.A.....043

    Down where yon vessel spreads the sail........T. Creswick, R.A.....044

    Or winter wraps the polar world in snow.......T. Creswick, R.A.....045

    As rocks resist the billows aNd the sky.......T. Creswick, R.A.....046

THE COMPLETE POETICAL WORKS

Of Oliver Goldsmith

Introduction
Chronology of Goldsmith's Life and Poems

POEMS
Descriptive Poems
The Traveller; or, A Prospect of Society page 3
The Deserted Village page 23
Lyrical and Miscellaneous Pieces
Prologue of Laberius page 41
On a Beautiful Youth struck Blind with Lightning page 42
The Gift. To Iris, in Bow Street page 43
The Logicians Refuted page 44
A Sonnet page 46
Stanzas on the Taking of Quebec page 46
An Elegy on Mrs. Mary Blaize page 47
Description of an Author's Bedchamber page 48
On seeing Mrs. *** perform in the Character of **** page 49
On the Death of the Right Hon.*** page 50
An Epigram. Addressed to the Gentlemen reflected on in 'The Rosciad', a Poem, by the Author page 51
To G. C. and R. L. page 51
Translation of a South American Ode page 51
The Double Transformation. A Tale page 52
A New Simile, in the Manner of Swift page 56
Edwin and Angelina page 59
Elegy on the Death of a Mad Dog page 65
Song ('When Lovely Woman,' etc.) page 67
Epilogue to The Good Natur'd Man page 68
Epilogue to The Sister page 70
Prologue to Zobeide page 72
Threnodia Augustalis: Sacred to the Memory of Her Late Royal Highness the Princess Dowager of Wales page 74
Song ('Let school-masters,' etc.) page 84
Epilogue to She Stoops to Conquer page 85
Retaliation page 87
Song ('Ah, me! when shall I marry me?') page 94
Translation ('Chaste are their instincts') page 94

page v

The Haunch of Venison page 95
Epitaph on Thomas Parnell page 100
The Clown's Reply page 100
Epitaph on Edward Purdon page 100
Epilogue for Lee Lewes page 101
Epilogue written for She Stoops to Conquer (1) page 103
Epilogue written for She Stoops to Conquer (2) page 108
The Captivity. An Oratorio
Verses in Reply to an Invitation to Dinner page 128
Letter in Prose and Verse to Mrs. Bunbury page 130
Vida's Game of Chess page 135

NOTES
Introduction to the Notes page 159
Editions of the Poems page 161
The Traveller page 162
The Deserted Village page 177
Prologue of Laberius page 190
On a Beautiful Youth struck Blind with Lightning page 192
The Gift page 193
The Logicians Refuted page 194
A Sonnet page 196
Stanzas on the Taking of Quebec page 196
An Elegy on Mrs. Mary Blaize page 197
Description of an Author's Bedchamber page 199
On seeing Mrs. *** perform in the Character of **** page 202
On the Death of the Right Hon. *** page 202
An Epigram page 203
To G. C. and R. L. page 203
Translation of a South American Ode page 203
The Double Transformation page 203
A New Simile page 205
Edwin and Angelina page 206
Elegy on the Death of a Mad Dog page 212
Song (from The Vicar of Wakefield) page 213
Epilogue (The Good Natur'd Man) page 214
Epilogue (The Sister) page 215
Prologue (Zobeide) page 216
Threnodia Augustalis page 218
Song (from She Stoops to Conquer) page 219

page vi

Epilogue (She Stoops to Conquer) page 220
Retaliation page 222
Song intended for She Stoops to Conquer page 235
Translation page 236
The Haunch of Venison page 236
Epitaph on Thomas Parnell page 243
The Clown's Reply page 244
Epitaph on Edward Purdon page 244
Epilogue for Lee Lewes's Benefit page 245
Epilogue (She Stoops to Conquer) (1) page 246
Epilogue (She Stoops to Conquer) (2) page 248
The Captivity page 249
Verses in Reply to an Invitation to Dinner page 250
Letter in Prose and Verse to Mrs. Bunbury page 252
Vida's Game of Chess page 255

