The Project Gutenberg eBook, The Fairy and the Witch, by A. D. Nelson This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: The Fairy and the Witch Author: A. D. Nelson Release Date: September 13, 2020 [eBook #63192] Language: English Character set encoding: UTF-8 ***START OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH*** E-text prepared by Mary Glenn Krause, David E. Brown, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/fairywitch00nels Transcriber’s note: Italicized or underlined text is surrounded by underscores: _italics_. Emboldened text is surrounded by equals signs: =bold=. THE FAIRY AND THE WITCH by A. D. NELSON. [Illustration] Price 15 Cents Eldridge Entertainment House Franklin, Ohio * * * * * * --HERE ARE-- SOME OF OUR VERY NEW TITLES It is always a satisfaction to be the first to get hold of new and novel entertainments, and here is =YOUR= chance: PLAYS FOR FEMALE CHARACTERS Aunt Deborah’s First Luncheon 25c When Shakespeare Struck The Town 25c Ye Tea Party of Ye Olden Time 25c TWO CLEVER MUSICAL PLAYS FOR CHILDREN Under The Sugar Plum Tree 40c In Little Folks Town 40c TWO NEW MOCK TRIALS Father Time’s Christmas Trial 15c Will Soakum’s Matrimonial Bureau 25c THREE SPLENDID BOOKS Dramatic Stories, Myths and Legends { Paper 35c; Boards 50c For Children--The Stage or School Room { Good Stunts for Commencement Week 50c Novelties That Will Enliven This Festive Occasion What to Say for Closing Day 30c Good Dialogs, Exercises, Etc. for Closing Day. SEND ORDERS TO ELDRIDGE ENTERTAINMENT HOUSE Franklin, Ohio * * * * * * THE FAIRY AND THE WITCH An allegorical sketch for Hallowe’en, in which is related the fall of Black Witch and the rise of White Fairy. by A. D. NELSON. Copyright, 1915, Eldridge Entertainment House. ELDRIDGE ENTERTAINMENT HOUSE. FRANKLIN, OHIO. PROPERTIES. One black kettle or cauldron, of iron. One tripod constructed of rough sticks about 2 inches in diameter and fastened at top by wire, chain or rope from which kettle is hung. One wand for White Fairy. One Black Rod for the Witch, to be so constructed that it will break into two pieces at will. One contrivance for making a light appear in witch’s kettle at will. An organ or piano for music, off stage, if desired where indicated in lines of play. CHARACTERS. _White Fairy_--an older child, female. _Black Witch_--adult, female, or an additional effectiveness can be made in the denouement if this be impersonated by a male, speaking in a shrill high-pitched falsetto. _Mirth_--First Fairy Messenger, child, male or female. _Jollity_--Second Fairy Messenger, child, male or female. _Erebus_--Imp of Blackness, child, male or female. _Noctis_--Black Fury of Night, child, male or female. _The Children_--in any number. COSTUMES. Conventional costume for White Fairy; also conventional witch costume for Black Witch with addition of black mask and hood for face and back of head to conceal identity. The witch costume to be so constructed that it can be easily removed. Fairy Messengers clad in white or some diaphanous drapery of light blue or pink. Erebus and Noctis costumes, black, armless inverted sacks running from a point above head to a fullness at shoes with eye-holes, etc., cut in proper place. Children costumes, as they may be dressed. The Fairy and The Witch. (_Scene: A clearing in the forest, with Witch’s kettle suspended on tripod near the Right Front of Stage. No scenery is necessary but an added effectiveness can be secured if play is given out of doors._) (_Enter White Fairy from back of stage, to accompaniment of light, lilting music if desired. White Fairy in pantomime casts spell over region by tripping lightly to right of stage and waving wand, thence over kettle, thence to front, thence to left. Exit White Fairy at rear, music ceases._) (_Enter Black Witch from left, plods toward kettle chuckling fiendishly. Bends over kettle, presumably examining it, then moves towards left across front of stage during reading of lines._) _Black Witch_ (_boastfully_) Mistress of this black night am I. Witch and wizard of all the powers of night and darkness I am. Supreme above all good in the Spirit World, tonight on mundane earth. I come to work my spell and my skill in arts malign display. Not all the holy saints, who tomorrow rule the day, can wrest from me my power of night--Hallowe’en! (_in derision_) A hallowed evening! Oh, ho, ho! Ah, ha, ha!! From that proud eminence brought low by me and now decreed to devilish deeds and dark! Thus shall it ever be. (_Calling toward left, off stage._) Come now my hosts of somber reputation. Make merry! With fell design make we night hideous. Come Owl and hoot for me! (_Listens, no response, calls louder._) Come Owl! Hoot Owl! (_Owl hoots off stage, left. Aside, chuckling._) Didst hear the old fool hoot? (_Calling owl_) Come nearer Owl, perch thou upon my shoulder. (_Owl hoots again very faintly. Pleading_) Come Owl, Owl come! (_No response. Grows slightly alarmed. Muses_) What portends this? Am I now to lose my power as Jove hath so long menaced? Owl has fled and will not come to me. (_Pauses, resumes hopefully_) Ah, well, in my train come others who will heed and answer me. This night Black Witch must have her way! (_During next lines while calling upon her hosts the Witch moves to and fro calling toward different sections of the region as taste may dictate except as indicated with the lines._) _Black Witch_ Black Cat, most common beast of evil augury, what sayest thou? Come forth Black Cat. Let thy penetrating howl echo through the wood. Roost thou upon my back. Come Black Cat, oh! Black Cat come! (_Pauses, looks expectantly toward tree, no response. Then muses a trifle sadly._) Ah! ’tis indeed a night of evil omen when my own Black Cat forsaketh me. (_Turning hopefully_) Raven! Thou bird of sable plumage, bleak and drear, hear thy mistress call. Sound thy raucous note athwart the evening air. Come Raven! bear me company. (_Pauses, no response. Despairingly_) Raven too is gone and will not heed my voice. (_Brightening_) Oh! well, not yet do we despair, with ill intent and fury unabated call we yet others! (_From front center of stage directly facing audience._) Come snake! sleek-bellied serpent, curse of women, cursed by men, come forth my own beloved. (_Drags point of cane, wiggling, along ground from stage front towards self._) Start from thy hole, oh! snake of mine. Let thy rattling hisses be heard among the leaves. Coil clammily around me! (_Pauses, no response, resumes furiously_) Seven curses be upon thee, pampered pet of Eve, and thou wilt not come! (_Turns away in despair and next calls with rather hopeless air._) Jackal, night prowler of the forest, hast thou joined this motley crew of renegades? (_Pleadingly_) Heed my voice, oh! Jackal! Prithee leave thy secret lair; come forth! Strike thy eerie call weird and dominant! Soft-footed creep through the forest aisles reposing at my feet. (_Pauses, no response, resumes furiously._) Keep to thy den accursed beast forever! Rot and die! _Black Witch_ (_Musing sadly_) Even yet, methinks, I must rely upon my frisky imps of darkness to aid in this foul festival! (_Again brightens hopefully, exclaims_) But no! But no! (_At this line Black Witch should be near front of stage at point directly in front of place where Mirth will enter. During next lines Black Witch raises arms aloft in supplication and backs toward place of Mirth’s entrance._) _Black Witch_ (_Moving backwards, hands aloft in earnest supplication._) Come, Wind of night! oh, Night Wind come! Thy blasting fury loose upon this world! (_Pauses, drops arms, no response, again muses sadly._) Ah! Wind of Night, on which I’ve drifted through the sky these thousand years, hast thou too deserted me? (_Again raises arms aloft and cries in desperation_) Will none come forth to do my will? (_Enter Mirth, silently, directly behind Black Witch. Remains behind B. W. and out of her sight, dogging her footsteps, poking fun at her, making grimaces, etc._) _Black Witch_ (_Moving towards kettle soliloquizing brokenly_) Ah, mighty Jove, hast thou delivered me unto mine enemies on this dark night of all dark nights?