G I B S O N
NEW CARTOONS
A BOOK OF
CHARLES DANA GIBSON’S
LATEST DRAWINGS
CHARLES SCRIBNER’S SONS
NEW YORK 1916
Copyright, 1916, by Charles Scribner’s Sons
Copyright, 1912, 1913, 1914,
1915, 1916, by Life Publishing Company
Published October, 1916
Thanks are due to the publishers of Life for their courtesy in allowing the publication of Mr. Gibson’s drawings in this book.
He: Who is that tramping around overhead?
She: Oh, that’s only papa. He always gets restless towards morning.
Little Sister: A widow? What’s a widow?
Big Sister: A lady what’s had a husband and is goin’ to have another.
He: It’s perfectly awful the way you continue to flirt with your old sweethearts. I don’t believe you love me any more. And yet, before we were married, you told me I was a man of a thousand.
She: So you were, my dear, so you were. But I can’t entirely forget the other nine hundred and ninety-nine.
Famous Actor: Oh, yes, I’m married, but I always think it’s kind o’ tough on a girl that marries one of us travelin’ men.
“Still, it might be worse. I suppose you’re away from home most of the time.”
BOTANY IN THE BOWERY
“Where did you get those flowers, little girl? Off a tree?”
“No, sir.”
“Off a bush?”
“No, sir.”
“Where?”
“Off a lady.”
“Between me an’ you, Uncle Jasper, don’t you get awful tired of doin’ what you’re told? Don’t be scared to answer. I won’t give you away to Aunt Jane.”
“Arthur says when he is at your house he acts just like one of the family.” “Yes, he seems to be just as much afraid of my wife as I am.”
“I had a poet on one side and a millionaire on the other.”
“What did you talk about?”
“I talked to the poet about money and to the millionaire about the intellectual life.”
Skimpy Mistress (scenting unaccustomed delights): Sarah, what is that I smell?
Undernourished Maid of all Work: I think it must come in from next door.
“You don’t mean to say, Estelle, that you are tired of settlement work?”
“But, Auntie, dear, poor people are so monotonous.”
TRAGIC MOMENTS
When your rich aunt arrives unexpectedly and finds you haven’t hung the portrait she sent you at Christmas.
TRAGIC MOMENTS
Dad is introduced to the man of her choice—“the nicest, sweetest thing in all the world.”
TRAGIC MOMENTS
Strong-minded Lady (on meeting the bride and groom): I trust you will be as happy as we have been.
“I don’t think married life is ever happy, anyway.”
“Then, why don’t you divorce your husband?”
“I’d rather quarrel with him than with strangers.”
Editor: Have you ever written any editorials?
College Graduate: No, sir; but I think I might train my mind down to it.
DO WOMEN PROPOSE?
Mr. Wooden always wanted a tall, serious wife, while his friend Chubb intended to marry a cheery little woman.
“Can you come to the jeweler’s with me to-morrow, dearest? I’d like you to choose the ring yourself.”
“In that case perhaps you’d better save up a little longer, darling.”
A SAVING GRACE
“Louise, I really cannot permit you to read novels on Sunday.”
“But, Grandmamma, this novel is all right; it tells about a girl who was engaged to three Episcopal clergymen, all at once.”
A TRAGIC MOMENT FOR SMYTH (WHO MARRIED FOR A HOME)
Mrs. S. (who has the money) objects to the size of his tailor’s bill.
“Why aren’t you ready, Isabel? You know very well the opera begins at eight-fifteen.”
“Oh! Gracious! I forgot all about it. I’ve been so busy writing this article on preparedness.”
WHEN THEY GET THEIR RIGHTS
“It’s only fair to warn you that my son has never had a father’s care and doesn’t know the first thing about housekeeping.”
LEAP YEAR
He: You never compliment me any more on my appearance.
She: Oh, charming! Charming! Charming!