The Powder of Sympathy, by Christopher Morley

Produced by: Emmanuel Ackerman, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

THE POWDER OF
SYMPATHY

DEDICATION

Dear Felix, dear Frank:—It is a pleasant circumstance that as one sets about collecting material for a book, scissoring night after night among scrapbooks to determine what may or may not be worth revisiting the glimpses of the press, there comes to mind with perfect naturalness who should carry the onus of the dedication. For a book is a frail and human emanation, and has its own instinctive disposition toward a certain kind of people. These Powders of Sympathy I hopefully sprinkle in your direction.

Another good friend warned me seriously, some time ago, against the danger of being too apologetic in a preface. For, said he, people always read prefaces and dedications, even if nought else; if you deprecate, you at once persuade them to the same attitude. Andvi to you two, of all readers, I need not explain just how these pieces were written, day by day, out of the pressure and hilarity and contention of the mind. I have made no attempt to conceal their ephemeral origin. They were almost all written for a newspaper, and contain many references to journalism. And, if I may speak my inmost heart, I have had a sincere hope that they might, in collected form, play some small part in encouraging the youngest generation of journalists to be themselves and set things down as they see them. If these powders have any pharmacal virtue—other than that of Seidlitz—it is likely to be relative, not absolute. I mean, it is remarkable that they should have been written at all: remarkable that any newspaper should take the pains to offer space to speculations of this sort. I have not scrupled, on occasion, to chaff some of the matters newspapers are supposed to hold sacred. And it is my privilege, by the way, to say my gratitude and affection to Mr. Edwin F. Gay, editor of the New York Evening Post, under whose jurisdiction these were written. With the generosity of the ideal employer he has encouraged my ejaculations even when he did not agree with them.

But a columnist (it is frequently said) is not a real Newspaper Man: he is only a deboshed Editorial Writer, a fallen angel abjected from the secure heaven of anonymity. That is true. The notable increase, in recent years, of these creatures, has been held to be a sign that the papers required more scapegoats, or safety valves through whom readers might blow offvii their disrespect. And that by posting these innocent effigies as decoys, the wicked press might go about its privy misdeeds with more security, and conspire unobserved with the dangerous minions of Capital (or Labour, or the Agrarian Bloc).

However that may be, and unsuspecting whether intended by his scheming employer as a decoy, or a doormat, or a gargoyle, or a lightning rod (how is he to know, never having been given instruction of any sort except to go ahead and write as he pleases?) the columnist pursues his task and gradually distils a philosophy of his own out of his duties. Oddly enough, instead of growing more cautious by reason of his exposure, he becomes almost dangerously candid. He knows that if he is wrong he will be set right the next morning by a stack of letters varying in number according to the nature of his indiscretion. If he is wrong about shall and will, he will get five letters of reproof. If about some nautical nicety, ten letters. If about the Republican Party, twenty letters. If about food, thirty-two. If about theology or Ireland, sixty to seventy. In all cases most of these letters will be wittier and wiser than anything he could have composed himself. Surely there is no other walk of life in which mistakes are so promptly retrovolant.

I have christened these soliloquies after dear old Sir Kenelm Digby’s famous nostrum, the Powder of Sympathy. But in spite of its amiable name and properties that powder was not a talcum. Its basis was vitriol; and I fear that in some of these prescriptionsviii I have mixed a few acid crystals. It was either Lord Bacon or Don Marquis (two deep thinkers whose maxims are occasionally confounded in my mind) who told a story about a dog of low degree who made his reputation by biting a circus lion—thinking him only another dog, though a large one. Two or three times herein I have snapped at circus lions; and probably escaped only because the lion was too proud to return the indenture. Let it be remembered, though, that often you may love a man even while you dispute with him.

But the chief consideration (Frank and Felix) that seems to emerge from our friendship is that the eager squabbles of critics and littérateurs are of minor account; that the great thing is to circulate freely in the surrounding ocean of inexhaustible humanity, enjoying with our own eyes and ears the gay and tragic richness of life. We have had expeditions together, not commemorated in print, that have been both doctrine and delight. The incident of the Five-Dollar Bill we hid in a certain bookshop will recur to your minds; the day spent in New York Harbour aboard Tug Number 18, and her skipper’s shrewd, endearing sagacity. Then consider the Mystery of the House on 71st Street; the smell of Gorgonzola cheese on a North River pier; the taste of asti spumante; the arguments on the Test of Courage! These are matters it pleases me to set down, just as a secret among us. And though I am (you are aware) no partisan of the telephone, there are especially two voices I have learned to hear with a thrill. They say: “Hello! This is Frank;” or “Hello!ix This is Felix!” And I reply with honest excitement, for so often those voices are an announcement of Adventure.

When in October, 1910, we arrived, in a hansom, at the sombre gate of New College, Oxford; trod for the first time through that most impressive of all college doorways, hidden in its walled and winding lane; timidly accosted Old Churchill, the whiskered porter, most dignitarian and genteel of England’s Perfect Servants; and had our novice glimpse of that noble Front Quad where the shadow of the battlemented roof lies patterned across the turf—we were as innocently hopeful, modestly anxious for learning and eager to do the right thing in this strange, thrilling environment as ever any young American who went looking for windmills. No human being (shrewd observers have remarked) is more beautifully solemn than the ambitious Young2 American. And, indeed, no writer has ever attempted to analyze the shimmering tissue of inchoate excitement and foreboding that fills the spirit of the juvenile Rhodes Scholar as he first enters his Oxford college. He arrives with his mind a gentle confusion of hearsay about Walter Pater, Shelley, boat races, Mr. Gladstone, Tom Brown, the Scholar Gypsy, and Little Mr. Bouncer. Kansas City or Sheboygan indeed seem far away as he crosses those quadrangles looking for his rooms.

But even Oxford, one was perhaps relieved to find, is not all silver-gray mediæval loveliness. The New Buildings, to which Churchill directed us, reached through a tunnel and a bastion in a rampart not much less than a thousand years elderly, were recognizably of the Rutherford B. Hayes type of edification. Except for the look-off upon gray walls, pinnacles, and a green tracery of gardens, and the calculated absence of plumbing (a planned method of preserving monastic hardiness among light-minded youth), the immense cliff of New Buildings might well have been a lobe of the old Johns Hopkins or a New York theological seminary. At the top of four flights we found our pensive citadel. Papered in blue, upholstered in a gruesome red, with yellow woodwork, and a fireplace which (we soon learned) was a potent reeker. It would be cheerful to describe those two rooms in detail, for we lived in them two years. But what first caught our eye was a little green pamphlet lying on the red baize tablecloth. It was lettered

Our name was written upon it in ink, and we immediately sat down to study it. Here, we thought, is our passkey to this new world of loveliness.

First we found the hours of college chapel. Then, “All Undergraduates are required to perform Exercises.” In our simplicity we at first supposed this to be something in the way of compulsory athletics, but then discovered it to mean intellectual exercises. Fair enough, we thought. That is what we came for.

“Undergraduates are required, as a general rule, to be in College or their Lodgings by 11 p. m., and to send their Strangers out before that time.... No Undergraduate is allowed to play on any musical instrument in College rooms except between the hours of 1 and 9 p. m., unless special leave has been obtained beforehand from the Dean.... No games are allowed in the College Quadrangles, and no games except bowls in the Garden.” Excellent, we meditated; this is going to be a serious career, full attention to the delights of the mind and no interruption by corybantic triflers.

“A Term by residence means pernoctation within the University for six weeks in Michaelmas or in Hilary Term, and for three weeks in Easter or in Trinity (or Act) Term.”... We felt a little uncertain as to just what time of year Hilary and Act happened. But we were not halting, just now, over technicalities. We wanted to imbibe, hastily, the general spirit and flavour of our new home.... “Every member of the College is required to deposit Caution-money. Commoners deposit £30, unless they signify in writing their4 intention to pay their current Battels weekly; in this case they deposit £10. An undergraduate battling terminally cannot withdraw part of his Caution-money and become a weekly battler without the authority of his parent or guardian.” We at once decided that it was best to be a weekly battler. Battling, incidentally, is a word that we believe exists only at Eton and Oxford; dictionaries tell us that it comes from “an obsolete verb meaning to fatten.” Sometimes, however, in dispute with the Junior Bursar, it comes near its more usual sense. We wondered, in our young American pride, whether we were a Commoner? We were pleased to note, however, that the alternative classification was not a Lord but a Scholar.

We skimmed along through various other instructions. “A fine of 1s. is charged to the owner of any bicycle not put away before midnight.” The owner, or the bicycle, we mused? Never mind—we would soon learn. Coals and faggots, we noted, were variable in price. “The charge for a cold bath is 2d., for a hot 4d., inclusive of bath-towel.” The duties of a mysterious person named as the Bedmaker (but always, in actual speech, the Scout) were punctually outlined. But now we found ourself coming to Kitchen, Buttery, and Store-Room Tariffs. This, evidently, was the pulse of the machine. With beating heart we read on, entranced:

There was something significant, we felt by instinct, in the fact that Treble X was obtainable only by the glass. Vital stuff, evidently. Our education was going to come partly in casks, perhaps? In the Kitchen Tariff we read, gloatingly, magnificent syllables. Grilled Sausages and Bacon, commons, 1/2. Devilled Kidneys, commons, 1/. (A “commons,” we judged, was a large portion; if you wanted a lesser serving, you ordered a “small commons.”) Chop with Chips, 11d. Grilled Bones, 10d. Kedgeree, plain or curried, commons, 9d. (Oh noble kedgeree, so nourishing and inexpensive, when shall we taste your like again?) Herrings, Bloaters, Kippers, each 3d. (To think that, then, we thought the Junior Bursar’s tariff was a bit steep.) Jelly, Compôte of Fruit, Trifle, Pears and Cream. Creams ... commons, 6d. “Gentlemen’s own birds cooked and served ... one bird, 1/. Two birds, 1/6.”

We went on, with enlarging appreciation, to the Store Room and Cellar Tariffs: Syphons, Seltzer or Soda-water, 4½d. Ginger-beer, per bottle, 2d. Cakes: Genoa, Cambridge, Madeira, Milan, Sandringham, School, each 1/. Foolscap, per quire, 10d. Quill Pens, per bundle, 1/6. Cheroots, Cigars, Tobacco, Cigarettes—and then we found what seemed to be the crown and cream of our education, LIST OF WINES.

Port, 4/ per bottle. Pale Sherry, 3/. Marsala, 2/.6 Madeira, 4/. Clarets: Bordeaux, 1/6. St. Julien, 2/. Dessert, 4/. Hock or Rhenish Wine: Marcobrunner, 4/. Niersteiner, 3/. Moselle, 2/6. Burgundy, 2/ and 4/. Pale Brandy, 5/. Scotch Whisky, 4/. Irish Whisky, 4/. Gin, 3/. Rum, 4/.

It is really too bad to have to compress into a few paragraphs such a wealth of dreams and memories. We sat there, with our little pamphlet before us, and looked out at that great panorama of spires and towers. We have always believed in falling in with our environment. The first thing we did that afternoon was to go out and buy a corkscrew. We have it still—our symbol of an Oxford education.

The man who did most (I am secretly convinced) to deprive American literature of some really fine stuff was Mr. John Wanamaker. It was in his store, some years ago, that I bought a kind of cot-bed or couch, which I put in one corner of my workroom and on which it is my miserable habit to recline when I might be getting at those magnificent writings I have planned. Every evening I pile up the cushions and nestle there with The Gentle Grafter or some detective story (my favourite relaxation), saying to myself: “Just ten minutes of loafing”....

But perhaps Messrs. Strawbridge and Clothier (also of Philadelphia) are equally at fault. When I wake up, on my Wanamaker divan, it is usually about 2 A. M. Not too late, even then, for a determined spirit to make8 incision on its tasks. But I find myself moving towards a very fine white-enamelled icebox which I bought from Strawbridge and Clothier in 1918. With that happy faculty of self-persuasion I convince myself it is only to see whether the pan needs emptying or the doors latching. But by the time I have scalped a blackberry pie and eroded a platter of cold macaroni au gratin, of course work of any sort is out of the question.

So do the Philistines of this world league themselves cruelly against the artist, plotting temptation for his carnal deboshed instincts, joying to see him succumb. Once the habit of yielding is established, Wanamaker, Strawbridge and Clothier (dark trio of Norns) have it their own way. Just as surely as robins will be found on a new-mown lawn, as certainly as bonfire smoke veers all round the brush pile to find out the eyes of the suburban leaf burner, so inevitably do the Divan and the Icebox exert their cruel dominion over us when we ought to be pursuing our lovely and impossible dreams. Wanamaker and Strawbridge and Clothier have blueprints of the lines of fissure in our frail velleity. As William Blake might have said:

But one of the things I think about, just before I drop off to sleep on that couch, is My Anthology. Like9 every one else, I have always had an ambition to compile an anthology of my own; several, in fact. One of them I call in my own mind The Book of Uncommon Prayer, and imagine it as a kind of secular breviary, including many of those beautiful passages in literature expressing the spirit of supplication. This book, however, it will take years to collect; it will be entirely non-sectarian and so truly religious that many people will be annoyed. People do not care much for books of real beauty. That anthology edited by Robert Bridges, for instance—The Spirit of Man—how many readers have taken the trouble to hunt it out?

But the Uncommon Prayer Book is not the kind of anthology I have in mind at the moment. What I need is a book that would boil down the best of all the books I am fond of and condense it into a little bouillon cube of wisdom. I have always had in mind the possibility that I might go travelling, or the house might burn down, or I might have to sell my library, or something of that sort. I should like to have the meat and essence of my favourites in permanent form, so that wherever I were I could write to the publisher and get a fresh copy.

This thought came with renewed emphasis the other day when I was talking to Vachel Lindsay. He was saying that he had lately been rereading Swinburne, for the first time in nearly twenty years, and was grieved to see how the text of the poet had become corrupted in his memory. He had been misquoting Swinburne for years and years, he said, and the errors had been growing more and more firmly into his mind. That led10 me to think, suppose we had only memory to rely on, how long would the text of anything we loved remain unblurred? Suppose I were on a desert island and yearned to solace myself by spouting some of the sonnets of Shakespeare? How much could I recapture? Honestly, now, and with no resort to the book on the shelf at my elbow, let me try an old friend:

Then there’s something about a sickle, but I can’t for the life of me quite get it. Presently I’ll look it up in the book and see how near I came.

And all the rest of that sonnet that I can think of is something about “death’s dateless night.” A pretty poor showing. Of course, I should do better on a desert island: there would be the wide expanse of shining sand to walk upon, and I could throw myself11 into it with more passion and fury. The secret of remembering poetry is to get a good barytone start and obliterate the mind of its current freight of trifles. The metronomic prosody of the surf would help me, no doubt, and the placid frondage of the breadfruit trees. But even so, the recension of Shakespeare’s sonnets that I would write down upon slips of bark would be a very corrupt and stumbling text. Favourite lines would be scrambled into the wrong sonnets, and the whole thing would be a pitiful miscarriage of memory.

The only sagacious conduct of life is to prepare for every possible emergency. I have taken out life insurance, and fire insurance, and burglary insurance, and automobile insurance. I have always insured myself against losing my job by taking care not to work too hard at it, so I wouldn’t miss it too bitterly if it were suddenly jerked from under me. But what have I done in the way of Literary Insurance? Suppose, to-morrow, Adventure should carry me away from these bookshelves? How pleasant to have a little microcosm of them that I could take with me! And yet, unless I can shake off the servitude of those three Philadelphia mandarins, Wanamaker and Strawbridge and Clothier, I shall never have it.

When I think of the plays that I would have written if it weren’t for those three rascals.

I wonder, old dear, why my mind has lately been going out towards you? I wonder if you will ever read this? They say that wood-pulp paper doesn’t last long nowadays. But perhaps some of my grandchildren (with any luck, there should be some born, say twenty-five years hence) may, in their years of tottering caducity, come across this scrap of greeting, yellowed with age. With tenderly cynical waggings of their faded polls, perhaps they will think back to the tradition of the quaint vanished creatures who lived and strove in this city in the year of disgrace, 1921. Poor old granfer (I can hear them say it, with that pleasing note of pity), I can just remember how he used to prate about the heyday of his youth. He wrote pieces for some paper, didn’t he? Comically old-fashioned stuff my governor said; some day I13 must go to the library and see if they have any record of it.

You seem a long way off, this soft September morning, as I sit here and sneeze (will hay fever still exist in 2021, I wonder?) and listen to the chime of St. Paul’s ring eleven. Just south of St. Paul’s brown spire the girders of a great building are going up. Will that building be there when you read this? What will be the Olympian skyline of your city? Will poor old Columbia University be so far downtown that you will be raising money to move it out of the congested slums of Morningside? Will you look up, as I do now, to the great pale shaft of Woolworth; to the golden boy with wings above Fulton Street? What ships with new names will come slowly and grandly up your harbour? What new green spaces will your street children enjoy? But something of the city we now love will still abide, I hope, to link our days with yours. There is little true glory in a city that is always changing. New stones, new steeples are comely things; but the human heart clings to places that hold association and reminiscence. That, I suppose, is the obscure cause of this queer feeling that impels me to send you so perishable a message. It is the precious unity of mankind in all ages, the compassion and love felt by the understanding spirit for those, its resting kinsmen, who once were glad and miserable in these same scenes. It keeps one aware of that marvellous dark river of human life that runs, down and down uncountably, to the unexplored seas of Time.

You seem a long way off, I say—and yet it is but an14 instant, and you will be here. Do you know that feeling, I wonder (so characteristic of our city) that a man has in an elevator bound (let us say) for the eighteenth floor? He sees 5 and 6 and 7 flit by, and he wonders how he can ever live through the interminable time that must elapse before he will get to his stopping place and be about the task of the moment. It is only a few seconds, but his mind can evolve a whole honeycomb of mysteries in that flash of dragging time. Then the door slides open before him and that instantaneous eternity is gone; he is in a new era. So it is with the race. Even while we try to analyze our present curiosities, they whiff away and disperse. Before we have time to turn three times in our chairs, we shall be the grandparents and you will be smiling at our old-fashioned sentiments.

But we ask you to look kindly on this our city of wonder, the city of amazing beauties which is also (to any man of quick imagination) an actual hell of haste, din, and dishevelment. Perhaps you by this time will have brought back something of that serenity, that reverence for thoughtful things, which our generation lost—and hardly knew it had lost. But even Hell, you must admit, has always had its patriots. There is nothing that hasn’t—which is one of the most charming oddities of the race.

And how we loved this strange, mad city of ours, which we knew in our hearts was, to the clear eye of reason and the pure, sane vision of poetry, a bedlam of magical impertinence, a blind byway of monstrous wretchedness. And yet the blacker it seemed to the15 lamp of the spirit, the more we loved it with the troubled eye of flesh. For humanity, immortal only in misery and mockery, loves the very tangles in which it has enmeshed itself: with good reason, for they are the mark and sign of its being. So you will fail, as we have; and you will laugh, as we have—but not so heartily, we insist; no one has ever laughed the way your tremulous granfers did, old chap! And you will go on about your business, as we did, and be just as certain that you and your concerns are the very climax of human gravity and worth. And will it be any pleasure to you to know that on a soft September morning a hundred years ago your affectionate great-grandsire looked cheerfully out of his lofty kennel window, blew a whiff of smoke, smiled a trifle gravely upon the familiar panorama, knew (with that antique shrewdness of his) a hawk from a handsaw, and then went out to lunch?

But who will write me the book about New York that I desire? The more I think about it, the more astonished I am that no one attempts it. I don’t mean a novel. I would not admit any plot or woven tissue of story to come between the reader and my royal heroine, the City herself. Not to be a coward, should I try to write it myself? It is my secret dream; but, better, it should be written by some sturdy rogue of a bachelor, footfree, living in the very heart of the uproar. Some fellow with a taste and nuance for the vulgar and vivid; a consort of both parsons and bootleggers; a Beggar’s Opera kind of rascal. I can think of three men in this city who have magnificent powers for such a book; but they are getting perhaps a little elderly—yes, they are over forty! Ginger must be17 very hot in the mouth of my imagined author. He must be young (dashed if I don’t think about 32 is the ideal age to write such a book), but not one of the Extremely Brilliant Young Men. They are too clever; and they are not lonely enough. For this is a lonely job. It’s got to be done solus, slowly, with an eye only upon the subject. It has got to show the very tremble and savour of life itself.

The man who will write this book will not necessarily enjoy it. To get into the secret of Herself he has got to have a peculiar feeling about her. For years he must have wrestled with her almost as a personal antagonist. He must have vowed, since he first saw her imperial skyline serrated on blue, to make her his own; a mistress worthy of him, and yet he himself her master. But he must know, in his inward, that in the end she triumphs, she tramples down mind and heart and nerve. Loveliest enemy in the world, implacable victor over reason and peace and all the quieter sanities of the spirit, her mad, intolerable beauty crazes or silences the sensitive mind that woos her. If you think this is only fine writing and romantic tall-talk, then you know her only with the eye, not with the imagination. With good reason, perhaps, her poets have, for the most part, kept mum. Enough for them to see and cherish in imagination her little sudden glimpses. A girl, slender, gayly unconscious of admiration, poises on one foot at the edge of the subway platform, leaning over to see if the train is coming. That gallant figure is perhaps something of a symbol of the city’s own soul.

There must be many who feel about Herself as I do—and,18 more wisely, are tacit. There are many whose minds have trembled on the steep sills of truth, have felt that golden tremble of reality almost within touch, and rather than mar the half-apprehended fable, have turned troubled away. But there is such poetry in her, and such fine, glorious animal gusto—why is there not some determined attempt to set it down, not with “rhetoricating floscules,” but as it is? Day after day one comes to the attack; and returning, as the sloping sunlight and fresh country air flood the dusty red plush of the homeward smoking-car, readmits the expected defeat. Here is a target for you, O generation of snipers. Let us have done with pribbles and prabbles. Who is the man who will write me the book I crave—that vulgar, jocund, carnal, beautiful, rueful book!

Christmas being the topic, suppose we call upon Mr. Samuel Pepys for testimony. The imperishable Diarist had as keen a faculty of enjoyment as any man who ever lived. He wrote one of the world’s greatest love stories—the story of his own zealous, inquisitive, jocund love of life. Surely it is not amiss to inquire what record be left as to the festival of cheer.

On seven of the nine Christmases in the Diary, Mr. Pepys went to church—sometimes more than once, though when he went twice he admits he fell asleep. The music and the ladies’ finery were undoubtedly part20 of the attraction. “Very great store of fine women there is in this church, more than I know anywhere else about us,” is his note for Christmas, 1664. But in that generously mixed and volatile heart there was a valve of honest aspiration and piety. One can imagine him sitting in his pew (on Christmas, 1661, he nearly left the church in a huff because the verger didn’t come forward to open the pew door for him), his alert mind giving close attention to the sermon of his favourite Mr. Mills, busy with sudden resolutions of virtue and industry, yet happily conscious of any beauty within eyeshot.

The giving of presents was not a large part of Christmas in those days. In 1662 Mr. Gauden gave Pepys “a great chine of beef and three dozen of tongues,” but this had its drawbacks. Pepys had to give five shillings to the man who brought it and also half a crown to the porters. Drink and food were the important part of the festival. At Christmas, 1660, Mr. and Mrs. Pepys, with Tom Pepys as guest, enjoyed “a good shoulder of mutton and a chicken.” This was a brave Christmas for Mrs. Pepys—she had “a new mantle.” We must remember that the fair Elizabeth, though already married five years, was then only twenty years old. Not all Mrs. Pepys’s Christmases were as merry as that, I fear. On Christmas, 1663, she was troubled by anxious thoughts——

Why haven’t the ingenious life insurance advertisers made use of this telling bit of copy?

Christmas, 1668, seems to have been poor Mrs. Pepys’s worst Yule, but perhaps it was only her natural feminine frivolity that caused the sadness. Samuel says:

This noble petticoat was perhaps to be worn at the play they attended the next day, “Women Pleased.” What a pleasant Christmas card that scene would make: Mrs. Pepys sitting, négligée, over the niceties of her needlework, with Samuel beside her “making the boy read to me the Life of Julius Cæsar.” But we do not “get” (as the current phrase is) Mrs. Pepys at all if we think of her as merely the irresponsible girl. For, at Christmas, ’66, we read:

Ah, we have no such mince pies nowadays. Mrs. Pepys’s mince pies were evidently worthy the tradition of that magnificent delicacy, for at Christmas, 1662,22 when Elizabeth was ill abed, Samuel records—with an evident touch of regret—that he had to “send abroad” for one.

Which brings us back to the Christmas viands. In 1662, besides the mince pie from abroad, he “dined by my wife’s bedside with great content, having a mess of brave plum-porridge and a roasted pullet.” We are tempted to think 1666 was Samuel’s best Christmas. Parson Mills made a good sermon. “Then home and dined well on some good ribs of beef roasted and mince pies; only my wife, brother, and Barker, and plenty of good wine of my own, and my heart full of true joy.” After dinner they had a little music; and he spent the evening making a catalogue of his books (“reducing the names of all my books to an alphabet”), which is probably the happiest task a man of Pepys’s temperament could enjoy.

Christmas Eve, 1667, was evidently a cheerful evening. Mr. Pepys stopped in at the Rose Tavern for some “burnt wine”; walked round the city in the moonlight, and homeward early in the morning in such content that “I dropped money in five or six places, which I was the willinger to do, it being Christmas Day, and so home, and there find my wife in bed, and Jane and the maid making pies.” The evening of that Christmas Mrs. Pepys read aloud to him—The History of the Drummer of Mr. Mompesson, apparently a kind of contemporary Phillips Oppenheim—“a strange story of spies, and worth reading, indeed.” It was only in 1660 that the Christmas cheer was a little too much for our23 Diarist. December 27, 1660, “about the middle of the night I was very ill—I think with eating and drinking too much—and so I was forced to call the maid, who pleased my wife and I in her running up and down so innocently in her smock.”

It is painful to this tracker of Mr. Pepys’s vestiges to note that on Christmas Day, 1662, Bishop Morley at the Chapel Royal “made but a poor sermon.” The Bishop apparently rebuked the levity of the Court. “It was worth observing how far they are come from taking the reprehensions of a Bishop seriously, that they all laugh in the chapel when he reflected on their ill-actions and courses. He did much press us to joy in these public days of joy, and to hospitality; but one that stood by whispered in my ear that the Bishop do not spend one groat to the poor himself.” In 1665 we fear that Samuel indulged himself in church with some rather cynical thoughts:

One could continue for some space recounting the eupeptic Pepys in his Christmas merriments—so large an edifice of pleasing conjecture can be built upon even his slightest notes. One observes, for instance, that on December 27, 1664, when “my wife and all her folks” came “to make Christmas gambols,” Samuel left the24 party and went to bed. This was very different from his usual habit when there was fun going. He was annoyed also that on this occasion his wife revelled all night, not coming to bed until 8 the next morning, “which vexed me a little, but I believe there was no hurt in it at all, but only mirth.”

So we take leave of the Christmases of the Pepyses; 1668 is the last one recorded—the time when Elizabeth stayed at home all day altering her petticoat. After supper, the boy played some music on the lute, and Samuel’s mind was “in mighty content.” Let us think kindly of the good fellow; and not forget that he coined one of the enduring phrases of English literature—a phrase that is no such ineffective summary of all the lives of men—And so to bed.

It is quite true. She is now thirteen months old, and has not yet had a poem written about her. Titania considers this deplorable. The first baby was hardly a week old before all sorts of literary studies were packing the mails, speeding to such editors as were known to be prompt pay. (I hope, indeed I hope, you never saw that astounding essay—published anonymously in Every Week which expired soon after—called “The Expectant Father,” which was written when the poor urchin was some twenty-four hours old. It was his first attempt to earn money for his parent. If any26 child ever paid his own hospital bills—C. O. D., as you might say—it was he. I believe in bringing up my children to be self-supporting.)

And the second baby was only three weeks old when the first poem about her was written.

But here is this third morsel, thirteen months old and no poem yet. Titania, I say, considers this a kind of insult to the innocent babe. No, not at all, my dear. I admit that it would be very helpful if H. (I will call her that, for baby is a word that cannot be repeated in print very often without all hands growing maudlin; and I don’t like to use her own name, which seems too personal; just remember, then, that H. stands for a small brown-eyed creature who is still listed in the Bureau of Records of the Department of Health [certificate No. 43515, anno 1920] as Female Morley, because when the birth was registered by the doctor her name had not been decided, and ever since then I have been too busy to go round to call on Dr. Copeland, the Health Commissioner, and ask him to have her more specifically enrolled)—I admit it would be very helpful if she were to turn to and lend a hand in paying the coal bill by having some verses written about herself. I have looked at her with admiration every day for these thirteen months, trying, as one might say, to get some angle on her that would lead to a poem. She does not seem very angular.

I insist that my not having written a poem about her is really very creditable. Titania seems to think that it implies my having become, in some sense, blasé about children. Again, not so, not so at all. I must27 confess that in my enthusiasm I rather made use of the two older urchins as copy. But H., droll infant that she is, is too subtle for me. I’ll come to that in a minute.

I talked all this matter over (being of a cautious turn, and fond of getting experienced advice) with two eminent author-parents—Mr. Tom Masson and Mr. Tom Daly—long ago, before Titania and I began putting on heirs. Both these gentlemen have made a lot of use of their children in earning, or at any rate gaining, a living. Their advices coincided. I myself was worried, but Mr. Tom Masson insisted that there was nothing like having offspring as a source of copy; he said that he would pay ten cents a word, in Life, for anything about the then shortly arriving urchin. (He said it would be fifteen cents a word if it was a girl, because girls cost you so much more later on. He has had experience in that matter, I believe.) Mr. Tom Daly, who has run rather to boys, said very much the same thing; but he was not in a position to buy my stuff, so I paid less attention to him.

But to get back to H. There never was a more enchanting infant. Mr. Walter de la Mare, who is also an authority, has written me delightful letters about her, although he has never seen her. But even a prose letter from a poet like Mr. de la Mare is more valuable, I think, than an actual poem from most other poets, so darling H. cannot say she has been neglected. But she is much too delicious for me to be able to sit down easily and write something that would do her justice. The night before she was born her mother and I did two28 things. We went to Huyler’s for chocolate ice-cream soda, and we read aloud Bernard Shaw’s autobiography, which is printed in Frank Harris’s Contemporary Portraits. I dislike to bring Mr. Harris into this, for certainly I can think of no one who has less in common with H., that celestial nugget. But I have to tell the truth, don’t I? Mr. Harris wrote an essay about Shaw; and Shaw, feeling that it was not adequate, wrote a really amusing sketch to show how Harris should have done it. Well, there is something symbolic about this, for H. is as sweet as anything Huyler ever compounded; and she is even more enigmatic than Shaw. (I can see now it should have been Page and Shaw instead of Huyler.)

But I feel that pretty soon I shall be writing a poem about her. I have felt it coming for some time. But it has got to come; I am not going to bring it. That shows how I have matured by associating with H. Sometimes I wish I could hire a really great poet to write about her. Swinburne might do for the rough draft. “Oh, what a bee-yootiful babby!” he used to cry when he saw them in their prams up at Putney—so, I think, Max Beerbohm describes. But I should want to have his rough draft polished and refined by someone else. I can only think of Mr. Walter de la Mare. He alone has just the right insight. For babies thirteen months old—the best age of all—must not be treated condescendingly, nor fulsomely, nor adoringly, nor sugarishly. William Blake, if left alone in the room with H., would have understood her. What an infant, I give you my word! Living with children is largely a contest of endurance.29 It is a question of which one can tire the other out first. (This is a great secret; never before made plain.) Start in early in the morning, and take things with a rush. If you are strong, austere, resolute, you may be able to wear them down and exhaust them by dusk. If you can do so, without prostrating yourself, then you may get them to bed safely and have a few hours of cheerful lassitude. But take every possible advantage. Let them run and frolic, yourself sitting down as much as you can. Favour yourself, and snatch a little rest while they are not looking. Even so, the chances are you will crack first.

This applies to older children; after they gain the use of their limbs and minds. But H. has not reached that harrowing stage. Placable, wise, serene, she sits in her crib. She has four teeth (beauties). To hear her cry is so rare that I hardly know what her voice of sorrow sounds like. Sometimes, for an instant, she looks a little frightened. Then I like her best, for I know she is human, and has in her the general capsule of frailty.

You may be quite sure of one thing, I shall never print that poem unless I feel that it comes somewhere near doing her justice.

The keenest pleasure in life, of course, is to find a Kindred Spirit—one whose mind glows and teeters with delight at the same queer things that rouse us to excitement. We have just found one, and yet we shall never know him, except by his address, which is Y. 1926, the Times, E. C. 4, London. For we are much too busy to write to any one, even to a Kindred Spirit.

We will tell you why we feel sure he is a Kindred Spirit; but in parenthesis, it was Mr. Pearsall Smith who lamented the fact that the English language contains no satisfactory word for “a person who is enthusiastic about the same things that you are enthusiastic about.” It is too grossly clumsy to say fellow-fan or co-enthusiast; so Mr. Smith, a philologist of charming finesse (have you read his little book The English Language published by Henry Holt?) boldly proposed to fill the vacancy by coining the word milver. This, he31 said, would be useful to poets, since there is no rhyme in English for silver.

The word milver, alas, leaves us cool, in spite of its usefulness as a rhyme. It does not strike down in the great subsoil of the language—the dark deep skein of inherited word-roots from which our present meanings blossom and put forth. We suggest—without much thought—a mere contraction. How would kinsprit do? We rather like the look of it; it has a droll, benign, elvish appearance as we put it down. A couplet occurs to us—

That shows you it could be used as an adjective as well. Come, now, if we all pull together very likely we can get Messrs. Merriam to put it in the next edition of Webster:

The reason why we know that Y. 1926 is a kinsprit is in the following notice in the Personal column of the London Times:

Well, well, we say to ourself: then there is one other person in the world who felt just as we did about that gloriously entertaining portrait of Mr. Strachey, and who carried it about with him just as we did ours, clipped from the Manchester Guardian. But we are luckier than poor Y. 1926, because in an access of enthusiasm we wrote to Mr. Henry Lamb, the artist, and begged from him a photo-print of the picture, which is in front of us now. We think that Mr. Alfred Harcourt, Mr. Strachey’s publisher, should implore the loan of the canvas for a few months, and have it exhibited in a Fifth Avenue window where we could all have a good look at it.

We are consumed with curiosity to know more about Y. 1926—where he was going in that taxi, and what the colour diagrams were (they sound interesting) and what are his general comments on life?

We were talking with an American who had just come back after living several years in Europe. He expressed with some dismay his resensitized impression of the furious ugliness and clamour of American life; the ghastly wastes of rubbish and kindling-wood suburbs fringing our cities; and suggested that the trouble is that we have little or no instinctive sense of beauty.

To which we replied that perhaps the truth of it is that the American temperament is more likely to see opportunities for beauty in large things than in small. But we were both talking bosh. Only an extraordinarily keen and trained philosophic perception—e. g., a Santayana—can discuss such matters without gibbering. A recent book on young American intellectualism recurs to us as an example of the futility of undigested34 prattle about æsthetics. Even the word æsthetics itself has come to have a windy savour by reason of much sophomore talk.

But, though we have laid by our own copy of that particular book as a permanent curio in the realm of well-meant gravity, its author was obeying a sound and praisable instinct in trying to think about these things—beauty, imagination, the mind’s freedom to create, the meaning of our civilization. We are all compelled to such an attempt: shallow, unversed, clumsily intuitive, we grope into them because we are sincerely hungry to understand. The same wise, brave, gracious spirit that moved Mr. Montague to write his exquisite book Disenchantment is tremulously and tentatively alert in thousands of less competent minds. And we, for our own part, grow just a little impatient with those who are quick to damn this wildly energetic and thronging civilization because it shows a poverty of settled, tranquil loveliness. We look out of our window into this morning where Mrs. Meynell’s “wind of clear weather” tosses the Post Office flags and the rooftop plumes of steam; we see the Woolworth pinnacle hanging over our head—and ask, is it possible that this great spectacle breathes from her towers only the last enchantments of a muddled age?

