The Project Gutenberg EBook of Index of the Project Gutenberg Works of Anatole France, by Anatole France This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of Anatole France Author: Anatole France Editor: David Widger Release Date: April 8, 2019 [EBook #59228] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF FRANCE *** Produced by David Widger
BOOK I | THE BEGINNINGS |
I | LIFE OF SAINT MAEL |
II | THE APOSTOLICAL VOCATION OF SAINT MAEL |
III | THE TEMPTATION OF SAINT MAEL |
IV | ST. MAEL’S NAVIGATION ON THE OCEAN OF ICE |
V | THE BAPTISM OF THE PENGUINS |
VI | AN ASSEMBLY IN PARADISE |
VII | AN ASSEMBLY IN PARADISE (Continuation and End) |
VIII | METAMORPHOSIS OF THE PENGUINS |
BOOK II | THE ANCIENT TIMES |
I | THE FIRST CLOTHES |
II | THE FIRST CLOTHES (Continuation and End) |
III | SETTING BOUNDS TO THE FIELDS AND THE ORIGIN OF PROPERTY |
IV | THE FIRST ASSEMBLY OF THE ESTATES OF PENGUINIA |
V | THE MARRIAGE OF KRAKEN AND ORBEROSIA |
VI | THE DRAGON OF ALCA |
VII | THE DRAGON OF ALCA (Continuation) |
VIII | THE DRAGON OF ALCA (Continuation) |
IX | THE DRAGON OF ALCA (Continuation) |
X | THE DRAGON OF ALCA (Continuation) |
XI | THE DRAGON OF ALCA (Continuation) |
XII | THE DRAGON OF ALCA (Continuation) |
XIII | THE DRAGON OF ALCA (Continuation and End) |
BOOK III | THE MIDDLE AGES AND THE RENAISSANCE |
I | BRIAN THE GOOD AND QUEEN GLAMORGAN |
II | DRACO THE GREAT (Translation of the Relics of St Orberosia) |
III | QUEEN CRUCHA |
IV | LETTERS: JOHANNES TALPA |
V | THE ARTS: THE PRIMITIVES OF PENGUIN PAINTING |
VI | MARBODIUS |
VII | SIGNS IN THE MOON |
BOOK IV | MODERN TIMES: TRINCO |
I | MOTHER ROUQUIN |
II | TRINCO |
III | THE JOURNEY OF DOCTOR OBNUBILE |
BOOK V | MODERN TIMES: CHATILLON |
I | THE REVEREND FATHERS AGARIC AND CORNEMUSE |
II | PRINCE CRUCHO |
III | THE CABAL |
IV | VISCOUNTESS OLIVE |
V | THE PRINCE DES BOSCENOS |
VI | THE EMIRAL’S FALL |
VII | CONCLUSION |
BOOK VI | MODERN TIMES. |
I | GENERAL GREATAUK, DUKE OF SKULL |
II | PYROT |
III | COUNT DE MAUBEC DE LA DENTDULYNX |
IV | COLOMBAN |
V | THE REVEREND FATHERS AGARIC AND CORNEMUSE |
VI | THE SEVEN HUNDRED PYROTISTS |
VII | BIDAULT-COQUILLE AND MANIFLORE, THE SOCIALISTS |
VIII | THE COLOMBAN TRIAL |
IX | FATHER DOUILLARD |
X | MR. JUSTICE CHAUSSEPIED |
XI | CONCLUSION |
BOOK VII | MODERN TIMES |
I | MADAME CLARENCE’S DRAWING-ROOM |
II | THE CHARITY OF ST. ORBEROSIA |
III | HIPPOLYTE CERES |
IV | A POLITICIAN’S MARRIAGE |
V | THE VISIRE CABINET |
VI | THE SOFA OF THE FAVOURITE |
VII | THE FIRST CONSEQUENCES |
VIII | FURTHER CONSEQUENCES |
IX | THE FINAL CONSEQUENCES |
BOOK VIII | FUTURE TIMES |
PART THE FIRST — THE LOTUS |
PART THE SECOND — THE PAPYRUS |
THE BANQUET |
PART THE THIRD — THE EUPHORBIA |
BOOK 1. |
CHAPTER I. "I NEED LOVE” |
CHAPTER II. "ONE CAN SEE THAT YOU ARE YOUNG!” |
CHAPTER III. A DISCUSSION ON THE LITTLE CORPORAL |
CHAPTER IV. THE END OF A DREAM |
CHAPTER V. A DINNER ‘EN FAMILLE’ |
CHAPTER VI. A DISTINGUISHED RELICT |
CHAPTER VII. MADAME HAS HER WAY |
CHAPTER VIII. THE LADY OF THE BELLS |
CHAPTER IX. CHOULETTE FINDS A NEW FRIEND |
BOOK 2. |
CHAPTER X. DECHARTRE ARRIVES IN FLORENCE |
