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Title: An essay on the origin of language, based on modern researches

Author: Frederic William Farrar

Release Date: July 10, 2020 [EBook #62598]

Language: English

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AN ESSAY
ON THE
ORIGIN OF LANGUAGE,

BASED ON MODERN RESEARCHES,

AND ESPECIALLY ON THE WORKS OF M. RENAN.

BY FREDERIC W. FARRAR, M.A.

LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGE.

LONDON:

JOHN MURRAY, ALBEMARLE STREET.
1860.

LONDON:

BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.

TO

RICHARD GARNETT, ESQ.,

OF THE BRITISH MUSEUM,

These Pages are Dedicated,

IN

REMEMBRANCE OF MANY ACTS OF HELP AND KINDNESS.

[Pg vii]

PREFACE.

Falmouth,

Aug., 1860.

[xi]

CONTENTS.

[Pg 1]

AN ESSAY

ON

THE ORIGIN OF LANGUAGE.

CHAPTER I.
THE ORIGIN OF LANGUAGE.

Of all the faculties wherewith God has endowed his noblest creature, none is more divine and mysterious than the faculty of speech. It is the gift whereby man is raised above the beasts; the gift whereby soul speaks to soul; the gift whereby mere pulses of articulated air become breathing thoughts and burning words; the gift whereby we understand the affections of men and give expression to the worship of God; the gift whereby the lip of divine[1] inspiration uttering things simple and unperfumed and unadorned, reacheth[2] with its passionate voice through a thousand generations by the help of God.

Language is the sum total of those articulate sounds which man, by the aid of this marvellous faculty of speech, has produced and accepted as the signs of all those inward and outward phenomena wherewith he is made acquainted by sense and thought. These signs are “those[2] shadows of the soul, those living sounds which we call words! and compared with them how poor are all other monuments of human power, or perseverance, or skill, or genius! They render the mere clown an artist, nations immortal, writers, poets, philosophers divine!” Let him who would rightly understand the grandeur and dignity of speech, meditate on the deep mystery involved in the revelation of the Lord Jesus as the Word of God.

No study is more rich in grand results than the study of language, and to no study can we look with greater certainty to elucidate the earliest history of mankind. For the roots of language[3][3] spring in the primitive liberty of human intelligence, and therefore its records bear on them the traces of human history. We read with deep interest the works of individual genius, and trace in them the life and character of the men on whom it has been bestowed; we toilfully examine the unburied monuments of extinct nations, and are rewarded for years of labour if we can finally succeed in gaining a feeble glimpse of their history by deciphering the unknown letters carved on the crumbling fragments of half-calcined stone; but in language we have the history not only of individuals but of nations; not only of nations but of mankind. For unlike music and poetry, which are the special privilege of the few, language[4] is the property of all, as necessary and accessible as the air we breathe. Of all that men have invented and combined; of all that they have produced or interchanged among themselves; of all that they have drawn from their peculiar organism, language is the noblest and most indispensible treasure. An immediate emanation of human nature, and progressing with it, language is the common blessing, the common patrimony, of mankind. It is an[5] admirable poem on the history of all ages;[4] a living monument, on which is written the genesis of human thought. Thus “the ground[6] on which our civilisation stands is a sacred one, for it is the deposit of thought. For language, as it is the mirror, so is it the product of reason, and as it embodies thought, so is it the child of thought. In it are deposited the primordial sparks of that celestial fire, which, from a once bright centre of civilisation, has streamed forth over the inhabited earth, and which now already, after less than three myriads of years, forms a galaxy round the globe, a chain of light from pole to pole.”

Philology, the science which devotes itself to the study of language, has recently[7] arrived at results almost undreamed of by preceding centuries. Indeed, it received its most vigorous impulse from the acquaintance with the languages of India, and, above all, with Sanskrit, which, like so many other great blessings, directly resulted from our dominion in India. Already it has thrown new light on many of the most perplexing problems of religion, history, and ethnography; and, being yet but an infant science, it is in all probability destined to achieve triumphs,[5] of which at present we can but dimly prophesy the consequences.[8]

Since the most ancient monuments of Sanskrit, Zend,[9] Hebrew, and in fact of all languages, are separated, perhaps by thousands of years from[9] the appearance of language (i.e., from the creation of the human race), it might seem impossible to throw any light on that most interesting of all considerations, the origin of language. And yet so permanent are the creations of speech, so invariable and ascertainable are the laws of its mutation, that the geologist is less clearly able to describe the convulsions of the earth’s strata than the philologist to point out, by the indications of language, the undoubted traces of a[6] nation’s previous life. On the stone tablets of the universe, God’s own finger has written the changes which millions of years have wrought on the mountain and the plain; in the fluid air, which he articulates into human utterance, man has preserved for ever the main facts of his past history, and the main processes of his inmost soul. The sonorous wave, indeed, which transmits to our ears the uttered thought, reaches but a little distance, and then vanishes like the tremulous ripple on the surface of the sea; but, conscious of his destiny, man invented writing to give it perpetuity from age to age. Its short reach, its brief continuance, are the defects of the spoken word, but when graven on the stone or painted on the vellum it passes from one end of the earth to the other for all time; it conquers at once eternity and space.[10]

From the earliest ages the origin of language has been a topic of discussion and speculation, and a vast number of treatises have been written upon it. But it is only in modern times that we have collected sufficient data to admit of any consistent or exhaustive theory, and the earlier[11][7] writers contented themselves for the most part with building systems before they had collected facts.

There have been three main theories to account for the appearance of language, and it will be both interesting and instructive to pass them in brief review. They are:—1. That language was innate and organic. 2. That language was the result partly of imitation, and partly of convention. 3. That language was revealed. It will be seen from our consideration of them, that none of these theories is in itself wholly true or adequate, yet that each of them has a partial value, and that they are not so irreconcilably opposed to each other as might at first sight be imagined.

1. It was believed by the ancients generally, and perhaps by the majority of moderns, that language was innate and organic; i.e., a distinct creation synchronising with the creation of man. The inferences drawn from this supposition led men to regard words as “types of objective reality, the shadow of the body and the image reflected in the mirror.”[12] The words were supposed[8] to be not only a sign of the thing intended by them, but in some way to partake of its nature, and to express and symbolise something of its idea. Hence the very notion of arbitrariness was well-nigh expelled from language, and there was supposed to be a deep harmony[13] between the physiological quality of the sound and its significance—between the combination and connection of sounds with the connection and combined relations of the things they represented. Whoever, therefore, knew the names, knew also the things which the names implied.[14] However[9] strange and even ridiculous these views may appear to our somewhat superficial and unphilosophical age, it is far more difficult to understand them truly than to speak of them contemptuously, and they led to a reverence for the use of speech which reacted beneficially in producing careful writing and accurate thought.

The belief that language was innate led to the strange hallucination that if a child were entirely secluded from human contact, he would speak instinctively the primitive language of mankind. According to Herodotus, the experiment was actually made by Psammetichus, King of Egypt, who entrusted two new-born infants to a shepherd, with the injunction to let them suck a goat’s milk, and to speak no words in their presence, but to observe what word they would first utter. After two years the shepherd visited them, and they approached him, stretching[15] out their hands, and uttering the word βεκός. It was found that this vocable existed in the Phrygian language, and meant “bread;” whence it was sagely inferred that the Phrygians spoke the original language,[10] and were the most ancient of people. There is in this story such a delicious naïveté, that one could hardly expect that it would have happened in any except very early ages. It can, however, be paralleled by the popular opinion which attributed the same experiment to James IV. and Frederic II.[16] in the Middle Ages. In the latter case the little unfortunates died for want of lullabies! Similarly, almost every nation has regarded its own language as the primitive one. One of the historians of St. Louis says that a deaf mute, miraculously healed at the king’s tomb, spoke, not in the language of Burgundy, where he was born, but in the language[17] of the capital. A similar belief seems to underlie the extreme anxiety and curiosity of savages to learn the name of any article hitherto unknown to them, as though[11] the name had some absolute significance. This is not the place to enter into a discussion of that deep germ of truth which such fancies involve; but hints of it may be found in Holy[18] Scripture.

No doubt at first sight it appears that much might be said in favour of the innate and organic nature of language. Its beauty,[19] its diversity, its power, its diffusion over the whole surface of the globe, give it the supernatural air of a gift which man, so far from originating, can only ruin and destroy. We see that in favourable situations language, like vegetation, flourishes and blossoms, while elsewhere it fades and dies away as a plant loses its foliage when deprived of nourishment and light. It seems, too, to participate in that healing power of nature, which effaces rapidly all trace of wounds received. Like nature, it produces mighty results out of feeble resources—it is economical without avarice, and liberal without prodigality.

Again; do we not see that almost every living thing is endowed in infinite variety with the[12] faculty of uttering sounds, and even of intercommunicating feelings?[20] The air is thrilled with the voice of birds, and some of them even possess a power of articulation, which among many nations is the distinctive[21] definition of man. Nay, fancy has attributed to animals a power of language in the age of gold—a power which under certain[22] circumstances they are supposed to be still allowed to exercise.

But this leads us to the true point of difference. The dog barks, as it barked[23] at the creation, and the crow of the cock is the same now as when it reached the ear of repentant Peter. The song of the nightingale, and the howl of the leopard, have continued as unchangeable as the concentric[13] circles of the spider, and the waxen hexagon of the bee. The one as much as the other are the result of a blind though often perfect instinct. They are unalterable because they are innate, and the utterances of mankind would have been as unchangeable as those of animals, had they been in the same way the result not of liberty but of necessity. To the cries of animals we must compare, not man’s ever-varying language, but those instinctive sounds of weeping, sobbing, moaning—the changeless scream, sigh, or laughter—by which, since the creation, he has given relief or expression to his physical[24] sensations.

In point of fact—as a thousand experiments might have proved to Psammetichus—a new-born infant possesses the faculty of language, not actually, but only potentially. It is obvious that an Italian infant, picked up on the field of Solferino and carried to Paris, would not have spokenδυναμις Italian but French, and an English babe, carried off by the Caffirs, would find no difficulty in learning the rich language of Caffraria, with its five-and-twenty moods. For language is clearly learned by imitation. This is the intermediate[14] link between the δύναμις and the ἔργον. When poor Kaspar Hauser tottered into the streets of Nuremberg, the only words he could say were, “I will be a soldier as my father was,” because those were the only words which he had heard in his miserable confinement. Doubtless, the Egyptian children pronounced the word βεκός, because it approached as nearly as possible to the bleating[25] of the goat by which they had been suckled.

Had there ever been an innate organic language, it is quite certain that it must have left some traces; for, as Dr. Latham observes, “language (as an instrument of criticism in ethnology) is the most permanent of the criteria of human[15] relationships derivable from our moral constitution.” Talleyrand’s wicked witticism, that “language was given us to conceal our thoughts,” arose from the fact that it is used for that purpose on a thousand occasions. But although a man may “coin his face into smiles,” and utter a thousand honeyed words, his real sentiments will flash out sometimes in passionate gesture and rapid glance; and just in the same way, had there even been a language which was the organic expression of emotion, it is absolutely impossible that it should have wholly disappeared. That which is really implanted is for the most part unalterable.

2. Seeing, then, that positive experiment, as well as other considerations, disprove the inneity of language, other philosophers believed that it was simply conventional, and grew up gradually after a period of mutism. The Epicurean philosophy, deeply tainted with the error of man’s slow and toilsome development from a savage and almost bestial[26] condition, gave the problem the[16] hardest of all material solutions. This school found in Lucretius its most splendid exponent, and the poet accounts for the appearance of speech as the gradual and instinctive endeavour to supply a want.[27] In short, words came because they were required, much in the same way that, according to the theory of Lamarck, organic peculiarities are the result of habit and instinct, so that the crane acquired a long neck and long legs by persevering attempts to fish. Lucretius compares language to the widely diverse sounds which animals emit to express different sensations, and, scornfully rejecting the theory of one Name-giver, asserts repeatedly that—

It was generally believed by this school that man originally acquired the faculty of speech by an observation of the sounds of nature. The cries of animals, “the hollow murmuring wind and silver rain,” the sighing of the woods,

[17]

these, it seems, were man’s[28] teachers in the power of articulation.

Man, too, would endeavour to take his part in the divine harmony; he would translate into living and intelligent utterances the dim and sublime music of this unconscious hymn.

Like most theories that have met with any amount of acceptance, this belief contains a germ[18] of truth. It originated from the onomatopœic character of a large part of all languages. But we reject the conclusion drawn from this fact. That man produced a large or very large part of his vocabulary by an imitation of natural sounds is entirely true, but that the idea of speech was created in him by the hearing of those sounds we believe to be eminently false. This theory, however, found especial favour among the philosophers of the eighteenth century, except that with them a mysterious convention seemed not even to require this natural basis. Maupertuis, Condillac, Rousseau, Volney, Nodier, Herder, Monboddo, and Dr. Smith,[30] all seem to believe in an original time when a few intonations, joined to gesture and expression of the face, sufficed for the wants of nascent humanity, and formed, in fact, a natural language; but in course of time this was found inadequate, and so “on convint,[31] on s’arrangea à l’aimable, et ainsi fut établi le langage artificiel ou articulé.” According to Monboddo the steps of the process[19] were briefly as follows:—1, Inarticulate cries; 2, Gestures; 3, Imitative sounds; 4, An artificial language, formed by convention, and resulting from the necessities of the race. This language was originally poor and defective, but developed into richness, just as (to quote the simile of Adelung) the canoe of the savage has grown into the floating city of modern nations. All other conjectures are, however, eclipsed by Dr. Murray’s derivation of all the languages of Europe from nine onomatopœic syllables. These wondrous vocables[32] were:—1, Ag; 2, Bag; 3, Dwag; 4, Cwag; 5, Lag; 6, Mag; 7, Nag; 8, Rag; 9, Swag!!! M. Renan (who believes that all the parts of speech existed implicitly in the primitive language) may well remark that of all theories this is “the most false, or rather the least rich in truth;” and it may be known by its fruits, for the natural inference from it is either “that[33] thought[20] is merely an affection of perishable matter (materialism), or that both are indiscriminately accidents of the one divine substance of the universe (pantheism).” It is true that language, though not the result of convention, tends to become[34] conventional in the process of time, but this very tendency is often a mark of decay and ruin, and a language is a noble and powerful instrument of thought in proportion as it keeps in view the motives and principles which originated the words of which it is composed.

3. The third main theory, which has found numberless supporters, is, that language is due to direct revelation. The tenacity of this belief was mainly due to the violent reaction of the spiritualist school in the nineteenth century against the systematising scepticism of their predecessors. It was warmly adopted by MM. de Bonald, de Maistre, De Lammenais, and others, and was in one sense a step forwards, for it recognised at least that “divine[35] spark which glows in all[21] idioms even the most imperfect and uncultivated.” But this theory must likewise be rejected. It raises[36] men to the level of gods, as much as the former theory had degraded them to the rank of beasts. “Spiritualism contradicts nature, as materialism contradicts mind. It has reality and history against it as much as its opposite.”

This view opens considerations of such importance that we must subject it to a still more careful discussion.

We object, in the first place, to the difficulty and obscurity of the phrase. In one sense,[37] indeed—if we take it metaphorically,—it is perhaps the most exact expression to describe the wonderful apparition of human speech, which it rightly withdraws from the sphere of vulgar inventions. Language, as an immediate product of[22] human powers, might perhaps, with more safety, be attributed to the Universal Cause, than to the particular action of human liberty. If by revelation be intended the spontaneous play of the human faculties, in this sense, God, having endowed man with all things requisite for the discovery of language, may, with near approximation to truth, be called its Author; but then, why make use of an expression so indirect and liable to be misunderstood, when others more natural and more philosophical might have been found to indicate the same[38] fact?

But, unhappily, M. de Bonald and others who urged this view took the expression literally, and made it not scientific but theological; not a disinterested[39] and independent conclusion drawn[23] from induction, but a mere dogma of faith to be forced (like so many other false excrescences of theological tradition) upon the conscience of all Christians. In general, those who maintain the literal revelation of language, and reject its human origin, are the direct successors of those theologians who have so long opposed every discovery in science, and rejected the plainest deductions of geometry and logic. They intrude into a sphere in which they have no knowledge and no place; their arguments are neither scientific nor reasonable; they are not reasons but assertions; not conclusions but idle and groundless prejudices. It has been well said that they pertain to an order of ideas and interests which science repudiates, and with which she has nothing to do. Ignorance has no claim to a hearing even when she speaks ex cathedrâ.

Now what is meant by such an expression as the revelation of language rigorously understood? If, for instance, we take it materially, if we understand it to mean that a voice from heaven dictated to men the names of things—such a conception is so grossly[40] anthropomorphic, it is[24] so utterly at variance with all scientific explanation, it is so irreconcileably opposed to all our ideas of the laws of nature, that it needs no refutation for one who is in the least degree initiated into the methods of modern criticism. Besides, as M. Cousin[41] has remarked, “it only removes the difficulty a step backwards without resolving it. For signs divinely invented would for us not be signs but things, which we should have been subsequently obliged to elevate into signs by attaching to them certain significations.” The revealed “term” would be a useless encumbrance unless it corresponded with some well understood conception; and therefore if words were revealed, conceptions must also have been implanted; and we are thus driven to the absurdity of supposing that anterior to all experience, we knew that which experience (i.e. an[42] actual relation of intelligence with that which is the object of intelligence) alone could teach us.

We have already said that these modern spiritualists considered the revelation of language to be a truth involved by the narrative of[25] Genesis. In this they were the slaves of a false and narrow exegesis, which had not even the poor excuse of being literal. What is the true meaning of the sacred writer we shall endeavour to show further on; but we cannot here abstain from again uttering a strong protest against the barrier placed in the way of all honest scientific inquiry by the timid prejudices of that class which tyrannises over public opinion. When shall we learn to acquiesce practically in the belief which theoretically the most orthodox have long expressed, that it is a needless incongruity to look in the Bible for scientific truths which it does not profess to reveal? “Such[43] an attempt,” it has been well said, “has been a perversion of the purpose of a divine revelation, and cannot lead to any physical truth.”

Honesty all the more imperiously demands this remark, because here, as in a thousand other places, perverted by system and ignorance, we believe that the Bible rightly understood contains (not precise dogmas, but) the general indications of a sublime truth; and because it may be shown[26] that in this particular instance its records accurately agree with the results of careful and laborious inquiry. Here, as often, the Bible does not clash with the conclusions of science, if taken to imply no more than what it categorically asserts. But the Bible is not the only source of information open to us, and if we are ever in any way to fill up “the vast lacunas which characterise that gigantic and mysterious epitaph of humanity engraved in the first chapters of Genesis,” we must do so not by ignorant and dogmatic assertions, but by humble sincerity and patient research.

If, then, language were revealed, the Bible is not only silent on such a revelation, but distinctly implies the reverse. We shall examine the narrative of Genesis (ii. 19, 20) farther on; but we must here stop to observe that where the Deity is represented as talking to Adam and other patriarchs, such passages must not be supposed to have any bearing on the question, as it is quite clear that they are only intended for an expressive anthropomorphism.[44] Even Luther,[27] in his Commentary on Genesis, goes out of his way to prove that nothing material is intended in such phrases as God’s “speaking to” Adam, and that it would be as strange to suppose that they imply any[45] revelation of language, as it would be to infer the revelation of writing from the mention of the stone tables “written by the finger of God.” Writing also has been attributed directly to God’s external gift, although, as in the case of language, there is the clearest proof of its human origin and gradual perfectionment.

But we must not omit one or two positive arguments against this theory.

1. Had language been revealed, mankind at first would have been better situated than any of their posterity; and such a disposition is unlike the ordinary course of God’s just dealings.

[28]

2. So far from being “a pale image and feeble echo of splendours which have passed away from the scene of earth,” each human language bears in itself the most distinct traces of growth and progress—the marks of a regular development in accordance with definite laws—the successive traces of infancy, youth, maturity, and manhood. Though many existing languages, and even those of some savage nations are but “degraded and decaying fragments of nobler formations,” yet there are proofs as decisive that they rose to gradual perfection, as that they subsequently fell from perfection to decay.

3. If the spiritualist theory were true, it would be a most natural inference that the spiritual and abstract signification of roots is also the original one. But such an assumption (although it is made by Frederic Schlegel), “is contradicted by the history of every language of the world.”

4. It is equally improbable that God who revealed the primitive language, or man who received it, should have suffered it (divine, as on this supposition it must have been) to degenerate into barbarous and feeble jargons.

[29]

5. “The human faculties are competent to the formation of[46]language.” It is therefore totally unlike God’s methods, as observed in His works, to give directly what can be evolved mediately. For there is clearly no waste in the economy of Nature, no prodigality in the display of miracles. In the words of Grimm, “it seems contrary to the wisdom of God to impose the restraint of a created form on that which was destined to a free historic development.” At any rate, as a fact we can historically trace the development of language from a very small nucleus, and this being the case the supposition of any previous revealed language is a groundless and improbable hypothesis.[47]

Further arguments will appear as we proceed; but we must now point out the true meaning of the statement in Genesis, that “God brought all living creatures to Adam to see what he would call them; and whatsoever Adam called every[30] living creature that was the name thereof.”[48] Now, merely remarking (by way of limitation) that the writer clearly supposed his own language to be that of Paradise, and that there is here no attempt to account for all[49] language, because he is speaking of a certain class of words only—we find in this narrative a profound verity clothed in a most beautiful and appropriate symbol: ‘We see man as the true nomenclator—man acting by his own peculiar faculties under the guide of the Deity. Philosophy[50] could find no more perfect figure to express her conclusions than this—God teaching man to speak as a father would a son.’ But to give this simple narrative a material explanation is to falsify at once both its letter and its spirit. On the other hand, “to say with the theologians that God had created language[51][31] as he had created man, and that language is not the act and work of man,” is to contradict not only reason but the Bible too. For be it observed, that the Bible distinctly confirms our arguments by saying, not that God named the animals, but that Adam named them, and that whatsoever he named every living creature that was the name thereof.