Aristotle remarked that “the flute is not an instrument which has a good moral effect; it is too exciting.” And very likely New York civilization falls under the same reproach. But even if it is all madness, what a gallant raving! You cannot see the beauty in anything until you love it for its own sake. Take the sightseeing35 boat round Manhattan if you want to get a mental synthesis of this strangest of islands. From a point in the East River off Coenties Slip you will see those cubed terraces of building rising up and upward, shelves and ledges of rectangular perspective like the heaven of a modernist painter. Nor do we deny the madness and horror. Farther up the river you will see the ragged edges of the city, scows loading their tons of jetsam and street scourings, wizened piers, grassless parks, all the pitiful makeshift aquatics of the Harlem region. And yet, all along that gruesome foreshore, boys—and girls, too—bathing gayly in the scum-water, flying ragged kites from pier-bollards, merry and naked on slides of rock or piles of barrels. Only on the three grim islands of Blackwell, Ward, and Randall will you see any touch of beauty. There, grass and trees and beds of canna and salvia (the two great institutional flowers) to soothe the criminal and the mad. When your mind or your morals or your muscles give way, the city will allow you a pleasant haven of greenery and air. It is odd to see the broad grounds of the Children’s Hospital—on Randalls Island, is it?—with no child in sight; but across the river the vile and scabby shore is thick with them. And the bases of the Harlem swing-bridges, never trod by any one, are carefully grassed and flowered.

So the history of every modern city consists of a painful, slow retracing of its errors, an attempt to undo painfully and at vast expense the slattern stupidities it has allowed to accumulate. But to see only these paradoxes and uglinesses is to see less than the whole.36 He cannot have lived very long or thoughtfully with humanity for neighbour who does not ruefully accept greeds and blindnesses as part of its ineradicable habit. It takes a strong stretch of the imagination to grasp this island entire; to see, even in its very squalors and heedlessnesses, an integral portion of its brave teeming life. You must love it for what it is before you have a right to love it for what it may be. We have never been able to think this thing out, but there seems to us to be some vital essence, some miraculous tremor of human energy and folly in the whole scene that condones and justifies the ugliness. It is queer, but the hideous back-lots of the city do not trouble us so greatly: we have a feeling that they are on their way towards being something else. We do not praise them, but we feel in an obscure way they are part of the picture. Zealous passion and movement always present, to the eye of dispassion, aspects either grotesque or terrible, according to that eye’s focus. In this ugly hurly-burly we feel daily (though we cannot define it) that there is a beauty so overriding that it does not depend on beautiful particulars. And, to feel that beauty fully, one must discard all hankerings to improve humanity, or to preach to it, or even understand it—simply (as Uncle Remus said) “make a great ’miration”—accept it as it thrillingly is, and admire.

We shall never forget being in Washington when the great celebration was held in honour of the Unknown Citizen.

The day was proclaimed a National Fête. On that day the Unknown Citizen—chosen after long investigation by a secret committee sworn to silence—arrived at the Union Station. He and his wife had been quietly lured away from their home on a plausible pretext and then kidnapped into a gaudy special train, where everything had been explained to them. Halts had been made at big cities en route for the crowds to pay homage.

It would take too long to describe the clever selective38 process by which the Citizen had been chosen. Suffice it to say that he was a typical homo Americanus—a worthy and slightly battered creature, who had raised a family of four children and plugged along at his job and paid his taxes and cranked his flivver and set up a radio on the roof and planted sunflowers in the back yard and lent his wife a hand at the washing and frequently mended the kitchen stove-pipe. He had never broken open the china pigs containing the children’s money.

We saw him arrive at the great station in Washington. He was strangely troubled and anxious, a bit incredulous, too, believing this was all some sort of put-up job. Also, somewhere on the train he had lost one of his elastic sleeve-suspenders, and one cuff kept on falling round his wrist. He walked uneasily along the red velvet carpet and was greeted by President Harding and the Ambassadors of Foreign Powers. Mr. Sousa’s band was there, and struck up an uproarious anthem composed for the occasion. The tactful committee of Daughters of the American Bourgeoisie had made all arrangements and taken all possible precautions. It had been feared that perhaps the Citizen’s Wife might be overcome, and an ambulance was waiting behind potted palms in case of any emergency. But it is always the unexpected that happens. It was Senator Lodge, who had been appointed to read the telegrams from prominent people, who swooned. President Harding, with kindly readiness, stepped into the breach. As they were handed to him he read aloud the messages from M. Clemenceau, Mr. Lloyd George, William Allen39 White, Samuel Gompers, Dr. Frank Crane, President Ebert, Paul Poiret, M. Paderewski, M. Venizelos, the Archbishop of Canterbury, and Isaac Marcosson. Mr. Harding then spoke in the most friendly and charming way, appraising the value of preserved nationality, the solid virtue of the Founding Fathers, and the services of the Unknown Citizen to his country.

For a moment there was an awkward pause, but the Citizen’s Wife, evidently a strong-minded woman, nudged him sharply, and the Citizen tottered forward. Fortunately some New York newspaper men had been on the train with him, and had written a little speech for him to deliver. He read it, a bit tremulously. It stated that he was aware this tribute was not meant for him personally, but for the great body of middle-class citizenship he had been chosen to represent. There was great speculation in the audience as to what part of the country the Citizen came from: his accent was perhaps a trifle Hoosierish, but wiseacres insisted that his general fixings were plainly Sears-Roebuck and not identifiable with any section.

Accompanied by a troop of cavalry and the national colours, the Unknown Citizen was taken to the Capitol, where Congress, convened in joint session, awaited to do him honour. He was presented to the great body by Senator Lodge, who had now completely recovered. After being introduced, the Citizen stammered a few words of embarrassment. During the buffet lunch in the lobbies, however, he began to pluck up heart, for he found the Congressmen very human. He even ventured to express, very politely, a few sentiments about40 the bonus, the tariff, the income tax, the shipping subsidy, and the coal strike. Gathering confidence, he might have grown almost eloquent over these topics, but the Senatorial committee, foreseeing trouble, hastened him along to see the gifts that had been sent from all over the world. They were all laid out for inspection. Henry Ford had sent a new sedan, with a self-starter and the arms of the United States gilded on the door. William Randolph Hearst had sent a bound volume of Arthur Brisbane’s editorials. The Prince of Wales, perhaps misunderstanding the exact nature of the ceremony, had sent a solid gold punch bowl engraved Dieu et Mon Drought. The Premier of New Zealand had sent a live kangaroo. The Bailiff of Angora had sent a large silky goat. Mayor Hylan had sent a signed photograph of himself wearing overalls. The Shipping Board had sent a silver flask. But we have not space for the full list of presents.

Tea was served at the White House. All the corps diplomatique were there, and were presented to the Citizen and his Wife. It was a great afternoon. The Marine Band played in the garden; Senator Borah and William Jennings Bryan, beginning to see a sort of prickly heat burn out upon the Unknown Citizen’s forehead, tactfully played a tennis match to keep the crowd in good humour. Laddie Boy, wagging his tail vigorously, kept at the Unknown Citizen’s heels and did much to cheer him. The Unknown Citizen liked Mr. Harding greatly and found him easy to talk to; but some of the Special Representatives from abroad, such as Mr. Balfour and M. Tardieu, he found difficult.

The monument in Potomac Park was dedicated at sunset. After that the committee on Savoir Faire, observing the wilted collar of the Unknown Citizen, thought it the truest courtesy to let him escape. We ourself managed to follow him through the crowds. He and his wife looked nervously over their shoulders now and then, but they had shaken off pursuit. At a little stationery store they bought some postcards. Then they went to the movies.

Sir Kenelm Digby, of whose acquaintance all his contemporaries seem to have been ambitious.

Prohibition, I dare say, is going to make fashionable the private compilation of just such delightful works as The Closet of the Eminently Learned Sir Kenelme Digbie Opened; London, at the Star in Little Britain, 1669. Sir Kenelm, “the friend of kings and the special friend of queens,” crony of such diverse spirits as Bacon, Ben Jonson, and Oliver Cromwell, kept this notebook of his jocund experiments in home brewing and cookery. Just as nowadays a man will43 jot down the formula of some friend’s shining success in the matter of domestic chianti, so did the admirable Kenelm record “Sir Thomas Gower’s Metheglin for Health,” or “My Lord Hollis’ Hydromel,” or “Sir John Colladon’s Oat-Meal Pap,” or “My Lady Diana Porter’s Scotch Collops;” and adding, of course, his own particular triumphs—e. g., “Hydromel as I Made it Weak for the Queen Mother,” “A Good Quaking Bag-Pudding,” and “To Fatten Young Chickens in a Wonderful Degree.” Sir Kenelm’s official duty at the court of Charles the First was Gentleman of the Bed-chamber; but if I had been Charles, I should have transferred him to the Pantry.

The Closet Opened (which was not published until after Sir Kenelm’s death; he was born 1603, died 1665) is the kind of book delightfully apt for the sad, sagacious, and solitary, for one cannot spend an hour in it without deriving a lively sense of the opulence and soundness of life. The affectionate attention Sir Kenelm pays the raisin makes him seem almost a Volsteadian figure: in his pages that excellent and powerful fruity capsule plays, perhaps for the first time in history, a heroic and leading rôle. Consider this:

TO MAKE ALE DRINK QUICK

Kenelm was not only a good eater; he was a devilish good writer. The fine lusty root of English prose was in him. If this is not true literature, we know it not:

ANOTHER CLOUTED CREAM

TO MAKE EXCELLENT MEATHE

One of good Sir Kenelm’s most famous instructions, which has become fairly well-known, does honour not only to his delicate taste but also to his religious devotion. It is his advice on the brewing of tea—“The water is to remain upon it no longer than whiles you can say the Miserere Psalm very leisurely.” This advice occurs in the recipe

TEA WITH EGGS

Sometimes, it is true, one suspects Sir Kenelm of a tendency to gild the lily. In the matter of perfuming his tobacco, this was his procedure:—

It is a great temptation to go on quoting these seductive formulæ. I feel sure that my tenderer readers would relish instructions for the Beautifying Water or Precious Cosmetick,—for the secret of which ladies of high degree pursued Sir Kenelm all over Europe. (He does not include in the Closet any details of the Viper Wine for the Complection which was said to have caused the death of Lady Digby—a rather painful scandal at the time.) But I fear to trespass on your patience. Let me only add that the ambition of the Three Hours for Lunch Club has long been to hold a DIGBY DINNER, at which all the dishes will be prepared as nearly as possible according to Sir Kenelm’s prescriptions. The project offers various perplexities, and might even have to be consummated at sea, beyond the hundred-fathom curve. But if it ever comes to pass, the following menu, carefully chosen from Sir Kenelm’s delicacies, seems to me promising:—

Portugal Broth, As It Was Made for the Queen
Sack with Clove Gillyflowers
Sucket of Mallow Stalks
A Herring Pye
A Smoothening Quiddany of Quinces
My Lady Diana Porter’s Scotch Collops
Mead, from the Muscovian Ambassador’s Steward
The Queen Mother’s Hotchpot of Mutton
Pease of the Seedy Buds of Tulips
Boiled Rice in a Pipkin48
Marmulate of Pippins
Dr. Bacon’s Julep of Conserve of Red Roses
Excellent Spinage Pasties
Pleasant Cordial Tablets, Which Strengthen Nature
Small Ale for the Stone
A Nourishing Hachy
Plague Water
Marrow Sops with Wine
My Lord of Denbigh’s Almond Marchpane
Sallet of Cold Capon Rosted
My Lady of Portland’s Minced Pyes
The Liquor of Life
A Quaking Bag-Pudding
Metheglin for the Colic

But I must not mislead you into thinking that Sir Kenelm was merely a convivial trencherman. His biography as related in the Encyclopædia Britannica is as diverting as a novel—more so than many. Infant prodigy, irresistible wooer, privateer, scientist, religious controversialist, astrologer, and a glorious talker, he made a profound impression on the life of his time. But, as so often happens, his name has been carried down to posterity not by the strange laborious treatise he regarded as his opus maximum, but by his chance association with one of the great books of all time. When Digby was under honorable confinement (as a “Popish recusant”) at Winchester House, Southwark, in 1642, he was busy there with chemical experiment and the MS. of his Of Bodies and Mans Soul (of which more in a moment). Apparently they treated political prisoners with more indulgence in those days. One evening he received a letter from his friend the Earl49 of Dorset, urging him to read a book that was making a stir among the intellectuals. One may think it was perhaps a trifle niggardly of Dorset merely to have recommended the book. To a friend in jail, surely he might (and it was just before Christmas) have sent a copy as a present. But the liberality of the Earl is not to be called in question: he had made Sir Kenelm at least one startlingly gracious gift—viz. Lady Digby herself, previously Dorset’s mistress. This oddly amusing story, or gossip, may be pursued in Aubrey’s Brief Lives, a fascinating book (published by the Oxford Press)—a sort of Social Register of seventeenth century England.

“Late as it was” when Sir Kenelm received the letter from his benefactor and colleague, he sent out at once (mark the high spirit of the true inquirer; also the sagacity of seventeenth century booksellers, who kept open at night)—

Rarely have the pleasures of reading in bed had such durable result. The following day he spent in pouring50 out a long, spirited and powerful letter to Dorset (75 printed pages) which has become famous as Observations upon Religio Medici, and a few years later was included as a supplement to that book—where it still remains in most editions. In this tumbling out of his honourable meditations and excitements, Sir Kenelm took issue pretty smartly with Dr. Browne on a number of points, particularly in regard to his own special hobby of Immortality. He, just as much as the Norwich physician, loved to lose himself in an Altitudo; but in some cloudlands of airy doctrine Browne seemed to him too precise. “The dint of Wit,” Digby remarked felicitously of some theological impasse, “is not forcible enough to dissect such tough matter.”

These Observations are of more than casual importance. Dorset, apparently, took steps (unknown to Digby) to have them published; and report of this coming blast roused Browne to protest courteously against “animadversions” based upon the unauthorized and imperfect version of his book—his own “true and intended Originall” being by this time in the printer’s hands. Digby had written his observations without knowing who the author of Religio was. The letters that now passed between him and Browne are an exhilarating model of controversy goldenly conducted between gentlemen of the grand manner. “You shall sufficiently honour me in the vouchsafe of your refute,” writes Browne, “and I obliege the whole world in the occasion of your Pen.” To which Digby, avowing that his comments were written without thought of print and merely as a “private exercitation,” charmingly51 disclaims any ambition to enter public argument with so superior a scholar. “To encounter such a sinewy opposite, or make Animadversions upon so smart a piece as yours is, requireth such a solid stock and exercise in school learning. My superficial besprinkling will serve only for a private letter, or a familiar discourse with Lady auditors. With longing I expect the comming abroad of the true copy of the Book, whose false and stoln one hath already given me so much delight.” The delightful remark about lady auditors causes one to suspect that even in that day the germ of the lecture passion was moving in circles of high-spirited females.

Digby and Browne were evidently kinsprits. They were nearly of an age; Browne was a physician, and Digby—though many considered him a mountebank and charlatan—had a genuine scientific zeal for medical dabblings. His Powder of Sympathy, a nostrum for healing wounds at a distance, has been a cause of merriment among later generations; but Sir Kenelm was no fool and I am not at all sure that there wasn’t much excellent sense in his procedure. The injury itself was washed and kept under a clean bandage. The Powder of Sympathy was to be prepared from a paste of vitriol, and the instructions included necessity for mixing and exposing it in sunshine. Sir Kenelm was quite aware of the public appetite for hocus-pocus, and surely there was a touch of anticipatory Christian Science and Coué in his idea of keeping the patient’s mind off the trouble and giving him this harmless amusement in the open air. For the sympathetic powder, please note, was never to be applied to52 the wound itself, but only to something carrying the blood of the injured person—a stained bandage, a garment, or even the weapon with which the damage was done. The injury was left to the curative progress of Nature. This theory of treating not the wound but the weapon might well be meditated by literary critics. For instance, when some toxicated energumen publishes an atrocious book, the best course to pursue is not to attack the author but to praise Walter de la Mare or Stella Benson. This may be termed the allopathic principle in criticism; but few of us are steadfast enough to adhere to it.

Digby’s Memoirs—not published until 1827—exhibit him as the swashbuckler, and amorist by no means faint. They are amusing enough but give only a carnal silhouette. Perhaps he did not write the book himself: there is a vein of burlesque in the narrative that makes me suspicious. It purports to be an account of Sir Kenelm’s fidelity to his wife, the lovely Venetia; and we are told that the account was written under Antonian pressure. Importuned by ladies of much personal generosity and recklessness, Sir Kenelm austerely retires to a cave and pens this confession of uxorious loyalty. When you consider that the relations of Sir Kenelm and Lady Venetia were one of the fashionable uproars of the day, you begin to guess that the Memoir (in which all the characters are concealed by romantic pseudonyms) was an elaborate skit intended for private circulation, probably the work of some satirical friend. Exactly so, when any great scandal nowadays is riding on the front pages of the newspapers, do City Room reporters53 compose humorous burlesques of the printed “stories,” and these have delightful currency round the office.

So you will still find legends in print suggesting that Sir Kenelm was a blend of Casanova and Dr. Munyon. He has been attributed what historians used to call “Froude’s disease”—an insufficient curiosity as to the total of 2 and 2 when added together. But a man whose memory still makes a page and a half of the Encyclopædia Britannica such lively reading, must have had more than mere animal spirits in his make-up. It is easy to find testimony to his potent social and military accomplishments. But the man himself, his earnest scientific passions, his valiant speculation on human destinies, does not emerge from the entries in encyclopædias. For that you must look into his great book Two Treatises: The Nature of Bodies, and The Nature of Mans Soul (1658). By the kindness of Mr. Wilbur Macey Stone, generous and astonishingly Elizabethan explorer of old books, I have an original, tawny and most aromatic copy of this queer treasure. The title page of the Second Treatise is endorsed, with a charming use of the aspirates—

Sir Kenelm dedicates the volume to his son, in a touching and honourable letter dated “Paris the last of August 1644.” “The calamity of this time” (he says) “hath bereft me of the ordinary means of expressing my affection to you; I have been casting about, to find some other way of doing that in such sort, as you may receive most profit by it. Therein I soon pitched upon these Considerations; that Parents owe unto their children, not only material subsistence for their Body, but much more, spiritual contributions to their better part, their Mind.” Accordingly, with perfect gravity and that sombre and Latinized eloquence which was the peculiar gift of his century, he proceeds to expound in nearly 600 dense pages his observations on what we would call nowadays physics and psychology. It would be agreeable enough, if I did not fear to weary you, to copy down some of Sir Kenelm’s delightful shrewd comments. A few of his section headings will serve to give an idea of his matter. For instance:—

Here, you will agree, was a man who even when he seems naïf, examined phenomena with his own eyes and with notable sharpness. Delving into the “crooked narrow cranies & restrayned flexuous rivolets of corporeal things” was, he insisted, a “difficult & spiny affaire;” he was eager to avoid “meer Chymeras and wild paradoxes,” hoped that “by strong abstraction, and by deep retirement into the closet of judgment” he might win “a favourable doom” from his readers. There is no naïveté so dangerous as that of underestimating the power of another man’s mind. Behind some of his fanciful suggestions there is an astonishing agility of conjecture. On the subject of physiology he is delicious. Hear him (pared down to stark brevity) on the brain:—

But it is in the Second Treatise (“Declaring the Nature and Operations of Mans Soul; out of which, The Immortality of Reasonable Souls, is Convinced”) that the darling man rises to really dazzling heights. In this mystical, ecstatic and penitential essay he (in Burton’s phrase) rectifies his perturbations. He is no longer channeled in the “crooked narrow cranies of corporeal things;” he works from withinward and spirals in happy ether:—

So don’t let any one tell you that Sir Kenelm was only a seventeenth century epicure and bootlegger.

We thought of telling you about the things that most interested a British friend of ours during the first hours of his first visit to this country.

Perhaps first of all we should give you an inkling of what kind of chap he is. He’s a Welshman, an Oxford man, served in the war as a captain in the Highland Light Infantry, was awarded the Military Cross, is now in the wholesale tobacco business, is an ardent reader, and we daren’t mention his name. He’s over here to study conditions in the world of tobacco.

We went down the bay and boarded the Baltic in the Narrows. We stood with our friend on what a landsman might call the roof while the ship came up the harbour. We pointed out Liberty, as she emerged from the sunlit wintry haze. At first glimpse, coming in from sea, she has rather a forbidding mien—her gesture seems one of warning. Then, as you come nearer, she seems to be holding up a cocktail shaker. But we promised to give our friend’s impressions, not our own.

The first things he wanted to have pointed out to59 him were the Woolworth Tower and the Brooklyn Bridge. Brooklyn engaged his fancy more than the Jersey shore—probably on account of the Walt Whitman tradition. “I have rather a feeling for Whitman,” he said. He was quiet as we passed the long profile of downtown skyscrapers, but we saw that he was inwardly meditating. He wanted to know about all the water tanks on top of the buildings, especially on the Jersey side. “You people seem very keen about water,” he said. He was hugely pleased with the way the tugs got the Baltic into her berth.

He wondered whether, before landing, we had better dispose of a little toddy he had in his pocket flask. He had heard that if any usquebaugh were found, the officials would confiscate the flask. We agreed that it would be better not to take any chances on this matter. He was greatly surprised and delighted with the rapidity and courtesy of the customs examination. We got away from the pier with no more trouble, he said, than we would have had in arriving at a railway terminal in London.

We took a taxi, bound for Penn. Station, and then decided to prolong the ride by going down Fifth Avenue to Washington Square, and up again. He remarked that the street paving near the docks was no better than it is in Liverpool. He was charmed by the chauffeur’s air of camaraderie. The latter, hearing through the open window that this was an exploring expedition, began offering most friendly suggestions as to nice long rides we might take, to Central Park, for instance. “Take him to see the skaters, he’ll enjoy that,” said60 the chauffeur. This friendly informality on the part of brakemen, soda jerkers, cab drivers, ticket choppers, shop girls, and all such public servants delighted him.

Madison Square appealed to him, for he is an admirer of O. Henry. “That’s where the old tramps sit on the benches, isn’t it?” he said. He was anxious to see a “surface car,” for he had read about them in The Four Million. The L did not seem to interest him so much. In a drug store, he was excited by the little whirling instrument that mixed our “frosted chocolate.” The lighting, spaciousness, and attractive display in the department stores tickled him. The Penn. Station gave him extraordinary pleasure. Chiefly, we thought, he was struck by a general spaciousness and lack of hurry everywhere, in the traffic, in the shops, etc. When we asked him what he wanted to see, he said, “I want to see some of you hustling.” We looked everywhere, but could find no one hustling. Like a candid observer, however, he noticed one thing which is not beneath the attention of any student of human manners. “Your people have rather a fine line in legs,” he said.

We pointed proudly to the Public Library (but could not bear to tell him that the City has again cut its appropriation for buying new books). He praised the large windows at the backs of the taxicabs, making it possible to see what was going on behind the car. In Madison Square he was particularly delighted by Diana, who seemed just then to be aiming her gilded arrow at the pale, low-swimming daylight moon. He asked us whether we thought he should subscribe to the Saturday Evening Post and the Literary Digest. Both these61 journals, in some way or other, had come prominently to his attention at his home in Cheshire. Harper’s and The Century, he said, he frequently reads.

He thought it was a bit unfair of the advertisers (this was in the Long Island train) to take advantage of public attention by issuing a card with the announcement NOTICE TO PASSENGERS, looking very like official information, which turned out to be a chewing gum ad. We told him about the card in the subway which says PASSENGERS CHANGE HERE and then adds “to —— Union Suits.” This amused him, but we could see that he didn’t think it quite sporting. He was highly diverted by the little signs at the subway ticket booths—Sing Out How Many and The Voice with the Smile Wins. He was quite startled to learn that the author of Trivia (one of his favourite books) is an American. He was pleased by the informality of the Long Island conductor, who, seeing a lady friend among the passengers, sat down with her between stations and had a social chat.

Standing at the front of a subway train as it roared through the tunnel from Brooklyn seemed to give him innocent happiness. Again he commented, in the downtown region, on the general air of order and good management in the conduct of the traffic. He could see none of the brutal scurry that he had been taught to expect. Going up the Woolworth Tower was the greatest adventure of these few hours. This, we think, he will not soon forget. He was greatly pleased, being himself a householder, with the American kitchen. He thought it very well planned. Jericho cider he praised62 without reserve. A revolving apparatus for airing clothes in the back garden pleased him mightily. Delightful fellow, blessings upon him!

It is visits such as his that add to the stock of true international understanding.

An American figure of national consequence has passed away from the scene of her many glories. We refer to Martha Washington, the Independence Hall cat.

When we worked in the old Philadelphia Ledger office, and paragraphs were scarce, we had an unfailing recourse. We would go over to the State House (as they call it in its home town), descend to the cool delightful old cellar underneath the hall, and call on Fred Eckersberg, the engineer. We would see Martha sleeking herself on the flagstones by the cellar steps (she was the blackest cat we ever knew, giving off an almost64 purple lustre in hot sunlight) or perhaps we would have to search her out among the coal bins where she was fixing a layette for the next batch of kittens. In any case, Martha having been duly admired, Fred Eckersberg would gladly talk about her and tell us what were the latest adventures of her historic life. Which was always good copy, for Fred, having been on friendly terms with Philadelphia reporters for many years, knew the kind of anecdotes that would please them. One of Fred’s unconscious triumphs was the time he told us of his perplexity about ringing in the New Year in the Independence Hall belfry. It was about Christmas time, 1919. “Last January,” he said, “I rang One-Nine-One-Nine to welcome in the New Year. But what am I going to do this time? How can I ring One-Nine-Two-Nought?” We told him we saw no way out of it but to start early in the afternoon of New Year’s Eve and ring the whole One Thousand Nine Hundred and Twenty tolls.

We could say a good deal about Martha Washington: her kittens are surely the most noble in the land, charter members of the Colonial Felines of America, all born in the Hall, directly underneath the lobby where the Bell stands. When the most famous brood of all were swaddled, four fine jetty daughters born in November, 1918, Fred christened them Victory, Freedom, Liberty, and Independence. He paid us the greatest compliment of our life by offering us Victory, but at that time we were living in a small apartment in the city and we didn’t think it would be a sufficiently dignified home for such a kitten, who deserved nothing less than a residence65 on the Main Line (Oh, Philadelphia!), with scrapple made on the premises.

But it is time to get down to the point of our story. Martha has left the Hall. Poor Fred, in his bereavement, has taken pen in hand. We can see him, sitting at his desk down there in the ancient cellar, with all his emblems, souvenirs, and clippings posted up above him and an oblong of gold-and-green brightness shining down through the doorway from the leafy sunshine of the Square. We can see him talking it over with his comrades “the boys”—the State House carpenter and the gardeners, as they sit at their lunch in the cellar. There is the empty saucer, dry and dusty now; in the good old days Fred always brought in a little bottle of milk every morning for Martha. And this is what Fred writes us, word for word:

“If it be true” (remarks old John Mistletoe, in his little known Life of Edmund Hoyle) “that a happy life leaves behind it little material for the biographer, and only those whose careers have been marked by the pangs of ambition and the wearinesses of achievement offer maxims for the moralist, then there is little to be said of Edmund Hoyle. And yet it is odd that a man whose name has become proverbial, who lived to the age of close upon a century (1672–1769), and who standardized and codified the chief social amusement of his age into an etiquette which remained unchanged for six generations—it is odd, I say, that this great peaceful benefactor has left so slight a trace in biographical annals. For I ask you, which of Hoyle’s contemporaries conferred a more68 placable and sedentary boon upon the world than he?”

“Hoyle” (continues Mr. Mistletoe) “was a man of very speechless humour. It was his wont to say that he had been lured into the study and metaphysic of whist because it was a silent game. As is well known, the game was originally called whisk; it was Mr. Hoyle who, by his continual utterance of the imperative and hushing monosyllable Whist! when gaming with those whose tongues were apt to wag irrelevantly, caused the diversion, at first only in sport, and then in genuine earnest, to be rechristened. It was a sight not to be forgotten, by contemporary account, to see the Master (as he was known) sitting down at the Three Pigeons tavern for his afternoon rubber. The mornings he spent in tutoring wealthy ladies in the rudiments of the fashionable game, this being the chief source of his income. He was very particular, moreover, as to the standing and rank of his pupils; he was much in demand, and could afford to take only such students as satisfied his fastidious taste for youth and beauty. In fact, he anticipated the doctrine announced many years later by John Keats, who remarked, ‘I intend henceforth to have nothing to do with the society of ladies unless they be handsome. You lose time to no purpose.’

“It was, I repeat, an agreeable spectacle to witness the Master driving up to the Three Pigeons about the hour of (as we would now say) luncheon, in his white hackney coach with his emblem—the Ace of Hearts—blazoned on the panel. Before the gaming began he69 would always take a leisurely meal; indeed, it was his habit to say that no gentleman would ever spend less than three hours at the table. One of his humours was to insist that warm weather was dangerous to his constitution, and that in summer it was desirable to eat sparingly and with deliberation. On days that had, as someone has put it, the humidity of Uriah Heep, this was an example of his menu, which I have found filed in the old papers kept in the vaults of the Three Pigeons:

“Having done suitable homage to this judicious nourishment” (Mr. Mistletoe proceeds), “Mr. Hoyle would have brought to him his own yard of clay, which he would leisurely fill with the best pure Virginia leaf, gazing about him the while upon the impatient faces of his friends who were anxious to get to the cards. ‘Never indulge the carnal appetites immoderately in hot weather,’ he would say, blowing out a long blue whiff into the cool twilight of the old taproom, panelled in70 magnificent dark walnut. This was the last word uttered, for when the Master took his seat at the card table no man dared speak. A sacred quiet filled the place as he reached for the pasteboards and deftly cut for the deal, tossing back his lace cuffs over his lean yellowish wrists, the colour (he was something bilious) of old piano keys. The rest was silence, with only the fall of the cards and the occasional clink of a bottle when Mr. Hoyle refilled his vase of Burgundy, which he always drank while gaming. A life of abstemious control, he said, was needful for one who must keep his wits alert.”

We are continually obtaining new and piercing glimpses into human life and character. We are now able to assert, without fear of rebuttal, that even men of unblemished intellect and lofty, serene understanding have always some particular point of frailty at which morals, virtue, and integrity collapse in a dark confusion of spiritual wreckage.

Reconsidering the above sentence it seems to need a little clarification. We shall have to explain what we mean, and can only do so by referring, with painful verity, to the Leading Editorial Writer.

L. E. W. came into our kennel yesterday morning and saw lying on our desk a newly published detective novel that a publisher had sent us. “Oh,” he said, “What’s this?” and began looking it over. We were rather busy at the moment, and paid no particular72 heed, but looked up a minute later to see him slipping out of our hutch with the book under his arm.

“Nothing doing,” we asserted sternly. “We began to read that in the subway this morning, and we’re just getting interested in it. You’ll have to wait until we’ve finished it.”

“So are you,” we replied; “but we’re going to read it to-night; after an exhausting day we shall need an innocent diversion of that sort.”

We did not think of it at the time, but we now remember that there was a curious evasive lustre in his eye. We wish we could make it plain to you how this person, generally a highly cultivated and responsible citizen, occasionally exhibits himself as naïvely unscrupulous, in a way so charming and unashamed that, with lesser men than ourself, he successfully gets away with it.

A little later in the day, again comes L. E. W. into our nook. He looks about in an absent-minded way, giving much the appearance of the animula vagula blandula the Roman emperor told about. He made one or two random remarks, and seemed to be pretending that he had intended to say something important but had forgotten what it was. We may say that we penetrated his game immediately. We kept an eye on him, and as soon as he had retired we took73 the detective story and put several newspapers on top of it.

But after all, one cannot sit around the office all day watching the book one is saving for evening reading. By and by we had to go out to lunch, and thought no more of the matter until 5 o’clock. Then, hastily gathering our effects for the trek uptown, we looked for the novel. It was gone.

We could not quite believe it, at first. We thought we must have mislaid it somewhere on top of our desk. We rummaged briskly. No sign of it. With a sudden vile suspicion we ran to L. E. W.’s room. He was gone, too.

Well, we had to console ourself on the ride uptown by reading something else; but you know how it is—when you have set your heart on finishing a particular story....

This morning L. E. W. has just come into our coop, with his usual enigmatic smile, and laid the book before us. We assailed him with bitter reproach and contumely. But we made no impression on him. There is some mysterious knot of villainy in his bosom that leads him to believe that any detective story left within his reach.... Of course it is true that writing Leading Editorials for a number of years may well undermine a man’s character. But that is what we mean when we say that even men of unblemished intellect and lofty, serene understanding have always some particular point of frailty at which morals, virtue, and integrity collapse in a dark confusion of spiritual wreckage.

We haven’t mentioned the title of the book, because L. E. W. says it isn’t much good. But we are not certain whether that is not just his quaint way of trying to minify the gruesomeness of his offence. It is a perverted form of conscience: he thinks that if he tells us the book is punk we will not regret that our reading was brutally postponed. But we are going to tell him that he missed a trick there. It would have been much more in line with the delightful humour for which he is famous if he had said: “It’s a great yarn. You ought to read it.”

This has been a pleasantly serene quiet morning in the office, and we have been sitting here tenderly educating ourself by studying the catalogue of University Extension Courses given at Columbia. We may not have admitted it before, but we are rather ambitious, and find a great deal in this fasciculus that appeals to our necessities.

Among the courses we should like to enroll in, first we come to Business e163—Personnel methods for office executives (Fee $24). This would be highly advantageous to us, to teach us how to get along tactfully with office boys, proof-readers, leading editorial writers, and sudden, unexpected telephone calls. We look somewhat wistfully upon Business e13—Advertising Display and Mechanics, and Business e17—Salesmanship. (“The76 student is given a grounding in the principles of selling and practice in the presentation of a selling proposition from its inception in the customer’s mind throughout its development and final consummation as a sale.”) But the course for us, austerely denying ourself the lectures on Advanced Advertising Writing, is Business e19-20—Sales promotion (Fee $24). This “includes a thorough study of merchandising, direction of a sales force, methods of breaking down sales resistance.” It specializes in “dealer helps” and regards “consumer advertising” as only secondary. We agree.

The Graduate Courses in Psychology of Advertising and Selling we feel are probably too advanced for us.

So we pass eagerly on to literary topics. English elf-2f has an agreeably elvish sound—Advanced short story writing; but it’s a bit expensive (Fee $48. We might not get that much for the story after we had written it.). Juvenile story writing is only $32; but we elect English e3f-4f—Play Production. The fee for that is only $24, which shows you how much money a lot of theatrical managers waste; moreover, it is held in the Attic of Hamilton Hall, which sounds very jolly. The Attic playwrights were always pretty good. And certainly we must have English e11-12—Public speaking, which is only $16, and gives us “drill in breathing, articulation, gesture and reading aloud, after-dinner speaking; how to stir the emotions and move to action.” Philosophy, of course, must not be neglected: we rather like the look of Philosophy e135—Radical, conservative, and reactionary tendencies in present-day morals, which seems to cover the ground. (Fee $24.) Photoplay77 composition e3—Advanced course “deals with the finer phases of character delineation” (Fee $24) and ought to be a pleasant relaxation, for “Scenario editors and directors will address the students from time to time.” Physical education eY1-Y2—Swimming ($16) will very happily conclude that part of our course.