--Some one has cast a spell upon the place and for the moment I am powerless--Aye! for the moment! (_looks at her rod as if conscious of it for the first time_) But I have still my trusty rod of black, and it will yet dispel this impotence oppressive--Though my voice fail this rod will fail me not! (_Makes passes over kettle with rod and turning slightly catches sight of Mirth._) _Black Witch_ (_Rather amused as if White Fairy were a foe of small consequence._) Ah, ha! White Fairy is now revealed as Jove’s agent to work my ruin and she hath sent Mirth, her messenger, to haunt my footsteps and bedevil me! (_chuckles, then calls_) Come Erebus, Imp of Blackness, come! Make haste and drive this Mirth away. (_Erebus groans, off stage, left_) (_Enter Erebus from left, treading slowly and heavily_) _Black Witch_ What ails thee, Imp of Blackness? _Erebus_ (_Yawning_) I sleep and cannot wake. My feet drag like lead behind me. (_groans_) My eyes will not open and my body wilts in sleep. _Black Witch_ (_Musing_) It is the dread fairy spell! (_severely to Erebus_) Cease thy deep grumblings and drive Mirth away from here. (_Erebus takes after Mirth. Mirth tripping lightly, Erebus dragging himself along heavily._) (_Exeunt Erebus and Mirth to back of stage._) _Black Witch_ (_Calling, toward left_) Come also Noctis, Black Fury of the night, come too! Speed thee hence. Lend thy brother aid. (_Enter Noctis, moaning and yawning, also treading heavily as if in a stupor._) _Noctis_ (_Lifelessly_) Did call me, mother Witch? _Black Witch_ (_Sharply_) I did, and art thou also sodden with a heavy stupor? _Noctis_ (_Trembling_) I am, dread mother Witch. My eyes refuse to open and my feet will not obey my will. _Black Witch_ (_Impatiently_) Cease thy grumblings and be thankful that you live. (_Enter Erebus from back moving with crestfallen air towards witch._) _Black Witch_ Even now methinks almighty Jove hath delivered this region to White Fairy and our course is run. (_turns to Erebus_) Did Mirth escape thee? (_Erebus bows head_) Sodden Imp! (_to both_) But come, let us brew our witch’s brew. Gather around and with mighty magic incantation will we boil a brew to blight the world. (_Enter Mirth and Jollity from back as Black Witch, Erebus and Noctis move toward kettle. Mirth and Jollity dog footsteps of the three, remaining out of sight poking fun at Witch, etc. Black Witch, Erebus and Noctis begin to spread out around kettle while Black Witch makes few passes with wand. She catches sight of Mirth and Jollity and screeches._) _Black Witch_ (_Screeching_) Erebus and Noctis! fly after these unholy imps of light! (_Erebus and Noctis pursue Mirth and Jollity, the fairy messengers tripping lightly, Erebus and Noctis following heavily. Exeunt, the four, to back of stage._) _Black Witch_ (_following a few steps_) Fly, fly! Let not your footsteps laggard be. Capture them and, returning hence, let their bones and flesh serve but to fill the pot. (_Turns toward kettle, chuckling with glee._) Oh, ho, ho! Ah, ha, ha! Two fairy messengers to grace the witch’s brew. Fine will be the scent as their bones are burned and flesh is boiled into the stew! (_Turning_) Erebus and Noctis, fail me not! (_Enter Erebus and Noctis returning from chase empty handed, from back of stage._) _Black Witch_ Didst let them escape thee, dull imps? _Erebus and Noctis_ (_heads hanging_) Aye, dread mother. _Black Witch_ (_Beating Erebus and Noctis about shoulders with rod_) Stupid dullards! Worthless laggards! See that ye fail me not again! (_Indignant_) Come with me and gather ’round the cauldron. (_They move over to kettle and take positions around it. Black Witch makes passes with rod and at signal from Black Witch all three chant chorus of incantation song. The solo stanzas of this song, also the chorus are