The Public Square, by Will Levington Comfort

A GIRL of nineteen had just arrived in New York, with one fat bag. She turned into the curving silence of Harrow Street, which is only three minutes’ walk from Washington Square, but some trick to find. Several times she changed her bag from one hand to the other, sometimes putting it down and stepping around it, until she came to a door with a room-to-rent sign. This house was painted fresh green, the only thing that distinguished it from all the other houses of the block, except the number, which was Fifty-four.

She rang. The door before her didn’t open, but the basement door below did. A woman’s voice called, “Yes?” in rising inflection.

The girl trailed her bag down to the walk and around the railing to the lower entrance where a dark-faced woman stood, regarding her with almost concerned[2] attention—dark eyes that saw too much, the girl decided. The face was un-American, but its foreign suggestion was vague. It might even have been East Indian. If her skin was natively white, it had certainly known the darkening of much sunlight. As the girl drew near she sensed a curious freshness from the woman; something hard to name, having to do with the garments as well as the shadowy olive skin.

“Come and we’ll look. It is on the upper floor, but it is not quite back. Leave your bag here in the hall.”

It was eleven in the morning, but the smell of coffee was in the dark basement corridor, and laughing voices were heard behind the shut door to the right. A man’s voice said in a stimulated tone:

“Believe me, and I’ve been around, Miss Claes is the deepest-dyed sport I’ve ever met. You could drag her the length of Harrow Street and she’d come up fresh from the laundry——”

“That reminds me, I’m going to start a laundry,” a woman’s voice announced.

The girl, following through the corridor, heard a little breathless sort of chuckle from the woman ahead[3] of her on the dark stairs. The place smelled like a shut room when it rains—a cigaretty admixture.

They climbed. The next hall was spooky with gaslight; the next was gay with frying sausages. They climbed. The next was the one, and it smelled of paint—the same green paint as on the outside of the house—on one of the doors and doorframes, but the wood was plainly charred under the paint.

“We had a fire, but we put it out with wash water before the engines got here, soapy water.”

The girl had a picture of threshing soap about in pails of water before applying it to the flames.

“This is the one,” the woman said, unlocking the next to last room from the back on the left. “All the rest are filled just now. Most of my lodgers never leave, only as they strike it rich——”

“Oh, yes, dear. New York is quite the most magic place in America—something for every one who comes, if he only stays on.”

“This is fine,” the girl said. “This is what I want. It’s just as I saw it.”

“You get your water in the hall below,” the woman explained. “There is no gas plate, so you will have to bring your coffeepot down to my stove in the basement. The walls are ugly, but I’ll see that the cot is clean for you. If the wall of the next house across the area were only painted white, you would get more light.”

“I will pay for a month now,” she said, with a small part of a big out-breath.

“We don’t dare to think of Los Angeles much. To a lot of us here in New York, it’s a kind of heaven. Southern California—the sea and the mountains and the ten months of sunlight and the cool morning fogs and the ripe figs——”

“I’ve wanted New York like that,” the girl said. “I’ve wanted New York so badly that I was afraid on the train that it wouldn’t stay until I got here——”

“That’s the way to come,” the landlady said. “New York would wait for you. Oh, yes, New York waits for your kind. What are you going to do here?”

[5]The woman sat down on the edge of the cot. Her interest did not seem an affectation. Her figure was thin but lithe. One wouldn’t know in these shadows if she were nearer twenty-five or thirty-five. She seemed altogether without haste, smiling easily, but slow to laugh aloud. Her eyes looked startlingly knowing as she lit a cigarette—not natural somehow. At the same time in the matchlight her face had looked tired and weathered. Her way of speaking was like an English person, or one educated in England.

“Back in a canyon near Santa Monica and my father is there now—in his slippers. He teaches every one how to write——” There was something baleful in the girl’s blue eyes, or perhaps it was exhaustion, as she smiled.

“Musser—Pidge Musser. Not Pidge, really. Pandora[6] is my name, but every one calls me Pidge. My father started it.”

In the dimness, the girl’s face looked like a blur of white; a little stretched, too, it appeared just now.

“Yes, that’s his name,” she said in a hopeless tone. “So you know him, too?”

The woman’s black eyes twinkled. “The lecture was on cosmic consciousness,” she said. “I remember distinctly that Mr. Musser outlined four paths of approach.”

“Yes, the mystical, the occult, the mathematical, and the artistic. Did he talk in bare feet?”

“That was a camel driver’s robe,” said the girl. “Oh, I didn’t think I’d hear of him here.”

“It sounds better than Pandora—at least, to me.... I must go down now. A little breakfast party is waiting there. Take off your things. I’ll come back soon. I am Miss Claes and I want to come back already.”

Pidge Musser sat almost in the center of her room, but not quite. At least, she sat in the center of the stiff little cot. She could touch two of the walls. The third was across the narrow aisle from the cot. The fourth was the windowed one, which looked as if it[7] were about to be bricked up entirely. That was quite a distance.

Her room. She was alone. She looked at the door, arose, brought in the key and turned it from the inside. Alone, and this was New York. She could live a month anyway, and write and write on The Lance of the Rivernais. She could be herself and not be told how to live and love and write and bathe and breathe, and change her polarity and promote her spirit and govern her temper and appetites, by a man who was governed by anything but himself.

New York. She had hardly dared to look at it on the way from the train to Washington Square, where the street car had put her down. She had come to Washington Square because one of the boys who studied with her father had said it was the best place to live in all the big town—the cheapest and friendliest and quietest.... It appeared all true, but Miss Claes wasn’t like a rooming-house landlady; quite different, in fact, and astonishing.

“I could hear her talk about New York, forever,” Pidge said half aloud, and this was a remark of considerable force from one who had known the maiming of many words.

Presently she would go out and look at New York again; walk about a bit, keeping a mental string tied to this green house. Besides she had to rent a typewriter, but there was no rush. It was delicious sitting here alone in the gloom of midday, making the place her own, locked in—a chance at last to take a look at[8] herself and see what she was made of and think of what she was here for.

There was a mirror. It wasn’t cracked, according to tradition, but its surface had frozen over in a high wind. Everything waved, eternally waved. It gave the sense of air in the room, and made one look mended. Pidge hoped she would never shed tears in that mirror. Once she had caught herself weeping, and she looked so abysmal that she was almost frightened out of the habit. With these waves added—— Pidge took off her hat and flipped it over on the cot. Her head didn’t look natural, but that wasn’t all the mirror’s fault. One of the things she had wanted to do for months was to make her hair a shade redder than it was. Of course, she hadn’t dared at home, and she couldn’t manage it on the train, but there had been six hours to wait in Chicago and a small hotel room that frightened her yet. She had emerged from that room a different shade, so Chicago meant henna and rain and a frightful hotel. It would always be so. She had been against landing in New York one color and then changing. She had wanted to start life new in New York and keep it straight, an absolutely new page, a new book.

Her reddened hair waved. It made her face look whiter, and brought out a red tint to her wool dress that had been brown as apple-butter before.

Everything about her was tired. If she took off her new shoes she was afraid she would never get them on again to-day, and she had to think of renting that typewriter. A little later, she sat up straight, because[9] through the wall from the next room back came the buzz of a machine. She listened with a thrill. It stopped and went on—unequal stops and buzzes of rapid typing for several minutes; then a long sustained buzz, until a sheet was changed. No commercial typewriting. That was “creative” stuff, as her father would say—a word she had vowed never to use. At least, some one in there was doing a letter.

All this was before noon on an October day in the good year of 1913, before anything ever happened to anybody.

Once there was an old sculptor who had apprentices. Townsfolk were invited on a certain day to look at the work of the young men. One of the apprentices was greatly worried by the faulty light of the shop in which his exhibit was placed. He complained about it to his master, who is said to have answered in these terms: “Never mind, son, about the light here. It is the light of the public square that tells the story.”

RICHARD COBDEN was twenty-one in 1910, and fresh from his university, when he took his first job as reader in the editorial office of The Public Square, a weekly magazine of opinion and protest and qualified patriotism. This was the publication of old John Higgins, at one time one of the highest-priced editorial writers in New York; but Higgins’ views had become more and more strenuous, instead of mollifying with the years, the end of which is to publish for one’s self or subside. Even in The Public Square he found himself under a pull. He wanted a living out of his magazine, but did not expect to make money. He occasionally drank himself ill for a day or two. One of his aspirations was to publish a distinguished short story in each issue, the shorter the better.

“But there aren’t fifty a year,” he frequently said.[11] “There aren’t ten, but we get two or three of them.”

Richard Cobden came of a well-established New York family of merchants and manufacturers. There was no traceable connection, so far as the family knew, with the English Cobdens, of whom there had been a brave Richard of free trade and free speech. Dicky’s great-grandfather was the Richard Cobden who first made the Cobden trowel, hand-forged in a little shop up Yonkers way, and made it so well that stone masons used to drive from far in back country to his shop. The Cobdens had made and dealt in hardware ever since, but the trowel was the Cobden cachet.

Dicky was now twenty-four. His eyes were strong and so were his enthusiasms. These strengths stood him in good stead against the vast masses of evil typing and the revelations of human frailty contained in a myriad manuscript attempts. There was a mere screen between his desk and the desk of John Higgins. One winter afternoon, Dicky was interrupted by talk between the chief and the office boy:

“It ain’t a natcherl name. He says the name doesn’t matter—that you don’t know him, anyway.”

“Let him sit a bit longer. It’s a regular park bench out there, anyway——”

It was the dragging sock that attracted Dicky Cobden—a bit of mindless art on the part of the office boy that somehow aroused the young man by the dreary manuscript pile. Dicky’s world was now full of people who thought they had the story of the age; people who wanted to see the publisher himself; people afraid to trust their manuscripts to the mails; a world of such, coming up through great tribulation, but only here and there a dragging sock. He took a chance now and volunteered to Higgins to clear that bit of seat space in the reception room, if possible.

A dark-faced young man arose to meet him outside. Tired—that was the word that bored into Cobden’s mind with new meaning. There was something potent in the weariness of the black eyes, a deadly sort of patience that rarely goes with brilliance. Dicky was slightly above medium height. The other’s eyes were level with his own. The hanging sock was not in evidence, but Dicky felt that the stranger didn’t dare to move fast, for fear his clothes would break.

“Yet he feels clean,” he thought, “yet he feels clean.” This was important enough to repeat.

“Why, even if it’s promising,” Dicky declared severely, “it would have to be read several times.”

“You win,” Dicky slowly said. “I’ll take the story and read it now, though I’m only a deck hand. If it looks good enough, I’ll try to get Mr. Higgins to look——”

Five minutes after that, Dicky was deep in South Africa. Six thousand words in neat but faded typing, called The Little Man, about a diminutive Hindu person who appeared to have no other business in life but to stand up for the under dog. This person would fight anything, but the British Government was about the size of a foe he liked best—a cheerful story of most shocking suffering, which the Little Man took upon himself for the natives of Natal—no, not the natives, but for the Hindu laborers who had come to Africa to settle. A clear, burning patience through the pages; everything was carried in solution—all one breath, sustained. It[14] wasn’t writing. It was living. It slid on with a soft inevitable rhythm, and it took Dicky along.

More than this, he saw in the story—or in the great stillness which the story brought him—something of the sort of thing he meant to write some day. Nothing exactly like this, of course, but the achievement of this unfettered ease. It made him want to start out at once to find the Little Man. It made him hear from Africa something like a personal call. He let himself dream for a moment. Wouldn’t it be great, his mind-made picture ran, when he had done a real story of his own—wouldn’t it be great to deliver it like this (or perhaps sockless) and make it sell itself? Halfway through, he arose and dumped the sheets he had read before Higgins’ spectacles, saying with slow-measured calm:

“He’s waiting. This story will finish itself. I know it will march straight.”

While he read the second half, Dicky heard Higgins thresh and mutter, and finally call for the rest—old sore-eyed Higgins, who knew a story when he saw one, who had read his eyes out on poor stories looking for the Story of the Age....

“I’ve read it. Mr. Higgins is reading it now. I[15] think he’ll want it, Mr. Naidu. If you leave your address, we’ll mail you an offer to-morrow——”

“I will take two hundred dollars for the story, but I must have the money to-day.”

Dicky laughed quietly. “I’m afraid the countingroom won’t appreciate that. Countingroom’s not adaptable. It’s intricate, in fact; checks signed and countersigned.... Besides your price is severe for us—unknown name and all that. Oh, it’s not too much, only for us, you know.”

All the time he talked, Dicky knew Mr. Naidu would get his money, and get it to-day. A man with a story like this could get anything. He could write it on wood chips and bring the manuscript in a gunny sack....

“I’ll give him my personal check,” he told Higgins, a moment later. “The office can reimburse me.”

“I always forget you have a piece of change in your own name,” Higgins remarked indulgently. “Don’t ever let it interfere with your work, Dicky.”

“My work to-day is to get that manuscript in our vault. Later,” he added to himself, “my work is to write a story as good as that.”

“He might take less than two hundred——” John Higgins suggested in uncertain tone.

“I couldn’t either,” said the editor. “Maybe we are both crazy with the heat—steam heat. But I’ll stand by and see that you get your money. You’ll[16] have to go out with him to get cash on your personal check.”

Dicky and Mr. Naidu were in the street. It was too late for the bank, but the son of the trowel makers found a friend of the family with currency. A rainy dusk in Twenty-third Street near the Avenue, when he took Mr. Naidu’s hand, having turned over the money.

“I have your address, I may hunt you up. You won’t forget The Public Square, when you have another story as good as this?”

Dicky turned to look after him. He reflected that he hadn’t even learned if Mr. Naidu were hungry. He wished he had given him his umbrella. He felt a curious desire to follow; a sense vague, as yet, that his way, the way of his Big Story, lay after the Oriental, and not back toward the office.

SNOW had drifted into the outer basement stairway of the green house, and there was a thin frosty bar inside the door of the basement hall. Miss Claes opened the door and looked out through the iron railings to the street. Snow was six inches deep and still falling. She took a deep breath appreciatively, as if she found some faint exquisite scent in the cold air. Presently she began sweeping at the doorway, and continued up the stone steps to the walk. Her arms and throat were bare, and the dark gray dress that she wore was of wool but the fabric very thin. Apparently Miss Claes chose to enjoy the chill of the winter morning. When she returned to her living room, the fire in the grate had been started and a small cup of black coffee was on the table. She sipped thoughtfully and then lit a cigarette, which she half finished, standing by the fireplace.

The kindling had ignited the soft coal, but not without having shot out a spray of cinders over the cement hearth. Miss Claes swept the hearth unhurriedly. A cabinet of dishes across the room from the fireplace was full of color now from the light of the coals—vivid greens and bronzes, pomegranate reds. At[18] length, she opened the door to the kitchen, where an Oriental stood by the big range.

“Put it on a tray with something for Pidge. I’ll take it upstairs and perhaps she’ll join me. The child starves.”

“She’s troublesome to do anything for, Nagar. She rebels against accepting any favor. I think she must have been forced to accept many favors from people outside, when she lived with her father. Was there a bit of boiled halibut left from last night?”

“We’ll make a little omelet with a few flakes of fish in it. I’m sure she isn’t getting any money from her father, but she has kept up her rent in advance. Did she work all night?”

“Her room was quiet after two, until I came down. Then I heard her typewriter as I swept the upper hall.”

“It seems to be a race, Nagar, between the child and her book—which will finish the other? I love her spirit, but she isn’t taking care of herself.... Yes, we’ll put in these asparagus tips.... I think Mr. Musser believes that the world owes him a living, but finds it hard to collect, sometimes, with only metaphysics to offer. And now Pidge has flung herself to the opposite extreme; talks of earning her living in a factory, when her book is done. She’s a living protest against talking and not doing. We must be very good to her, Nagar.”

[19]Miss Claes brought a little creamy porcelain urn, and held it for him to fill with coffee from the larger pot. Nagar held the door open for her into the basement hall. A moment later on the top floor, she tapped at the second last door on the left. Pidge sat at her machine under the gaslight beyond the head of the cot.

“I can’t make their swords play!” she moaned. “All my swords are stiff as shinny sticks. The trouble is, I don’t know men, Miss Claes—not red animal men like they should be in this story. I know pussy men. I know pious men, salvey and wormy men, monks and mummies and monsters, but I don’t know honest-to-God men! Here they are taunting each other as they stab, and their talk sounds—like Shakespeare! Oh, dear, you’ve brought me more coffee and eats!”

“I won’t touch your papers, Pidge, but if you take them off the cot, I’ll put the tray between us. I haven’t had breakfast.”

Pidge turned the roller of her typemill down so that the most recent literary revelation might not appear to a roving eye. Then she crisscrossed different packages of manuscript, placed the mass face down before the waving glass, and moved the oil stove aside so she could pass to her place on the cot.

The girl turned back to her typemachine. “He’s a jealous old devil when I leave the room,” she said. “I think the person who rented him before I did addressed envelopes all day—kept cranking him back and[20] forth against time. Now I ride a little ways—then let him stop and browse. We ramble——”

“Oh, Miss Claes,” she went on, “I’m just as crazy as that—I mean my figures of speech! Cranking him back and forth, and in the same breath letting him stop and browse. I wish you wouldn’t bring me this stuff any more. The coffee’s so good that it hurts—and the eggs. I always cry when I’m hurt.”

“But, Pidge, think what a privilege it is for me to climb from the heart of New York to eighteenth-century France, and not leave the house——”

“But you find a twisted cubist sort of France—part Dumas, part Mexican Plaza, Los Angeles, and the rest me!”

Pidge regarded the other’s face closely. She could see with uncanny clearness in this little dark room where she had struggled night and day for nearly three months; but what she saw now, or was looking for, she hardly knew herself. Her own face was spooky from sleepless strain.

“He hasn’t spoken of changing his work. Did you[21] hear that New York has touched him with her magic?” Miss Claes asked.

“He has sold a story—a short story for two hundred dollars to The Public Square.”

“And now is he going away? You said they always do when they strike it rich.”

“Oh, no. Nagar wouldn’t leave for a little story success. But nobody quite knows Nagar—nobody.”

Pidge was alone. The Lance of the Rivernais was pricking at her to get back to work, but she resisted for a few minutes, thinking of Miss Claes.

“... She may be crazy, but she’s good to look at,” she muttered. “I believe she can look into me, too.... I wonder what she is?... She may be crazy, but she’s kind! And, oh, I’m so tired,” she yawned a moment later. “I’d like—I’d like to be a leaf in the park under the snow—still snowing, and sleep till spring. Only I’d like some roast turkey first.”

The recent breakfast had an extraordinary flavor, but it was all too dainty for one who had eaten little or nothing since yesterday morning. Her mind trailed off to buns she had seen in bakery windows; and delicatessen stores with opened sausages, big as one’s[22] head and colored like tapestries, and little brown birds and deviled eggs, and sliced filets of fish of amazing tint.

All meats had been anathema in the house of Mr. Adolph Musser. Pidge had lived in no other house in all her years, before coming to New York, but since then, she had shocked her young self through various experiments among the fleshpots of Greenwich. Not so various, for the narrowness of her purse was ever a limp fact, but these few flavory adventures were exciting and memorable. There was a tap of a finger nail upon the panel.

She looked at the Hindu with different eyes from ever before. He had sold a story. She wanted to speak of it, wanted to sit before him and listen—this anomaly, whose typewriter she had sometimes heard through the partition, and rarely a low deep hum. She was prejudiced against Hindus, because her father had affected such a knowledge of them, but somehow she had been less lonely in New York because of this one. He was embodied Detachment and Impersonality.... He had turned away.

INSIDE the moonlit castle gardens, across the moat into the pictured halls, up the marble staircase, driving straight and true, Lambill Courtenay, a man of the people—artist, swordsman, lover virgin-hearted, rode—no, ran, for once on his sprightly feet, straight to a sequestered wing of the ancient and noble castle of the Rivernais, and with his ungloved hand touched the knocker of its inner sanctuary.

“I——” swelled the deep orchestral answer of Lambill Courtenay, Frenchiest of the French.

Then the great oaken door from the forests of Savoie opened. Lambill crossed the threshold. The white arms of Madelaine Rivernais opened and the heavens opened also—for the great maze of life had been untangled for these two—and Pidge Musser’s book was done.