A great need in our life would obviously be filled by Secretarial Correspondence e2—Letter writing (Fee $24). This studies the methods adopted by “Huxley, Lanier, Lowell, Henry James, William James, Mark Twain, Cicero, Pliny the Younger, and the letter writers of the World War” in dealing with their correspondence. But we are anxious to get on to even more congenial subjects. Cookery e3L—General Principles of cookery and their application. Lectures and laboratory work (Fee $30) appeals to us. Also Cookery 41xL—Principles of candy making ($10) and Cookery e75L—Large quantity cookery (Fee $30). The only difficulty here is that the costume required for laboratory courses in cooking is “white cotton clothing, plain skirt; tailored waist; plain white collar; long plain white apron with bib.” That presents difficulties.

We thought that we had outlined a very full curriculum for ourself, but then we see that our old friend Professor Roger Loomis is giving a course (English eB10) on Argumentative writing, “planned especially for those interested in the writing of editorials and controversial articles.” That certainly we must also have (Fee $24).

I. MULLED CIDER

On a clear, cold afternoon towards the end of October go to the Cider Mill at Jericho, Long Island, and obtain a gallon jug of cider.

Take this home and put in a cool place in the cellar, away from observation. Cider is rather a bold and forward beverage: ever since Eden was first established in an apple orchard the fruit has been tainted with a secret capsule of sin: it is well to let the jug work (in the fine old brewmaster’s sense of that word) in private, where its conduct need not be a source of scandal.

Drive the cork in as tightly as possible; but, since Man is no match for Nature, it will not be possible to prevent its extrusion. The best way to deal with this problem is to keep chained in the cellar a trained Cider Hound, a breed of dog known only on the North Shore of Long Island. This is an animal which, by long instruction, has been taught to howl when he hears the whoop of a cider cork blown out by accumulating gases. When the dog howls hasten to the cellar, restopper the jug, fondle the animal, and give79 him a small piece of Roquefort cheese to keep him keen.

Continue this process until the cider has worked for five days—not longer, or you may (like Faust) unchain dark forces with which you cannot cope. At the end of the Fifth Day release the animal and carry the jug upstairs.

Late that night, after the family has retired, pour a pint of cider into a saucepan and heat it—preferably over the glowing logs of a wood fire—until it steams. Then stir in three tablespoons of granulated sugar. Do not be startled by the violence of the foaming and hissing that ensues—this is only Nature at her inscrutable tasks of making life puzzling for dogmatists.

Into the steaming sweetened cider pour as much brandy from the family medicine chest as you think you can spare. If brandy is not obtainable, whiskey will serve. If whiskey is not obtainable, invite some friend who has recently made a transatlantic voyage and ask him to breathe gently upon the saucepan while it is heating.

Serve the beverage hot, and, while drinking, utter any toast or sentiment that is a favourite in your family. Reckon quantities at the rate of not more than one pint per person. Mulled cider is recommended during years of coal shortage, when the house may be chilly; but it is not to be trifled with save by the most hardy.

Before retiring walk three times round the house and try to name all the constellations. If you don’t know the names, give them new ones. This quiets the pulse.

(P. S.—This is an old recipe, swallowed down through80 several generations, which accounts for some of its anachronisms.)

II. STEWED RHUBARB

Early in the spring buy a rhubarb root on Vesey Street. The root itself, an uncouth, gnarled object, is not beautiful, but it bears small red and yellow shoots that are highly decorative, like little Spanish flags.

This root must be planted in a churchyard, preferably Episcopalian, which gives the rhubarb a pleasantly Athanasian flavour, much esteemed by connoisseurs. We specially recommend St. Paul’s churchyard, partly because the high buildings round about keep the sharp winds of early spring away from the tender sprouts, but also because the pleasant hum of young women reading Keable and Ruby M. Ayres aloud at lunch time on the benches encourages the plant and hastens its growth.

The stalks must not be picked prematurely. Wait until they are a brilliant red. The best way to get this right is to test them with a leather-bound copy of one of Kipling’s books, in that scarlet leather edition. When the stalks are exactly the same colour as Stalky & Co., pick them.

Take them home, wash them, cut them into cylindrical lengths, and have them stewed in the usual manner.

III. HAGGIS AND BAGPIPES

Haggis should always be served with bagpipes. The reason for this will be explained later.

In our recipes we always try to give the easiest way in which our favourite dishes may be attained. The easiest way to enjoy Haggis is to enlist the assistance of a number of Scotsmen, who by tradition, training, temperament, and centuries of romantic strife have fitted themselves to prepare and eat this sovereign piece of resistance.

Make friends, therefore, with as many prominent local Scots as possible. Season the mixture by adding a few directors of some well-known Scottish steamship companies. These friendships must be cultivated gently and cannot be unduly hurried. Subscribe to the Caledonian or some other Scottish-American magazine. Eventually, if all goes well, you may be invited to a dinner of the Caledonian Club or the St. Andrews Society, or a luncheon on an Anchor Line steamship. At this dinner The Haggis will be served.

The bagpipes are for the purpose of muffling any metaphysical argument that may arise round the tables, and also to drown out any stories that begin “There was a man frae Aberdeen——”

Do not ask your neighbour at table why it is that the pipes always play the same tune. If you do, you will not be invited again. It is better to garnish the occasion with a few carefully chosen Scottish phrases—such as ’Tis a braw day the day; I’ll no can keep that appointment for three o’clock; Let the world gang tapsalteerie; Whaur’s Wullie Shaksper noo?

Having made up our mind to become an engineer, we thought it would be a mistake not to take advantage of all possible aid. We were passing the corner of Church and Fulton streets just now when we saw, in a drugstore, a fair young lady sitting in the window conducting a demonstration of Violet Rays. She wore a most appealing expression, held in her hand a glass tube with a bulbous end which was filled with pale blue electrical excitement, and was displaying various placards inviting the public to enjoy a free treatment of the Violet Ray. This Ray, her placards said, confers all imaginable pleasures and animations upon the user. It subdues inflammations and tumescences; it imparts the vigorous glow of health and beauty; it dispels83 lethargy and that Omar Khayyám kind of feeling that we get on a warm day in spring; it confers (so we gathered) all the benefits of Pelmanism without having to read George Creel’s little essays.

A large crowd of loitering gentry stood at the window watching the lady who was applying the Violet Ray to her own person and getting more seemly every moment. But none of them, self-satisfied chaps apparently, seemed eager to try the effect of the sparks when she pushed them towards the pane. But we, in our humility, feeling the need of greater ambition and resoluteness, offered our hand to the thunder-stone and absorbed as much of the life-giving current as she was willing to give away. We felt sure, somehow, that the Violet Ray would help us in learning to understand our new self-propelled vehicle. (We have to call it that, for to call it a car is a little too imposing; and to call it a flivver is a little too degraded; besides, it isn’t. Hereafter we shall call her by her given name, which is Dame Quickly.)

Our first adventures with Dame Quickly, by the way, were not devoid of excitement. One who on his second day as a curricular engineer, navigates the main roads of Long Island on Decoration Day may be said to be a daring soul. Titania, who was with us, says that our publisher passed by in his limousine and looked annoyed because we did not acknowledge his friendly gesture; but, indeed, all the concentrated powers of our retinal system were focussed upon the highway, and even if he docks our royalties for rudeness we cannot help it. We noticed, however, that the drivers who84 overhauled us as we prowled cautiously along had a way of looking sideways at us in a fixed, not exactly hostile, but at any rate curious gaze, as though to reassure themselves as to what kind of person this was. We remained bland and undismayed, for we are still a driver without spirit; we will give any man as much of the road as he wants; we have no sense of humiliation, nor any competitive lust. Any collisions that Dame Quickly suffers will occur only in her rearward parts.

Oyster Bay, we aver, is a dangerous place to be on the afternoon of Decoration Day. We reached that amiable town around two hours post meridiem, exceedingly hungry from our anxieties en route. As we unobtrusively trundled along the main street our general nervousness was not allayed by the spectacle of a motor fire engine rushing towards us at full speed. Our general idea was to attract as little attention as possible, so we made a bashful détour among back ways. To our horror, there was another fire engine, also roaring along at a furious pace. The whole town of Oyster Bay is burning up, was our thought; however, that is a small matter compared to getting this vehicle to a safe place where we can eat lunch and at the same time watch her with a paternal eye. (Our neighbour in Salamis had said something about new cars getting stolen, and we had a dreadful vision of being trailed along the highways by an experienced crook who would get away with Dame Quickly if we left her unwatched for five minutes.) But every time we approached the main street, trying to slip in unobserved, either a man on a motor bike would rush up and shout something85 quite unintelligible or else we would hear the roar of another fire engine dashing about. Gradually we divined that a number of Long Island fire departments were having their annual competition; but the fact that it was only a game, and not a real fire, made things worse. No fire engine would go to a real fire with the furious zest with which those fellows sped up and down the street. So, chivvied about by fire engines and cops, we had to take lunch at the only place we could approach unobserved, a very small hash-house which, since we cannot praise, we will not mention.

However, we had cause, later, to be grateful to these fire engines that had so terrified us. For, after some delightful rambling by blue watersides and under green colonnades of ancient trees, we found ourselves endeavouring to shake off the pursuing traffic on a remote and hilly byroad. We shall not go into the why and how of this matter, but the fact is that at one moment the honourable and shining Dame Quickly might have been seen docilely purring along the road; and then, a few minutes later, she was insecurely suspended half over the slope of a steep ravine, quite immovable. The curricular engineer wrung his hands. This, he asserted, is the End. With beaded brow he made some amateurish play with logs of wood that he found in that solitary woodland; but the back wheels of the beautiful, the lovely, the spirited Dame Quickly only revolved grindingly in the sand, and her commodious form hung inert, not to say in peril. Then did the engineer realize that, even on such short acquaintance, he loved her already; and the thought of intrusting her sweet body to86 the harsh hands of an alien garage man was poisonous. And if we leave her to go back to a garage, we thought, the earth will give; she will plunge to her doom. Titania, we think, prayed.

And then, gods from the machine, here came the Glen Cove Fire Department, some twenty strong, merrily speeding past. What they were doing up this bosky bypath we did not halt to inquire. The hand of Providence, patently, was at work. When the hand of Providence appears, one does not stop to inquire into its palmistry. We laid, bashfully, our case before these great-hearted lads. With a shout they seized our dear Mrs. Quickly; strong arms and gallant hearts of Glen Cove bore her up the perilous precipice; she stood again on level roadway, catching the sun on her noble enamel. The task accomplished, the Glen Cove Fire Department, with their two red engines behind them, looked humorously at us and seemed tacitly to inquire how any sane man would get into such a position. We said, sheepishly, a word of explanation. They roared with laughter.

To confess one’s self to have had a seizure of pure happiness is, by one theory, to admit one’s self a boob.

And yet we do not know when we have been more happy—in our own secret definition of that state—than when we set off for the subway yesterday noon-time. A more timid or more subtle spirit, perhaps, would not dare the envy of the gods by mentioning it. A fig for the gods!

For, in the first place, that clear pearly light, the patchwork of sun and shadow down the harsh channel of Broadway, the close embrace of wintry air (so dartingly cold that it seemed to enfold and surround one as water does the bather) and the great Singer tower88 lifting above the cliffs in a tender wash of blue—these were enough of themselves to make one lively. Again, we were bound uptown on an errand of pure generosity, to turn over to a publisher the MS. of a book written by a friend of ours, which we believe to be a fine book. Further, we even considered it possible that the publisher might buy our lunch.

We went down into the subway, and clanked through the turnstile. The thought occurred to us that it seems pretty poor sportsmanship to make merry—as some of the papers have been doing—over the fact that many people have devised ways of bilking the turnstiles. We suppose we shall be accused of having been bought with mickle gold, but we must admit that we have never had any hankering to cheat the subway. There are many corporations we would cheat without a qualm, but the subway is not one of them. It gives us more for a nickel—not only in the way of transportation, but also privacy, mental relaxation, and scrutiny of the human scene—than anything else we know.

We stood in the subway express, about to open a book. We noticed, sitting a little farther along, a young woman whose hat interested us. It was pierced in front by a pin of silver and brilliants, zigzag in shape, representing (we supposed) a bolt of lightning. It was emblematic, we opined, of high-spirited humanity itself, that toys with lightning in more ways than one. This of itself, while valuable for meditation, was not the cause of our happiness. We had a book with us, a book that we have wanted to read for some time. We began to read it.

It was not necessary to travel more than a few lines to be perfectly happy. Why were we happy? We could write many pages to try to explain it to you, and even then should probably fail. This is what we read:

That was exactly the first page, as we read it; we needed to go no further to have cause for complete and unblemished satisfaction. There was the kind of writing that we understand, that speaks to us. There, barring the fact that Rip was not written in New England, was that exact, humorous, and telling use of every word—“demurely kept up with the times”; “the purity of sweet old age”—if you don’t get pleasure out of that sort of thing, then there is no use trying to labour it in. And there, in every line and syllable, was exactly what we had expected to find—a genuine Intellect speaking, and not a pseudo and jejuvenile “Young Intellectual.” There were urbanity, charm, the word well-weighed, the90 strong, reticulated thought. To go into private minutiæ, we even had additional pleasure from the fact that the usage of the semicolons (a matter of great delight to some enthusiasts) conformed to our own private sense of felicity. And we gazed about the car in a tranquil ecstasy.

We said to ourself, in a kind of anger (for truly a certain ingredient of anger is necessary for complete happiness; a zealous espousal of what one believes to be worth while carries with it the most cheerful flush of irritation towards those who have not, one thinks, sufficiently espoused it)—we said, Why is it that no one has hitherto driven in upon our mind that this book (published a year ago) is one that we could not possibly get along without? Why is it that our admirable colleague L. E. W., from whom we borrowed it, did not long ago come and sit on our desk and talk to us, endlessly, calmly, suasively, about it and about?

We went on reading, and stood there in as perfectly felicitous an absorption as we have ever enjoyed. We could have said to that golden instant, as Mephistopheles promised Faust he would be able to say, “Verweile doch, du bist so schön!” We had committed Grand Larceny. We had achieved what the news headlines daily describe as a “Daring Robbery.” We had stolen, from uncajolable and endless Time, a Perfect Moment.

We see you smile gravely, and perhaps pityingly, at our simplicity. Never mind. We shall never forget the mood of serene peacefulness and cheer in which91 we then turned to Mr. Santayana’s preface and began to read:

We cannot remember when we have marvelled more truly at the pregnancy, the wit, and the exquisite under-piercing insight of any book. We should like to ask those competent to speak—certainly we ourself are not competent; and it is the sheerest bumptiousness for us even to offer an opinion on a book so consummately wise and lovely—whether there has ever been written any more thrillingly potent examination of a whole civilization? In a book so packed and rifted with gold one knows not where to start quoting; but almost at random we seize this passage—not by any means one of the subtlest, but it will serve to begin with:

You understand (don’t you?) that we do not necessarily recommend Santayana for you. As we grow, painfully, in sagacity, we realize the absurdity of recommending anything to anybody. We are simply saying that for us he fulfils (both in what we agree with and what we dissent from) most of the requirements of our private conception of beauty and happiness.

It is a book that quickens the mind. Continuing it on the train, as the smoking car spins through those green Long Island meadows, we look round on our fellow travellers with renewed amazement. Somehow it gives us a strange pleasure to see them immersed in the Evening Journal or the Evening World, those grotesque monuments of human frailty. How damnable it would be if they were all reading Santayana. How we should hate them! We know that all humanity are precious fools, and ourself the most arrant of the lot; but we like them that way. It adds to the cheerful comedy of the scene.

Certainly you would have said that two names that sound something alike are at opposite ends of the intellectual spectrum—Santayana and Pollyanna. And yet, oddly enough, the thought has come to us that the foundations of the two philosophies interlock. Santayana’s method of extracting happiness from life; his perfection of cool, tender, smiling, grave, cruel, and imperturbable resignation; the exquisitely sophisticated contentment of his solitude, flight from needless buzbuz, reverie in places haunted by old association; his noble ridicule of destiny—all this brings to a reasonably sophisticated mind the same kind of heavenly94 refreshment and sense of truth that simpler people find in literature of the Pollyanna sort.

We vented this tentative idea to some colleagues of ours, and they leapt upon us with shouts of anger and contradiction.

Yet we think there is something in it. There is no way of assessing the operations of other people’s minds. But we are inclined to think that very possibly the pure happiness we experience in Mr. Santayana’s calm, humorous, disillusioned, and poetic reveries is not essentially different from the cheerful exaltation some young woman feels reading either of the Mrs. Porters in the Y. W. C. A.

Speaking of commuting, the Long Island Railroad owes us $7, and we are wondering how long it will take us to collect it.

The incident, tragic as it was, will prove a lesson to us never again to be unfaithful to our beloved Brooklyn.

On Wednesday evening we had to decide whether we would take the train for Salamis from the Penn. Station or from Brooklyn. We decided we would take it from Penn. Station, because we were without reading matter, and knew that at Penn. Station we could stop in at the bookshop in the Arcade and get something to amuse us en route. All began merrily. We got to the station at 9 o’clock, bought an Everyman edition of Kit Marlowe’s plays, and, well supplied with tobacco, we set sail on the 9:10 vehicle. How excellent are the resources of civilization, said we to ourself, as we retraced96 the sorrows of Dr. Faustus. Here we are, we cried, sitting at ease in a brilliantly lighted smoker reading “Cut is the branch that might have grown full straight,” and in fifty minutes we will greet again the shabby but well-loved station at Salamis. We even meditated writing a little verse in Marlowe’s own vein, to be called “The Passionate Long Islander to His Love”:

At this moment, which was 9:15, and just issuing from the tunnel, the train stopped, all lights went out, and we sat gazing at the dreary dormitory of Pullman cars in Long Island City.

For thirty-six minutes we sat so. Occasionally there would be the sound of a heavy sigh, a long-drawn suspiration of some mentally troubled commuter whose feels (in the language of Opal Whiteley) were not satisfaction feels; but commuters are a tested and toughened lot. The time lagged heavily and darkly by, but there was no shrill outcry, no futile beating of the breast. One shining thought there was to console, and the conductor ratified it (we asked him ourself). “Oh, yes,” he said, “the Oyster Bay connection waits for this train at Jamaica.” We envisaged the picture of that battered and faithful old Oyster Bay loco, waiting patiently for its lovers along the windy platform, and we were heartened.

Then, indeed, hearts were broken. Then there was scudding to and fro, and voices raised in menace and imprecation. The next train to Oyster Bay, said the officials, leaves at 12:10. The mourners gathered in little groups, drawn by their several affinities. Those who yearned for Garden City formed one posse. Those who yearned for Babylon and Bayshore, another. But, let it proudly be said, the Oyster Bay group were the loudest in outcry, the angriest in mood. We have a pride of our own on the Oyster Bay branch. (“Cut was the branch that might have gone full straight.”) In Salamis alone, Gen. Pershing is living there, and Dorothy Gish visits sometimes. Are we to be trifled with? Off went the Oyster Bay contingent, some twenty angry, to see the Station Master. Words were passed, without avail.

We ourself are a realist at such moments. We saw that the Station Master held no balm for the sufferers. We fled from the brutal scene. Downstairs one taxi, the only one, was just embarking a passenger and wheeling off. For an instant (we confess it) our nerve was shaken. We screamed, and there was in that scream the dreadful keening note of a lioness balked of her whelps or a commuter ravished of his train. Ha! the taxi halted. It was, strangely enough, a lady chauffeur, and tender of heart. No man chauffeur would have halted at such a time, but this madonna of taxi drivers had a bosom of pity. Her fare, already in situ, was bound for Garden City. They agreed to take us along,98 and after Garden City had been made she would steer for Salamis.

O Lady Taxi Driver of Jamaica, a benison befall thee. The wind roared stiffly across the plains, and the small henry made leeway. The small henry scuttled like a dog, half sideways, nosing several points upward into the gale in order to pursue a straight course. The other passenger was plainly a Man of Large Affairs, sunk in a generous melancholy. There was little talk. We sat, or, when the roadway required it, leaped aloft like striking trout. Garden City was duly reached, and then, by and by, the woody glens of Salamis Heights. The fare we paid our saviour was $7. We did not grudge it her. She has a seven-year-old boy, and all day she keeps house, all night she runs her taxi. But, in candour, we think the railroad owes us that $7. It has ever been held a point of honour that the Oyster Bay train shall wait for its children. When there are only two after-dinner trains, that seems not much to ask.

This year (1922) brings the centennial of Matthew Arnold’s birth. Except for a few of his more important poems, we confess to an affectionate ignorance about Arnold. Of course, we remember taking notes during a number of lectures about him when we were at college; a few catchwords about culture and anarchy; sweetness and light; seeing life steadily and seeing it whole; Barbarians, Philistines, and Populace—a few faded buntings of this sort flutter rather dingily from the halliards of our memory; and we remember that he had exceptionally fine whiskers. We used to speculate,100 in the jejune manner of youth, as to whether Matt, as Rugby boy and Oxford undergraduate, was not a rather amusing contrast to the robust Tom Brown whom his father made famous. But, as you will see, Arnold has never been more than an interesting and gracious wraith in our mind. Those of his essays that we were told to reread we have forgotten, or else (more likely) we never opened.

But rambling not long ago in the cellar of Mr. Mendoza’s bookshop on Ann Street we found, with a shock of excitement, a little book published in Boston in 1888, called Civilization in the United States: First and Last Impressions of America, by Matthew Arnold. We wondered whether this little book had ever been perused by any of the vigorous skeptics who published a recent large volume with the same title. They made, as far as we can recall, no allusion to it. Yet they would have found in it much nourishing meat.

Matthew Arnold’s analysis of American life is interesting to read now. Much of his estimate he would certainly wish to revise. We forget just when it was that he travelled over here—in the 80’s, we suppose—but his general comment was that American civilization was not interesting. He used the word in a very special sense, apparently; he explains it by mentioning the sense of beauty and the sense of distinction. He found American life lacking in charm and in those elements of beauty which appeal to the tranquil and more reflective emotions. It is entertaining—in view of later developments—to hear him say that “the American cities have hardly anything to please a trained or a natural101 sense for beauty ... where the Americans succeed best in their architecture—in that art so indicative and educative of a people’s sense for beauty—is in the fashion of their villa-cottages in wood.” One cannot help putting a little covey of exclamation marks in the margin at that point. Those “villa-cottages in wood” of the 1880’s are now the jest and rapidly vanishing pox of our suburbs. Even to Abraham Lincoln, by the way, he denies “distinction.” He says, “shrewd, sagacious, humorous, honest, courageous, firm; a man with qualities deserving the most sincere esteem and praise, but he has not distinction.” We have read somewhere (it is an unforgettable crumb of human oddity) that Arnold was chiefly interested in Lincoln’s assassination because the murderer shouted in Latin as he leapt on the stage.

There is much that might be said about a point of view so sincere, so sympathetic, so bravely honest, and yet so lacking in some qualities of imagination as that we seem to find in Arnold’s book. But what we want to quote is a portion of his comment on the American newspapers. Perhaps it is more nearly true still—and, since Northcliffe, more nearly true of British newspapers also—than any other part of his remarks. But we wish to quote it without either assent or denial. He wrote:

There were California boosters even then, we note. Arnold quotes a Coast newspaper which called all Easterners103 “the unhappy denizens of a forbidding clime,” and added: “The time will surely come when all roads will lead to California. Here will be the home of art, science, literature, and profound knowledge.”

You probably thought (and justly) that we cut off Matthew Arnold rather abruptly yesterday. Well, we did; but there’s always a reason for everything. We had to hurry uptown, by order of Dr. James Kendall Burgess, the philosophical dentist, to call on Dr. Hillel Feldman for some exodontia. In the old days, we dare say, it would have been called having a tooth pulled, but we like the word exodontia much better.

Now, since we have always been candid with our clients, we will admit that we were a bit nervous. Of course, we knew that these operations rarely turn out fatally; but still, we could see, as soon as we got into that medical office building at 616 Madison Avenue, that we were out of our element. Everywhere there were trained nurses in uniform—going about on “errands of mercy,” we supposed. There was one near the elevator downstairs; there was another in the corridor upstairs; and the soothing, tender way they asked what we wanted made us, somehow, even more conscious of the painful nature of our errand.

However, another of our habits came somewhat to our rescue when we found ourself sitting in Dr. Feldman’s chair. We are timid, we admit; but we are also inquisitive and like to know the details of what’s going on. We could see right away that Dr. Feldman is a104 tactful man, for he keeps his instruments under a neat little napkin so that you don’t have a chance to be alarmed by all those interesting gouges and pincers. Dr. Feldman immediately pierced our jaw with some stuff he called novocaine, and then, quite as though this was a very commonplace proceeding, began to chat leisurely. “You know,” he said, “a fellow can’t read your things in the paper just for a laugh. Those other fellows’ columns, you can read them and get some fun out of it; but your stuff, you have to read carefully and wade through a long slab to see what it’s all about.”

“Yes,” we said, “we’re like you, Doctor. We believe in giving our patients discipline—making them suffer.”

Now, of course, we said this hoping to give Dr. Feldman a chance to say right away, “Oh, I’m not going to make you suffer. This won’t hurt a bit.”

He didn’t say it, however. He chuckled in a way that seemed to us a trifle threatening. We hastened to appease him by saying some complimentary things about his shining, complicated apparatuses. To our displeasure we found that our jaw now had a numb and frozen feeling, so that we could not talk properly. We could only mumble.

The calm, genial way in which Dr. Feldman sized us up as we sat there with our jaw getting more and more queer—a curious sensation of mingled freezing and heat—reassured us a little. “Does the novocaine make perspiration come out on your forehead like that?” he asked, with a sort of intellectual curiosity. “No, no,” we hastened to say, out of the other side of our mouth.105 “We’ve been hurrying to get here, Doctor. Didn’t want to keep you waiting.” That was true; but we were afraid he would think we were scared. He began to toy gently with the corner of the napkin on his instrument stand. We were tremendously eager to see what kind of tools he had concealed there. But he outwitted us. He suddenly uttered the excellent words we had been hoping for. “This’ll be absolutely painless,” he said, and then with great gusto and alacrity he sprang upon us. There was a sound rather like grinding out a stone that is imbedded in a frozen pond. It was very interesting. We think the adverb absolutely perhaps was a trifle too strong: perhaps a precisian in words might substitute almost; but at any rate our sense of excitement far outweighed any small twinges. By the time we thought that he was getting well started, “That’s all,” he said. “Perhaps you’d better have a little stimulant.”

Well, naturally, by this time we felt that Dr. Feldman was one of the best friends we had ever had. We shook his hand warmly and assured him we wouldn’t have missed the adventure for anything. Then we went to browse for a few minutes in the second-hand bookshops on Fifty-ninth Street to think it over. We called on Mr. Mitchell Kennerley at the Anderson Galleries. As our jaw was still very much frostbitten, we couldn’t talk very clearly, and we had to hold our pipe in an unaccustomed corner of our mouth. We fear he misunderstood our condition; but he was too polite to say so. Our mind went back to Matthew Arnold.

Matthew Arnold, as we were saying, complained that106 American civilization was not interesting. A silly thing to say, it seems to us. He meant, evidently, that it did not supply the kind of interest to which he was accustomed, or for which he yearned. For surely, to any one ready to lay aside preconceptions, interesting is exactly what American life has always been. We reflected that the one word we instinctively used in explaining to Dr. Feldman how we had enjoyed our visit to him was just that—interesting. We feel that if Arnold had been a little more courageously imaginative he might have felt the same way about America. It may very truly have troubled some of his sensitive nerves; it may have caused him terror and shuddering; it may have seemed violent and tragic; but surely he might have seen that it was a teeming laboratory of life and amazement. We believe, by the way, that it was 1883 when he was first here; for we have just noticed in Mendoza’s bookshop a copy of Arnold’s poems autographed by him for a lady, and dated 1883. It was an American edition, so probably he signed it while in this country.

Mr. Arnold’s comments on American newspapers, we should like to add, were perhaps just a little scarce in humour. It is all very well to stand aghast at the jocular irreverence of much newspaper writing; but evidently it never occurred to Arnold that much of it is not mere vulgarity but expresses a national sense of gusto and hilarity that is far from a bad thing.

We cannot resist concluding this too brief excursus by quoting a letter which came to us from a mysterious correspondent—whom we know only by the initials107 N. O. N. P. It seems to us the most charming portrait of Arnold that we have ever seen. N. O. N. P. wrote:

If a man, one hundred years after his birth, still evokes such graceful and pensive homage, he has evidently some durable claim upon our hearts. Ever since our teens we have wondered what Sohrab and Rustum was about and why it was always assigned as required study for College Entrance. Now we intend to read it.

Something had happened to Dame Quickly’s storage battery, and all the amperes seemed to have escaped. An extremely friendly and cheerful young man came up from Fred Seaman’s garage, with mysterious medical-looking instruments, to grant a consultation. In the course of the chat he remarked, “If you once ride in a Boilroaster car, you’ll never be satisfied with any other.”

His energetic hands were at that moment deep in our loved Dame Quickly’s mechanisms; she was wholly at his mercy; naturally we did not feel like contradicting him or saying anything tactless. We wondered, but only privately, whether the fact that Fred Seaman is the local agent for the Boilroaster had anything to do with this comment? Or perhaps, we thought to ourself, our friend the battery expert really is a convinced enthusiast for the Boilroaster, and felt that way about it before he took a job at Fred Seaman’s establishment? We were sorry that William James was dead, for we110 felt that the author of The Will to Believe would be the man to whom to submit this philosophical problem. We were puzzled, because only a few days earlier another man had said to us (with an equal accent of decisiveness and conviction) that he would rather have a Dame Quickly than any Boilroaster ever made. “They stand up better than any of ’em,” he had said. Suddenly it occurred to us how useful it would be if there were some kind of spiritual gauge—like the hydrometer our friend was plunging into the cells of the Dame’s battery—which one could dip into a man’s mind to test the intellectual mixture of his remarks; to evaluate the proportions of those various liquids (the strong acid of self-interest, the mild distilled water of candour, etc.) which electrify his mental ignition.

Well, how about the Boilroaster, we said—(searching for a technical term that would show him we are a practical man)—Do they stand up?

He suggested that we get into his own Boilroaster, which stood grandly overshining the dusty Dame (reminding us of those pictures where a silhouette of the new Majestic is placed behind a little picture of the Teutonic or some other humble ship of older days) and take a run around Salamis while he tinkered with the battery.

Oh, no, we said nervously. Dame Quickly is the only car we know how to run, and besides the gear shift is different in the Boilroaster; we might get confused and have to come all the way home in reverse, which would be bad for our reputation in the village.

Yes, we said—Fred Seaman took us over to Locust Valley the other evening. (Suddenly a horrid thought struck us. We had thought that Fred had given us that lift over to Locust Valley just in the goodness of his heart. But now we wondered——)

When he left, he put in our hand a handsome book all about the Boilroaster. That, we felt, was the first step in breaking down our “sales resistance,” as they say in the Business e19 Course up at Columbia.

We’ve been reading that book, and we want to say that the chaps who write that sort of literature are cunning fellows, and masters of a very insinuating prose style. They begin with a very pretty frontispiece of a Boilroaster car standing, all alone and dazzling-new, in a magnificent landscape of snow-clad peaks and clear lakes. How the Boilroaster got way up there (evidently somewhere near Banff) without any one driving her, and without even a speck of dust on her fenders, is a mystery. But there she is. Perhaps the man who drove her all those miles from the nearest distributing agency is at the bar of the C. P. R. Hotel, off behind those pine forests.

All the highbrow critics will tell you that the truly great writers are lovers of Beauty. Well, the anonymous author of the Boilroaster book is as keen a champion of Beauty as any one we ever heard of. And not only beauty, but refinement, too. There are two whole pages giving little pictures of “refinements.” This is a book, we think, that could be put in the hands of the young without any hesitation. In fact, that is just where we did put it, for the urchin is cutting out the112 pictures of Boilroasters at this very minute. The whole trend of Advertising nowadays (we wonder if they mention this in the lectures on Advertising Psychology up at Columbia) is to give delight to children. We would hate to tell the Cunard Line and the International Mercantile Marine Company how many of their folders our juveniles have scissored up with shouts of delight.

The Boilroaster book is going to be a lesson to us. We don’t know if we will ever own a Boilroaster, but we are certain that before we do we have got to spruce up and be a bit more genteel. At present, we would be a bit of anticlimax riding in a car like that. There is “new beauty in its double bevel body line.” We want to look a bit more streamline ourself before we go in for one. There are “massive head lamps, graceful cowl lights, the louvres are more in number and their edges show a smart touch of gold.” There is “a courtesy light illuminating the left side of the car,” and a ventilator in the cowl. We don’t know exactly what the cowl is, or the louvres, or at any rate we’ve never discovered them in Dame Quickly.

Just as we are writing this, we see a headline in the papers (in the Evening Post, to be accurate) about Sir Charles Higham, who “Sees Advertising as a Great Moral Force.” We know of no writer who has a more solid appreciation of moral forces than the author of our Boilroaster brochure. What he has to say about “sheer merit,” “sound principles,” “elimination of waste,” “combination of beauty and utility,” “superiority and refinement,” “good taste” and “harmony of colour” makes this work a genuine essay in æsthetics.113 Moreover, we like his rational eclecticism. When the car has a 126-inch wheelbase, it makes it very easy riding and gives it charming “roadability.” When it has a 119-inch wheelbase, it “gives a short turning radius which makes it remarkably easy to handle.” Even in the least details, our author has an eye for loveliness. He confesses himself struck by “the attractive grouping of instruments on the dash, which emphasizes Boilroaster individuality.” The upholstery, he says, is “restful.” The folding seat for the extra passenger is “in reality a comfortable chair.” And when we learn that the opalescent dome and corner lamps “provide enough light for reading,” our only regret is that he doesn’t add a suggested list of readings for tenants of a Boilroaster Enormous Eight.

Unhappily space is lacking to tell you in detail what a competent and winning fellow this author is. In the scientific portions of the work he rivals Fabre—in regard to the clutch, he says “the driven member is a single spider rotating between two rings.” His passion for elegance, comfort, simplicity, and economy has never been surpassed—no, not by Plato or Walter Pater. The only drawback about his essay is that we feel we could never live up to the vehicle he describes.

Having severed our telephone wire and instructed the office boys to tell all callers that we are out at lunch, we look forward to a happy summer. We are going to begin enjoying ourself by systematically exploring the books in the library of the Evening Post. On a top shelf, well sprinkled with dust, we have found the excellent collected edition of De Quincey, in fourteen volumes, edited by David Masson. It is true that the first four volumes seem to have disappeared; but even if we begin at Volume V we calculate we shall find enough to keep us entertained for some time.

After we have finished De Quincey we are going to tackle P. T. Barnum’s Struggles and Triumphs, a book that has long tempted us. We think kindly of the Founding Fathers of the Post for having assembled all these interesting volumes for our pleasure.

We have begun De Quincey with Volume V—Biographies and Biographic Sketches. Some of this—particularly115 the Joan of Arc—has a faintly familiar taste: perhaps we were made to read it at school. But we do not think we ever read before the magnificent essay on Charles Lamb. There is a long interpolated passage about Joan of Arc which does not seem to have anything to do with Lamb. Perhaps the North British Review (in which the essay first appeared in 1848) paid its contributors on a space basis. But, ejecting this parenthesis, it is certainly noble stuff. Moreover, it is interesting to note that at the time De Quincey wrote, Lamb was by no means established on the pinnacle of security as a permanent brightness in our literature. De Quincey writes as though consciously contradicting some opposition. It seems odd to hear him speak of people who “regard him [Lamb] with the old hostility and the old scorn.”