In short, language is “only divine in proportion to the divinity of our nature and our soul;” it is only a gift of God because the faculty naturally resulted from the physical and spiritual organism which God had created. This seems a more natural and philosophic supposition than the belief that even the embryonic germ of language was revealed. The exercise of the faculty in the original utterance of primitive words has ceased to be called into play because it has ceased to be required. We cannot now invent original words because there is no longer any necessity for doing so. In the same way—as is well known—a deaf mute when once instructed in an artificial language loses the quick instinctive power of creating intelligible natural signs.

We conclude, then, that language is neither innate and organic; nor a mechanical invention; nor an external gift of revelation;—but a natural[32] faculty swiftly developed by a powerful instinct, the result of intelligence[52] and human freedom which have no place in purely organic[53] functions. It was “the living product of the whole[54] inner man.” It was “not[55] a gift bestowed ready formed to man, but something coming from himself.” It is “essentially[56] human; it owes to our full liberty both its origin and its progress; it is our history, our heritage.” Objectively considered, it was the result of organism: subjectively, the product of intelligence. It was “a primitive intuition, impersonal and yet influenced by individual genius;” in a word, its character is “at once[57] objective and subjective, at once individual and general, at once free and necessary, at once human and divine.”

That such a conclusion,[58] however much it may[33] seem to savour of a weak eclecticism by combining all former theories, is yet in profound accordance with all the ascertained facts of language we shall hope to prove in the following chapter.

[34]

CHAPTER II.
THE PSYCHOLOGICAL DEVELOPMENT OF THE IDEA OF SPEECH.

From abstract and à priori considerations, we have arrived at the conclusion that language was achieved or created by the human race, by the unconscious or spontaneous exercise of divinely implanted powers; that it was a faculty analogous to and closely implicated with that of thought, and, like thought, developing itself with[59] the aid of time. The idea of speech was innate, and the evolution of that idea may be traced in the growth and history of language. It is most important to have a clear conception of the fact that this development did not result[35] from an atomistic[60] reunion of parts, but from the vitality derived from an inward principle. Language was formed by a process not of crystalline accretion but of germinal development. Every essential part of language existed as completely (although only implicitly) in the primitive germ, as the petals of a flower exist in the bud before the mingled influences of the sun and the air have caused it to unfold.

Our belief thus arrived at—viz., that language was an achievement of the human genius which God implanted in the primeval man, a development of the faculty with which he endowed our race—does not at all necessitate the belief in a period when man was unable to communicate with man. The exercise of the faculty may have been rapid in that young and noble nature to a degree which now we cannot even conceive. A few imitative roots, uttered under the guidance of a divine instinct, and aided by the play of intelligence in movement and feature, would with wonderful ease grow into a language sufficient for the needs of a nascent humanity, and the living germ would soon bud and bourgeon by the very law of its production. Even if we were[36] compelled to believe that this language was at first of the scantiest character, we see in this supposition nothing more absurd than in the certainty that knowledge and science, philosophy and art, are the slow, gradual, and toilsome conquests of an ever progressive race. It is now well understood that even the use of the senses has to be learnt,—that it is only by practice that we are able to discriminate distances in the variously-coloured surface which is all that we really see. Why should it then be unnatural to suppose that speech also was at first only implicitly bestowed on us, and that it required time and experience to develop fully the implanted capacity?

How far the growth of language was affected by external circumstances,—as, for instance, by the impress of individual minds, by the aristocracy or even autocracy of philosophic bodies, by the influence of sex, by the variations of climate, by the convulsions of history, by the slow change of religious or political convictions, and even by the laws of euphony and organisation, we may consider hereafter; but we must first of all enter on two very interesting preliminary inquiries, viz., 1, How did words first come to be accepted as signs at all? and, 2, By what processes did men[37] hit upon the words themselves? Or, to put the questions differently: 1, How did various modulations of the human voice acquire any significance by being connected with outward or inward phenomena? and, 2, What special causes led in special cases to the choice of some particular modulations rather than of any other?

I am well aware that these questions may appear ridiculous to any one who is entirely unaccustomed to these branches of inquiry; and they may possibly be inclined to set the whole matter at rest by a dogmatism or a jeer. They will say perhaps:

With readers of such a temperament it is idle to reason, nor do we expect that, while the world lasts, ignorance will cease to take itself for knowledge, and denounce what it cannot understand. To others we will merely say that these inquiries have occupied, and are still occupying in an[38] increasing degree, some of the most profound and sober intellects in Europe, and that (in the words of Plato) ‘wise men do not usually talk nonsense.’

With this remark, let us proceed to our first question: How came sounds—mere vibrations of the atmosphere—to be accepted as signs, i.e. to be used as words?

But (as one inquiry leads us back, perpetually, to another, even until “all things end in a mystery”), we must here again pause for a moment to ask what is a word? So vast an amount has been written in answer to this inquiry, that it is obviously impossible to do more than state the conclusion[62] we adopt, with a mere hint as to the ground on which we adopt it.

Horne Tooke maintained that words are “the names of things,” a definition most obviously inadequate; others have called them “the pictures of ideas,”[63] and although this definition is not without its value, yet the systematic perversion of the word “idea,” renders it insufficient. Harris[39] devotes a chapter to establishing the definition that “Words are the symbols of ideas, both general and particular; yet, of the general, primarily, essentially, and immediately; of the particular only secondly, accidentally, and mediately.” But this is very questionable and cumbrous; and, on the whole, we believe that no better definition can be given than that of the late Mr. Garnett,[64] that words represent “conceptions founded on perceptions,” or “that words express the relations of things.” They do not and cannot express “an intrinsic meaning, constituting them the counterparts and equivalents of thought. They are nothing more, and can be nothing more, than signs of relations, and it is a contradiction in terms to affirm that a relation can be inherent.” “Our knowledge of beings,” says M. Peisse,[65] “is purely indirect, limited, relative; it does not reach to the beings themselves in their absolute reality and essences, but only to their accidents, their modes, their relations, their limitations, their differences, their qualities; all[40] which are manners of conceiving and knowing, which not only do not impart to knowledge the absolute character which some persons attribute to it, but even positively exclude it. Matter (or existence, the object of sensible perception), only falls within the sphere of our knowledge through its qualities; mind only by its modifications; and these qualities and modifications are all that can be comprehended and expressed in the object. The object itself, considered absolutely, remains out of the reach of all perception.” It is an obvious inference that, as we can only talk of what we know, and as we can only know the relations of things, words are the medium of expressing (not the nature of things, which is incognisable), but the observed relations between things. They are revelations not of the outward, but of the inward,—not of the universe, but of the thoughts of man.

Leaving to metaphysicians all further discussion of this question, we again recur to our inquiry, How came words to be accepted as significant of these relations? Thought[66] and speech[41] are inseparably connected; the very root of the word Man[67] implies, in Sanskrit, “a thinking being,” and it is well known that there is a close connection between “ratio” and “oratio,” and that ἄλογα ζῶα means animals, not only “without speech,” but “without reason.” Eloquence, in fact, is genius, and the greatest poet or orator is he who has most command over his native tongue.

It has even been a question with some philosophers whether thought is possible without speech,—whether, for instance, blind-deaf-mutes (like the American girl, Laura Bridgman), are capable[68] of exercising the faculty of reason until they have been taught an artificial method of expression?

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Certain it is that the child begins to speak when it begins to think, and that its first intelligent perception of relations is followed by its first articulate utterances. We may illustrate this remark in an interesting manner. We find it stated in the Jadschurveda, that the first words uttered by the first man were, “I am myself,” and that, when called, he answered, “I am he.” With all due deference to the ancient philosopher who held this belief, we may safely assert that such a thing was impossible without some special interposition; for the growth of a sense of individuality is extremely slow, and comes to children long after their main perceptions. A poet—in whom nothing is more remarkable than his profound learning and metaphysical accuracy—truly says:

And this gives us at once the true explanation of the fact, that it is some time before a child learns to regard itself as a subject, and therefore, that it[70] objectises itself in all its language. It would say, not “I want an apple,” but “Charlie wants an apple;” not even “give me,”—so frequently as “give Charlie.” When Hamlet signs himself as ‘The machine that is to me Hamlet,’ he only shows, by an extreme instance, the remarkable difficulty that a man always has in mastering this very conception of individuality, which the Hindoo philosophy would seem to regard as a primitive intuition.

By these remarks we have greatly cleared the way for our explanation of the manner in which words originated;—an explanation[71] which is[44] purely psychological, and which was first promulgated in this shape by M. Steinthal.

Man has the faculty of interpretation, or of using words for signs, as completely as he has the faculties of sight and hearing; and words are the means he employs for the exercise of the former faculty, just as the eye and the ear are employed as the organs of the latter.

The power of speech depends on the power of abstraction, i.e., of transforming intuitions into ideas.[72] Let us explain. At the sight of a horse galloping, or of a plain white with snow, the primitive man formed, at first, one undivided image; the motion and the horse, the field and the snow, were unseparated. But, by language, the act of running was distinguished from the creature that ran, and the colour separated from the thing coloured. Each of these two elements became fixed in an isolated word, and so the word dismembered the complete perception. But, from another point of view, the word is more extended than the presentation; e.g., the word “white” expresses not only an attribute of snow, but of all white objects; its meaning, then,[45] is more abstract and indeterminate than that of “white snow.” Instead of only embracing an existence, or an object in an accidental state, a word represents the thing without its accidental characters, which are removed by abstraction, and indicates it under all the circumstances in which it may be placed.

The transformation, then, of intuitions into ideas, by the freedom and activity of the human intelligence, constitutes the essence of a word, although the speaker may be as unconscious of the process as he is of the organic mechanisms which give utterance to his thoughts.

I. ‘As for the conditions under which articulate language first appeared, M. Steinthal represents them as follows. At the origin of humanity the soul and the body were in such mutual dependence that all the emotions[73] of the soul had their echo in the body, principally in the organs of the respiration and the voice. This sympathy of soul and body, still found in the infant and the savage, was intimate and fruitful in the primitive man; each intuition awoke in him an accent or[46] a sound.’ This was the first step; and in this fact lies the germ of truth contained in the doctrines of the analogists;[74] since there must have been some reason in the nature of things, why certain impressions or feelings were connected with certain sounds rather than with certain others. We may be totally unable to point out this connection in many cases, and even while recognising a natural relation between certain sounds of the human voice and certain material phenomena, we may deny the very possibility of such a relation between a spiritual phenomenon and its physical sign. And yet we feel a strong repugnance at allowing caprice or chance to have any considerable share in the origin of language. It can, at least, be fairly argued that there is nothing purely arbitrary in the work of the divine Demiurgus.

II. ‘Another law, which played a no less essential part in the creation of language, was the association[75] of ideas. In virtue of this law, the sound which accompanied an intuition, associated itself in the soul with the intuition itself, so closely that the sound and the intuition presented[47] themselves to the consciousness as inseparable, and were equally inseparable in the recollection.’ This was the second step.

III. Finally, the word became a middle term of reminiscence, a tach between the external object and the inward impression. “The sound[76] became a word by forming a bond between the image obtained by the vision, and the image preserved in the memory; in other words, it acquired significance, and became an element of language. The image of the remembrance, and the image of the vision, are not wholly identical; e.g., I see a horse; no other horse that I have ever seen resembles it absolutely in colour, size, &c.: the general conception recalled by the word ‘horse’ involves only the abstracted[77] attributes common to all the animals of the same genus. It is this collection of common attributes that constitutes the significance of the sound.”

Thus M. Steinthal attributes the appearance of language to the unconscious action of psychological[48] laws; and as these laws acted spontaneously in the first human beings, it is quite clear that these speculations involve no approval of the untenable Epicurean belief in a long period of mutism and savageness. We cannot but think that the beauty, ingenuity, and simplicity of these views will commend them to general acceptance.

We may here give one or two passing hints of the way in which these laws were influenced by organism.

One very simple fact is, that of course the impressions, &c., which come earliest would naturally be connected with the sounds that come earliest. For instance, the words for father and mother, which are alike half the world over, are, as we should have expected, formed of easy and simple[78] syllables; being indeed the first labial sounds of the infant lisping: had we found in[49] any of them the letters which represent late-coming and difficult sounds,[79] we should have been justly surprised.

Again, Grimm[80] has remarked that the more ancient a language is, the more clearly do we find in it the distinction between masculine and feminine inflections. “Nothing,” adds M. Renan, “proves it more strongly than the to-us-inexplicable tendency which led the primitive nations to suppose a sex in all beings, even inanimate ones. A language, formed in our days, would suppress the gender[81] in all cases, except perhaps, those where men and women are concerned.” This peculiarity is doubtless due to the influence of women. In ancient times, the life of woman was far more widely separated than now from that of men; and even in later days, when they were dwarfed in the isolation of the gynæceum, we can easily understand how the peculiarities of their life would have influenced the language they[50] employed. The difference between their idioms and those of men is still very incisive in some African dialects; and the fact that men in speaking to women are obliged to employ particular inflections, proves that those inflections must have been used by the women themselves. It is this which causes the strange difference between Sanskrit and Prâkrit; in the Hindoo dramas, Sanskrit is used by the men, Prâkrit by the women.

But the difference is due to the difference of organisation. If “a” and “i” are in all languages the vowels characteristic of the feminine, it is without doubt because those vowels are better suited to the feminine organ than the masculine sounds “o” and “ou.” A Hindoo commentator, explaining the 10th verse of the Third book of Manou,[82] where it is commanded to give to women sweet and agreeable names, recommends that in these names the letter “a” should predominate.

It is observable, too, that the influence of climate on language is in point of fact another result of the influence of organism. The idiom of Sybaris is not that of Sparta. The languages of the South are limpid, euphonic, and harmonious, as though they had received an impress from the[51] transparency of their heaven, and the soft, sweet sounds of the winds that sigh among their woods. On the other hand, in the hirrients and gutturals, the burr and roughness of the Northern tongues, we catch an echo of the breaker bursting on their crags, and the crashing of the pine-branch over the cataract. Rousseau[83] has pointed to the fact that the languages of the rich and prodigal South, being the daughters of passion, are poetic and musical, while those of the North, the gloomy daughters of necessity, bear a trace of their hard origin, and express by rude sounds rude sensations. It is an additional argument against the existence of a language primitive, revealed, or innate, that every known language bears on itself the deep traces of predominant local influences. “It is for this reason that the confusion of tongues and the dispersion of nations are represented by Scripture as synchronous events in the magnificent history of Babel, which, perhaps, we may be permitted to regard as one of those sublime parables so frequent in the sacred books. This was the opinion of the great Leibnitz.”

These are but easy illustrations of a wide and difficult subject; but the influence of organism[52] on language has not yet been very fully analysed, and many of the laws which philologists have advanced remain to some degree uncertain. Those who desire to follow the subject may find some very amusing illustrations in the pages of M. Nodier, one of which we have[84] relegated into the note.

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CHAPTER III.
THE LAWS OF SPECIAL SIGNIFICANCE, OR THE CREATION OF ROOTS.

From the general question as to the manner in which sounds acquired significance as words, we proceed to the longer and wider inquiry as to the causes which led to the choice of special sounds in special significations; or, in other words, we shall consider the origin of roots.[85]

When in the first chapter we proved that language was neither innate nor revealed, we proved implicitly that no words could be purely[54] arbitrary.[86] The historic character of language,—the fact that in innumerable cases we can distinctly trace the laws which presided at the genesis of any particular word,—strongly confirms our à priori conclusion. The inference to be deduced from the labours of all the best philologists, is that of Ihre, “Non ut fungi nascuntur Vocabula.” We have no reason to believe that any elements of language were deduced from roots which of themselves had no significance; and the more rigorous and extensive the analysis to which even inflections are subjected, the more clear is the proof that they arise from the agglutination of separate and significant words. “We believe,” says one of the ablest of modern[87] inquirers, “that in language ex nihilo nihil fit; and we are at a loss to conceive how elements originally destitute of[55] signification can determine the sense of anything with precision. To assume that they have no meaning, because we cannot always satisfactorily explain it, is only an argumentum ad ignorantiam.”

Nor must it be forgotten, that in endeavouring to prove that in language nothing is arbitrary, we are under a great disadvantage, because no existing language has come to us in its primitive form. Every language, even those which are most ancient, and have long since ceased to be spoken, bears in its records the traces of a more primitive condition. Words, of which the composition was originally clear, are worn and rubbed by the use of ages, like the pebbles which are fretted and rounded into shape and smoothness by the sea waves on a shingly beach; or to use the more appropriate image suggested by Goethe, their meaning is often worn away like the image and superscription of a coin. This process is so continuous, that it is quite hopeless to recover the original form of many words, or even to make a probable[88] guess at their origin.

Language always tends to become mechanical[56] (i.e. unmeaning of itself) by corruption;[89] and to such an extent is this the case, that it is rather a matter of astonishment when, after the lapse of centuries, a word still retains the obvious traces of its original form. And yet in spite of this we can by induction discover from words themselves the main laws which influenced the formation of primitive speech.

The violent dislike which we instinctively feel to the use of a word entirely new to us, and of which we do not understand the source, is a matter of daily experience; and the tendency to give a meaning to adopted words by so changing them as to remove their seemingly arbitrary character has exercised a permanent and appreciable influence on every language. An instance or two will perhaps pave the way for a more ready acceptance of our subsequent remarks.

When we go into a ship or factory, and inquire the technical name of various parts of the machinery, we are either unable to use the names from not[57] catching the pronunciation, or, in attempting to pronounce them we substitute for them other words of similar sound and more significance.

It often happens that gardeners become acquainted with new plants, or new species of old plants, that are brought to them under a foreign name; not understanding this name, they corrupt it into some word which sounds like it, and with which they are already familiar. To this source of corruption we owe such words as dandylion[90] (dent de lion), rosemary (ros marinus), gilly-flower (girofle), quarter sessions rose (des quatre saisons), Jerusalem artichoke (giresol) &c. For the same reason (the dislike of terms with which they are unacquainted) sailors corrupt Bellerophon into Billy Ruffian: and we have heard of a groom, who, having the charge of two horses called Othello and Desdemona, christened them respectively Old Fellow and Thursday Morning. Lamprocles, the name of a horse of Lord Eglintoun’s, was converted by the ring into “Lamb and Pickles.” The same principle may be seen at work among servants; we have heard a servant systematically use the word “cravat” for “carafe,” and astonish a gentleman by calmly[58] asking him at luncheon, “If she should fill his cravat with water?”

The working of this tendency is all the more curious from the fact that very often the corrupted form of the word is wholly inappropriate, although significant. There is no doubt that, in most cases, we prefer a corruption, which is appropriate as well as significant, and we find instances[91] of this in such words as worm-wood (wermuth), cray-fish (écrévisse), lanthorn (laterna), belfry (beffroi), rakehell (racaille), beefeater (buffetier), verdigrease (verd de gris), sparrow-grass (asparagus), &c. Where, however, this is unattainable, we are well content with some significant corruption, for which we can invent or imagine a meaning even if we are unaware of the real explanation; as, for instance, in Charter House (Chartreuse), “to a cow’s thumb” = exactly (à la coutume), wiseacre (weissager), saltpetre (salpetra), &c. It is curious to find that in the desire to understand, at any rate in some degree, the words we use, the corrupted form[59] often gives birth to a totally false explanation. Thus Dr. Latham mentions[92] that the corruption of Château Vert into Shotover has led to the legend that Little John shot over the hill of that name near Oxford. Similar instances are supplied by the legends of Veronica, and of St. Ursula with her eleven thousand virgins.

It may seem that we have, in the course of this chapter, made statements somewhat contradictory; viz., that it is the tendency of language to become mechanical (i.e., arbitrary and conventional) by corruption, and yet that there is an instinctive dislike to the use of new words which convey no intrinsic meaning to the mind of the speaker. If we argued from the instances adduced in the last pages, we might infer that language was[60] originally arbitrary, and had been twisted into meaning by subsequent use. We must, however, draw attention to the fact that this latter phenomenon is only observable on the naturalisation of a word. A new word, however bright and perfect in itself, is like a strange coin upon which we look with suspicion, because we are unaccustomed to its appearance. But when a word is accepted and generally understood, when, in fact, it has become current, we are then indifferent to the amount of wear on the surface or even to the complete obliteration of its original significance; just in the same way as we do not trouble ourselves to observe a coin which is in common use, and pay no regard to the fact that its image is confused, and its superscription undecipherable. We might, for instance, find words which have passed through both processes. Let us suppose[93] that, in course of time, the word sherbet had become corrupted first into syrup, then into shrub; in this case we should have an exemplification of a word first appropriately corrupted into a familiar form in the course of naturalisation, and then re-corrupted into a purely mechanical[94][61] word, by the ordinary progress of language. We are therefore fairly entitled to infer from the dislike to the introduction of any sound as a word, when the sound is to the speaker an arbitrary one, that the same feeling must have operated at the dawning exercise of the faculty of speech; while from the indifference which we exhibit to the corruption of a word when it has once been currently received; we may give a reason for our inability to explain the origin of all primitive roots, even while we assume with confidence that every root was originally significative.

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Language may be regarded as the union of words and grammar, of which words are analogous to matter, and grammar to form;[95] regarded in its form it was the expression of pure reason; in its matter it was only the reflex of sensuous life. The absence of any definite grammar constitutes an inorganic language like the Chinese. Those who have derived language exclusively from sensation are as much mistaken as those who have assigned to ideas a purely material origin. Sensation furnished the variable and accidental element, which might have been quite other than it is, (i.e., the words); but the grammar of a language, (the rational form, without which words could not have been a language), is its pure and transcendental element which gives to the result its truly human character. Words can no more form a language than sensations can produce a man. That which originates language, like that which originates thought, is the logical relation which the soul establishes between external things.

We may now state our belief that almost all primitive roots were obtained by Onomatopœia, i.e., by an imitation with the human voice of the sounds of inanimate nature. Onomatopœia[63] sufficed to represent the vast majority of physical facts and external phenomena; and nearly all the words requisite for the expression of metaphysical and moral convictions were derived from these[96] onomatopœic roots by analogy and metaphor.