to be droned out in a slow, sing-song chant, no particular tune or melody desired. Make it as weirdly unmusical and inharmonious as possible, but let the words “get across” distinctly._) _Chorus_ (_Black Witch, Erebus and Noctis, while moving around the kettle circling slowly._) We’re watching the pot and it’s going to boil; The air will get hot and this region will spoil, But that matters not for we brew witches’ oil. (_Stop circling. Black Witch waves rod. She reaches over and fingers the head of Erebus, tosses hand toward cauldron. Repeats process with Noctis. The three immediately resume circling around kettle while Black Witch sings first stanza in solo._) _Black Witch_ (_solo chant_) 1 A louse and a lizard And two babies fair; The brains of a pole-cat, Some coyote’s hair; Animals, reptiles And birds of the air, We take of their entrails And stir them with care. _Chorus_ (_the three, still circling_) We’re watching the pot and it’s going to boil, The air will get hot and this region will spoil, But that matters not for we brew witches’ oil. (_All cease circling at conclusion of this chorus. Black Witch to be behind kettle facing audience. Erebus and Noctis on each side. While Black Witch sings next stanza the three sway back and forth but do not circle around._) _Black Witch_ (_solo chants_) 2 To those must be added The element, strife; Some envy and malice-- The ills of our life-- Vengeance and jealousy, Backbiting, lies, All put in the kettle With things we despise! (_The three immediately begin circling again and chant chorus._) _All_ We’re watching the pot and it’s going to boil, The air will get hot and this region---- _Black Witch_ (_Interrupting hysterically and shaking rod menacingly towards Erebus and Noctis in turn._) Curses upon thee, torpid imps! Canst not chant with thy wonted vim? Let thy voices swell to the far gods, else will sovereign Jove hear us not. Raise thy voices. I command thee! (_The three resume circling and re-commence the chorus, Erebus and Noctis chanting louder._) _All_ We’re watching the pot and it’s going to boil, The air will get hot and this region will spoil, But that matters not for we---- _Black Witch_ (_Interrupting by beating the kettle with rod and screaming furiously_) Curses upon thee, dead! black! pot!! (_Enter White Fairy at back of stage at word “pot”. Fairy raises wand. Light appears inside of kettle as Black Witch beats it, to be so timed that the glow appears at instant White Fairy raises wand._) _Black Witch_ (_screaming triumphantly_) Ha! ha! it comes! Light comes--light make fire--come fire--fire come! _White Fairy_ (_coming forward and interrupting_) Stop! I command thee, stop! (_Erebus and Noctis shiver, moan and fall prone on the ground, remaining there until told to fly by Black Witch._) _Fairy_ (_From position a trifle to the left and back of kettle, gazing steadily at Witch, ignoring imps._) This night thou art delivered unto me. _Black Witch_ (_moving toward Fairy_) Not so, not so, loathed Fairy. Though ages old I still am young and thou shalt not prevail. _Fairy_ (_calmly_) Thy power is gone---- _Black Witch_ (_Interrupting in derision_) Not yet, dear Fairy! (_continues with air of triumph_) See yonder glow in my black pot? With my rod I brought it and it will burn and brighten until thee and thine consumed and parched be, and the whole world blighted. This rod, my power, though it weakened be, is potent still and thou canst do naught against me---- _Fairy_ (_Interrupting with cool hauteur_) That light is mine. I caused it there. Forever it will glow--a fairy gleam to light and bless the world. Thy power is gone, thy rod is dead. (_Black Witch begins to laugh scornfully, moves over and gazes into pot, is startled and laugh is choked down._) _Black Witch_ (_murmuring hopelessly_) ’Tis true. ’Tis true. (_Black Witch grows afraid, moves away from kettle towards left across front of stage, muttering. Fairy maintains her original position but turns around slowly