We had intended not to introduce any quotations, for in this very volume De Quincey makes some stinging remarks about people who pad out their copy by interlarding material from stronger fists. But indeed the following passage seems to us so near the top of prose felicity that we lapse from grace:

De Quincey’s essay on Lamb, like so many of the great critiques of the early nineteenth century, was originally written as a book review. We like to imagine what a Blackwood or Edinburgh reviewer would have said if the editor (in the manner of to-day) had told him to deal with a volume in 500 or 1,000 words. The nineteenth century reviewer took a spacious view of his job. Of this particular essay, which purported to be a notice of Talfourd’s Final Memorials of Charles Lamb (1848), De Quincey said (very nobly):

Of course, De Quincey was a celestial kind of reviewer. Not even opium could make most of us write like that. Also he had the right idea about dealing with correspondence and accumulated papers. He used to live in one set of lodgings until the mass of miscellaneous matter filled the room. Then he would move to other quarters, leaving the pile in charge of the landlady. He always took care not to inform her of the new address.

There is a great deal more to be said about this Volume V, but we must skip along. (There is no reason, you know, why you shouldn’t look up the book for yourself.) We will just be generous enough to pass on De Quincey’s anecdote about how Coleridge first became a great reader. Coleridge, as a child, was going down the Strand in a day dream, imagining himself swimming the Hellespont. Moving his hands as though swimming, he happened to touch a gentleman’s pocket. The latter thought him a young pickpocket. “What! so young and yet so wicked?” The boy, terrified, sobbed a denial, and explained that he had been imagining himself as Leander. The gentleman was so pleased that he gave him a subscription to a circulating library.

The next volume of De Quincey that we intend to study is X, in which we find Letters to a Young Man Whose Education Has Been Neglected. We are rather118 stricken to note that these were addressed to a young man who was exactly the same age as ourself.

The first of these letters was evidently in the nature of a Christmas present to the young gentleman, known to us only as Mr. M. It is dated December 24, 1824. Whether Mr. M. was an actual person and drew this letter from his stocking on Christmas morning we are not informed. Our own conjecture is that he was as mythical as his sister-in-lore Miss M., of Walter de la Mare’s Memoirs of a Midget. Somehow there is a humorous lack of reality in the way De Quincey introduces him. Mr. M. is in possession of “great opulence, unclouded reputation, and freedom from unhappy connexions.” Also he had “the priceless blessing of unfluctuating health.” And yet he exhibited “a general dejection.” This, a young lady of seventeen told De Quincey, “was well known to arise from an unfortunate attachment in early life.” But finally De Quincey exhumed the truth. Mr. M. had been defrauded of education. And Mr. M.’s first inquiry is whether at his present age of 32 it would be worth his while to go to college.

No, indeed, is De Quincey’s unhesitant reply. Mr. M. would be 12 or 14 years older than his fellow-students, which would make their association “mutually burthensome.” And as for the value of college lectures—

It appears that the dejected young man, despite—or perhaps on account of—his lack of education, nourished a secret desire to be a writer. He had been reading Coleridge’s Biographia Literaria, particularly the chapter called An Affectionate Exhortation to Those Who in Early Life Feel Themselves Disposed to Become Authors. According to De Quincey, Mr. M. asks his opinion on Coleridge’s views of this topic. Alas! now we are more convinced than ever that Mr. M. is only a phantom: unquestionably De Quincey, the canny super-journalist, wafted him from the opium flagon as an ingenious target for some anti-Coleridge banter. His chaff directed at Coleridge is gorgeous enough. It is double-decked chaff, too; for he not only affectionately twits his fellow opium-eater in propria persona, but introduces for discussion an anonymous “eminent living Englishman,” who is plainly also Coleridge. He compares C. with Leibnitz for his combination of fine mind with a physique of equine robustness. This passage somehow causes us to chuckle aloud—

The first letter concludes with a charmingly humorous discussion of the problem (valid now as then) how a man of letters may get any creative work done and at the same time keep his wife and children happy.

Old Bill Barron, up in the composing room, asks us when we are going to take our Vacation. We are taking it now, we reply, reading De Quincey. Certainly we can’t imagine why any one with as pleasing a job as ours should have any right to go off on holiday. There are so many people in this town who have to spend their time reading the new books: we are going to enjoy ourself by dipping into the old ones. With one exception. We have found, in the office of the Literary Review, and immediately made off with, L’Extravagante Personnalité de Jacques Casanova, by Joseph Le Gras (Paris: Bernard Grasset). We read the first sentence—

That, of course, is one way of taking a Vacation. We remember, with a small behind-the-arras chuckle, one of Pearsall Smith’s Trivia called “Lord Arden,” which deliciously hits off the buried Casanova in all of us. At any rate, we shall read this book about Extravagant Jack.

But we must get back to De Quincey, or you’ll think we are purposely avoiding the topic. We hardly know where to resume our prattle about this glorious creature. Perhaps the first thing to note is an advisable shift in viewpoint. Nowadays we are all introduced to De Quincey at school, so his name comes to us with a peculiar mixture of sublimity and painful awe—for we learn that he was a wicked opium eater. We do not realize that a number of his contemporaries regarded him as a low-down dog of a journalist. Southey, for instance, called him “one of the greatest scoundrels living,” and urged Hartley Coleridge to go to Edinburgh with a strong cudgel and give De Quincey a public drubbing as “a base betrayer of the hospitable social hearth.” What was the cause of this peevishness? Why, of course, the Reminiscences of the English Lake Poets, a book whose social indiscretion is exceeded only by its magnificently fecund humour; told, like all De Quincey’s waggishness, with a rich sonorous volubility and luxurious plenitude of verbal skill. There is a subtle wickedness of amusement in the apparent solemnity of De Quincey’s polysyllables. The indignation caused latterly by such books as Margot Asquith’s was nothing compared to the anger of the Lake Poets when they found their innocent privacies122 laid bare by the Opium Eater’s pen. The Lakers took themselves as seriously as groups of humanitarians always do. And they were quite right. Francis Thompson complains that Milton never forgot he was Milton—“but we must admit it was worth remembering.” Yet the domestic affairs of Wordsworth, Coleridge, and Southey were indeed irresistibly comic. We have not forgotten that Hartley Coleridge, whose childhood was so charmingly enshrined in a poem by Wordsworth—

also floated in liquids more ruddy. He was removed from his fellowship at Oxford on the charge of drinking too much—which must have been a very great deal in the Oxford of those days.

Reminiscences of the Lake Poets is the kind of book (Boswell’s Tour to the Hebrides is another) that causes indignation to the victims, but intense delight to posterity. Posterity always has the best of us, anyhow. The anecdote of Coleridge’s father and the protruding shirt has always seemed to us one of the most disgracefully amusing minutiæ in literature—and yet even now, after a hundred years of sanctity, we are not sure whether we ought to reprint it. Well, you can buy Reminiscences of the Lake Poets in the Everyman Series.

The next thing to be said about De Quincey is that he would have been a glorious editor for one of Mr.123 Hearst’s newspapers. He wrote a good deal better than Mr. Arthur Brisbane; but he had the same acute instinct as to what the public is really interested in. We believe it was James L. Ford who described the Hearstian doctrine of newspaper policy as “Plenty of crime and plenty of underclothes.” De Quincey was a glutton for crime. Did you know that he lost his job as editor of the Westmoreland Gazette because for sixteen months he filled its columns mainly with news of local lawbreaking? His employers did not appreciate genius. His instinct was absolutely sound. In spite of the disclaimers of refined people, crime news, when written not merely vulgarly but with earnestness and art, is one of the most valuable features of any journal. If we were running a newspaper we would begin by scouring the press clubs for a young De Quincey.

He had, we say, the newspaper man’s instinct. Writing of the appalling Williams murders in 1811, he complains that though the outrage was committed shortly after midnight on Sunday morning, nothing reached the papers until Monday. “To have met the public demand for details on the Sunday, which might so easily have been done by cancelling a couple of dull columns and substituting a circumstantial narrative ... would have made a small fortune. By proper handbills dispersed through all quarters of the infinite metropolis, 250,000 extra copies might have been sold.”

This occurs in the postscript to Murder as One of the Fine Arts. In that immortal essay itself the macabre humour and the sledge-hammer impact of124 irony are probably a bit too grim and a bit (also) too learned and crushing for the gentler sort of reader. But the postscript, dated 1854, is the kind of horrific febrifuge that turns the heart to an Eskimo patty. We suggest that you try reading it aloud to a house party if you want to see blenching and shudders. The ultimate tribute to any writing of the narrative kind is to read it perpetually running ahead, in a horrid tension of eagerness, meanwhile holding one’s proper “place” with a finger until one can force the eye back to pursue a methodical course. We ourself read that postscript thus, late at night in a lonely country house; and, by a noble summation of horror, Gissing began to growl and bristle as we reached the climax. We should hate to admit with what paltry quaverings we went forth into the night, where the trees were smoke-colour in a pallid moonglow, to see what was amiss. It was only a wandering dog prowling about. But for a few moments we had felt certain that our harmless Salamis Estates were thickly ambushed with assassins. It then required a trip to the icebox, and a considerable infare upon a very ammoniac Roquefort cheese, to restore tranquillity.

III

But we were talking about De Quincey. Yesterday was by no means a day wasted, for we got our amiable friend Franklin Abbott into our clutches, made him take a note of Reminiscences of the English Lake Poets (in the Everyman Series, we repeat) and insisted to him that for a man of genteel tastes this is one of the125 most entertaining works ever printed. And also by mere chance, which so often disposes the bright fragments of life into a ruddy and high-spirited pattern, we stopped in at a bookshop on Church Street just to say howdy to the eccentric Raymond Halsey. Happening to remark that it is now just a hundred years since the Confessions of an English Opium-Eater was published, Raymond disappeared with a rabbit-like scuttling motion; was heard digging among shelves at the rear, and returned with the smile of one who thinks he foresees a sale. It was a first edition of the Opium Eater with the magical imprint of Taylor & Hessey. Was there ever a more sacred name among publishers? We don’t need to remind you they were Keats’s publishers, too. “Only fifty dollars,” said Raymond, but it was lunch time and we had to leave.

In the dark rear chamber of a Cedar Street tavern, in that corner underneath the photographs of the “Cheshire Cheese,” something happened that seemed to us almost as pretty as anything published by the vanished Taylor & Hessey. Frank spied an old friend of his, a fellow Pittsburger, and the latter halted at our table on his way out. We complimented him upon the fine bronze patina of his countenance, to which he replied that he had been salmon fishing. “You know,” he said, “there are only three salmon-flies that I care a continental for,” and from his pocket he drew a small pink envelope. With a tender hand he slid its contents onto the board. “There they are,” he said. His voice seemed to change. “Dusty Miller, Durham Ranger, and Jock Scott.” The little feathery trinkets, glowing126 with dainty treacheries, lay there on the ale-bleached wood. Certainly it seemed to us there was poetry in that moment. “I go to Bingham, Maine,” he said, “and drive eighteen miles up the Kennebec.” (A small postern door opened gently upon another world.) “Old So-and-so is waiting at the station. He’s always there. I could leave to-night; he’d be sure to be there when the train got in.”

We had a perfectly vivid picture of old So-and-so waiting at the Bingham station. Yes, we could see him. Then the postern door closed, gently but definitely, with that strong pneumatic piston that is attached to all our doors.

We were saying, however, that De Quincey’s Reminiscences of the Lake Poets caused great indignation among the Grasmere coterie. This was due not to any malice in De Quincey’s manner of writing, which was affectionate and admiring throughout. It was due to something far more painful than malice—the calm, detailed, candid, and minute dissection of their lives. There was truly something astoundingly clinical in this microscopy. For instance, to take the case of Wordsworth’s household, these are some of the comments De Quincey makes:

These are only a few of De Quincey’s remarks, digested to their naked gist; by which they lose all the amusing complexity of comment wherein they are folded. But the précis will suffice to show that, whether consciously or not, they were exactly calculated128 to wound, with very deep incision, the most delicate sensibilities of an austere, somewhat humourless and extremely self-regarding man.

On the 13th of February, 1848, De Quincey received a letter asking him to contribute a writing of some sort for an “album,” to be sold at a Ladies’ Bazaar. This was to be held in March of that year, for the benefit of the Library of the Glasgow Athenæum, and the ladies begged him to reply by “return of post.” This incident in itself sounds contemporary enough to give us a fellow feeling with De Quincey.

He had nothing available to send to the bazaar, but there was one unfailing resource—his bathtub. Let him describe it:

De Quincey decided that the only thing to do was to draw something at random from the bathtub for the129 ladies’ album. Accordingly, he made a little ceremony of it. “Three young ladies, haters of everything unfair,” were called in as referees; and a young man to do the actual dipping. There were to be four dips into the tub, and, for some reason not quite clear to us, the young man was made to attire himself in a new potato-sack, with holes cut for his legs and only his right arm free. It would have been more to the purpose, we should have thought, to blindfold him; but he was instructed to dip at random, holding his face “at right angles to the bath.” He was to be allowed one minute to rummage at random among “the billowy ocean of papers,” and at the command Haul Up! was to come forth with whatever his fingers approved. Before the ceremony began a glass of wine was brought. De Quincey proposed the health of the ladies of the Athenæum, and pledged his honour that whatever MS. should be dredged up would be sent off to the bazaar. And this, he protested, though somewhere buried in the bath there lay a paper which he valued as equal to the half of his possessions.

But he was compelled to depart from the strict rigour of his scheme. For let us see what the young man discovered in the bathtub. The first dip brought up a letter still unopened. It proved to be a dinner invitation for the 15th of February. De Quincey was congratulating himself on the success of his raffle, which had thus enabled him to answer this letter without irreparable breach of manners, when the young lady referees discovered that the letter was four years old.

Number 2 was a “dun.” The young man was, to De130 Quincey’s dismay, dredging in a portion of the tub rich in overdue bills. “It is true,” he says, “that I had myself long remarked that part of the channel to be dangerously infested with duns. In searching for literary or philosophic paper, it would often happen for an hour together that I brought up little else than variegated specimens of the dun.” And so Number 3 was also a dun.

Number 4 turned out “a lecture addressed to myself by an ultra-moral friend—a lecture on procrastination, and not badly written.” And this also De Quincey refused to allow to be sent to the Athenæum. So everything hinged on the fifth and extra dip, which was committed to one of the young ladies. She blushed rosily (De Quincey assures us) at the responsibility, and earnestly “ploitered” among the papers for full five minutes. “She contended that she knew, by intuition, the sort of paper on which duns were written: and, whatever else might come up, she was resolved it should not be a dun.” “Don’t be too sure,” said De Quincey; but when the paper was finally drawn out it was a blank sheet.

This, the referees maintained, was a judgment on De Quincey, and meant that he should use the empty page to begin a new and original contribution for the ladies of Glasgow. Which he did, and turned out a little essay, suggested by their recent sport, on Sortilege and Astrology. We have tried to read it, but so far without success.

We are interested to note that others besides ourself have been turning back to De Quincey. In a recent131 Fortnightly Review there is an article by H. M. Paull, sound enough in its observations, but grievously lacking in style. Mr. Paull, moreover, seems to us to shoot too far when he says that “to modern readers De Quincey’s efforts to be sprightly only cause annoyance.” It is true that sometimes his astonishing verbosity and his passion for footnotes outrun a hasty temper; but for our part we find something notably odd and agreeable in his queer, preposterous humour. His habit of calling great men familiarly by their first names—Dr. Johnson is “Sam,” and even the learned and ancient Josephus becomes “Joe,” and Thomas à Kempis “Tom”—is deplored by Mr. Paull; but this habit, we fear, has been inherited by columnists, and we had better not defend it too vigorously. The bathtub anecdote, which we have pared down until it loses most of its gusto, is, in the original, not devoid of humour. (Volume XIII of the collected works.)

And De Quincey’s ramified and rambling way of narrative offers surprising delights in unexpected parentheses. For instance, in the Opium Eater he happens to mention a murder that had been committed on Hounslow Heath. “The name of the murdered person was Steele, and he was the owner of a lavender plantation in that neighbourhood.” A lavender plantation! There is a fragrant circumstance for the mind of a poet to dwell on. Think of the chance immortality of the unlucky Steele—deathless now, because (poor devil) he was murdered and had a lavender plantation.

Turning up masterpieces of unintentional humour is a pleasant diversion of most writers. Everyone has his own favourites—on this side Atlantic many students vouch for The Balsam Groves of Grandfather Mountain (by Shepherd M. Dugger) as the most amusing book written in America; in Britain a few diligent explorers beat the drum for Irene Iddesleigh, a novel written by Mrs. Amanda McKittrick Ros (of Belfast). Neither of these books, unhappily, is easy to lay hand upon. But as a possible competitor, how do you like The Spanish Sultry, by Ambrose Dargason (Harrisburg, 1905)? We have no copy, but once we took down some extracts.

Mr. Dargason’s hero was a window-glass merchant “whose nature was as transparent and reflective as the goods he throve in.” This merchant’s name was Wilbert Vocks; after his retirement from merchandise he133 spent his time in travelling about looking for a suitable wife to inherit his fortune. Unhappily, his inherent caution always caused him to sheer off just when the reader was expecting the happy nuptials. The scene on the park bench in Harrisburg, one moony evening, is a favourite of ours:

The delighted reader might be pardoned for thinking that in this idyllic scene the restless affections of Mr. Vocks had found satisfaction. But Frederica, after several evenings of intellectual interchange, proved too shallow for his deep-laden mind. As Mr. Dargason put it (his taste for oddly mixed nautical metaphors was rather extreme):

To quiet his melancholy, Mr. Vocks returns into the busy world of trade. We have not space for very full quotation, but his discussion with his business associates is worth a brief extract:

In this admirable resolution Mr. Vocks was strengthened by his partner (Mr. Henry Shingle), who is described as “a thrifty man the colour of a glass of light beer, bleached brown by an open-air youth in Monongahela County, but surmounted spiritually by the bright bubbles of aspiration and elasticity. His clothes were neat and his habits orderly; of his meditative components it is not necessary to surmise. He had not made a habit of thinking profoundly, for he knew that any thought he might have could easily be rebutted by more carefully trained men; therefore he spared himself the embarrassment of argument. His management of the Sales Department, however, was not to be criticized.”

We wish we had taken the trouble to copy out more of The Spanish Sultry while we were about it. The Sultry herself was the lady to whom Mr. Vocks finally136 succumbed: she caused the fracture of the window-glass business. As the author put it: “Hers was not the clear transparence of Mr. Vocks’s glassy nature; she was stained with violent and ominous colours, and through the panes of her vehement character there burst downpours of scarlet and lavender trouble.”

We must confess we were stumped. All we could say was that he is—Oh, well just a kind of a dog. We didn’t like to say that he is a Synthetic Hound, and that his full name is Haphazard Gissing I. We didn’t like to admit, at any rate over the telephone, that one of his grandmothers may have been a dachshund and that certainly one of his brothers-in-law is an Airedale. But at any rate it was fixed that we should take our excellent Gissing over to the kennels to be boarded while we were in the city.

Gissing’s behaviour was odd. He seemed, in some inscrutable way, to suspect that something was going to happen. The night before his departure he disappeared, and was away all night—saying good-by to his138 cronies, we suppose. When we came home early in the afternoon to convoy him to Sea Cliff he was nowhere to be found. But about suppertime he turned up, looking more haggard and disreputable than ever. There was a fresh scar on his face, and he was very hungry. He ate his supper hurriedly, with no dignity at all. As soon as he heard the rattle of his chain his spirits went very low.

But the admirable creature was docile. Dogs are profoundly religious at heart: they put their trust in their deities. Unlike cats, who are determined atheists and fight to the last against fate, dogs accept calmly what they see is ordered by the gods. Gissing hopped into Dame Quickly without protest and sat in silence during the ride. His nose was unusually cold, but then that may have been only the winter evening. He had somewhat the bearing of one who is going to the dentist.

Dog fanciers are always baffled and set at naught when they see Gissing. But the Sea Cliff veterinarian made the most penetrating remark when we arrived. He is accustomed, indeed, to dogs of high degree—such dogs as are favoured by the North Shore of Long Island, and Gissing was rather a shock to him. After a long look, “What is his name?” he said. “Gissing,” we replied, with just a little of that embarrassment we always feel when such questions are asked; for it is generally shown in the manner of the inquirer that Gissing is an unusual name, particularly for a dog who looks as though he ought to be called Rover. So we said, perhaps a little defiantly, “Gissing.” But the Doctor misunderstood it. “Guessing!” he said dubiously,139 and looked again at the abashed quadruped. “That’s because he keeps you guessing what breed he is.”

It amuses us the more to have Gissing staying there, associating with the lordly dogs of Long Islanders who are spending the snow season in Florida, because we feel that it is rather like sending a child to a fashionable boarding school. It is probably useless as far as education is concerned, but it ought to be an interesting experience, and he may pick up a little polish. Gissing may make friends with some influential dogs who will be of help to him in future life; who knows? It is expensive, we admit; but since we paid nothing for him in the first place, and have used him liberally for copy, we feel that we owe Gissing this opportunity to improve himself. At any rate, he has promised to write us a letter from time to time, and we shall see how he gets on.

Dear Friend, I thought that as to-morrow is Valentine’s Day I had better send you a line to report progress and to wish you my respectful greeting. This Dr. R with whom I am living is a fine man and he smells good to me I heard him say something about a Dog Show being on in New York now and I thought I ought to tell you what the old veterans in this veterinary hotel say, they say not to go to any such show because those things there are not Regular Dogs, not Red Blooded He Dogs not Dogs as you might say with the Bark On. Of course at first it was a bit hard for me here being as I am a self-made dog so to say and not accustomed to associate with pedigree folks and I rather wish you would send me a new collar, that old strap is about wore out and to tell you the truth there is a little Airedale flapper in the next cage that I would like to make an impression on, some of the boys have those collars that are studded with brass spikes and look mighty fine don’t forget my size is 16. As I was141 saying, at first things were a bit unpleasant, there is a big collie who looked me over the first morning I was here and said “Ye men, how do they get that way? Who let this mutt in here among cultivated animals?” Well, I wasn’t going to stand for that stuff, so I talked right back to him and asked him if he had ever been in print, but I didn’t get it across very big because he was so ignorant he didn’t seem to realize what it means to have been written up right along in the Evening Post. By the way, I get kennel-sick for the old paper, out here they all read the sensational sheets and I wish you would tell the Circulation Manager to put me down for a two-months’ subscription. All the other fellows here gave me the razz when I told them my name, Gissing, what kind of a name is that for a dog they said? I told them I was named after a Writer but none of the roughnecks ever heard of him. But I noticed right away that the little Airedale kid was interested, she seems to have some imagination her name is Mistress Zephine IV and I understand that the Airedales are a very fine family. I told her that it had been suggested by some that I had some Airedale in me too, and she laughed and looked a bit scandalized. Either you are an Airedale or you aren’t, she said; there’s no half and half measures. Live and learn, I told her. Anyway she and I go out for a walk together with one of the men every morning, and I have got her quite interested in books, she has promised to write me when she gets home and tell what kind of books her master reads. When you write, send me a cake of flea soap, I want to make myself142 solid with this dame. There is a whole lot I could write about, but this is just to say that You are my Valentine. These dogs here all have three-barrelled names so I will sign myself in full,

P. S. Please write right away and tell me what is the name of your publisher, I want to give one of your books to Zephine, when I told her you were a Writer she wouldn’t believe it, I am talking you up big all the time here, but it is hard work to get away with it because appearances are against us; never mind, some day we will knock them cold; and what is the name of your car, one of these fellows here says he rides around in a Rolls Royce and I told him yours was a Dame Quickly and he says there isn’t any such boat, it’s an imported car I told him. Yes, he says, imported from Detroit; never mind, I’ve got them all guessing, they’re all keen to see what kind of a guy you are, I told them the story about the old trousers, I guess it was a mistake.

It is to-day a hundred years since that sultry afternoon when Edward John Trelawny, aboard Byron’s schooner-yacht Bolivar, fretted anxiously in Leghorn Harbour and watched the threatening sky. The thunderstorm that broke about half-past six lasted only twenty minutes, but it was long enough to drown both Shelley and his friend Williams, very haphazard yachtsmen, who had set off a few hours earlier in their small craft. It was only some foolish red tape about quarantine that had prevented Trelawny from convoying them in the Bolivar; in which case, probably, that dauntless and all-competent adventurer could have saved them. He was already dubious of their navigating skill. So, if there is any comfort in the thought, one may conclude that Shelley—though of course doomed to some tragic end, for skylarks do not die in nests—was partly the victim of that invincible social and144 bureaucratic stupidity against which he had always nobly chafed.

Those of our clients who care to devote this week-end to some meditation on Shelley and what he still means to us can well begin with Professor Firkins’s excellent essay. Mr. Firkins, with his usual clarity, lays pen upon a number of considerations that have always occurred to Shelley’s readers, but are not often carefully thought out. For our own part, we also have a mind to reread Francis Thompson’s essay, which remains in our memory as a prismatic dazzle of metaphor. But there are two items which, if our high-spirited clients have not read, they should certainly take steps to meditate. Hogg’s description of Shelley at Oxford is as lovely a picture of youthful genius as one is likely to find: and Trelawny’s Recollections of the Last Days of Shelley and Byron gives the other panel of the portrait. It is surely not often that chance bequeaths us such sympathetic observers for both beginning and end of a great life. And then, of course, it is not impossible for our clients to recruit their imaginations by reading some of Shelley himself. If your hearts are what we like to think they are, you may

But, for information about Shelley, Trelawny is the darling of all hearts. There is something indescribably manly in his rough, cheery, potent narrative, with its amazing vigour and humour. “As a general rule,” says145 he, “it is wise to avoid writers whose works amuse or delight you, for when you see them they will delight you no more.” But Shelley, he adds, was a grand exception to this very wise rule. One could happily spread several pages with excerpts from his good-humoured, observant companionship with Shelley and Byron. But, to commemorate the date now here, we intend to copy out part of his description of the burning of Shelley’s body on the Italian coast. Fine and gruesome as it is, we cannot help believing it not well enough known among those younger clients whom we daily cudgel towards virtue. Trelawny says:

There are those still living who have shaken the hard, quick hand that snatched Shelley’s heart from the coals. Sir Sidney Colvin, for instance, who tells much about Trelawny in his Memories and Notes of Persons147 and Places. And ghastly as the above account may seem to those of tender sensibility, the parable it implies is too rich to be omitted. Lo! were they not words of Shelley’s that winged the greatest popular success in recent fiction?A And, though lulled long ago by the blue Mediterranean—

that burning, reckless heart survives to us little corrupted by time—survives as a symbol of poetic energy superior to the common routines of life. “Mighty meat for little guests, when the heart of Shelley was laid in the cemetery of Caius Cestius!”

In midsummer the morning walk to the station is one long snuff of green and gold. On the winding stony lane through the Estates, before you reach the straight highway to the railroad, it is a continual sharp intake through the nostrils, an attempt to savour and identify the rich, moist smells of early day. That tangle of woodland we would like to call by the good old English word spinney, if only to haul in an equally ancient pun. It is in the spinney that you get the top of the morning. Dew is on the darkening blackberries. Little gauzy cobwebs are spread everywhere on grass and bushes, suggesting handkerchiefs dropped by revelling midnight dryads. The little handkerchiefs are all very soppy—do149 the dryads suffer from hay fever? As you emerge onto the straight station road, it is comforting if you see, not far away, some commuter whose time-sense is reliable trudging not too far ahead. When that long perspective is empty anxiety fills the breast. Across the level Long Island plain come occasional musical whistles from trains on the other line—the Westbury branch. But the practiced commuter knows his own whistle and alarms not at alien shrillings.

In midsummer the subaltern life around us is grown lusty. The spider is in his heyday and cannot be denied. Even indoors he shrewdly penetrates. Looking for a book along the shelves, our eye was caught by the hasty climb of one small spinner, who had been hanging on his airy cord apparently also scanning the titles. To the top of the case he retired, beyond reach. We wish him luck and hope no domestic besom may find him. The young lumpish robins that used to flutter heavily across the road, easily within grasp, fat paunches of feathers upon incapable wings—these are now strong of flight and cat-safe. The young rabbits with whom our woods are crowded no longer stand curiously in the roadway almost until our foot is on them. They too are maturing and have learned wise suspicion. The mole nightly increases his meandering subway, which looks like a zigzagging varicose vein on the surface of the lawn. And Gissing, untaught by menace or thrashing, every night buffets down more of the phlox plants so carefully set out by Titania, in his caperings with a roving Airedale from no one knows where. Only the pond noises seem to have lessened in150 vitality. The frogs are growing cynical, perhaps. In the sylvester midnight—thanks to Mr. C. E. Montague for that pretty phrase—they utter only an occasional disillusioned twangle, like the pluck of a loose bass string.

But there are signs that the Salamis Estates, so long a rustic Nirvana, are going to fall under the hand of civilization. Which will, one doubts not, have its advantages. It will be helpful to have gas to cook with; and sidewalks are enjoyable for baby carriages and velocipedes. But we shall never forget the happy Salamis Estates as they still are—the lonely roads through virgin woods; the little hidden lakes; the old abandoned orchard buried in overgrowth of vines and forest; solitude and sanctuary. It is our darling old horror of a Salamis railway station that has spared us the evils of “development.” The casual passenger looking out on that gruesome pagoda of claret-coloured brick and the huddle of wooden shacks around it, can only think of Salamis as a place damned and forgotten. When some of our neighbours grunt about that station we think inwardly of it with affection. It has spared us much. There are some people, of course, who really like to live in an artificed toy park like Nassau Boulevard or Garden City. We were raised on the books of Mayne Reid and Du Chaillu; we are for the jungle.

Yet we would not admit impediments to progress, if it does not rob our rustic Eden of all its wilderness charm. And anyhow progress is coming willynil. Actually, in the past six months, we have seen several houses built on the outskirts of our region. The new151 Methodist kirk, though apparently halted temporarily while our good dominy raises some more funds, is already shoulder-high. Another church, years ago foundered to the status of a saloon, now does brisking business as garage. The little empty lodge at the entrance to the Estates, where we vote on election days, will some day be a tea-room, we suspect. It is ideal for that purpose, with its big open fireplace. In fact, we have heard influential Salamites say that it could be had almost rent-free by some really refined lady as a pekoe-saloon. Those who move the destinies of the Estates think that a nice tea-room there would help the tone of the neighbourhood. We pass this information on to ambitious ladies, on condition we are allowed to have three lumps and an extra pat of butter.

It is all very interesting, because we are going to have a unique opportunity to see exactly how civilization works. We have watched new signboards go up at the front and back entrances to the Estates. Not long ago a hundred thousand people might have gone by and never known our little world was there. We study the new board of a Mortgage Company announcing Desirable Plots. Yes, we can see a plot. Civilization is plotting to take us under its wing. We are going to have a good look at this thing they call civilization and see how it goes about it. Five years from now will we be able to see cows being driven home from their daily pasture near our Green Escape? We are not blind to omens. Just as lightning glimmers even through eyelids closed in bed, so behind the leafy screen of our still scatheless sanctum we can see the bright152 eyes of Real Estate men blazing in the sky. Well ... there are compensations. Our title is clean and clear, and our second mortgage sticks to us closer than a shinplaster. Wait till they try to buy us out; we’ll get some of our own back.

So we meditate, partly as poet and partly as Man of Affairs, as we walk homeward up the hill. The singing peanut-wagon of George Vlachos, steaming its thin, pensive tune, comes clopping wearily down the road, the white horse shambling a bit after a long day on the highways. Fresh Rosted Peanuts, Candy, Ice Cream, says the legend. We note the pile of fresh shingles beside the little house going up near the station; we sniff the tang of mortar where our good friend Mr. Corliss will next year be preaching the word of God in his new steeple-house (as George Fox would have called it). We wonder where the Salamis Heights movie will be, when it comes? That, and an occasional street-lamp up in our tangled knolls, will make it easier to keep servants, very likely. And think of having gas to cook with instead of those oil stoves.... Yes, perhaps civilization will have merits.

[A letter from the Proprietor of the Ginger Cubes to his Advertising Manager, who is ill in hospital.]

Dear Russell: When I heard that you had been taken to the hospital with a badly dislocated sense of proportion and exhaustion of the adjective secretions, I was worried. The doctor said that you were suffering from a severe attack of deprecation and under-statement, and I feared that would mean you would be quite unfit to help me in the forthcoming campaign for Ginger Cubes. But I hear now that a few weeks of silence and relaxation will bring you round. I have ordered the Police Gazette and The Nation to be sent you. Each in its own way is highly entertaining.

In our last conference, just before you were taken ill, you tried with your usual energy and bullheaded154 vitality to persuade me to say a word about the Ginger Cubes at the Paperhangers Convention. You made a great deal of the point that this would be a vast gathering, and that it would be excellent business for me to give them a “message.”

I ask you to meditate this thought: give me a small group of folks who are more or less interested in the same sort of thing that I am, and I will “talk my head off.” But speaking to large, miscellaneous audiences, many of whom are only incubating there to pass away the time until the theatres open, is my idea of loss of compression.

We have appropriated a fine promotion budget for the Ginger Cubes, but I am holding up any action until I can argue the situation with you. About newspaper advertising, for instance—I want your opinion as to the papers which are read (1) most carefully, (2) by the class of people to whom the Ginger Cubes are likely to appeal, (3) at the time of day when their minds (and palates) are receptive—i. e., morning or evening? For instance, do you think that people will be likely to be tempted by the Cubes in the morning, just after breakfast? I think not. I believe that the evening, in that faintness and debility that are supposed to attack office-workers on their way home (especially in the subway) is the psychological zero hour for the Ginger Cubes.

Miss Balboa, to whom I am dictating this, says that she never noticed any sign of weakness or lack of energy in the evening rush on the subway. I believe it is worth while to get the feminine reaction on this matter before we make any decisions. One thing I have always regretted155 about you as an Advertising Manager is that you are not married. Wives are often very helpful in these questions of merchandising strategy. But perhaps you can question some of the nurses at the hospital and get their reaction.

In regard to these mediums, the question of circulation does not cut any ice in my cynical and querulous mind. It is not a matter of circulation, but of penetration, that excites me.

The chemical laboratory reports that the Cubes will positively have a soothing and tonic effect upon the digestive organs, and that we are justified in saying so. Unfortunately they say that the Cubes cannot possibly be of any value in combating “pyorrhea,” so we cannot go riding on the other folks’ toothpaste copy. For your amusement, I have thought up this slogan:

Which is probably too startling. But anyhow, when we have decided, I wish our copy to be Cumulative, Concise, and Continuous. Then, ho for the Ginger Cubes!

[A letter from the Proprietor of the Ginger Cubes to his Advertising Manager, who is ill in hospital.]

Dear Russell: I am glad to hear from Dr. Nichevo that you are doing well. He reports that in your delirium you had visions of nothing but full page insertions, so I realize that you must have been a very sick man. I am glad you are coming out of it. The Doctor says that a little quiet meditation on business problems will help to bring you back to “normalcy.”

So you might think this over. I have just been telling the boys at our conference this morning that I want our advertising matter for the Ginger Cubes to be distinguished. I’ve been much impressed, for instance, by those ads that Childs restaurants have been running for some time, in which they make use of historians, philosophers, poets, and what not, to introduce the topic of food. I am wondering whether, in your extensive reading, you have come across any literature in which Ginger or Cubes have been written about in a pleasing, sentimental strain? Miss Balboa thinks that Shakespeare said something about Ginger being “hot in the mouth,” but I am a little afraid of that word hot. How about

What I want you to do is tell me what the resources of literature are in the way of quotations about Ginger.

Some of the boys are much taken by a suggestion that has come in from the Gray Matter Advertising Agency, who somehow got wind of our plans. Mr. Gray, the Psychology Director of Gray Matter Agency, wants us to mark the cubes with little spots of white sugar, so that they look like dice. Here’s the joker: he wants us to pack them in little boxes in which half the cubes will be marked as five-spots and half as deuces, using the slogan, They Always Turn Up Seven.

