The Project Gutenberg EBook of Road Stop, by David Mason

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Road Stop

Author: David Mason

Release Date: February 3, 2020 [EBook #61309]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK ROAD STOP ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                               ROAD STOP

                            by David Mason

               It was like any other car on the road. It
              was automatic, self-contained--and eternal!

           [Transcriber's Note: This etext was produced from
              Worlds of If Science Fiction, January 1963.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


The highway stretched away in ruler-straight perspective toward both
horizons, black and shining in the sun like a river of ink. Beside
it, the bright pastel buildings of Rest Stop 25 stood among the green
trees. Occasionally a car shot past, a flash of metal and a hiss of
split wind; but the road was one which was used more often at night,
and was nearly empty in the afternoon.

Sam was the only attendant on duty. Stop 25 needed only two human
attendants, even at its busiest hours. He sat, staring out at the
highway, his elbows on the lunch counter, his round face blank, but
his mouth set tightly. The phone at his elbow emitted a small grunting
noise.

"You still there?" the phone voice said inquiringly.

"Yeah." Sam said, still staring at the highway.

"Well...." The voice paused. "Look, it might not come your way. It
usually turns west at the New Britain intersection."

"Not always." Sam said. "It went by here once before."

"It almost never stops, anyway," the voice said firmly. "It won't stop."

"Some times it does," Sam said.

"It doesn't have to."

Sam shrugged and said nothing.

"Okay, then," the voice said. "I called you about it, anyway."

"Thanks."

Sam turned away, still watching the road.

Far off a speck of metal gleamed, growing larger. The distant high
sound of brakes began, as a car decelerated, coming toward the Stop.

It was just an ordinary car, Sam told himself. That other car was
still hundreds of miles away. But his hands were damp as he watched it
grow larger.

It was an ordinary Talman sedan, with two people in it. It swung into
the Stop's parking area, and its doors slid open smoothly. A small red
light flashed on its arched front. The repair signal. In response the
doors of the Repair shop opened. The Talman waited, as a man and a
woman emerged from its padded interior and moved slowly into the Repair
shop. The doors closed behind it.

The couple came toward the restaurant, where Sam stood waiting.

"Hi," the man said to Sam.

"Afternoon." Sam moved to the counter. "Something to eat while you're
waiting, folks?"

The tall, dark girl glanced out at the closed doors of the Repair shop.

"How long's that car going to take?" she asked in a tired voice. "I
wanted to get home tonight."

"Not long," Sam said. "It didn't look like anything complicated."

"How can you tell?" the man asked, sitting down. "It could take all
night."

"Like something to eat while you're waiting?" Sam asked.

The woman stared at the lunch racks critically.

"I never like these places to eat in," the woman said, curling her lip.
"You never know how long the food's been stored in the robot."

"Oh, hell, Grace," the man said wearily. To Sam he gave an apologetic
shrug. "Just coffee."

"Well, you don't know," the woman insisted. "I mean...." She watched
Sam drawing the coffee into a cup. "I used to cook a lot, by hand, till
Jack had the autokitchen put in. He never had any stomach trouble till
then. It's getting so everything's ... oh, I don't know. It's all out
of reach. You don't know what's happening any more. Like the car."

"I wish I knew what she's talking about half the time," Jack said,
blowing on his coffee. Sam leaned on the counter, looking past the
couple toward the empty road.

"I know what the lady means," Sam said, almost to himself. "You get
to thinking ... well, I can remember when people used to drive their
own cars. Themselves. Steering and everything, except on the biggest
highways. And everything got done with people. People made things, and
cooked food, and grew plants. Everybody was busy all the time. It was
better then."

The man called Jack shrugged. "Sure, sure. Everybody always talks about
the good old days. But I don't see many of 'em going to live in the
woods. Like Grace--she says she doesn't like the autokitchen, but she
uses it."

"It saves time," Grace said. "I guess I will have coffee, too, mister."

"It saves time, she says," Jack said. "For what? She's got too much
time now."

"I wonder what it must have been like in the old days, here," Grace
said vaguely, staring around the lunchroom. "Everybody running in and
out. All the drivers--trucks, with men in them, the way you read about
it in the historical novels. Men that drove their own cars, in all
kinds of weather ... gee."

"Just like on TV," Sam said, grinning.

"I hope we get the car out of there pretty soon," Jack said anxiously.
He glanced out toward the silent garage. "I always wonder what would
happen if the machinery stuck, or something. How would you ever get
your car out?"