We have purposely modified our statement of these conclusions, because there is too great a tendency to general assertions, against which, as W. von Humboldt well remarked, science should be always on its guard. It is a saying of Schlegel’s, that, so great is the variety of procedure in different languages, that there is scarcely one language which might not be chosen to illustrate some particular hypothesis. For instance, the sole similarity between Chinese and Sanskrit rests in the fact that both aim at the same end, viz., the expression of thought. Thus onomatopœia is far from being found in all languages in the same degree, and it is much more observable in the Semitic than in the Indo-European family, in which, however ancient the word may be proved to be, it constantly bears witness to those poetic and philosophic instincts of our race which clearly prove that reason was not a slow and painful growth.

“Caprice has no influence in the formation of[64] language.” Without believing in any universal, necessary, intrinsic connection between word and thing, we are forced to believe that there was, in every case, a subjective connection. The appropriateness of the word resided, not in the object named, for in this case there would have been a striking similarity in all the languages of the human race, but in the mind of the name-giver, who, of necessity, stamped the word with the impress of his own individuality. In direct proportion to the delicacy of his perceptions, was the fitness of the words he used; for those words expressed relations capable of being viewed in widely different aspects, so that the finer and more keen was the man’s power of perceiving analogies, the greater was his capacity for the expression of facts. The true formula is that “the connection between a word and its meaning is never necessary, and never arbitrary, but always results from a reasonable motive.”

But what the motives were, which in many cases led to the choice of particular sounds, it is beyond our power to conjecture or ascertain. The richness and delicacy of the appellative faculty in the savage and the infant must necessarily have existed in the primitive man, and, as it decayed with the decay of all necessity for its[65] exercise, we are unable to point out, with any certainty, the tendencies by which it was actuated. There is no waste in the economy of nature; a faculty ceases when it is no longer required, just as the outer leaves which ensheathe the nascent germ wither and drop off when the germ has acquired sufficient vitality for its own preservation.

“Tecum habita” was not the motto of the early inhabitants of the earth. They lived with the external world. The cataract “haunted them like a passion,” and they heard voices in the dawning of the sun and the murmur of the wind. The heavens declared the glory of God, and the firmament showed his handiwork; day unto day uttered speech, and night showed knowledge unto night. The soul of the first man, to use the beautiful expression of Leibnitz, was a concentric mirror of nature, in the midst of whose works he lived. Language was the echo of nature in his individual consciousness. The action of the mind produced language by a spontaneous repercussion of the perceptions received.[97] It is the mind which creates and forms; but this power of the mind is one reacting only upon impressions received from the world without.[66] The imitative power of language consists in an artistic imitation, not of things, but of the rational impression which an object produces by its qualities.

The fact, therefore, that the imitation is artistic, and is influenced by subjective considerations, would prevent us from being surprised or disappointed, if we do not always see the working of this principle, in cases where we should have expected it. In such words as the Hebrew Khâtzatz (קָצַץ), and Schephifoun (שְׁפִיפוֹן) we seem to hear the shearing off of the cut material, and the lithe rustle of the horned snake through the withered leaves. But words so remarkably suggestive are comparatively rare, and in most cases the imitation is more concealed. Nothing, however, more powerfully proves the tendency of language, in this respect, than the fact that words of a harsh meaning usually assume a rough, harsh form, and words that imply something sweet and tender seem to breathe the sensation they describe. The German word (entsetzen) “terror,” means, etymologically, a mere “displacement,” yet who does not see that it has caught an instinctive echo from the thing which it describes, which, in no degree, depends on association;—that, independently of imagination it betrays[67] something harsh by its mere form. That there is a consonance between external sounds and the processes of the mind, is decisively shown by the fact that whole languages have thus caught the impress of the associations by which they have been evolved. In the soft and vowelled undersong of modern Italian, who does not recognise the result of climate and natural character? The Doric seems to recall to us the sound of martial flutes, while the Hebrew, in its stern and solemn pomp, tells like one vast onomatopœia, of the mighty mission which it was destined to accomplish; every single word of it seems to shine with that mysterious light which lent strange lustre to the letters of it on the gems of the sacerdotal robe. “When,” says M. Vinet, “you hear the vast word haschâmaïm, which names the heavens, unfold itself like a vast pavilion, your intelligence—before knowing what the word signifies—expects something magnificent; no mean object could have been named thus; it is better than an onomatopœia, although it is not one.”[98]

The exuberance and uncontrolled variety[68] which characterises the primitive languages is a proof of the extraordinarily developed resources of the power of interpretation, or the faculty of converting sounds into signs, so long as the exercise of that faculty continued to be necessary. The richest idioms are always the most spontaneous and unconscious. It is obviously impossible for us, with our intellectual refinements and blunted senses, to rediscover the ancient harmony which existed between thought and sensation, between nature and man. As we are no longer obliged to create language, we have entirely lost a crowd of processes which tended to its elaboration. But among the early races there was a delicate tact, enabling them to seize on those attributes which were capable of supplying them with appellatives, the exquisite subtlety of which we are unable any longer to conceive.[99] They saw a thousand things at once, and indeed their language-creating faculty mainly consisted in a power of seizing upon relations. Our very civilisation has robbed us of this happy and audacious power. Nature spoke more to them than to us, or rather they found in themselves a[69] secret echo which answered to all external voices, and returned them in articulations—in words. Hence those swift interchanges of meaning which we, with our less flashing intelligence, are almost unable to follow.[100] ‘Who can seize again those fugitive impressions of the naïfs creators of language in words which have undergone so many changes, and which are so far from their original acceptation? Who can rediscover the capricious paths which the imagination followed, and the associations of ideas which guided it, in that spontaneous work, wherein sometimes man, sometimes nature, reunited the broken thread of analogies, and wove their reciprocal actions into an indissoluble unity?’

Wherever the faculty of creating appellations is still required, we still find a capacity for its exercise. For instance, it has been asserted that “the day after an army has encamped in an unknown country all the important or characteristic[70] places have their names without any convention having intervened.” We find an analogous case in the fact that the French and English, by common consent, called the Turks Bono Johnny; the exact reasons for such a nomenclature would be perhaps difficult to determine, and who shall say who first used or invented the term? yet it became current in a day or two. It is equally difficult to trace the history and origin of various popular phrases which every now and then have a brief run in ordinary phraseology.

A still more remarkable exemplification that the faculty of the original name-giver is not wholly lost to mankind may be seen in the secret, subtle, almost imperceptible, and sometimes quite unconscious analogies which give currency to a common nickname. At schools I have often known boys whose sobriquet was a vocable, in itself apparently meaningless and incapable of any circumstantial explanation, which was yet universally adopted, and was adopted because it presented some unintelligible appropriateness.[101][71] A modern prince is called Plomb-plomb, and known quite commonly by that designation: yet there is no such word as Plomb-plomb in the French language, and the very origin of the term is unknown to the majority of the Prince’s contemporaries. We may be quite sure, however, that the name involves either a lively onomatopœia or a striking allusion.[102]

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CHAPTER IV.
ONOMATOPŒIA.[103]

Since the human voice is at once a sound and a sign, it was of course natural to take the sound of the voice as a sign of the sounds of nature.[104] In short, to recall a sound by its echo in the voice is as obviously natural a proceeding as to recall an object to the memory by drawing the picture of its form. In both cases we act upon the senses by means of imitation; and if the human race had not been endued with the organs of hearing doubtless a language for the eye would have been invented, just as Philomela, when deprived of her tongue, made known, by embroidery, her[73] miserable tale. A word formed on the principle of imitation, is said to be formed by onomatopœia, and although the traces of such an origin are rapidly lost, yet amid the almost infinite modifications of which a few roots are capable, it is astonishing how vast a number of words may be ultimately deduced from a single onomatopœic sound.

How universal and instinctive the procedure is, may be observed among infants and savages.

In the nursery the onomatopœan sounds moo, baa, bow-wow, &c., are the steps by which the child passes gradually to the conception of cow, lamb, and dog. So in Swiss[105] bààgen is to bleat, and báágeli (in nursery language), a sheep. The very name cow, Germ. kuh, Sansks. gao, has a similar origin, as βοῦς, bos, ox, Sansks. uxan, probably has also. There is little doubt that the word, cat (Germ. katze), is an imitation of the sound made by a cat spitting, which is one of the most peculiar characteristics of the feline race. It must, however, be admitted that there is no sibilant in “kater.” We have all heard the story[74] of the Englishman in China, who, wishing to know the contents of a dish which was lying before him, said inquiringly, “Quack, quack?” and received in answer, the word, “bow-wow!” These two imitations served all the purposes of a more lengthened conversation. It was probably, by a strictly analogous process, that an immense multitude of such roots was primitively formed.

Again, it is impossible to look over any list of words collected from the language of a savage community without recognising the extensive use of the same method.[106] The repetition of syllables is an almost certain sign of its working. Thus, Ai-ai is an imitation of the cry of the sloth, and tuco-tuco is the name of a small rodent in Buenos Ayres. Mr. Longfellow has supplied us with many such words from the languages of North America, in his poem of “Hiawatha,”—as Kahgahgee, the raven; Minnehaha laughing-water, &c. “In uncivilised languages,[106] the consciousness of the imitative character of certain words is sometimes demonstrated by their composition with verbs,[107] like say or do, to signify making a noise like that represented by the word in question. Thus, in Galla, from djeda, to say, or goda,[75] to make or do, are formed cacak-djeda, to crack; trrr-djeda, to chirp; dadada-djeda, to beat; djamdjam-goda, to champ.”

We do not think that the extent to which onomatopœia may be proved to be an instrument of language has been sufficiently admitted. It was the most natural starting-point for the intelligence on its path towards expression. A nascent language enriches itself by ceaseless imitations of elementary sounds, animal cries, and the noises produced by mechanical contrivances, and we shall trace hereafter the innumerable applications in which such terms can be at once employed. Some writers even go so far as to assert that this is the only original principle of language, and that we even learned our first consonant from the bleating of the sheep, for which reason, according to Pierius Valerianus, a lamb was the hieroglyphical emblem of the verb! We have already rejected this extension of the theory; but, at the same time, we can readily believe the assertion, that the peculiarities of articulation in certain countries may be not only modified, but even originated by the existence of remarkable natural sounds in the countries where these peculiarities occur. It has been said, for instance, “that in some of the American languages, there[76] are strident consonants evidently formed from the hiss of certain serpents unknown in our temperate regions, and that the click of the Hottentot dialects recalls a species of cry peculiar to the tigers which ranque.” The latter word is an onomatopœian, probably borrowed by Buffon from the Philomela of Albus Ovidius Juventinus, in which occurs the line:—

What this peculiar sound may be, we do not know, but can hardly reconcile this suggestion of Nodier with the statement, that the name,[109] Hott-en-tot is itself onomatopœian, having been given by the first Dutch settlers, because this click would sound to a stranger like a perpetual repetition of the syllables hot and tot. It is a curious fact that Palamedes is said to have learnt, from the noise of cranes, the four letters which he added to the Greek alphabet; and it is certainly a confirmation of these remarks, that although no language possesses in its alphabet a power of expressing every possible articulation, yet no nation’s language is quite deficient in the power[77] of expressing, by imitation, the cries of its indigenous animals.

It is wonderful that the knowledge and observation of facts like these did not lead the philologists of antiquity to a solution of their disputes about the natural or conventional origin of languages. The age of Psammetichus evinced its interest in the question, and if it had been content to observe its own experiment, instead of making it the prop to a “foregone conclusion,” philosophers might have agreed, long ago, in believing, that man was assisted by nature in the development of his implanted powers, and that, like every infant of his race, he framed into living speech the sounds by which his senses were first impressed.[110] When the first man gave names to the animals, which, as we have already seen, he was enabled to do by the reasonable use of his own faculties, and not at the dictation of a voice from heaven, he could not have been guided by any principle so obvious, so easy, or so appropriate as an artistic reproduction of the sounds which they uttered.

But how, it may be asked, is the voice capable[78] of rendering even the feeblest echo of all the myriad utterances of the earth and air, the voices of the desert and mountain,—

We answer that the imitation is not, and does not profess to be a dull, dead, passive echo of the sound, but of the impression produced by it upon the sentient being; it is not a mere spontaneous repercussion of the perception received; but a repercussion modified organically by the configurations of the mouth, and ideally by the nature of the analogy perceived between the sound and the object it expressed. “The organs of that wonderful musical instrument, the mouth, are the throat, the palate, the tongue, the teeth, the lips.[111] This then is the subjective organon of language, the physiological vehicle for that proto-plastic art, speech, which combines architecture and music, the plastic and the picturesque. Johannes Müller has developed this physiologically,[79] Sir John Herschell acoustically.” The mere power of imitation would not have helped mankind a single step towards language any more than it has helped the parrot or the jay,[112] had it not been for the infinitely nobler faculty which enabled us to perceive the meaning of the sounds we uttered, and to use them as the signs of our inward conceptions,—a faculty which has implanted in language its principle of development, and which constitutes the distinction between the chatterings of a jackdaw and the eloquence of a man.

This alone is a clear proof, if proof were wanted, that language is the result of intelligence, as well as of instinct; and that the human reason was not a gradual acquisition of a once brutish race.

But though the power of imitation by the voice of the sounds of the unintelligent creation be small in comparison with those other powers which constitute our pre-eminence, yet how perfect is that gift in itself,—how wondrous the organism by which it is effected! The mouth is admirably framed for intelligent and harmonious utterance; it is at once an organ, and a flute,—a trumpet and a harp. Its sublime construction will make it the eternal despair of mechanicians,[80] and the songs which it can modulate, are superior to all the melodies of artificial music. The intelligence of man enables him alone to use this glorious instrument, as God intended it to be used. “Il avait,” says M. Nodier, “dans ses poumons un soufflet intelligent et sensible, dans ses lèvres un limbe épanoui, mobile, extensible, rétractile, qui jette le son, qui le modifie, qui le renforce, qui l’assouplit, qui le contraint, qui le voile, qui l’éteint; dans sa langue un marteau souple, flexible, onduleux, qui se replit, qui s’accourcit, qui s’étend; qui se meut, et qui s’enterpose entre ses valves, selon qu’il convient retenir ou d’épancher la voix, qui attache ses touches avec âpreté ou qui les effleure avec mollesse; dans ses dents un clavier ferme, aigu, strident; à son palais un tympan grave et sonore: luxe inutile pourtant, s’il n’avait pas eu la pensée; et celui qui a fait ce qui est n’a jamais rien fait d’inutile.—L’homme parla parce qu’il pensait.”

The plain elementary sounds of which the human voice is capable are about twenty; and yet it has been calculated by the mathematician Tacquet, that one thousand million writers, in one thousand million years, could not write out all the combinations of the twenty-four letters of the alphabet, if each of them were daily to write[81] out forty pages of them, of which each page should contain different orders of the twenty-four letters. Of course, a very small number only of these permutations are at all required for every purpose of life. “And thus it is,” says the ingenious author of[113]Hermes, “that to principles apparently so trivial as about twenty plain elementary sounds, we owe that variety of articulate voices, which have been sufficient to explain the sentiments of so innumerable a multitude, as all the present and past generations of men.”

But it may be objected that if we admit such latitude to the use of onomatopœia in the formation of language, we should find among all languages a much greater identity than actually exists in the terms expressive of physical facts. This by no means follows. We have already seen that words express the relations of things, and the relations of things are almost infinite, and especially must they have been so to the delicate senses of the youthful world. Let us take the instance of the thunder: the impression produced by it is by no means single and distinct. To one man it may appear like a dull rumble, to another like a sudden crackling explosion, and to a third as a breaking forth of flashing light.[82] Hence come a multitude of names. Adelung professed to have collected 353 imitative appellations from the European languages alone; and it is not difficult to see that a similar[114] principle was at work in the Chinese ley (pronounced rey), the Greenland kallak, and the Mexican tlatlatnitzel. Similarly, “the explosion of a gun which an English boy imitates by the exclamation Bang-fire, is represented in French by Pouf! The neighing of a horse is expressed by the French hennir; Italian, nitrire; Spanish, rinchar, relinchar; German, wiehern; Swedish, wrena, wrenska; Dutch, runniken, ginniken, brieschen, words in which it is difficult to see a glimpse of resemblance, although we can hardly doubt that they all take their rise in the attempt at direct[115] representation[83] of the same sound.” In the same way, no one will deny that “ding-dong,” and the word “bilbil,” to ring, in the Galla language, are onomatopœians to represent the sound of a bell, and yet the two have hardly an element in common.

It has been noticed that birds are often named on this principle; as night-jar, whip-poor-will, cock, cuckoo, crow, crane, crake, quail, curlew, jay, chough, owl, turtle, &c.; and where the bird has one very marked cry we find a great similarity in the names by which it is known. Take for instance the peetwit,[116] Scandinavian pee-weip, tee-whoap; French, dishuit; Dutch, kiewit; German, kiebitz; Swedish, kowipa. But we should not expect this to be the case when a bird has a great variety of different sounds. The nightingale, according to Bechstein, has twenty distinct articulations, and it is therefore not surprising that even in the European languages it is known under widely different names. And besides names which are derived from its song (e.g. bulbul), it might be called from some other attribute[84] entirely distinct from this, as perhaps in the Latin name luscinia; although, if this be the case, it is interesting to see how imitation asserts its prerogative in the modern names[117] usignuolo (Italian), ruyseñol (Spanish), rossignol (French), rousinol (Portuguese), which are probably corruptions of the diminutive lusciniola, used by Plautus.

In some cases an onomatopœian root is so natural as to run through all families of languages; e.g. the root lh or lk to imitate the sound and action of licking, as Hebrew לָחַךְ; Arabic, lahika; Syriac, lah; λείχω, lingo, ligurio, lingua, leccare, lechen, lécher; it is the same with the roots grf to express gripping, kr to express crying, and many others. The practice is, however (as[85] we have already remarked), far more prominent in the Semitic than in the Indo-European family, and this is the cause of the extraordinary richness of synonyms in Hebrew and Arabic for the expression of natural objects. It is said that in Arabic there are 500 names for the lion, 200 for the serpent, more than eighty for honey, 400 for sorrow, and (what is quite incredible unless every periphrasis be counted a name) no less than 1,000 for a sword. M. de Hammer, an unimpeachable authority, has, in a little treatise on the subject, counted also 5,744 words relating to the camel. The ancient Saxon is said to have had fifteen words for the sea; and if we allowed merely poetical expressions like “the blue,” we might say the same of modern English.

Wide dialectic variety naturally results from a nomadic life; and it is easy to see how this extraordinary exuberance of primitive language, and the uncontrolled rapidity with which it exercised its powers of nomenclature, would tend, while writing and literature were as yet unknown, to make mutually unintelligible the language of different tribes.[118] This confusion of[86] speech would, of course, be the most powerful impediment in the course of ambition, and would tend to defeat the attempts to construct and perpetuate a universal empire. It may have been the providential agent to assert for the human race, “a nobler destiny than to become the footstool of a few families.” This is strikingly shadowed forth in the Scripture narrative of the builders of Babel, which many competent authorities have considered as applicable to only a single family of nations, and have regarded in the light rather of “a sublime emblem, than of a material verity.”

The confusion of tongues is not represented in Scripture as a punishment,[119] but as the providential prevention of an arrogant attempt to establish among mankind a spurious centre of unity. It seems to have frustrated the lawless thirst for power which actuated the tribe of Nimrod.[120] But even if regarded as a punishment,[87] God’s punishments are but blessings in disguise. The dispersion of nations has acted as a stimulant to the powers of humanity, and has been the direct cause of a beneficial variety in thought and action; and in the same way the diversity of languages has proved to be (as we shall see hereafter) an indisputable advantage, by adding fresh lustre continually to those conceptions which by long habit become pale and dim. Yet this dispersion and diversity is but the accident of a fallen state, and in the renovated earth—(though it can never be while nations are in their present condition)—all men will perhaps speak the same perfect[121] universal speech.

There are two totally distinct points from which an imitative root can take its origin. The first is from an artistic reproduction of the sounds of the outer world; the second is from the expressions of fear or anger, of disgust or joy, which the impression of any event or spectacle may call forth in the human being. The first of these elements is the onomatopœic; the second, the interjectional. These two sources have not been kept sufficiently clear and distinct, and the latter especially has been by many philologists entirely overlooked. We will proceed to make[88] some remarks on both. The instances which we shall select might be almost indefinitely extended, and even were they less numerous we might perhaps be allowed to use the words of President de Brosses, “La preuve connue d’un grand nombre de mots d’une espèce doit établir une précepte générale sur les autres mots de même espèce, à l’origine desquels on ne peut plus remonter.”

As instances of the words which have arisen from the interjectional element, i.e. from the sounds whereby we express natural emotions, we may mention the large group of words that spring from the root “ach,” ah! oh! as utterances of pain, as ἄχος, ἀχέω, achen, ache; or from the sound of groaning, as væ, wehe, woe, wail; or from an expression of disgust, as putere (Fr. puer), foul, fulsome; or from smacking the lips with pleasure, as γλύκυς, dulcis, geschmack, &c. This latter class is very widely extended, even in the Semitic languages, as we have already shown in the case of the root lk (see p. 84). From the expression of disgust and fear, we get awe, ugly, ἀγάομαι, ἀγάζομαι and their cognates; from shuddering, the roots of φρίσσω, bristle, hérisser, &c.; from the first sounds of infancy, we get babe, bambino, babble, and many more; from[89] sounds of anger, “huff,” and others; lastly, from “prut,” a sound of arrogance, we get the word “proud,” “pride,” as in German, “trotzig,” haughty, from “trotz,”[122] an interjection of defiance and contempt.

The other class of onomatopœias is far more extensive, and embraces the widest possible range of inanimate sounds. They may be ranged under the following heads; and although the examples are all taken from the[123]English language, they might be paralleled in almost any other.

1. Animal sounds, as quack, cackle, roar, neigh, whinny, bellow, mew, pur, croak, caw, chatter, bark, yelp, &c.

2. Inarticulate human sounds, as laugh, cough, sob, sigh, moan, shriek, yawn, whoop, weep, &c.

3. Collision of hard bodies, represented by p, t, k; as clap, rap, tap, flap, slap, rat-tat, &c.

4. Collision of softer bodies, represented by b, d, g; as dab, dub, bob, thud, dub-a-dub, &c.

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5. Motion through the air, represented by z, &c.; as whizz, buzz, sough, &c.