That seems to me a bit complicated, but I must admit that I’m rather struck by the idea of advertising the Cubes as Digestive Dice. I’m having the idea of marking them with sugar spots looked into, to see what it will cost. I visualize a subway poster showing the cubes tumbling out of a dice shaker, with the words Throw These for Good Health. Do you think that is too distinctly masculine an appeal? But think of getting this idea across to the lunching public, of always carrying a box of the Ginger Cubes in their vest pocket (we could have the box shaped like a little dice-shaker, hey?), they can use them to throw for who is to pay the check, and then eat them. Can you put that thought in twelve words?

What a pity that neither of us is married, and has no wife to fall back on for advice in this delicate matter. Miss Balboa, my new stenographer, thinks that women would not be attracted by this gambling note; she says that women are born Dutch-treaters, and do not fall158 for the idea of settling the lunch-check by mere chance. Please see what the hospital nurses think about this.

This man Gray, from the Gray Matter Agency, is a whirlwind. He has shot in some suggestive layouts for car-cards that make my head spin. These are some of his aspirations—

And he has doped out a map showing the whole digestive apparatus laid out like a subway system, and the Ginger Cubes keep traffic moving.

All this seems to me a bit too unconventional, although I confess I am amused by the originality. Tell me what your reaction is. I’m sending you some of the Cubes to distribute among the nurses.

III

[A letter from Miss Candida Cumnor, one of the nurses at the Hippocrates Hospital, to Mr. Nicholas Ribstone, President of the Ginger Cubes Corporation.]

Dear Mr. Ribstone: Poor Mr. Russell is still very weak, and has not been able to write to you himself. Dr. Nichevo says that he has never seen a more interesting case of complete exhaustion of the salesmanship glands. He thinks that the patient must have been under a very severe strain for a long time preceding the breakdown. I gathered from what Mr. Russell said in his period of delirium that he had been trying to sell by mail order a complete set of Tolstoy’s works, but by some mistake had bought the wrong mailing list from one of the houses that deal in such things. They gave him a list of members of the Ku Klux Klan, and the returns on his effort were so disheartening that it broke him all up. He was very queer for a while. But one delusion helped a great deal. He had a fixed idea that the temperature chart at the end of his bed was a sales graph, and the more peaks there were in it the better he was pleased, for he thought that at last the K. K. K. were beginning to fall for Tolstoy.

At any rate, he is much better now, and asks me to write to you for him. I must say that I think you picked a fine Advertising Manager for your Ginger Cubes: I have never seen such an enthusiastic fellow. The specimen drawings for car cards that you sent him are pinned up on a screen beside the bed, and he hardly160 takes his eyes off them. He has had all the nurses in the ward munching the Ginger Cubes, or Digestive Dice as he likes to call them, and is asking me to make a note of their opinions. He says he plans an interesting lay-out under the caption

To show you that he is really picking up, I will tell you that this morning he asked me to send out to the nearest newsstand for a number of magazines and papers, which he has been looking through with close attention.

But I must not deceive you. In spite of his enthusiasm he is still very weak, and it will take a lot of building up before his merchandising centres are up to par. It would do no harm if you were to send him some stimulating books to read, such as Orison Swett Marden or Dr. Crane.

By the way, Mr. Ribstone, someone in your office has made a mistake in addressing letters to this hospital, the name of which is not Hypocrites but Hippocrates; the spelling is nearly the same but the pronunciation is different, after the name of a famous doctor of old times. Now I must draw to an end, for the patient needs attention; this is a long letter but he wanted you to know all about him.

Hear interesting rumour about new lozenge Ginger Cubes to be marketed by you would you consider entrance of outside capital in this venture or sell outright trade name formula and goodwill. Believe you have a winner.

[A telegram from Nicholas Ribstone, president of the Ginger Cubes Corporation, to Edward Gartenbaum of the National Drug Novelties Company.]

Decline discuss selling interest in Ginger Cubes distribution plans perfected watch our smoke.

[A memorandum sent to heads of departments of the National Drug Novelties Company, Chicago.]

Mr. Gartenbaum reported that he had had a telegram from Ribstone declining assistance in financing162 the Ginger Cubes. Mr. Gartenbaum thought the matter important enough to warrant calling the directors together. Was it possible that Ribstone had access to new sources of capital hitherto unemployed in the drug trade? This seemed unlikely in view of their own recent canvass. Mr. G. asked Mr. O’Keefe, who had just come back from New York, whether he had been able to find out anything definite about the plans for Ginger Cubes.

Mr. O’Keefe said that he had found the trade greatly interested in the rumours that had been current. It was said everywhere that Ribstone had got hold of a formula that was a knockout, and that the Ginger Cubes had caused more talk in pharmacist and confectionery circles than anything since the Smith Brothers sold their razors. He had not been able to get any very definite dope about the distribution plans, but it was common talk that Ribstone intended to spend half a million in the New York newspapers. He had heard that the Gray Matter Advertising Agency was to handle the account. Mr. O’Keefe said that Mr. Gray was an old friend of his, but going to Gray’s office to inquire he found the reception room so choked with solicitors from the newspapers that he did not wait.

Mr. Oldham asked if this man Ribstone had had previous experience in the drug specialty line which would warrant their believing he could make a go of the so-called Ginger Cubes.

Mr. Gartenbaum said that Ribstone had had no experience in that field, so far as he knew, but that he was a very clever merchandiser and had done big163 things with the Ribstone Memory Course several years ago.

Professor Devonshire of the laboratory department was called upon to ask if he had any idea what the formula of the Ginger Cubes might be, and whether it could be easily duplicated or improved. Professor Devonshire said that, speaking as a chemist, ginger had many possibilities as a popular drug staple, that its principal constituents are starch, volatile oil, and resin; that it has carminative and purgative values, especially for dyspepsia and flatulence, and is helpful for seasickness, headache, and toothache. He said that as soon as the Cubes themselves were on the market he could analyze them and suggest a variation in the formula.

Mr. O’Keefe said that he had tried to get hold of some of the Cubes, but that they were being carefully kept under cover. He believed that Ribstone’s plans were still in the air until his advertising man, Russell, was out of hospital.

Mr. Gartenbaum asked if Mr. Russell was in hospital because he had been trying some of the Ginger Cubes.

Mr. Oldham said that he had been greatly impressed by the amount of gossip in the trade about the Ginger Cubes, but he believed the value of the thing lay not in any unique formula but in the cleverness of the name Ginger Cubes, and particularly the additional name Digestive Dice.

Mr. Gartenbaum agreed and submitted it to the meeting that it would be well worth while to ride on Ribstone’s effort by putting out a similar product164 with an equally catchy name. He instanced the way Eskimo Pie was followed immediately by a dozen imitations, all very nearly as successful.

Mr. Sombre of the Promotion Department asked if Mr. Gartenbaum had thought of any name as appealing as Ginger Cubes.

Mr. Gartenbaum admitted he hadn’t, but said that his mind was working on this matter and the only thing he had thought of so far was Ginger Blocks.

Mr. Sombre said he thought that was too similar to Ginger Cubes and might mean legal proceedings.

After a good deal of discussion, Mr. Gartenbaum adjourned the meeting, ordering these minutes to be sent confidentially to heads of departments. Another conference to be held to-morrow at which suggestions for a rival name would be brought in.

VII

[A letter from Allan Russell, Advertising Manager of the Ginger Cubes Corporation, to Nicholas Ribstone.]

Dear Boss, I’m still a bit seedy but am getting better every minute thanks to the care these “good people” have taken of me. This is my first letter and it will have to be short. Just wanted to say that if you still need an assistant in the office I’d like to recommend Miss Cumnor, one of the nurses here, who has been165 taking care of me. She is tired of the nursing job and wants to get into a “business position.” Certainly she’s a mighty capable girl and her medical knowledge would be of great value to us in marketing the Cubes. She is 23 years old and ambitious.

I’ll be out of here pretty soon now, I hope, and am keen to get into the thick of the fight for the good old Cubes.

VIII

Dear Russell: Here are our letterheads. How do you like them? I am sending some to the hospital so you can use them for any letters you may need to write. Show them to the nurses and get their reaction. The more they circulate, the better.

This is just to tell you that I am going out of town for a little rest over the week-end. We have got things pretty well lined up so far. I shall be glad when you get back so we can visit together for I want your advice. You understand advertising men better166 than I do, I guess. To me, a great deal of their jargon is a mystery. What, for instance, do you think of the enclosed one that has just come to me from the Gray Matter Agency? Does it mean anything?

Miss Balboa, by the way, is somewhat upset by a remark made by your Miss Cumnor, about our error in spelling the name of the Hospital. I’m afraid the mistake was due to my wrong pronunciation, which she misunderstood.

[Enclosure, sent by Mr. Ribstone to Mr. Russell, being a letter from the Gray Matter Advertising Agency.]

My dear Mr. Ribstone: Obviously you intend, ultimately at any rate, to have a nation-wide, or even world-wide, distribution for the Ginger Cubes. You are going to need a large merchandising staff. I wish to enlist your interest in our newly created Department of Salesmanizing. Let us train your representatives before they go on the road, and instil into the personnel just those qualities of enthusiasm and confidence that go to make not mere salesmen, but Ambassadors of Commerce.

I solicit the pleasure of convincing you on this topic; in the meantime let me briefly state the nutshell of our theory.

In our Salesmanizing School, which is really a kind of167 Graduate College of the Selling Arts, we seek to drive out from the student all negative and minus thoughts, ideas of possible failure, business depression, etc., and to substitute robust energizing concepts, positive and plus in their nature. Many a man has come to us doubtful about his own selling abilities, doubtful about the general condition of trade, doubtful about economics and literature and even theology. When they leave us, after a three weeks’ course under Mr. Harvey K. Tidaholm, they have pronounced convictions.

You wish to have your product—the Ginger Cubes—marketed swiftly, cleanly, universally. There are four steps in this process. The commodity must be

It is on such matters as these that Consumer Preference and Dealer Convictionability are based.

I should like very much to have our Mr. Harvey K. Tidaholm discuss this matter with you. I know that your reaction will be enthusiastic.

Yours faithfully,
Geo. W. Gray,
Technical Director, Gray Matter Advertising Service.

Dear Mr. Gray: I am just leaving town for a few days rest. All decisions have been postponized until my advertising manager returns. He is now hospitalized. I will confer with you as soon as I am re-urbanized.

[An article in LOZENGE AND PASTILLE, the weekly trade journal of the throat tablet trade.]

A great deal of talk has been roused in lozenge circles by the formation of the Ginger Cubes Corporation, to manufacture and distribute a new product called the Ginger Cubes. Mr. Nicholas Ribstone, the head of the enterprise, while reticent as to details, admits that he hopes to spring a surprise on the world of bronchial tablets and breath-perfumers. We understand that the Ginger Cubes, while more in the general nature of a confection than a medical preparation, are169 based on a careful pharmacal formula, and will go before the public on an appeal at least partly therapeutic.

But what interests us is, that Mr. Ribstone’s venture again brings up the necessity of standardizing the shape of the medicated sweet, if lozenge men are ever to get back to genuine prosperity. At present the lozenge and jujube world is in a state of wild disorder and lack of intelligent coöperation. Post-war deflation has not been followed by anything constructive. Lozenge men are cutting one another’s throats instead of healing the public’s. Mr. Ribstone, unconsciously, has put his finger on a vital spot in the lozenge industry.

It will be evident, however, that for close packing and neat appearance, the cube is undoubtedly an attractive shape. It is well worth consideration on the part of the trade whether a general adoption of the cube would not be advantageous. Moreover, a great economy could be effected by standardizing cartons and containers. How can the present debilitating fluctuations be ironed out while the whole industry is proceeding on a basis of mere individualism? We do not wish to disparage competition, which is the life of trade, but to advocate a higher form of coöperating competition. The lozenge trade owes it as a duty to humanity to take170 its part in the general stabilizing and soothing movement. The inflamed throat of Commerce can never be healed until lozenge men get together. There is no reason why the breath-sweetener clique should be so jealous of the digestive wing, both suspicious of larynx and bronchial men. We hope that at the convention in June these matters can be taken up and constructively dealt with.

XII

[A letter from Mr. Gray of the Gray Matter Advertising Agency to Nicholas Ribstone, proprietor of the Ginger Cubes.]

My dear Mr. Ribstone: I do not wish to seem too insistent, but I am so interested in the success of the Ginger Cubes that I feel it is my duty to inform you of the tested methods in which prosperity has been attained by other manufacturers.

I am so confident of your eventually deciding to place your advertising account in our hands that I went ahead last week and had our Laboratory of Merchandising Survey conduct a preliminary clinic in the local field. Of course, you understand that you are not obligated in any way; but I felt that this was the most useful mode of helping you to envisage your problem.

Just a word about our Merchandising Survey work, which is headed by Mr. Henry W. Geniall. Mr. Geniall is a man who knows how to talk to dealers in their own language; he is a born sales engineer. He171 began selling in 1892 and has never stopped; though now he sells service instead of commodities. He is the author of a book which has run through fifteen editions, including the Scandinavian, entitled How to Meet and Dominate Your Fellow Men, an autographed copy of which I am having forwarded to you.

The principle of our Merchandising Survey is to conduct a preliminary investigation of markets, in a representative field and on the highest plane of detached observation. Our Merchandising Surveyors are not to be confused with the street men employed by the less professional agencies. Most of them are college graduates; they are so tactful and genteel that they are welcomed by the dealers as valuable counsellors and coöperators; very often they are asked to stay to supper.

The survey we conducted shows conclusively that there is going to be a big market for Ginger Cubes if they are well publicized. We drew up the inclosed printed blank and questionnaired 100 druggists in the uptown section, just as a preliminary test. I have selected the inclosed at random from the returns, to show you the kind of thing. The others are being bound in a folder, which I will have much pleasure to lay before you on your return to the office, together with a tabulated analysis.

It is a pleasure to be able to put at your disposal all the resources of Gray Matter Service.

Faithfully yours,
Geo. W. Gray.
Technical Director, Gray Matter Advertising Service.

XIII

[Confidential Report of an interview with a druggist by a Merchandising Surveyor from the Gray Matter Advertising Agency.]

To What Does Dealer Attribute Success of These Best Sellers? Newspaper Advertising.

What Methods of Manufacturers’ Promotion Produces Best Result for the Dealer? Newspaper Advertising.

What per cent. of his customers suffer from Sore Throat? Ten per cent. in winter.

What per cent. prefer a doctor’s prescription to a patent medicine? Fifty per cent.

What Does Dealer think of prospects of Ginger Cubes? Excellent; thinks name very “catchy.”

General Remarks—Dealer suggests we investigate what effect the Ginger Cubes will have on smokers’ tongue; says ginger bites the tongue after smoking, would not have percentage of ginger too powerful.

XIV

[A letter from Allan Russell, Advertising Manager of the Ginger Cubes Corporation, to his employer, Mr. Nicholas Ribstone.]

Dear Boss: This is just to say that I am so much better I expect to get out of here in a few days, and hope to be back “on the job” next week. Dr. Nichevo says that I have made surprising progress and174 thinks it is due to Miss Cumnor’s fine care. She is certainly some nurse. She and I have gone over those papers you sent me, from the Gray Matter people, very carefully. Miss Cumnor’s reaction is that we ought to go slow about signing up with them. She thinks, and I am inclined to agree with her, that they talk tripe. By the way, you didn’t reply to my suggestion about our giving her a job in the office. She is certainly a remarkable woman.

Dear Miss Balboa: I have decided to stay here a few days longer for the fishing. Nothing much can be done in the office until Mr. Russell returns, and it just happens that one of the big drug jobbers is staying at this place and it will do no harm for me to get to know him in a social way. Thanks for telling me about the Gray Matter portfolio. I am interested to know that you are impressed by their enthusiasm. But every one is enthusiastic when they go out fishing for a big one.

Look here, instead of mailing the Gray Matter stuff, why not run up here with it yourself? I will get you a reservation at the Bonhomie Inn, which is near this club, and then we can go over the papers together. There’s a train that leaves Grand Central at 4:20.175 The little change would do you good, and there are several matters on which I wish to get your reaction.

XVI

Dear Mr. Russell: Mr. Ribstone is still away, but I am going up to the country this afternoon to take him some papers, including your letter of yesterday. We’ll all be mighty glad to see you when you get back.

XVII

[A letter from Mr. Gray, of Gray Matter Service, to Mr. Ribstone, proprietor of the Ginger Cubes.]

My dear Mr. Ribstone: I was glad to get your note from Kill Kare Kountry Klub, and to hear that you have been taking a few days’ recreation. You will return, I am confident, much refreshed and eager to take up the problems that confront us.

I have been a little disappointed at not getting a definite authorization from you to go ahead with our plans. We have had tentative advances from other possible clients in this same general field, but I have put them off, desiring not to take on any accounts that might possibly conflict with the Ginger Cubes. To be perfectly frank, the thing that has appealed to me about Ginger Cubes is the bully opportunity for public service in a big way, and the chance to institutionalize a product176 whose possibilities have filled the members of our organization with unusual enthusiasm.

Ever since we first began talking institutional advertising for Ginger Cubes, a real thought impression has been epitomizing itself in my mind, and our Department of Cumulative Service has been giving the matter special study and analytical constructive investigation. We have been going right back to fundamentals on this proposition, studying the different sides of the problem along all its different angles. It will indeed be a source of satisfaction if we are accorded the opportunity to work with you. Our Mr. Geniall was saying in conference yesterday, “I am convinced I would rather be associated with the Ginger Cubes Corporation than any other company I know of, because what I have heard of the quality of men that make up that organization and the quality of service they would expect convinces me it would be an educative experience to coöperate with that firm. The product-attributes of their Ginger Cubes fill me with enthusiasm, and I feel that if they were our clients we could work for them as personal friends, and not in any cold-blooded businesslike fashion.”

It is not our desire to merely build a number of advertisements which may be combined together in a more or less connected series by some such device as art treatment. Art is all very well as a handmaiden of advertising, but for a monumental campaign you need the inspiration of a Big Idea, a genuinely dominating177 thought that will clarionize every piece of copy and tie the whole together in a culminating increment of public consciousness.

Advertising is either Product-Advertising or Institutional-Advertising. The functions of the first are obvious—

But Institutional-Advertising is far more psychological. Here enters the supreme function of the merchandising arts, to create consumer “good-will.” This may be defined as encouraging consumer-benevolence, that is, educating the public to a sense of subjective interest in the entire business, and a conscious awareness of benefit therefrom. A feeling of friendly satisfaction engendered by Knowledge, Understanding and Appreciation is the inception of this consumer-benevolence.

The various factors that jointly and severally enter into these great merchandising truths I will not insist upon. But it would give me great satisfaction if you and Mr. Russell would meet the members of our organization and talk the whole matter over frankly and fully. Mr. Russell and your good self and the writer ought to get together in the near future for a long, serious talk on the whole proposition. We could not do nearly so well for you if our headquarters were not in New York, where we can have daily intimate conference178 with your organization headquarters. Our psychological director for the Chicago Territory, Mr. Alfred Ampere, has been so stimulated by what he has heard of your plans, that he wires me asking to be transferred to New York if our proposition goes through. I am inclined to favour appointing him as chief contact man, so that he could be summoned at any time within twenty minutes if a conference were called.

The objectives are all clearly defined, and we are ready to go to work. This is simply to assure you of my own personal appreciation of the splendid energy and fighting spirit your organization exhibits, and to hope that from the very inception of the Ginger Cubes we may be accorded an opportunity to coöperate in the public educationalization which is the real satisfaction of the advertising profession.

Cordially yours,
Geo. W. Gray.
Technical Director, Gray Matter Advertising Agency.

XVIII

[Story in the New York Lens, April 23, written by the star humorous reporter.]

Allan Russell, advertising man, left Hippocrates Hospital yesterday afternoon, completely cured of a179 stubborn case of nervous debility that at first puzzled the doctors. With him, in a taxicab, was Miss Candida Cumnor, one of the nurses, still in her uniform. They went to the Little Church Around the Corner and were married. After the ceremony, Mrs. Russell took her husband’s temperature with a clinical thermometer. It was Centigrade A, or whatever the normal reading is. She did not test his pulse, which was probably excusably fluttered. Even a hardened reporter, who horned in on this story by accident, was stirred by the sight of the bride in her crisp white linen. She has golden-bronzy hair and indigo eyes, or they looked that way in the twilight of the church. But what’s the use? She is now Mrs. Russell.

During Mr. Russell’s illness Miss Candida had charge of the case. She sympathized with his business problem—Dr. Nichevo, the Hippocrates expert on nervous mechanics, said that he had been run down by too constant intercourse with advertising agencies. She took his temperature soothingly with that cold little glass tube. But what she took away with one hand she gave back with the other. When her palm floated like a water-lily across his commerce-heated brow his mind grew calm, but his heart was caloric. As he became stronger she assisted him with advertising layouts which were spread on the bed, and they pored over them together. Why is it, we wonder, that reporters never have time to be taken ill?

Mr. Russell is Advertising Manager of the Ginger Cubes Corporation. He and his wife expect to spend their honeymoon hunting an apartment.

“Cupid is the best doctor,” said Mr. Russell as they left the church. “I intend to keep the thermometer as a souvenir.”

XIX

[A letter from Nicholas Ribstone, proprietor of the Ginger Cubes, to Allan Russell.]

Dear Russell: Forgive my delay in writing, but I have exciting news for you. Miss Balboa and I have decided to get married. You know that I have always felt we laboured under a handicap in not being able to get disinterested feminine reaction on the Cubes. Miss Balboa’s excellent sense will be a great help. I dare say you will be surprised—I am, myself. I had thought I was too old to become a Benedictine, but Miss Balboa has quite carried me off my feet. I must not be sentimental, however. We are going to be married here, to-morrow, very quietly.

I should have written to you before about Miss Cumnor. I thought rather well of your suggestion, but Miss Balboa has convinced me that it is better not to add to our staff just now, at any rate until we get things going.

I’m sending this to the office, as I guess you have left the hospital by now. Mr. and Mrs. Nicholas Ribstone will be back in a few days.

Dear Russell: Just got your wire. Congratulations. It reaches me on the brink of the altar myself. My Lord, man, you should have tipped me off beforehand. It wasn’t necessary for both of us to get married in order to get wifely reactions on the Cubes. If I had known sooner—but anyhow, it’s all arranged now.

Miss Balboa has just about convinced me that we will do well to accept Gray Matter’s proposition. I wish I could consult you about this. Perhaps you had better get in touch with Gray and have the papers ready for signing when I get to the office.

We can exchange wedding presents later on. At the moment I’m too flustered to know just what happens next.

XXI

Dear Bob: There’s the devil to pay in this office. I’ve just heard that old Ribstone has married Miss Balboa, his stenographer, in order to get her unbiassed reactions on business. Now I know very well that Candida and Mrs. Balboa-Ribstone will never get on182 together. This Balboa person, for instance, has argued old Rib into believing that the Gray Matter stuff is real. Candida doesn’t fall for it, says it’s the bunk. I won’t go on as Ad. Mgr. if Ribstone accepts the Gray Matter contract. I just want to ask you if there’s anything in your office that I could take a hand in. You know my experience and qualifications. Let me have a line.

XXII

We hear that Nicholas Ribstone, of the Ginger Cubes Corporation, has sold out his entire interest in the much-touted Cubes to the National Drug Novelties Company. This comes as quite a surprise to the trade, as no specialty in recent years had aroused so much advance interest as the Ginger Cubes. The figure paid by National Drug Novelties for the formula, stock in hand, and jobbing contracts already arranged, is said to be half a million dollars. We await with interest to hear just how Gartenbaum and his associates will develop this property. In the meantime the affair suggests some meditations on the desirability of guarding the medicated confectionery industry against the machinations of mere adventurers and speculators.

At the Polo Grounds yesterday $119,000 worth of baseball was played. Of that, however, only a meagre $60,000 or so went to the players. We wonder how much the accumulated sports writers got for writing about it. They are the real plutocrats of professional athletics.

We have long intimated our inflexible determination to learn how to be a sports writer—or, as he is usually called, a Scribe. This is to announce progress. We are getting promoted steadily. In the 1920 World’s Series we were high up in the stand. At the Dempsey-Carpentier liquidation we were not more than a parasang184 from the ring. We broke into the press box at the 1921 World’s Series, but only in the rearward allotments assigned to correspondents from Harrisburg and Des Moines.

But our stuff is beginning to be appreciated. We are gaining. Yesterday we found ourself actually below the sacred barrier—in the Second Row, right behind the Big Fellows. Down there we were positively almost on social terms (if we had ventured to speak to them) with chaps like Bill McGeehan and Grant Rice and Damon Runyon and Ring Lardner. Well, there are a lot of climbers in the world of sporting literature.

One incident amused us. We heard a man say, “Which one is Damon Runyon?” “Over there,” said another, pointing. The first, probably hoping to wangle some sort of prestige, made for Mr. Runyon. “Hullo, Damon!” he cried genially. “Remember me?”

So far we have only been allowed to shoot in a little preliminary patter—what managing editors call “human interest stuff.” When the actual game starts they take the wire away from us, quite rightly, and turn it over to the experts. But, being inexorably ambitious, we sit down now, after the game is over, to tell you exactly how we saw it. Because we had a unique opportunity to study a great journalist and see exactly how it’s done. It was just our good luck, sitting in the second row. The second sees better than the first—it’s higher. You have to use your knee for writing desk, and you have to pull up your haunches every few minutes to let by the baseball editor of the Topeka Clarion185 on his way back to Harry Stevens’s Gratis Tiffin for another platter of salad. But the second row gave us our much needed opportunity to watch the leaders of our craft.

It was just before the game began. The plump lady in white tights (a little too opulent to be Miss Kellermann, but evidently a diva of some sort) was about to begin the walking race around the bases against the athletic-looking man. She won, by the way—what a commutrix she would make. Suddenly we recognized a very Famous Editor climbing into the seat directly in front of us. He was followed by two earnest young men. One of these respectfully placed a Noiseless typewriter in front of the Editor, and spread out a thick pile of copy paper.

This young man had shell spectacles and truncated side-whiskers. Both young men were plainly experts, and were there to tell the Editor the fine points of what was happening. The Famous Editor’s job was to whale it out on the Noiseless, with that personal touch that has made him (it has been said) the most successful American newspaper man.

We admired the Editor for the competent businesslike way he went to work. He wasted no time in talking. After one intent glance round through very brightly polished spectacles, he began to tick—to “file,” as we professionals say. Already, evidently, he felt the famous “reactions” coming to him. He looked so charmingly scholarly, like some well-loved186 college professor, we could not help feeling it was just a little sad to see him taking all this so seriously. He never paused to enjoy the scene (it really is a great sight, you know), but pattered along on the keys like a well-trained engine.

The two young men fed him facts; with austere and faintly indignant docility he turned these into the well-known pseudo-philosophic comment. It was beautifully efficacious. The shining, well-tended typewriter, the plentiful supply of smooth yellow paper, the ribbon printing off a clear blue, these were right under our eyes; we couldn’t help seeing the story rolling out though most of the time we averted our eyes in a kind of shame. It seemed like studying the nakedness of a fine mind.

“Jack Dempsey’s coming in,” said the young man. Or, “Babe Ruth at bat.” The Editor was too busy to look up often. One flash of those observant (and always faintly embittered, we thought) eyes could take in enough to keep the mind revolving through many words. “I’ll take them, and correct the typographical errors,” remarked young Shellspecs, gathering up the Editor’s first page. Thereafter the Editor passed over his story in “takes” and young Shellspecs copyread it with a blue pencil. Once the Editor said, a little tartly: “Don’t change the punctuation.” From Shellspecs the pages went smoothly to the silent telegraph operator who sat between them.

Our mind—if we must be honest—was somewhat divided between admiration and pity. Here, indeed, is slavery, we said to ourself, watching the great man187 bent over his work. Babe Ruth came to the plate. Judge Landis is named after a mountain, but Ruth looks like one. There was pleasant dramatic quality in the scene: the burly, gray figure swinging its bat, the agile and dangerous-looking Mr. Nehf winding up for delivery, the twirl of revolving arms against a green background, the flashing, airy swim of the ball, the turbine circling of the bat, the STRIKE sign floating silently upon the distant scoreboard ... but did the Editor have time to savour all this? Not he! One quick wistful peer upward through those clear lenses, he was back again on his keyboard—the Noiseless keyboard carrying words to the noisiest of papers.

And yet, we had to insist, here was also genius of a sort. The swiftness with which he translated it all into a rude, bright picture! But he was going too consciously on high, we thought. Proletarianizing it, fitting the scene into his own particular scheme of thinking, instead of genuinely puzzling out its suggestions. He was honest enough to admit that the game itself was mostly rather dull—and in so far he was much above most of the Sporting Writers, those high-spirited lads who come back from a quite peaceable game and lead you to believe that there have been scenes of thunder and earthquake.

But, like most of us, he tended to exaggerate those things he had decided upon beforehand. He made much of the roaring of the crowd—which, after all, was not violent as crowds go; and he wrote cheerily of the bitterness of hatred manifested towards the umpires, the deadly glances of players questioning close188 decisions. He seemed to view these matters through a pupil dilated with intellectual belladonna (if that’s what belladonna does).

He wrote something about the perfect happiness of the small boy who was the Giant mascot. Heaven, he said, would have to be mighty good to be better than this for that urchin. But to us the boy seemed totally calm, even sombre. What does baseball mean to him? More interesting, and more exact, we thought, would have been to note the fluctuating sounds of the spectators; a constant rhythm of sound and silence—the hush as the pitcher winds up, the mixed surge of comment as the ball flicks across, the sudden unanimous outcry at some dramatic stroke. Or the ironical cadenced clapping and stamping that break out spontaneously at certain recognized moments of suspense.

But the Editor was going strong, and we felt a kind of admiring affection for him as we saw him so true to form. He picked reactions out of the ether, hit them square on the nose, and whaled them to Shellspecs. Shellspecs recorded faultless assists, zooming them in to Western Union.

In the third inning the Editor hoisted a paragraph clean over the heads of the bleachers by quoting the Bible. Mr. Bush, the red-sleeved Yankee pitcher, was at bat and lifted a midfield fly. Bancroft made a superb tergiversating catch going at full speed. It was beautifully done.

For the second time, we thought, history has been made in America by a Bancroft. “The human body is a wonderful machine,” ticked the busy Editor. We189 watched Mr. Bancroft more carefully after that. A small agile fellow, there was much comeliness in the angle of his trunk and hips as he leaned forward over the plate, preparing for the ball.

In the fourth inning the Editor was already at page 13 of his copy. The young man with truncated side-whiskers then drew the rebuke for inserting commas into the story. The other young man, sitting behind, kept volleying bits of Inside Stuff. Scott came to bat. “This fellow,” said Inside Stuff, “is known as the Little Iron Man; he’s played in one thousand consecutive games.” This was faithfully relayed to the Editor by Shellspecs, and went into the story. But the Editor changed it to “almost a thousand.” This pleased us, for we also felt a bit skeptical about that item.

By this time, having noted the quickness of the Editor at “reactionizing,” we were very keen to get something of our own into his story. An airplane came over. Inside Stuff announced that the plane was taking pictures to be delivered in Cleveland in time for the morning papers. How he knew this, we can’t guess—very likely he didn’t. This also faithful Shellspecs passed on. The plane was a big silvery beauty—we remarked, loudly, to our neighbour that she looked as though made of aluminum. A moment later the Editor, having handed a page to Shellspecs, said: “Add that the plane was aluminum.” Shellspecs wrote down in blue pencil: “It’s an aluminum flying machine.” But we mustn’t be unjust. Very likely the Editor got the reaction just as we did. It was fairly obvious.

Sixth Inning—The Editor hit a hot twisting paragraph to the outposts of his syndicate, but troubled Shellspecs by saying—Mr. Whitey Witt’s name having been mentioned—“Is he a Yankee or a Giant?” “He’s an albino, has pink eyes,” volunteered indefatigable Inside Stuff. The flying keys caught it and in it went, somewhat philosophized: “Lack of pigment in hair, skin, and retina seems not to diminish his power.” Inside Stuff: “It’s the beginning of the Seventh and they’re all stretching. It’s the usual thing.” But no stretching for the Editor. He goes on and on. Twenty pages now. When his assistants put a fact just where he likes it his quick mind knocks it for five million circulation.

“Stengel, considered a very old man in baseball,” says the cheery mentor. “He’s thirty-one years old.” To none of these suggestions does the Editor make any comment. He wastes no words—orally, at least. He knows what he wants—sifts it instanter.

We left at the end of the Eighth. The Editor was still going strong. He didn’t see the game, but we think he was happy in his own way.

We hope we haven’t seemed too impertinent. We want to be a Scribe—not a Pharisee. But our interest in the profession is greater than our regard for any merely individual sanctity. We’ve given you a faithful picture of what has been called supreme success in journalism. Take a good look at it, you students of newspapers, and see how you like it. We’ll tell you a secret. It’s pretty easy, if that’s the sort of thing you hanker for. In a way, it’s rather thrilling. But (between ourselves) it’s also a Warning.

We fear that the Salamis dealer in cigars, newspapers, and ice cream cones thinks we are a low-spirited fellow. For ten days or so preceding the Fourth of July he urged us every day not to forget to buy our supply of firecrackers from him. Finally he grew so insistent that we had to tell him the truth. We don’t believe in firecrackers for small children, we told him. Well, how about some nice rockets, balloons, Roman candles? he cried. No, we said firmly; Mr. Mackay, up on Harbour Hill, shoots off about five thousand dollars’ worth of very lovely fireworks every Fourth of July evening for the pleasure of the villagers; why should we attempt vainly to compete?

But of course, something had to be done to celebrate the Fourth. It would be only just, we thought, to have an adventure that would give pleasure to Dame Quickly, who has given us more innocent cheer than any one else during the past year. Besides, she had just attained the dignity of having travelled more than 8,000 miles. Excepting for two or three tentative and brief excursions upon Manhattan, she had never been192 off Long Island. We had heard, from time to time, that across the Sound there lay a region of mystery and heyday called Westchester County—a land supposed to be more aristocratic and splendid than anything our lowly Paumanok could show. A land, they said, flowing with gasolene and Eskimo Pie. But, in our timid and non-temerarious disposition we had never ventured. The ferry from Sea Cliff to New Rochelle ceased running during the war and has never resumed. The ferry from Oyster Bay to Greenwich—well, we had once made inquiry as to the prices; 25 cents per foot, measured over all, for the vehicle alone, to say nothing of the fare for the occupants. But, then, we had heard rumour of a humbler craft plying between College Point and The Bronx. This, we had an instinctive prompting, would be the caper. We determined to make the attempt.

No one has yet (so far as we know) properly uttered the fine poetry of a car that feels herself turned loose for the day upon unknown paths. That strong, rigorous hum underneath the bonnet, the intelligent questing look of her hood as it goes snouting along the road—these are potent mystery. The Younger Generation, duly caparisoned for either shine or rain, were installed, and ejaculated innocent defiance. Two small and quite useless wooden rabbits accompanied them, emblems of fortune and also of the Occupational Therapy Society (from whom they were purchased). The Urchin and Urchiness were hopeful of storm; they enjoy seeing a parent hustle to rig up the curtains. Some day we shall fool them by getting a sedan. We193 have a name already chosen for her. She will be Diana of the Crossways. The Microcosm, still too young to care what happens to her, was a nugget of plump, regardless cheer. Titania wore her khaki breeks, which are astoundingly comely. This had all the earmarks of a Foray against Relentless Destiny.