following movements of Black Witch with her eye. Fairy makes passes with wand toward Black Witch. Black Witch trembles and becomes furiously enraged._) _Black Witch_ (_hysterically_) Begone, foul fairy, ere I smite thee dead! _Fairy_ (_Calmly_) Do thy worst. Thy worst is less than none. (_Black Witch grows desperate, approaches White Fairy and raises rod to strike her. At this moment B. W. should be to left of Fairy._) _Black Witch_ With mine omnipotent rod I kill thee! (_Fairy smiles, holds forth her wand. Arms of Black Witch become rigid in mid-air._) _Black Witch_ (_screaming_) Fly Erebus and Noctis, Imps of Blackness, for your lives make haste! Away! Away! (_Exeunt Erebus and Noctis to back passing to the right and behind Witch and Fairy._) _White Fairy_ (_still smiling_) Break rod, rod break! (_Touches rod with wand, rod breaks._) _White Fairy_ (_slightly toward audience_) And thus shall broken be her power forevermore. (_White Fairy waves her wand toward Black Witch, Black Witch trembles, groans, broken piece of rod falls from her hand._) _Black Witch_ (_muttering_) ’Tis true. ’Tis true. Jove hath forsaken me and aids this young sprite to do me harm---- (_words trail off into silence as White Fairy continues to wave wand_.) _White Fairy_ (_Low and rather sadly_) Thy lips are silent now forever. Now thou must sleep--sleep witch, no longer witch. (_White Fairy continues to wave wand slowly. Black Witch nods head drowsily, wilts into sleep and falls to ground._) _White Fairy_ Thou hast fallen. A deeper sleep is thine than fell upon the Imps of Blackness. Sleep forever--wake no more! (_Black Witch exhales one last breath. Dies._) _White Fairy_ (_solemnly_) Thine is a sleep eternal. Thou art dead. (_White Fairy gives one last pitiful look at dead Witch, then turns away smiling._) _White Fairy_ (_calling_) Come Mirth and Jollity! Come, children, come. (_Mirth and Jollity and children, come tripping in with exclamations of childish delight, etc., until they spy the dead Witch; then their cries are hushed, their tripping ceases and they move furtively on tip-toe over to White Fairy glancing at her for explanations._) _White Fairy_ Black Witch is dead. Her power is gone, and Hallowe’en shall always be a hallowed evening--holy night! redeemed from evil by the power of light. Let men rejoice and women sing. Let children play and dance. This night, henceforth, is sacred to the joys of children. (_Children clap hands in applause._) _White Fairy_ Come! let us dance. (_Music starts up. Any lively dance song for children such as can be found in any school music book will be suitable here. All clasp hands and begin to circle around kettle, singing and dancing. Music breaks off and all stop singing abruptly in middle of first stanza. Children all glance towards dead Witch then towards Fairy._) _White Fairy_ What is it, children? _Mirth_ Good Fairy, we want no one to die. _White Fairy_ (_touching Mirth with wand_) Bless you, dear messenger of mine, but the witch is evil and cannot live. _Jollity_ Can’t you give the witch her life but keep her evil power away from her? _Children_ (_in unison_) Please good Fairy, restore the Witch’s life! Please oh! please. _White Fairy_ (_pondering_) Your pleas move me. I will restore the witch’s life. In Spirit world she can no longer live. A mortal, she must dwell upon the earth. (_Children cluster in “background” as Fairy goes toward Witch._) _White Fairy_ (_touching Witch with wand_) Insensate clay awake! Moved by the tears of children, whom thou hast terrified and wronged, I give thee life. Thou canst no longer dwell with spirits. Wake in mortal form! (_Witch begins to show signs of life as White Fairy continues to wave wand._) _White Fairy_ (_Resuming_) Too long hast thou disgraced thy sex in Spirit World, in mortal life thou shalt assume the guise of man. (_During preceding lines Witch must unfasten necessary strings, hooks, etc., to allow entire costume to fall off as she rises. Fairy reads next line