Just a book—one of the myriads that you see lying around, like sloughed snake skins on first or secondhand bookshelves—but it had been properly wept on and starved for and toiled over, as only youth in its abandonment can toil for its own ends. It had almost been[24] prayed for, but not quite. Prayer wasn’t easy for Pidge Musser’s defiant soul.

It was two in the morning. The oil stove smelled as if it were dying. Of late the wick had hiked up out of the oil a little earlier each night like a waxing moon, and Pidge had been forced to shake the oil around to keep the flame. Miss Claes and Nagar did so much for her, she was ashamed; and you could get a red apple for the price of a wick.

Pidge coughed. It was the most astonishing and cavernous bark. The silence afterward was painful. She fancied she was keeping him awake—the silent, dark and courteous Nagar, who did prodigies of work every day and was always willing to do more, and who had come into Pidge’s direct limelight since his sale of a story to The Public Square. Pidge hadn’t known a cold for years. It actually amazed her, how unclean it made her feel, and ashamed to have anybody come near.

“I’m going to watch over you very closely, Pidge—you’ll have to let me, now that the book is done,” Miss Claes said in the morning, “because it’s really a shock to stop work after the way you have carried on. The drive—suddenly stopping, you know.”

“I wonder how she knows?” Pidge thought to herself for the thousandth time in regard to the subtle capacities of Miss Claes.

“That is a true saying, Pidge. On that, everything hinges. Am I to hear the story?”

[25]“It would—it must be read aloud. It’s terrible to ask, but will you?”

“I’ve wanted to hear it from the beginning. Now tell me, would you like Nagar to listen, too?”

“He won’t say a word. Nagar rarely talks, except to answer questions. But, of course, don’t think of it, if you’d rather not.”

“Just a watcher and listener in America, learning to see things impersonally.”

Pidge contemplated the idea for a few seconds; then her eyes hardened. “I’ve heard lots of talk about the impersonal—oh, talk to the skies about the impersonal life in Los Angeles—by people who haven’t yet got a personality!”

“They start in killing out personality before they get a live one,” Pidge added sullenly.

“They do, my dear, but have you heard any words about the impersonal life from Nagar?”

“No. That’s the best thing about him—that he doesn’t explain himself. But I hate mysteries about Hindus—hate people moving about saying, ‘Shh-sh’—finger on their lips, trying to astonish you with[26] something they can’t tell. I’m so tired of all that!”

“Still you asked me about Nagar, though really there is nothing to say, except that he is good to have in the house.”

“Good,” said Miss Claes. “We will listen in this room, where the story came to be.”

... Nagar sat in a straight chair, in the aisle between the cot and the wall. Pidge sat by the window before her machine. Miss Claes lay on the cot with her head under the light that Pidge read by, and away they went. There was an hour or more in the early afternoon when both Miss Claes and her helper could escape from below, and two hours, at least, after nine in the evening—this for three days.

Pidge was fagged and ill and frightfully scared. She would begin hoarsely, and for pages in each reading her cold in the head was an obstruction hard to pass; besides, she felt she was boring them horribly and that all the massed effects of her pages dithered away into nothing or worse. But a moment came in each of the six sessions, when the last monster of the mind’s outer darkness was passed. And then, for Pidge, at least, knighthood rose resplendent; days became stately, indeed, and chivalry bloomed again. At such times the dark gleaming hair of Miss Claes—which Pidge could have touched with her hand, became the tresses of Madelaine Rivernais herself, and a little[27] back to the right in the deep shadows, the face of the Easterner there took on the magic and glamour of Lambill’s own. The vineyards of old France stretched beyond from their balcony; the rivers of France flowed below. The lance of the Rivernais was won back heroically and human hearts opened to the drama of love and life.

But on the last night of the reading, after the self-consciousness was passed and all was going well, Pidge, glancing down to Miss Claes’ head under the light, saw gray for the first time, in the depths of her hair. It hadn’t been combed with any purpose of hiding. The outer strands were coal black, the strands beneath had turned. This discovery had the peculiar effect of changing everything around in Pidge’s mind in the moments that followed.

She couldn’t get into the story as before; and in the very last pages of her reading, a face persistently crowded in between her mind’s eye and the rapid flow of the story at its end—a long, humorless complacent face—the high-browed, self-willed and self-thrilled face of her father. It was as if he were reading and not herself; reading with rising expectation, drinking in the silent praise, as if he had done the writing himself and loved it well. So effectually was Pidge mastered by this apparition of her own mind, that the last pages of the manuscript were spoiled entirely. The light had gone out of her and she said hastily, as the final page was turned down:

[28]“I know how kind you are, but please don’t try to tell me anything to-night. Not a word, please!”

There was something in Nagar’s smile as he turned and went out that she knew she would remember again.

“I quite understand,” said Miss Claes, when they were alone. “But say, Pidge, I do want to say this. To-morrow afternoon, Mr. Richard Cobden, an editor of The Public Square, is coming here to see Nagar. He is the one who put through Nagar’s story. We’re to have tea at four. You’ll come down, won’t you?”

“It might be arranged for Mr. Cobden to look at your book. Would you like that?”

“Don’t let Mr. Cobden know, just yet, that you are the one who has written the story. Write a new title-page without the name of the author.”

“It’s because you look like such a child, Pidge. No one would be able to see all that’s in your story—if they saw what a child you are!”

“It made me see everything differently for a minute. You know I hate cults and everything that apes India[29] and talks about saving the world; everybody talking about their souls, but doing the same old secret selfish things—oh, I’ve almost died of talk about all that—but for a minute, to-night under the lamp, it seemed that you knew, but had come down to brass tacks—your feet on the ground—living like the rest of us, but not ‘falling for’ love or money or fame, as we are. Are you really through talking about service—just doing it?”

“I know you’ve been in India. Miss Claes—are you really farther along than I thought? Are you trying for that impersonal thing—trying to belong to everybody—to enter the stream of humanity, as they call it?”

“Nothing—only it’s so big, so unexpected. I’ve always believed ’way down deep that a real person wouldn’t be long-haired or barefooted or pious, but lost in the crowd something like that—quietly efficient,[30] moving here and there among people unannounced, only a few ever dreaming! Oh, it’s too, too big!”

“Don’t try to settle things ahead of time,” Miss Claes repeated laughingly. “Let the days—each day tell its story. I’m just living out life as you are.... And now undress and get into bed. I know you’re too tired to sleep, but I’m going to fix you in and open your window and put out your light, and sit with you for a minute, perhaps in the dark. You’re just to rest—a tired little girl—and not even hear me go away.”

RICHARD COBDEN and John Higgins were lunching at Sharpe’s Chop House. It was one-thirty, and at the height of the day’s business. The tables were packed close.

“You were telling me about that Asiatic landlady down in the Village,” Higgins said, lifting his spectacles to wipe his red-rimmed eyes.

“I wasn’t telling you much,” said Dicky. “She’s too deep for me—looks to thrive on coffee and cigarettes—eyes that have seen too much, a lot of laughter in them, but no hope.... And what would you think of a basement room, with flowers in winter and a fireplace with hickory embers, a Byzantine jar in the corner and a cabinet of porcelain which I haven’t seen the like of on this side?”

“... Little old Harrow Street,” Dicky mused. “Harrow Street curves, you know. There is quite a mass of rooming houses on each side, and number Fifty-four, with a green front, is Miss Claes’ house. And our Mr. Naidu works there with his hands; only they call him Nagar in that house—spelled with an ‘a’ but pronounced ‘nog.’... By the way, he told[32] me twice, yesterday, that it isn’t a fiction story we’ve bought, but a handling of things that actually happened in Africa—Little Man an actual human being named Gandhi or something of the sort.”

Dicky resumed: “Some of Miss Claes’ lodgers happened in for the tea party. No one barred apparently. I must have seen most of the houseful: couple of girl-pals; one works in a restaurant to support the other who is to become a prima donna; a couple of decayed vaudeville artists looking for a legacy—a regular houseful, but I don’t believe all of them pay, as they would have to in other houses.”

“That’s the way I see it. The green front in Harrow Street took hold of me. I must have stayed over two hours. Our Mr. Naidu made some coffee to go with that cabinet of porcelain. Also there was a little girl—from Los Angeles, I think they said—red head, brown wool dress and eyes of a blue you see on illumined vellum out of Italy——”

“They weren’t large, particularly,” Dicky went on at his literary best, “but that extraordinary blue like the ocean. Ruffled on top, but calm and still in the depth! Never saw such eyes. They come back to me now——”

“You’re not getting all I mean, John. Uptown here,[33] we think we’re the center of the world, the heart of New York yanking up toward the Park—but down there those old rooming houses are filling up with the boys and girls from all the States west, and the second growths from the families of European immigrants—filling up because they are cheap, with the boys and girls who will do the surgery ten years from now, and the painting and writing and acting——”

“I’ve heard about all that,” said John Higgins. “You’ll do a big story yourself one day.”

“I’m not so sure of it, since yesterday. I couldn’t take their chances. I couldn’t sit down and do a novel and not know how I was going to eat my way through. I couldn’t scrub tenement-house floors for the privilege of writing a book.... Oh, I love books all right. I rise up and yell when a big short story comes in the office, or breaks out anywhere. I think I know a real one, but a man’s got to do a whole lot of appreciating before he gets to doing. I’m not bred somehow as those people are. I’m the first of the Cobdens to break out of trade. They call me a dreamer, my people do—yet compared to those boys and girls in Harrow Street, I’m a basket of fish with only a wiggle at the bottom——”

“Get out,” said John Higgins. “The first thing you know, you’ll be going down there again.”

The younger man nodded seriously. “They’re crazy,[34] perhaps, but I’m convinced from yesterday of one thing: One can’t be sane as I am, and ever find the Big Story, much less write it.”

“It isn’t like that,” Dicky said gently. “I’ve been brought up to think I know New York, belong and breathe in New York. You see, my family has lived here a hundred years. But yesterday I saw New York for the first time. She isn’t an old Dutch frump, as we thought, John. She’s a damsel! She’s a new moon——”

“No, that’s the little girl from Los Angeles. It’s the landlady, of course, who’s the spirit of the place. I figured out afterward that it was because she was there that I liked everybody and had a good time. Wouldn’t be surprised to hear she was a priestess of some sort. I asked if she were Hindu, and she said ‘Yes,’ but she talks as if she were out of an English convent. Of course, most of her lodgers don’t get her. One old actor, out of a job, leaned across the table to me yesterday when Miss Claes left the room. He tapped his forehead, whispering, ‘Lovely, eh, but got the Ophelias.’”

“Moreover,” Dicky added, lost in thought, “I believe Miss Claes knows that they think her cracked and doesn’t mind.... Young? Say, I don’t know, John. You don’t think of her with years, somehow—rather[35] as one who has reached the top of herself and decided to stay there.”

John Higgins leaned back, drained his coffee cup and stared with eyes that smarted at the steaming ceiling. “Is Naidu going to do us another story?”

“No, I didn’t get it straight whose it was. Miss Claes handed it over, suggesting I look at it for a serial. Some one in the house had written it or left it there.”

“Started, but didn’t get really going. It’s back-age France stuff, and I was a little lost last night on the subject of 54 Harrow Street.”

“You’re a little lost yet, Dicky, I should say—for a Cobden.... So you’re going to lead a double life? Rich young New Yorker, quarters in Fiftieth Street under the eaves of St. Patrick’s, vanishing into life down in Greenwich.”

THE Lance of the Rivernais had been in the editorial rooms of The Public Square for almost a month, but there had been no report; not the slightest mention, in fact, though author and editor were frequently together. Richard Cobden had come to 54 Harrow Street to live for the larger part of each week. Pidge had gone to work in a tin-can factory up Lenox way, pasting labels. She was half sick from fatigue from the new work and from keeping the secret about her book. In the days that followed the finishing of the Lance, it was as if her whole body and brain had been a scaffold or matrix for the story, and it had been taken from her, leaving a galvanism useless as an eggshell, a sort of afterbirth that persisted in staying alive.

... There was Fanny Gallup, who sat at her right, elbow to elbow at the pasting bench—Fanny of the intermittent pungencies of scent and the dreary muck of talk about boys and boys and boys. Fanny was a child and woman all in one, about Pidge’s age and size, one whom you could fancy had been a stringy street-kid a year or two ago. But just now, Fanny[37] was in her brief bloom, red in her lips, a lift to her scant breast, the earth driving into her and overflowing with such color and fertility as it could.

For eight hours a day, Pidge dwelt in Fanny’s frequently tropical aura—hateful, yet marveling. The thing that amazed her was that Fanny loved life so, loved the feel of her own hands when she rubbed them together, loved the taste of sweets and the memory of last night’s kisses—loved fearlessly and without reserve, not a pang of dread for what was to come, nor a shudder of regret for what had happened to her mother or sisters or the other girls of Foley Street. Never a thought in Fanny’s head that she was being hoaxed by Nature; that her body was being livened and rounded, her face edged and tinted, for an inexorable purpose; not a suspicion that she was being played for, and must presently produce.

Fanny lived her brief hour to the full, and Pidge Musser suffered and revolted for two. Pidge took the dreary monotone of talk into her soul, as she had taken her father’s, knowing that one day she would be full.

“Oh, you Musser,” Fanny would say. “Why don’t you come over to Foley Street?... You’re dryin’ up, Redhead. What do you do nights? What do you do all the time, thinkin’ and listnin’?... Where’s your fulluh, Redhead? Ain’t got one—wot? Little liar. You’re bad, you are, because you’re so still.... Come on over to Foley Street to-night. I’ll let you have a peep at Albert, m’li’l barber—just one peep,[38] Redhead—not too close. I ain’t sure of him yet, but I’ll let you have one look—aw come on!”

So it was through the hours, pasting apricot labels, lobster, asparagus, pimento, peach, and codfish labels. More and more Fanny’s boys and men folded into one, whose name was Albert.

“I’m gettin’ him goin’—goin’, goin’. Psst! an’ he comes!” Fanny would say. “But I wouldn’t trust him to you, Musser—not longer than a hairpin, dam’ little party, you.”

Miss Claes was observing with some concern the result of her suggestion to Pidge, not to let the young editor know the Lance was hers.

“If it hadn’t been for my tampering, she would have heard about her book before this,” she said to Nagar. “Pidge looked so young, I felt it would prejudice Mr. Cobden against her work. He’s fascinated with Harrow Street, but seems to have no time or thought for a romance of eighteenth-century France! Yet he would have put through her book in a week, if he knew, seeing the story with the same eyes he sees the author.”

“No. That’s our Pidge, Nagar. I even suggested that I would speak to him—let the truth slip out. She caught me in her hands, those hard little hands, strong as a peasant’s, ‘Not for worlds, Miss Claes!’ she breathed, and there was a patch of white intensity across her upper lip, ‘Not for worlds!’”

[39]“... Of course, I mean to write,” Pidge had granted to Dicky in the very beginning. “I’ve always meant to write, since the day I learned that print wasn’t done above the clouds somehow, like Moses’ tablets, and had to be written all out first by human beings. But I’m not ready to begin——” and she silently added the word “again” for her own composure.

“But they tell me on my floor when you first came, you hammered a typemill day and night. Was it commercial work?” Dicky asked.

“It was not,” said Pidge, with such emphasis that she felt her secret endangered again and hastened to add, “That was before I started to work in the factory. Likely they heard Nagar’s machine part of the time.”

“But you seem to know yarns—like one who works with them—tries to do them, I mean,” he remarked.

Her face was flushed. Evasion irritated and diminished her. She coldly explained her father’s professional interest in the short story.

Dicky pondered long on how much Pidge meant by this. He had been brought up to revere his parents. Surely, he thought, she must know that one can’t be taught except by life itself to do a real story.

One rainy Sunday forenoon in February, they were sitting together in his “parlor,” the front of his two rooms on the second floor. This room opened through a single door to the main hall, and through folding[40] doors to his sleeping quarters. Dicky had brought some few additional furnishings from his mother’s house in East Fiftieth Street. The place made Pidge feel uncomfortable, but Miss Claes’ basement front was often in use and subject to constant interruption.

“I want to read you something I’ve brought from the office,” Dicky said. “I’m not saying a word—until afterward.”

It was a little story called Dr. Filter, by an unknown young man, named Rufus Melton. It had come to The Public Square among the unsolicited manuscripts. Pidge listened with extraordinary restlessness. She seemed to know so much about this story, its processes and the thing it told, that her mind was unpleasantly crowded. It wasn’t a matter of like or dislike. Dr. Filter was here in the world, a live thing. It had to be met and dealt with.

“Not more than once a year, one comes in as live as this,” Dicky said. “Yet it’s like something from a different world from Nagar’s Little Man story.”

“It isn’t whether you like Dr. Filter, or not, but you can’t get away from it—like a relative who comes to live in your house,” said Pidge.

She found herself asking about Rufus Melton. Dicky didn’t know much, but was intensely pleased over her reaction to his latest artistic find.... Pidge never lacked opinions, even verdicts, nor the energy to express them when Dicky was around. They forgot[41] Rufus Melton, and out-generaled time in discussing Miss Claes.

“Every little while as she talks, I feel as if I were going through a tunnel,” he said. “Of course, I admire her, and all that, but sometimes I can’t help asking myself, like the others, if she is really right——”

“The more ignorant one is, the more crazy he thinks Miss Claes,” Pidge observed.

“Another bull’s-eye. Wait till I set up the target again, Pidge. But is it because she’s Hindu—that she’s so different?”

“Maybe I heard her wrong. I’m sure she’s had a lot of Hindu training. But that’s not what draws me to her. It’s because she’s not taking it out in talk. She knows about plumbing and cooking and streets and common things. Best of all, she pays her bills!”

But Dicky, who had never known other than financial ease and financial integrity, was more interested in the other side of their landlady.

“You’re always getting me into this lately,” Pidge complained. “I don’t like to talk about it. I floated up through zones of Hindu stuff from a child. Better[42] leave it alone, Dicky. Stay in your head—stay down.”

“Any one who amounts to anything stays in his head. He’s not complicated by souls. All the comfortable, solid world calls you absurd for what you say and the way you look, when this Eastern stuff starts you going. You get so absorbed that you lose all touch with things down here, the things you are really here to do. You stop making money and go around saying the Lord will provide. You don’t really let Him, you let other people support you and call it God’s work. You call yourself the Elect, and yet you can’t do the things that average people do. Mainly, you talk. You stop work to talk. You settle heaven and God and the soul with talk!... Oh, Dicky, that’s why I hate it all so; that’s why I’d rather be a factory girl; that’s why I’m all lame and tired about ‘ideals’ and ‘supermen’ and ‘abstractions’—because I’ve heard so much talk.... It’s the first thing I remember. Lying in the crib—I began to hear my father’s voice.”

“But you’ve got all this stuff, Pidge. That’s what makes you—makes you——”

“It is what makes me nothing! It is what keeps me from being an honest-to-God mill girl. It is what keeps me from everything that means something to other mill girls. It is what keeps me from taking life as I find it. It’s what spoils me from really knowing Miss Claes or Nagar—or what they are about—because so many words have been dinned into my ears before coming to New York.”

[43]The hardest thing on Dicky these days was that Pidge had to work in a factory. This thought was never far from the central arena of his mind. It chafed and irked. There was very little of the philanderer in his breed. Mostly, the Cobdens had chosen their women carefully, after long, cool, studious courtship. Having decided, courted and married, nothing short of death could break in. Doubtless Dicky’s fidelity was as stable as that of his relatives, even though his heart had not turned so cautiously to his light of day. Pidge had risen in his heavens and possessed them like the rising sun. There were not two suns in his system.

He had meant to live lean down in Harrow Street, but his idea of that wasn’t native to the locality. His ramifications for keeping clean were considerable and very disturbing to Pidge Musser, who had been brought up in Southern California to wear a few white garments which she could wash herself. Washing was impossible in her room, and wasn’t at all easy in the hall below where Miss Claes had told her to get her water.

Dicky Cobden was the first gentleman Pidge had ever known. She had met several boys with a streak of genius showing; boys who had come to her father to learn how to write and had taken away something, if not that. Practically all those boys had been “on a shoe string,” and trained to get along without many things that Cobden would have considered actual necessities, including an established routine of order and cleanliness in one’s person and quarters. Pidge had also met[44] many of the “queer” ones of Hollywood and vicinity—men and women who ate this way and that, bathed this way and that, in running waters and still, in sea waters and rain waters, in mud and sunlight, using unctions and ointments, but they were bathing their souls.