6. Resonance, represented by m, n, &c.; as clang, knell, ring, twang, clang, din, &c.

7. Motion of liquids, &c., represented by sibilants, as clash, splash, plash, dash, swash, &c.

These are but specimens of the wide extent of these words in a language by no means the most remarkable for its adoption of onomatopœia. There are even broad general laws by which the various degrees of intensity in sound are expressed by the modification of vowels. Thus, high notes are represented by i, low broad sounds by a, and the change of a or o to i has the effect of diminution, as we see by comparing the words clap, clip, clank, clink, pock, peck, cat, kitten, foal, filly, tramp, trip, nob, nipple, &c. Another way of diminishing intensity is to soften a final letter, as in tug, tow, drag, draw, swagger, sway, stagger, stay, &c. Reduplication of syllables is a mode of expressing continuance, as in murmur, &c., and this effect is also produced by the addition of r and l, as in grab, grapple, wrest, wrestle, crack, crackle, dab, dabble, &c.

It is easy to see from the above examples that the onomatopœia and the interjection are the points from which language has developed itself[91], and from which “two separate lines of concurrent and[124] simultaneous evolution have proceeded.” The manner in which the various parts of speech grew out of these elements, and which of them may be supposed to be logically or actually anterior to the rest, is a wide and difficult subject of inquiry on which much uncertainty must necessarily prevail, and with which we are here unconcerned.

There is no doubt that, for some reason or other, many of our English onomatopœians are regarded as in some degree beneath the dignity of words, and are supposed to partake of the nature of vulgarity.[125] Yet with great inconsistency the places in which poets have been most successful in producing “an echo of the sound to the sense” are generally regarded with especial favour. The classic poets used this ornament with the most fastidious good taste. Even the ancients had learned to admire the rhyming[92] termination by which Homer faintly recalls the humming of the summer swarms, in the lines—

and yet they do not surpass the exquisite verses of a living poet:—

Again, what can be more vivid than the marvellous way in which Homer recalls the snapping of a shattered sword, in—

which is incomparably superior to the much-admired hemistich of Racine, “L’essieu crie et se rompt.” Both Homer and Virgil have imitated the rapid clatter of horses’ hoofs with equal felicity:—

and the verse[126] in which Dubartas endeavours to[93] recall the manner in which the lark “shoots up and shrills in flickering gyres,” has met with numberless admirers.

The greatest of our modern poets, Mr. Tennyson, has perhaps been more unsparing and more successful in his use of this figure than any of his predecessors, and a few passages will show that onomatopœia judiciously used is capable of the noblest application. Take, for instance, the leap of a cataract, in—

or the shock of a mélée, in—

or the booming of the sea, in—

or, finally, what can be more perfect than the graphic power in which the picture of a fleet of glass wrecked on a reef of gold is called before[94] us by the perfect adaptation of sound to sense, in the lines—

Yet in all these cases we believe that it is to the language and not to the poet that the main credit is due. The language is the perfect instrument, and in the poet’s hands it is used with perfect power; but were it not for the original perfection of his instrument he would be unable to produce such rich and varied results; he would be unable to place the picture before the eye by bringing into play that swift and subtle law of association whereby a reproduction of the sounds at once recalls to the inner eye the images or circumstances with which they are connected. In every case the consummate art and skill of the writer consists simply in choosing the proper words for the thought which he wishes to express, which words are always the simplest. Appropriate[127] language is and always must be the most effective, and when a writer clearly goes out of his[95] way to produce an effect he generally loses his effectiveness by abandoning simplicity. How much onomatopœia degenerates in a less skilful and artistic hand we might see in many instances, were not the selection of them an invidious task.

In short, an exquisite and instinctive taste can only decide on the extent to which this figure may be consciously used. We feel that Virgil was right in rejecting Ennius’s

as the imitation of a trumpet-blast; and none but a comic poet (like Swift) would use rub-a-dub, dub-a-dub in English to express the beating of a drum: and yet who was ever otherwise than delighted with the word τήνελλα, in which Archilochus imitated the twang of a harp-string, and which the Greeks used ever afterwards as an expression of joyous triumph? Again, none but a comedian could have ventured on so direct an imitation of sounds as βρεκεκεκέξ κοάξ κοάξ, and yet no one could object to the pretty line in which Ovid tries to produce the same impression:—

The misuse of language fails to produce the echo which its simple and natural use would not[96] have failed to awake. In short, it is in many cases impossible to use language which shall be at once specific and appropriate without being forced to adopt imitative words. There is no style required in order to speak of the booming of the cannon, the twang of the bowstring, the hurtling of the arrow, the tolling or pealing of the bell, the rolling or throbbing of the drum, the sough or whisper of the breeze, because in each case the proper word is ready for us at once in the language which we speak, and if we are to speak naturally we can use no other. The harmonies of language arise mainly from this power of imitation, and a sensuous language is always energetic, poetic, passionate.

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CHAPTER V.
THE DEVELOPMENT OF ROOTS.

The most brilliant of modern philosophers, M. Victor Cousin, in endeavouring to refute the conclusion of Locke that all words draw their first origin from sensible ideas, adduces the pronoun “I” and the verb “to be” as words which are primitive, indecomposible, and irreducible in every language with which he is acquainted—as words which are pure signs, representing nothing whatever except the meaning conventionally attached to them, and having no connection with sensible ideas.

Whatever may become of M. Cousin’s general proposition, the instances which he has chosen to support it are very unfortunate, for it may be clearly proved that these words, abstract as they may appear, are yet derived from sensible images. An examination of them will therefore help us to gain a little insight into the origin of language,[98] and perhaps strengthen our suspicion that even the most subjective words, which merely intimate intellectual relations, even the words which express the essential categories, may be ultimately proved to have a metaphorical and not a psychological origin. Such a conviction will by no means impair the dignity of language, or cast a slur on the majesty of thought; for if the entire lexicon of every language be capable of being reduced to a number of sensational roots, the no less important element of Grammar always remains as the indisputable result of the pure reason. And not only so, but even the possibility of accepting imitative roots as signs of the thing imitated, supposes (as M. Maine[128] de Biran acutely observes) the pre-existence of an activity superior to sensation, whereby the thinking being places himself outside the circle of impressions and images in order to signify and note them.

It might be supposed that the word by which a man characterises himself in relation to his own consciousness would be of a very mysterious[99] and abstract character, because it must express the notion of individuality, which might be regarded as a very primary intuition. This, however, is far from being the case. Man regarded himself as an object before he learnt to regard himself as a subject, and hence “the objective cases of the personal as well as of the other pronouns are always older than the subjective,” and the Sanskrit mâm, ma (Greek με, Latin me) is earlier than aham (ἐγών, and ego). We might have conjectured this from the fact already noticed, that children learn to speak of themselves in the third person, i.e. regard themselves as objects long before they acquire the power of representing their material selves as the instrument of an abstract entity. A child[129] does not attain to the free use of the pronoun “I” until the acquisition of formal grammar outstrips the psychological growth. And the same takes place with other personal pronouns. Man’s primary consciousness of his own existence is nearly simultaneous with the belief that he is something separate from the not-me, the external world. But at first he would only regard this external world as an immense inseparable phenomenon,[100] and it would be some time before he could “invest the[130] not-me with the powers of agency and will which we experience in ourselves.”

But whether the conception of individuality be regarded as coming early or late, so far is the pronoun “I” from involving any sublime intrinsic meaning, that it was originally a demonstrative monosyllable, indicative of a particular position. “In fact,” says Dr. Donaldson, “the primitive pronouns must have been very simple words, for the first and easiest articulations would naturally be adopted to express the primary intuition of space. These little vocables denote only the immediate relations of locality. It is reasonable to suppose that the primitive pronouns would be designations of here and there, of the subject and object as contrasted and opposed to one another. As soon as language becomes a medium of communication between two speaking persons, a threefold distinction at once arises between the here or subject, the there or object, and the person spoken to or considered as a subject in himself, though an object in regard to the speaker.” In other words, there are “three[131] primitive relations[101] of position: here, near to here, and there, or juxtaposition, proximity, and distance. The three primitive articulations which are used (in Greek) to express these three relations of position, are the three primitive tenues, Π, Ϙ, Τ, pronounced pa, qua, ta, which we shall call the first, second, and third pronominal elements. The first pronominal element denoting juxtaposition, or here, is used to express (a) the first personal pronoun; (b) the first numeral; (c) the point of departure in motion. The second pronominal element denoting proximity, or near to the here, is used to express (a) the second personal pronoun; (b) the relative pronoun; (c) the reflexive pronoun. The third pronominal element, denoting distance, is used to express (a) the third personal pronoun; (b) negation; (c) separation.”[132] Thus, then, we find that even so metaphysical a conception as that of individuality is only expressed by an elementary word implying locality.

We see, therefore, that M. Cousin is mistaken in supposing that the pronouns at any rate were non-sensational in their origin, arising as they do from the very earliest and simplest of all[102] sensations. And it is, perhaps, still more surprising to find that a similar origin can be traced even in the numerals, which involved the very triumph of abstraction; for, in using a numeral, “we strip things of all their sensible properties,[133] and consider them as merely relations of number, as members of a series, as perfectly general relations of place.” And yet abstract as they are, and, absolutely as we might suppose them to be removed from concrete objects of sense, it is a matter of certainty that their genesis can be traced. About the general result few philologists have any doubt, however much they may differ in their details. “I do[134] not think,” says M. Bopp, “that any language whatever has produced special original words for the particular designation of such compacted and peculiar ideas as three, four, five, &c.” Accordingly it has been proved that the three first numerals in Sanskrit and Greek are connected with the three personal pronouns, and originally implied here,[135] near to the here, and[103] there; that the fourth[136] implies 1 + 3; that the fifth, as might have been expected, is connected with the same root as the word “hand;” that the tenth numeral means two hands, and so forth.

Still it might be supposed that the verb “to be,” predicating as it does the quality of existence, a conception so abstract that the profoundest metaphysicians and physiologists have been as yet wholly unable to find for it any tolerable definition, would resist all attempts at a reduction to any sensational root. If we are to look to a definition of “life” as being either undiscoverable, or else a discovery which can only be expected from the ultimate triumphs of science, surely we might suppose that here at least it is impossible to find a sensible idea as the root of the sublime verbs which are the means of representing[104] life as an attribute. But we are all liable to the error of forming far too[137] high an estimate of the intrinsic vitality (the supposed occulta vis) of verbs in general. They contain no inherent powers which separate them from nouns, and their supposed distinctive character arises entirely out of their combination with a subject. The fancy (for instance) that “the root can ‘sing’ differs from can ‘song’ in the same degree that a magnetised steel bar differs from an ordinary one, or a charged Leyden jar from a discharged one,” is proved by minute analysis to be totally groundless. And the importance of the verb “to be” in particular has been greatly exaggerated, as though it were a necessary ingredient of every logical proposition. For in many languages the verb is wanting altogether, and its mere implication is quite sufficient for all logical purposes. “The verb-substantive,” observes Mr. Garnett (from whose most valuable Essay on the nature and analysis of the verb we have[105] borrowed these suggestions), “if considered as necessary to vivify all connected speech and bind together the terms of every logical proposition, is much upon a footing with the phlogiston of the chemists of the last generation, regarded as a necessary pabulum of combustion—that is to say, Vox et præterea nihil.”

Whatever our à priori estimate of the power of the verb-substantive may be, its origin is traced by philology to very humble and material sources. The Hebrew verbs הָוָה (houa), or הָיָה (haia), may very probably be derived from an onomatopœia of respiration. The verb kama, which has the same sense, means primitively “to stand out,” and the verb koum,[138] to stand, passes into the sense of “being.” In Sanskrit, as-mi (from which all the verbs-substantive in the Indo-European languages are derived, as εἰμὶ, sum, am; Zend, ahmi; Lithuanic, esmi; Icelandic, em, &c.), is, properly speaking, no verbal root, but “a formation on the demonstrative pronoun sa, the idea meant to be conveyed being simply that of local presence.” And of the two other[106] roots used for the same purpose, viz. bhu (φύω, fui, &c.), and sthâ (stare, &c.),[139] the first is probably an imitation of breathing, and the second notoriously a physical verb, meaning “to stand up.” May we not, then, ask with Bunsen, “What is ‘to be’ in all languages but the spiritualisation of walking or standing or eating?”

Perhaps if we were to try to think of any positive word which it would be impossible to derive from a root imitative of sound, it would be the word silence. And yet we believe that the root of even this word is a simple onomatopœia, and that it is connected with the sibilants (hush! whish! &c.), by which we endeavour to call attention to the fact that we desire to listen intently. It may help us to accept this etymology[107] if we observe that the colloquialism “to be mum” undoubtedly arises[140] from an imitation of the sound by which we express the closing of the lips.

If we fully allow that a considerable number of roots have (and must have) sprung from the instinctive principle which we have been endeavouring to illustrate, we have gone very far to show what was the origin of language. For the permutations and combinations of which a very few roots[141] are capable, and the rich variety of applications of which each separate root admits, are almost inconceivable to any who have not, by a study of the subject, rendered themselves familiar with the processes of the human mind. Indeed, a superfluity of roots argues a feebleness of conception, and a superabundant vocabulary is an impediment to thought. In the Society Isles they have one word for the tail of a dog, another for the tail of a bird, and a third for the tail of a sheep, and yet for “tail” itself,[142]—“tail” in the[108] abstract, they have no word whatever. Again, the Mohicans have words for wood-cutting, cutting the head, the arm, &c., and yet no verb meaning simply to cut. But all the specific words are comparatively of very little use; in point of fact they are encumbrances, rather than treasures. It is the sign of an advancing language to modify or throw away these superfluities of special terms. Thus the number of roots decreases continually; in Sanskrit, there are[143] 2,000; in Gothic, not more than 600; while 250 are said to be sufficient to supply the modern German with its 80,000 words.

The processes by which this retrenchment is carried on are the derivation, and composition of necessary and existing uses to supersede the continual invention of new ones. The laws by which these processes are effected are for the most part regular and universal, and the discovery of them constitutes the great reward of modern philology. But as our present inquiries are only of the most general and preliminary nature, we must confine ourselves here to giving one or two short and comparatively easy specimens of what we may term the elasticity or diffusiveness of roots.

We have already alluded to the root “ach,” as[109] having been in all probability an onomatopœian which gives rise to a large number of cognate words in the Indo-European languages. It is at any rate interesting to observe how this root, however originated, suffices to express alike material sharpness, bodily sensations, and mental emotions. M. Garnett[144] gives the following brief list of examples:—“Ἄκω, ἄκανθα, ἀχὶς, αἰχμὴ, acuo, acus, acies; Teutonic, ekke (edge), ackes (axe); Icelandic, eggia, to sharpen, to exhort, to egg on; German, ecke, a corner; Bavarian, igeln, prurire (German, jucken; Scotch, yeuk; English, itch)—acken (to ache), ἄχος (grief); Anglo-Saxon, ege, fear—egeslich, horrible; Icelandic, ecki, sorrow; German, ekel, disgust; with very many more. It is possible that Anglo-Saxon ege, an eye, may be of the same family. Compare the Latin phrase, acies oculorum.”

Or, again, let us take the Sanskrit root dhu, to move about, to agitate. A list of the derivatives from this root in various Indo-European languages would fill several pages, but we will only supply one or two. First, then, we get the verbs θύω and θύνω, to rush, or move violently, with their derivatives, as θύελλα, a storm; θύννος, a thunny-fish (from its rapid, darting motion);[110] θύσανος, a waving, fluttering tassel; θυιὰς, a bacchanal; θύρσος, the shaken thyrsus, or ivy-wreathed wand, the symbol of Bacchic frenzy; θορεῖν, to leap; θοῦρος, impetuous; ἀθύρω, to play; and among many others, θυμὸς, the mind, from the same property which struck the poet, in saying—

From the same root we get θύω, to sacrifice, from the striking aspect of the rising and curling fumes, when the victim lay burning on the altar; θύμος, thyme, from the use made of that herb in fumigations; fumus, smoke; θυμέλη, the altar in the centre of the orchestra; and many more. Lastly, we may mention the curious word θοάζειν, which is used in the apparently contradictory senses of “to move hastily,” and “to sit.”[145]

The curious phenomenon presented by the latter word, of the same root serving for two directly opposite meanings, is one worthy of the greatest attention; and we believe that it has[111] first been definitely noticed by modern philologists. “Contrast,” says Archdeacon Hare, “is a kind of relation;” and the suggestion of contrarieties may even be regarded as a primary law of the association of ideas. It is this principle which accounts for the apparently strange fact that opposite conditions are expressed by the same root slightly modified. Thus, to select some of the instances collected by Dr. Donaldson,[146] our own word “dear” has the two meanings of “prized,” because you have it, and “expensive,” because you want it; and “fast” has the opposite senses of “fixed” and “rapid.” Similarly, χρεία in Greek means both “use” and “need”; and λάω means both “to wish” and “to take;” while aio, αὐδάω, and καλέω, “I speak,” or “call,” are singularly like ἀΐω, audio, and κλύω, “I hear.”[147]

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Another instance of the same peculiarity arises from the different objective or subjective relations which any phenomenon may present, some of which relations may be strongly contrasted; e.g., a “key” might derive its name either from opening or shutting. Thus, to adopt some of the cases mentioned by Mr. Garnett,[148] the numeral one gives rise to compounds of apparently opposite signification. From the Irish aon, “one,” we have aonach, “a waste,” and also “an assembly;” aontugadh, celibacy, and aontumadh, marriage. The Latin unicus implies singularity, but unitas implies association. “The concord of this discord is easily found, if we consider that the term one may either refer to one as an individual, or in the sense of an aggregate.” Similarly, it is not difficult to explain the apparent anomaly that σχόλη means both “school” and “leisure,” and that “lee” has very different acceptations in lee-side and lee-shore. Other examples might easily be found, all tending to prove that “as rays of light may be reflected and refracted in all possible ways from their primary direction, so the meaning of a word may[113] be deflected from its original bearing in a variety of manners; and consequently we cannot well reach the primitive force of the term unless we know the precise gradations through which it has gone.”

It has been proved, then, in this chapter, that a few onomatopœic roots would give a sufficient basis on which to rear the largest superstructure of language, and we have shown how in some cases an imitative origin may be discovered even in words which might have been expected to defy analysis. Into the methods adopted in this rich variety of applications we must inquire more closely in the following chapter, but we must here remark that, as it was by the association of ideas that even the most heterogeneous and contrary relations were expressed by the same root, so the words themselves tend powerfully to establish new points of association, and to facilitate the astonishing rapidity of thought. By the aid of verbal signs we exercise an enormous power over all our faculties, for in repeating the sign we are enabled by the personal activity of our will to recall the image which it represents, and submit that image to our control.[149] Our sensations,[114] transformed into thought, come and go at our bidding, and we extend and multiply them without limit.

By virtue of an active imagination the fathers of the human race produced the mighty heritage of speech, and made the utterance of their lips a means of recalling their sensations and expressing their thoughts; in consequence of the activity of the imagination, our words become the tyrants of our convictions, and our phrases “often repeated, ossify the very organs of intelligence.”

Hence the blood of nations has often ere now been shed from an inability to see the synthesis of various truths in some single threadbare shibboleth of party; and a mistaken theory embalmed in a[150] widely-received word has retarded[115] for centuries the progress of knowledge. For, as Bacon wisely says, “Men believe that their reason is lord over their words, but it happens, too, that words exercise a reciprocal and reactionary power over the intellect,” and that “words, as a Tartar’s bow, do shoot back upon the understanding of the wisest, and mightily entangle and pervert the judgment.”

There is one moral application of the truths we have been considering, which we should do well not to omit; it is the far-reaching danger of idle[151] or careless words; it is the solemn admonition—

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CHAPTER VI.
METAPHOR.

If it be impossible for us to know any single particle of matter in itself; if we are unable to do more than express the relations of any single external phenomenon; how can we hope to give an accurate nomenclature to the noumena, the inward emotions, the immaterial conceptions, the abstract entities which we cannot touch or handle, and which have an existence only for the intellect and the heart? How can we make the modulations of the voice the symbols[152] for the passions of the soul?

In mathematics there is a line, known as the asymptote, which continually approaches to a curve, but, being produced for ever, does not cut[117] it, though the distance between the asymptote and the curve becomes, in the course of this approach, less than any assignable quantity. Language, in relation to thought, must ever be regarded as an asymptote. They can no more perfectly coincide than any two particles of matter can be made absolutely to touch each other. No power of language enables man to reveal the features of the mystic Isis, on whose statue was inscribed: “I am all which hath been, which is, and shall be, and no mortal hath ever lifted my veil.” Now, as ever, a curtain of shadow must hang between—

No single virtue, no single faculty, no single spiritual truth, no single metaphysical conception, can be expressed without the aid of analogy or metaphor. Metaphor—the transference of a word from its usual meaning to an analogous one—is the intellectual agent of language, just as onomatopœia is the mechanical agent. Metaphor and catachresis (i.e., the use of the same word to express two different things which are supposed to present some analogy to each other, as when “sweet” is applied to sounds) have been called the two channels of expression[118] which irrigate the wide field of human intelligence. By their means language, though poor in vocables, was rich in thought, and resembled in its power the one coin[153] of the Wandering Jew, which always sufficed for all his needs, and always took the impress of the sovereign regnant in the countries through which he passed.

We might have easily conjectured that such would be the case. “Man, by the action of all his faculties, is carried out of himself and towards the exterior world; the phenomena of the exterior world are those which strike him first, and those, therefore, are the ones which receive the first names, which names are, so to speak, tinted with the colours of the objects they express. But, afterwards, when man turns his attention inwards, he sees distinctly those intellectual phenomena, of which he had previously had only a confused perception, and when he wishes to express those new phenomena of the soul and of thought, analogy leads him to apply the signs which he is looking for to the signs which he already possesses; for analogy is the law of every nascent or developed language; hence come the metaphors into which analysis resolves the majority[119] of the signs for the most abstract moral ideas.”[154]

To call things which we have never seen before by the name of that which appears to us most nearly to resemble them, is a practice of every-day life. That children at first call all men “father,” and all women “mother,” is an observation as old as Aristotle.[155] The Romans gave the name of Lucanian ox to the elephant, and camelopardus to the giraffe, just as the New Zealanders are stated to have called “horses” large dogs. The astonished Caffirs gave the name of cloud to the first parasol which they had seen; and similar instances might be adduced almost indefinitely. They prove that it is an instinct, if it be not a necessity to borrow for the unknown the names already used for things known.