So, without hap—save for two grievous motor-bikers near Willets Point, who had jammed their clutch and halted the Dame to beg the borrow of a screwdriver—the equipage proceeded mildly to College Point. Here there was secret applause when the official said that only 50 cents would be necessary. That excellent ancient vessel the Steinway was already waiting. The Dame, with an air of skittish enterprise, trundled aboard. Befitting a boat of such orchestral name, a person with the word Musician embroidered on his cap played a powerful concertina. Already it seemed a literary excursion, for the chauffeur, studying his map, learned that not far away was a region of The Bronx called Casanova. Let this be a reminder, he said to himself, to read the frequently but enigmatically commended memoirs of De Seingalt. The chevalier himself, it is said, was once reduced to playing a fiddle in a cabaret: perhaps this concertina person is also a virtuoso of quality in an ad interim embarrassment. In the brass bowl ingeniously affixed to the machine of melody the chauffeur contributed a nickel as cautious largesse to Art.

On such occasions, adventuring in little-known parts of this great panorama of surprise known as New York, we reflect sadly on our own lack of enterprise in exploring194 its grim hilarities. Indeed we always intend to spend all our time on the streets, where we are endlessly happy and entertained; it is only a lack-lustre and empty resolution towards answering letters that brings us to the office. By this time, however, the Steinway had reached Clason Point, and with a keen sense of excitement we set forth to examine new lands and strange.

The first thing to do was to lay in some lunch. On Westchester Avenue our eye was caught by the sign Bible & Son, Undertakers and Real Estate; right next door was a meritorious-looking delicatessen shop, which we invaded. The young man in charge was much pleased. All his family had gone away for a three days’ holiday and had left him to run the store; the Fourth was proving shockingly tranquil, he said; he was so gratified by getting our trade that he gave us a bottle opener for the near-beer. We thought we were doing very well in our purchasing when Titania entered and revised it, saying that sardines would not do for the Younger Generation. Turning north at a venture, we found the Williamsbridge Road, where lunch was enjoyed beside a damp, quiet woodland.

But it was after lunch, when we turned into the Boston Post Road, that the real thrills began. On that famous highway Dame Quickly seemed to feel herself really in swell company. But we were glad we had not attempted it in our freshman days as a driver. Off in the distance we could see Long Island, a quiet, blue profile: how calm it looked. A vast vanload of elated coloured folk, packed ecstatically on lurching camp195 stools, groaned uphill on low gear. All subsequent traffic was stalled by this vehicle’s sudden halt, and we found an impulsive flivver browsing along our fender. We began to wonder whether Westchester was as élite as they had told us. We were startled, also, by the number of kennels offering chows and those animals called Pekingese. We were glad Gissing had not accompanied us: we fear his hardy, vulgar soul would have scoffed.

New Rochelle seemed an almost unnecessarily large town; much larger than Long Islanders are used to. Larchmont is evidently very civilized. In Mamaroneck, when we sought the waterfront, we found ourself embarrassingly arriving at the front door of a private mansion. On such occasions Dame Quickly, who is really a very noble creature, looks suddenly paltry and shameful. We turned towards home, though we were sorry to leave the view of the rocks called Scotch Caps. These appealed to all our instincts as a printer. And by the way: the low tide seems to go much lower over there than it does along Paumanok. Real estate men, we are told, always take care to bring their clients out that way at high water.

Titania had an eagerness to see Neptune Avenue in New Rochelle, where she had lived as an urchin. She hadn’t been there for more than twenty years and said it was much changed. Trying to discover which had been the house, we found one for sale, and the door yielded to pressure. Inside, in an empty room, was a gilt sword blazoned with emblems of the Knights of Pythias or the Knights Templars or something of that196 sort. Somehow this seemed like an ideal setting for a humorous mystery story. We hoped that a crime had been committed; and yet the sword was very blunt.

Dear old Dr. Johnson used to pray to be delivered from “vacillation and vagrancy of mind, mental vellications and revulsions.” These are also our most painful infirmity. The conflict of ambitions in the mind is no easy problem. When one considers the career of a man like Lord Northcliffe it is fairly evident that he knew more or less clearly what he wanted, and went after it. He wanted to be a Great Newspaper Proprietor, and he wanted to be a figure behind the scenes (but the scenes need not be too opaque) in politics. He succeeded very powerfully in all this, as competent and dogged men do when they have a clearly defined objective. And in order to succeed in this198 manner, it is fairly plain that he did not mind failure in the other realms of life. Poetry, peaceful privacy, philosophy, and all the other pensive pleasures that begin with a p, he was content (we imagine) to ignore.

This business of making up one’s mind among the various ambitions that an exciting planet offers is highly perplexing. There is one part of our mind that hankers only for seclusion, rambling by lonely watersides, and plenty of ink and paper. There is another unregenerate lobe of our brain that would find a life of important trivial bustling like Northcliffe’s highly diverting and agreeable. It must be interesting (we sometimes ponder) to have a steam yacht, play golf with Premiers, talk choppily and brusquely over the telephone to a hireling Editor, and persuade oneself that the great laws of life are coming to heel very nicely. There is no doubt about it, the business of being a Public Figure probably has in it a great deal of exhilarating excitement that keeps the mind from brooding and painful activity.

We were interested to read in one of the papers not long ago a piece about how a conscientious young man of wealth is studying to fit himself for “public life”—which means, presumably, politics. It would be profitable to hear a discussion from the local magi as to what constitutes the best training for a political career. Aristotle made some comment—didn’t he?—about educating a special class of public servants—we must look it up in the Politics. We cannot rid ourself of the idea that the most important feature of such a training would be a considerable period of travel, to instil into199 the mind of the intending statesman that no one country has any monopoly of wisdom, humour, scenery, or good cooking. We have been much struck by the fact that since the war young graduates of British universities who would in earlier times have made their Grand Tour on the mainland of Europe have been trooping hither in astonishing numbers to have a look at the American scene. It has evidently penetrated the mind of the British political-minded classes that social phenomena over here are important and interesting enough to merit observation.

Almost every reasonably high-minded young man has, we suppose, thought at one time or another about the duty of going into politics—and then, if he has any tincture of sensitiveness, has sheered off in alarm after seeing the dreadful antics that the ambitious underling has to perform. He has seen, perhaps, a current event movie of an Assistant Secretary of the Navy marching gayly in a parade of The Elks at Atlantic City; or, driving quietly past a Long Island picnic glade, has noticed a gathering in motor trucks—Greenpoint Nest No. 653, Fraternal Order of Owls—being harangued, preliminary to hot dogs and Eskimo Pie, by a perspiring young man in white flannel trousers who hopes for a job as Assemblyman. Do not misunderstand us: we are not mocking these necessary small jobs at the foot of the political ladder. They have to be done, and it is only right that they should be done by those zealous fellows who can get some fun out of them. The life of politics, which we study with increasing amazement, must be an exhausting and200 exciting one, very foreign to the placid instincts of the philosophic observer. The latter, if he is wise, will restrain his impulse to mock, and will try to preserve that mood of affectionate scrutiny which is the only permanently valuable attitude towards human affairs. But sometimes he will think that newspaper men ought to be drafted, by an occasional compulsory legislation, into Government service. After several years of unrebuked privilege to snap and snigger at public men the tables ought to be turned. Some of us who show, in our unmolested kennels, such sweet untested wisdom, might well be hounded out to take a share in the difficult, damnable business of making the machinery go. But the electorate need not be alarmed. There is no real danger. At the first tread on the stair the editor would be out by the window.

But we were speaking of Lord Northcliffe. We have never made a careful study of his career, but oddly enough we have always had a sort of sneaking affection for the man himself while regarding that type of person in general as extremely mischievous. We do not care at all for these people who accumulate newspapers much as they would a number of suits of clothes, and who hire editors to traipse round the world with them as a kind of subservient mouthpiece. We are being told by all the papers that Northcliffe “wielded terrific power.” Well, in a way, we suppose he did; but it was a power that dealt mainly in ephemeral and unimportant things. Even his greatest triumph, the Premiership of Lloyd George, he could not permanently control. It was one of the oddities of coincidence that on the201 day of Northcliffe’s death a cable dispatch comes in telling us that four of Mr. George’s goats have won prizes at a goat show. Mr. George has a goat farm, it appears. If it would not seem heartless, we should say that Lord Northcliffe died rather than have to read Mr. Lloyd George’s memoirs. He had a great spirit and a huge ambition; but we cannot see in his career any evidence that Public Life and power necessarily develop the finer and more sensitive parts of man.

A number of our clients have been asking for news of Haphazard Gissing, the Synthetic Dog. Since we have always been so candid with our patrons, we shall have to tell the unvarnished story of the latest surprising chapter in that romantic animal’s career.

We say it with reluctance, and we say it with unfeigned sadness: we have had to deport Gissing. Admirable creature though he was, active, agile (you should have seen him play catch with a rubber ball), sonorous at night when he suspected alien footstep, highly intelligent and not devoid of a rude houndish comeliness—with all these gifts, he was not congenial among children. We do not know whether it was due to some dark strain of philosophy in him that rendered him too introspective to understand the ways of juveniles, or whether it was a blend of hot cavalier jealousy—at any rate, he never seemed able to unbend properly among the extremely young. The terror that he inspired in icemen and tinsmiths could be countenanced, but when he bristled and showed his teeth at neighbouring203 children something had to be done. It was the familiar problem of literature and life: here is an amiable creature, well beloved, possessed (by some kink of breeding) with an unexorcisable deviltry. We can leave it at that, and not harmonize the theme with sentimental arpeggios.

Of course the first thing to be done was to find a good home for the exile. We consulted Dr. Rothaug, the kindly veterinarian of Sea Cliff, at whose establishment Gissing took a cultural course last winter. Dr. Rothaug told us of a farmer in that pretty suburb of Glen Cove which is miscalled Skunk’s Misery, who was said to be looking for a fierce watch-dog to guard his chickens. Thither we went, and found the farmer milking at a barn on the lonely hillside. But just the night before he had been given a tramp collie. We liked the look of the farm at Skunk’s Misery; it was the kind of place where Gissing would have been well content, but the farmer said that one dog was enough. That night, very late, we let Gissing indoors, and shared a Last Supper with him at the icebox. Perhaps we shall remember that he seemed just a little surprised at the beef-bone and the arrowroot biscuits spread with Roquefort cheese. Well, we said to ourself defensively, he was always fond of Roquefort; there’s only a scrap of it left; and very likely he’ll never taste it again.

We refuse to be stampeded into any sentiment about this matter; we always thought that Gissing, as he matured, was developing a touch of the Thomas Hardy fatalism; he would be annoyed if we tried to over-dramatize this incident.

The next day the whole family was mustered to pay parting honours; all hands were embarked in Dame Quickly; the condemned dog ate a hearty breakfast, and with a bight of clothesline about his neck was escorted to the chariot, his long unused hawser having vanished since the Urchin used it to moor a full-rigged ship to a neighbouring sapling. By this time the victim had suspected something amiss; his deeply stricken cider-coloured eye was painfully interrogative. The Dame, however, seemed to us a trifle heartless. Off she went, her cylinders drumming with their usual alacritous smoothness. To a wedding or a funeral, all one to her. Gissing, now probably reviewing inwardly the tale of his errors (there must have been many of which we are ignorant: we never did know where he went on those long daily expeditions) was (we are pleased to record it) too honourable to attempt any insincere repentances. He kept climbing into the laps of his guardians, but the ironist insists that this was not all affection, but rather that the vibration of the floorboards tickled his pads. There was an occasional secret caress, both given and taken, but we know our clients are too stiff in the bosom to want to hear about such matters. The younger generation, in the back seat, were eager to see the country club that Gissing was going to join. So had the matter been explained to them.

Across those autumn-tinted fields of central Long Island—all colours of pink and fawn and panther with the weathered shrivelling corn-shocks like old ghost-Indian tepees, and the pumpkins bright in the stubble—we205 proceeded to the Bide-a-Wee Home, which lies tucked away in the woods near Wantagh. This place had been to us only a name, and indeed we knew not exactly what to expect. Great was our pleasure to find a charming old farmhouse with great barns and outhouses, and an immediate clamour from hundreds of dogs running gayly in fenced inclosures, and lesser dogs, both hale and cripple, about the yard. Gissing hopped out blithely: his tail lifted sharply over his back, feathering downward as it curved: the warm October air, one supposes, came to him sharply barbed with the aromas of innumerable congenials. He was very much alive, and walked nimbly on cushion toes. Holding the rope, we walked among the barns, saluted by prodigious applause from all sides. Even an inclosure full of cats showed gracious interest. The conclusion drawn by the Younger Generation was that Gissing’s friends were glad to see him. Then came a genial curator, Gissing was led to a wire gate, and introduced into an orchard plot among about thirty more or less his own size. There was a good deal of bristling and growling, but he stood his ground calmly while a dozen or so of his new clubmates inquired into his credentials.

We had been somewhat troubled by the signboard of the Bide-a-Wee, which calls itself a Home for Friendless Animals. We wished to impress upon the curator that Gissing was far from friendless, but we soon found that the legend on the board was inaccurate. Many very well-loved animals go there, for one reason or another; the organization tries to find a suitable home206 for all the beasts in its care; the name and characteristics of each are entered in a ledger when it arrives, and, if he so desires, the previous owner is notified when the animal goes to its new home. We were pleased to learn also that much of the broken bread from the Waldorf and Vanderbilt Hotels is shipped out to the Bide-a-Wee; so, if you are lunching there and don’t finish your roll, perhaps Gissing will get it. (He is particularly fond of the crescent-shaped ones, with little black specks on them.) The Home is supported by voluntary contribution. In the record book we inscribed Gissing’s biography very briefly:

We would have liked to go on, for much more might have been said. We would have liked to tell the friendly curator that this very week (by the quaint irony of circumstance) a book is to be published of which Gissing—somewhat transformed—is the hero. But we thought it best not to mention this, lest it get around among the other members and they taunt Gissing about it. We were happy to leave him in so congenial and friendly a home. And if any of our clients happen to need a good dog for a lonely country place—a dog who is perhaps too intellectual and excitable for children, but a tocsin of excellent acoustic strength—there you’ll find him. He has promised to write to the Urchiness, provided she eats her cereal a little faster.

As we left, Gissing was standing on his hind legs looking through the fence. He wailed just a little. It would be less than justice (to both sides) not to admit it. Like Milton’s hero leaving the Garden, “a few natural tears he shed, but dried them soon.” As the friendly curator said, “By to-morrow he’ll think he’s lived here all his life.” On the way home, there being more room in the Dame, a supply of cider was laid in for consolation. Last night it seemed just a little strange to visit the icebox all alone. To-morrow, perhaps, we shall take lunch at the Waldorf.

Before starting on our new notebook we have been looking over the old one. We are painfully astonished to see so many interesting ideas that we never turned to account.

We see no reason for being ashamed of using a memorandum book to jot down casual excitements in the mind. If you are really interested in what goes on inside your head, that is the only possible way to keep track of those flittermice of thought. Astronomers spend much time examining the Great Nebula in Orion, and other pinches of star dust that circumspangle the universe. It is equally important to scrutinize those dim patches of mental shining where, once in a while, one suspects the phosphorescent emergence of Truth. Unhappily, most of the ideas jotted down for sonnets and meditations never get anything done to them. They lie there unexercised, and once a year or so, when we run through the pile of old notebooks just to cheer ourself up, we are newly gratified209 to see how many occasions for thought the world suggests. Often, however, we aren’t quite certain just what we meant. For instance, scattered through our now discarded memoranda we find the following cryptic entries:

Well, the preceding items, lifted more or less at random from one of these notebooks, are sufficient to210 explain the sense of mystification with which one examines old memoranda. And yet one always hopes that he may chance upon some germ of thought which is worth the fun of expanding it. It reminds us rather of the Janitor Emeritus of the Post, an elderly and pensive darkness, who has a fixed idea that some day he is going to find something precious in the various rubbish of the office, and is to be seen gravely poking into baskets and canisters of jetsam in the hope of motion picture magazines, tobacco, and detective stories.

But among these fugitive and sudden scribbles we did find one notation that brings back to us more or less clearly what we had in mind. It was written thus: People in N. Y. no rooted sense of place.

We had been thinking of the curious life of those who dwell in city apartments. We are a great lover of apartments every now and then, for a briefly adventurous term; and certainly every one who has read Simeon Strunsky’s admirable book Bellshazzar Court will have realized how fecund with human episode these great, dense barracks are. But there can be no good life for very long unless one has an opportunity to plant feet on actual soil; to be close witness of earth’s colours and seasons; to be able (sovereign pleasure of all) to go out at night and make the circuit of one’s terrain and recognize a few stars. There are three stars, for instance, that we see (at certain seasons) from the back stoop when we visit the icebox towards midnight. We suspect them of being the trio known as Orion’s Belt. Anyhow, part of our pleasure in life is to notice them occasionally and know that they are211 still there, or were still there when those agile beams left them to vibrate across all the light-years between us.

Orion’s Belt, by the way, seems to be a Sam Browne, for it is tilted up diagonally. We will show you exactly what his starry girth looks like, so you can recognize it:—

The simple and sensuous pleasures of place are not so easy to enjoy in the city. There is a feeling of unreality, of human and mechanical interposition, when you are snugly nested in a niche of a stone cliff fifteen stories high. Something stands between you and the realization of earth. That something may be fine, comfortable, reassuring, it may be highly stimulant for the mind; but there is also a loss to the spirit. It is a loss not to be able to see exactly how Nature tints her tapestry curtain of gold and bronze, behind which she quietly shifts the scenes for the next act; and then suddenly the curtain is shredded away; the landscape widens and is transvisible to the eye; going out on the porch at night you find the trees full not of leaves but stars.

This is a large topic: we can only hint at it. Science, criticism, ethics, these are urbane. Poetry and religion are rustic. Poetry particularly—whether the writing or the reading of it—thrives best where there is silence and the foundation on earth. The solid satisfaction212 of visiting one’s own cellar and the brightness of one’s own furnace grate, actually set down inside the shell of earth’s crust; of knowing one’s own chimney shaft open topward to the sky; the fall of autumn acorns rattling on the roof—are sentiments felt rather than understood. But from that quiet fertility of feeling understanding grows gradually. You must be quiet with things before you can love them; and you must love them before you can write about them.

But very likely these fragmentary ideas are true only for those who believe them. It is a way ideas have.

As the Christmas season approaches, it sits heavily upon our mind that there are some to whom we should like to say a word of respectful admiration. First of these is Woodrow Wilson. This, you may think, is a gesture both irrelevant and impertinent on our part. We cannot help it. We feel, as the Friends say, a “concern.” The conjunction of the Christmas month, the Conference on Limitation of Armaments, the hopes and memories of all honest men, Mr. Wilson’s coming birthday, makes the occasion irresistible. There are some things that must be said.

Woodrow Wilson has found the peace he sought. Never before, perhaps, did a public man enjoy such posthumous privilege in his own lifetime. He has joined (in Melville’s noble phrase) “the choice hidden handful of the divine inert.” This phrase requires scrutiny. The divinity is not ascribed to Mr. Wilson, but to inertia. Silence, thought, withdrawal from the maddening struggles of mankind—these are divine; these are godlike. If there were ever any doubt as to his having qualities of true greatness, consider the patience and decency of his present silence. It is a silence, one feels, not of bitterness but of honourable dignity.

Sometimes, tucked away in the papers, one finds a single line or so that gives us more to ponder than all the rest of the day’s news. Such an item was the following, quoted lately by Mr. Tumulty as having been said by Mr. Wilson to one of his advisers at the Paris Conference:

They said this man was impatient and stubborn. Yet he endured insult calmly in the pursuit of his strangely hoped-for peace.

The post-Armistice career of Mr. Wilson has been called a tragedy. We do not see it so. The Paris Conference—it is easy to see it now—was foredoomed to a certain measure of failure. On sand one puts up a tent, not a house. Moreover, in so far as that Conference is concerned, Mr. Wilson has suffered a double215 fatality. He has never spoken candidly for himself; he has been unfortunate in those who have spoken for him. It has been the habit of those naïf and loyally affectionate souls who have been closest to him to assure us of his subtlety and quicksilver craft. We cannot see it. He has seemed to us, always, a man of genuine simplicity—what would have been called, at one time, a righteous man.

It is an odd thing that when you say a character is rooted in simplicity and piety some will conclude that you are sneering. His character is a great character. Those influences which shake and unsettle men’s fibre more than anything else it has endured in full measure—adulation and hatred. The anger and mockery which were lavished upon Wilson are interesting to contemplate. But, so far as one can see, they did not trouble that stubborn zeal. There was a Cromwellian grimness and singleness of heart in his battle with Europe. You remember what Cromwell said (if Carlyle can be trusted as a reporter)—

For that he struggled, burdening himself beyond human strength. For that he compromised, as all men do. For that he incurred the malice of all aspirants—both the pure and the impure.

It is amazing to remember the power and depth of that malice. In a perverse way, it is almost encouraging to remember it: it proves so excellently that this216 earth is still the fallen star, the cindered Eden, in which merely human failings incur more than human angers. What a gruesome life that of politics must be! And yet when, in our recent history, were more positive virtues and high-minded hopes brought into the muddled ferment of national politics? Do you remember how this man lay at death’s door for many silent months, and how ill suppressed were the satisfaction and the sneer? What was his crime? We used to wonder. Only that he had believed the world was ripe for some strokes of simplicity and unselfishness.

Little by little the minds of fair-hearted men are returning to realization and gratitude. There is nothing now accomplished, or even accomplishable, in matters of international dealing, that Woodrow Wilson was not fighting for three years ago. The granolithic minds of the old stand-patters and the luxurious sniffs of young, hot doctrinaires formed for a while a quaint partnership of scorn. Nor would we ourself deny that there were many things to lament. But the world still waits for a competent, understanding, and judicial expression of Woodrow Wilson’s service to men. It was not a perfect service, for it was marred by necessary mortal blunders and qualms. For that perhaps we reverence it the more. And when the just tribute comes, perhaps it will come from the hand of some great writer to whom the puerilities of partisan squabble fade into their deserved shadow; to whom the humour and the pathos will be evident; and most evident of all, the dignity and austerity of a great human hope, frustrated and217 postponed, but an addition to the honour of the race. Perhaps it will come from the hand of some great dramatist, with the dramatist’s art that can revive great figures, great moments; can purge the occasion of what was merely peevish and fortuitous, and remind us of truths and visions we lost in the hurly-burly of the time.

It is sheer selfishness on our part to hope that some such expression may come soon. We are jealous for the credit of this generation. We are proud to have lived in days when men suffered so hideously and yet did and said and wrote great things. We would like it to be said of this generation that it recognized greatness in its own time. That would be an honourable thing to be able to say. Have we erected, from our imagination, a figure that is not really there? We think not. And so, with humility and hesitation, but impelled by a motive we cannot resist, we would like to say to Woodrow Wilson that there are many who gratefully wish him Merry Christmas.

We always suspected, after reading The Flying Inn, that G. K. Chesterton is fond of dogs. And now, reading his book, The New Jerusalem (which is full of very gorgeous matter), we learn that at his home in Beaconsfield he is host to both a dog (called “Winkle”) and a donkey (called “Trotsky”). Very genial is his picture of the start of his pilgrimage to Palestine and his last farewell to these beasts:

The only thing that bothers us in this: If it had occurred to G. K. C. to prove that the scraper on his doorstep, or the radish growing in the garden, was the “eternal type” of Western civilization, would he not have made out an equally agreeable and convincing case for it? In fact, only a few steps away from his home, he came to the crossroads (and well we remember that crossroads, and the pub thereby—which is it, Mr. Chesterton: the Saracen’s Head, or the Royal White Hart?) and there decided that they were the symbol of civilization which had lost its way. And then, a few minutes later (in the train, we suppose) the glorious creature was noticing the heavy clouds that lay over the landscape, and decided that they were the emblem of our civilization. It takes a good deal of agility to pursue our pilgrim through this book, for every olive tree, signboard, sunset, gateway, proves to be a magnificent symbol of some spiritual gorgeousness.

We were sorry that Mr. Chesterton, when leaving Beaconsfield, did not find some symbolism in a thing which impressed us when we went pilgriming in220 those parts. Edmund Burke lived there at one time, and we remember reading in some guide-book that his home was “bounded in front by a ha-ha.” We thought to ourself at that time, how excellently symbolic it would have been if G. K. C. had bounded his own house in the same way. In fact, we often went along his road to listen for it.

There was another bit of symbolism that used to impress us (it is surprising how quickly one can pick up the habit of symbolizing) when we dallied around Beaconsfield. That was that Edmund Waller is buried under the big walnut tree in the churchyard:

And we thought it pleasant that Mr. Chesterton should have settled in the village sacred to the poet who wrote the loveliest poem ever written on girth—or, rather, on slenderness. You remember, of course, his “On a Girdle.”

The average person dearly loves a label—also a libel: and Mr. Chesterton’s gnomes—which are sometimes nuggets, sometimes merely nugæ, but always golden—are ticketed as “paradoxes” by those who have small inkling of what a paradox really is. The best definition was that of Don Marquis, our happiest native contemporary practitioner in this art, when he said that if the positive and negative poles of a truth are bent until they meet (or approach) a spark flashes across.

The paradox is the oldest outcry of the philosopher on contemplating the absurdity of the world. Originally a paradox was simply a surprise—a statement contrary to generally accepted opinion, and very likely untrue. As Hamlet said: “This was sometime a paradox, but now the time gives it proof.” But latterly we do not grant the virtue of paradox unless the epigram fulfils a double requirement: it must seem absurd; it must be true, or at any rate true enough to give the mind a sense of cheerful satisfaction. Its essence is that of surprise—which is the essence of humour.

The intellectual growth of humanity is shown by its increasing tolerance of the paradox. The greatest of all Paradoxers was crucified. Every true paradox is a little parable of human fallibility. A parabola is a conic section; a parable, one might say, is a comic section.

Mr. Chesterton once, in a delightful essay called “Christmas,” said something that lingers in our mind as an exhibition of the paradox both in its strength and weakness. He wrote:

Now a moment’s thought will show the reader that while these two paradoxes are equal in wit, they are not equal in truth. The second is gloriously true; the first, delightfully acute as it is, begs the question. For the Tolstoian will retort that he does not maintain that conquest cannot be resisted; but that, on the contrary, it is resisted and defeated by passive oppugnance.

The paradox holds the mirror up to nature, but it is not a plane mirror. It dignifies human nature by assuming that the mind is capable of viewing itself in the refraction of absurdity. Thoughtless people speak of the paradox as a reduction to absurdity. That is not so. There are some subjects that have to be elevated to absurdity.

In conclusion: it is a dangerous tool. It must be gingerly handled lest it become—like the pun—a mere verbicide. And towards the fair sex, beware of paradoxes. They esteem but rarely its prankish tooth. Was not Hamlet’s downfall—and his betrothed’s also—occasioned when he practiced paradoxes on Ophelia?

It was with somewhat a heavy heart that we prepared to leave Salamis for the winter. Yet inscrutable lust of adventure spurred us on; the city, also, is the place for work. In the country one is too comfortable, and there are too many distractions. Either cider, or stars, or the blue sparkle of the furnace fire—all these require frequent attentions. But it was hard to part with Long Island’s charms in November, loveliest of months. The copper-coloured woods, the chrysanthemums, the brisk walk to the morning train, the yellow crackle of logs in the chimney, the chill dry whisper of the neighbouring belt of trees heard at midnight from an airy veranda—these are some of the excitements we shall miss. Most of all, perhaps, that stony little unlit lane, traversed in pitch darkness towards supper time, until, coming clear of the trees, you open up the Dipper, sprawled low across the northern sky.

It was hard, too, to leave Salamis just when its224 winter season of innocent gayeties was commencing. You would hardly believe how much is going on! Did you know that that deathless old railroad station is being (as they say of ships) reconditioned? And there’s going to be a drug store in Salamis Heights. The new Methodist church is nearly finished—and, most glamorous of all, we now have an actual tea-room at the entrance to the Salamis Estates. When you are motoring out that way you can see if we don’t speak the truth. In another five years, most likely, we shall have street lights along our lonely wood road to Green Escape—and pavements—and gas to cook with. But there never will be quite as many fairies in the woods as there have been these past three years.

But, perhaps fortunately, the day set for moving into town was wet and drizzly. And the labour of piling into Dame Quickly various baggages, hampers, toys, a go-cart, and the component railings, girders, rods, springs and mattresses of two cribs was lively enough to oust from the mind any pangs of mere sentiment. The mind of one who has accomplished that task, in shirt-sleeves under a dripping weather, is heated enough to make him ready for any sort of adventurous foray. The Dame, also, grossly overloaded, and travelling smartly on greasy ways, was skiddish. As is ever our fortune, we found the road through Astoria torn up for repairs. This involved a circuit along a most horrible bypath, where our ill-adjusted freight leaped crazily with every lurch, go-cart and mattresses descended on our neck, and the violence of the bumping caused the crib-girders to burst through the rear of the Dame’s225 canopy. Also we incurred, and probably deserved, a stern rebuke from a gigantic policeman on Second Avenue. To tell the truth, in a downshoot of rain and peering desperately through a streaming wind-shield, we did not know he was a policeman at first. We thought he was an L pillar.

Yet, when both voyages were safely accomplished—one for the baggage, and one for the household: it would be harder to say which lading was the tighter squeeze—what an exhilaration to move once more in the city of our adoring. It is true that we began by making an immediate enemy in the apartment house, for, as we were quite innocently taking a trunk upstairs in the elevator, assisted by the cheerful elderly attendant, a lady living in the same house entered by chance and burst into violent reproach because her baggage had had to go aloft in the freight elevator. She accused the attendant of favouritism; to which he, quite placidly, explained that this particular baggage had been delivered at the front door in a private car. This compliment to the Dame pleased us, but knowing nothing of the rules, and being wet and pensive, we pretended to be an expressman and said naught. The only other shock was when we took the Dame to a neighbouring garage to recuperate for a few days. (We were glad, then, it had been raining, for the well-loved vehicle looked very sleek and shiny, and it was too dark for the garage man to notice the holes in her top. We wouldn’t want him to sneer at her, and his garage, we observed, was full of very handsome cars.) When he said it would cost the Dame $1.50 a night to226 live there we were a little horrified. That, we reflected, was what we used to pay ourself at the old Continental Hotel in Philly, the inn where the Prince of Wales (the old one) and Dickens and Lincoln and others stayed. We now look with greater and greater astonishment at all the cars we see in New York. How can any one afford to keep them?

We were dispatched to do some hasty marketing, in time for supper. We made off to our favourite shopping street—Amsterdam Avenue. Delightedly we gazed into those alluring windows. In a dairy, a young lady of dark and appealing loveliness made us welcome. When we ordered milk and laid in a stock of groceries, making it plain to her (by consulting a list) that we were speaking on behalf of the head of the house, she urged us to advise Titania to open an account. Money she seemed loath to accept: it could all be paid for at the end of the month, she said. It is well to shop referring perplexedly to a little list. This proves that you are an humble, honest paterfamilias, acting only under orders. To such credit is always lavish, and fair milkmaids generously tender.

Various tradesmen in that neighbourhood were surprised, in the tail end of a wet and depressing day, by unexpected increments of traffic. “Just nick the bone?” inquired the butcher, when, from our list, we read him the item about rib lamb chops. “Yes, just nick the bone,” we assented, not being very definite on the subject. We were interested in admiring the thick sawdust on the floor, very pleasant to slide the foot upon. The laundry man was just closing when we arrived227 with our bundle. “Here’s a new customer for you,” we announced. Whatever private sorrows he has were erased from his manly forehead. He told us that he also does tailoring. Cleaning and pressing, he insisted. We had a private feeling, a little shameful, that he hasn’t got as good a customer as he imagines. Next door to the tailor, by the way, and right opposite the apartment house, is a carpenter who advertises his skill at bookshelves.

How different it is from Salamis nights. Hanging out of the kitchen window (having gone to the rear of the apartment to see what the icebox is like: it’s a beauty)—instead of Orion’s Belt and the dry rustle of the trees, we see those steep walls of lighted windows, discreetly blinded, hear sudden shrills of music from above and below. Just through the wall, as we lie abed, we can hear the queer droning whine of the elevator; through the open window, the clang of trolleys on Broadway. Hunting through the books that belong in the furnished apartment, after startling ourself by reading Mr. D. H. Lawrence’s poems called Look! We Have Come Through! we found an old Conan Doyle—always our favourite bedtime author. The Adventures of Gerard, indeed, and we are going to have a go at it immediately.

Yes, it’s very different from Salamis; but Adventure is everywhere, and we like to take things as we find them. We have never been anywhere yet, whether in the steerage of the Mauretania or in a private lunch-room at the Bankers’ Club, where there wasn’t more amusement than we deserved.

KINSPRITS

You know how it is: there are books that magically convey a secret subtle intimation that you are the only reader who has ever, will ever, wholly grasp their elusive wit and charm. So it is with certain people. I think of my friend Pausanias. He is quiet, shy; he makes his points so demurely, so quaintly, that you sometimes think, sadly, of all the occult little japes he may be making in the weeks that elapse when you don’t see him ... and no one, perhaps, “gets” them. Folly, of course—and yet I have seen his eye widen and brighten as it caught mine across the dinner table, and I knew that he and I, secretly, had both caught some faint, delicious savour of absurdity and human queerness—something that no one else229 there (I strongly believed it) had quite so sharply tasted. Yes, you can catch his eye—no word is necessary. Just a slow, enjoying, gentle grin. Across the great clamour of blurb and bunk, across the huge muddle of beauty, weariness, and frustration that makes up our daily life—I am always catching his eye.

JOURNALISM AND LITERATURE

Art is the only human power that can make life stand still. Each of us, desperately clutching his identity amid the impalpable onward pour of Time and Thought, finds only in art—and chiefly in written art—a means to halt that ceaseless cruel drift. Literature was invented to halt life, to hold it still for us to examine and admire.

Here you may see the essential distinction between literature and journalism. For journalism was devised to hurry life on even faster, to give the already whirling wheel an insane accelerating fillip. Journalism is, actually, a pastime; literature, a stoptime. I refer, of course, not to the journalism of facts, which is a department of government rather than of letters; but to the journalism of fancy. In great books life (however troubled and violent in itself) stands pure and unvexed, unfretted by time and interruption.

There are many schools of journalism; for journalism, being only a hasty knack, can readily be taught. There are no schools of literature, for that is born in your own hearts only, and by manifold joys and disgusts. If it230 is in you, you shall know; the disease will grow more and more potent. If it is in you, you shall be dedicated to misery unguessed by the easy minds beside you. A great poet spoke of hovering between two worlds, one dead, one powerless to be born. That shall be your mental lot. You shall realize, more and more, that the bustling cheery life of the general is, in some seizures, dead to your spirit: and yet that new brave world of imagination, which travails in your heart, can never quite come to paper. Would you know the mood and emotion that move behind literature, read Arnold’s Scholar Gipsy. I love journalism and honour it; but it must be added that it inhabits a different world from literature, and does not even faintly understand the language that literature speaks.

HOBBES

There are some famous books which are the delight of scholars but hardly at all known to the amateur reader. Of such, we think of Thomas Hobbes’ Leviathan. It is so nobly sagacious and entertaining that with a little trouble spent on rephrasing his stuff and giving it snappy captions we could probably sell it to a long chain of newspapers and enter into competition with the Syndicated Spinozas who prey upon the public appetite for aphorisms.