Dicky Cobden bathed frequently, carefully, believing beyond cavil that New York and the processes of life grimed him on the outside, that life itself was a constant war against grime, requiring an ever accessible tub, much soap, hot water, changes of clothing, laundry bags, rugs, brushes. Not that Dicky gave any thought to this. It was as if he supposed everybody did the same. Since everybody didn’t and couldn’t; and since everybody didn’t have as much money to spend for bread and meat and tea, as Mr. Cobden did for laundry alone—Pidge was miserably rebellious.

Always as she sat in the presence of Dicky’s altogether thoughtless freshness; sat in her apple-butter colored wool dress which had contained the emotional hurl and thresh of the romantic Lance—always Miss Musser had a hard time to forget herself and was frequently on the verge of becoming defiant and bad-tempered for reasons he didn’t dream.

She suffered, because every evening almost, Dicky invited her out to dine, and not once in four times could she pass the frowning negatives of her own soul. He chose to regard her as superbly honest and unaffected. She really needed those dinners, too. All the future novels and heart throbs needed them.[45] Occasionally she met him after dinner for a walk or a picture, and once she had been lured to an uptown theater. Just once—never again in the brown wool dress!

She felt, as she entered the theater lights that night, that she had been betrayed. She felt also like something Mr. Cobden had found in the street, or that she was helping him make good on a first of April bet. Pidge hadn’t been to more than three “talking shows” in all her nineteen years; to her a show house was a place of darkness, except the screen.

Alone in her room afterward that night, she made a great vow: that when the torrent of American dollars turned loose on her (as it was bound to some time) she would buy outright chests full of lingerie, cabinets of hats, shelves of shoes, and a book of orders for frocks to be delivered at future dates. She would keep clean then if a Santa Ana sandstorm settled on New York and lasted a year.

One raw and cold week-night, Pidge was about done up when she reached Harrow Street. She tried to slip softly past his hall door, but Dicky was there.

“Yes,” she said, pushing on. “Everybody’s tired and cross the whole length of New York, like a sore spine.”

“I’ve been waiting, Pidge. There’s a little place near, where I used to come from uptown, thinking it[46] an excursion—just a neighbor of ours now, The Hob and Hook, where they make a stew like Dickens tells of in the old English inns—smoking in the pot for twenty-four hours; and there’s tea for tired folks, and no end of scones and honey——”

“Oh, please——” said Pidge. Then she added stubbornly, “No, I’m not going out again to-night.”

“It is a trifle wintry,” Dicky observed. “We’ll have supper here. I’ll go out and get an armful, and Nagar will make us a pot of tea. Oh, I say, Pidge, have a little thought of somebody else.”

She weakened. Alone upstairs a minute afterward, she lit the gas and stood before the mirror that waved.

“If I turned loose just once and ate all I wanted, he’d never speak to me again!”

PIDGE was gone from Harrow Street from seven in the morning to seven at night. She had been absolutely blurred with fatigue at the end of the first days, but her hands were hardening, her back adjusting to the monotonous work at the big pasting table. She was actually learning like the other girls the trick of sinking into a sort of coma for an hour or more at a time. Sometimes (as one under the influence of a prying drug, which opens scenes, as from a past life) she would remember the palisades of Santa Monica, the ocean pressing its white fringes up against the gray sand; tirelessly pressing again and again, but never leaving its white lines of foam, unless the water was sick from the big sewer of El Segundo. Rarely a sail on that great sunny bay, but many wings—pelicans, sandpipers, gulls in hundreds, feeding out beyond the surf lines, or gathered in conference on the beaten sand—three strange and ancient bird types, gathered together in one vast audience facing the sea.

This was but one of her pictures. Other times she roamed the canyons, Santa Monica and Topango, and the cheerful and solitary mesas.... “Yes, that same creature—Pan Musser,” she once said, half aloud....[48] Then she would think of New York and Miss Claes and Richard Cobden; of the book she had actually written, and pretty nearly died for, the book around which there was a conspiracy of silence. In spite of the coma at the pasting table, and the moments of memory drift, the stimulated laughter in the washroom, or in the half hour for lunch as they heated their tea pails over the radiators at noon; in spite of the clatter of tins passing from left to right around the big table, and the tireless goading of Fanny Gallup’s cheerful boy-talk—the brown wool dress contained plentiful hells of the human heart.... And to-morrow would be Thursday, the next day Friday, the next day Saturday, and then sleep, and this was also New York.

The first Sunday afternoon of March was the afternoon of the new frock, a cheap little one-piece dress, bought on Seventh Avenue, neither wool nor brown. It had a tissuey and boxy smell. It was rapturously, adventurously new. Pidge had an omen as she put it on, that this was a sort of hour of all her life, that never another frock would mean quite the same. She was alone with Miss Claes when Dicky Cobden came for her at six, according to a plan made early in the week. They were to cross to Staten Island and find an old Georgian mammy, whom he knew, somewhere back of Stapleton on the wet roads, a mammy who could cook chicken and beaten biscuit.

Dicky seemed only to see her face. A great wonderment came up in Pidge’s heart, not disappointment exactly, but a sort of soul-deep wonder, that Dicky[49] didn’t appear to see the new frock. Could it be possible that a man who managed the details of his own attire with such practiced art had never known what she suffered in the brown wool dress, in all that tragedy of shabbiness and dirt? Had he really not felt ashamed of her that night under the lights in the uptown theater? He turned to her now:

“You won’t mind, Pidge, just a moment or two, if I speak of a little matter to Miss Claes. Oh, I don’t mean for you to leave; in fact, I’d rather not. It is just a report about a long story that should have been made before.”

Then out of the inmost heart of innocence, Pidge was jerked with a crush. Before his next words she realized what she must face; she, sitting aside from them in the new frock.

“... About that book manuscript,” Dicky went on. “I have ordered it sent back to you, Miss Claes—doubtless it will be in the post to-morrow. I have read it, and John Higgins has read it. We’re both agreed on this particular manuscript—that it isn’t for The Public Square.”

Pidge stared at him like a child being whipped for the first time. All that was left of the meaning of the book in her own body and mind, and all hope concerning it, had suddenly been put to death. But the rest of her remained alive in a stupor of suffering; her eyes stared. She saw Richard Cobden as never before, saw him as a workman; as they saw him in the office. This was a bit of week-day that he was showing now, sincerely[50] speaking to Miss Claes, having at length done the best he could in regard to the task which she had imposed.

“The thing is young, Miss Claes,” he went on. “There is fling and fire to it, but its freedom is the freedom of ignorance. This love and this sort of man-stuff would only do for the great unsophisticated. I’m not saying that some publisher couldn’t take hold of it and make a go. In fact, I’ve seen stuff like it in covers mount up to big sales, but the human male isn’t handled in it, Miss Claes. This is sort of a young girl’s dream of what men are. They drink and fight and love and die and all that, but——”

“There, there, Mr. Cobden. Don’t try so hard,” Miss Claes said laughingly. “I’m sure you’ve given the book its chance.”

“That’s just the point,” he said; “its chance with The Public Square is all I’m talking about. This is a shopgirl’s book, and there are myriads of shopgirls. The Public Square would like to have their patronage; yet one pays a price for that. John Higgins—this is the best thing that can be said about one of the best men I’ve known—John Higgins has never yet consented to pay that price.”

Pidge Musser found her head turning from side to side as one who tries to find in which neck muscle a troubling lameness lies. She stopped that. She glanced up at Cobden, who was pressing on his left glove with his bare right hand. Before she turned, she realized that Miss Claes’ eyes were waiting for hers. It wasn’t[51] pity she saw in them, nor friendship, nor loyalty, nor laughter; it was something of each of these, yet something more. Only one word in English even suggests the thing that was pouring upon her through Miss Claes’ eyes—and that word is compassion.

Its power could not find her heart with its healing, but it seemed to gather around like a cloak, waiting for entrance. Pidge wanted to be alone with Miss Claes now. The ache was so deep that she felt it would be worth a life if she could go into Miss Claes’ arms and break. That was it, an utter break was the only thing that could ease this pain. Then she became aware of Cobden standing at her side. In a moment he would speak. She did not wait for the moment, but arose.

In the silence that followed, Dicky did not seem to notice anything wrong. At the door Miss Claes’ hand raised and hovered above Pidge’s shoulder, but did not touch. Pidge was grateful for that.

IT was early April, a dark and rainy afternoon. Pidge had been in the tin factory three months. For four weeks the manuscript of the Lance had lain in the bureau drawer of the little upper room in Harrow Street, not being given a second submittal. The secret was still kept. Richard Cobden had not spoken of the story since his report that Sunday afternoon to Miss Claes. There seemed an astonishing cruelty in the fact that he could forget. He had spoken of everything else....

Pidge had just left the factory and was running in her rubbers through the blur of rain toward a downtown subway entrance. A sort of mocking laughter was in her ears, “and this is New York,” the burden of it. In the dim light of the passage down into the tube she saw the gray gleaming patches of wear on the steel steps, slippery now from the rain. There was a shudder and gasp from a girl beside her; a parting of the hurrying ones ahead to avoid clotted pools of blood on two or three steps below.

Farther down in the area, a man lay propped in the arms of a stranger. His face was very white. A few minutes before he had been hurrying down those steel[53] steps that the rain had made slippery—hurrying perhaps in the same confusion of fatigue and hunger that she had known.... A pause had come to him from all that hurry. His white face was more peaceful than any of the bystanders. A hospital ambulance clanged above, as she lingered. Attendants came down with the stretcher. The body of the unconscious man was swept up by one of the swift city brooms. The stream of ticket buyers filed on as before, the downtown express crashed in.

Pidge sat in her cane seat. The main crowd of the city was coming uptown at this hour. At least, she was spared that packing. She breathed the dense tired air, and recalled that on a night or two before she had slipped on the steel stairs, but had not fallen. It was borne upon her that in some way this man had fallen for her, fallen for every one who saw him or the puddles of blood he left. Every one had walked more carefully afterward, reaching for the rails. And he had lost the sense of hurry—that unmitigated madness which drove them all from dawn to dark.

Her old wonder of New York came back, as she thought that she was being flashed fifty miles an hour from the junction at Ninety-sixth Street down to Forty-second Street, under the busiest streets and corners of America. Mere men could manage much. Then the old agony stole in—“the freedom of ignorance.” Surely no one had ever been punished for doing a book as she had been punished: that it was so poor, as to prove a temptation for John Higgins to publish it, because[54] of its chance of falling exactly into the fancy of these—the myriad of shopgirls in the uptown locals and expresses, crashing by in thick ropes of white light. As for the public taste, Dicky Cobden had told her that John Higgins had confessed, speaking wearily and with a smile that had lost its sting of reproach, that for thirty years he had been choosing stories for people to read, and every year he had been forced to lower his estimate as to what the public taste was. Even so, John Higgins had said he was far from the level; that only a trade mind could get stories banal enough. But hers might interest that public.

She was so tired.... For somebody’s shoulder to lean against! Pidge knew what Fanny Gallup felt, what the other factory girls felt, when they pushed out so brazenly toward men—in very clumsiness from hard pressure, spoiling their chances of being treated on the square. Yes, she was really learning what the girls felt, as they hunted their own in the masses of men they passed—how tired, hungry, blurred, unsatisfied their hearts—anything to escape the withering grind of the mills and the counters and the shops. She knew the secret bloom they felt, the terrible brief drive of it—childhood, girlhood and youth, all passing like the uptown trains—a home, a man, a child of their own, the one chance for a breath of life. Of course, they talked of nothing else, in the closets and dressing rooms, in the cars and streets; and read nothing else. Certainly their dreams had to come true in books and plays, even if they didn’t in life. Life would break the dream soon[55] enough. The best life could do didn’t compare with the lowliest dream; for the dream of a girl has glamour, and the life of a woman is stripped. But that was no reason why books and plays should tear off the glamour ahead of time.

It wasn’t that Pidge loved shopgirls and mill girls. She didn’t love herself for sharing their lot. She wasn’t sentimental at all. She recognized bad management somewhere that forced her to this work. She had to have bread, and outer and under clothing. She paid the price, but there was nothing good nor virtuous about it. She didn’t hate Dicky Cobden when he spoke of “shopgirl literature”; she knew how rotten it was, but there was something in her that belonged to it, or she wouldn’t have been in the factory; moreover, that something had helped to write the Lance.

... Somebody’s shoulder. Three months of tin cans was teaching that very well.... And there was a shoulder, straight and steady—a kind of mockery about it, because it was so fine. None of the girls at the big table where she worked would have asked more. It meant books and pictures and all the dining tables of New York; plays and dresses, cleanliness, and all the little coaxing cushions and covers of this arrogant modern hour. It meant all the old solid established joys of place and plenty; all the writing she liked; a leisurely winning of her way through magazines and publishing houses; nothing of Grub Street and the conspiracy against an unknown outsider....

And this life of the factory—hadn’t she earned release?[56] What more could come of the grinding monotony of the days but a more passionate agony to escape, through the under world, or the upper world, through any route at all, even death itself? Was there a further lesson than this?... Somebody’s shoulder. He had the native kindness of clean breeding; also that consideration for others of one who is brought up in a large house. He had an ardent interest in books and life. He was warmly established in the hearts of other men—first and last, a man’s man, which it behooves a woman to inquire into.

There was a tired smile on Pidge’s lips as the car halted at Thirty-second street.... The only blunders he had ever made were in her presence, because he cared so much. He seemed continually in awe and wonder before the thing he fancied she was, as if he had never really looked at a woman before. Of course, another man might act that way, but it was different the way Dicky did it. He had been at school late, and for nearly four years in the office of The Public Square he had bored steadily, craftily toward the center of the life of letters. Work had been his passion up to that day in which he had called to see Nagar, and fell under the spell of Miss Claes and Harrow Street.... There was enough of the artist and dreamer in him to keep life from being tame, yet not enough to make life a maze and a madness. He had health. Money was to him like an old custom, so established as to be forgotten....

Fourteenth Street. Pidge didn’t hear the first call[57] and hopped off with a rush at the second, pulling a growl from the gateman as she sped out.... Dicky was standing at the head of the stairs on the second floor of the Harrow Street house.

But he drew her by the hand toward the open door to his front room. The brighter light from there streamed out into the dim hall.

“My hands are sticky from the paste. I’ll come back. I’d rather come back.”

“It’s about that—about your hands, Pidge. I’ve waited as long as I can.”

... Somebody’s shoulder. She wasn’t safe to be trusted right now, yet she couldn’t pull away. If she ever got upstairs—even for a minute in her own little place, before the mirror that waved, she would see it all clearly, but here and now she didn’t want to see clearly. She wanted to give up and rest. She wanted what he wanted—wanted to give him what he wanted, which was the tiredest, most hopeless girl in New York to-night. She was dying of all its strains and failures and rigidities and fightings, and he wanted to take the load.

They were standing under the hanging lamp in his room. The light was white; his face was white. It was leaner than ever before, more of a man in it, more of a boy in it. His will was working furiously to make him speak.

“It’s about your hands, Pidge, about the factory. Listen, you make me feel like a tout or a sot—as if you were out killing yourself to support me. I’ve been home two hours and you just coming in.”

“I know. We’ll get to them later, but now there’s only one—only one Pidge. I want her home to stay. I want to make a home for her. Why, Pidge, I’ll let you alone, if you just let me do that——”

She was looking up at him hard. She didn’t fully understand, but the boyish cleanliness of him struck her fully that moment. The power of his will which she felt was mainly the fierceness of his decision to speak. It wasn’t the burn of terrible hunger for her. He was young as a playmate: that’s what shook her now. He wanted to fix her place, to let her hands soften again, wanted to let her rest and breathe—not what the other girls laughed about.

“Why, Pidge, I’ve got to take care of you. I’ve got to straighten you out—if it’s only to marry you and go away.”

Something in her heart cracked like a mirror, and a sob broke out of her. It was as if a car that had been running along by itself suddenly left the road and went into a cliff—a warm, kind cliff. Somebody’s shoulder, and she was sobbing:

It had come. This was it. It was rest. The other girls knew. The awful cold ache was broken—warmth of life pouring out of her—heavenly ease in the flood of tears, and something of the dearness of dreams was in his passion, not for her—but to do something for her.

The first whip stroke fell, when Pidge remembered how she looked when she cried. But if she could keep her face covered! She didn’t stir.... Was this the fullness of days? All the consummate essences of ease, he brought—no hunger, no dirt—and really she had fought long and hard.

“... Everything you want, Pidge,” he was whispering. “I’ll take you to my mother. She’s a regular sport, Pidge——”

“She’d have to be,” came from the incorrigible heart in his arms, but not aloud.

The second whip stroke—The Lance of the Rivernais. She had failed, and the failure wasn’t the book, but herself, the thing in his arms. She didn’t stir, but there was coldness of calculation to her thinking now—that he meant ease and rest and expediency, not the ripping, rioting, invincible man force that was to come one day and carry her off her feet.

This was the third whip stroke: that he meant propinquity—the nearest, the easiest way.

“I’m not washed,” she said. “I don’t mean from the mills. I’m not washed, or I couldn’t have—couldn’t have——! I’m just like the rest—dying for a shoulder to cry on. You’re all right, Dicky, so right and fine that I’m ashamed. I’ll always care for you. I’ll always be warm at the thought of you. I’ll always remember how I went to you—how dear you are—but you can’t give me freedom. You can’t give me peace. My soul would rot in ease and peace and plenty. I’ve got to earn my own.”

“I know I’ll suffer hells for hurting you—but I can’t help it. I had to know. If I have to spend a life in misery—I had to know that there isn’t anything you can give that will satisfy——”

His mouth was partly open, his head twisted peculiarly, and lowered, as if his shoulder and neck were deformed. He was shockingly white under the lamp.

“Oh, I’m such a beast and I’m so sorry. I really wanted terribly to stay.... But, Dicky Cobden—it wasn’t for you. It wasn’t for you that I wanted to stay—it was for what you have—more.”

DICKY kept his quarters in Harrow Street, but for days at a time did not appear. Pidge Musser at first fancied this was easier. There was a faint cackle of derision from somewhere in her depths, as this idea of it being easier repeated itself in her mind; in fact, there were many conflicting mysteries in Pidge’s deep places. “I laid my head on his shoulder,” she once said to herself, “but thought better of it. Now we are to be strangers.”

At unexpected moments when she was busy at the pasting bench; or nights and mornings, passing in and out of sleep, the faint note of mockery would sound. When she passed Dicky in the halls, or met him at one of Miss Claes’ little tea parties, and he would bow distantly or indulge in formal commonplaces, the mockery would stir itself in Pidge’s profundities, indicating that something somewhere was decidedly idiotic. He looked positively diminished as he kept up his formalities, and she liked and respected him too much to feel pleasant about this. She heard that he was interested in Africa. It was to be observed that he sought Nagar; in fact, several times she heard these two together through the partition.

[62]Finally Pidge heard that Dicky was going to South Africa, possibly to hunt up Nagar’s Little Man, whose name was Gandhi, and who had been Nagar’s friend and teacher both in India and Natal. Also Dicky was to do some letters for The Public Square.

On the night before he was to sail for the Mediterranean, he was invited with Pidge by Miss Claes for dinner at Tara Subramini’s Punjabi Fireplace down on Sixth Avenue near Fourth Street. This was also the night Pidge smelled Spring in New York for the first time.

Mid-April; there had been rain. Pidge hadn’t caught the Spring magic coming home from the factory, but now as they walked down Sixth Avenue under the momentary crashes of the Elevated—it stole up out of the pavements as if she were in a meadow—that untellable sweetness which seems the breath of Mother Nature herself, a breath made of all the perfumes of all the flowers, without accentuating one, and a sublimation of all the passions of the human heart as well. Her left hand burrowed under the hanging sleeve of Miss Claes’ wrap. The bare elbow there closed upon it. They both laughed, and Mr. Richard, walking sedately, was altogether out of the question.

