The Project Gutenberg EBook of In His Image, by Bryce Walton This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: In His Image Author: Bryce Walton Release Date: November 20, 2020 [EBook #63813] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IN HIS IMAGE *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
Towering and invulnerable, they stood on the
hills, patiently awaiting their master. Meanwhile,
they slew the vermin crawling below....
[Transcriber's Note: This etext was produced from
Planet Stories Winter 1948.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Jon ran down the long corridor and into the Old Man's room. He was breathless as he threw himself on his face beneath the Old Man's chair made from gypsum. A kind of savage eagerness lighted his face, but the Old Man's face, a frozen pallid ball crinkled into a million lines, was sad and hopelessly resigned.
"I seen 'em," Jon cried. "I seen 'em." His unhealthily pallid body, though big and rawboned, was slender and writhed with a leathery strength that comes with constant effort and exercise rather than diet and sun.
The Old Man shrugged. His voice was a hoarse whisper in that one cavern among the hundred and fifty miles of corridors, interlocking levels and rivers that made up the underground hideaway.
"So you seen 'em, Jon. Many have seen the Mechs. The Mechs might have seen you too. If they ever find us here—well, they'd probe us out, like we were grubs. And they'd burn us with those red-ray eyes. Why'd you go up on top? You know it's against the rules."
Jon got up. His chest heaved. His eyes were polished beads in a thick nest of reddish beard.
"'Cause I don't like livin' in this cave like a grub. I been up twice, and now I can't stay down here anymore. Nobody else's got guts enough to go up. So let 'em stay down here and rot! But I'm going back up on top, Chief. And I'm staying up there."
The Old Man leaned back. He couldn't hide the gleam of gruff respect in his eyes. "Go ahead, Jon, but don't come back down. Once they get on your tail, you can't shake 'em and you'd lead 'em right back here, and then they'd get the rest of us. As far as I know, Jon, we're the only humans left."
Jon's hands clenched. "And so might all of us be dead too. Livin' down here in this cave where they ain't never no sun, eatin' lizards and snakes, and dyin' off one by one anyway. We're all gonna be dead in another year. What's so great about spendin' that year crawlin' and grubbin' down here? Scared to even take one last look at the sun? It's not for me, Chief. I'm leavin'."
The Old Man shrugged again. "Go ahead, I said. Just promise not to ever come back and lead them down here. You'll promise that, Jon?"
Something thickened in his throat, but he managed to say yes. He turned, then twisted back toward the Old Man. "You're smart," he said. "You're supposed to know about when they took over. I've asked others. No one seems to know, and they care less. Would you tell me, Chief. What are they—the Mechs?"
The Old Man's voice echoed strangely against the surrounding grotesque bars of limestone stalactites and stalagmites in multicolored hues of fusing reds and orange, purple and browns. A pinched face peered at them from between the ancient bars, then withdrew its tired eyes.
"Maybe there's fifty humans left down here in Mammoth Hole," the Old Man said softly. "Maybe there ain't nobody else left in the world. Just them with their silent machinery drivin' over the wastes, and their red death eyes sweeping the dark, grubbin' for us. The big war went on and on, nobody knows how long. But humans couldn't fight it. Too much deadly radiation, so they made machines to fight for 'em. The sky and the land were just masses of machines, throwing out clouds and streamers and explosions. The land became nothing but pools and seas of deadly dust, and fire. The sky was clouded with it. And people went underground. They had to go down deep, and they couldn't come back up, what was left of 'em, for hundreds of years and more."
The Old Man was gazing with a distant, haunted expression at the small blind lizard crawling up the painted wall. Jon listened, his skin was cold. A shiver ran down his back.
"Then they started grubbing the humans out, and killing 'em. I don't suppose anyone knows how long it's been since they took over. That's wrong. I wasn't around then. Nor my father, nor my father's father's father. It was long, long before that. It was so long ago that—" The Old Man's eyes widened. His voice choked off with a cloud of unconscious fear that had slipped through.
"They're godly," he whispered. "You seen 'em. They're all shapes and angles, cubes, and small smooth running things. They all shine like metal. And I guess they are metal. Nobody knows what they are. I heard tell when I was a boy that they were just machines. Machines built by humans a long time before. And that somehow or other the hard radiation had put a spark in 'em that made 'em able to think, and move around and organize like humans used to do. But I reckon they're more intelligent than any humans ever were."
Jon backed away. Sweat popped out coldly on his face and chest. "I seen 'em," he choked. "I sneaked on top. I went down to the river. It took me hours to get used to the sun. I waited until the sun started going down, then I sneaked out and looked down the big hill that goes into the valley. I seen two of 'em. They must have been a hundred foot high. They was smooth. They had long snaking arms and single eyes that shot out red beams like fire. They stood on top of the hill against the sun. The sun was red all around 'em. They looked like they were made of metal, all right, Chief. But how can they move by themselves, and—and think, if they're metal?"
The Old Man sighed. "How?" He peered at Jon with tired retreating eyes. "What is thought," he said then. "What was life, ever? Floods of gamma rays bathed them for centuries, and then they were living, and they had thoughts of their own. Humans never got a chance to find out what life was before he took it away from himself. He took it and gave it—to them."
The Old Man dropped his face in his shaking hands. Jon had never heard a man crying before. He backed away slowly, then turned and ran out of the great cavern.
A grey dusky afternoon was dying when Jon crawled out of the small hall between rocks and started writhing down the hill. His eyes stayed open in fearful wonderment until tears rolled down his cheeks. The soft greens and browns of the great forest that thinned up into the hills. There was not the slightest hint that beneath this vast silent beauty, stretched the enormous grotesque underworld of Mammoth Hole.