But although we can absolutely trace this process in so many cases, that we are entitled to infer, with Locke, that every word expressing facts which do not fall under the senses, is yet ultimately derived from sensible ideas, we cannot[120] expect to prove this in every particular instance. When a standard of value is once introduced among nations, it is almost always a coinage of the precious metals; but when public credit is firmly established, a paper currency is allowed freely to circulate. And so in language many terms have become purely arbitrary, and in themselves valueless, which now pass unquestioned in their conventional meaning, but have lost all traces of the process to which they owed their origin, and retain no longer the impress of the thought which they originally conveyed.

Illustrations are not far to seek; indeed, we can hardly utter a sentence which will not supply them, of which the very word “illustration” is itself an instance. Thus, in Hebrew, the words for “anger” and “the nose” are identical,[156] and even in Greek, πρᾷος τὴν ῥίνα, “gentle in nose,” is used for “of gentle disposition.” Every reader of the Bible will recognise that “a melting of the heart” is the metaphor for despair; a “loosening of the reins” for fear; a “high carriage of the head” for pride; “stiffness of[121] neck” for obstinacy; “thirst” or “pallor” for fear; a “turning of the face” for favour. It is this word-painting, this eagerness[157] for graphic touches, that gives to Hebrew its vivid, picturesque, impetuous character. It is interesting to observe how necessary to them it became. Even when they have by long usage learnt to accept a special word as the sign of some moral sentiment or mental emotion, they love to add to it also a picture of the physical circumstance. This is the explanation of such apparent pleonasms, as “he opened his mouth and said,” “he answered and said,” “he was angry and his visage fell,” “he was angry and his visage was enflamed.” It is the result of that vital energy which enkindled the soul of prophets and poets; which exalted the intellect of a nation, fully conscious that it had a mighty mission to perform. Spontaneous imagery is the characteristic of all passionate thought.

The Hebrews were not the only nation which sought for open and confessed metaphors in their style, when the bright colours of the original picture-word had grown too dim to recall the[122] image which they once presented. We feel instinctively that certain states of mind can only be described by a comparison with the natural appearance which offers the nearest analogy to them. “A lamb is innocence; a snake is subtle spite. Flowers express to us the delicate affections. Light and darkness are our familiar expressions for knowledge and ignorance. Visible distance behind and before us is respectively our image of memory and of hope.”[158]

Again, to take the first group of English words which present themselves, what is “imagination” or “reflection” but the summoning up of a picture before the inward eye? What is “comprehension” but a grasping; “disgust” but an unpleasant taste; “insinuation” but a getting into the bosom of anything? Courage is “good heart;” “rectitude” a perpendicular position; “austerity” is dryness; “superciliousness” a raising of the eyebrow; “humility” is something cognate to the ground; “fortune” is the falling of a lot; “virtue” is that which becomes a man; “humanity” is the proper characteristic of our race; “courtesy” is borrowed from palaces; “calamity” is the hurrying of the wind among the reeds. What are “aversion”[159] and “inclination” but a[123] turning away from, and a bending towards? “Error” is a wandering out of the way; “envy” is looking upon another with an evil eye; an “emotion” is a movement of the soul; “influence” recalls the ripple circling on the surface of a stream; “heaven” is the canopy heaved over our heads; “hell” is the hollow space beneath our feet; “religion” is a solemn study, or a binding, or a new[160] choice; an “angel” is a messenger; the “spirit” is but a breath of air.

The last etymology reminds us that we can carry our proofs of what we assert into still higher regions, even the transcendental regions of human faith and worship. “Mystery” is derived from “mu,” the imitation of closing the lips; “priest” from “presbuteros,” elder; “sacrament” is deduced from the meaning “oath;” “baptism” is dipping; “propitiation” is bringing near; “wisdom” is that which we have seen; even the word for God himself, in Sanskrit as in Chinese, means but the bright ether[161] or starry sky.

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To illustrate this necessity of metaphor any farther would be superfluous, since the materials for doing so are sufficiently abundant for any student who wishes to pursue the subject. The philosophical examination of the thoughts which are thus involved in concrete images is a most valuable inquiry, and one which opens a field of inexhaustible interest. The metaphors which we are thus forced to adopt are a living memorial[162] of the quick perceptions, the poetic intuitions, the deep insight of our ancestors: or are else a perpetuation of their unaccountable caprices of feeling or fancy, their vulgar errors and groundless suppositions. It sometimes happens that[125] in all languages, the same analogy has been thus seized upon for a transitive “application,” as in the words רוּחַ, πνεῦμα, anima, spirit, which all mean ‘wind;’ but, more frequently, different aspects of the same phenomenon have led to a different nomenclature; thus, “to think” is in Hebrew “to speak;” and among the savages of the Pacific it is “to speak in the stomach;” while in French it means “to weigh,” and in Greek it is often described by a word borrowed from the deep purpling[163] of an agitated sea.

We call an expression metaphoric when it is applied in such a way that we glide lightly over its primary and obvious meaning to attach to it one which is secondary and more indirect. We call an expression a catachresis when it is used inappropriately, although custom may have sanctioned the use of it in the inappropriate sense; e.g., when we speak of “an arm of the sea,” the word “arm” is a catachresis; and when Shakspeare uses the phrase “To take up arms against a sea of troubles,” it is only the use of this figure twice in the same line that forces on us a sense of incongruity.

Catachresis, as well as metaphor, has given rise to a large set of terms, phrases, and expressions;[126] and it is in one sense bolder than metaphor, because it takes words without any modification to apply them to fresh emergencies. Thus, very often words applicable to one sense are adopted to express the sensations of another. That there is[164] an analogy between the manners in which they are affected no one will deny. The plant “heliotrope” recalls by its smell the taste which has given it its vulgar name; the king of Hanover knew from the overture to a piece of music, that the scene of it was supposed to be a wood; Saunderson, who was born blind, compared the colour red to the blowing of a trumpet, or the crowing of a cock. There is, therefore, no inherent absurdity, though there is much affectation, in such lines as Ford’s—

and Donne’s—

and Herbert’s—

It is against catachresis rather than against metaphor that philosophers should have inveighed.[127] “There is,” says Seneca, “a vast number of things without names, which we call, not by proper designations, but by borrowed and adapted ones. We apply the word ‘foot,’ both to our own foot and that of a couch, and of a sail, and of a page, though these things are naturally distinct. But this results from the poverty of language.” “It is a ridiculous sterility,” says Voltaire, “to have been ignorant how to express otherwise an arm of the sea, an arm of a balance, an arm of a chair; it is a poverty of intellect which leads us to speak equally of the head of a nail, and the head of an army.” It is this very frequent use of homonyms which leads to such great uncertainty about the meaning of many Hebrew words. Catachresis ought to be sparingly applied, and it possesses none of the advantages which arise from metaphor.

When the Megarians wanted assistance from the Spartans, they threw down an empty meal-bag before the assembly, and declared that “it lacked meal.” The Laconic criticism “that the mention of the sack was superfluous,” cannot be considered a fair one, because the action gave far more point to the request. When the Scythian ambassadors wished to prove to Darius the hopelessness of invading their country, instead of[128] making a long harangue, they argued with infinitely more force by merely bringing him a bird, a mouse, a frog, and two arrows, to imply, that unless he could soar like a bird, burrow like a mouse, and hide in the marshes like a frog, he would never be able to escape their shafts. The tall poppyheads that Tarquinius lopped off with his stick in the presence of the messenger of Sextus, conveyed more vividly the intended lesson than any amount of diabolical advice; and turning[165] to Jewish history, we shall find that the prophets found it necessary to illustrate even their language (metaphorical as it was) by living pictures—the rending of a garment, the hiding of a girdle, the pushing with iron horns—in order to bring home a vivid sense of conviction to the gross hearts of the people whom they taught.

But when such outward illustrations are impossible, we adopt a shadow of them by painting with words. When we speak of the cornfields standing so thick with corn, that they laugh and sing; when we speak of the harvests thirsting, or of the green fields sleeping in the quiet sunshine; when we speak of the thunderbolts of eloquence, or the[129] dewy close of tender music, our language is understood perhaps with more rapidity, and our meaning expressed with greater clearness, than if we were to translate the same phrases into more prosaic and less imaginative expression.

Even the unimaginative[166]Aristotle observed the fact. Mere names, he says, carry to the mind of the hearer their specific meaning, and there they end; but metaphors do more than this, for they awaken new thoughts. Let us take Aristotle’s own example of the word “age,” and instead of Solomon’s fine expression, “when the almond-tree shall flourish, and the grasshopper be a burden,” substitute “when the hair is white, and the body decrepit;” who does not see that the force and poetry of the passage is evaporated at once?

And, in point of fact, we do not go at all nearer to truth by a substitution of terms that imply no direct figure. Eloquence, for instance, has in all ages been compared to thunder[167] and lightning, because the effect of it upon the mind is closely analogous to that produced by the bursting of a[130] storm; and when, out of dislike to such expressions, we talk of eloquence as having been passionate, or forcible, or effective, the impressions we convey are not nearly so powerful, or nearly so descriptive. And in many cases we must rest content to leave our emotions unexpressed, if we will not condescend to use the assistance of figurative terms. “Language,” says Mr. Carlyle, “is the flesh-garment of Thought. I said that Imagination wove this flesh-garment; and does she not? Metaphors are her stuff. Examine Language. What, if you except some few primitive elements (of natural sound), what is it all but metaphors recognised as such, or no longer recognised; still fluid and florid, or now solid-grown and colourless? If those same primitive elements are the osseous fixtures in the flesh-garment, Language—then are metaphors its muscles, and tissues, and living integuments. An unmetaphorical style you shall in vain seek for: is not your very attention[168] a stretching-to?”

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Our minds are simply not adapted to deal familiarly with the abstract; we yearn for the concrete, and the successful adoption of it often constitutes the power and beauty of rhetoric and poetry. For the attributes of poetry cannot better be summed up than by saying with Milton, that it is “simple, sensuous, passionate.” It has been said, that “good writing and brilliant discourse are perpetual allegories.” The Bible more than any other book abounds in this energy of style, this matchless vivacity of description; and hence of all books it is the most fresh and living, the one which speaks most musically to the ear, most thrillingly to the heart,—the one whose rich bloom of eloquence is least dimmed by being transfused into other tongues, and the rapid wings of its words the least broken and injured by the process of many hundred years. The idioms of all language approach each other most nearly in passages of the greatest eloquence and power: here the syllogism of emotion transcends the syllogism of logic, and grammatical formulæ are fused and calcined in the flame of passion.

This concreteness of style, and liberal use of simple metaphor, is nowhere so beautifully conspicuous as in the teaching of our Lord, and he[132] doubtless adopted it for the express purpose that—

“Consider the[169]lilies how they grow; they toil not, they spin not; and yet I say unto you that Solomon in all his glory was not arrayed like one of these. If, then, God so clothe the grass, which to-day is in the field, and to-morrow is cast into the oven, how much more will he clothe you, oh ye of little faith!”

“Let us here adopt,” says Dr. Campbell, “a little of the tasteless manner of modern paraphrasts, by the substitution of more general terms, one of their many processes of infrigidating, and let us observe the effect produced by this change. ‘Consider the flowers how they gradually increase in their size; they do no manner of work, and yet I declare unto you, that no king whatever, in his most splendid habit, is dressed up like them. If, then, God in his providence doth so adorn the vegetable productions which continue but a little time on the land, and are afterwards devoted to the meanest uses, how[133] much more will he provide clothing for you!’ How spiritless[170] is the same sentiment rendered by these small variations! The very particularising of to-day and to-morrow is infinitely more expressive of transitoriness than any description wherein the terms are general, that can be substituted in its room.”

Philosophers, then, have been mistaken in complaining of metaphors as a proof[171] of poverty. Tropes, it has been said, would disappear, if we had in every case a direct and independent expression, and metaphor is a coin struck only for the earth. How this may be we know not; although, if there be mysteries even for the angels, then for them also will the gracious analogies of a sublime symbolism be no less necessary. For us at any rate, since it is impossible to find a direct word for every phenomenon,[134] metaphor is our only resource; the figure is necessitated by the non-existence of the proper term. Because poetry abounds in figures, it does not follow that it is “the dark murmur of a lie, instead of the clear cry of truth,” but that it deals for the most part with thoughts which transcend the exigencies of ordinary expression. We must not complain of the lunar beam of genius, because it has not the brightness of the sun. Our choice lies between an enchanting and beautiful twilight, or a darkness which may be felt.

If any one wishes to compare the difference between metaphorical language and the phraseology which studiously avoids the use of metaphor, and clings as far as possible to bare fact, let him contrast the nomenclature of science with the parallel nomenclature of the people.

The terminology of science is of necessity “conventional,[172] precise, constant; copious in words and minute in distinctions, according to the needs of the science;” but this very necessity kills the imagination, and leaves an uninviting argot in the place of warm and glowing human speech. It is absurd to quarrel with and ridicule the language of science, since in its[135] researches an inaccurate or ill-defined name—a name that connotes many other things, or in itself involves an unproven theory—may be productive of the most disastrous consequences. But, at the same time, the mere nomenclature, in becoming steady and determinate, is too often uncouth and inharmonious,[173] and we see that if the language of common life were equally invariable, and unelastic, imagination would be cancelled, and genius crushed. Metaphor is no longer possible in a language which has the power of expressing everything. Such “lexical superfetations” as “chrysanthemum leukanthemum,” and “platykeros,” may be necessary to science, but who would exchange them for the popular names of “Reine Marguerite,” and “Stagbeetle” (cerf volant)? And is there not something almost repulsive in such a term as[136] “Myosotis scorpioeides” (scorpion-shaped mouse’s ear!) when compared with the sweet vulgar names “Forget-me-not,” “Yeux de la Sainte Vierge,” and “Plus je vous vois, plus je vous aime?” The language of science is only picturesque, when, as in the case of astronomy, it borrows from shepherd philosophers such names as the “chariot,” “the serpent,” “the bear,” and “the milky way.”

Language, then, is a plummet[174] which can never fathom the abysses of existence; and yet by its means we can learn more of the world of spirit than the senses can ever tell us about the visible and the material. When we speak of any sensible object, we only adopt a convenient name for a certain synthesis of properties, and we do not thereby advance a single step towards the knowledge of the thing in its abstract essence. The very existence of substance as an absolute entity, an ens per se existens, the postulated residuum after the abstraction of all[175] separate qualities which are cognisable by the senses, is entirely denied by idealists, who would reduce all outward things to a mere relation, or a modification of the sentient subject. Nature itself is with them nothing more than “an[137] apocalypse of the mind.” We speak of “gold,” and we mean thereby an object of which perhaps our first and main conceptions are that it is heavy, yellow, and valuable as a medium of exchange; yet the property which we call “heavy” is one which we can easily conceive capable of modification; the property of yellowness ceases when light no longer falls upon the metal; and the property of value is one purely conventional and continually varying. What, then, have we left except a philosophical figment—a something with the properties of nothing? We cannot assert the existence of any substance corresponding to the name “gold” apart from these and other properties, which, as we have seen, are mere relations. What, then, do we really learn from language even about the external world, the world of phenomena and of fact? When, on the other hand, we speak of “imagination,” we name one of the noblest faculties of the intellect, from the analogy afforded by the property of the glassy wave, which “refreshes and reflects” the flowers upon its banks; yet who shall say that our metaphor (“imagination”) gives us a less clear[176] and[138] definable conception than is conveyed by our general term (“gold”)?

Nothing can be known of itself, but sensible things can only be named from the manner in which they affect the senses, and things invisible can only be pictured forth analogically, from the manner in which they affect the soul. And God has given us an intellect capable of observing the analogies of which the world is full, and not only of observing them, but of applying to them with perfect comprehension the words by which we describe our physical sensations. In the wise and noble language of the son[177] of Sirach: “All things are double one against another, and he hath made nothing imperfect.” There is a close, though mysterious, analogy between physical and intellectual phenomena. The continual metaphors by which we compare our thoughts and emotions to the changes of the[139] outer world—sadness to a cloudy sky, calm to the silvery rays of the moonlight, anger to waves agitated by the wind—are not, as Schelling observed, a mere play of the imagination, but are an expression in two different languages of the same thought of the Creator, and the one serves to interpret the other. “Nature is visible spirit, spirit invisible nature.” It could have been no result of accident, no working of blind chance, that made the mind of man a mirror of the things whereby he is surrounded, and that created the world of matter under the guidance of laws which are an exact analogon of the laws of mind. Thus the Universe itself, with all that it contains, is a mighty emblem, and man is the analogist who, by the Word that lighteth him, is enabled to decipher it.

The stars and the mountains, the oceans and winds, may exist for nobler and sublimer purposes than “to furnish man with the dictionary and grammar of his municipal speech,” but for us at least it should be our first and chief cause of thankfulness to God when we commemorate the[140] glories of the world in which he has placed us, that it is by the reflection of those glories that we grow conscious of ourselves, exactly as it is by the reverberation of a luminous ray that we become aware of the presence of holy Light.

But, in those primeval ages which saw the birth of language, the instinctive perception of this harmony, and the application of the perceived analogy to the purposes of language, was far more quick and vivid than it can be now, when our minds are obscured by discussion, dried up by logic, and too often choked by the unnecessary gold of a vocabulary inexhaustible and ready made. “As we go back in history,” says Mr. Emerson, “language becomes more picturesque, until its infancy, when it is all poetry; or all spiritual facts are represented by natural symbols.” To the primal man his words were like the fragments of coloured glass in the kaleidoscope, readily admitting of a thousand new uses, “changing their place and their effect with every emotion which agitated his language, and lending themselves with a lustre ever-new to all the new combinations of his thought.”

The dawn of language took place in the bright infancy, in the joyous boyhood of the world; the[141] glory-clouds still lingered among the valleys, upon the hills, and those splendors of creative power which had smitten asunder the mists that swathed the primeval chaos had not yet ceased to quiver in the fresh and radiant air. Everything was new; the soil was clad in the vernal luxuriance of green and untrodden herbage, and a blissful innocence gave to the new child of Heaven a life of “happy yesterdays and confident to-morrows.” He looked at all things with the large open eyes of childish wonderment, and the[178] simplest facts of the eternal Order were to him miraculous events. To him “the warmth, the west wind, the ornaments of springtide returned unforeseen, and the sunrise, was but a long phenomenon which might in the morning fail the longings of night. If an arch of resplendent colours unfolded itself from heaven to earth, and there broke into a shower of brilliant atoms, sowing the soil with a dust of precious stones, it announced a message and a promise of God. If the moon disappeared in an eclipse, it was devoured by a black dragon; the thunder was the wrath of the Almighty, and the manna was his bread. The adolescent race had all the delicacy of tact, and all the freshness of sentiment, which[142] in youthful souls identifies itself with the poetry of things. In fact, life was itself a poesy full of mystery and full of grace.”

And this delicacy of tact, this youthfulness of sensation, this ever-fresh capacity for that wonder which is the parent of all knowledge and all thought, was allied most closely to religion and to poetic insight. “They seem to me,” says Plato,[179] “to frame a right genealogy, who make Iris the daughter of Thaumas.”

For what is religion but reverence, and love, and worship? And what is poetry but the delicate perception of new truths, and new relations—the eloquent[180] soliloquy of wonder and of thought? “In wonder[181] all philosophy began; in wonder it ends; and admiration fills up the interspace. But the first wonder is the offspring of ignorance; the last is the parent of adoration. The first is the birth-throe of our knowledge; the last is its euthanasy and apotheosis.”

To the early language nothing was common or unclean, as to the youthful nations nothing was vulgar. With them it was no degradation for a king to labour in his vineyard and tend his flocks, or for a princess to join her maidens in washing the palace-clothes. Homer describes the cooking of a dish or the cleansing of a chamber with the same minute circumstantiality, with the same lively yet dignified delight, with the same sense that everything human has its own divine side, as he describes the falling of a hero, or the[144] armour of a god. And the feeling which inspired him with this catholicity of admiration for every human action was a right and noble one; it was the same feeling which actuated the Christian poet in the quaint lines—

It is only in the fastidious conventionality of later ages that a false shame quenches enthusiasm, and “the quotidian ague of frigid impertinences” infects the healthy veins of our mental constitution. Then it is that reverence perishes, and simple acts must be veiled in metaphysical euphuisms, and simple thoughts overlaid with galimatias, with tortured acceptations, with uncouth archaisms. ‘It[182] must always be the same. After the beautiful period of Spanish literature come Gongora and his cultorists; after Tasso and Ariosto, the Chevalier Marin and his pale cortège of mannered seicentisti, armed with points and conceits; after Shakspeare, euphuism; after the admirable French of the sixteenth century, after the language of Rabelais, of Des Periers, of Marot, of Henri Estienne, of Amyot, of[145] Montaigne, comes “préciosité,”[183] so vain, so affected, so puerile, so pretentious, so unreal, so false.’

Thus the language of nations is the type of their moral as well as of their intellectual character. As long as men are noble and simple, their language will be rich in power and truth; when they fall into corruption and sensuality, their words will degenerate into the dingy and miserable counters, which have no intrinsic value, and only serve as a worthless and conventional medium of exchange. In the pedantry of Statius, in the puerility of Martial, in the conceits of Seneca, in the poets who could go into emulous raptures on the beauty of a lap-dog, and the apotheosis of a eunuch’s hair, we read the handwriting of an empire’s condemnation. Even a past[184] literature is full of power to save a people from utter degeneracy. It is the true poet after all who, more than the financier, more than the merchant, more than the statesman, more than[146] the soldier, saves his countrymen from ruin, elevates their conduct by purifying their thoughts, keeps their feet upon the mountain, and turns their eyes towards the sun.

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CHAPTER VII.
WORDS NOTHING IN THEMSELVES.

“It may lead us a little,” says Locke, “towards the original of all our notions and knowledge, if we remark how great a dependence our words have on common sensible ideas; and how those which are made use of to stand for actions and notions quite removed from sense, have their rise from thence, and from obvious sensible ideas are transferred to more abstruse significations, and made to stand for ideas that come not under the cognizance of our senses.”[185]

So far we may seem to have been adducing a crowd of illustrations in support of this statement: for we have traced the germinal development of language from the seed and root of onomatopœia to the various ramifications of metaphor, and have seen convincing reason to[148] infer the primary origin of all words from sensible ideas.