Tara Subramini served her Punjabi dinners on great individual plates which were none too hot. She discussed modern dancing with Miss Claes at easy length, when Pidge was served and Richard Cobden was not. The rice cooled, the lamb cooled, even if the peppery curry held its fire. The vast plate had curious little[63] crevices on the side for conserves and glutinous vegetables and various watery leaves. Pidge became prejudiced at once against the Punjab. The great leisure of Asia, which she had heard about from a child and which had tempted her alluringly in the more intense pressures of her own life, lost something of its charm as Tara Subramini conversed with all concerned and the contents of the troughs congealed.

Food is food, but talk is merely talk. Besides, Pidge was hungry. Subramini had things to say, but also an oriental delight in the use of English. Mr. Cobden was unreservedly courteous. Pidge always wondered if he really knew what hunger was. She could get so hungry that her hands trembled, and New York had shown her deeper mysteries of the hunger lesson that she would be slow to forget.

She positively yearned for Dicky to wake up. If this were poise, this moveless calm of his, this unvarying quiet and courtesy, this inability to be stretched even in laughter—Pidge felt she was ready to drop the hunt; also she was tempted to test out Dicky’s poise to see how much it could really stand.... India bored her, as well as America. Miss Claes could eat and talk at the same time, and drop neither words nor food.... A lone Hindu arose to depart from another table. Subramini helped him with his coat and followed him to the door. Pidge thought once that Subramini was about to spread herself on the doorstep and let him walk over her. Punjab didn’t rise in her regard. Pidge[64] suddenly burst out into a kind of merriment that had nothing to do with anybody present.

“It is because we’re such idiots!” she said brokenly. “Oh, I don’t mean you, Miss Claes. I mean myself and—Mr. Cobden. It is the way things are done in the world—so utterly silly. Why should we be strange and embarrassed, avoiding each other for days and weeks—when we should be more than ever friends, and——”

“You don’t mean, Pidge, that you fail to see a reason for this strangeness?” Miss Claes asked. “You——”

The other regarded her with a calm that irritated Pidge just now. Everything irritated her, Dicky sitting by, Miss Claes’ familiarity with Subramini, and the look of knowing and not speaking, back of the smile on Miss Claes’ lips. But most of all, peculiarly at this moment, arose in Pidge’s mind the two conflicting stories of nationality.

“Did I hear you wrongly that you said you were English, Miss Claes?” she asked abruptly.

“I did. I am both. I am half-caste, supposed to unite in myself the worst of English and Indian.”

Pidge burned with contrition, less at her questioning[65] than at the bad temper that prompted it. The two women were ready to go, but Dicky wasn’t.

“You seemed to have something to say, Miss Claes, to set us—to set me straight on all this,” he began.

“You see, Richard, one cannot speak without being drawn in. I hesitated on that account.”

Pidge flushed a little as she watched him. Tara Subramini, still afar off, was engaged in words.

“... My house in Harrow Street is just a symbol,” Miss Claes was saying. “To come into one’s house really should mean to come into one’s heart. You both have keys.... What was in my mind to say was that people in your trouble act as strangers for good reasons. If they cannot have each other—they sometimes rush to the other extreme to save themselves the pain of watching another come between.”

Dicky Cobden essayed to light a cigarette. The match broke in his fingers. He did not try again. Miss Claes amplified without apparent feeling:

“Sometimes one who cannot have what he wants—gives way to hatred for a time to ease his wound.... Pidge, what have you to give for the friendship and association of one who wants more?”

“I don’t know that I have anything. I see how selfish I was. It came to me that we, of all people, should be friends, but I didn’t look at the other side.”

“You can be friends, if you are brave enough. You can be, if you dare to come and go and set each other free utterly, but that means long and bitter work.”

[66]The harrowing thing to Pidge was that Miss Claes talked as if Dicky and herself were one in condition and purpose and dilemma, when in reality all the hard part seemed to go to him. She wished Miss Claes would stop, but the words continued with a smooth predestined force:

“The best the world knows, even in books and art, is the kingdom of two; but love doesn’t end in that—at least, not for those who are brave enough and strong enough to sunder their tight little kingdom of each other and let the earth rush in between....”

Tara Subramini’s slippered feet crept in. She stood behind Miss Claes’ shoulders and began to speak of a book of poetic obituaries. The paying of the bill seemed an interminable process.

“If Pidge thinks it’s silly to act as strangers—and I can see that it is—I’m for trying the other way,” he repeated, when they reached the street.

The whole talk had been subject to most stubborn and perverse distractions. On Sixth Avenue the racket of traffic had become incessant. Apparently Miss Claes had decided to say no more. Callers waited for her in the basement room at Harrow Street, so Pidge followed Dicky to his “parlor,” which she had not entered since the night of Somebody’s Shoulder.

He seemed possessed to talk of what he had heard, as a youth fascinated by a new course to take. He spoke of a man being big enough to stand by and set a woman free; of a man big enough to wait and watch and be[67] a friend, a comrade. And Pidge, who had brought it all about, listened in a sort of terror which only a woman could understand. This thing which she had aroused in him, this answer of his deep, but still vague powers, to her thoughtless challenge, frightened her now that it had come.

“Don’t, oh, don’t let’s talk any more!” she said at last. “It’s talk, Dicky, just talk. The doing is different, the doing is harder! What do we know of what life will fix for us to do day by day through the years? This thing is so hard that Miss Claes herself hated to let it out. It belongs to you differently than it belongs to me. I haven’t anything to give for your friendship and association. I mean you’ll always want more than I can give.”

“You won’t know better than to build pictures while you wait. No one would. You will wait—while you’re away in Africa, making pictures about me, pictures of what I am not! I don’t know why I’m chosen to hurt you. If I hadn’t been so utterly lost in myself, I never could have brought this on. I feel that I’ve started a new set of conditions to bring you to another moment—another gash—like in this room the last time we were here. And oh, Dicky Cobden, I don’t want to! To be strangers! To be common and hateful and avoid each other is so much more simple and easy.”

“I’ll stop talking, Pidge,” he said quietly. “It may[68] be easier to be strangers, but it doesn’t look rosy to me. Don’t you worry about it. It is my job and I’ll take a chance.”

“Perhaps not. We won’t talk about that any more.... Now, Pidge, I’m keeping these rooms while I’m away. Wouldn’t you—wouldn’t you for me—look after them—look in on them and keep them alive while I’m gone?... It would make me feel like—great, you know.”

THREE nights later, when she reached Harrow Street from the factory, Pidge found two letters. One was from John Higgins of The Public Square. This she opened first.

... At the suggestion of Mr. Cobden, just before he left for South Africa, I am offering you a position here as reader of the unsolicited manuscripts. Mr. Cobden hints that you know enough about The Public Square to realize we cannot be lavish in salaries, but think we can at least pay you what you are getting now, to begin with—and the work will be different.

She sat in the center of her cot as of old, breathing the sweetness of the release from the factory.... Friendliness like this art of Dicky’s was good.... It made her eyes smart now—the new work. It was easier to take it from him—away. It was a soft cloak that she could nestle in, because he wouldn’t see.... Miss Claes knocked. Pidge read in her eyes that she already knew.

“I’m so glad you want it, Pidge. I couldn’t tell him for sure that you’d take it.”

“Mr. Cobden said you wouldn’t be in doubt about that after you got there.”

“I’m going to take it,” Pidge said soberly. “I know it means something more than it looks—but I’m going to take it. I’m so sick of myself which fights everything. Also, I’m going down after supper—and sit there—in his ‘parlor.’ I haven’t entered since——”

Miss Claes was called from below. Pidge felt the second letter in her hand. It was from Los Angeles, her father’s writing. A check dropped out on the cot. By powerful effort of will, Pidge left it there, until she had read the note:

... At this time it seems well for me to send you money. Hard as it has been for me to refrain, I felt before this that it was best for you to face New York alone, unaided. As there is a New Generation, my child, there is a New Fatherhood which dares—dares even to allow the heart’s darling to struggle alone; dares to say “hands off” to all the untransmuted emotions which rush forth to shield the fledgling from the world——

Fifty dollars. Pidge sank back and softly batted her pillow with one loose arm. She laughed in a smothery uncertain way that was not of joy.... It was as if she heard his voice in the room—the new[71] parenthood, the new generation, the adjustment of motive to moment!

The sort of thing in this letter always shook and tortured Pidge. It was a part of her. She was bred of it. She had been half as old as now when she first realized it. Then in every thought and act, she had rushed to the other extreme. It was true that her father had taught her the deepest things in books. In his study, she had caught hints of the inner meanings of inaccessible literatures, before she had learned to spell simple words of English. Because his eyes hurt, she had read aloud for hours, day after day, tomes out of Asia which she had no care nor thought to understand, but from which, volatile fairylike impressions came to rest in the depths of her heart. She had loved the few central springs of books in a house of books, until she realized that her father read, but lived them not; that he expounded, exhorted upon the doctrines—but his life was his own twisted rag. That was when Pidge’s heavens cracked—and she had set out to be honest and erect, if only as tall as a gnome.

The thought that came at this moment had come before. It was the passion to be what her father was not that had made her rush forth to be straight in her own head—to refuse to lie to herself—to go to the other extreme of fierceness and bleakness and ill-temper, rather than lie to herself—to be plain and true, if she had to be a man-hater and poison face. Yet Pidge sat up straight with a bitter thought. Like it or not, she saw right now that it was her father who[72] had prepared her to accept and make good, possibly, in this position with The Public Square....

She crossed to the open window. April breathed up to her from the stone floor of the area to-night; magic April, breathing up through the trampled earth and the degraded pavements. Suddenly a soft love stole over her. It was love of the April dark.

She heard the sounds of the city over the buildings, over into the stillness of Harrow Street, like the far tread and clatter of a pageant. Mother Nature was actually perceptible in this soft air, and something that Pidge answered to as never before in New York. Her hands stretched out to touch the casings of the window; the old wood gave her an additional warmth. It belonged to this house of Miss Claes, this house of the mystery of kindness. She was free at this moment of the fear of accepting too much, having come up to breathe, at least, out of the ruck of fighting everything and everybody. She had been utterly graceless and narrow in her acceptances, fighting against favors, when she knew all the time that to receive is the other part of giving. A shiver passed over her, nevertheless, as she remembered the subtle mendicancy that she had known in her father’s house, the calm acceptance of gifts and favors from others in the belief that one was evolved enough to give the ineffable in exchange for materials. No wonder she had run from that.

[73]This of Miss Claes’ was a house with a heart. This was her house. She could breathe in it now, at least, for a little. The numbness and dumbness of the factory had fallen away. The softness stole over her toward Fanny Gallup and the other girls who must still stay at the bench. She would never forget. She had earned an understanding of them, and had been released; released was the word. But something would carry her back to them one day, something born in that slow madness of monotony.

She crossed the room and opened the door into the hall. Supper smells came up to her, the murmur of voices behind the shut doors. The prima donna person was singing, not practicing this time, but singing.... “One comes up through great tribulation to learn to sing,” Miss Claes had once said, “and others share it.”

The warmth stole into her from the halls. Everybody was hungry to-night, the spring hunger, and everybody celebrated, as a festival. April seemed breathing in the halls, too. April was breathing in herself; that was why she was awake to this outer delight. If she could only keep it. It would always be in externals, if she could only keep this springtime alive within. She laughed a little bitterly. Of course, she was elated because the factor had dropped away, because the new position had opened, because the check had come (though she felt something queer about that), because Richard Cobden and Miss Claes were fashioned of unswerving kindnesses, which she suddenly realized as never before.

[74]“It’s money and place, and I’m ‘falling for’ it, venturing to be pleased with myself——” She laughed again. “But, oh, it is so cheerful, so restful to feel New York like this, just for to-night!”

PIDGE read manuscripts in the office of The Public Square. She saw them first. The large part of them were seen by no one else. It was like being a telephone girl in a way, dipping into the secrets of a thousand houses. But it was much more subtle than that; the secrets more soulful and revelatory. She saw the hopelessness of life. She saw love, hopelessly uninviting love—puppy love, and much of the “kidding” clever love that is made in America, and proud of itself for that. But over all, there seemed an anguish on the part of male and female, old and young, to express. Before her were secrets of those dying for expression; in her hands, the progeny. She loathed the desire everywhere, because she had the same desire herself.

Every one who wrote and submitted stories and manuscripts had a “front.” In the personal letters, accompanying their stories and articles and poems, they told matters about themselves which their manuscripts did not. They knew this one and that; they had influential friends who had said this and that about their writing. Parlorfuls of friends “had been quite carried away by the inclosed.”... Others hadn’t wanted to[76] write. They had rebelled long; even as Saul, they had kicked against the pricks; but for the good of others, for the message it would carry to the world, they had given in at last and written their story which was inclosed.... “This is a true story,” one personal letter accompanying said.... “This story may be finished differently,” another wrote. “I have thought out a happy ending, if the public is not ready to stand this human one.”... Here was a sales manager who wrote his personal letter with a jovial laugh: “I have just tossed these few experiences into a story which my friends insist belongs to you.... I wouldn’t think of it, but I can’t help seeing what a rotten lot of stuff the magazines publish!”... This one had decided to write stories because she was a widow and had no other means of support, and had heard that writing was “the pleasantest of professions.”... And here was one who had sent in story after story to rejection for six years. “Some time I will win,” came the thin tired cry.

Pidge had fatigued her body in the mill. She tired her heart in the office of The Public Square, reaching Harrow Street with something in her breast all sore and shamed. This was the queer strenuous part—the shame of it all. She, too, had fallen into expressing herself, and they had been kind. Miss Claes had been kind and she knew. But Dicky Cobden and John Higgins had been kind, though they hadn’t known the author of the Lance. (They would never know.)[77] They had said that the writer had the fine freedom of youth—“the freedom of ignorance.”

Pidge knew even better now what that meant. She saw the freedom of ignorance in the rape of many type machines.... The worst of it was, she herself wasn’t through. She knew the time would come when a new story would form within her, and begin its knocking for life.... And this was New York, the market place; and John Higgins sat near, and always he held his face nearer the manuscripts toward the end of the days, his eyes more tired and dim in the late hours....

“Miss Musser,” he called one afternoon at the end of the first month. “I wish you would go out and see what this Rufus Melton really has to say. We took a story of his some months ago. We had great hopes for him, but now he’s sent in a raft of junk. Kid stuff, this must be, he’s trying to work off. I don’t feel like seeing him right now.”

In the reception room, a young man arose to meet her, as she spoke the name, “Mr. Melton.” It was a face you would expect to see on one of the cars of Hollywood Boulevard, among the movie plants. There was a catch in Pidge’s throat as she said:

“Mr. Higgins asked me to tell you he was occupied, Mr. Melton. His report will go to you in a day or two.”

He was looking down at her, the young man who had written the little twisted fury of a tale called Dr. Filter, which Dicky had brought to Harrow Street for her to read. She sensed that he regarded her as an[78] office girl, not as a reader. He couldn’t have been more than twenty-three or four. He knew that her words portended an evil fate for his present offerings. It was not hurt alone in his eyes, but rage, too.

Now Pidge’s mind whirled back to a pair of eyes in a baby carriage at Santa Monica; eyes of a male infant, said to be the handsomest of that locality where the hills and mesas break off abruptly for a sea wall. Large, still, steady blue-black eyes of an actor that had become calm because they were used to seeing faces wilt before them; long, curving coal-black lashes. Pidge hadn’t liked them in the infant; at least, they roused her unpleasantly somehow; and she didn’t like them now. The resemblance was deeper and more essential than that of family, but what held Pidge really was something she recognized, or fancied she did, something that had to do with being broke and threatened with hunger in New York. His clothing was fine, but had been long used. She had a positive divination for poverty.

Now his gaze was lost in her hair, as if he found hope there. Story failures and New York, fear, and its tough core of hunger, these amounted to one thing—but red hair was another. The astonishing part was the constant changing of expressions in his eye. They reflected every mood and whim of him, for one who could read; that is, when he forgot to veil them for purposes of his own. Just now he seemed to be wondering if he had better go any further with this red hair—if he had time to play. He didn’t seem to consider[79] whether Pidge wanted to play or not, only whether the game were worth the while of one whose law was not to let any real chance slip. Pidge had forgotten the hurt of her message from John Higgins. She had a pronounced feeling that she wanted to hurt Melton some way herself....

He laughed a little bitterly as if he understood all that. “Are you—are you his secretary?”

Pidge glanced at him resentfully; she felt he wouldn’t have asked such a question of a man.

“This is a sort of show-down with me,” he went on. “I’m leaving New York. I really hoped to see Mr. Higgins.”

“Perhaps you—I’d have to know before to-morrow,” he said jerkily. “Perhaps you’d look at another story just finished? If you would read it—there is just a chance you might want to get it to Mr. Higgins before I go.”

“No. I was hoping for good word from one of the others first. This new one is my last wallop. Might I bring it to you, anywhere you say, this evening?”

“Could I call later in the evening also, for your answer? It is only four or five thousand words.”

“You may leave it with Miss Claes at the basement entrance and call a little later.”

Pidge found herself walking on tiptoe back to her desk, the catch still in her throat.

THE manuscript was delivered while Pidge was out to supper. She took it upstairs to Cobden’s “parlor” and read with a nervous interest, and an uncomfortable feeling that Rufus Melton was looking down at her all the time. She didn’t lose herself in the story, but the feeling persisted that she might have done so, another time—especially if the manuscript had come to her in the usual way at the office. Certainly it was different and distinctive, compared to the run of the unsolicited. It was artful, if not art.... She heard Nagar’s quiet steady step as he passed up to his room. She had an impulse to ask him to read, but he wouldn’t say anything. Anyway, he was gone now.

This was a story of the Tunisian sands, written, she decided, by one who hadn’t been there; one who saw the desert as the average American reader would expect, but with additional flatfooted bits of color tramped down with audacity. Moonlight was different in Tunisia, and morals were different—freer than here. There was the glitter of the snake’s eye through the pages, for Pidge Musser. It made her think of a sick man in a gorgeous robe.

[82]She had inferred from Melton’s talk that this story was new; in fact, that it was still hot from his machine. Yet the manuscript didn’t feel new; the front and back pages showed wear. Could she have misunderstood?... It had freedom; not the freedom of ignorance, but the freedom of a drifting ship. Its anchor dragged, its compass was uncentered. It cried out, “My God, I am free!” and it was, as a derelict is free.

At a quarter of ten, she heard the bell in the basement hall; heard Miss Claes directing Melton to the next floor. Pidge would not have had it this way, but people of the house were in the basement. He came up out of the dim stairway, walking wide, his soft cap crumpled in his hand, elbows out. He must have learned her name from Miss Claes.

“You mustn’t think, Miss Musser, that I don’t know how much I am asking—this favor of yours to-night.”

There was a sort of lift and draw to the way he took her hand; at the same time his shoulders and head bent down upon her. This thing that he was playing to-night was college boy—clumsy subtlety of a big boy coming home and greeting his sister—seeing in her, at the moment of greeting, something of the charm other boys might see. He walked around her under the light, laughing, apologizing, making a humorous picture of his own tension at The Public Square that afternoon.

“I went there like an anarchist,” he laughed. “I was prepared to get my answer or blow up the place. I had to laugh afterwards the way I seized upon you.”

[83]“I read the Tunis story,” she said. “Of course, you know it’s really unimportant what I think. I liked it well enough, but wasn’t carried away. I felt the color; in fact, color is the main asset of the story, but it seemed a bit thick——”

He laughed aloud. He was bending to her again, and most benignly, college big brother still in his manner and voice.

“I could tone that down, of course. The trouble is to get a thing like that straight, when you know that part of Africa as I do. I ought to have kept off Tunis, that’s the truth of it.”

“That’s the worst of it, Miss Musser,” he laughed. “I went through hell for that story. Too much feeling to write with, you understand.”

Pidge was awed at her own error. She had been so convinced that the color was faked that she had judged the whole story on that basis.

“I’ve already asked too much of you. I’m sorry,” he added ingenuously. “One can’t force his things through this way. Why, I’d have given the whole six stories to The Public Square for a hundred dollars, and taken the cheapening that comes to an author from a trick like that. That’s how I needed an answer.”

He had glanced up at the light as he spoke, a white, haggard smile, that bloodless look around the mouth. Pity caught and controlled her. She had done him an injustice already.

He pointed to his cap lying on the arm of a chair, as if to say that were his home.

“I’ve got an aunt in Cleveland who wants me,” he added. “A little quiet house away out on one of the cross streets off Euclid, where there’s a room and eats and a place to write. I’ll start to walk, I guess.”