upon receiving signal from Witch that all is ready._) _White Fairy_ (_stepping back and raising wand_) Rise mortal man. (_Mortal rises, children cheer._) _White Fairy_ (_Continuing_) Be grateful for thy life. Note--If part of Witch is played by female omit this line and change words to feminine gender in following lines where necessary. In the original production the Witch was effectively impersonated by a young man thus bringing out a stronger anti-climax upon restoration to life. _Mortal_ (_bowing_) I am grateful. (_Fairy disposes of wand by hanging it on her dress._) _White Fairy_ Thy life is due these children. See thou be good to them else will thy life be forfeited to me again. Love them, I command thee. _Mortal_ (_bowing low and gently kissing Fairy’s hand_) I will love them and obey thee, most gracious majesty. (_White Fairy and Mortal clasp hands and turn toward audience._) _White Fairy_ Thus ever shall the powers of night and darkness be dispelled. _Mortal_ And good will triumph over evil everywhere. (_They bow to audience and to each other._) _White Fairy_ Will dance with us, my Lord? _Mortal_ Your majesty doth honor me. (_All join hands circling around kettle and sing dance song. Organ glides into march at end. All march off, Fairy and Mortal in lead, then Mirth and Jollity, followed by children. Exunt all._) CURTAIN. TWO PLAYS FOR BOYS By SEYMOUR S. TIBBALS. Mr. Tibbals has been unusually successful in furnishing boys’ plays that introduce characters true to life. While the plays are strong and forceful in the lessons they teach, clean comedy predominates and the boys like them. “The Millionaire Janitor” A comedy in two acts. Here is a rollicking play for eight or more boys with plenty of action. Just the thing for a Boys’ Class or Junior Y.M.C.A. Easily staged and costumed. Opportunity for introduction of musical numbers and recitations. By introducing such features the play may be used for an entire evening’s entertainment. Price 25 Cents “Up Caesar’s Creek” A splendid play for any number of boys. The characters are real boys and the play deals with their experiences while camping up Caesar’s Creek the performance closing with a minstrel show in camp. Costumes and scenery are not elaborate and the play may be produced on any stage. Price 25 Cents These comedies are protected by copyright, but permission for amateur production is granted with the purchase of the book. ELDRIDGE ENTERTAINMENT HOUSE Franklin, Ohio “_THE HOUSE THAT HELPS_” WE ARE SPECIALISTS IN Amateur Entertainments It is not a side line with us, but we devote our entire time to that business Realizing that many people have grown weary of searching through catalogs and reading entertainments only to discard them as unavailable we appreciate the fact that our customers have often spoken of us as “the house that helps.” We have had practical experience in selecting and producing amateur entertainments and we feel that we know what will please the public, and what can be produced under certain conditions. =Our experience is at your disposal.= Write us, giving full particulars of your special need in the way of an entertainment, and we will select a play, an operetta, a drill or even an entire program for you. =But always enclose a stamp for the reply.= =Remember=, that in addition to our entertainments we carry a large line of publications of other dealers. If in doubt as to the entertainment you desire, send particulars and we will suggest something to fit. We are at your service. ELDRIDGE ENTERTAINMENT HOUSE Franklin, Ohio * * * * * * Transcriber’s note: Obvious typographical errors have been corrected. Inconsistencies in hyphenation have been standardized. ***END OF THE PROJECT GUTENBERG EBOOK THE FAIRY AND THE WITCH*** ******* This file should be named 63192-0.txt or 63192-0.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/6/3/1/9/63192 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. 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