Are we then obliged to give in our adherence to the sensational philosophy, and to believe that “Nature, even in the naming of things, unawares suggested to men the originals and principles of all their knowledge?” Are we forced to accept the dogma that “there is nothing in the intellect, which has not previously existed in the sense?”

Such are the questions which must now be considered, because these are the conclusions usually drawn from the premisses, which have been hitherto receiving our support. The discussion of them cannot be considered a digression, because it will lead us at least to recognise the existence of problems which are of the profoundest importance, the examination of which must always bear reference to the facts of language, and especially to its origin and history. The space devoted by Locke to the development of his views on the use and abuse of words is a sufficient proof that we are not wilfully turning aside from the direct discussion of the subject before us. Indeed, it is the assertion of one of Locke’s acutest[186] and most admiring disciples, that the[149] whole of the Essay on the Human Understanding is “little more than a philosophical account of the first sort of abbreviations in language.”

Before we reject the conclusion which may seem to have been involved in the facts which we have endeavoured to establish, it may be well to mark the full consequences which the sensationalists were gradually led to adopt. Locke, in defining the source of our ideas, had distinctly acknowledged an internal sense, which he calls reflection, as being necessary to complement the work of sensation; in the very passage which we quoted at the commencement of this chapter, he goes on to say that we have “no ideas at all, but what originally came either from sensible objects without, or what we feel within ourselves from the inward workings of our own spirits of which we are conscious to ourselves within.” Similarly, Bishop Berkeley, in his Theory of Vision, very clearly lays down “that there are properly no ideas or passive objects in the mind but what are derived from sense, but there are, besides these, her own acts and operations;—such are notions.”

But of that element of our thoughts which he called reflexion, Locke, although he barely asserted its existence, made so little use that it hardly counteracted the general tendency of his[150] philosophy. “When[187] a term so wide and vague, or so complex and multifarious, so thin and shadowy, or so ponderous and unmanageable, as this ‘reflexion’ is introduced side by side with the clear, bodily, definite realities of the senses (sensation), it can hardly hold its place securely as a philosophical term.” Accordingly we are not surprised to find that Locke was claimed as the founder[188] of a sensationalist school, whose ultimate conclusions his calm and pious mind would have indignantly repudiated.

But it was in France that the Essay on Human Understanding was received with the most enthusiastic applause; and when the metaphysics of Locke had once “crossed the channel on the light and brilliant wings of Voltaire’s imagination,” sensationalism reigned for a long period without a rival near the throne. Etienne de Condillac was the philosopher who was mainly instrumental in introducing to his countrymen the speculations of the great English thinker; and it is an interesting fact that in Condillac’s first work, “L’Essai sur l’Origine des Connaissances[151] Humaines,” (1746), he had not yet thought of “simplifying” Locke’s system, by discarding reflexion as an element of knowledge. But eight years after, in his “Traité des Sensations,” he states, in the broadest possible manner, that the senses are the source not only of our knowledge, but even (monstrous as it may appear) of our intellectual faculties themselves! And as he makes the faculty of speech the principle of superiority of men over animals, he is involved in the vicious[189] circle of considering language to be, at the same time and in the same sense, a cause and an effect of thought. This system found its most wonderful illustration in the too-famous description of the statue-man; a being, who, so far from being capable of acquiring memory, and judgment and thought, would even be incapable of anything, except mere organic impressions,[190] because it could have had no will whereby to contrast its personality with the action of external causes.

So far is it from being true, that there is nothing in the intellect which has not previously[152] been in the sense, that even our conception of matter[191] itself is derived from a superior source, and would without the intellect be one at which we could not arrive. The senses themselves can tell us nothing except in so far as they are “the scribes[192] of the soul.”

It might have been thought that sensationalism itself could go no farther than Condillac, but it found exponents still more audacious in Helvetius and St. Lambert. According to the former, man is merely an animal superior to other animals because of the greater perfection of the organs with which he has been endowed; according to the latter, man, when born, is only an organised sensible mass; and the first objects which strike our senses give us our first ideas, until thus, gradually, Nature has created the soul within us. We are hardly surprised after this to find that Helvetius considers love to be only the feeling of[153] a need, courage to be the fear of death (!), and “Do what is useful” to be the moral rule; and that St. Lambert avows openly, that pleasure and pain are the masters of man, so that the object of life will be to seek the one, and avoid the other.

Are we obliged by our theory respecting the origin of language to accept any of these conclusions? Must we say, with Condillac, that “science is only a well-constructed language?” or with M. Destutt de Tracy, that “thought[193] is sensation?” or (to go back to the cradle of these materialist imaginings), must we believe, with the old sophist, that “man[194] is the measure of all things?” that there is no eternal right or truth? that justice and turpitude are the result not of divine instinct, but of association, habit, custom, convention? Must all morality be founded, with Occam,[195] on the result of an arbitrary decree? and must we believe, with Horne Tooke, that truth is simply and purely relative, since its derivation is supposed to imply that it is merely what one “troweth?”

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To establish such conclusions was the direct object of Horne Tooke in his “Diversions of Purley,”[196] and it is astonishing that he should have met with such complete success. A certain Dutchman[197] had preceded him in the same line of argument; abusing the fact that the terms of theology, morals, and metaphysics, are originally derived from material images, he turned theology and the Christian faith into ridicule in a little Dutch dictionary, in which he gave to words, not such definitions as usage demands, but such as seemed to carry a malignant inference drawn from the original meaning; and since he had shown marks of impiety elsewhere, they say that he was punished for it in the Raspel-Huyss.

Far different was the acceptance given to the “Diversions of Purley,” which to this day is praised and quoted, although a recent philologist has not scrupled to affirm that Tooke’s “alluring[198] speculations will not bear the light of advancing[155] knowledge, and it is hardly too much to say that there is not a sound etymology in the work.” No one has done more to overthrow his baseless fabric than the late Mr. Garnett,[199] in an article on English Lexicography, who has shown in particular that the details of his much-vaunted analysis of the particles may be contested more often than admitted, and indeed that his theory contains very little that can be safely relied upon. Tooke seems to have been led to his system by the conjecture that “if” is equivalent to “gif,” an imperative of the verb “to give;” but as the cognate forms in other languages prove that this particle has no connection whatever either with the verb “to give” or with any other verb (a fact which was proved by Dr. Jamieson in his Scottish Dictionary), “any system founded on this basis is a mere castle in the air.” “According to Plutarch,” says Mr. Garnett, “the Delphian EI supported the tripod of truth; we fear that Tooke’s if imperative led him into a labyrinth of error.”

Again, let us take the etymology by which Tooke endeavours to explode the common notion of truth. He assumes that the word ‘truth’ is merely a contraction of “troweth,” and that “trow” simply denotes to think or believe.[156] The inferences are as follows: “Truth[200] supposes mankind; for whom and by whom alone the word is formed, and to whom alone it is applicable. If no man, then no truth. There is no such thing as eternal, immutable, everlasting truth, unless mankind, such as they are at present, be also eternal, immutable, and everlasting. Two persons may contradict each other, and yet both speak truth, for the truth of one person may be opposite to the truth of another.” Here we are removed at once from the solid basis of certainty and conviction to the shifting deserts and treacherous waves of conjecture and doubt; and the etymologist would reduce morality and religion to shadowy superstructures built upon moving and trembling sands. Even if the derivation were admissible we should reject the conclusion, but the etymology is as erroneous as the inference drawn from it is dangerous and false. Mr. Garnett, with infinitely more probability, derives truth “from the Sanskrit dhru, to be established—fixum esse; whence dhruwa, certain, i.e., established; German, trauen, to rely, trust; treu, faithful, true; Anglo-Saxon, treow—treowth (fides); English, true; truth. To these we may add Gothic, triggons;[157] Icelandic, trygge; (fidus, securus, tutus): all from the same root, and all conveying the same idea of stability or security. Truth, therefore, neither means what is thought nor what is said, but that which is permanent, stable, and is and ought to be relied upon, because, upon sufficient data, it is capable of being demonstrated or shown to exist. If we admit this explanation, Tooke’s assertions ... become Vox et præterea nihil. In all inquiries after truth, the question is, not what people, who may or may not be competent to form an opinion, think or believe, but what grounds they have for believing it.”[201]

The question how mind can be affected by matter has in all ages been a problem of philosophy. Descartes accounted for it by occasional causes; Leibnitz, by pre-established harmony; Malebranche, by a vision of all things in God; Kant, by the existence of innate ideas. However the question be resolved, it is closely analogous to the question, ‘how can things immaterial[202] and unsubstantial like thought and conception be represented, and for all practical purposes adequately represented by things physical, i.e., by pulsations and modifications of the ambient air?’

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Idealism denies the existence of an external world, and obtrudes on us in its stead “a world of spectres and apparitions;” materialism denies us the possession of any ideas but those which we have derived from sense, and thus deprives us of all belief in an eternal and pre-existing truth; between the two we lose alike “the starry heaven above, and the moral law within.” But neither of these systems can derive any real support from the phenomena of language, which indeed in no way affect the considerations they involve. For if confessedly our words have nothing to tell us, and can tell us nothing about the world of phenomena, and yet the common sense of mankind forces us to believe in the existence of that outer world, then it can be no argument against the existence of noumena, i.e., against the existence of eternal ideas and necessary truths, that the words which we apply to our conceptions of immaterial entities are borrowed from the analogy which those conceptions offer to the objects surrounding us in the world of sense. “When we impose on a phenomenon of the physical order a moral denomination, we do not thereby spiritualise matter; and because we assign a physical denomination to a moral phenomenon, we do not materialise spirit. Let us not from these appellations,[159] more or less inexact, draw conclusions either as to the nature of our ideas or the essence of things.”[203]

Even if it were possible that we could invent names for each separate particle of matter in the material universe, we should know nothing of any one particle except that it causes (or, perhaps, we ought to say no more than that it is) a modification of ourselves; and yet we believe that there is a non-ego entirely and wholly independent of the ego, though it may in no way resemble our notions respecting it. Why then may we not equally believe in the independent absolute existence of ideas which correspond to our terms,—truth and justice, goodness and beauty, space and time?

A shower falls while the sun is shining, and we are conscious of a sensation which presents to us an arch shining with the divided perfection of seven-fold light to which we have given the name Rainbow. But what does the name teach us of the thing itself? It is not even a name for the thing itself, but only for the effect it produces upon us; indeed for us, the very existence of the object is its perception, “its esse is percipi.” Not[160] only is the coloured arch a phenomenon existing merely for us and our visual sense, but the very raindrops are only empirical phenomena, and “their[204] round shape—nay, even the space in which they are formed, are nothing in themselves but a mere modification or principle of our sensuous intuition; with all this, however, the object itself remains to us completely unknown.” We cannot even say that our conception of the object is in any way like the object itself: can pain, for instance, resemble the pricking of a pin? Such language, as Bp. Berkeley showed long ago, is a mere contradiction in terms; for “an idea can be like nothing but an idea; a colour or figure can be like nothing but another colour or figure. I appeal to any one whether it be sense to assert that a colour is like something which is invisible; hard or soft, like something which is intangible.”

What, then, is the word (e.g. rainbow) to us? In itself it is worthless, a mere hieroglyphic, which cannot even teach us one iota about the[161] phenomenal world. We are very far from agreeing with the “divers philosophers” mentioned by Sir Hugh Evans in the Merry Wives[205] of Windsor, who “hold that the lips is parcel of the mind.” We still believe that objects do exist in the external world, even although it be absurd to say that they resemble our “ideas” of them. Although to us they can only exist as “ideas,” and not as objects, we do not therefore deny that they have a real independent existence of their own. And precisely in the same way, whatever may be the derivation of the word truth, and however much our conceptions of that word must be modified by the laws of thought, we yet believe, as firmly as we believe anything, that truth has an independent, eternal, immutable existence; that it is infinitely more than a mere “flatus vocis;” that its indestructible idea, its original, its antetype, exists in the Divine[206] mind, and that if man and the works of man were to sink for ever into annihilation in the flames of a fiery surge, truth and wisdom would still exist, even as they existed when God prepared the[162] heavens, “from the[207] beginning, or ever the earth was.”

There is then no reason to complain of the materialism of language, or to be afraid of the conclusions which nominalists like Horne Tooke and his Dutch predecessor would willingly draw from the origin of words. No system of materialism will account for grammar, that form of language which is due to the pure reason. No treatise on the history of words will be able to point to any external source as sufficient to account for the relation[208] of words among themselves. No language is a mere collection of words; and Locke in all that he has written about words has offered no proof that any system of syntax is ultimately due to sensible ideas. His followers have attempted this, but they have failed. An eminent modern scholar has observed that a “careful[209] dissection of the whole body of inflected speech will make it plain, that while words are merely outward symbols, designating certain notions of the mind, those notions do not[163] stand related in all cases, just as the words or inflections which express them, and that we cannot by means of mere words convert into physical truth all that is logically and metaphysically true.”

Language is not what it has been called, “la pensée[210] devenue matière.” The very expression involves a contradiction. Words can be nothing but symbols, and, at the best, very imperfect ones. To make the symbol in any way a measure of the thought, is to bring down the infinite to the measure of the finite. Our words mean far more than they express, they shadow forth far more than it is in their power to define. When two men converse their words are but an instrument; the speaker is descending from[211] thoughts to words, the listener rising from words to thoughts. Onomatopœia and metaphor are sufficient to provide us with the material part of language, the articulate sounds; but to translate those sounds into signs or words is the effort of a faculty which transcends the sense. On the one hand we have a spiritual perception,[212] the thought; on the other hand a material accident, the combination of articulate utterances;—but[164] what power can bridge the abysm between the two? The reason, and the reason only. Without reason, the use of metaphor would be impossible, and the result of imitation would be a collection of sounds as meaningless as the screams of a parrot or the chatterings of an ape.

Surely these considerations are sufficient to show that there is no danger to true philosophy in the inferences to which language leads us. But, indeed, the whole of nominalism rests on a vast petitio principii. Because our primitive vocabulary is deduced solely from corporeal or sensible images, it is assumed, per saltum, that our intellect only admits of conceptions directly derived from the agency of the senses, and that therefore thought is nothing but sensation. But the consciousness of the metaphor has vanished for ages from language, and when we use such a word as “spirit,” we do not even remember that our word means in itself no more than “a whisper of the wind.” Our primitive conceptions admitted only of expression by means of a material analogy:—this is the sole ground of nominalism, and it will not bear the enormous structure of inferences built upon it; 1st, that our conceptions were themselves originally material; and, 2ndly,[165] that they are and must be so still, because we are incapable of any others.

Finally, there are in every language “a vast number of words which may be explained by the idea, although the idea cannot be discovered by the word, as is the case with whatever belongs to the mystery of the mind.” Such words are sacrifice, sacrament, mystery, eternity. The conclusion to which they lead us is a plain one, and it is one which will render us fearless of the arguments which the sensational philosophy has so long paraded with triumph as the main support of its unbeliefs. It is that “Words are at most intellectual symbols, and symbols are, at the best, words. Neither the words of language, nor the symbols of religion, are the basis and reality of thought or of worship; they have no reality but in reason and conscience, and are of no use but in so far as they express this reality, and are so[213] understood and applied.”

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CHAPTER VIII.
THE LAWS OF PROGRESS IN LANGUAGE.

The history of almost every language points to the action of certain general law’s of progress, which laws are psychological as well as linguistic, i.e. they correspond and are parallel to the growth and progress of the human mind. They may be briefly summed up by saying that languages advance from exuberance to moderation, from complexity and confusion to grammatical regularity, and from synthesis to analysis. The explanation and illustration of these laws will occupy the present chapter.

1st. Languages advance from exuberance to moderation, by eliminating superfluities.

The earliest languages are marked by exuberance,[214] indetermination, extreme variety, uncontrolled liberty. They are melodious, but prolix and measureless. Words were invented independently, spontaneously, as they were required by the tribe or the individual, with little or no[167] reference to already existing forms. The absence of literature, the want of political unity, the habits of a nomadic life, tended to create an immense multitude of terms and idioms. Among semi-barbarous and wandering communities the peculiarities which we call dialects existed simultaneously and side by side.

The Caucasus and Abyssinia present us a number of distinct languages in a narrow district. The number and variety of the American dialects is almost as great as that of the several tribes; and in Oceania it has been asserted that nearly every island or group of islands possesses a speech which barely offers any affinity with that of the neighbouring groups.

Unity of speech is the result of civilisation, and it is preceded by a diversity of forms which subsequently become the characteristics of particular localities. The steps towards unity are three; first, we have the confused, simultaneous existence of dialectic varieties; then the isolated and independent existence of dialects; and, finally, the fusion of these varieties in a more[215] extended unity. Thus the earliest Hebrew records contain traces of idioms which were subsequently the peculiar property of Aramaic, and[168] we find in the Homeric poems a thousand variations of form and structure which were afterwards exclusively Æolic, or Attic, or Doric. The explanation of this fact is to be found in the consideration that these forms were in Homer’s time the common property of the old Ionic tongue, and it was not till after ages that they became appropriated and localised. The supposition that the rhapsodists employed a judicious selection of idioms, and made a mosaic out of distinct dialects, has long ago been abandoned as impossible and absurd.

The process of eliminating superfluities is found in every language. Redundancy seems to have been necessary to an early stage of thought, for we find it not only in words but in expressions. The whole of Hebrew poetry depends on a repetition and enforcement of the same fundamental thought, so as to gain emphasis and variety. In children we find a tendency to repeat the same thing twice, once affirmatively and once negatively, as though the double assertion gave them an additional security. “It is not you, but I;” “This letter is not A, but B;” are turns of expression well known to those who have observed the language of the nursery. It is surprising to find the same unnecessary tautology[169] existing very widely in the most advanced literatures. “We have seen with our eyes and heard with our ears,” is a superfluity which has many types in the sacred writers; “They were in great numbers, not in small,” is the translation of a line in the Œdipus Tyrannus, and we find even a poet of our own times writing—

There is no doubt that such tautologies are often so far from being barren, that they give force and precision to the conception which they convey; but the mischief of them is that they give rise to a thousand errors of reasoning, and to many minds have the effect of an argument.

or,

might be used as the satirical motto of many a treatise both in science and metaphysics.[217]

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There are two processes by which nations get rid of words which are mere synonyms of other words, and are therefore burdensome. The one is to drop altogether the superfluous word, or only retain some one form or application of it; the other is to desynonymise words by using them each with one special shade of signification. Thus, when the Greek language obtained the word χρύσος to mean “gold,” it dropped altogether the word αὔρον, which at one time it must have possessed, as is clear from a comparison of the word θήσαυρος with the Latin aurum. What are called anomalous declensions and conjugations are explicable in the same manner, since ancient idioms are always richer than those which have undergone the revision of grammarians. It is, in fact, one of the duties of grammarians to make a choice among the riches of popular language, and to eliminate all words that are unnecessary. Thus a boy would be naturally puzzled by being told that φέρω, οἴσω, ἤνεγκα are parts of the same verb, but it will be easy for him to understand and remember that these words are, in fact, the[171] débris of three entirely separate conjugations, parts of which only have been retained, while the remaining forms have been dropped because they were in no way needed. Merely capricious varieties have all been solved into a single verb.

2ndly. Languages advance from confusion to regularity, from indetermination to grammar.

What is true of the vocabulary of a language is no less true of its grammar. Here also simplicity is due to reflection, and is posterior to the rich complexity of a faculty spontaneously exercised. Scientific grammar is a subsequent invention; at their birth languages are lawless and irregular. The reason why the oldest and least grammatical languages appear to have the longest grammars, is because the anomalies are all catalogued as though they were so many rules, and what was once permissible because it then violated no law of language is ranked as the recognised exception to a definite order. An Isaiah would have been amazed at reading the innumerable rules of language by which modern grammarians suppose him to have been governed; and a Thucydides would have been hardly less astonished to see his “syllogism of passion” rigidly reduced to a syllogism of grammar.

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At first, until usage had arisen, every body seems to have been at liberty to invent or adopt conjugations and declensions almost at his own caprice. “The more barbarous a language,” says Herder, “the greater is the number of its conjugations.” It has been a fatal mistake of philology to suppose that simplicity is anterior to complexity: simplicity is the triumph of science, not the spontaneous result of intelligence. The Basque language, which has retained much of the primitive spirit, has eleven moods; the Caffir language has upwards of twenty. Agglutination or Polysynthetism[218] is the name which has been invented for the complex condition of early language, when words follow each other in a sort of idyllic and laissez-aller carelessness, and the whole sentence, or even the whole discourse, is conjugated or declined as though it were a single word, every subordinate clause being inserted in the main one by a species of incapsulation. This is the case with the Astec, the languages of the Pacific, and many other languages. The Mongol declines an entire firman, and even in Sanskrit, flexions so far supersede syntax that the whole[173] thought is in some sort declined. In Mexican, the word[219] Notlazomahiuzteopixcatatzin, with which they salute the priests, is easily decomposed into “Venerable priest, whom I honour as my father;” and in Turkish,[220] the single word Sev-ish-dir-il-me-mek means “not to be brought to love one another.” Yet even these are entirely surpassed by some of the dialects of North America. In the[221] Iroquois, for instance, one word of twenty-one letters expresses this sentence of eighteen words: “I give some money to those who have arrived, in order to buy them more clothes with it.” This one word is an agglomeration of simple words and roots in a violent state of fusion and apocope.

3rdly. Analogous in great measure to the law which we have been mentioning (or perhaps we may say a further development of the same law), is the progress of language from Synthesis to Analysis.