He was laughing at her. “A little den up in Union Square—just a skylight. It’s a cell, Miss Musser, and even there, I have to stay out until midnight to sneak in without meeting the landlady.... Did you ever sleep in a room that had no window?”

“Then this isn’t yours?” He pointed to the closed folding doors of the inner room.

“Oh, no. Mine’s up higher, but it has a window. This is just a sitting room we sometimes use—Miss Claes and I—the lodger being away.”

“Oh,” he said queerly; then added with his haggard smile: “So the color was put on too thick—that’s too bad.”

“Does Mr. Higgins know that you have been over there in Tunis?” Pidge asked.

“I figured he would, but maybe he will decide, as you did, that I sat here in New York and stabbed at that setting.”

[85]“I’ll place the story before him to-morrow. I could say to him that you’ve been to the desert——”

“Oh, I wouldn’t. Don’t tell him that. I was hoping, though, that you could tell him you liked it.”

“Couldn’t you tell him that? Couldn’t you tell him that—just for what others may find in the story?”

The catch was in her throat again. His hand rested lightly upon her shoulder; his smile was altogether disarming in its wistfulness. She thought he couldn’t mean what he said. She thought of the face in the baby carriage in Santa Monica; of this tortured child of whims and imaginations, in a room with no window, and the pallor around his mouth. She didn’t like any of it, but did not feel exactly separate from it. She thought of a little box upstairs in her own room, of the check her father had sent, which she had so far refused to cash. She was in a blur, her sense of belonging to Melton’s dilemma over all.

“You can’t mean for me to tell Mr. Higgins what I don’t believe,” she said. “I’ll ask him to read the story to-morrow. If he’s against it, I could—I might help you to pay for the room in Union Square, or—enough to get to Cleveland.”

Then the thing happened which she would have apprehended, except for her pity and personal involvement in his trouble. She was drawn in between the open flaps of his coat, and held there against the soft shirt which he wore. And all through her were his[86] whispers—soft delighted laughter from lips that pressed into her hair and cheeks, searching for hers.

She had finally pushed him from her, and they stood apart under the lamp. For a moment, they stared. Then it seemed as if he studied her, as one who suddenly revalues, doubles the value of an object. It was the queerest, intensest scrutiny, his head cocked to one side, the light and laughter returning to his eyes and lips.

“I knew I wasn’t safe to come here,” he said. “I knew if you did like the story, I wasn’t safe to hear the verdict. It was the idea of getting enough money to escape from that room, to get back into Cleveland and find myself——”

“I don’t suppose you can ever forgive me, but it broke me wide open, Miss Musser—to find what a ripping sport you are!”

“To-morrow,” she went on in a dreary tone, “you may come here—I mean to the basement entrance, at seven in the evening, and I’ll tell you Mr. Higgins’ decision. If it’s against the story, I’ll do as I said about your room rent and the fare to Cleveland.”

Pidge was up in her own room minutes afterward, before she realized that it had happened under that white lamp of Cobden’s “parlor.”

“A MAN’S a fool before he learns technic,” John Higgins said, as he leaned back from a manuscript the next afternoon. “He’s a cripple while he’s learning it. When he’s learned it and forgotten he’s learned it—he begins to be a workman. That’s the freedom of knowledge.... As for this Tunis story of young Melton’s—it’s a subtle sort of botch.”

Rufus Melton came to the basement entrance at seven. Even if Miss Claes had not gone out to dinner, Pidge would not have taken him upstairs. He looked older, his back had a curious droop. He glanced at her ruefully, and around the room. Pidge stood beside the table.

“Mr. Higgins didn’t care for your story,” she said. “It has happened unluckily all around.”

His head had bowed before she began to speak. His eyes came up to her now, full of contrition and pain.

“I think the hardest thing I ever did was to come here to-night. Only one thing made it possible. I’d have started west, only New York is a curious old dump.”

“You have to go north to go west. I mean the only way out is north, for a pedestrian.”

He turned slowly to the door as if in indecision, and Pidge watched. She knew she could make him take the money, but she wanted him to be ready to die first.

“There was nothing in the other stories, either—from Higgins’ point of view?” he asked.

Pidge was white. She felt like an executioner. “The package was mailed back to you to-day.”

For just an instant his head was bowed again, half turned to the door. Then he veered around and his hand came out to hers.

“It’s great to know you. I’ve heard about such people being here in the Village, but it’s—‘It’s fourteen miles from Schenectady to Troy.’”

“It’s a long way to One-Hundred-and-Tenth Street, Miss Musser, but it is easier than taking money from a girl.”

She breathed relief. “I came to fight it out here in[89] New York on the same terms you did,” she said. “You can pay me back.”

Now his back was toward her, his face uplifted. She saw his hand grope for the knob of the door, and his shoulders rock weakly. She caught his arm and pulled him back to a chair.

He had suffered her to lead him to a dining-room chair, and sat very still, his head tilted back, eyes closed. She took the little package of bills from her dress and tucked it into his hand. There were voices in the hall; a vague frown crossed his white temples.

“You are faint. I’ll go with you to a near place for something to eat. That’s all you need. Come—if you can walk a little way.”

He stood in a sort of confusion, holding the folded bills in his hand as one would hold a card.

They were in the street, her hand steadying him. They found a dim restaurant with a counter and a few tables. He did not speak until the waiter came; then asked for coffee. Pidge had taken the money and thrust it into his coat pocket. Now she was tormented with the fear that he would lose the small roll, not knowing that he had it. She had not brought her own purse. He would be forced to pay; then he would have to see what he had.

The girl who waited on the table looked devotedly into Melton’s profile as she served. Twice as he started to speak, the Sixth Avenue elevated crashed by outside and he seemed to forget what he meant to say. It seemed more true here in the restaurant than it had been in the house in Harrow Street, that he was wonderfully good to look upon. The realization held a small tumult for Pidge. She was altogether different with him than with any one else. They had finished, and still he lingered.

“I’m sorry. I hadn’t intended to come out. I left my bag upstairs. Will you please pay?”

While the waitress was away bringing the change, he shoved the rest of the money across the table to Pidge, but she pushed it back, saying quietly:

“I want you to fix up the room rent and get a night train west. We’ll say no more.”

They walked back to Eighth Street and over to the[91] Avenue, entering the Square that way. The sooty grass was soft and damp; the faintest trace of fog among the trees.

“You’ve got something on me,” he was saying strangely. “You’re not like a girl, but like a woman and a pal, too. You had something on me last night, or I wouldn’t have fallen for you that way.”

“When you get back to that Cleveland room—perhaps a real story will come of all this.”

His eyes were bright and the pallor of his face intense enough to be visible. She was conscious of his inimitable charm as his head inclined to her and she heard his words in the lowest possible tone:

That night Pidge lay for a long time without sleep. She was forlorn and troubled and restless, but underneath it all there was a queer little throb of happiness, like the recent night of the two letters. It would not be stifled. Every time she could get still enough, she was conscious of it, like the song of a bird that kept on and on, but was only audible in the lulls of almost unbroken traffic. She awoke in the night with the thought of him speeding westward on his train.

The next night when she came home there was another letter from Los Angeles, another check dropped[92] out, and a clipping, which she read first—the wedding announcement of “Adolph Musser, the noted metaphysician, and Mrs. Hastings, wealthy widow of the late Rab Gaunt Hastings, firearms manufacturer of New England, at the Byzantine,” etc.

Pidge didn’t have her guard up. The choke and the shame were too swift for her self-control. For the first time in many days the tears broke, the extra scaldy sort. If she had only been permitted to keep that first check uncashed for a few days longer!...

The next was a day of dullness and misery, a May day of rain. Crossing Broadway, as she hurried to luncheon, she passed Rufus Melton in the crowd. Her lips parted to call, but she checked in time. He hadn’t seen her. She found herself standing loosely in the traffic, her hand to her mouth, until a taxi driver roared at her, and she swung into the stream of people again and reached the curb.

PIDGE was leveled with personal shame. Try as she would, she was as lacking in the ability to detach herself from Melton, as from the influence of her father. She had felt the boy’s power over her, and knew innately that she would feel it again; that this sort of thing wasn’t a mere touch and go; that meetings like this, which appear sporadic on the surface, have twined roots beneath. She had been taught from a child that nothing merely happens. The incentive that made her lend him the fifty dollars, which she had held uncashed for nearly a month, did not mean to her now a mere impulsive mistake. It was a symbol of a giving to this boy—of a blind but eager something out of the depths of her heart.

Late in June a letter came to her from Dicky Cobden, who was at Coquihatville on the Equator, where as he said, “the sun’s rays fall as straight as a tile from a roof.”

... Oh, yes, you and Miss Claes knew a lot more than I did that night at Tara Subramini’s. I shot off a lot of words afterwards. Never again. But I’m going to stay with it, Pidge.... I’ve just had ten[94] days here in the jungles, back on one of the tributaries of the Kong. If I stayed long here, I would see it all as these exiled white men do; that God is a rubber man with ivory legs; that the natives are vermin, not only to be walked over, but to be stamped into the ground. They whimper so. It’s too hot here to be whimpered at.... I think so much about you. Of course, this isn’t news to you, but I say it, because it is so different from what I thought it would be. Something snapped when I got to the Kong.... All fat and decoration are sweated off down here. I reach out to you just the same. Only in New York I thought that we were both wrapt in the same sort of film, a tinted filmy sort of glamour that stretched out as we went different ways. That film was stretched too hard. When I reached the River it snapped. I think I’ll never get over feeling this awful isolation of being a separate creature from everybody, worst of all from you....

... Next morning in the office John Higgins called her in to his desk. “Dicky has sent in some stuff. We begin to publish in August.”

He took off his spectacles and wiped them on the flap of his necktie. His eyes looked watery, as if the light had run out in tears.

“I’ve always heard that the Cobdens were honest,” he went on, “three generations of honest men. They’ve built something, Miss Musser. Not a business, that’s well enough, but they’ve built a man. Listen——”

He opened the pages at random and began to read. It was like the stuff in her letter.

[95]“It’s so for pages and pages,” he continued. “Every word standing out, if you get the hang of it. No tint, no art; just words, pain-born, separate like boulders in a field. He has no hopes, yet he writes what he sees.... Something seems to have happened to our Dicky, besides Africa.... He watches the string of natives coming in with their tusks; he watches the crocodiles coming up to the blinding surface water; he watches the big monkeys that live in twos, and the little monkeys that live in troops. I don’t know what the world’ll get out of this, but I know what I get out of it——”

She saw that John Higgins was merely thinking out loud. A few moments later he finished:

“This stuff amounts to the most subtle and incredible rearraignment of imperialistic cruelty, but Dicky doesn’t mean it that way. He keeps repeating with devilish calm that it isn’t so bad as it was. It’s no particular nation, but all whites. He writes from the standpoint of a white man who remembers Cortez in Mexico, Pizarro in Peru, Warren Hastings in India, Cecil Rhodes in Africa and our own dear religious settlers bringing Yankee wits and rum and disease to the red Indians. He turns over the pages of all patriotic histories with a long stick as you would poke the leaves from the face of a corpse you had made yourself. His face tries to turn away; his stomach retches, but he knows each man and each nation must bury his own dead.”

“‘Something seems to have happened to our Dicky, besides Africa,’” Pidge repeated, when she was alone.

[96]Summer days in New York, sleepy stewy days. The low clouds made the nights hot. Pidge was used to the “high sky” of Southern California where every inch of shadow meant coolness, where cool night fell quickly no matter how hot it had been in the sun, where there were no afterglows, nor afterheats, and you wanted a wrap the instant the sun went down. The meaning of summer in New York became a cruel meaning, in the little room off the area. It gave her an astonishing grasp of what people suffered in the tenements.

Two weeks after the copy arrived from Africa, the galleys came up on the Cobden articles, and Pidge asked permission to take a set home to show two friends of Dicky’s in Harrow Street. John Higgins acquiesced. Pidge delivered these to Miss Claes and forgot all about it, until the next night when she returned to the house after dinner, and Miss Claes called her from the door of Cobden’s “parlor.”

Nagar was within and the galleys were stretched out under the light. Pidge had never seen Miss Claes and Nagar quite like this. They appeared happy over something they had found in Dicky Cobden’s isolation and melancholy—happy as in the news of a legacy.

“Why, don’t you see?” said Miss Claes strangely. “He’s pondering on Life! He thinks he’s reporting—when really he is giving himself to Life. The world stretches out before his eyes without glamour, stripped. He offers himself to it, but his writing contains a confession with the weariness of the ages on it, that he[97] has nothing to give—that he is a sham like all the rest. There’s not a self-pose in all his pages.”

“Richard is finer than we knew, Pidge. What happened here in this house has prepared him—always the wrecker before the builder.”

“You couldn’t have done differently.... Too bad he isn’t to see Mohandas Gandhi. Nagar has received word that the Little Man is returning to India. Richard didn’t go to Natal first.”

“He’ll be so sorry,” Pidge said. “It was Nagar’s story that drew him to Africa——”

“Dicky’s so deadly in earnest,” Pidge went on. “He sees what he sees the same at ten in the morning and at ten at night. His coming to Harrow Street didn’t mean a whim. His part that night of our Punjabi dinner didn’t mean a whim. Oh, but I’m so glad he hasn’t started out to save the world!”

“I feel so ungrateful for not missing him more,” Pidge added unsteadily, “for not being more interested in this that pleases you. I can appreciate, but oh, Miss Claes, I don’t belong to your way of seeing things. I’ll always be Dicky Cobden’s hangman, always hurting myself more!”

“Nothing matters to me but myself!” Pidge moaned.[98] “I’m hopelessly lost in myself—that’s what’s the matter! What room have I for Africa or the world? There’s more to me in the struggle of John Higgins not to get drunk—in the body hunger and body love of Fanny Gallup—in the lies of Rufus Melton! I can understand this world-service thing—oh, I can see the nations like chessmen on the table!—but I can’t fix Fanny Gallup or John Higgins, I can’t fix Rufus Melton. I can’t fix myself!”

PIDGE heard about the assassinations in Bosnia as wearily as of a murder in little Sicily. She heard rumors of war in Europe with ennui—how could there be energy enough left in the human race to make war? She met Nagar in the lower hall at Harrow Street on the evening that war became a fact. He looked like a dead man walking in the twilight. She didn’t see Miss Claes at all that night. The next day in the office war began to show its personal aspects to Pidge Musser of Los Angeles. John Higgins was hours late in returning from lunch. She saw that he wouldn’t be down at all to-morrow. He looked old. He had on a black frock coat, as if dressed for pallbearing, though his face looked as if he were about to be borne himself. The little office was fumy, sweetish.

Pidge lingered at the door to get any significance that this might have for her.

“The Lord gives and the Lord takes away,” he added, sitting back straight in his chair.

He removed his spectacles and reached for the flare[100] of his tie to polish them off, but no tie dangled to-day. It was a little black store-made bow, fastened with a clip over the collar button. Pidge still lingered, her hand on the knob.

“Blessed be the name of the Lord,” said John Higgins, “but it’s hell on us.”

“I need an audience, Miss Musser. I need a female ear. I need ladylike sympathy. It isn’t sweet of you to run off.”

“Dicky Cobden hasn’t written a line from the Kong that we can publish. We’ve cabled him to come in, though he’s probably started. You’ll recall that Belgium lies between France and Germany. She’s holding the Germans off from Paris, giving France and England a chance to get set. Belgium’s the world’s public square right now, the one vortexical spot on the face of the earth. Doesn’t it occur to you that even a new angle on her sins in the heart of Africa is about as much in time and place right now, as Paul Revere’s ride?”

[101]... Three weeks later, she heard that Richard Cobden was in town; that John Higgins had seen him the night before. All that day at the office she kept listening for his step and voice, but he didn’t come. His car was in front of the Harrow Street house, however, when she reached there, and a light showed between the doors from his “parlor.” She lost some of the sense of suffocation when she saw that, a curious gladness for a moment. She tapped the door with her finger tip, pulled the curtain aside ever so little and said:

A quick step in the inner room; then he was before her in the doorway, drawing her in under the light.

The boyish look was gone from him. He might have been taken for ten years older. The thing had happened that takes place abruptly in many Americans, more among business men than artists: Youth had been put away, its trace of divine humor exchanged for adult seriousness.

“John Higgins said that. They told me so at home, uptown. I feel different, but it isn’t an improvement. And you, Pidge, you’re taller. And John Higgins says you’re doing so well.”

[102]She kept thinking about the change in him. If this were selflessness, she liked him better before. He had been quite unselfish enough, she thought. She didn’t see the fight in him, because it was so subtly identified with herself. She only knew that he seemed without fight.

That was the beginning of strange days and evenings. They played at the old game of Comrades. Often they lunched together, occasionally with John Higgins for a third. At such times it seemed that they took The Public Square with them, subscribers, advertisers, contributors, policies. It was that curious time in America when the personal and national meaning of the European war was breaking through with all its paralyzing ramifications; when all who were sensitive at all reflected division and strife in themselves, as a deep leveling sickness.

Pidge was taken to the Cobden home, a new and terrifically complicated modern apartment in East Fiftieth Street, but the furnishings, the household ceremonials, the people themselves, suggested prints of New York interiors in 1870—respectable, established, grim. The gradual speeding up of the world for a half century to the explosive point of 1914 ended with the click of the key in this hall door, and you were in the world of another day, with a spinster aunt, a widowed mother, an unmarried sister, a slowly disintegrating[103] grandfather, and Dicky himself, not in a different guise at all—the same courteous, sincere Dicky, but now to Pidge Musser’s western eyes, utterly, revealingly comprehensible. This was the place that had made him. This was his reason for being.

Here life was life. Here was the family unit, the family a globe, all human society moving outside like the water around a bubble; a closed globe reflecting all else in curious unreality. Here three-score-and-ten was life, and a very long time. Life wasn’t a spiritual experiment, in matter; not an extension in matter of souls that had made innumerable such experiments, but straight work-a-day three-score-and-ten with oblivion at the birth end, and heaven or hell at the other. Here was All Time, in which it behooved man and woman to gather worldly goods and religious goods and love one another and hang together—for the rest was with God. Here senility was dear. The heavy-bodied, dim-minded grandfather was still grandfather, not the vanishing spirit of him. They would weep when the body passed. They would look to his place in the cemetery and say, “Here he lies.”

Pidge Musser wanted to scream, not at the limitations, but at the kindness which was showered upon her. They were ready to perform the great transaction of taking her in, opening their hearts and house to a maiden, who would bring respectable additions to the Cobden line—sharing wealth, well-being, gentleness, the Cobden name which had been kept clean and useable and virile, and the Cobden God, who stood on the other[104] side of death with angelic associates and rewards in His hands.

Pidge continually felt that her next word would ruin everything; yet they unswervingly regarded her as becoming one with themselves; the process of assimilation already begun. They were patient, knowing of old that a new maiden would have incrustations of the world to check off, inequalities to be planed down. They set about not adjusting to her, but as she fancied, assimilating her, as the changeless Chinese assimilate a weaker race, breaking down the foreigner in themselves. She would become theirs to them with the years.

“Oh, Dicky,” Pidge said, when they were in his car again. “I see. I understand. How did you dare to open those doors to me!”

“I spoke of you at home, Pidge. They wouldn’t have understood if I hadn’t brought you soon. They were prepared to open their arms to you. They have their laws——”

“But they are your laws. Dicky—how did you dare? Is it because you don’t know me, don’t see me at all? Do you see something which you want to see, that has nothing to do with me?”

“Myself—always and forever myself! Oh, don’t you see I have nothing to do with them? Why, you’re comfortable, Dicky—your people are comfortable! This is life to you—this, here and now! It isn’t to me. Life’s an exile to me, a banishment and coldness[105] and pain. In all New York there are not two such opposites. My God is far away. Yours is here—a Person.”

He answered hopelessly: “I can see how it would strike you, but I couldn’t cover up on account of that. I belong to them. I’m of them. Any front I might put on wouldn’t wear. You had to see us, Pidge——”

Another time she might have seen the fine thing back of those words, but she took such finenesses of Richard Cobden for granted, while he rarely could understand that she saw anything but his faults.

