The Project Gutenberg eBook of The Story of the House, by Henry Loomis Curtis

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Story of the House

Being Some Suggestions in Brickwork from the Catalogue of O. W. Ketcham

Illustrator: Henry Loomis Curtis

Compiler: Henry Loomis Curtis

Release Date: January 24, 2022 [eBook #67203]

Language: English

Produced by: Richard Tonsing, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE STORY OF THE HOUSE ***

Transcriber’s Note:

The cover image was created by the transcriber and is placed in the public domain.

I would have, then, our ordinary dwelling-houses built to last and built to be lovely; as rich and full of pleasantness as may be within and without: ✠✠✠✠ with such differences as might suit and express each man’s character and occupation, and partly his history.

“Seven Lamps of Architecture”
Ruskin

THE✠​STORY✠​OF✠​THE✠​HOUSE
BEING SOME SUGGESTIONS IN BRICK-WORK FROM THE CATALOGUE OF O.W. KETCHAM, WHOSE OFFICE IS IN THE BUILDERS’ EXCHANGE OF THE CITY OF PHILADELPHIA IN THE STATE OF PENNSYLVANIA.

“The crowded line of masons with trowels in their right hands, rapidly laying the long side-wall
The flexible rise and fall of backs, the continual click of the trowels striking the bricks,
The bricks, one after another, each laid so workmanlike in its place, and set with a knock of the trowel handle”
“Song of the Broad Axe”
Walt Whitman.
Copyright,
1899 by
Orman
Wesley
Ketcham
ILLUSTRATED AND ARRANGED BY HENRY LOOMIS CURTIS WITH QUOTATIONS CULLED FROM VARIOUS SOURCES PRINTED BY EDWARD STERN AND CO., INCORPORATED PHILADELPHIA 1899 FROM PLATES MADE BY THE PHOTO-CHROMOTYPE ENGRAVING CO.

CONTENTS

PART ONE
The Story of the House
PART TWO
Moulded Brick Forms
PART THREE
Terra-cotta Fire-proof Materials
A FOREWORD

It is the purpose in issuing this brochure to give simply a few suggestions of what may be accomplished by the use of plain and moulded brick. Here and there some of the parts such as consoles, pier caps, and carved portions, are of a necessity made either of terra-cotta or stone; but as this is a perfectly legitimate combination they are here used.

The brick forms shown in Part Two are only suggestive of the various shapes in use, as the requirements of architectural design develop an unlimited number of forms. The facilities are such that any desired shape or size may be made.

Part One
 
The Story of the House

ILLUSTRATIONS

ILLUSTRATIONS

I—The Entrance Gates Page 3
   
II—Ye Hospitable Porch 5
   
III—The Hall Fire-place 7
   
IV—An Ingle-Nook 9
   
V—The Library Window 13
   
VI—My Lady’s Casement 15
   
VII—Amid Gables and Dormers 17
   
VIII—Among the Chimney-tops 19
   
IX—The Loggia and Terrace 21
   
X—The Garden Sun-dial and Exedra 23
1 THE STORY OF THE HOUSE
O fortunate, O happy day,
When a new household finds its place
Among the myriad homes of earth,
Like a new star just sprung to birth,
And rolled on its harmonious way
Into the boundless realms of space.
“The Hanging of the Crane”
Longfellow.
2Met, where the guardian wall is wound,
So subtly are our eyes beguiled
We see not nor suspect a bound.
No more than in some forest wild;
The sight is free as air—or crost
Only by art in nature lost.
“A Flower Garden”
Wordsworth.
3 “Where gates should open, or where walls should compass.”
4“To thy cool shadows, and to thee,
When thou to birds dost shelter give,
Thou music dost from them receive;
If travellers beneath thee stay
Till storms have worn themselves away,
That time in praising thee they spend,
And thy protecting power commend.”
Lady Winchilsea
5 And the broad arching portals welcome thy entering.
6“How beautiful is this house! The atmosphere
Breathes rest and comfort and the many chambers
Seem full of welcomes.”
“The Masque of Pandora”
Longfellow.
7 “There is no place more delightful than one’s own fireside.”
8“Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed,
9 “While the red logs before us beat The frost-line back with tropic heat;”
10The house dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And for the winter fireside meet,
Between the andiron’s straddling feet,
11
The mug of cider simmered slow,
The apples sputtered in a row,
And close at hand, the basket stood
With nuts from brown October’s wood.”
“Snow-Bound”
Whittier.
12“Oh for a booke and a shadie nooke,
Eyther in doore or out;
With the grene leaves whispering overhead
Or the streete cryes all about.
Where I maie read all at my ease,
Both of the newe and old;
For a jollie goode booke whereon to looke,
Is better to me than golde.”
Old English Song
13 Where I maie read all at my ease
14“In yon red gable,
Which the rose creeps round and o’er, your casement shines
Against the yellow west.”
“Good-night in the Porch”
Owen Meredith.
15 “But under them a sunny garden lay:”—
16“It was a pleasant mansion, an abode
Near and yet hidden from the great highroad,
Sequestered among trees, a noble pile,
Baronial and colonial in its style;
Gables and dormer-windows everywhere.”
“Lady Wentworth”
Longfellow.
17 “Gables and dormer-windows everywhere.”
18“First in the dusky dawn he sends abroad
His early scout, his emissary, smoke,
The earliest, latest pilgrim from his roof,
To feel the frosty air;”—
Thoreau
19 “Sir, he made a chimney in my father’s house, and the bricks are alive at this day to testify it.”
20“The sunbeams dropped
Their gold, and, passing in porch and niche,
Softened to shadows, silvery pale, and dim,
As if the very Day paused and grew Eve.”
“Light of Asia.”
Edwin Arnold.
21 “And, passing in porch and niche, Softened to shadows.”—
22“Horas non nurmero nisi serenas.”
“Only the sunny hours
Are numbered here,—
No winter-time that lowers,
No twilight drear.
But from a golden sky
When sun-beams fall,
Though the bright moments fly,—
They’re counted all.”
“The Sun Dial”
Stedman.
23 “Only the sunny hours are numbered here.”
24 HERE ENDETH PART ONE
25