Hobbes’ wisdom is of the shrewd and nipping sort. If we had to choose but one passage, to show a seventeenth-century mind at its best, we should pluck his231 remarks on Laughter—famous indeed, but probably little known to casual readers. See the clear stream of the mind flowing in a channel of granite prose:—

LADIES AT THE PHONE

There is a certain department store on the slope of Murray Hill which has in it a gallery much frequented by ladies for meeting their friends. Once in a while we have an appointment there to wait for Titania, and always we find it an entertaining corner of the world. Along one side of the gallery is a long line of telephone booths, and we know nothing more amusing than to stroll past the glass doors, with apparently abstracted and meditative air, to watch the faces of the fair captives within. How admirable a contrivance is the feminine face for reflecting the emotions! Some you will see talking animatedly, with bright colour, sparkling eyes, every appearance of mirth and merry cheer. Others are waiting, all anguish and grievance, for some dilatory connection; their small brows heavy with perplexity. Often it seems to be necessary, for some mysterious sharing of secrets or shopping plans, for two ladies to occupy the same booth at a time; how they do it we cannot guess; but they sit demurely squeezed upon one another and their faces appear side by side, both apparently talking at once into the receiver. Through the glass pane this offers a curious sight, apparently a lady with two heads; muffled by the barrier, shrill squeaks and conjectures are dimly heard. There are ladies, generous of physique, who find it hard enough to press in singly; when they seek to arise they are held tightly by the cage and a great wrench and backing outward are necessary. Particularly on a Saturday, shortly before matinée time, are these lively233 creatures full of animation and derring-do. A gay and vivid panorama of human frailty, only surpassed in quaint absurdity by a similar row of men in the phone booths of a large cigar store.

OF STREET CLEANING

Snow is a deposit fair in itself, but a shrewd thing in a city. Where ways be crowded and traffic insisteth, let there be alacrity and stirring on the part of the city servants, lest the public have occasion of murmuring. Of streets which need purifying, there be three kinds: as Broadway, which is treacle; Fifth Avenue, syrup; and uptown, which is soup and all manner of beastliness. So also of snow there be three sorts, the dry and powdery; the wet and slushy, liquefying soon; the granular and sleety, whereof the latter adhereth long and occasioneth sudden prostrations, unwholesome to human dignity but opportunity of sport to the vulgar. When men are checked in their desires to pass to and fro without let or stoppage, then must the prince be wary to reason with the commuters, who being ever great self-lovers, sui amantes sine rivali, are like to be disproportionate in outcry. And for the most part, the subway will be still current, but small praise accrueth thereto from citizens, sudden cattle in protest but tardy to acknowledge favour. This is not handsome. Of the surface cars I will not speak; let them be, for the occasion, as though they existed not. For though there234 be some talk about revival of the service when the Broadway slot be picked and scalded by hand, yet is this but vaunting and idle boast. There is no impediment in the streets but may be wrought out by resolute labour. Of block parties, flame throwers, tractors, steam-ploughs and other ingenuities, I like them not. These be but toys. Let men toil with wit and will, by pick and shovel and horse-cart. This is best for the public.

DR. OSLER

“In seventy or eighty years” (said Thomas Browne, M. D.) “a man may have a deep Gust of the World, know what it is, what it can afford, and what ’tis to have been a Man. Such a latitude of years may hold a considerable corner in the general Map of Time.”

Surely no modern thinker has taken a deeper gust of life or pondered more charitably over the difficult problems of the race than Sir William Osler, a true follower and kinsprit of the wise physician of Norwich. “The Old Humanities and the New Science,” his last public address (given in Oxford, May 16, 1919), was the capsheaf of that long series of writings and speakings in which Dr. Osler unlocked his generous, humane heart and gave inspiring counsel to his fellows.

It was an occasion that even the most severe brevity must describe as of happy import. Osler, a physician and a man of science, had been honoured by the presidency of the Classical Association, Great Britain’s most distinguished gathering of the men who have made the235 culture of the antique world their touchstone in life. And Dr. Osler, himself a keen classical student, did not permit himself merely gracious and suave messages. Pleading for a new bridal of science and the classics, in that delightful and urbane chaff which he knew so well to administer, he pointed out the barrenness of the tradition that has made the famous “More Humane Letters” of Oxford entirely neglect the workings and winnings of the science that has transformed the world. Dr. Osler, in his great career, perhaps never spoke with more convincing persuasion than when he pointed out that even in their own province of the classical tongues the modern humanists have passed over the scientific work of the ancients, as for instance in Aristotle and Lucretius.

Among men who err and are baffled, but still blunder eagerly and hopefully in the magnificent richness of the natural world, there arise ever and again such figures as Osler’s, a pride and a consolation to their comrades. Men, alas! are slow in finding the treasures that lie close about them. Dr. Osler’s essays are too little known among general readers. His all-embracing humanity, his mind packed with wisdom and beauty, his humour and his sagacious and persistent method in the conduct of a crowded life, make him a figure exceptionally helpful to contemplate. This last of his essays needs to be read not only by all educators, but by all who have any rational ideals of life, and who need, every now and then, to surmount the troubled stream of quotidian affairs and focus their visions more clearly.

No sensible man doubts that, if haste and confusion236 and greed do not overcome us, the world should stand to-day on the sill of a new Renaissance, a new empire of the mind, in which the old foolish antagonism of science and the so-called “humanities” will be only a vain and dusty rumour. What are “liberal” studies, one may ask? Why, surely, studies that liberate—that set the spirit free from the oppression of sordid and small motives, that stir and urge it toward generous achievement and the assistance of misfortune. When did letters arrogate to themselves the heavenly adjective belles? Are there not the belles sciences also? And is the biplane now soaring over the olive-shining Hudson any less lovely than the most precious sonnet ever anchored and flattened in persisting ink?

This essay of Dr. Osler’s shows one the pulse and heartbeat of modern science, the tender spirit of idealism that urges so much of the technical investigation of our time. In Dr. Osler, as in hundreds of other scientists less known and perhaps less gifted in public utterance, there is the union of the two Hippocratic ideals which the great Canadian physician laid before himself as his guides in life—the union of philanthropia and philotechnia—a love of humanity joined to a love of his craft.

To infect the average man with the spirit of the humanities, Dr. Osler said, is the highest aim of education. And this brilliant address of his is a crowning instance of the way in which, in his mind, the practical service of science was beautified by the liberal and imperishable spirit of classical thought.

THE MOST EXCITING BOOK

We have just been reading what we honestly believe is the most fascinating book in the world. It is, we must confess, very much in the vein of this modern realism, because it is written in a terse, staccato, and even abrupt style, although always well balanced. The general effect, we admit, is depressing, though that may be only our own personal reaction, because the plot is one with which we are intimately familiar. Every now and then the action rises to a climax when we think it is going to end happily after all; but then something always occurs to sadden us. Occasionally it gives us moments of gruesome suspense, followed by flashes of temporary optimism. The general technique is distinctly that of the grieving Russian prose writers, for the total effect is gloomy and grim. The critics have had nothing to say about this book, but for us it has cumulating interest.

We find we forgot to mention the title of the above volume, which is issued in very handy format, bound in limp brown leather. We mean, of course, our bank book.

A SUGGESTION

We have been looking over the catalogue of Coventry Patmore’s library, issued by Everard Meynell at “The Serendipity Shop,” London. The following note interested us; some of our vigorous readers, now that the238 wooing season is toward, may find in it a gentle technical hint:

According to Mr. Meynell’s catalogue, the copy of Emerson referred to is inscribed, in Patmore’s hand: “Emily Andrews, June 24, 1847.” Emerson’s efficacy in the rôle of Cupid may be judged from the fact that the two were married September 11, 1847.

One wonders if Patmore applied the same test before his two subsequent marriages (1864, 1881).

ADVICE TO YOUNG WRITERS

A gentleman asks us to give some advice to young men intending to enter journalism. Well, we would say, get a job as a sporting writer. That is where the real fun lies. Being a sporting writer is hot stuff; it keeps you out in the open air, you are respected and even admired by the least easily impressionable classes, such as policemen, car conductors, and office boys; you have immense fun inventing new ways of saying things (which is the groundwork of good literature), get a great many free meals, have your expenses paid, meet people who have high-powered cars and put them at your disposal,239 and your lightest word is deemed important enough to be put on a telegraph wire and flashed to the office for an Extra. If you write about such minor matters as war and peace, poetry, books, or the beauty of this, that, and the other, you will be hidden demurely away on an inside page and there is no particular hurry about it.

The other day at the Polo Grounds we noticed a hard-boiled fan leaving the stand after the game. As he passed out onto the field he suddenly saw the gang of reporters finishing up their stories and the instruments clattering beside them. “Gee,” he cried, “look at all the writers!” And with a real awe he turned to his companion and said: “Their stuff goes all over the world.”

We contend that Joseph Conrad, Thomas Hardy, James Branch Cabell, Joe Hergesheimer, Bernard Shaw, Rudyard Kipling, and Lord Dunsany, sitting side by side on a bench writing short stories for a wager, would not have elicited such a gust of reverent admiration from our friend.

We are not joking. You can have more fun, and get better paid for it, as a sporting reporter than in any other newspaper job. And there is in it a bigger opportunity for men of real originality.

A GREAT REPORTER

We have been reading—for the first time, we blush to admit—the Journal of a Tour to the Hebrides, in the magnificent ten-volume edition of Boswell published by Gabriel Wells. It is the ideal book for240 reading on the train, and causes us to reassert that Jamie was one of the world’s greatest reporters. If we were running a newspaper we would give a copy of this book to every man on the news staff. Professor Tinker in his introduction calls it “perhaps the sprightliest book of travels in the language.” Indeed, this is Boswell in excelsis, and it warms us to note the magnificent zest and gusto and triumphant happiness that peep between all his paragraphs. Happy, happy man, he had his adored Doctor to himself; he had him, at last, actually in Scotland; they were on holiday together! “Master of the Hebridean Revels,” Tinker charmingly calls him. What an immortal touch is this, of the somewhat baffled Mrs. Boswell, who must have thought the expedition a perverse absurdity. This is on the day Johnson and Boswell left Edinburgh—

We have not got very far in the Tour—only some fifty pages—but we are drowned deep in the engulfing humour and fecund humanity of the book. What an appetite for life, what a glorious naïf curiosity! What a columnist Boswell would have made! He quotes Johnson to this effect—

Boswell, with superb dramatic instinct, unconsciously adopted the most triumphant subtlety of manœuvre. He put himself in the posture of a boob in order to draw out the characteristic good things of the great men he admired. He fished passionately for human oddity, and used any bait at all that was to hand—even himself. To see the two together on Boswell’s artfully contrived stage—Scotland, which he knew would elicit the Doctor’s most genuine humours, prejudices, shrewd manly observations—and in the bright light of a junketing adventure—ah, here is a bellyful of art. What a pair: the subtle simpleton, the simple-minded sage!

AN UNFAIR ADVANTAGE

Of course, it’s the oldest spoof in the world; and also it isn’t quite fair; but we felt that (for private reasons) we owed it to ourself to chaff a certain publisher friend. So we diligently typed out the first dozen or so of Shakespeare’s sonnets, and, making use of a borrowed name and address kindly lent us by a colleague, submitted them to the publisher.

We accompanied them by a pseudonymous letter which we truly think was something of a work of art, it was so amiably true to the sort of thing that publishers are accustomed to receive. We explained that these were the first of a series of 154 sonnets, and added that though many of our friends thought them good, we feared their affectionate partiality. We were submitting only a few, we said, in the hope of frank criticism242 from a great publishing house. If we were lucky enough to have them accepted the rest would be forthcoming; and the volume (we hoped) would be bound in red leather with very wide margins and a blank page at the front for autographing. And a good deal more innocent and hopeful meditation.

We had to wait some time for the reply—and had even begun to fear that the publisher had spotted our jape. But no—here is the answer that came:

We now lay this before a candid world and ask our friend how much blackmail we can get out of him to refrain from publishing his identity?

Yet we admit it wasn’t quite fair. A knowledge of Shakespeare’s Sonnets is no necessary equipment for243 successful publishing. And some of them, if you are taken unawares, do sound a bit preposterous.

CARAWAY SEEDS

It seemed to us that we saw a deep significance in the fact, told by Lytton Strachey in his Queen Victoria, that the Queen’s pious governess, Lehzen, was a fanatic about caraway seeds. Mr. Strachey says:

Surely throughout the whole Victorian era the attentive observer can discern the faint but pungent musk of the mild, bland, uncandid caraway. We ourself, in our early youth, crossed the trail of that seed more than once, in small cakes and patties, and instinctively revolted from it. If there is any emblem symbolic of the Victorian age, perhaps it is the caraway seed, a thing that Greenwich Village, we dare say, has never encountered even in its most enterprising tea-room. The kingdom of Victoria, we suggest, was like a grain of caraway seed; but it became a tree so vast that the fowls of the air lodged in the branches thereof.

BLUNT’S DIARIES

We have a fear that the two volumes of Wilfrid Scawen Blunt’s Diaries—published here last year by Alfred Knopf—are not as widely known as they should244 be. This is natural, for the two big volumes are expensive, but they are a mine of most interesting material. They are a liberal education in the truth quot homines tot sententiæ—in other words, that there are infinite matters of difference among honourable men.

Blunt was a gallant dissenter and whole-hearted skeptic about civilization. Of course these aristocratic rebels, who have never had to pass through the gruelling discipline of middle-class life; who have always been free to travel, to ramble about to witty week-end parties at country houses, ride blooded horses, sit up all night drinking port wine and talking brilliantly with Cabinet Ministers, have (or so it seems to us) a fairly easy time compared to the humdrum plod who wambles through a stiff continuous stint of hard work and still keeps a bit of rebellion in his heart. And of course, since Blunt condemned almost everything in European politics throughout his lifetime, one begins to suspect that he was almost too pernickety. Of the unnumbered British statesmen whom he roasted, not all can have been either fools or knaves. The law of average forbids. But a protestant of that sort is a magnificently healthy and useful person to have about. He had a habit of assuming that Egypt, India, Ireland, Turkey, Germany, were always right, and England necessarily wrong. When a country has a number of citizens like that and regards them affectionately, it is a sign that it is beginning to grow up. One of Blunt’s remarks to Margot Asquith is worth remembering: “There is nothing so demoralizing for a country as to put people in prison for their opinions.”

But the casual reader ought to have a go at Blunt’s Diaries because they are a rich deposit of pithy human anecdote. We see him, at the age of sixty-six or thereabouts, attending a performance of Hippolytus, translated by Murray. “At the end of it we were all moved to tears, and I got up and did what I never did before in a theatre, shouted for the author, whether for Euripides or Gilbert Murray I hardly knew.” With Coquelin père he goes to have lunch with Margot Asquith. Her little daughter, twelve years old (now, of course, Princess Bibesco, whose short stories are well worth your reading), dressed in a Velasquez costume, was called on to recite poems. “Coquelin good-naturedly suggested that ‘perhaps Mademoiselle would be shy,’ but Margot would not hear of it. ‘There is no shyness,’ she said, ‘in this family.’” Any lover of the human comedy will find intense joy in Blunt’s comments on Edward VII, for instance. When his antipathies were aroused, Blunt lived up to his name. Roosevelt’s speech in Cairo in 1910 praising British rule in Egypt was a red rag to the elderly skeptic, who considered that Britain had no business anywhere on earth outside her own island. His comment in his journal was: “He is a buffoon of the lowest American type, and roused the fury of young Egypt to the boiling point ... he is now at Paris airing his fooleries, and is to go to Berlin, a kind of mad dog roaming the world.” It is quaint that the humanitarians and intense lovers of their kind are always the most brutal in attack upon those with whom they disagree.

There are also innumerable snapshots of men of letters in mufti. Rossetti, for instance, throwing a cup of tea at Meredith’s face. Most of Meredith, Blunt found unreadable. His picture of Francis Thompson’s last days is unforgettable. For our own part we find particular amusement in the little sideviews of Hilaire Belloc—a neighbour in Sussex in the later years. It is disconcerting to learn that Belloc’s horse “Monster,” of whom the hilarious Hilaire speaks so highly in a number of essays, is “a very ancient mare which he rides in blinkers. He is no great horseman.” Belloc coming to picnic with a bottle of wine in his pocket; Belloc out-talking Alfred Austin, Arthur Balfour, and indeed everyone else; Belloc wondering if he would be given a peerage; Belloc groaning because he has sworn off liquor during Lent, and Belloc delightfully and extremely wrong in the days just preceding the war—insisting that Germany was unprepared and afraid of France—these are the sort of things that cannot by any stretch of exaggeration be called malicious tattle; they are the genial byplay of civilization that keeps us reminded that those we love and admire may be not less absurd than ourselves.

There is much real beauty in the book, too. Blunt was a poet of very considerable charm, and a little story told by a former schoolmate of his seems rather characteristic. When a child he used to keep caterpillars in paper boxes; but he always pricked holes in the lids in the form of the constellations—so that the imprisoned caterpillars might think they were still out of doors and could see the stars.

It’s a queer thing. Those caterpillars, somehow or other, make us think of newspaper men.

GENIUS

Occasionally we have fired off a culverin or two in honour of Stella Benson, that remarkably agile and humorous creature, who is, with May Sinclair and “Elizabeth,” one of our favourite female novelists. So we are particularly pleased to have F. H. P. recall to us a passage about the Dog David, in Living Alone:

If you do not recognize, even in that little random passage, the curious quality of Stella Benson’s talent, then we fear (brave friends) we can never agree about literature. In her writing we always seem to see that special and bewildering richness that we prize most of all; something that does not lie in any particular nicety or adornment of words, but in an underrunning flavour and queer subtlety of meaning. Is there any subject in the world more trite, more shopworn, and defaced by acres of blab than Dogs and their relations to mankind? There is not. And yet see how Stella Benson, without one pompous or pretentious word, and with a humour both mocking and tender, has not only said something new, but something which, as soon as it is said, becomes old, because it is permanent. That is what, in lieu of a better word, we are inclined to call genius, and we have never read a page of Miss Benson’s work which did not show it.

EMBARRASSMENTS

Among our numerous embarrassments we don’t know any more painful than being compelled, the other day, to expose our theory of rolltop housekeeping to an insurance man. Old Henry Sonneborn, Jr., of Philadelphia (who is, let us explain, the only insurance man with whom we ever do business) came over to arrange some alterations in our complicated scheme of “protection.” But he caught us unawares, and when he wanted to see some of our receipts we had to go hunting through our desk while he was sitting right there watching us.

We explained our theory. Now, Henry, we said, there are only three places where that missing receipt can possibly be. It may be in one of the pigeonholes that run due east of the foc’s’le of the desk. If it isn’t there, it will be in the right-hand front corner of the principal drawer, where we put things while waiting for a chance to file them. If it isn’t there, it will be in the tin tobacco box that we keep hidden under the unanswered letters. We feared that Henry would think us very unbusinesslike, but he was polite and kind, as always.

We went through the drawer first. Henry was a bit disconcerted to find it so dusty; and so were we. We found a clay pipe that we hadn’t seen for a long time; we found some foreign stamps that we have been saving to send to a small boy in Philadelphia. We tried with these to distract Henry’s attention from the object of search. We asked him if his little boy was a stamp collector. But Henry kept bringing us back to the receipt, which was necessary for some reason. He said he needed that receipt to complete some scheme he had for reducing our overhead; the best authorities on finance, he said, are agreed that no man has any right to attempt to save money before he is 40; no, he should put it into insurance. We tried to keep Henry talking while we were scuffling about through the back of the desk. We thought that perhaps the receipt would turn up unexpectedly; we didn’t want him to notice that we were looking in parts of the desk where we had explained it could not possibly be.

Damnation, Henry, we said; it isn’t our fault that250 this desk is in such a mess; we have the most orderly instincts, but our clients keep dumping stuff on us so fast that we can’t ever catch up with it.

It was a queer coincidence, we thought, that when we went out to lunch that day we noticed at 56 Wall Street a tablet in honour of Morris Robinson, who “established on this spot the business of modern life insurance.” He was a Canadian, the tablet says. We’re glad he wasn’t an American.

AN IDEA

We do not often spend time thinking up ways of surprising humanity with kindness; yet when we stand in line at the bank while a queue of merry merchants ahead of us are drawing out huge payroll sums which take about five minutes each to be counted and recounted, a blithe thought comes our way. It is this: On some Saturday morning, when banking traffic is particularly heavy, we will gather half a dozen friends of ours who have nothing to do. We will go round to the bank and stand in line, all seven of us. As we draw nearer and nearer to the window we will watch the anguished faces of those behind, despairingly counting the number of people that still stand between them and the cherished teller. Then just as the first of our seven gets up to the window we will all slip deftly away and enjoy ourselves by watching the joyous elation of the man who thought himself eighth in line and now finds himself251 next to the grill. All down the impatient throng passes a tremor of surprised pleasure. Then we will move on to the next bank and do the same thing.

ALGEBRA FOR URCHINS

We wish we weren’t so rusty in our mathematics. One of our favourite projects has always been to write an algebra book for the use of the Urchin when he gets a little older. This algebra would be in the form of a story in which the problems would be introduced naturally into the movement of the tale, and each one would be (if we could persuade him to do it) illustrated by Fontaine Fox.

The problems, moreover, would deal with facts and topics familiar to the Urchin. One problem, for instance, would run something as follows:

Riding in Dame Quickly along the North Hempstead turnpike, the Urchin notices that a man is walking on the sidewalk but at just such a pace that a telephone pole prevents him from being recognized. Attempting to see who the pedestrian is, and foiled by the fact that the simultaneous motions of Dame Quickly and the man on the sidewalk keep the pole constantly in the line of sight, the Urchin becomes interested in the problem. He notes that the speedometer indicates 22 miles an hour. He persuades his father to stop the car and measure the width of the road and the sidewalk. Dame Quickly stops opposite the pole and the measurements are taken. It is 24 feet from the Dame to the pole. The line along which the man was walking, down the252 middle of the sidewalk, was three feet from the pole. How fast was the man walking?B

A MODEST SCAFFOLD FOR PHILOSOPHERS

We have been meditating on the dissimilar conduct of cats and dogs, since we added a kitten (named Pepys) to our household roster.

The dog, plainly, is a boob, for he tries so hard to please and ingratiate the Masters of the Event, his deities. Whereas the cat, while calmly recognizing the paramountcy of the gods, goes ahead in every way within his power to circumvent and outwit their control. The dog, poor honest simpleton, shows his genuine and unselfish affection for his deities; the cat never makes up to them unless he wants something from them, or feels that a little friendly caressing would be agreeable. The cat is 100 per cent. pro-feline. The dog, we reckon, is at least 30 per cent. pro-human. You open the back door. If the cat wants to go abroad, he will streak through without an instant’s hesitation; but the dog will wait, politely, until he is sure whether you wish him to go out. Question, then, for philosophic ruminators—Do not the domestic gods secretly respect the cat a little more because they know he is inwardly hostile and contemptuous and a perfect ego? A whole rationale of heaven and hell may be quizzed out of this matter.

ICI ON PARLE

We have been considerably humiliated lately by the fact that although we once studied French with some persistence, and enjoy nothing more than reading such demi-gods as the chrysostom Bourget (a celestial ironist far too little known in this country)—humiliated, we repeat, that our spoken French is so appalling. Lately, as the surprising result of an advt. in the Herald, Titania landed an elderly female French cook who speaks no word of English. And if you speak French no better than we do, figure to yourself the complexities of trying to explain to Celeste the workings of a kerosene water-heater (we have no gas in the rustic Salamis Estates) while Titania (whose French is better than ours) stands by squeaking with cruel mirth. Comme ça:

ASTONISHMENT

One of the most astounding scenes in the local panorama of human oddity is a news-stand at one of the big terminals when the homeward-bound commuters are buying their evening papers. Those who believe there is no hustle in New York might contemplate that spectacle—the continual patter of hurried people scampering up to the counter to seize a paper, throw down their money, and bound away. Indeed, if you stand for a while near the news-stand and watch, you will gradually become aware that there is something pathologic about the matter; that the great mass of newspaper readers crave and swallow their daily potion much as they would a familiar drug or anodyne. The absolute definiteness of the traffic is another curious feature: the news dealer can tell you, almost to a figure, how many of each paper he will sell each evening. As the commuters hurry up to the counter, you will never see them hesitate, ponder, and ask themselves, “Well, which paper shall I read to-night?” No; they grab the usual sheet, and off they go.

SPIDERS

We wroteC something about the spider’s “struts and cantilevers,” and were gently chaffed by some friendly correspondents. Well, the spider is not only a marvellous engineer, he also seems a persistent patriot. There is one on our front lawn who still celebrates the Spanish-American war. Every morning, among the sun-sparkled shrubbery, we find he has erected a dewey arch.

One of the most exciting things we know is a series of dainty models at the Natural History Museum in New York, showing the various stages in a spider’s web. Did you know, for instance, that often a preliminary spiral is blocked in, to hold the web together during construction? This is afterward carefully removed to make room for the sticky spiral which does the fly-catching. So at any rate we remember the Museum’s models. If you find being stricken with astonishments a pleasing humiliation, the Museum is the place to visit. We always think to ourself, how old Sir Kenelm Digby would have enjoyed it.

Then, of course, you mustn’t omit to read Fabre’s glorious Life of the Spider. The microscopic Archimedes can much more than mere tenuous trusses and gossamer girders. M. Fabre tells us that the triumph of the spider’s unconscious art (for the creature works divinely, without reason or calculation) is the logarithmic spiral. So if by chance you have ever fallen into that meanest absurdity of the unthinking and 256asserted that “Mathematics is uninteresting,” consider Fabre’s words:—

The mathematician, let us add for our own part, is the greatest of poets, the greatest of priests.

But a study of M. Fabre’s magnificent books will not necessarily add consolations to the Pollyanna brand of religious thought. You will find, in his discussion of the appalling married life of insects, gruesome considerations which will furnish merriment to the cynic and painful grief to the old-fashioned. M. Maeterlinck says, in his eloquent preface to The Life of the Spider:

The fiercest realist yet produced by the younger generations of Chicago and Greenwich Village is a mere trifler compared to the immortal Fabre.

PERNICIOUSNESS OF MR. LEAR

We are rather startled to find, on beginning to read Edward Lear’s immortal Nonsense Books to our Archurchin, that liquor plays a considerable rôle in his waggishness. This phase of Lear’s works we had quite forgotten, although it may have played a subtle part in undermining our character when young. But what are we to do, we ask, when, in reading aloud we come upon such distressing testaments as this:

Now, of course, in reading these passages we can improvise variations: we can say that Papa’s blue bottle was filled with tea; we can substitute “ginger ale” for “bitter ale”; we can make the old person of Sheen sit in the porter and drink bottled water; but before258 very long our audience will begin to read the book for himself, and when he finds that we have implanted a false version in his mind there will be a swift succession of logical inquiries. The Old Soak’s problem is far easier: his sons are grown up and become “revenooers”; their minds were long since formed on this topic. But what is the comparatively Young Soak to do in the matter of explaining literature to his offspring?

Only in one place, as far as we can see, does Mr. Lear refer to drink with any tinge of moral or reprobatory feeling. Thus:

We shall have to lean heavily upon that cautionary stanza in reading to the Urchin. We will not try to bias him, of course; but by grave and solemn repetition surely the idea will pierce his meninges—that no matter how excellent the libation, it must be performed in secret and far from scrutiny.

THE SEDAN

Not long ago, in the garage at Salamis run by our friend Fred Seaman, we were admiring and examining a very beautiful sedan. Not that we had any idea of ever abandoning our cherished Dame Quickly, who means more to us than any other vehicle ever will or can. But, just in a contemplative spirit, and as a259 frustrated lover of luxury, we were admiring this sedan, and saying to ourself that if we were a person of wealth and standing that would be just about the kind of car we would like to own. And we gazed entranced at its opulent upholstery, its cut-glass carnation-vase, its little 8-day clock, cigar-holder, and all the other gauds and trinkets. Just in idle curiosity we inquired the price. Then we went over the hill to our home.

A day or so later a cheerful Polish friend of ours, who is so kind as to call for the washing weekly, and who used to do odd jobs round our estate, and with whom we boarded our admirable cat Pepys while we were in town, called at our house. Titania had always represented this person to us as being in the last agony of financial dissolution and a worthy object of charity.

We thought at first that he meant an actual boat, down in the harbour, and were interested. But he pointed out to the front of the house. There was the very sedan we had admired. He insisted on our going down to listen to the engine. “Paid all cash for it,” he said proudly.

When we see a large, glimmering limousine pass us on the road, hereafter, we shall always wonder whether it is some thrifty washerman and his family.

BAD VERSE

Really thoroughly bad verse (as Mr. Hilaire Belloc pointed out in an essay) has a magic and an attraction all its own. It has (he said) “something of the poignant260 and removed from common experience which you get also in poetry. Great pits strike one with horror, as do the mountains with their sublimity.”

A philosophic friend of ours, whose dolorous task it is to examine manuscripts for a large publishing house, sent us the other day a collection of verses that had been submitted to his firm. We have had considerable diversion in examining them; though compositions of this sort lead one also to melancholy. It is sad to think that the accident of rhyme, which has been the occasion of so much verbal loveliness, has also been responsible for so many atrocities.

We shall not say who wrote the verses in question, except that he lives in a Southern State, but we will quote a few stanzas from a poem called “Love’s Progress.” After several pages describing the sorrows of a pair of lovers, we arrive at this:

Of the following, our friend the publisher’s reader observes: “Alas, poor Henley—’twas an excellent fellow: I knew him well!”

Until we read that we felt sorry for the author; but indeed it takes him out of the sphere of charity.

It is curious that the agencies for letting people know about the things that really matter are so feeble and ineffective. There was published in England, last February, a book called Disenchantment, by C. E. Montague. It seems to us perhaps the first book we have seen that tells truth about the war, tells it beautifully, with a power and humour and tenderness that are palpable on every page. Five months have elapsed, and yet we have heard no word as to its being published over here. Worse still, we learn that more than one New York publisher, after reading the book, reluctantly declined it. Sometimes one fears that publishers are not unerring judges of what we all desire to read.

What does a man need to do to deserve well of his263 generation? Suppose he had written a book that with quiet dignity and restraint summed up the “ardours and endurances” of earth’s greatest crisis; a book that showed sane and sweet knowledge of our poor, frail, tough, bedevilled human nature; a book so delicately and firmly written that the manner of it was no less potent than the matter; a book that dealt with furious subjects calmly; that reviewed passion and misery with reason and candour; a book that was bitter where bitterness was needed, but with the bitterness of antiseptic. C. E. Montague has written such a book. And even though it may be bad manners to speak about it publicly before it has been published here, we venture do so in the hope of speeding its coming. To confess a personal incident, when we were half way through it we encountered one of our friends who is a sagacious devourer of books. “What’s worth reading?” he said. “Sit down at your desk and let me dictate a letter to you,” we replied. With admirable docility this fine creature obeyed. We happened to know that he has an account at Brentano’s, so we dictated thus: “Brentano’s, New York. Gentlemen: Please order for me from Chatto & Windus, London, three copies of Disenchantment, by C. E. Montague, and charge to my account.” We watched carefully while our friend signed his name, addressed and stamped the envelope, and dropped it down the chute.

By the time we had read him half a page of the book he had already decided to whom he would give his two extra copies. He will never regret the transaction, we swear.

We are anxious to put a brake on ourself in speaking of this book: if we tried to tell you how deeply moving and true we found it, you might be alarmed. We admit that we came to it favourably prejudiced, for Mr. Montague’s name has been honourable to us ever since we read his novel The Morning’s War, published in 1913. We had heard, also, of his gallant record in the war: that in spite of his age (born in 1867), and an occupation (he is one of the editors of the Manchester Guardian) that many found a full excuse for non-combatancy, he enlisted as a private in 1914, rose through the ranks to a captain’s commission, and was three times mentioned in dispatches. We also knew (from Who’s Who) that his recreation was mountaineering, and that he had been awarded a medal “for saving life from drowning.” But we found in this book so much more than we had imagined possible that we are at a loss to describe it. It is the kind of book that, like its author, “saves life from drowning.” It may save some foundering reason from the dark tide of cynicism and disorder that is the natural result of the war years. Even if we only persuaded every newspaper man in America to read this book, we would have done a good stroke of achievement. It is a book peculiarly necessary for journalists to meditate.

It is very plain that the world to-day has a bad case of acid mouth, and Mr. Montague’s book (to use a very humble metaphor) is a kind of litmus paper that shows the extent of our palate’s embitterment. His reminiscent synopsis of the war’s moods and its increasing disillusions and perplexities is the first account that265 seems to us to fit in with those troubled, enigmatic, and fragmentary confessions that one hears from those who saw the trouble from the under side; who are not always very articulate, but spasmodically ejaculate that “The war didn’t get into the papers.” The book deals with the greatest topic of our age in a spirit of commensurate greatness. Of course we think we can guess why some American publishers have been timid about it. In this country we have not been anywhere nearly so close to the war as Britain was. The war was still bullish with us when it suddenly ended. As a nation, we had not been in it long enough to feel that infernal douche of skepticism. England has been far, far more bitterly disillusioned. The war left us economically troubled, but spiritually much the same. The old bunkums, one suspects, still pass current here as they do not any longer in England. And perhaps this book, conceived in suffering and weariness, can be relished only by those who have been more deeply immersed in horror than most of us. Even in England, we hear, its sale has not been very large.

For, after all, humanity has an uncanny instinct to avoid truth as long as it can. As we read this book of Mr. Montague’s we had a sudden vision of it selling as well as H. G. Wells does—passing from hand to hand, quoted, sermonized, becoming the fashionable topic of the season. It even made our beloved Santayana seem dim and pale, in a way; for it is so close and actual to our present moods and troubles. But then, with a sigh, we abandoned that vision. Why, if this book were really seized upon, gloried in as it deserves266 to be, if its eloquent humour and generous brave spirit were really acclaimed.... No, we can’t quite see it! The book is too beautiful, too true.

They don’t come very often, the books that speak so generously and beautifully to the inner certainties of the mind. And when they do, it is desirable not to do them dishonour by words too clumsy or sweeping.

But that Mr. Montague’s Disenchantment has come to us in just the way that it has is a curiously mixed satisfaction and disappointment to the present reviewer. Satisfaction, in that for the past several years I have been saying to every publisher who was going abroad: “Why the devil do you go only to London and nowhere else? Are you aware that there are very exciting centres of literary activity in Glasgow, Edinburgh, Manchester, Birmingham—all sorts of places outside London. Some day” (I kept saying to publishers) “one of the great books will bob up a long way from London. You might remember, for instance, Stevenson and Barrie. Now when you are in England why don’t you go to call on Mr. Montague at the Manchester Guardian? He’d know what was going on. Very likely he could tell you of someone who was writing a fine book—someone London wouldn’t know about.”

I take no particular credit for saying this: it was obviousness itself to any one who had noticed Mr. Montague’s267 earlier books. But the publishers, with their stereotyped habit of calling on a few literary agents in London, and thinking they have then done their possible, paid no attention. One of the odd things about publishers is that they have so little adventurous spirit about spooring for the really fine stuff.

Well, the book, quietly written and published, turned out to be by Mr. Montague himself. Half a year went by, but we in America heard nothing about it. There are always wide and well-polished alleys for the transmission of information amusing or trivial. Comparatively unimportant news spins along the parquet floor, and a crash resounds like that of tenpins tumbling. But humanity, probably with a wise instinct, averts its ear from matters that require meditation. The American publishers, seriatim, had their look at the sheets of Disenchantment. All apparently agreed that it was magnificent, but with their cheery assumption of knowledge as to what we want to read opined that it was too British or too full of intricate allusion or too much about the war, of which we were asserted to be weary. Or that the British publisher was asking an unwarrantable price for it; that only a few readers here would appreciate it; that it would be impossible to come clear on the expense.

These are all sound, sagacious reasonings. The one thing our publisher friends did not realize was that it is by publishing, every now and then, a book of this sort that they save their souls. It is an honour to put such a book on one’s list, even if it should prove presently unprofitable.