We have seen that many ancient languages are[174] polysynthetic or[222] holophrastic, i.e., that they produce the entire thought or sentence under the form of one complex and rich unity, and subordinate every word and phrase to the domination of the entire clause. Even in early Greek and Latin we may find traces of this “holophrasis” in the separation of two parts of the same word which was permissible by what is called tmesis, as for instance in such expressions as κατὰ δάκρυ χέουσα, and even κατὰ πίονα μήρι’ ἔκηα. In Latin the same licence is far more rare, although we find it in the lines, “Inque cruentatus,” &c., and it was retained in one or two compounds, as “Quo te cumque ferent.” In both languages these extreme cases early disappeared, and the startling audacity of Ennius in the famous

for “comminuit cerebrum,” would probably have made Virgil stare and gasp, as much as[223] the modern

But although nothing is left in the Indo-European languages but the faint traces of that sylleptical tendency which seems to have marked[175] the earliest stage of language, they offer the most splendid examples of a perfect synthesis. By a facile power of composition, and by attaching to the verb and noun a variety of terminations capable of distinguishing the nicest modifications of meaning, they have produced an instrument of thought almost unrivalled in accuracy and beauty.

In Greek and Latin one word was enough to express alike the subject, copula, and predicate; in English, two are always requisite, and generally three. The single word τύπτω requires the three words—“I am striking”—to render it; to translate amabor in English or in German we require four words, “I shall be loved—Ich werde geliebt werden;” and the same is true of many other parts of the verb; as ἐτετιμήμεθα, periisses, “we had been honoured,” “you would have perished.”

At first sight this analysis may seem to be a defect, but, in point of fact, it is a development. It is a bad thing for the human mind to be subjected to the despotism of a rigid grammar, the tyranny of too perfect a form. As it is the danger of advancing civilisation and of too refined a society to reduce men to the dead level of uniformity, and subject every caprice of the individual to the domination of an unwritten[176] code, called the “laws of society,” so a language which crystallises every relation in a definite form tends to cramp and restrain the genius of those who use it. In the tragedies of Æschylus and the odes of Pindar, marvellous as is the power which crams every rigid phrase with the fire of a hidden meaning, we yet feel that the form is cracking under the spirit, or at least there is a tension injurious to the general effect. A language which gets rid of its earlier inflections—English, for instance, as compared with Anglo-Saxon—loses far less than might have been supposed.

The progress of language from synthesis to analysis is that of the human intelligence. Later generations find the language of their ancestors too learned for their own use. For the unity, spontaneous but often obscure, of the primitive tongues, they substitute an idiom clearer and more explicit by giving a separate existence to every subject in the sentence. They break up the conglomerated jewels of old speech to reset them in an order less dazzling but more distinct. They sacrifice the magnificence of mystery to the light of distinct comprehension. Instead of one sentence, out of whose tangled intricacies flashed, all the more brightly from contrast, the rays of[177] enthusiasm and genius, they attain to a logical accuracy which gives to each idea and each relation its isolated expression. What they lose in euphony, force, and poetic concision, they gain in the power of marking the nicest shades of thought; what they lose in[224] elasticity they gain in strength. If synthetic and agglutinative languages are the best instruments of imagination, analysis better serves the purposes of reflection. Splendid efflorescence is followed by ripe fruit.

It is thus[225] that Sanskrit, with its eight cases, six moods, and numerous inflections, capable of expressing a crowd of secondary ideas, decomposes first into the Pali (?), Prâkrit, and Kawi, dialects less rich and learned, but more precise, which substitute auxiliaries and prepositions for case and tense; and even these latter, too complex for ordinary use, are gradually displaced by the more vulgar dialects of Hindostan,—the Hindoo, the Mahrattah, and the Bengali.

In the same way the Zend, Pehlvi, and Pars-i, are replaced by the modern Persian. The Zend,[178] with its long and complicated words, its want of prepositions, and its method of supplying the want by means of cases, represents a language eminently synthetic. Modern Persian, on the contrary, is poorer in flexions than almost any language which exists; it may be said, without exaggeration, that its whole grammar might be compressed into a few pages. Modern Greek is the analysis or decomposition of ancient Greek during a long period of barbarism. The Romance languages are Latin submitted to the same process; Italian, Spanish, French, and Wallachian, are merely Latin mutilated, deprived of its flexions, reduced to shortened forms, and supplying by numerous monosyllables the learned organisation of the ancient idioms. “The fact then that the people in Italy, in France, in Spain, in Greece, on the banks of the Danube and of the Ganges, have been reduced to the necessity of treating their ancient languages in precisely the same manner to accommodate them to their wants; and the fact that two languages, so distant in time and space as the Pali and the Italian for instance, occupy positions exactly identical in relation to their mother-tongues, affords the best proof that there is in the progress of languages a necessary law, and that[179] there is an irresistible tendency which leads idioms to despoil themselves of an apparel too learned to clothe a form more simple, more popular, and more convenient.”[226]

In the Semitic languages we find the progress towards analysis from various[227] causes less decided, but no less ascertainable. Ancient Hebrew is remarkable for its agglutination. “Like a child,” says Herder, “it seeks to say all at once.” It uses one word where we require five or six. But as we approach the period of the captivity we find a propensity to replace grammatical mechanisms by periphrasis, a propensity still more marked in modern or Rabbinical Hebrew. The later dialects—Chaldean, Samaritan, Syriac—are longer, clearer, more analytic. These, in their turn, are absorbed into Arabic, which pushes still farther the analysis of grammatical relations. But the delicate and varied flexions of Arabic are still too difficult for the rude soldiers of the early Khâlifs; solecisms multiply, grammatical forms are abandoned, and for the Arabic of the schools we get the vulgar Arabic, which is simpler and less elegant, but in some respects more accurate and distinct.

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Even the languages of central and eastern Asia are not entirely wanting in analogous phenomena. But the facts already adduced are amply sufficient to prove that, in the history of languages, Synthesis is primitive, and Analysis, far from being the natural process of the intelligence, is only the slow result of its development. And if it be a natural development it must, on the whole, be considered an advance.

“An instance,”[228] observes Grimm, “unique but decisive, is alone sufficient to replace all the proofs and arguments which I have accumulated in my reasoning on this subject. Among modern languages there is not one which has gained more force and solidity than the English by neglecting or breaking the ancient rules of sound, and suffering almost all flexions to drop. The abundance of medial sounds, the pronunciation of which may be learnt but cannot be taught, gives to this language a power of expression, such as perhaps no human language has ever attained. Its highly spiritual genius and marvellously happy development are due to the astonishing union of the two most noble languages in modern[181] Europe, German and Romance. We know the part which each of these elements plays in the English language; one of them is almost entirely devoted to the representation of sensible ideas, the other to the expression of intellectual relations. Yes, the English language, which has produced and nourished with its milk the greatest of modern poets, the only one who can be compared to the classical poets of antiquity (who does not see that I am speaking of Shakspeare?), may of good right be called an universal language, and seems destined, like the English people itself, to extend its empire farther and farther in all quarters of the globe.”

To the laws which we have been considering, many philologists would be inclined to add a fourth—viz., the progress to polysyllabism from a state originally monosyllabic. Many arguments may undoubtedly be adduced, which give a primâ facie probability to this supposition.[229] We will proceed briefly to state them.

It is argued, firstly, that we should have expected à priori a predominance of monosyllabic roots, because it is unlikely that a single powerful impression would have expressed itself by more[182] than one sound. Since one sound would have been sufficient, we should not be inclined to look for any superfluity. Impression would provoke expression with the same rapidity that the flash of lightning is kindled by the shock of two electric clouds. It must be remembered that the young senses of the human race were unaccustomed to compound articulations, and neither their ears nor their tongues would have led them to signify by two sounds or two syllables an impression essentially single.

Secondly, it is said that existing facts prove the likelihood of this conclusion. Thus, to this day, some nations are unable to pronounce compound consonants by one emission of the voice. Such is the case with the Mantschou, and the Chinese can only utter the word Christus by changing it according to the custom of his language into ki-li-su-tu-su.[230] The Chinese then may be considered as a language petrified in its first stage of flexionless and ungrammatical monosyllabism. Thus, in order to express the plural, they are obliged to add the words, “another” and “much,” or to repeat the noun twice, expressing “us” by “me another,” and trees by “tree,[231][183] tree.” The prayer, “Our Father which art in heaven,” assumes in Chinese[232] the form “Being heaven me another (= our) Father who,” a style not unlike the natural language of very young children.

Thirdly, it is asserted that all existing languages are capable of being deduced from monosyllabic roots; that even the triliteral[233] Semitic languages afford abundant evidence of the fact that the three consonants are only the result of a growth, since one of the consonants is often weak and unnecessary, and many of the words expressing simple[234] ideas have only one syllable.

Whatever weight may attach to these considerations, they do not appear to be convincing. The attempt of Fürst and Delitzch to get over the fact of Semitic triliteralism is not completely successful, and no evidence has ever been[184] adduced to show the causes which could have influenced a language to abandon an essentially monosyllabic character, or the time when so immense a change could have taken place.

Chinese, as we know, has been monosyllabic from the earliest period, and continues so to this day; and even Thibetian and Burmese,[235] though they have, under the influence of other languages, made great efforts to attain a grammar, have yet retained the ineffaceable impress of their original condition. We therefore reject this fourth law, as one which, even if possible, is by no means proven. Further discussion of it will, indirectly, be involved in the following chapter. At best, it can only be regarded as an artificial hypothesis, occasionally convenient for the purposes of the grammarian, but not corresponding to any real condition of the languages as once spoken.

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CHAPTER IX.
THE FAMILIES OF LANGUAGES.

It has been considered by many that language has passed through four[236] stages. 1. A period in which words succeed each other in the natural order of the thought, with nothing except this order to express their mutual relation, and with few or no inflections, as in Chinese. 2. A period of agglutination in which the smaller words to express relation have assumed an inflectional form, but without losing the trace of their originally distinct existence, as in Mongol and the majority of existing languages. 3. A period of amalgamation, in which the language becomes purely inflectional, as in Latin and Greek. 4. A period of analysis, in which inflections fall off[186] and get displaced by separate words, auxiliaries, prepositions, &c., as in English.[237]

That languages exist in each of these conditions is undeniable, but that they represent an historical sequence is an inference which may well be disputed. The common à priori notion that complexity is a proof of development is, as we have already seen, entirely erroneous; since the languages of American savages and central Africans are surprising in their grammatical richness, and the bald monosyllabic Chinese is yet an adequate organ for a developed civilisation. The logical order is not the same as the historical. It is the opinion of M. Renan that each branch of languages was, from the first, pervaded by one dominant idea, which was due to the genius of the race by which it was produced, and that, from this idea, all further changes directly derive their origin. The entire language existed implicitly in its primitive stage, just as a bud contains entire every essential part of the full-grown flower. Languages once monosyllabic, for instance, have, he maintains, always continued so, and although some languages of the trans-Gangetic peninsula have effected a real progress in the direction of grammatical polysyllabism,[187] yet an abyss still separates them from the languages which are truly grammatical,—an abyss which, he thinks, never has been and never can be bridged over.

But we shall be better able to enter on these most important considerations when we have glanced at the certain results respecting the classification of languages which have been at present established by modern philology.

Two families of languages, embracing a large and widely-separated number of the spoken languages of the globe, have now been distinctly recognised and clearly defined. These are the Indo-European, and the Semitic. The remaining languages, which are non-Semitic and non-Arian, have been recently included under the general name Turanian, and the high authority of Baron Bunsen and Prof. Max Müller has secured for this name a wide acceptation. We shall see hereafter that the semblance of unity in these languages, which is assumed by the adoption of this name, has been disputed by some of the ablest philologists, and at any rate the languages of the so-called Turanian family have far less real claim to the ties of mutual relationship than the members of the Semitic and Indo-European families.

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I. Of these families, the noblest and most widely spread is the Indo-European, or as it is now more generally called, the Arian family. Neither of these names is entirely[238] unobjectionable, though either of them is preferable to the term Indo-Germanic, which is now abandoned as wholly inaccurate. The name Indo-European marks the geographical extent of these languages, but it is inconvenient, and not quite wide enough. The name Arian was given them because the ancestors of the people who spoke them are supposed to have called themselves “Arya,”[239] or nobly-born. This name is now generally adopted, and M. Pictet, one of the profoundest of modern comparative philologists, has called his most recent work, “Les Origines Indo-Européennes ou les Aryas Primitifs.” But although this term Arya is of frequent occurrence in the later Sanskrit literature, and was also familiar to the Persians, the traces of it among the other[189] branches of the race are few and dubious; they are but very “faint[240] echoes,” if echoes at all, “of a name which once sounded through the valleys of the Himâlaya.” Still it is not likely that this name will now be superseded, as Rask’s term Japhetic involves an unwarrantable assumption; and the name Pataric (derived from Patar, the Sanskrit “pitar,” a father), which has been recently suggested,[241] is not likely to gain ground.

The Arian family comprises eight divisions, the Hindu, the Persian, Greek, Latin, Lithuanian, Sclavonic, Teutonic, and Celtic; of these it is uncertain whether the Celtic or the Sanskrit represents the oldest phase, but it is known that all of them are the daughters of a primeval form of language which has now ceased to exist, but which was spoken by a yet-undivided race at a period when Sanskrit and Greek had, as yet, only[190] an implicit existence. “It is,” says M. Renan,[242] “the noblest conquest of comparative philology to have enabled us to cast a bold glance over this primitive Arian period, when the whole germ of the world’s civilisation was concentrated in one straight ray. Just as the Romance dialects are all derived from a language which was once spoken by a small tribe on the banks of the Tiber; so the Indo-European languages presuppose a language spoken in a very narrow district. What motive, for instance, could have induced all Indo-European nations to derive the name of ‘father’ from the root ‘pa’ and the suffix ‘tri’ or ‘tar,’ if this word, in its complete shape, had not formed part of the vocabulary of the primitive Arians? What motive, above all, could have induced them, after their departure, to derive the name of ‘daughter’ from a notion so special as that of milking[243] (Sanskrit duhitri, θυγάτηρ, dochter, &c.), if this word had not deduced the reason for its form in the manners of an ancient pastoral family?” It is from considerations such as these that we[191] prove the great fact of the Indo-European unity,—the New World now thrown open to modern scholarship. “That the Sanskrit, the ancient language of India, the very[244] existence of which was unknown to the Greeks and Romans before Alexander, and the sound of which had never reached a European ear till the close of the last century, that this language should be a scion of the same stem, whose branches overshadow the civilised world of Europe, no one would have ventured to affirm before the rise of comparative philology. It was the generally received opinion that if Greek, Latin, and German came from the east, they must be derived from the Hebrew,—an opinion for which, at the present day, not a single advocate could be found,[245] while formerly to disbelieve it would have been tantamount to heresy. No authority could have been strong enough to persuade the Grecian army that their gods and their hero-ancestors were the same as those of King Porus, or to convince the English soldier that the same blood was running in his veins, as in the veins of the dark Bengalese. And yet there is not an English jury now-a-days, which,[192] after examining the hoary documents of language, would reject the claims of a common descent and a legitimate relationship between Hindu, Greek, and Teuton. Many words still live in India and in England that witnessed the first separation of the northern and southern Arians, and these are witnesses not to be shaken by any cross-examination. Though the historian may shake his head, though the physiologist may doubt, and the poet scorn the idea, all must yield before the facts furnished by language. There was a time when the ancestors of the Celts, the Germans, the Danes, the Greeks, the Italians, the Persians, and Hindus, were living beneath the same roof, separate from the ancestors of the Semitic and Turanian races.”

Comparative philology enables us to form a very probable conjecture respecting the cradle of the Arian race, and even to draw in outline a picture of their primitive civilisation. We know that this race was not indigenous in India. M. Lassen has proved that it entered India from[246] the north as an aristocratic and conquering nation,[193] distinguished by its fair complexion from the swarthier aborigines; and a crowd of linguistic inferences converge into a proof that it sprang from the mountain-cradle of Imäus, from which neighbourhood it seems likely that the Shemites also derived their origin.

The traditions of the Arians, as well as the facts of their language, point to Bactriana, as the region in which they first appeared; central in position, temperate in climate, rich in the metals always found in mountainous countries, resembling Europe in its flora and fauna, and equally removed from tropical luxuriance and northern[194] poverty, no other country could be found more perfectly suited for the peaceable development of the noble family which was destined to mould the character of the world.

The Arians did not appear till late in the world’s history. “The Achæmenid empire, which is the first great conquering Arian empire, is contemporary with a period when the descendants of Ham had already lost all excellence, and when China had long arrived at that degree of administrative absorption of which the Tcheou-li affords an astonishing picture, and which has so near a resemblance to absolute decrepitude. Brilliant civilisations, powerful kings, organised empires, already existed in the world at a period when our ancestors were still a race of poor and ignorant peasants. And yet it was these austere patriarchs who, in the midst of their chaste and obedient families, thanks to their pride, their cultivation of right, and their noble self-respect, laid the foundation of the future. Their thoughts, their terms, were destined to become the law of the moral and intellectual world. They created those eternal words, which, with many changing shades of meaning, were destined to become ‘honour,’[247] ‘virtue,’ ‘duty.’”

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In speaking thus of the apparition of a race or a language, we only mean the time at which man awoke to reflection and consciousness. The origin of language is not necessarily identical (considered scientifically) with the origin of mankind. The circumstances and conditions under which man first appeared on the face of the world is a subject for the research of the physiologist, rather than the philologist, and it is more than doubtful whether the most earnest inquiries will ever be able to draw aside the thick veil which hides the dawn of human life. In endeavouring to derive from the facts of language some conjecture as to the nucleus around which it grew, and the primitive condition of the races with whose distinctive genius it is indelibly stamped, we are not pretending to throw any light on the original appearance of the fathers of mankind.

II. Second in importance, although earlier in historical development, stands the great SEMITIC family of languages. Formerly they were called by the general name of oriental languages, and Eichhorn was, we believe, the first to give them their present designation. The name is, however, defective, since many people who spoke Semitic languages (as for instance the Phœnicians) were descended, according to Gen. x., from[196] Ham, and several mentioned in that chapter as descendants of Shem (for instance, the Elamites), did not speak a Semitic language. But it is now generally agreed that the sense of this document is geographical, not ethnographical, and that the name of Shem is a general term to describe the central zone of the earth. Were we to name these languages, on the analogy of the word Indo-European, from their extreme terms, we must call them Syro-Arabian. Leibnitz suggested the name Arabic, but this would be to use an objectionable synecdoche, and, on the whole, the term Semitic involves no inconvenient consequences if it be considered as purely conventional.[248]

The Semitic languages have been destined to exercise a stupendous influence over the religious thought of mankind. Almost unconscious of science and philosophy, this theocratic race has devoted itself to the expression of religious instincts and intuitions,—in one word, to the establishment of Monotheism. The three most widely spread and enduring forms of belief originated in the bosom of this family. They were essentially the people of God, and to them belong, par excellence, the psalm, and the proverb, and[197] the prophecy,—the words of the wise, and their dark sayings upon the harp. Clear but narrow in their conceptions, marked by their subjective character, and capable of understanding unity but not multiplicity; they lacked alike the lofty spiritualism of India and Germany, the keen sense of perfect beauty which was the legacy of Greece to the new Latin nations, and the profound yet delicate sensibility which is the dominant mark of the Celtic peoples. And yet neither India nor Greece alone could have taught the world the great lesson which was connected by the Semitic race with their most imperious instincts, that there is but one God, and that religion is something more than a relative conception. Destitute of that restless spirit of inquiry which has led the sister-race to explore every nook of the universe and every secret of the mind, the highest attainment of Semitic research is to declare that the increase of knowledge is the increase of sorrow, and that the praise and service of God is the sole end and aim of life. It was a great lesson which the world could ill have spared, and it more than atoned for the absence of research, of imagination, of art, of military organisation, of public spirit, of political life: it more than atones even for an[198] egotistic poetry and a defective conception of morality and duty.

The Semitic languages partake of the characteristics of that race whose thoughts they embodied. They are simple and rigid, metallic rather than fluid; physical and sensuous in their character, deficient in abstraction, and almost incapable of metaphysical accuracy. The roots are triliteral in form and so few in number that their meanings are generally vague, being in fact a series of metaphorical applications of some sensible perception. They are deficient in style and in perspective; they are, as Ewald observes, lyric and poetic, rather than oratorical and epic; they are the best means of showing us the primitive tendencies of language; they may be compared to the utterances of a fair and intelligent infancy retained in a manhood which has not fulfilled the brilliant promise of its early days.

The Semitic family has three main branches—viz., the Aramaic, divided into two dialects, Syriac and Chaldee; the Hebrew, with which is connected the Carthaginian and Phœnician, and the Arabic. Besides these the Egyptian, the Babylonian, and the Assyrian and the Berber dialects are now considered to have a Semitic character, such at least is the conclusion arrived[199] at by those whose authority is of the highest importance—viz., Champollion and Bunsen in the case of Egyptian, MM. Lassen and Eugène Burnouf, Dr. Hincks and Sir H. Rawlinson in the case of Assyrian, and Prof. F. Newman in the case of the Berber dialects.[249] It is admitted, however, that the people speaking these languages were the cognate rather than the agnate descendants of Shem; and it must not be overlooked, that the conclusion which would rank these languages as indubitably Semitic is rejected by philologists so celebrated as MM. Pott, Ewald, Wenrich, and Renan.[250]

III. All languages which belong to neither of these two great families have been classed together under the name of the Turanian, Nomadic, or Allophylian family,[251] which “comprises all[200] languages spoken in Asia or Europe, not included under the Arian and Semitic families, with the exception perhaps of the Chinese and its dialects.”

The chief labourers in the field of Turanian philology were Rask, Klaproth, Schott, and Castren; but even M. Müller, one of the main authorities for the classification of the various branches of language which occupy this wide range (e.g., the Tungusic, Mongolic, Turkic, Samoiedic, and Finnic), candidly admits that the characteristic marks of union ascertained for this immense variety of languages, “are as yet very vague and general, if compared with the definite ties of relationship which severally unite the Semitic and the Arian.” He argues, however, that this is exactly what we should have expected, à priori, in the case of Nomadic languages spoken over an area so vast; languages which have never been the instruments of political organisation, which have no history in the past and no destiny in the future, and which never had any literature to give fixity to their acknowledged unsettledness. Though the “Turanian” languages occupy by far the largest portion of the earth (viz., all but India, Arabia, Asia-Minor and Europe), there is not a single[201] positive principle, except perhaps agglutination, which can be proved to pervade them all.[252]

It is impossible here to examine the arguments on which the unity of this family has been considered to be approximately established, while it is admitted that this unity does not admit of any proof so strong and decisive as in the case of the Indo-European and Semitic families. Those who seek the evidence will find it stated, at full length, and with great eloquence and ability, by Prof. Max Müller, in his “Survey of Languages,” and also in Baron Bunsen’s “Outlines.” Suffice it here to say, that to many the vast group of Tartaro-Finnic languages still appear to be purely sporadic, and to have no common character except such as is involved in their being neither Arian nor Semitic, i.e., in the purely negative trait of an absence of certain development. Under these circumstances, we think that for the present it would be far better to call these languages by the purely negative[202] name, Allophylian,[253]—a name which involves no hypothesis, and which has the advantage of being the simple assertion of a fact.