Part Two
 
Moulded Brick Forms

26 “This vast ball, the Earth, was moulded out of clay and baked in fire.” “Michael Angelo” Longfellow.
27 CLAY PRODUCTS

While these suggestions are mainly to illustrate the use of moulded brick, they but partially represent the line carried, as all clay products known to the trade are handled, such as:—

Ornamental Terra-Cotta,
Hollow Tile Fire-Proofing,
Terra-Cotta Roof Tile,
Fancy and Moulded Front Brick,
Enameled Brick,
Paving Brick,
Fire Brick, &c.

If you do not find what you desire among these sketches possibly it may be found among the moulds at the factory, or if not, such will be made if ordered in sufficient quantity. All known colors and effects, including the ordinary red pressed shapes, can be obtained.

28 RELATIVE SIZES OF BRICKS:—“_Short Roman_” is standard length, Roman thickness, “_Flemish_” is Standard length on each side, “_Norman_” is Roman length, Standard thickness.
29 HEADER PROFILES:—Starters, stops, external and internal angles, and mitres made where required.
30 HEADER PROFILES:—continued.
31 HEADER PROFILES:—continued.
32 RADII, ANGLE AND PIER BRICK:—No. 224 = 12″ Radius No. 225 = 15″ Radius No. 230 = 3′-0″ Radius No. 232 = 4′-0″ Radius No. 112, 119, 140, 218 bond with themselves in forming columns or piers.
33 STRETCHER PROFILES:—External and internal angles, and mitres made where required. No.’s 370, 371, 376, & 378 may be used for pilasters.
34 BASE MOULDINGS:—External and internal angles made. These forms maybe used in cornices and string courses.
35 BASE MOULDINGS:—continued.
36 SILL BRICK:—for window sills, sill courses, wall copings, &c. “A” suggestion for wide sills.
37 SILL BLOCK AND COPING BRICK.
38 JAMB BRICK:—for window and door openings. Special construction made for flat lintels. Mitres made where required.
39 JAMB BRICK:—continued.
40 REEDED AND FLVTED BRICK:—For bands and string courses, and pilasters; External & internal angles, starters & stops made. #430 for pilaster necks and cornices.
41 DIAMOND PATTERNS:—Adapted for string courses, ornamental bands, and as a field for large surfaces.
42 ORNAMENTAL BRICK.
43 PANEL BLOCKS:—may be used for bands, diaper-work, friezes, and ornamental effects.
44 HERE ENDETH PART TWO
45

Part Three
 
Terra-Cotta Fire-Proof Materials

46 '

“Houses are built to live in, not to look on, therefore, let use be preferred before uniformity, except where both may be had.” “Essays—of Building” Bacon'

47 FIRE-PROOFING

It is no longer a question of experiment:—that of thoroughly protecting iron and steel structural work. Terra-cotta has proved itself superior to all other materials in use, in maintaining its original position during fire, thereby thoroughly protecting the structural work, as has been demonstrated at recent conflagrations. The forms in general use are floor arches, partition blocks, column and girder coverings, furring tile, ceiling and roofing blocks; while special forms can be made when required. Estimates for the furnishing of material, either delivered or erected, will be given; also full information in regard to plans or specifications if desired.

48 FLOOR ARCHES:—“A” segmental arch; “B” & “C” flat arches—“C” regular side construction; “B” end construction, lighter in weight than other forms and carries a heavier floor load.
49 Partition Blocks, & Girder Coverings:—Made of any desired size or thickness, either hard or porous, and scored for plaster unless otherwise ordered.
50 Furring Tile:—for exterior walls. Made in blocks as shown at “A” and separated at building—of any desired thickness, hard or porous, scored or smooth.
51 Book Tile:—for Roof and Ceiling construction. Made 3″ thick 12″ wide and in lengths up to 24″. Special sizes made if ordered in sufficient quantity.
52 Column Coverings:—Circular or Elliptical, of size or thickness to suit requirements, hard or porous, scored unless otherwise ordered.
53 Column Coverings:—Square, octagonal, or any flat sided shape. Conditions same as stated previously.
54
TRANSCRIBER’S NOTES
  1. Silently corrected obvious typographical errors and variations in spelling.
  2. Retained archaic, non-standard, and uncertain spellings as printed.
  3. Replaced poetry illustrated drop caps with bold large red characters.
*** END OF THE PROJECT GUTENBERG EBOOK THE STORY OF THE HOUSE ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.