“It’s queer,” he said, in the same dull hopeless way. “I stand to you as the most staid and changeless person, but to my family I am dangerous, a fulminant. They love and trust me, but watch me with fierce concern. Already I’ve broken more Cobden convictions in twenty-five years than all my relatives in all their years.”

“You’ve let me understand too much for one Sunday afternoon,” she said in an awed voice, “and it feels colder and lonelier than ever before. I even see something of the coming years, Dicky. I see that it means Fate, when you say ‘yes’ or ‘no.’ I see that you turn to a girl to stay. I see you don’t cheat. I see that I’m volatile compared; that my honesty is a fierce effort, a deadly self-conscious effort, and yours is an established habit. I’m clumsy at my honesty. I love it[106] terribly, but it is still on the outside of me—something to attain.”

She sank back, laughing. “I wonder if it will stay as deadly clear as this?”

“I must. Oh, I must. Dicky, please open your soul and listen to me—hard, hard! While it’s clear, I must talk. You’ve chosen to be my friend. You’ve chosen not to take the easier course of hating me. I understand all that better now than the night of the Punjabi dinner.”

“I do, too,” said Cobden, and bitterness of the African rivers was in his words.

“Do I have to begin by saying how dear you are—how kind, how utterly good it is to know you; what it means to have faith and trust in one man?”

“But never forget it, Dicky. It’s the pedestal upon which everything’s builded. Always remember that I know you underneath; that I turn to you in trouble—not like a brother or father or lover, but what our word comrade means—what it will sometime mean to many people! That’s you. But, Dicky, because I know you—I can look away! Don’t you see—you’re like something done! Having found you, I can turn to other things.”

“I’ll try to see that, but most people find each other differently, to stay——”

“It’s because they don’t find what I’ve found. I don’t know what I want, only I know there are terrible[107] undone things in me, that other people stir to life. I’m lost in persons. Miss Claes and Nagar lose themselves in nations. You’re getting to be like them, but I see it all in the personal!... Listen, Dicky, if you were to get a woman to take to your house—one ready to go in and be a Cobden and a mother of Cobdens—I could love her! I could hold to you just as close, though secretly. I would expect you to be my comrade just the same—I mean just between us—never on the outside, perhaps. What I mean is, it wouldn’t hurt me—not the thing we have together.”

His car had come to a stand in the stillness of Harrow Street, but still they sat.

“What you mean is—you haven’t any place for me as a lover or a husband.”

“That’s like you, but that’s it.... Dicky, you mean to me something done, something found. I don’t dare to turn to you and rest. The savage undone things in me won’t rest! They demand experiences, life—and no one knows better, that they mean pain ... and oh—under your lamp—it’s horrible to tell it, but you’ll forgive me later, when you see that it had to be told——”

“Under your lamp—in there! He came about a manuscript. He was broke and needed help—all his stories refused. He asked to see me that night. Miss Claes’ basement was occupied. She sent him up. We talked. He wanted something, money, everything.[108] Under your light—he took me to him, his coat open——”

Cobden startled her, as he cleared his throat. The silence between them had been so deep.

“It meant nothing to him! He was used to it. It was only his way to get something—money most, he wanted. It was just as he might take a waitress or hall maid—used to having girls ‘fall for’ him. This is what I mean—though I understand him, a theatrical mind, a liar—life meant something to me that instant, that it never meant before. Something I must do, something calling—pain, but something I haven’t done!”

“Just that, Dicky, and oh, forgive me! I may not see him ever again, but something in me isn’t ‘over.’ I had to tell you—to be honest, to learn to be honest. You’ll be glad some day!”

IT was nearly a week afterward when Pidge heard sounds, not of meeting only, but of mauling, from over the partitions of Richard Cobden’s office at The Public Square. Her desk was now in John Higgins’ room. The racket was “young”—something of the sort you expect in a college fraternity house, rather than in the editorial rooms of a magazine of dignified social protest and short story ideals. John Higgins winced and glared. Now the stranger’s voice was upraised:

“You’re not seedy, Dick—you’re decayed! If Africa treats a man like that, I’m off the Sahara for life.”

Pidge heard this with something of the sense of personal arraignment. The ugly part was that it was true, and it hadn’t been the truth a week before. Dicky had been changed when he arrived, but the change since their ride home from his mother’s apartment in Fiftieth Street was more definitely disturbing. She found John Higgins’ eyes upon her and started guiltily. He leaned forward to whisper:

For once, Pidge did not altogether blame herself.[110] There had been no two ways about telling him what had happened under the light. She had been challenged to speak on their first evening together after his return, challenged every hour of the week afterward; and yet it was not until after the words were out, spoken in her particularly ruthless and unequivocal way, that she actually saw the power of their hurt.

In Africa Dicky had stripped himself of hope, in the most complete way he knew. Africa is said to have a way of helping a man in this. Doubtless he had winnowed this hope down to a semi-impersonal concept, that straight, clean devotion would win its reward. But Africa alone was one thing, and New York with Pidge was another. He had been entirely innocent of the possibilities of pain his heart was capable of.

Still they went out together. They tried, furiously tried, but the star toward which they had held their eyes, the star named Camaraderie, was for the present out of their sky. She tried to give herself in interest to his particular studies of world politics. His views had nothing to do with intuition or prophecy. Dicky gripped affairs on an academic basis of economics, and the only light he had to work with in relation to the turmoil in Europe was from the same friction that had furnished his sparks in Africa—the pain of his own heart. He told her of the delicate and dangerous adjustments between the nations, as he saw them; the organic play, the push and pull on every national boundary; the draw of Russia upon India, for instance; the grim hold of the British bulldog;[111] the interatomic play of India, Ireland and Egypt; the poison vats of the Balkans, the frowning menaces of the Levant. One night he spoke of Italy’s inner and outer stresses, and of her age-old hatred for Austria.

“And Pidge,” he said quietly, “you won’t mind my saying it, will you? I see it all so clearly when I talk to you. I know you’ll tell me that you don’t know anything about these things. You always tell me that, but you certainly make me know them better.”

And another time when they were going out together in the evening and she had come down from the upper floor with her wrap which he took for a moment:

“I’m sure you won’t mind, Pidge,” he said, “if I tell you that the little things you wear quite take me over. They actually hurt, and I never saw you look quite like to-night.”

This was the quality—more like the words of an older man; a touch of sentimentality upon them, as if he were diminished in her presence, something in him so whipped it did not dare appear on the surface. This was unpleasant to Pidge. The changeless want in his heart suffocated her at times; then her affection changed to revolt. She became irritable and uncentered, her temper hard to govern. She wanted freedom—freedom for something utterly undelineated, but freedom to Life (in Miss Claes’ meaning of that word of words) and she saw him in such times as one who stood in her way.

One night in the little upper room, in her own particular time of self-revelation, as Pidge lay on the[112] borderland between sleep and waking, she saw herself like an ogre, and Dicky Cobden like a terrified child in a great house, and she was driving him from one room to another, from one floor to another, to an inevitable cornering in the farthest wing.

Finally an early October evening, and again his car had halted before 54 Harrow Street. Pidge sat beside him, but Dicky had not opened the door.

“Pidge,” he said suddenly, “I’ve got to the end of my rope. I’m not making good. I’m all blurred on what we’re trying to do. It’s—it’s too much for me here.... I don’t want France or Flanders. I’m going into the Near East for The Public Square and a newspaper syndicate.”

“I knew it. I felt it coming, at least,” she said. “And I’ve failed, too, all the time. But, Dicky, back of everything, I know there must be somebody laughing at our seriousness and stupidity. We’ll see the puzzle straight some time. You’ll see.”

PIDGE MUSSER was ending her second year in the editorial rooms of The Public Square, when a short story came in from Rufus Melton. Meanwhile, his work had begun to appear in magazines of large popular appeal. This manuscript, called The Boarded Door, had doubtless not fitted into any of them. The chief thing about the story to Pidge was that her cheeks burned as she read.

This made her angry. Another thing, the story was so familiar to her. She seemed to be in and out of Melton’s mind, hearing his typewriter, understanding even his corrections. But also she saw what the author could not—his fluctuations of fancy, which uncentered the tale.

“He’s beginning to be read,” said John Higgins. “It’s not a bad story. We’d better take it.”

“It is not his best work. There’s a cavity in it,” said Pidge. “If it were by a new name altogether, we’d write the author suggesting that he work over the weak part.”

[114]“Don’t mind that. Rufus Melton can write. He’ll have his hour, but go ahead and scuttle the ship, young woman. We don’t care about pleasing our passengers.”

Back at her own desk, Pidge was smitten with the idea that she wasn’t being fair. In the course of reading Melton’s story, she had not once forgotten that he had failed to pay back that fifty dollars. Not only that, Rufus Melton hadn’t mentioned it; and he was said to be making money right now. She had to write the letter to Melton three times. Films of ice formed on the sentences and had to be skimmed off, in spite of her most rigid effort. She carried the sheet, signed by “The Editors,” to John Higgins, with a restless feeling that damage was done.

“That’s just like what Dicky Cobden would say,” he remarked, handing it back. “Send it along with the manuscript.”

Pidge wasn’t allowed to forget Dicky Cobden, though Richard, himself, was across the world and remained across, apparently groping to find the exact antipodes from Washington Square, New York. Between Miss Claes’ affection for him and John Higgins’ and Nagar’s; considering her occasional use of his “parlor” in Harrow Street and her daily use of his old desk in the office, to say nothing of the position she occupied through his kindness and care—no, she wasn’t being allowed to forget.

About the same time that Rufus Melton’s story came in to the office, a dingy bit of white paper came to Harrow Street for Pidge. It was like a paper you[115] would see in the street around a public school building. Pidge was awed at the unfailing magic of the post-office authorities, that the letter had ever been delivered. It was from Fanny Gallup, who had married Albert and left the pasting table shortly after Pidge’s change of fortune. Pidge had seen Fanny but once in the meantime, but had asked her to write or telephone in case of need.

Pidge found the hall designated in the third floor of a condemned building in Foley Street, and was directed to a door through which came the sounds of a crying child. Her knock was answered, and the caller gradually realized through the shadows that she was being grinned at. She smiled back, wondering if the shoeless creature were Fanny’s sister or mother. She wore no outer waist and a heavy plaid skirt that was splashed with wash water. An infant shrank into the hollow curve of her body, and another child sat wailing on the wet floor behind.

It was Fanny herself. Pidge had crossed the threshold to look into eyes in which hate and hunger moved in a narrow orbit; narrow like the wet spot on the floor, in which the first-born played. Tired back, draggled hair, merely a stretched and faded vestige of a girl was Fanny Gallup now. Laugh and street talk were gone for the time, at least; gone as Albert, the barber, as much a myth as ever, so far as Pidge was concerned, though the place hypothecated a male parent. These three remaining seemed purposeless bits[116] of life which a perverted scheme permitted to live on.

Pidge hated herself for becoming involved in the complication. For the moment, she hated New York that could not keep itself clean. No rent, no food, somebody else’s washing in the tubs, and the rags of Fanny and her children unwashed.

“... No, it ain’t no good to think of staying, Musser, because they’re tearing the buildin’ down.”

“Five weeks. But it ain’t no good to pay that, because I got to get out anyway. Gawd, Redhead, you look like a doll in a window!”

“It’s hard to get in with the two, and you’d have to pay a month in advance,” Fanny said.

“That’s why I sent the letter. That’s why they keep squalling all the time.”

She returned with her arms full of groceries, and went home promising to come back the next afternoon.

[117]“But they’re not clean!” Pidge moaned. “They are too sick to keep clean.”

“But there’s nothing Fanny can do, unless the two children are taken from her. I mean she’s held to the room with them now, and they’ve been crying so long that they can’t stop. They both cry at once, and she doesn’t hear them; they look and listen for a second and then go on crying. If one stops, he hears the other. The place smelled like a sty, and the packages of food I brought got wet and spoiled before they were opened.”

“Forget about them until to-morrow, Pidge, and then get a taxicab and bring them here. I’ve got a second-floor room toward the back.”

MISS CLAES standing by the table in her own room heard a step upon an upper stairway; not on the immediate basement stairs, but of one descending from the second to the first landing. The tread was deliberate. She heard it now in the hall directly above. Miss Claes moved to the door, her hand against her cheek; then back to stand by the table again. Now the step was on the basement stairs. A fire was burning in her grate, and that was the main light of the room, for the winter morning was very gray. The table was prepared for one—plate and cup of ruddy gold, a cutting of white hyacinth in a purple vase. The footsteps approached in the basement hall; a heavy bag was placed down outside Miss Claes’ door; then Nagar appeared, a dark hat and an overcoat upon his arm. He came forward, and the two stood together for a moment.

Nagar smiled as he sat down to the table. Miss Claes went into the kitchen and presently brought a pot of tea in a Chinese basket and a covered dish. She filled a goblet from the water bottle, and stood behind[119] his chair while Nagar ate. The house was strangely silent.

Nagar arose. They stood together again for a moment by the mantel. He spoke in Hindi, and she listened, like one already weary, hearing of more things to do. Not until she smiled, did he turn away. She did not follow to the door, nor look toward the window, as he passed up the steps to the street. After a long time, she stepped to the cabinet for a cigarette and lit it standing by the fireplace.

FANNY GALLUP was taking life easy. She had not been separated from her children, but relieved for the present from the hunger drive to support them. Pidge helped to pay Fanny’s room and board, but didn’t miss the fact that the main expense fell upon Miss Claes.

“There is a little fund back of me for just such cases, Pidge,” Miss Claes said. “I rarely divulge the fact, but there is no reason in the world why you should be inconvenienced.”

“Except that she called on me in her trouble, and I worked elbow to elbow with her for four months, and she pulls out the very devil from me every time I see her.”

“Your feeling of responsibility is what makes you what you are—I never miss that, Pidge. If you weren’t so hard and straight on all the tricky little matters of dollars and cents, you can be very sure I’d never tell you my secret of secrets, about the fund.”

“I’ll have to pay what I can, if only because I hate[121] to so. But I can never pay for bringing her to your house.”

Miss Claes laughed. “That is only the way you see it. Fanny isn’t heavy on us here. Not at all. It’s the dear, possessive Pidge that is hurt. Do you suppose I am torn by what goes on in the rooms and halls? Not torn beyond repair from day to day, at least. Fanny’s only a little more simple than most, a little less secretive.”

“She’s unmoral,” Pidge declared solemnly. “The awful thing is, she doesn’t learn. Life passes through her like a sieve, leaves its muck on her, and she doesn’t learn.”

Philosophy seldom helped Pidge; she had heard too much of it, and money was invariably a serious affair. In the California life there had never been enough money for all needs. Adolph Musser was unable to do without what he wanted, even though the immediate tradespeople of the neighborhood were frequently forced to. The metaphysician relied upon the Law of Providence to take care of them; and this had hacked and hewed into Pidge’s disposition; this had meant red war to her soul up to the last hour in her father’s house.

Here in New York the fight had been different. Even with Miss Claes mysteriously back of her from the beginning, she had faced, in her first few months in New York, the ugly candor of starvation. There was established in Pidge both from Los Angeles and New York experiences, a determination to fix herself unrockingly[122] on her own feet in a financial way; and now, just as she might have gotten a bit ahead, was the expense of Albert’s children, and the claims of their mother, which were getting to look as interminable to Pidge as a ninety-nine years’ lease.

Another trouble was that Fanny was beginning to show fresh traces of her sense of the “fun of the thing.” Her spine was stiffening a little with good food and rest, and curious little suggestions of starch showed in lips and hair and breast that had been utterly draggled. She was often seen hanging over the banisters; sure indication of renewal of life and hope. She didn’t weep over the departed Albert; in fact, Pidge Musser observed, as an added revelation of the hatefulness of life, that Fanny was back on the scene looking for a man—not earnestly, not passionately, but without compunction and entirely unwhipped. Fanny granted that she was nobody, that she never had been; but that was no sign why she should pass up anything that was going by. Pain and hunger were forgotten like a sickness.

One night as she was coming in, Pidge heard Fanny’s low laugh on the floor above, as she ran upstairs in time to shoo a lodger from Fanny’s arms in the doorway. Then she followed into the littered room and a light was made. The two women faced. The laugh remained unwithered on Fanny’s cheerful face.

[123]“That’s what you always want, Musser, always want me to keep rememberin’, just as I’m getting straightened out.”

The fashion of Fanny’s straightening out settled upon Pidge, as she looked around the room. Its awfulness was beyond tears to her, even beyond laughter.

“There ain’t going to be no other baby here, Musser. I ain’t nobody’s chicken like that.”

ONE day just as Pidge was finishing luncheon with John Higgins, she was startled to hear Melton’s voice. He moved around their table with a fling of his coat tails and held out both his hands. It actually sounded, though she never was sure, as if he said something like, “I’ve been looking everywhere for you.”

Pidge fancied a sort of rueful wonder on the old editor’s face, as he announced his haste to get back to the office, and bolted out.... She was recalling the baby carriage in Santa Monica. Melton’s face was slightly broader, she thought, and the poise of young success was upon it. One thing she had never known before was how remarkably well his curly head was placed upon its shoulders. The neck was not merely a nexus, but a thing of worth in itself, with arch and movement which made him look taller and intimated something light and fleet, touching memories which Pidge could not quite grip.

They were together in the street. Melton had asked her to walk with him to his bank. He seemed on both sides of her at once, his hand drawing her deftly this way and that through the crowd, his chat and laughter[125] in her ears, and an old indescribable weariness and helplessness in herself.

“... Sure, I could have hunted you up. In fact, I would have done it eventually, but I haven’t been in New York all the time; running back west to get my stuff up, now and then.”

“You see, it’s handy to my publishers, and my bank is only a square or two away.”

Pidge wished she could accept him for just what he seemed—the upstart American in literature. She wished to forget everything else, save the youth who said, in effect, “This is my bank, this is my solicitor, this is my publisher.” But she could not smile her scorn and pass on. She felt like the parent of a child showing off. Back of the tinkle and flush of these big days of his, which he seemed to be drinking in so breathlessly, she felt more than ever that thing about him which was imprisoned. A thing it was that called to her, kept calling beseechingly.

“I’ll never forget,” he said, speaking of the fifty dollars—“I’ll never forget that night, when I left you—and the fog in the Square. Everything was different, after that.”

“You didn’t go to Cleveland that night, as you said,” she declared, watching the curve of his black lashes.

[126]“Lucky, I didn’t,” he said. “God! How I wanted to! New York had me bluffed that night, before you came to the rescue.”

“I was up close to Grand Central with my bag, when the idea struck me—the idea that has since come out in the story series that has caught on. I could hardly realize that I had your money. I kept it in my hand—the hand in my pocket. That was a turning point in a life. New York had frightened me pretty nearly to death—the hunger thing, you know. All I wanted on earth was to crawl into that train for Cleveland, but it was as if you were calling on me to stay.”

She turned in pain and amazement. He was looking straight ahead and talking softly. She saw every twist and drive of his mind as he dramatized the situation unfolding to him. He was deeply absorbed in the pictures which his fertile brain uncovered one by one. It hurt her like the uncovering of something perverted in herself.

“Don’t go on like that,” she said. “You’re not working now. You are just walking in the street. You mustn’t make stories when you talk.”

He glanced at her sorrowfully, as one realizing in himself a truth so big that he is willing to wait for it to be believed.

“It is God’s truth,” he said. “That was the turning point in my career—that night—the night I turned back from the train. It was as if you were calling me, and it was as if the idea came from you. I knew I had[127] to stay on and do the work here, close to the markets.”

“I don’t blame you for talking that way. I expect to be misunderstood—not me, but the thing I stand for.”

She was hushed. Could he mean that he suffered in conscious conflict? Could it be that he was aware at all of that imprisoned thing she saw back of his eyes? He had halted, and now she turned again for him to go on.

“I hoped that you, you of all, might understand,” he said. “Why, it was from you that the whole thing started.”

He seemed actually to be making himself believe it. She felt herself trying to give him the benefit of the doubt.

“Do you know you’re changed?” he said, in sudden exultation. “Do you know you’re five times as charming? What’s happened?”

“It was the strangest shock, in the restaurant when I saw you. I knew it was you, and yet you’ve put on something—out of the ordinary.”

“The bank is just half a block. We’ve been walking in circles. I hadn’t a check in my pocket.... I wanted to walk with you anyway. Do you really have to get back to the office?”