APPENDIXES
Portraits of Goldsmith page 259
Descriptions of Newell's Views of Lissoy, etc. page 262
The Epithet 'Sentimental' page 264
Fragments of Translations, etc., by Goldsmith page 266
Goldsmith on Poetry under Anne and George the First page 268
Criticisms from Goldsmith's Beauties of English Poesy page 270

page vii

LIST OF ILLUSTRATIONS
OLIVER GOLDSMITH. From Joseph Marchi's mezzotint of 1770 after the portrait by Sir Joshua Reynolds.
PANE OF GLASS with Goldsmith's autograph signature, dated March, 1746, now at Trinity College, Dublin.
VIGNETTE TO THE TRAVELLER. Drawn by Samuel Wale, and engraved by Charles Grignion.
HEADPIECE TO THE TRAVELLER. Engraved on wood by Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell, 1795.
THE TRAVELLER. From a design by Richard Westall, R. A., engraved on wood by Thomas Bewick for Bulmer's Poems of Goldsmith and Parnell, 1795.
VIGNETTE TO THE DESERTED VILLAGE, 1770. Drawn and engraved by Isaac Taylor.
HEADPIECE TO THE DESERTED VILLAGE. Engraved on wood by Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell, 1795.
THE WATER-CRESS GATHERER. Drawn and engraved on wood by John Bewick for Bulmer's Poems of Goldsmith and Parnell, 1795. {This picture is unavailable.]
THE DEPARTURE. Drawn by Robert Johnson, and engraved on wood by Thomas Bewick for Bulmer's Poems of Goldsmith and Parnell, 1795.
EDWIN AND ANGELINA. From an original washed drawing made by Thomas Stothard, R.A., for Aikin's Goldsmith's Poetical Works, 1805.
PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an etching by James Basire on the title-page of Retaliation, 1774.
SONG FROM THE CAPTIVITY. Facsimile of Goldsmith's writing and signature, from Prior's Life of Oliver Goldsmith, M.B., 1837, ii, frontispiece.
GREEN ARBOUR COURT, OLD BAILEY. From an engraving in the European Magazine for January, 1803.

page viii

KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811).
HAWTHORN TREE. From the same.
SOUTH VIEW FROM GOLDSMITH'S MOUNT. From the same . . . To face p. 183. [This picture is unavailable.]
THE SCHOOL HOUSE. From the same.
PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of Venison, 1776.
PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Humphry, R.A., in the National Portrait Gallery.
LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811).
THE PARSONAGE. From the same.






End of the Project Gutenberg EBook of Index of The Project Gutenberg Works
of Oliver Goldsmith, by Oliver Goldsmith

*** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF PG WORKS OF GOLDSMITH ***

***** This file should be named 58029-h.htm or 58029-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/8/0/2/58029/

Produced by David Widger

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.



The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate



While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.



Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

INDEX OF THE PROJECT GUTENBERG WORKS OF OLIVER GOLDSMITH

Compiled by David Widger

CONTENTS

Click on the ## before each title to view a linked table of contents for each of the twelve volumes.

Click on the title itself to open the original online file.

TABLES OF CONTENTS OF VOLUMES

"SHE STOOPS TO CONQUER"

By Oliver Goldsmith

CONTENTS

THE VICAR OF WAKEFIELD

A TALE

By Oliver Goldsmith

CONTENTS

HISTORY OF ROME:

By Oliver Goldsmith

CONTENTS

DALZIELS' ILLUSTRATED GOLDSMITH

AND A SKETCH OF THE LIFE OF OLIVER GOLDSMITH

One Hundred Pictures Drawn By G. J. Pinwell

CONTENTS

THE POEMS OF OLIVER GOLDSMITH

Illustrations By Birket Foster And H. N. Humphreys, Printed In Colours By Edmund Evans.

FOOTNOTES:

CONTENTS

ILLUSTRATIONS

THE DESERTED VILLAGE

By Oliver Goldsmith

Illustrated by the Etching Club

MDCCCLVII

ILLUSTRATIONS

THE COMPLETE POETICAL WORKS

Of Oliver Goldsmith

CONTENTS

INDEX OF THE PROJECT GUTENBERG
WORKS OF

OLIVER GOLDSMITH

Click on the ## before each title to view a linked
table of contents for each of the twelve volumes.