CHAPTER XI. "THE DAWN OF FAITH AND LOVE” |
CHAPTER XII. HEARTS AWAKENED |
CHAPTER XIII. "YOU MUST TAKE ME WITH MY OWN SOUL!” |
CHAPTER XIV. THE AVOWAL |
CHAPTER XV. THE MYSTERIOUS LETTER |
CHAPTER XVI. "TO-MORROW?” |
CHAPTER XVII. MISS BELL ASKS A QUESTION |
CHAPTER XVIII. "I KISS YOUR FEET BECAUSE THEY HAVE COME!” |
CHAPTER XIX. CHOULETTE TAKES A JOURNEY |
CHAPTER XX. WHAT IS FRANKNESS? |
CHAPTER XXI. "I NEVER HAVE LOVED ANY ONE BUT YOU!” |
CHAPTER XXII. A MEETING AT THE STATION |
BOOK 3. |
CHAPTER XXIII. "ONE IS NEVER KIND WHEN ONE IS IN LOVE” |
CHAPTER XXIV. CHOULETTE’S AMBITION |
CHAPTER XXV. "WE ARE ROBBING LIFE” |
CHAPTER XXVI. IN DECHARTRE’S STUDIO |
CHAPTER XXVII. THE PRIMROSE PATH |
CHAPTER XXVIII. NEWS OF LE MENIL |
CHAPTER XXIX. JEALOUSY |
CHAPTER XXX. A LETTER FROM ROBERT |
CHAPTER XXXI. AN UNWELCOME APPARITION |
CHAPTER XXXII. THE RED LILY |
CHAPTER XXXIII. A WHITE NIGHT |
CHAPTER XXXIV. "I SEE THE OTHER WITH YOU ALWAYS!” |
CHAPTER XXIII. "ONE IS NEVER KIND WHEN ONE IS IN LOVE” |
CHAPTER XXIV. CHOULETTE’S AMBITION |
CHAPTER XXV. "WE ARE ROBBING LIFE” |
CHAPTER XXVI. IN DECHARTRE’S STUDIO |
CHAPTER XXVII. THE PRIMROSE PATH |
CHAPTER XXVIII. NEWS OF LE MENIL |
CHAPTER XXIX. JEALOUSY |
CHAPTER XXX. A LETTER FROM ROBERT |
CHAPTER XXXI. AN UNWELCOME APPARITION |
CHAPTER XXXII. THE RED LILY |
CHAPTER XXXIII. A WHITE NIGHT |
CHAPTER XXXIV. "I SEE THE OTHER WITH YOU ALWAYS!” |
|
|
BALTHASAR |
I. |
II. |
III. |
IV. |
V. |
THE CURÉ’S MIGNONETTE |
M. PIGEONNEAU |
THE DAUGHTER OF LILITH |
LAETA ACILIA |
I. |
II. |
THE RED EGG |
INTRODUCTION | |
"HONEY-BEE" | |
I | Which treats of the appearance of the country and serves as Introduction |
II | In which we learn what the white rose meant to the Countess of Blanchelande |
III | Wherein begins the love of George of Blanchelande and Honey-Bee of Claride |
IV | Which treats of Education in general, and George of Blanchelande's in particular |
V | Which tells how the Duchess took Honeybee and George to the Hermitage, and of their encounter with a hideous old woman |
VI | Which tells of what can be seen from the Keep of Clarides |
VII | In which is described how George and Honey-Bee went to the lake |
VIII | Wherein we shall see what happened to George of Blanchelande because he approached the lake in which the nixies dwel |
IX | Wherein we shall see how Honey-Bee was taken to the dwarfs |
X | In which we are faithfully told how King Loc received Honey-Bee of Clarides |
XI | In which the marvels of the kingdom of the dwarfs are accurately described as well as the dolls that were given to Honey-Bee |
XII | In which the treasures of King Loc are described as well as the writer is able |
XIII | In which King Loc declares himself |
XIV | In which we are told how Honey-Bee saw her mother again, but could not embrace her |
XV | In which we shall see how King Loc suffered |
XVI | In which an account is given of the learned Nur who was the cause of such extraordinary joy to King Loc |
XVII | Which tells of the wonderful adventure of George of Blanchelande |
XVIII | In which King Loc undertakes a terrible journey |