“Couldn’t you—couldn’t we go down on the river or to a show somewhere? I know what you’re thinking: that if this meant so much to me, how could I let it go for nearly a year. But you’ll understand. You’ll see what I mean and what I’m up against. The thing was too big for me to rush in. I had to wait. But now that you’ve come, I can’t let you go.”

“To-night then. Couldn’t I meet you at The Public Square at five and have supper?”

“May I call for you at Harrow Street, say at seven, or before that? Say, couldn’t we go to that old restaurant where we went that night?”

This idea had come to Pidge before he spoke; exactly, perhaps, as it caught his fancy.

“Yes, I could——” Pidge cleared her voice, and spoke again above the roar of the street. “Yes, I could.”

Then because she had lifted her voice, she seemed to hear her own tones unforgetably, as if her soul echoed back the words.

But when they reached the door of the bank they found it closed for the rest of the day.

JOHN HIGGINS came up through the newspapers and magazine editorial rooms in those brave days when a typewriter did not always go with a man’s desk, but a cuspidor nearly always. Even yet, the editor of The Public Square tucked a piece of fine-cut between his cheek and lower jaw after breakfast in the morning, and forgot about it just so long as it was there. The fact that he smoked from time to time caused no inconvenience to the wad of shredded leaf. He complained of indigestion and gave himself wholeheartedly to various forms of diet.

He kept Pidge Musser close at hand during these trying war days. His former stenographer languished. John Higgins found a singular peace in working with Pidge and was innocent enough to discuss it. He was an old integer so far as women were concerned, never getting beyond the rare confession (when a few drinks ripened his mind) that he had had a mother once. He didn’t hate women; nothing like that. He had just merely walked around them as you walk around the shore of an ocean. He wasn’t born with a bathing suit and the idea of taking off his shoes and stockings made[130] him hoarse with fright. Pidge, however, had crept in through the business door, and John Higgins awoke to find her at his side.

Pidge found him like a somber relative of the elder generation, when she returned from her hectic walk with Melton that afternoon, but for once she could forget John Higgins easily. Twenty times in her mind, at least, Pidge went over the talk and walk with Melton, her face often turned away to the window with a sad but scornful smile. She thought it out with hard sophistication, all that he had said of receiving inspiration from her, but underneath she wanted it to be so; and deep among the secrets of herself, she felt that what he said was possibly truer than he knew.

Had he known that the bank would be closed? She would soon learn about that, for he had promised to bring the check to-night. Even if he didn’t, she could never forget that calling to her, back of his actor eyes—calling like a child of her own. New York whirled by below; the manuscripts were piled high in front and side. A Mecca letter came in from Richard Cobden, intimating that he might go to India. Even that did not arouse John Higgins, nor startle Pidge Musser from the painful web she was in.

Melton was at the basement entrance at seven. As Pidge went down to meet him, Fanny Gallup was coming up. They met in the second hall. Fanny stood in the gaslight, her arms open wide, her dress open at the breast, her eyes laughing.

“I saw him, Redhead. He’s a God-awful, that boy.[131] Don’t you bring no little baby to this house! I won’t stand for it.”

Melton wore a black cape coat, a dinner coat beneath. Pidge felt as if she had left all her light in the second hall. She was exasperated with herself for pushing past Fanny and not taking the joke gracefully, exasperated with Melton for togging up to come to Harrow Street, to take her to that old eating house. Couldn’t he resist showing off for just one hour?

Some awe seemed to have fallen upon him, or rather between them. In silence they rounded the almost empty curve of Harrow Street, and presently entered the crowds and lights and crashes of trestled Sixth Avenue. On the corner, as they crossed Eighth Street, Pidge heard a newsboy behind say, “There goes a movie actor.” Pidge deeply knew what that grimed child-face had seen.... It troubled Melton to find the restaurant, and she didn’t help, though she had located it a score of times since that other night. At the table, while they waited, he took a fifty-dollar check from his pocket and handed it over, saying that the real part of the favor he would try to pay bit by bit through the years.

“Because I’ll never get very far from you again,” he added queerly. “Find it very funny, don’t you? Sit there chuckling, don’t you? You can laugh, but it’s true.”

Now Melton began to ask for things which weren’t on the bill-of-fare. He told the waitress how things should be prepared and served—this in a side-street eating[132] house, that specialized in beans and encouraged counter trade. There were hard lines around the mouth of the waitress which Melton commented upon, as she turned her back. Pidge had a warning to hold her temper, and yet she would have died first.

“I’ve never worked in a restaurant,” she said, “but I’ve worked in a factory, and I know what those lines come from. They come from dealing with people like you, people who forget where they are, forget what they come for.”

“Because you don’t know that this is a place where they serve ‘eats.’ ‘Eats’ are cooked all one way. ‘Eats’ are served fast in business hours, and the waiters sit around and gasp the other times, trying to catch up with themselves. And you don’t know where you are, because you try to show these people and me that you’ve seen how it was done in uptown hotels.”

A trace of sullenness showed in his eyes, and then a warmth of almost incredible delight.

“It wasn’t for supper alone—that wasn’t why I fell into the idea of coming here,” she said. “You forget it entirely. You dare to come in a dress suit—here—here!”

“Listen,” he begged, “don’t run away with that idea. I thought we might go to a theater afterward. I didn’t think so much about where we were going as I did that I was coming to you. I didn’t have anything better than this to put on, and so I came this way.”

[133]A moment before it had seemed the most righteous and perfect thing under heaven to vent a few scathing remarks, but now she felt twisted and diminished. Long and religiously she had tried to keep her rages to herself. Neither spoke while the plates were being served, and then he said:

“I was horribly out of true, in telling these people how to do it, but I wanted it good for you,” he added simply.

She looked at him hard, but the intensity of her trying that instant kept her from reading what was really back of his eyes.

“It’s plenty good enough for me,” she said. “I came here once when I had only twenty cents to live on that day—I remember the stool, that fifth stool, I sat on. I spent my twenty cents all at once,” she added, “and the grub was so good that I could have wept in the arms of the woman on the other side of the counter.”

“No,” said Pidge, “it was before I got the job. I ate regularly after that.”

“Oh, way up in the other end of town. I labeled tins, salmon tins, baking powder tins, cocoa tins.”

“To get food. I sat at a big table with a lot of girls, and in the hours and hours, in the monotony of the days, I found out how easy it is to get hard lines around[134] the mouth. I learned to understand just enough to learn that I know nothing, and that’s a lot.”

“Just ramming around the world. I got in bad with an Arab sheik. It was while running away from him that I got lost in the desert.”

She saw his eyes kindle in the prospect of narration, his faculties forming a fresh tale, which she could not bear to hear that moment. She forestalled his fruitfulness.

“No, I don’t want to go uptown,” said Pidge. “I don’t feel like the theater to-night——”

“Wouldn’t you like a ride on the harbor? The ferries are empty this time of night.”

“May I come in? There’s so much to say. It’s just—finding you again—Pan.”

He didn’t answer. She felt a little better after that. She had thought it might be harder to have her way. There seemed always something he could not say behind his words. It wasn’t all lies. It became clear for a moment that he would follow after her—so long as she could run ahead; that he would only turn away and forget when she paused to breathe or play.

[135]“I feel strange,” he said in the silence of Harrow Street. “It is strange to-night. It’s like finding the house one has been looking for so long—the house, even the door, but not the key. Pan,” he said suddenly, “give it to me. Give me the key. It’s you—it’s yours——”

His strength was without strain, the strength that is effortless, the strength of laughter. He had taken her to him suddenly, and she dwelt in it, though resisting; something ecstatic, even in holding out.... She heard voices in herself and faces flashed through her mind—Cobden’s, Fanny Gallup’s—but her arms and shoulders and breast knew a terrible sweetness from his strength. It wasn’t hateful. It was like her own boy, not a stranger. His laughing face was nearer. It was coming to hers. In the dark she could see it, eyes and eyelids, curving nostrils and laughing lips. She knew something would die in her when it touched ... that she was dying now of the slowness of its coming. She ceased to struggle, and all that she had known and been arose within her to meet his lips.

She was on the second flight of stairs. She almost prayed that Fanny’s door would not open. She wanted to be in her own little room, the smaller the better to-night—no touch or voice upon her. The key turned in her trembling hand. She was safe, the door locked again. She stood in the dark. Her lips moved audibly:

RICHARD COBDEN moved up and down the Near East for a long time, looking for the men they had told him about in school and college—the men who make history, and are said to contain in themselves the greatness of their race. He sailed with sailors, talked with the diploma-ed talkers, rode with soldiers. He found men who would do for their countries what they wouldn’t do for themselves, but the energy of their fidelity to their countries was balanced by their enmity toward other countries. They gave themselves to the heresy of fighting one part of the human family for the alleged enhancement of another. It took Dicky a long time to change the brain tracks made in school and college, that the names of history might not be the names of men who walked with God, whose intellects pained from sheer power. Nor was he spared from the suspicion in all his discoveries, that he was the one who was wrong, that he had become softly insane in the midst of new ideas.

When he essayed the thing Miss Claes spoke of at the Punjabi dinner—he started something which he meant to live up to. The fact that it was harder than he[137] dreamed; an effort, in fact, involving dreary years, hadn’t broken his resolution so far. One of the terms of the Punjabi dinner covenant, for such it had become to him, was not to lose himself in the easy way of hatred, nor to help himself to forgetfulness by casting Pidge Musser’s image out. He knew that the “one” she had spoken of was Rufus Melton. Through months, covering two years, the figure of this young story-writer rose higher and higher in his consciousness, as the person of the Enemy, himself. It was Melton, all unknowing, who vanquished Dicky in his weaknesses, and at best was only kept at bay in his strength. Not to cast her out, not to hate; to know the slow, steady burning of the heart that is focalized upon a woman, and to realize that this woman may be turning to another!

There were really extraordinary days of service in Arabia with young Tom Lawrence, whose fame Dicky Cobden helped to make; desert days of camel back and Turk fighting; desert nights of smoke and tea in such starry stillnesses, that one almost expected the Christ to appear; then, after many weeks, mail at Mecca, and one letter from John Higgins, which was read several times:

... You have done several good things for The Public Square; but you never did a better thing than wishing Miss Pidge Musser on our editorial rooms. She’s brand new every morning. She’s honest, and a worker. She has brains and a whole lot of psychic viscera, sometimes designated as Soul.... Also she’s[138] a stenographer. Never whispered it until one morning when Maneatin’ Dollie was ill with the flu. My letters were piled up. “Give them to me,” she said. I did that thing, and I’ve been dictating my editorials ever since. It’s like talking to an intelligent audience. When I get opinionated and lose my balance, not seeing the other side of a question, this child sits up and looks disturbed.... I’m sending you separately our Brooklyn Bridge contemporary with a story called The Salt Pit. If it isn’t a little man of a story—I don’t know one. Hers.... Of course, you know why she didn’t give it to us. She thought I’d take it on her account and not for the story.... And still we stay out of the War. They’re sending over one big imperialist after another from London, trying to get us in, and all that’s flunkey in Washington, rocks—but so far, we’re only sinning commercially.... Give us more of the inky desert nights, Dicky, and young Lawrence.

Dicky reached Bombay from Aden in the spring of 1917. He was now on his way home, the long way around. He had told no one, but it had grown upon him of late that he could relish a bit of New York after more than two years. He coldly ignored in himself the tendency to thrill at the thought of seeing Pidge Musser again. He had made a bit of a name for himself as a reporter, but was known more as a first-class fact-getter than a feature writer among newspaper men. Facts were sometimes so bleak in his work that one had to possess real understanding and real love for honest materials to find the inherent beauty and order. His[139] knowledge of international politics was now granted by all classes of newspaper men, but he was known especially from his articles in The Public Square as one who exerted a steady pressure against America entering the war.

To be cool was said to be Cobden’s religion. The stuff that he wrote was cool and the words that he said. “I am a reporter, only,” he occasionally explained. “I write what I see, not my own reactions nor opinions.” He had come far in this doctrine, far enough to be trusted by white men of place in Turkey and the Holy Land, in spite of his curious scorn for war. He was somewhat slower now to get enthused over human actions than he was when he left New York; his boyish humor had become grim. He had seen the worst things men do, and written a few of them. Though he had been through as much hard riding in two years as any empire-building Englishman, he seemed to retain no personal relation to his adventures.

Other men talked about him, however. There was something about the American that made it easy for others to “sketch at him.” Tales of his far chances with Tom Lawrence in El Hejas, for instance, had followed him up into Turkey, but no one knew his tendency to nausea in a pinch.

Dicky had written a lot of big newspaper stories, but they were stories of the day. He had packed the films of tense and frightening and humorous moments away somewhere deep in his brain, to the end of massing them all into one—one day doing the Big Story, that[140] had to do with finding a Man. That dream had held since the day he first saw Nagar. But in his heart of hearts everything was a side issue—world politics, world wars, newspaper stories, magazine stories, even the Big Story of all—compared to the war in himself over a girl named Pidge. He still had night sweats over the name of Rufus Melton.... A quiet voice, a tired smile, a face darkened and dusty looking from exposure, even after a clean shave—out of this face, usually shadowed by a big cake-basket helmet of cork, shone a pair of steady eyes in a fine mesh of dusty brown wrinkles—Dicky at twenty-eight.

He had scarcely stepped ashore at Bombay when he heard that the States had entered the war. He touched the sleeve of an Englishman who was looking up at the promenade deck of the ship with eyes and mouth wide open.

Now the Englishman stared, this being the peerless rebuke. Moreover, he observed that the American had a sudden withered look, and presumed that he was a mere upstart person. Accordingly, the Englishman refixed his triple focus on the ship’s promenade deck, and Cobden tunneled into the bus for the King George. There he verified the news. He went to his room a bit whipped, quite a little bit whipped. He wanted to be alone. For two years he had written and felt for[141] America as only an exile can. He had believed in her luck and native horse sense in the midst of the mess other countries were making of their national lives.

Something snapped when he had been alone in his room for a while. It was Dicky’s romantic allegiance to the country of his school histories. For the present he was a man without national gravity, and a sick man since some hot, hard-held part of himself had been ripped out.

He had missed his mail in Aden and left word for it to be forwarded to Bombay on the next steamer. A cablegram from his newspaper connection, rewired from Aden, not only counseled him to make haste to double back to France (to be on the spot to greet the first American military arrivals), but accepted it as settled that there was nothing else for a man of his equipment now to do. The message was actually elate with the “doings” ahead, but Dicky Cobden didn’t see it that way. The fact is, he was sore, personally sore, at what had happened and didn’t care who knew it. The following ship brought his mail, including a letter from Pidge Musser, which he opened with an old and ugly fear, and in this letter the worst that he had ever feared fell upon him:

... Oh, Dicky, there is no other way. I’ve tried to dodge it, but it has to be told now, that I have taken Rufus Melton. Why did I do it? I don’t know, unless it is that I am evil and unfinished and answer to the evil and unfinished in him. He draws me terribly, but at[142] the same time, I am not deluded. There is never a moment with him that is not unmixed with pain.... I wonder if you can believe that I did not do this thing for happiness; that the happiest moments I have ever known have come from my work with John Higgins and my friendship with you? And can you ever believe that I am no farther from you now, in that mysterious comrade way?... Oh, Life is not like books, Dicky, not at all like what we are taught it is. I have a relation to him. I answer some terrible drawing need—like a child crying for me. But I have a relation to you, too, only different. You mean rest, something done. He means the unfinished. He brings a mirror to me, and says, “Look!” I want to scream, because the mirror brings out all my defects. That’s what his presence means.... This is one true thing, Dicky. The one who can rouse the most hell in your breast is the one to whom you belong for the time. At least, that is true to me.... Have I not been grateful for your stability? And have I not been proud for your moving so quietly up and down the East, keeping your surfaces clean for the world events to be pictured there without twist or falsehood?... A strange door was opened in my being when I was a child. In and out that door, whether I will or not, you often come and go. “He is my friend,” I whisper, “my friend”——and repeat it a thousand times.

LINE by line the thing was killing him. He got up and crossed the heavy red carpet to the hall door and turned the key in the lock. He was afraid some one would come in and find him. He had the strange power of partly seeing himself, as the sullen horrors of hatred and revolt boiled up in his breast. Vaguely, but quite well enough, he could watch the man called Richard Cobden in the dim hotel room, the shoulders hunched, the mouth stretched and crooked; unable to sit still, the face wet with poisonous sweat.

The love had gone out of him, and with it, all the light he had. He thought he had known pain and loneliness since leaving New York, but all he had known was humming content compared to now, because there had been a laughing idolatry for all her ways and words, a reliance upon her that he had dared to call absolute. “Understand, understand!” she had cried all through the letter.... Oh yes, he could understand. She wasn’t what he had made her out to be—that was clear enough. He had built upon something which wasn’t there. He had believed her to be—built into himself the conviction—that she was the honestest thing alive, and here she was——

[144]His thought shot back to the night of the Punjabi dinner. That little basement room was devastated before his mind, the table overturned, the face of Miss Claes a mockery, the face of Pidge Musser—that of an American girl found out. Into the center of his consciousness was now flung his old promise not to hate.... He heard his own laughter. He saw his own stretched and twisted mouth from which it came. Like a couple of sly schoolgirls, they looked at him now—Pidge and Miss Claes—slyly pulling together and duping a fat boy....

He saw his room key upon the table. Number Five, it was, the fifth floor. He looked around the dim papered wall—whitish-red like the pulp of raspberries—the deep upholstered chairs, the seats slightly crushed, the full-length mirror, the ash tray, the silver flask on the writing table, his own things here and there orderly enough—all but himself, a sort of maniacal Mr. Hyde. Number Five. He would remember this room where he had fought it out, too, about America entering the war. He poured brandy into a whisky glass. The stuff eased him a little. It made the pain all the more poignant, like a stove getting hotter, but also it seemed to give him the power to move back a little from the stove.... He stood up in the dark and shook himself.

In the light of a match, as he lit a cigarette long afterward, he saw the rest of his mail on the table, one letter from Miss Claes. He couldn’t get head nor tail out of[145] that at first. She seemed to be talking about something he had said about finding a Man. Oh, yes. He had written from Mecca, mentioning Tom Lawrence and his search for a Man. He snickered now at himself through the fogs of his own past and present. Then a line seemed to stand up before his eyes. “... If you go to India, go to Ahmedabad. Nagar is there. You are in danger of finding your Man.” Later that night, still in the dark, his back straightened. He laughed and said aloud, failing altogether for the moment to see the absurdity of himself.

“Number Five—queer little old musty room, I wonder who died here?... Good night, Pidge; good night, dear America—grand pair to tie to!”

The next day he cabled to his newspaper connection that he was not returning to France for the opening campaign, at least; and wrote to John Higgins that he didn’t expect to send in much stuff for the present. “I may stay awhile in India—just looking around. She smells like a typhoid ward, and needs orderlies.... I’ll, of course, let you know what comes of my spectating.”

Still he did not start at once for Ahmedabad. He locked himself in Number Five through the days and walked the streets of Bombay at night, walked like a man in a strait-jacket. He wasn’t conscious of this at first, until he began to feel an ache from the tension of his neck and shoulder muscles and tightened elbows. When he forced himself to relax, however, the torture of his thoughts was accentuated. He had been holding[146] himself rigidly to help fend off the destroying rush of mental images. He walked himself into one sweat after another for the nights were hot and humid. The point of all his fighting was to keep Pidge Musser out of mind. Of course, he could not succeed. She came in by every door. She came in softly, she came in scornfully, she came in singing, scolding. Mostly she came in saying, “Why, don’t you see, Dicky, I am nearer and clearer than ever?” Then it was as if an isolated bit of shrapnel would explode in his brain.

His whole fabric of world politics was demolished. It looked to him like a tapestry that has been hooked up out of a sewer—all that careful weaving and balanced pigmentation! Before the day of the letter he had prided himself that his building in the past two years was good and strong. Now he faced the pitiful discovery that every block of his building had been placed upon this platform: That even if he couldn’t have her, no one else could. This smelled to him now. Forever after, it smelled to him like the sewage lanes of old Bombay.