Disenchantment is an enchanting book. It is an Anatomy of Melancholy in the exact sense. It is a spiritual history of the war: a penetrating, intellectual, richly allusive, wise, sober, and compassionate study of that slow process of disintegrating certainty that marked every mind capable of independent action. People who have never read it probably imagine that the Anatomy of Melancholy is a dismal and grievous work. It is, however, one of the most richly amusing of all books; and it is only fair to say (accepting the danger of being misconceived) that Mr. Montague’s delicious humour makes Disenchantment one of the most witty of contemporary writings. For war, after all, is a human institution and subject to the complexity of all planetary matters. It has, in Mr. Robert Nichols’s great phrase, its ardours and endurances; also its selfishnesses, stupidities, and laughters. It is not to be supposed that men who are pompous and silly and hilarious and craven in business, book reviewing, education and theology will be otherwise when they go to war.

So Mr. Montague, in anatomizing the melancholy that has fallen upon the world, employs, with perfect skill and perfect restraint, every shaft in the quiver of a literary artist. The old devil of herd-poison lingers among us yet: there will be some simple spirits who will think this book bitter, some who will think it blasphemous; some who will maintain that it plays into the hand of Apollyon (whose residence, they will probably insist, is somewhere along Unter den Linden). But there will also be some, and not few I think, who will see in this book the breadth and burning spirit of269 one who has long gone beyond the conception of war as a merely national matter; who looks upon it as a movement of tragedy among men where the innocent suffer no less outrage than the guilty. And yet even those who may find Mr. Montague’s disrobing of official frailty almost too disturbing will take pleasure in the beauty of his text. Let no one prate to you of the luxuriant splendour of some of our accredited stylists. The deity of prose moves in Mr. Montague’s pages. His savoury marrow of allusion—Shakespeare, for instance, has become part of his actual thinking tissue—will be undigested by some unpracticed readers. He will be, we might say, shrimp to the sundry; but no harm will ensue: the casual reader will merely pay Manchester compliment for what belongs first to Stratford. And Mr. Montague deserves all the compliment that is possible in an uncourtly world.

This book could only have been written by a man who has been through the scorching and weariness. Its simplicity, its calm, temperate understanding of human weakness, the optical vividness of its narrative passages, the generous sympathy that moulds even its ironies—these are the possession of experience. And it occurs to me to ponder the courage and fortitude of one who could sit down, in the sobriety of retrospect, to write a book recalling beauties and sufferings that most of us would have been glad to let slide into the discard of memory. There could have been only one motive, and only one sustaining power, potent enough to carry the hand through so bitter a task. A love of humanity and a generous hope of humanity’s increase of sanely innocent270 happiness could beget a book as noble as this; no other emotion could avail.

And still the troubled reviewer feels—this being three months after his reading of the book, and no mere snapped off opinion—that he has not done justice to the subject. For this book is not merely one of the noblest passages of political writing that he knows of, and not merely one of the most clearly and beautifully moving exhibitions of honest thinking. It is a book that is sanative and antitoxic for the present time. He is a shallow observer indeed who does not see, in the post-bellum world, muddy currents of cynicism and discontent; revulsive twitchings, literature no less jangled than politics. Mr. Montague does not disenchant us from any enchantments that were worth keeping. Except the politicians and the ultra-parsonical parsons, we had slipped their leash long ago. He offers a lucid enlarging mirror of truth and sense in which a thoughtful reader may see enlarged and brightly snuffed the small sooty flame of his own natural candle, as William Penn called the inward spirit. He magics us for the moment by his charm and the lovely humanity of his vision into thinking that we, too, can, if we will, be just, liberal, and humane.

In Frank Shay’s bookshop we found A Buddhist Catechism, by Subhadra Bhikshu. We have never known much about the Buddha—so little, in fact, that we thought that was his name. (His name was Prince Siddhartha Gotama.) But we have always felt that he was a kinsprit.

There was a subtlety about that that pleased us greatly. It reminded us of a Chinese mandarin of our acquaintance who says that the universe was Dictated but not Signed. Immediately we forked out $1.25 to Frank Shay and took the book. Frank was so pleased to sell a book (business is said to be at a very meagre pulse in Greenwich Village in midsummer) that he at once responded by buying our lunch. We retorted generously enough by buying a copy of Anatole France’s L’Ile des Pingouins, which we have been hearing about for ten years or so. We were interested to note that our copy is the “Cent Quatre-Vingt-Sixième Edition.” Considering the book was published only fourteen years ago, that seems good progress.

Coming back downtown on the L we went at Buddha hard and with great satisfaction. We learned that Buddha is not a name but means a state of mind, or Enlightenment. We learned the answers to the following questions:

We can hear you clamouring to know the answers to these exciting questions; they are right here before us; but our duty is not to solve problems, only to propound them.

But you must get it clearly in your minds that the Buddha is not a God. The Buddhist Catechism expressly rejects “a personal God-Creator,” and “distinctly denies the doctrine of a creation out of nothing. Everything owes its origin and development to its own inherent vitalism, or, what comes to the same, its own will to live.” The Buddha was not a God, but “a man far superior to ordinary men, one of a series of self-enlightened sublime Buddhas, who appear at long intervals in the world, and are morally and spiritually so superior to erring, suffering mankind, that to the childlike conceptions of the multitude they appear as Gods or Messiahs.”

This is all tremendously exciting and leads to many pure and thrilling speculations that are much too honourable to pursue here. They would get us into horrible trouble, we feel sure. Indeed we are not at all certain whether both Frank Shay and ourself are not already subject to possible legal duress for vending and discussing so dangerous a book. But a noble analogy occurs to us which we venture with humility. Charley Chaplin is a great comedian. But the simple-minded drama critics are not content to leave it at that. They will have it (although it is now vieux jeu) that he is really a Great Tragic Artist. And so the tradition will go down to posterity that he was a Secret Hamlet, an Edgar Poe in clown’s trousers. Charley himself, finding that his intellectual disciples insist upon this, perhaps acquiesces in the idea. Only by doing so, he may feel, can he get his stuff across.

It is really very astonishing; at this moment our274 Employer brings in to us a letter he has had from a publisher, which begins:

A Public Relations Counsel, of course, is simply the post-war name for a Press Agent. But we mustn’t be ribald. The press agent, if conscientious, may contribute a valuable function. We ourself have worked as a free-lance Press Agent for George Fox, Sir Thomas Browne, Herman Melville, Thoreau, Lao-Tse, Pearsall Smith, and various other people who have seemed to us to have the Right Idea. But one of the troubles is that there have been (and always will be) a lot of unauthorized Public Relations Counsels who get the ear of the crowd and limn upon the great canvas of the public a portrait of the Prophet which is very different from what that poor dreamer himself may have wished. Even the humblest of authors has frequently cursed the publisher’s man who writes the copy for his book-jacket. If you want a really pregnant speculation, weigh in your mind how many Public Relations Counsels there have been in the world of religion, and how amazingly they have interpreted and toned down the simple dissolvents of the founders of their creeds.

The Buddha, sitting under his Bo Tree (ficus religiosa—and it is fairly obvious why so many philosophers have chosen fig trees to sit under; a really lusty fig will bear, according to the New International Encyclopædia, three crops of fruit in a season, thus keeping the eremite well fed; and a fig, L. E. W. says, is what he doesn’t give for the ideas of rival magi) is to us an enviable vision. We wonder how his meditations would have fared if there had been a telephone at the foot of the tree.

The only drawback, as far as we are concerned, to becoming a Buddhist is the vow to abstain from intoxicating liquors. In this respect the Western religions seem to us more liberal. We have meditated long and earnestly on the subject and still have never been able to understand why an occasional exhilarating drink should be contrary to any wise man’s ethic. Indeed, if Nirvana (or Perfect Release from Struggle) is the object of life, we have seen it well attained by three or four juleps or Tom-and-Jerries. The lay Buddhist has to take five vows; the Bhikshus (or Brotherhood of276 the Elect) take ten. Some of these additional vows required of the Bhikshu are:

These, we admit, present some difficulties. Frequenting “public amusements” offers too many opportunities for quibble. In one sense every possible mingling with the world is a public amusement. If there is anything more amusing than a smoking car full of men or a Broadway pavement at lunch time we don’t know what it could be. Sleeping on a hard, low couch is easy enough—we can sleep anywhere with equal satisfaction, even on the floor. The queer thing that we always notice about every kind of moral code is that, sooner or later, it begins to lose sight of the distinction between essentials and non-essentials. Such matters as intoxicating drink and public amusements should not be (for the Western philosopher) subject to prescriptive legislation. The individual may very rightly impose restraints upon himself in non-essential matters; but to lay them upon him from above is to stultify the whole purport of ethics—which, if we understand it, is to encourage and develop a worthy personal will. And277 the Buddhist Catechism recognizes this in a very potent phrase—“Every one of us must become his own redeemer.”

But Buddhism seems to have a firm grasp on one very essential and valuable idea, which is comparatively rare among religions. Thus the Catechism:

Of course, all forms of human attempt to unscrew the inscrutable are fascinating and full of interest. The Westerner, however, is a bit troubled when he finds “Love of life on earth” listed among the “ten fetters” which, according to the Buddha, prevent the soul from receiving full freedom and enlightenment. That seems, to our earth-bound and muddied conceptions, a shabby doctrine. Even the most timid tincture of good manners suggests that a life so exciting, so amusing, so painful, so perplexing, and so variously endowed with unearned beauty and amazement deserves at least a278 courteous gratefulness on our part. Mr. C. E. Montague (if you will allow us to quote him once more), explains what we mean:

It is this sensuous cheerfulness in mere living, apparently, that the Buddhist would have us cast away. You remember Rupert Brooke’s fine poem The Great Lover. Western students may be pardoned for wondering whether “Love of life on earth,” whatever that life’s miseries, ills, and absurdities, is not too precious to be tossed lightly aside.

We look forward with keen interest to reading Civilization in the United States, the work of thirty-three independent observers commenting upon various phases of the American scene. So far we have only glanced into it, and have already found much that looks as though it needed contradiction. It is obviously going to be a gloomy book, rather strongly flavoured with intellectual ammonia. Of course, it is a healthy thing that some of our Intellectuals are so depressed about America. It is a good thing for a nation, as it is for an individual, occasionally to go home at night cursing itself for being a boob, a numbskull, and a mental flounder. But we feel about some of our Extreme Intellectuals as we do about the Physical Culture restaurants.280 The people in these restaurants eat nothing but vitamines and plasms and protose; they live in an atmosphere of carefully planned Scandinavian hygiene; yet most of them look mysteriously pallid. And some of our most Conscientious Brows, in spite of leading lives of carefully regulated meditation, don’t seem any too robust in the region of the wits.

However, we shall study this book with care. It contains articles by a number of people whom we admire specially. What we have been wondering is whether among its rather acid comments it gives any panoramic picture of the America we see daily and admire—an America which, in spite of comical simplicities and tragic misdirections of energy, seems to us, in vitality, curiosity, and surprising beauty, the most thrilling experiment of the human race.

Well, our confidence in ourself is not yet wholly shattered, in spite of the grinding horror of American281 life. We feel confident enough to venture that this theory is dubious. Greatness in literature does not need to be protected from the insanitary infection of the mob. How Charles Dickens would have roared at such a timid little bluesock doctrine! Great writers do not need any clique of private appreciators or supporters. They are not produced by plaintive patter about ideals and the pride of the “artist.” They arise haphazard, and they carry in them an anger, an energy, and a fecundity that deny all classroom rules. And the mob, heaven help us! is the ground and source of their strength and their happiness. Nothing can “check the growth of their spirit,” because the spirit is big enough to turn everything to its own inscrutable account. You might as well say that Shakespeare couldn’t write great plays because the typewriter hadn’t been invented.

Of course, if by “a native aristocracy that will stand between the writer and the public,” we are to understand an efficient service of tactful office boys and mendacious telephone girls to keep the chance caller from cutting the mortal artery of Time, we applaud. But we fear that is not meant.

When we get weary of upstage comments about literature we go aloft and have a talk to the fellows in the composing room (who, by the way, are all reading Moby Dick nowadays). There is no priggishness in their criticism. They have the sound, sober, sincere instinct—as when one of them tells us, with magnificent insight, that Moby Dick is “Hamlet stuff.” When professional connoisseurs can teach us as much as the282 composing room can about the human values that lie behind literature, then we will mend our manners.

The more we think about it, the more we are staggered by the statement that American life “tends to check the growth of the spirit.” To us the exact opposite seems true. American life as we see it all round us seems to be crying aloud for a spirit great enough to grasp and express it. It seems the most prodigious and stimulating material that any writer ever had for his contemplation. It is a perpetual challenge to the imagination—a challenge that hardly any one since Whitman has been great enough, or daring enough, to deal with; but to say that it stunts the spirit can only be valid as a personal opinion. It is to say that a hungry man going into a restaurant loses his appetite.

We have ventured a little further into Civilization in the United States (which someone has said should really be called “Civilization between Fourteenth Street and Washington Square”) and, to tell the truth, we are astounded. This time we are astounded by the extraordinary mellow gravity of the Young Intellectual. It is sad, by the way, that the editor of the volume is actually not much younger than ourself; but indeed he makes us feel immeasurably aged and decadent.

There are, of course, admirable things in the book. Mr. Mencken is at his best in his attack upon Congressional mediocrity. Messrs. Macy, Van Loon, Lardner, and Ernest Boyd carry us with them, as they283 very often do. Mr. Henry Longan Stuart’s “As an Englishman Sees It” is the most quietly pregnant of the essays we have read. But we must confess that when the editor (Mr. Harold Stearns) writes on “The Intellectual Life” he leaves us puzzled and unhappy.

Perhaps Professor Colby’s contribution on “Humour” affords a clue. At first we did not quite “get” it; we did not realize that Mr. Colby was having his little joke at the expense of some of the masculine Hermiones who met fortnightly (so Mr. Stearns assures us) at the editor’s home “to clarify their individual fields, and contribute towards the advance of intellectual life in America.” After reading the appalling solemnities of Mr. Stearns’s Preface we realize how charmingly Mr. Colby is (as becomes a veteran) chaffing the young pyrophags. He remarks that the “upper literary class” in America is utterly devoid of humour. This intramural stab he must have meditated at one of those fortnightly meetings while the chairman was remarking that “the most moving and pathetic fact in the social life of America to-day is emotional and æsthetic starvation.”

When young men of thirty or so begin to talk about “contributing to the advance of intellectual life in America” they should do it with a smile. Otherwise someone else will have to do the smiling for them.

Consider the weight of the Great Problems faced by the editor of Civilization in America at those fortnightly meetings, while (let us hope) the elder members, such as Jack Macy and Professor Colby, smiled a trifle wanly—

But you must read that Preface entire, to get the full humour of the matter, to get the self-destroying seriousness of the Young Intellectual. It ought to be reprinted as a pamphlet for the warning of college students. Consider the syntax of the first sentence quoted above, as a “contribution to intellectual life in America.” For our own part, after reading that Preface we couldn’t help turning to the quiet and modest little prefaces of some of the great books, e. g., Leviathan and Religio Medici.

We must not be ill humoured. The editor of the volume, we are told, has made his own contribution to the intellectual life in America by leaving for Paris as soon as the proofs were corrected. He is perhaps a victim of that oldest of American sophomore superstitions—the idea that Paris is the only city of the world where men of letters may enjoy true freedom of the body and the spirit. Mr. Stearns has for some time been threatening that the sterility and coarseness of285 American life will drive our sensitive young men overseas. Well, the rest of us must shuffle along as best we can, and see what we can do with this poor tawdry civilization of ours. And incidentally, as a gesture of divorce from American crassness, going to Paris and taking a job on the Parisian edition of the New York Herald seems to us inadequate. We are reminded of another Young Intellectual—in Chicago this time—who greatly yearned to write a masterpiece of obscenity, but could not spell Messalina correctly.

Mr. Stearns speaks of himself and his friends as “unhappy intellectuals educated beyond our environment.” There is a roaring risibility in this that leaves us prostrate. The tragedy is that they apparently mean it. We admire their sincerity, their high-mindedness, and all that, but even at the risk of seeming argumentative we cannot, as long as honesty and clear thinking mean anything, let that sort of remark go by unprotested. It is impossible for any man to be educated beyond his environment—whatever that environment may be. For no man can be greater than Life itself, and in whatever field of life he may be placed, if he has the true insight and the true humility, he will find material for his art. The extraordinary panorama of American life, whatever its cruelties and absurdities, should be glowing material for any artist with the genuine receptive and creative gift. The real “artist” (since our Intellectuals love that term) will not timidly crawl into a corner and squeak; nor need he run away to some imagined Utopia abroad.

Perhaps this is a more serious matter than we had286 supposed. We are one of the stoutest—one of the sincerest, let us say, to avoid misunderstanding—partisans of the Young Intellectual. We used to like, in our wilder moments, to think ourself almost one of them. But it looks now as though we should have to organize a new clique—the Young Roughnecks. The Young Intellectuals are too easily pleased with themselves. In the first place, we honestly believe that few men have any real critical balance and judgment before they are forty. In the second place, the Young Intellectuals are perilously devoid of humour. Of that rich, magical, grotesque, and savoury quality they have far too little. They have it, but it works spasmodically.

We welcome a book like Civilization in America because it shows in a clear cross-cutting what is wrong with a great many excellent young minds. They are quick to scoff, but they are not humorous; they are eager for human perfection, but want to escape from humanity itself. They say a great many admirable things, true things; but so condescendingly that, by some quaint perversion, they impel us to fly to the opposite view. Life itself, apparently, is too multitudinous, too terrible for them. They enjoy pouring ridicule upon the world of business and upon the business man. We should like to see them tackle their own tasks with the same devotion and lack of parade that the business man shows. Some of the most amazing beauties of American life have been the work of quiet business men who were not clamouring for admiration as “artists.” Our friends the Intellectuals keep shouting that the “creative class” (so they call themselves) must287 be more admired, more respected, more appreciated. We answer, they are already respected and applauded as much as—perhaps more than—is good for them. Let them cease to consider themselves a class above and apart. They are too painfully conscious of being “artists.” They make us feel like gathering a group of Young Roughnecks—let us say Heywood Broun and H. I. Phillips for a nucleus—and going off in a corner to be constructively and creatively vulgar.

On the way to the station this warm / chilly morning
[Note to Linotype Man: Please kill the inappropriate adjective; we like to be accurate, and this April weather is so inconstant] we were thinking how little appreciated is the true pleasure of writing.

Writing is an art (or, if you prefer, a trade) never wholly and properly enjoyed except by the intensely indolent. What we mean is this: there are a lot of things in life that are not at all as they should be. But the writer, by magnificent pretence, improves all that. Gardening, for instance. No one enjoys seeing beds thickly decorated with bright flowers and superb vegetables more than we do. But the grubby and tiresome task of groping about with trowels and quicklime and all the other fertilizers is distasteful. Getting sweet peas to climb is a noxious business. Somehow the seedsman always palms off on us a kind of horizontal sweet pea that runs lowly along the ground and289 never blossoms at all. But take up the pen, or typewriter, and how quickly everything is rectified. When you set to work to compose a story, how easy it is to have things nice and genteel. Thus:

Now what could be easier, what could be more agreeable, than to write that? And yet not a word of it is true. We know Henry Frogbones well: his garden is contemptible; the maid’s coffee is execrable, and she is going to leave at the end of the week anyway; his children roar with anguish when they see a mug of milk, which they detest. But how pleasant it is to lend a hand to the travailing universe when you are writing.

As a matter of fact, we don’t feel that we can go on with this any further; it is beginning to seem too unlikely. But it only seems unlikely to us, because we know the truth about old Frogbones. The average magazine reader would swallow it without cavil. That is why we say that writing is huge fun, because you can solve all the perplexities and distractions of life as you go along, and really enjoy yourself at the same time, and (most remarkable of all) get paid for it.

In the most peaceful spot known to American life—a railroad train—we had several hours of that pleasure which offices are devised to prevent, viz., meditation; or even (if we may dare so high) thought. Our thoughts, or whatever they are that go round inside you when you are sitting passively in a train, were tinged by the approach of Christmas.

There was evidently something in the bright air and pre-Christmas feeling of that December afternoon that even softened the heart of the news butcher, for we noticed as the train hastened along the Connecticut shore his manner became more and more fond. He began, at Grand Central, in a mood of formality, even austerity. “Lots of nice reading matter here, gentlemen,” he cried. “Get a nice short story book” (by “book” he meant, of course, magazine) “to kill time for a coupla hours.” We thought, perhaps a little292 sadly, of the irony of begging men to annul Time when they had happily reached almost the only place in America where it can be enjoyed, examined, taken apart, and looked at. But, perhaps due to a niggardly spirit among his congregation in the smoker, the agent gradually became more fraternal. His manner was almost bedside by the time we had got to New Rochelle. “Choclut pepmints, figs, and lemon drops, fellas!” And at Stamford he was beginning to despair. “Peanuts: they’re delicious, boys.” We made up our mind, by the way, as to the correct answer to our old question, Where does New England begin? The frontier is at South Norwalk, for there we saw a sign The New England Cereal Company. And just about there, also, begin the billboards urging Codfish, surely the authentic image and superscription of New England.

Of course there is a great deal to think about in the signs you see along the track. There is that notice:

which is a good advice socially as well as electrically. But we thought that these warnings were a bit unfair to New England, where there are fewer human Live Wires than there are south of the Harlem Strait. We remembered a certain club in Philadelphia of which the bitter-minded used to say it was the only organization in the293 world whose membership was 100 per cent. Live Wires, Regular Fellows, and Go-Getters.

As we went through Greenwich, Riverside, Westport, we admired the blue shore of Long Island lying so placidly across the Sound. And it struck us almost with a sense of shock that there are a great many people to whom Long Island is only a dim, unreal haze on the horizon. Yes, foreign travel is a brisk aperient to the mind. We remembered, as we always do when travelling on the New Haven, Robert Louis Stevenson’s delight when he first went that way. In one of his letters he speaks of the succession of beautiful rocky coves that saluted his eye. “Why,” he wrote, “have Americans been so unfair to their own country?”

It would be impossible to tell you all the things we thought about: they have already faded. We did not forget our duty, as a travelling mandarin, to be a little magisterial when occasion seemed to require it. In the station at New Haven, for instance, there is a young woman, most remarkably coifed, who presides at the tobacco counter. She seemed of a notably cheerful and lenient disposition, and we ventured a remark upon the weather. She said she wished it would snow, so that she could have some real fun, by which she meant, we dare say, a little bobsledding with the youths of Yale College. We thought that this showed a dangerous inappreciation of her general opulent good fortune in being young, comely, and attached to a tobacco traffic. We looked at her quite sternly and said, “Young women can always have a good time, no matter294 what the weather.” To our regret, as we hastened on toward the Springfield train, we heard her squeaking with mirth.

But the starting point of our meditation was an attempt to describe and dissect this curious pre-Christmas feeling, which is one of the most subtle and genuine adventures of the whole year. When we try to examine it in its components we see that the whole thing is too delicate and pervasive for analysis. What are its ingredients? we said to ourself. We thought of the little shrill tingling bells of the Salvation Army; we thought of the warm juicy smell of roasting chicken that out-gushes from a certain rotisserie in Jamaica, Long Island. We thought of the bright colours and toys in the windows of that glorious main street in Jamaica, which is where we do our Christmas shopping. We thought of all the sparkle, the chill, clear air, the general bustle of the streets, that one associates with the Christmas season; and of the undercurrent of dumb and troubled realization of human misery and stupidity and frustration that comes to some more clearly now than at any other time. And we thought also of the mockers and the cheerful skeptics, to whom any candid expression of a simple human emotion is cause for nipping laughter. Never mind, we said to ourself, there is at least one time of year when they can all afford to put away their shining paradoxes and their gingerbread cynicisms—like the gilded circus wagons we saw shut up in winter quarters at Bridgeport.

Probably the most sensitive and complex of human sensations is the pre-Christmas feeling: because it is295 not merely personal but communal; not merely communal but national; not merely national but even international. We know then that for a few weeks a great part of the world is busily thinking of the same things: how it can surprise its friends, how it can encourage the miserable, how it can amuse the harmless. Even the dingiest street has its pathetic badges of colour. It is a great thing to have such a widespread community of sentiment, which, however varying in expression, is identical in essence. One may be amused when he sees the Christmas Annuals published by Australian magazines and finds under the title A Happy Christmas in New South Wales a photograph of girls in muslin enjoying themselves by picnicking along shady streams with canoes and mosquito nettings. That kind of Christmas, we think, would seem very grotesque for us, but our friends the New South Welsh evidently find it exhilarating.

But it is that mysterious and agreeable pre-Christmas feeling which is the best of the whole matter. Christmas Day itself is sometimes almost too feverish a business of picking up blizzards of wrapping paper, convincing the Urchin that his own toys are just as interesting as the Urchiness’s, and treading on tiptoe for fear of walking on the clockwork train or the lurking doll. At Christmas time we always think—probably we are the only person who does—of the late admirable William Stubbs, once Bishop of Oxford and Regius Professor of history, the author of those three fat mulberry coloured volumes The Constitutional History of England, a work far from easy to read, and which,296 when we were compelled to study it, seemed of an intolerable dullness. Bishop Stubbs, in the dreadful words of the Dictionary of National Biography, “never forgot that he was a clergyman.” It is also said that “his lectures never attracted a large audience.” But what we are getting at is this, that on Christmas Day, 1873, the excellent Bishop retired from the gambols and gayeties of his five sons and one daughter and wrote the preface to his History. We love to think of him, worthy man, shutting himself up from the Yuletide riot in roomy old Kettel Hall (now a part of Trinity College, Oxford) and sitting down to write those words, “The History of Institutions cannot be mastered—can scarcely be approached—without an effort.” Now that we are somewhat matured, we think that we could probably reread his Constitutional History with much profit. In that Christmas Day preface, written while the young Stubbses were (we suppose) filling the house with juvenile clamour, there is one phrase that catches our eye as we take the book down for its annual dusting:

“Constitutional History reads the exploits and characters of men by a different light from that shed by the false glare of arms. The world’s heroes are no heroes to it.”

We shall remember the Christmas of 1921, partly, at any rate, by the wonderful succession of pellucid, frosty, moonlit nights that preceded it. We walked round and round our rustic grange trying to focus just297 what we wanted to say to our friends as a Christmas greeting. A curious misery was upon our spirit, for we felt that in many ways we had been recreant to the spirit of friendship. When we think, for instance, of the unanswered letters.... We have sinned horribly. Yet we wanted to give ourself the selfish pleasure of saying a word of affection to those who have been kind to us, and to whom, in the foolish but unavoidable hurry of daily affairs, we have been discourteous. (The way to love humanity, we said to ourself, is not to see too much of it.) Moreover, to write a kind of Christmas sermon is, apparently, to put one’s self into the loathsome false position of seeming to assume those virtues one praises.

We remember the first clergyman who made an impression upon our childish mind. It was in a country church in a village where we were visiting some kinsmen. This parson was a great bearded fellow, long since gone the way of flesh. He was a bit of a ritualist; his white surplice and embroidered streamers of red and gold impressed us enormously. He came very close to our idea of Divinity itself. We used to sit and hear him booming away and think, vaguely, how wonderful to be as virtuous as that. When the organ throbbed and his vast gray beard rose ecstatically above his white-robed chest we thought that here was Goodness incarnate. Years later we asked what had become of him. We heard that he had lost his job because he drank too much. The more we think about that the tenderer our feeling is towards his memory. Only the sinner has a right to preach.

Thinking about this pre-Christmas feeling, and wanting to say something about it, but not knowing how, we got (as we started to tell you) on a train. We went, for a few hours, to another city. There we saw, exhilaratingly different, but fundamentally the same, the shining business of life going forward. The people in that city were carrying on their own affairs, were hotfoot upon their own concerns; we saw their eager, absorbed faces, and what struck us was, here are all these people, whose lives are totally sundered from our own, but they have, at heart, the same hopes and aspirations, the same follies, weaknesses, disgusts, and bitternesses as ourself. And the same would be so of a thousand cities, and of a hundred thousand. Then we got into one of those things called a sleeper, which ought to be called a thinker. An ideal cloister for meditation. All down the dark aisle we could hear the innocent snores of our fellows, but we ourself lay wakeful. We felt rather like the mystic Russian peasant who goes to bed in his coffin. We were whirled along through a midnight landscape of transparent white moonlight, and, quite as cheerful as the dead child in Hans Andersen borne through starry space by the angel, we made our peace with everything. We claim no credit for this. We would have slept if we could. There was a huge bump in the middle of the berth, and there was a vile cold draught. We read part of Stephen Crane’s magnificent sketch The Scotch Express. But those miserable little dim lamps——

And then, strangely enough, there came a sudden299 realization of the amazing richness and fecundity of life. Every signboard along the railroad track is an illustration of it. Hideous enough, still it is a kind of endless vista into the huge jumble of human affairs. Here is a billboard crying out something about a Spark Plug, or about the Hotel Theresa; or on the side of a little shabby brick tenement a painted legend about Bromo Seltzer. Someone worked to put that advertisement up; someone had sufficient credulity or gambling audacity to pay for it; somewhere children are fed and clothed by that spark plug. Christmas itself suddenly seemed a kind of spark plug that ignites the gases and vapours of selfishness and distrust and explodes them away. Everything seemed extraordinarily gallant and exciting. Take the Hotel Theresa, for instance. We had never heard of it before. It is on 125th Street, we gathered. We would like to wager that all sorts of adventures are lying in wait up there, if we can slip away and go looking for them.

As we were lying in our cool tomb (Carl Sandburg’s phrase) in the thinking car, we meditated something like this: Christmas is certainly a time when a reasonable man should overhaul his religion and see if it amounts to anything. Christmas is a time when millions of people are thinking of the same thing. Humanity is so constituted that you can never get the world to agree about things that have happened; but it is happily at one about something that probably never happened—the Christmas story as told in the Gospels. If millions of simple people believe a thing,300 that doesn’t make it true; but perhaps it makes it better than true: it makes it Poetry, it makes it Beauty. Stephen Graham says, in that moving book With Russian Pilgrims to Jerusalem (which certainly ought to be read by every one who is at all interested in religion; it is published by Thomas Nelson & Sons; you may have to get it from London, we don’t believe it is in print over here)—Stephen Graham says:

Religion, which has proved to be one of the greatest dividing and hostilizing forces in the world, is in its essence just the opposite. Surely, in the origin of the word, religion means a binding together, a ligament. Now take the most opposite people you can think of—say Babe Ruth and the Sultan of Turkey (is there still a Sultan?); or say Mr. Balfour and the chap who runs the elevator in this office. No matter how different these may be in training and outlook, there will be some province of human thought and emotion, some small, sensitive spot of the mind, in which they can meet and feel at one. We can imagine them sitting down together for lunch and having a mutually improving time, each admiring and enjoying the other. Widen the incongruity of the individuals as much as you like: imagine Mr. Joseph Conrad and Dr. Berthold Baer; or Mr. James W. Elliott (the Business Builder) and Mahatma Gandhi—we care not who they are, if they can make their thoughts intelligible to each other301 they can find that remote but definite point of tangency where any experienced mind can meet and sympathize with any other human mind, discussing the problems of destiny which are common to all. It is this Common Multiple of humanity, this sensitive pulse in the mind, this realization of a universal share in an overburdening mystery too real to be ignored, but too terrific to be defined or blurbed about, that is the province of religion.

And then the devil of it (for there is always a Devil in every sensible religion) is that the best way to be sure there is this possible point of junction is not to attempt to find it. Both Mr. Balfour and the cheerful elevator boy would probably pray heartily to be delivered from sitting down to lunch together. This mysterious mental sensitive spot that we speak of remains sensitive only as long as it remains private and secret. Perhaps religion can be defined as a sense of human fellowship that is best preserved by not being too companionable.

We were thinking, too, how extremely modern and contemporary the Christmas story seems. It is appropriate that the final instalment of the Income Tax falls just before Christmas. The same thing happened 1921 years ago. “There went out a decree that all the world should be taxed,” says Luke. That was why Joseph and Mary went to Bethlehem—to pay their tax. And we can imagine that the Bethlehem Evening Star, if there had been newspapers at that time, would have had a column of social notes just similar in spirit to those of our own press to-day. The arrival of Joseph302 and Mary would not have been noticed. We might have read:

The train pursued its steady way through the moonlight, and the silvered loveliness of earth and trees made us think generously of our own country. We are still foolish enough to love this America of ours with a dumb queer love. We still believe that in spite of Senates and Live Wires, in spite of the antics of some of the half-educated and well-meaning men who “govern” us, this country has a unique contribution to make to the world in future years. There should be international Christmas cards: there should be some way of one nation surprising another with a friendly message on the Morning of Mornings. We believe (perhaps we are not impartial) that the English-speaking303 race, by its contributions to human liberty, has a right to a leading place in the world’s affairs; but if it gives way to its characteristic vice of arrogance, we weary of it. We think of the feminine brilliance, charm, and emotional volatility of France; of the beautiful sensibility and self-control of Japan; of the melancholy idealism of Russia; of the sober industry of Germany. Have we, then, nothing to learn from these? Printers’ ink is scattered about these days with such profusion that it becomes almost meaningless. Sitting in the subway, and raising our eye plaintively from a newspaper to an advertising card, we have wondered which was the greater menace, Pyorrhea or Japan? Both were said to be menaces. It is our own conviction that nothing can be a menace to America but itself.

This seems a dismal kind of Christmas homily, but we enjoyed ourself immensely while we were meditating it in our lower berth. Very likely if it had been an upper berth the result would have been different. In any case, we take the liberty of wishing our friends—who are, by this time, too indurated to feel surprise or chagrin at anything we may say—a Merry Christmas. We wish for them a cheerful and laborious New Year, with good books to read, and both the time and the inclination to think. We even wish for them occasional eccentric seizures, such as we feel at the present; when we have a dim suspicion that behind the noble and never sufficiently praised comedy of life there lies some simple satisfying answer to many gropings. A simple thing, but too terrible and far-reaching ever304 to be wholly put into practice by puzzled and compromising mankind. We mean, of course, the teachings of Christ. Consider the German generals and military men, who lost everything. But the German toymakers conquered the world.

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

	PAGE
An Oxford Symbol	1
Scapegoats	7
To a New Yorker a Hundred Years Hence	12
A Call for the Author	16
Mr. Pepys’s Christmases	19
Children as Copy	25
Hail, Kinsprit!	30
Round Manhattan Island	33
The Unknown Citizen	37
Sir Kenelm Digby	42
First Impressions of an Amiable Visitor	58
In Honorem: Martha Washington	63
According to Hoyle	67
L. E. W.	71
Our Extension Course	75
Some Recipes	78
Adventures of a Curricular Engineer	82
Santayana in the Subway	87
Madonna of the Taxis	95
Matthew Arnold and Exodontia	99
Dame Quickly and the Boilroaster	109
Vacationing with De Quincey	114
The Spanish Sultry	132
What Kind of a Dog?	137xii
A Letter from Gissing	140
July 8, 1822	143
Midsummer in Salamis	148
The Story of Ginger Cubes	153
The Editor at the Ball Game	183
The Dame Explores Westchester	191
The Power and the Glory	197
Gissing Joins a Country Club	202
Three Stars on the Back Stoop	208
A Christmas Card	213
Symbols and Paradoxes	218
The Return to Town	223
Maxims and Minims	228
Two Reviews	262
Buddha on the L	271
Intellectuals and Roughnecks	279
The Fun of Writing	288
A Christmas Soliloquy	291

Beer, Mild	half-pint	1½
Beer, Mixed	“	2
Beer, Strong	“	2½
Beer, Treble X	glass	35
Beer, Lager	pint	6
Stout	half-pint	2
Cider	“	1½

THE POWDER OF SYMPATHY

DEDICATION

CONTENTS