XIX | Which tells of the extraordinary encounter of Jean the master tailor, and of the blessed song the birds in the grove sang to the duchess |
XX | Which treats of a little satin shoe |
XXI | In which a perilous adventure is described |
XXII | In which all ends well |
PREFATORY LETTER |
MARGUERITE |
5th July |
10th July |
1st November |
5th July |
10th July |
25th July |
10th August |
20th August |
21st August |
|
|
CHAPTER I |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
CHAPTER V |
CHAPTER VI |
THE SEVEN WIVES OF BLUEBEARD |
CHAPTER I |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
CHAPTER V |
FANNY |
1 |
THE FANCY DRESS PARTY |
10 |
THE SCHOOL |
12 |
MARY |
14 |
PAN-PIPES |
16 |
ROGER’S STABLE |
18 |
COURAGE |
20 |
CATHERINE’S DAY |
22 |
THE LITTLE SEA DOGS |
24 |
CHAPTER I | Containing in a few lines the history of a French family from 1789 to the present day |
CHAPTER II | Wherein useful information will be found concerning a library where strange things will shortly come to pass |
CHAPTER III | Wherein the mystery begins |
CHAPTER IV | Which in its forceful brevity projects us to the limits of the actual world |
CHAPTER V | Wherein everything seems strange because everything is logical |
CHAPTER VI | Wherein Père sariette discovers his missing treasures |
CHAPTER VII | Of a somewhat lively interest, whereof the moral will, I hope, appeal greatly to my readers |
CHAPTER VIII | Which speaks of love, a subject which always gives pleasure, for a tale without love is like beef without mustard: an insipid dish |
CHAPTER IX | Wherein it is shown that, as an ancient Greek poet said, "nothing is sweeter than Aphrodite the Golden" |
CHAPTER X | Which far surpasses in audacity the imaginative flights of Dante and Milton |
CHAPTER XI | Recounts in what manner the angel, attired in the cast-off garments of a suicide, leaves the youthful Maurice without a heavenly guardian |
CHAPTER XII | Wherein it is set forth how the angel Mirar, when bearing grace and consolation to those dwelling in the neighbourhood of the Champs Élysées in Paris, beheld a music-hall singer named Bouchotte and fell in love with her |
CHAPTER XIII | Wherein we hear the beautiful archangel Zita unfold her lofty designs and are shown the wings of mirar, all moth-eaten, in a cupboard |
CHAPTER XIV | Which reveals the cherub toiling for the welfare of humanity and concludes in an entirely novel manner with the miracle of the flute |
CHAPTER XV | Wherein we see young Maurice bewailing the loss of his guardian angel, even in his mistress's arms, and wherein we hear the Abbé Patouille reject as vain and illusory all notions of a new rebellion of the angels |
CHAPTER XVI | Wherein Mira the seeress, Zéphyrine, and the fatal Amédée are successively brought upon the scene, and wherein the notion of Euripides that those whom Zeus wishes to crush he first makes mad, is illustrated by the terrible example of Monsieur Sariette |
CHAPTER XVII | Wherein we learn that Sophar, no less eager for gold than mammon, looked upon his heavenly home less favourably than upon France, a country blessed with a savings bank and loan departments, and wherein we see, yet once again, that whoso is possessed of this world's goods fears the evil effects of any change |