Nor that in those nameless caverns and corridors along the cold and rushing and naked rivers a few unkempt savages clung to dim memories of centuries-lost power and surface civilization.
Jon stopped. An intangible yet powerful emotion surged in him. "I'm crawlin'," he gritted as he sat up. "I said I was sick a' crawlin.' I ain't a grub. I'm not crawlin' anymore. Not for them damn machines, not for anything. They can't do nothing but kill me, an' what's life down in that hole?"
He stood up. He stood up straight and started walking down the rocky trail, and finally along the smooth greenness beside the river. His strides were long and unhesitating, but inside him was a deep growing horror, as he remembered those shiny silver giants that had stood so silently on the hill against the red sunset. The huge attentive waiting stillness, and the sudden terrible sweep of the red beamed eye and the reaching of the metal arms.
He stopped and looked down at his thin white legs, starved of the sun, knotted and scarred from crawling over the harsh underground paths. He looked at his gnarled pallid fingers quivering in the cold.
He looked up at the sky. A few stars were showing dimly, palely. "Oh God, give me a quick ending when my time comes, that's all I ask. Don't let me crawl anymore on my belly. Give me the guts to keep walkin', straight up, like I'm walkin' now."
There was no answer. There was no sound except the cry of birds in the forest, the drone of insects and other louder noises from the river. He was alone. He walked faster.
But he soon tired, because he had never walked far at a time. Underground, people crawled a lot of the time through narrow holes. And under there no one could walk far unless they went in circles.
He sat down to rest beneath the canopy of stars. He lay back and looked up at them, a feeling of frightful awe pressing down upon him. The night around him was colder now, and the sounds of the night had risen to a hungry song. And then he rolled over with a quick, terrible cry, leaped crouching to his feet.
There were at least a dozen of them. Great shiny angular and cubed monsters sliding noiseless down the hill. A peculiar bluish radiance pushed out around them, bathing the surrounding night in a deadly-seeming pall.
With a pathetic defiance, Jon picked up the heavy stone, stood with legs wide apart, holding the rock in front of him. Every nerve in him shrieked, pulling his muscles away. But he couldn't run. He couldn't run, nor crawl anymore. A kind of dark resigned courage replaced the first impulses of flight, and he hurled the rock. There was a futile thud, and the rock bounded from the great unruffled wall of metal.
Then—for an instant he didn't think the thoughts, the voices, were anything but his own, strange, alien, terrifying, inspired by his own fears.
And then he realized it was the Mechs!
"A grub!"
"Yes. I thought they were all gone."
"No. There are some remaining, deep in the soil. Central File says they are no longer of any danger. But File also retains orders to kill all organic things."
Jon moved toward them. He moved stiffly, a strange and intangible bulwark of purpose shielding him from the screaming horror.
Something of the awful indignity of his position shook him, sent a hot rage throbbing blindly past his temples. He heard his breath coming hard from tightened throat. These great nameless things—machines, intelligent metal, it didn't matter what. They had no idea of what he was, that he had a brain, that he could think. And yet, their gigantic thoughts were plain to him.
Some time, some time so very long ago, he—his kind—humans—had made these things. Had built them up from molten stuff, had put intricate interlocking machinery within them so that they could move, think for themselves, repair themselves. And then—humans had launched the Big War, had released seething seas of basic energy, and somehow these gigantic shiny silvery things had begun to—live.
But to them, Jon, a human, a descendant of the humans that had made them and had given them life, was less than the dirt under their towering, invulnerable radiance. Less than the dust beneath their sweeping red-death eyes. They had no conception that he was anything but a pale, crawling, cave-worm.
Jon walked closer. He was not so much afraid for himself now. There was more of a sweeping terror of the whole situation, the terrible futility and irony. He wasn't afraid to die, and he knew that he had to die now, that there was no escape, no defiance.
He shook his fist at the silent, towering forms. "Damn you! It's me. Man. Man. I'm human. I'm not crawlin'. See, I'm not crawlin', I'm talkin' to you. I'm talkin' and I'm thinkin', too. See."
"It's making noises."
"Yes. All the various species of organic life make noises peculiar to their type. Have you not seen a grub before?"
"No. Let us kill it now. We must report back to Central File. How long will it take to kill all organic life?"
"Central File says it will take many more years, even though now most organic life has been destroyed. We must complete the task soon, you know. Man will return. Glorious Mangod. Mighty Mangod. Mangod the Creator. Mangod the Eternal!"
"Ah yes. Mighty Mangod. How long will it be before the Mangod's coming?"
Jon shivered, reached out a shaking hand as though to support himself against the air. He tried to speak, but his facial muscles seemed frozen. He wanted to say, "I'm Man. I'm your Creator. I made you, long ago." But he could say nothing. Nothing at all.
"That is not known. Mangod made us in his own image, then departed, promising to return. Return to bring us glory and eternity."
"May the Great Mangod who created us from the lifeless stuff of the dirt return soon, for only then may our destiny be fulfilled."
"Yes. May Mangod return soon. Meanwhile, Central File demands immediate action in preparation for that Day. Kill this grub. Soon all organic life that stands in the way of the Mangod's coming will be eradicated."
The thunderous impact of telepathic power roared in Jon's head as he staggered forward, fists clenched.
"FOR THEE, GREAT MANGOD. FOR WHOM WE WAIT."
Jon laughed. Hot tears scalded his face as he laughed. He was still laughing as the red-death eye brightened, leaped out, and silently swept him away.
End of the Project Gutenberg EBook of In His Image, by Bryce Walton *** END OF THIS PROJECT GUTENBERG EBOOK IN HIS IMAGE *** ***** This file should be named 63813-h.htm or 63813-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/3/8/1/63813/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.