"It doesn't get stuck," Sam said. A peculiar look crossed his face as
he added, "Not any more."

"Did it ever?"

Sam shrugged. "Oh, well, you know twenty or thirty years ago all this
automatic stuff wasn't quite so good as it is now. Cars, repair
shops ... things went wrong, sometimes. Like ... like the Traveler."

"The Traveler?" The woman looked up. "Oh, that's just a ghost story.
Like the Flying Dutchman. Isn't it?"

The lunchroom was completely silent. Sam was no longer paying any
attention to the couple sitting at the counter. He was close to the
big window, standing stiffly, feet apart, like an admiral on a ship's
bridge, his eyes studying the empty horizon. There, where the lines
of the road met with the precision of a drawing-board exercise in
perspective, he thought he saw a fleck of light.

"It isn't when it goes past," Sam said, in a quiet tight voice. He
talked at the window, his back to the other two, his words meant
mostly for himself.

"It's not its going by. That doesn't bother me," he repeated. "It came
by my old place five or six times, I remember. That's why I finally
asked to be transferred out here, where it hardly ever goes by. But I
could have gotten used to it. I mean, you don't have to look at it, or
anything. It's just another car. Old, sure, but there's no difference.
A car goes by, that's all. Only...."

"You mean it's real?" the woman asked, in a low voice.

Her husband's eyes were looking out, toward the empty road, following
Sam's look.

"The Traveler," he said, without looking at his wife. "Sure, it's real.
Why'd you think they don't make that model of car any more? It's real.
I knew somebody who saw it, once."

"There might even be two or three Travelers," Sam said, watching the
distant glitter of light. There was certainly a car coming. Just a
car ... although it was still too far away to tell for sure.

"A haunted car!" the woman said, her eyes wider. "Gee!"

"It isn't a haunted car," her husband said. "It's just one of the
earliest makes of automatic highway cars. Everything automatic,
steering, destination set ... just like any car is, nowadays. Only it
wasn't quite perfect, somehow."

"They got into their car," Sam said, his eyes picking out distant,
microscopic details. The high flaring fins, the double headlamps ...
lit up, although it was broad daylight on the road. He knew what the
rest would be. It was moving so slowly. But it always moved slowly,
barely thirty miles an hour. As if somebody wanted you to look and
see....

"They just got in, the way anybody would do," Sam said. "They set a
destination, and the windows closed up, and the airconditioner went on,
and the car went out on the road."

"Only it never got there," the other man said. "Wherever it was going
to go."

"But ..." the woman looked puzzled. "Wouldn't anybody stop it? I mean,
wouldn't it run out of fuel, or ... well, how did the people in it get
out?"

"It does just what any car does," her husband told her. "It gets fuel
when it needs it. You can't just stop a robot control device. Not till
it's good and ready."

"But the people in it," she said. "They'd starve, or something...."

The car called the Traveler, rolling at the stately thirty miles an
hour it always held, was coming down the road now, and the two men
stood, watching. The woman, a little behind them, watched too, her face
growing whiter. No one said anything as the old fashioned car rolled
by, straight and steady down the highway, holding the center of the
lane as sharply as it always did.

There was a film of dust inside the windows, though the Traveler was
clean and shining outside. But the film did hide the white bone faces,
the despairing hands that had long ago stopped trying to break through
those closed windows.

"They never did get out," the man named Jack said, as the Traveler
rolled on, growing smaller along the endless road.

"I don't mind it when it goes past," Sam said, his voice thinner edged.
"I really don't. It's just a car. Things like that used to happen. I
mean, it's a car. Even when it stops to get gas, I don't have to pay
any attention."

He looked at the couple, his mouth loose. "As long as it just goes on.
That's all right. But I keep thinking some day it'll stop. And the door
will open. And maybe ... maybe they'll want lunch."

He giggled uncontrollably, and then choked it back.

Outside, the big hangar doors of the repair shop opened. The car that
had been inside appeared; it moved out and stopped, its doors open
invitingly.

"Your car's ready now," Sam told the couple. "So long, folks. Have a
nice trip."





End of the Project Gutenberg EBook of Road Stop, by David Mason

*** END OF THIS PROJECT GUTENBERG EBOOK ROAD STOP ***

***** This file should be named 61309.txt or 61309.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/1/3/0/61309/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.