But even supposing that we unhesitatingly admit a postulate so large as that required of us, by the supposition that the Nomad languages may be united into one family, which has points of affinity with the dialects of Africa and America, and even with Chinese, the further and more important question still remains; Are there any points of osculation between the languages of these three great distinct families? Is there any evidence in the present state of philology sufficiently strong to induce a scientific belief in the primitive unity of human language, and therefore of the human race? The answer to that question must be found in the next chapter, and I need only premise, that it is here treated as a question of pure science, and is entirely separated from its theological bearings. The question before us is not “must we believe in the unity of the human race?” but “does philology furnish any proofs or presumptions of the unity of the human race?”

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CHAPTER X.
ARE THERE ANY PROOFS OF A SINGLE PRIMITIVE LANGUAGE?

Besides the immense number of languages now spoken over the surface of the globe, we must remember that hundreds have now died away altogether, and left no trace behind them. Even in our own times, languages are dying out; the last person who could speak Cornish died almost within this generation,[254] and it is probable that Manx will not long survive, although it may be violently galvanized into a semblance of vitality. Many of the sporadic dialects, spoken by the North American Indians, have disappeared with the tribes that spoke them; and Humboldt even mentions that he had seen a parrot which was the only living thing that preserved the articulation of one forgotten[204] tongue. Every extant language has grown out of the death of a preceding one.[255] “Like a tree, unobserved through the solitude of a thousand years, up grows the mighty stem, and the mighty branches of a magnificent speech. No man saw the seed planted; no eye noticed the infant sprouts; no register was kept of the gradual widening of its girth, or of the growing circumference of its shade, till the deciduous dialects of surrounding barbarians dying out, the unexpected bole stands forth in all its magnitude, carrying aloft in its foliage, the poetry, the history, and the philosophy of an heroic people.”[256]

Thus the Greeks and Romans[257] displaced by their dominant idioms numerous languages of Southern and Central Europe; the Arabs effaced the indigenous dialects of a large portion of Western Asia, and Northern and Eastern Africa; the Spanish and Portuguese have expelled a crowd of American languages. Again, the Visigoths and Alani lost in Spain both their name and their language; the Ostrogoths and Heruli suffered the same fate in Italy; and in[205] short, we may fairly suppose that the dead languages of the world are nearly as numerous as those that are still living.

Passing over the dead languages, is it possible to deduce even all living languages from one primitive speech?

Even those who believe in a primitive language admit that the three families of language are irreducible, i.e. incapable of being derived from one another.

“These three systems of grammar (Arian, Semitic, and Turanian), are,” says Professor Max Müller, “perfectly distinct, and it is impossible to derive the grammatical forms of the one from those of the other, though we cannot deny that in their radical elements the three families of human speech may have had a common source.”

Attempts have, indeed, been made to connect Hebrew and Sanskrit, but the adduced points of osculation are so few and dubious, that such attempts must be pronounced to be egregious failures. Dr. Prichard endeavoured to prove a connection between Celtic and Hebrew, but “he succeeds no better than those who had made the same attempt before him. In nearly every case, the identity of the terms compared is[206] questionable, and in many it is demonstrably imaginary.”[258]

It must then be allowed, that the Indo-European and Semitic families are in their grammatical system (which affords the truest, if not the only test of affinity) radically distinct, and can in no way be derived from each other. The motto of the old school, that “all languages are dialects of a single one,” must be abandoned for ever.

But even if it could be shown that there is an affinity between Hebrew and Sanskrit, a far more difficult task would remain for those who endeavour to prove from philology the original unity of the human race; for it would be still necessary for them to show further the Turanian unity, and the possibility of a primitive nucleus, not only for Semitic, and Arian, and Turanian languages, (assuming this to comprise even the Malay,[207] Australian, Papuan, Kaffir, Esquimaux, &c.), but also for these languages and the ungrammatical, unagglutinative, monosyllabic Chinese. Yet, such is the task undertaken, with vast learning and marvellous ingenuity, by Professor Müller and Baron Bunsen. It will, however, be admitted, that the proved existence of great irreducible families is a strong à priori evidence against them. Let us examine some of their main arguments.

1. “Though in physical ethnology we cannot derive the Negro from the Malay, or the Malay from the Negro type, we may look upon each as a modification of a common and more general type. The same applies to the types of language. We cannot derive Sanskrit from Hebrew, or Hebrew from Sanskrit: but we can well understand how both may have proceeded from one common source.”[259]

Thus it is argued, that although these families of language cannot, in their present state, have been derived from each other, yet it is possible to suppose that they are widely diverging radii from the same original centre; that they may all have sprung from a primitive language, whose existence we may conjecture, just as we should[208] have conjectured the existence of such a language as the Latin, to account for the numerous marks of affinity between the Romance dialects.

But this proposition is hedged in by difficulties. The very unity of the great Arian and Semitic families tells powerfully against it. If the members of these families retain, after the separation of many hundred years, the most striking similarity, in the roots of the words which refer to the relations of life, and to the primitive acts of weaving and the working of metals, how is it possible to believe that the points of resemblance between Sanskrit and Hebrew, or between Chinese and Greek, are so extremely few, and so dubiously vague, that they hardly afford the shadow of a presumption in favour of the hypothesis which they are adduced to support? Even if we grant the postulated length of time—thousands and thousands of years—which take us back to a period when historical “chronology borders on the geologic eras,” which will alone render such a diversity of sister languages possible, we confess that it still appears to us so improbable, that it rather wears the appearance of an arbitrary hypothesis, than an inductive conclusion.

2. The main affinities supposed to exist between[209] language of the different families, will be found at large in the “Outlines of the Philosophy of Universal History.” Great stress is there laid (i.) on the supposed discovery of certain non-Sanskritic elements in Celtic, which form the link by which the Indo-European family approaches the Turanian formations; and (ii.) the establishment of a connection between the Arian and Semitic families, by a reduction of the Hebrew triliteral roots to biliteral ones.

(i.) While wishing to allow the fullest weight to everything which has been adduced by Dr. Meyer in proof of this discovery, and not professing to be fully able to weigh the value of the evidence, we cannot think that his researches have at all settled the question. Beyond certain accidental and vague resemblances, a few lexicographical similarities[260] easily explicable by onomatopœia, and a few words[261] adopted in consequence of foreign[210] influences, and that general affinity which we should expect from the ascertained fact of the psychological unity of the human race, nothing that we have hitherto met with seems at all adequate to counterbalance the enormous difficulty of supposing that families, closely united together, yet radically distinct from each other, could, even during thousands of years, have diverged so widely from a common source. Again, we must ask, if it was possible for one primitive language to pass through stages of development so irreconcilably different as those represented by Hebrew and Sanskrit, what cause can be adduced sufficient to account for the fact that after the lapse of three millenniums, a Lithuanian peasant could almost understand the commonest of Sanskrit verbs?[262]

The Chinese must always remain a stumbling-block in the way of all theories respecting a primitive language. Radical as is the dissimilarity between Arian and Semitic languages, and wide as is the abyss between their grammatical systems, yet they almost appear like sisters when compared with the Chinese, which has nothing like the organic principle of grammar at all. Indeed, so wide is the difference between Chinese[211] and Sanskrit, that the richness of human intelligence in the formation of language receives no more striking illustration than the fact that, as we have already observed, these languages have absolutely nothing in common except the end at which they aim. This end is in both cases the expression of thought, and it is attained as well in Chinese as in the grammatical languages, although the means are wholly different.

(ii.) Very great stress has been laid on the general lexicographical affinity between Hebrew and Sanskrit, produced by the reduction of the Hebrew triliteral roots to biliteral ones. This was suggested by Klaproth, and supported with great learning and industry by Fürst and Delitzsch. We have already alluded to it, and can only repeat here, that it is not accepted as certain, or even as probable, by some high authorities. We cannot now recount the numerous and weighty objections brought against this attempt by the historian of the Semitic languages[263]—objections derived mainly from the extreme laxity of the process which even involves the extraordinary hypothesis, that these triliteral roots were formed by prefixes and suffixes, and that the prefixes have nothing determinate about them,[212] but that every letter in the alphabet might be used for the purpose,—an hypothesis contrary to the most essential principles of language. It will be sufficient to repeat his questions. How can we conceive the passage from the monosyllabic to the triliteral stage? What cause can be assigned for it? At what epoch did it take place? Was it due to the multiplication of ideas or the invention of writing? Was this stage of grammatical innovation the result of chance, or of a common agreement? To these inquiries, no answer ever has been or can be given. The supposition of an original biliteralism must be considered (as we said before) simply as a convenient hypothesis, and must not be taken for an historical fact.

Languages, of course, develop; but it is, as we have seen, by the germinal development of a rudimentary idea, and not by this process of gross exterior concretion for which no single parallel can be suggested. The only monosyllabic dialects which we know, viz., those of Eastern Asia, have continued monosyllabic for unknown ages. Chinese cannot attain to a grammar, and the Semitic languages could never arrive either at regularly written vowels, or at a satisfactory system of moods and tenses. Grammar is to a[213] language its unalterable individuality. The growth and change of language has nothing analogous to grammatical revolution; it is due to a silent, a spontaneous, an unconscious genius, not to deliberate reflexion, or conscious alteration. All idioms which have been artificially altered (e.g. Rabbinic Hebrew), betray the fact by their harshness and awkwardness,—their want of harmony and flexibility; they bear no resemblance to those languages which are the genuine instrument of a nation’s thoughts.

3. Undoubtedly the strongest argument in favour of a Primitive Language arises from the phenomenon of several languages which appear to occupy an anomalous position on the frontier of the great kingdoms of speech, and to present a lexicographical affinity with one family, and a grammatical affinity with another family. Such languages are the Egyptian, the Berber, the Touareg, and generally the languages of Northern and Eastern Africa, which resemble the Semitic tongues, in some parts of their vocabulary, but differ widely from them in all the rest. Similarly, the Tibetian and Burmese stand on the confines of the monosyllabic languages.

Perhaps the only way to account for these strange appearances is to suppose that language[214] had a period of primitive fusibility,[264] during which they were susceptible of great modification from contact with other languages also in an ante-historical and embryonary state. It is impossible, otherwise, to explain the identity, for instance, of the pronouns and numerals in Coptic and the Semitic languages, or to account for the fact that among different races t is the sign of the second person singular, and n, of the first person plural. The analogies which guided the first men in such cases entirely escape our power of perception. Philology in its present state has not sufficient materials to decide how can it be that a few essential elements in a vocabulary should be nearly the same in two languages, while yet they differ totally in so important a particular as the flexions of the noun and verb. We know, however, as an historical fact, that wide as is the difference between the Semitic and Egyptian systems of civilisation, and different as are the physical traits of the two nations, yet that for many ages the Semitic influence was very strongly felt in Egypt.[265] Egypt, indeed, was only a narrow valley, surrounded by Semitic Nomads, who lived side[215] by side with the sedentary population; sometimes victorious, sometimes subject,—always detested. The Egyptian language belongs then to a Chamitic family, to which also belong the Berber, and other indigenous languages of Northern Africa; a family which is spread in Africa from the Red Sea to Senegal, and from the Mediterranean to the Niger.

Of these languages, the Berber presents numerous grammatical affinities with the Hebrew, but is completely distinct in its vocabulary. This, too, may be accounted for by the fact, that it has also been submitted to long ages of Semitic influence, in consequence of its relations with Carthaginian and Arabic. The possibility of a state of language so incomplete as to admit of these radical influences from contact with superior idioms, is an important subject for philological inquiry.

We are forced then to conclude that whatever may be the other arguments, physiological and historical, for a material unity of the human race, a belief, which understood in a high psychological sense, will meet with universal acceptation, philology alone, so far as it has yet proceeded, adds no contribution to the probability of such a view. Of the primitive men we know little or nothing, nor can we advance beyond the region of conjecture;[216] but language does reveal to us something about the origin of nations, and the apparition of the main races of humanity would appear to have been in the following succession.

‘1st. Inferior races which have no history, covering the soil since an epoch which must be determined by geology rather than by history.[266] In general, these races have disappeared in those parts of the world where the great civilised races have advanced. The Arians and the Semites have everywhere found the traces of these half-savage tribes which they exterminate, and which often survive in their legends as gigantic or magical, and autochthonous races. The relics of their primitive humanity are found in those parts of the world where the great races have not established themselves, and they present a profound diversity, varying from the sweet and simple child of the Antilles to the voluptuous Tahitian, and the wicked population of Borneo and Assam. But wherever found, these primitive tribes betray an absolute incapacity for organisation and progress; and they wither away before the advance of civilisation, and pine into a sickness and[217] decay from which, as far as we can see at present, not even the healing influences of Christianity are sufficient to rescue them.[267]

‘2ndly. The apparition of the first civilised races; Chinese in Eastern Asia, the Cushites and Chamites in Western Asia and Africa. Early civilisations stamped with a materialistic character; religious and poetic instincts slightly developed; a feeble sentiment of art, but a refined sentiment of elegance; a great aptitude for manual arts and the applied sciences; literatures exact, but without an ideal; a turn for business, but an absence of public spirit and political life; perfect administrations, but little military aptitude; language monosyllabic and flexionless (Egyptian, Chinese); hieroglyphic or ideographic systems of writing. These races have a history of three or four thousand years before the Christian era. All the Cushite and Chamite civilisations have disappeared before the advance of the Arians and Shemites; but in China this type of primitive civilisation has survived even to the present day.

‘3rdly. Apparition of the great noble races,[218] Arians and Shemites, coming from the Imäus. These races appeared simultaneously in history, the Shemites in Armenia, the Arians in Bactriana, about two thousand years before the Christian era. Inferior to the Chamites and Cushites in external civilisation, material works, and the science of imperial organisation, they infinitely excel them in vigour, courage, poetic and religious genius. The Arians far surpass the Shemites in political and military arts, and in their intelligence and capacity for rational speculation, but the Shemites long preserved a religious superiority, and ended by drawing almost every Arian nation to their monotheistic conceptions. In this point of view Islamism crowns the essential work of the Shemites, which has been to simplify the human spirit—to banish polytheism and those enormous complications in which the religious thought of the Arians became entangled. This mission once accomplished, the Shemite race rapidly declines, and leaves the Arian race to march alone at the head of the destinies of mankind.’

Such are some of the conclusions to which philology would seem to point; but they are only stated with a perfect readiness to abandon all present inferences when we are required to[219] do so by a wider knowledge, and with a profound consciousness that what we know as yet is but a drop compared to the ocean, which is still untraversed and unknown.

[220]

CHAPTER XI.
THE FUTURE OF LANGUAGE.

We have seen that philology offers no proof of a universal primitive language. The question now arises, Is there any probability of a universal future language? Does it seem likely that the day will ever come when all men shall be of one speech? The noble Indo-Germanic race has carried its power and its conquests over a vast surface of the globe, and our own tongue[268]—which receives by common consent the meed of the most powerful of existing languages—is probably spoken by at least a hundred millions of the human race. Have we any reason to believe[221] that English will hereafter prevail over every other dialect, and become in some form or other the language of the world?

That the Arian race is the destined inheritor of the future world seems clear to the least discriminating glance, because it has proved itself to be the race most capable of perfectibility, and therefore most worthy of power. But that any one language spoken by the various branches of their race will ultimately prevail to the exclusion of all others is an event which hardly seems probable; if probable, it is still in the present state of the world undesirable; and even were it certain, yet the permanent existence of such a language is incompatible with the present condition of human intelligence.

1. The development of a future universal language seems improbable. It is true that dialects become merged in languages, and these languages lost in others still more extensive, just as streams flow into rivers, and rivers into the sea. It is true that diversity of idioms is the characteristic of barbarism, and unity the slow result of civilisation. But against these considerations we must set the extraordinary tenacity of national associations and national characteristics. However far we may look into the future, we see[222] nothing to show us that the distinctions of nations were not intended to be as permanent as the oceans that divide them; and nothing to make us expect that all humankind will be gathered hereafter (in its present general condition) under one universal empire, and into one school of religion and of thought.

2. But even were it probable that there would be only one language hereafter, such a consummation would not be desirable, because it would greatly hinder the search for truth, and would tend to reduce men to a dead level of uniformity, a Chinese dryness and mediocrity of intelligence. It is, indeed, conceivable that a universal growth of mammon-worship, making merchandise almost the only occupation of mankind, might tend to give to languages that form of practical abbreviation which we find in telegraphic despatches, and which, to economise phrases and expense, neglects grammar, and puts down the smallest possible number of words, with no desire beyond that of being barely understood.[269] But such abbreviation, useful as it may be for certain purposes, would, if applied to all the forms of language, despoil it for ever of all ornament and all poetic charm, and so far from enabling us to[223] rival the noble languages of antiquity, would reduce us to a condition from which the instincts of our race would inevitably break loose, to begin a fresh career of discovery and thought.

“Truths,” said Coleridge,[270] “of all others the most awful and interesting are too often considered so true that they lose all the power of truth, and lie bed-ridden in the dormitory of the soul, side by side with the most despised and exploded errors.” By frequent use, as by repeated attrition, the brightness and beauty of a word is worn bare, and it requires a distinct effort of attention to restore the full significance to the forms of expression with which we are most familiar. “Hence it is,” says Mr. Mill,[271] “that the traditional maxims of old experience, though seldom questioned, have often so little effect on the conduct of life, because their meaning is never, by most persons, really felt, until personal experience has brought it home. And thus, also, it is that so many doctrines of religion, ethics, and even politics, so full of meaning and reality to first converts, have manifested a tendency to degenerate rapidly into lifeless dogmas, which tendency all the efforts of an education expressly and skilfully directed to[224] keeping the meaning alive are barely found sufficient to counteract.” The weight and importance of these remarks will best be felt by those who have observed how new and rare meanings are perceived when we read the words, for instance, of Holy Writ in their original language, and lose sight for a moment of those groundless fancies with which long association has confused our perception. To study the Bible in other languages than our own is like looking upon the Urim and Thummim when, for him who rightly consulted it, the fire of the divine messages flashed upon its oracular and graven gems.

Hence language is most important, is almost indispensable to the human race for the perpetual preservation of truths which would otherwise be banished “to the lumber-room of the memory,” rather than be prepared for use “in the workshop of the mind.” For words are constantly acquiring new shades of meaning in consequence of the things which they connote, and to such an extent is this the case, that our quotations of an author’s actual words often involve a gross anachronism, because his “pure ideas”[272] have[225] often become our “mixed modes.” If, for instance, we were to use the word “gravitation” in translating various passages of ancient authors, we might be led to assert that the great discovery of Newton had been anticipated by hundreds of years; and yet we know that those authors had no conception whatever of the law which that word recalls to our minds.

Both in the history of the world, and in the growth of individual intellects, the study of language has produced the noblest results. To it more than to any other cause we owe the outburst of freedom in thought which produced the Reformation, and the mighty advance of humanity which followed that emancipation of the intellect of Europe from the ignorance fostered by a depressing superstition; and to it in very great measure we owe the matchless power and beauty of our own tongue. “Indeed, the adoption of words from dead languages into English has, above all other causes, tended to increase the number of our simple ideas, because the associations of such words being lost in the transfer[226] they are at once refined from all alloy of sense and experience.”

The old Roman poet,[273] proud in the unusual erudition which had made him master of three languages, used to declare, that he had three hearts, and his opinion has been echoed by a modern poet[274] with emphatic commendation—

The Emperor Charles V. went still further, and declared that “in proportion[275] to the number of languages which a man knew, in that proportion was he more of a man.” There may have been exaggeration in this expression, but at any rate it arose from the conviction of an important truth. And we may add with Göthe the undoubted[227] certainty, “Wer fremde sprache nicht kennt, weiss nichts von seiner eigenen.” Perhaps in this sentence we may find the reasons why so few know their own language in half its richness and power.

3. A universal language could not, in the present state of human intelligence, last for any long period. New circumstances of life, new discoveries of thought, new conquests of art and science, would require new forms of expression. The influences of climate and history would produce fresh revolutions in the character of nations, and the change of character would necessitate modifications of the prevalent idiom, which in the course of time would diverge so widely from the parent language, as to be unintelligible unless separately acquired. There is in language, as we have seen repeatedly, an organic life; it is an incessant act of creation, ever progressing, ever developing. To reduce it to one stereotyped[276] and universal form would be to contradict the very law of its being, by substituting an eternal immobility for that power of growth and alteration which constitutes its very existence.

If all men be hereafter of one speech, it can[228] only be after they have arrived at a condition when knowledge has superseded the necessity of inquiry, when intuition supplies the place of discovery, and certainty has been substituted for faith. As far as the science of philology can pronounce an opinion, we must infer, that the familiar line will remain true henceforth as heretofore—

[229]

APPENDIX.

A LIST OF SOME BOOKS, VALUABLE AS AIDS IN THE GENERAL STUDY OF PHILOLOGY.

German.

French.

English.

I have here indicated a few only out of a very large number of books which will be found useful by a Philological student. The list might be very easily and very considerably enlarged, but any one who once takes up the study will find in the books here mentioned ample materials on which to commence. The questions suggested by the[231] study of Language are so closely connected with those of Moral Philosophy, that almost every philosophical work contains matter valuable to the Philologist. From Plato, Aristotle, and Cicero, down to Locke and Leibnitz, there is no great philosopher who has not in some degree entered on reasonings respecting the nature and origin of Language. Perhaps there is no more important result from the study of Language than the greater clearness which it necessarily gives to our metaphysical conceptions, and the attention which it necessarily turns to the phenomena of the mind.

THE END.

BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.

FOOTNOTES:

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