CHAPTER XVIII | Wherein is begun the gardener's story, in the course of which we shall see the destiny of the world unfolded in a discourse as broad and magnificent in its views as Bossuet's discourse on the history of the universe is narrow and dismal |
CHAPTER XIX | The gardener's story, continued |
CHAPTER XX | The gardener's story, continued |
CHAPTER XXI | The gardener's story, concluded |
CHAPTER XXII | Wherein we are shown the interior of a bric-a-brac shop, and see how Père Guinardon's guilty happiness is marred by the jealousy of a love-lorn dame |
CHAPTER XXIII | Wherein we are permitted to observe the admirable character of Bouchotte, who resists violence but yields to love. After that let no one call the author a misogynist |
CHAPTER XXIV | Containing an account of the vicissitudes that befel the "Lucretius" of the Prior de Vendôme |
CHAPTER XXV | Wherein Maurice finds his angel again |
CHAPTER XXVI | The Conclave |
CHAPTER XXVII | Wherein we shall see revealed a dark and secret mystery and learn how it comes about that empires are often hurled against empires, and ruin falls alike upon the victors and the vanquished; and the wise reader (if such there be-which I doubt) will meditate upon this important utterance: "a war is a matter of business" |
CHAPTER XXVIII | Which treats of a painful domestic scene |
CHAPTER XXIX | Wherein we see how the angel, having become a man, behaves like a man, coveting another's wife and betraying his friend. in this chapter the correctness of young d'Esparvieu's conduct will be made manifest |
CHAPTER XXX | Which treats of an affair of honour, and which will afford the reader an opportunity of judging whether, as arcade affirms, the experience of our faults makes better men and women of us |
CHAPTER XXXI | Wherein we are led to marvel at the readiness with which an honest man of timid and gentle nature can commit a horrible crime |
CHAPTER XXXII | Which describes how Nectaire's flute was heard in the tavern of Clodomir |
CHAPTER XXXIII | How a dreadful crime plunges Paris into a state of terror |
CHAPTER XXXIV | Which contains an account of the arrest of Bouchotte and Maurice, of the disaster which befell the d'Esparvieu library, and of the departure of the angels |
CHAPTER XXXV | And last, wherein the sublime dream of Satan is unfolded |
CHAP. | PAGE | |
---|---|---|
I. | 9 | |
II. | Gallio | 29 |
III. | 107 | |
IV. | 147 | |
V. | Through the Horn or the Ivory Gate | 183 |
VI. | 237 |
PAGE | |
The Procurator of Judæa | 3 |
Amycus and Celestine | 29 |
The Legend of Saints Oliveria and Liberetta | 39 |
St. Euphrosine | 55 |
Scholastica | 75 |
Our Lady's Juggler | 83 |
The Mass of Shadows | 97 |
Leslie Wood | 109 |
Gestas | 129 |
The Manuscript of a Village Doctor | 143 |
Memoirs of a Volunteer | 161 |
Dawn | 225 |
Madame de Luzy | 243 |
The Boon of Death Bestowed | 257 |
A Tale of the Month of Floréal in the Year II | 265 |
The Little Leaden Soldier | 277 |
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