Dicky had a good body. After two weeks his physical vitality began to steal back. The love was gone, but out of the debris of Subramini’s Punjabi Fireplace, the face of Miss Claes came up faintly smiling again. Another letter came from her, which he read in dismal irony several times on the day before he took the train for Ahmedabad—the last day in Number Five, with its wall paper of raspberry crush. He couldn’t make sense out of the letter. She seemed to love Pidge, even[147] to respect her. Miss Claes wrote, “It gives me quiet joy to know that Nagar is near you. It will be good for him and good for you. A great dearness for you both goes from this house, as you sit and walk together.” Miss Claes also repeated in her letter that “love never faileth”——

All very pretty and possible, no doubt; it sounded good, but it was no longer his sort of a project. This wasn’t for the product of three generations of hardware merchants and manufacturers. Funny, he thought, how he had ever accepted visionary stuff like this. He would write Miss Claes some time how he had failed, but not now. On the night train, he felt India closing about him really for the first time. Once when the train stopped, he smelled the altogether indescribable earthiness of hills that had been sun baked all day, now letting it be known through the moistness of the night. It was vaguely like home to him; not home in America, but home on earth again, the faintest symptom of his reallegiance to life here, only known to one coming up out of sickness. In the early morning he lay for a while after awakening in a sort of bodily peace. It was as if he had really rested a little, as if he had left behind some utterly miserable part of himself in the red room at Bombay.

“A bit questionable,” he muttered whimsically, with the trace of a smile, “a bit shabby and questionable to leave a bundle, a black bundle like that, in Number Five—for some one else to stumble over.”

He fell asleep again and reawoke with a curious[148] sentence on his lips; something that he had forgotten a long time, something that Miss Claes used to say: “Nobody knows Nagar—nobody.”

“Nobody ever will,” he added, “if he doesn’t talk any more than he used to.”

Again at breakfast the faintest little quiver of organic ease stole into him. The earth was very bright outside and the pot of tea that had been brought tasted actually sane. He had the feeling of being on the way somewhere, of having escaped something, as he watched India slip by from the window of his compartment.... Then Ahmedabad, the station, a Hindu in white garments, almost taking him in his arms—laughing, talking like an American—Nagar talking!

ONE Sunday morning about three weeks after the luncheon with John Higgins, during which Rufus Melton came to the Chop House, Pidge found Miss Claes alone in the basement front.

Pidge regarded her with a kind of cold fixity and added: “We were married night before last. Rufe seems willing enough to come here. I hate to leave this house, but I didn’t think you had the rooms.”

“I know how fond you are of Dicky Cobden. I haven’t hoped any one could understand.”

“How could I expect you to understand me, when I can’t understand myself?” Pidge demanded. “I am two people, and they are at war.... No use lying about it. I fell for him, knowing him all the time. Not[150] for a minute did I lose track of what he is. But I wanted him. Something in me answered—that’s all.”

“Think, if you like, that it’s part of the evil in me that talks this way about him, but I am talking about myself, too.”

“You could never see all this clearly—without ‘falling for’ him, Pidge.”

“I mean it would remain a hopeless, unfinished puzzle—if you had run away from Rufus Melton.”

“I couldn’t run away. I wanted him,” Pidge repeated. “But there’s another side. There’s something in him that I seem to have known from the beginning—something like a little child that I left somewhere ages ago. It keeps calling to me from his eyes, and I leave everything to go to it—everything that Dicky means and the world, even writing—I leave all that. And yet when I go, when I go to his arms, I lose the purpose. It’s as if the child that I run to—the irresistible thing that calls to me from his eyes—stops crying and stops needing me! Then I suddenly know that it must need me and not be gratified, ever to be helped. Oh, no one on earth could understand that. It’s insane.”

“Because I have loved like that, because I have had experience. I loved an English boy in the same way—oh, long ago. I love him still, but I could not stay with[151] him, because he—why, Pidge, it is just the same. He needs to cry for some one, for something, otherwise he remains asleep in life.”

“What I’ve lived through should help you. It was the hardest thing I’ve ever known—that I couldn’t forget everything and have him, just two alone in the world. But when I went to him, he was satisfied and looked elsewhere. I almost died of revolt.”

Pidge’s eyes were very wide. “And when you didn’t go to him?” she said in slow tones. “What happened then?”

“It was then that he remembered and reminded me that I was half-caste. Also he looked elsewhere, just the same.”

“Nagar means the other world, Pidge—a new heaven and a new earth. He means the not-wanting love, the willing-to-wait love——”

“I’m not like that,” Pidge said with old bitterness. “I want love in a room! I want to shut the world out. I don’t want the love of the world, but love that’s all mine. And I can’t—I can’t have it!”

Miss Claes glanced at her wistfully a moment, her lips faintly smiling. The girl’s face had never been so lovely to her. It was like land that has had its rains after long waiting—soft blooms starting, an earthy[152] sweetness rising in the washed sunlight. The beginnings of both laughter and tears were in Pidge’s wide eyes; her red-brown hair, from which the henna was long forgotten, had an easy restful gleam in its coils.

“Why, Pidge,” Miss Claes said at last, “you’re like one who has been born again. It’s wonderful. I had almost forgotten what that love does to a woman, at first—for a little, little time.”

“... Rufe brings the fight to me, makes every undone thing rise and live! He brings the most terrible disappointments, the crudest disorder, yet that which would pay for it all, if I were just a simple peasant woman, is denied. Why can’t we shut the door and just live? Why can’t there be a kingdom for two?”

The form was soft and gliding in Miss Claes’ arms. The square-shouldered little figure of the mill and office girl had become almost eloquent with its emotional power. After a moment Pidge straightened, her face staring into Miss Claes’.

“I can only say, Pidge, you are called to learn the next step, the next lesson in what love means. You want the love that has two ends, but the Triangle is ready for you. Oh, many are learning the mystery[153] of the Triangle. It hurts so at first, but it lets the world in—the bigger meanings of life.”

Pidge shivered again. “Is it blasphemy,” she asked, “that I feel just as close to Dicky Cobden—as ever?”

“Oh, I don’t want to leave this house, Miss Claes. He says he’ll come here, too.”

“I’ve been thinking of putting a bathroom on the third floor. There’s a tiny empty room like yours across the hall. The bath shall be installed there. You know I’ve kept Nagar’s room empty. It is pleasant and larger than yours. I’ll have a door cut through the partition, and with a bath across the hall you will do well enough for a time.”

“Do you think—can it be possible that Nagar will help him—as you help me?”

THEY were ensconced in the two upper rooms. Pidge kept up her work at The Public Square, and did not come home for luncheon. She had told John Higgins of her marriage but the subject was not mentioned afterward. The old chief vanished for three days following the news, and when he came back there was a new dignity on his part for Pidge to cope with. She found her position a trifle uncentered. His old stenographer took his letters, and he wrote his editorials on his own machine as aforetime. John Higgins said little, but found flaws in her judgments that had not appeared before. He no longer risked availing himself of her entire equipment; this change being apparently on the basis that he dare not get used to it all over again. He seemed to hold the idea that it was only a question of days at most before a married woman would forget place and town entirely and rush off to pick up pieces of wool and thread for a nest.

Pidge had built so much of herself into her work that there was emphatic pain in the new conditions. She needed the work more than ever now, but The Public Square was falling into sorry days and ways.[155] There was nothing to say but War, and if you didn’t like War, didn’t see the divine uses of War and say so, you had better say nothing. There was no field in the world at this time for a magazine of dignified or any other kind of protest, and in the steady loss of money week after week, the struggle became one of great simplicity—to stay alive.

“Higgins is a rotten old knocker anyway,” said Rufus Melton. “This is a time for Americans to stand together and not criticize the government. He never did pay any real money for his stuff, but was always ready to tell you where you fell down. They’re telling him a word or two now.”

Rufus vibrated between a depression when his stuff wouldn’t come through and an exaltation when it did. He was quite sincere in his industry, but slept late in the morning. Pidge was up and away four mornings out of five without waking him. Sometimes Rufe decided to eat his “big meal of the day” in the middle of the afternoon, in which case Pidge supped alone. He was slow to get his work started, so that it was often evening before he got “all of himself working at once.” Then he was apt to stay with it for several hours, in which case Pidge could sleep if she got a chance. Occasionally he found that he could dictate a bit of first draft and Pidge undertook at first to help him in this way, but when she perceived that it didn’t occur to him, in the flush of his evening powers, that she had worked[156] all day and must work to-morrow, she decided to stay off his night work.

“I can’t, Rufe,” she said one night on the way to bed. “It’s so fascinating to practice napping in the hushes and rushes of your machine.”

“It will interfere with your work session if you lose your temper. Of course, we’ve got the whole upper floor to start something in, but we must think of your story.”

“Yours, Rufe, by all means. A fine patriotic short story at any price. But I have a job to look after, and I can’t give them a red-headed somnambulist to-morrow. No, I’m going to sleep, but I do hope you get the American flags waving all right in your story.”

“You’ve got me, dear, and don’t forget to have the hero come through with, ‘My country right or wrong.’ No girl can resist that—or editor. Good night.”

Rufe was rarely rough. He didn’t overtire or over-stimulate himself, so that his temper could easily break corral; and at its worst this temper wasn’t a man-eater. Rufe’s nervous system was cushioned in a fine layer of healthy fat, and therefore didn’t flog itself to madness against bare bone and sinew. He was merely involved in himself entirely, which makes any man naïve.

Pidge wasn’t missing any of the petty dramas of her[157] present experience. When she came home the first time to find that he had already had dinner, something flew out of her into space in a frantic search for God. When she realized that he saw nothing but undisturbed equity in the idea of using her for his own work purposes half the night, when she was contracted to The Public Square for the days—another output of herself was loose in the solar system. When she came to understand that the tens he was earning were mysteriously his own, and that her ones were theirs—another day, at least, was spoiled for her in the editorial rooms.

Rufe thought her extremely selfish. So had her father. “Two to one,” she said. “They’ve got it on me. They’ve got it on all of us. This is their world.”... She thought of all this bitterness and bickering taking place in Nagar’s room, which Miss Claes had saved for weeks for a sort of sanctuary of her own. Mostly she was hurt by the deadly parallel of this life, with her life in Los Angeles and vicinity. To cope with this American story-man, she was forced to draw out and readjust and refurbish the old hateful mechanism that had formed within her during the nineteen years with her father. She knew how. The mechanism worked all right, but the sense of the hateful thing resuming activity within her was far harder to bear than the racket of Rufe’s typewriter when she was trying to sleep.

The fact that Rufe Melton was entirely cut off from the play of her real powers; that he thought her ridiculous, and said so, when she gave any notice of holding[158] other than the standard American points of view on politics and religion and social ethics; this was not so serious a breach between them, as it would have been to a woman who had not come into so startling a reaction as Pidge had, against the whole system of knowing and not doing. All the knowledge that really mattered to Pidge was that working doctrine which doesn’t announce or explain, but shows itself in living the life. She was very sad, and continually sad, that she had to work upon Rufe the iron of irony, the stab so subtle that it astonishes before it hurts, and the self-control which disarms.

Sometimes Sundays or in unexpected periods of leisure they had moments of actual delight together. This occasionally happened when food just pleased him, or when an acceptance from a magazine arrived at a price which he considered adequate. (Rufus never neglected the price of his things, as an indication of his getting on.) He uncovered a real levity at such times, and their talk didn’t walk merely, then; it danced.

“We’ll go up to Harlem,” he said one Sunday morning. “I used to live up there in the colored settlement——”

Figuratively speaking, Pidge waved her hand before her own eyes to shut out the critical negatives which always arose when Rufe told of living somewhere. They went and stayed gay. When he turned from her innocently to consult a policeman in Harlem, she checked the first and last, “I told you so.” They found yams that day—yams freshly arrived from Georgia,[159] and coffee said to be parched and dripped according to an ideal of New Orleans first families. These satisfied Rufus, and still they stayed gay. Even his, “I could take you around to a lot of queer dumps in this man’s town,” didn’t upset anything. Altogether that day was memorable.... Once in desperate fatigue, when there were moving dark spots before her eyes in every ray of daylight, Pidge cried to Miss Claes:

“But he is lost to everything, entirely oblivious to everything but himself and his work—his stories, his fame, his winning his way!”

“I know, Pidge, but the world is on top of him yet. He is fighting his way up and out. Romance can’t be entirely satisfying, you know, when it has ambition for a rival. You’ve told me something about the thrall of a book in yourself—how engrossing it is.”

“That all goes out of me when I’m with him,” Pidge said suddenly. “I never thought of it before, but all that old agony to produce another book that I used to feel is gone. I seem to let him carry all that.”

“Yes, and it isn’t all sordid—don’t think I mean that, Miss Claes. Sometimes when he’s satisfied with his story, so that he can forget it, we have such good times. He’s such a playboy, such a playmate. Some old terrible longing comes over me when we are close like that, just to be like one of the Mediterranean women, who know nothing but to replenish the earth. But it doesn’t do to dwell on that,” Pidge finished with an impressive[160] quietness of tone. “One thing I learned rather well, before it was too late.”

“That this isn’t the time or place for us to bring a little baby into the world.”

NAGAR was changed. On the day that Richard Cobden reached Ahmedabad, he encountered one of the surprises of his life. It was like meeting a man out in the freedom of the world, whom one had only known before in prison. Two years in the East had sharpened Dicky’s eyes to note something in Nagar’s face that he had been unable to detect before. Dicky called it cleanliness and calm, but this brought up the old difficulty which he never missed in his work of writing—that at best, words only suggest, only intimate.

In America Nagar had looked dark; here he looked fair. There he had moved in and out as one of the colored men; here he was one of the elect. There he had lived in the midst of silences and mysterious inhibitions, diminished by the garments of Western civilization; here he was white-robed in the sunlight, like young Gautama in his father’s garden. Of course, Dicky knew that the change was more substantial than that of garb or place. He could only repeat that Nagar seemed free in his own mind.

In the first few moments at the station in Ahmedabad, Dicky had himself felt unwashed and unwholesome,[162] as no man ever made him feel before. His hand went up to his chin. Yes, he had shaved that morning, but realizing it did not help much. It wasn’t the grime of travel that hurt him, but the smear of his recent mental and emotional overturning, the ugliness of all those days in the red room at Bombay, and the sense of failure and loss he lived with constantly since the coming of the letter from Pidge.

“... And the Little Man is actually here in Ahmedabad, and not a myth?” Dicky had asked, as they drew out of the crowd at the station.

“Not only that, but you are to go to the Ashrama now, if you will. He is eager to have you come.”

“Thanks, I should like that,” said Dicky, “but I think it would be better for me to follow the usual course of a foreigner and find hotel quarters.”

The Entresden was not crowded and Dicky obtained comfortable quarters in a northeast room where the upholstering was covered in clean tan linen, and the punkahs showed signs of life immediately upon their entrance. Nagar prepared to leave as soon as Dicky sat down in the air crossing between two shaded windows.

“I will come for you this afternoon if you wish to go to the Ashrama to-day,” he said. “It is some distance from the center of the city.”

“Stay and we’ll have it here. You’ll pour the tea like the old days in Miss Claes’ room.”

Nagar’s face was in the shadows, but there was a soft shining as of polished silver in or around his eyes. At times, shutting his eyes as Nagar spoke, Dicky could almost believe he was back in the basement at Harrow Street. The way Nagar said to him, “my friend,” was almost Miss Claes herself. That was the poignant part of finding the Oriental again; that he brought back Harrow Street—even moments under the white light. The day would have been joyous but for the aching emptiness of heart. Dicky asked tirelessly about Gandhi, especially since it gave him such a chance to study the new Nagar.

“Mahatma-ji has burned away all waste,” Nagar said at length. “He has narrowed himself down, body and mind, to an almost perfect obedience—self-control. He measures action to all his words. The best he knows, step by step, he performs.”

“Here in India—of his work in South Africa. I went there to know him better—followed the gleam, as you might say. I stayed four years. It was he who encouraged me to go to America to study more of the spirit of the West.”

“He believes that politics cannot be successfully divorced[164] from religion,” Nagar said. “His message always is toward the spiritualizing of India’s political life and her institutions. The spiritual predominance of India, which he idealizes as being the real destiny of India, can only be effected by her rebecoming herself, by the return of the Motherland into herself, by her ceasing to imitate all the ways of western civilization.”

“But if she returns into herself, making her own goods, cutting herself off from all institutions of the present government—England will be done for here.”

“I’ve heard that every turn of a spinning-wheel in India takes part of a turn from a power loom in Manchester,” Dicky added.

“It is very good to have you here,” Nagar said later. “Mahatma-ji will also be glad. He has asked much about you and believes that you may be a means of making many in America understand. It is a saying with us here that ‘to understand is to love.’”

“The work you will do for us in America will be the better for that. The more reason and rationale you bring——”

“Evidently it’s easy for one to go off his head where Gandhi is,” Dicky said.

“I’ll keep a stiff bridle arm. Say, Nagar, have you stopped to think how I happen to be here to-day?”

“One hanging sock. It was that which made me go out into the reception room in the first place, that day you brought the story to The Public Square. I heard the office boy say to J. H., ‘He keeps pulling up his sock.’ I went out to see. So that’s what made me go to Harrow Street, and meet Miss Claes and the rest and go to Africa, and come here. I believe that’s what started the World War.”

Nagar laughed. “I always had such trouble in the early days with American clothing. I would get one part working and another would give way——”

“But, Nagar, what made it so imperative for you to have the two hundred that day?”

“A ship was leaving within twenty-four hours for the Mediterranean to connect with South African ports. Mahatma-ji was greatly in need of funds to carry on his work.”

“I was ill from strain—self-consciousness. It was one of the hardest things I ever had to do—to stand up against America in the office of The Public Square.”

“You certainly put it over. But what made you so silent in New York? It’s an actual shock to find you chatty and human, like this.”

[166]“Certain of us in India are trained differently from American ways. You perhaps have read that in the Pythagorean schools, a period of silence was enjoined among the young men. It was so in my training. We seek to silence all opinions, all half-truths, all thinking, in fact, in order to Know. We postulate, of course, a center of Spontaneous Knowledge, or Genius, above the mind. To learn obedience to this, one takes a vow of silence——”

“Ah, I remember! Pidge—Miss Musser—I mean Mrs. Melton, told me something of the kind!”

COBDEN heard the voice before he saw the man. Standing in a darkened hall of the bungalow, spoken of as the Ashrama, the voice of one speaking English in easy cultured tones reached his ears. When the door opened, he saw several native young men sitting upon the floor and a wasted Hindu figure in the center—a little man in a thin turban more like a skullcap; a homespun loincloth, his bare feet beneath him upon a mat of coarse cloth, a rough pillow at his back. The young men about him had risen, but the central figure merely lifted and extended the hand.

“Mr. Cobden from America,” Gandhi said. “Nagarjuna has made us eager to welcome you.”

“If you don’t mind, I’ll try sitting on the floor, too,” Dicky told the latter. “I’d feel perched with Mr. Gandhi sitting below.”

The Mahatma smiled. “I quite appreciate,” he said. “I hope you will find in India the same kindness that you gave Nagarjuna in New York.”

Dicky had expected power; he found composure.[168] His idea of power was perhaps in part a hang-over from a boyish ideal of a certain American financial executive. Nothing of that in this room; rather he was conscious of Gandhi’s frailness and smallness. This presence called forth impulses to be tender, to lower one’s voice, to hurry to bring anything wanted. He was shocked a little at the twisted, battered look of the features. The lips looked pulpy in parts and did not rest together evenly. The smile was curiously slow—tentative, like one in whom understanding dawns. Back of the iron-rimmed spectacles and tired eyes, so inured to pain, was the essence of fearlessness. This was the first commanding characteristic to the American.

“... Fear,” Gandhi was saying, “fear of death makes us devoid both of valor and religion. There is no place for fear in the Satyagrahi’s heart.”

“One who is devoted and pledged to truth, to Satyagraha. I coined the word, to express our purpose in South Africa. Satyagraha is the use of Love-force or Soul-force.”

Curiously, Dicky felt the cleanness of the house, the peace of it, the humming of a charka in the next room, a symbol of that peace. He felt Gandhi’s face growing upon him out of the shadow, a face that had been dried cleanly by many suns, the features fashioned by a life of direct, unpredatory thinking—the face of a man incapable, even in thought, of hitting below the belt. And now, there was to go with the hum of the charka, the[169] faint fragrance of dried fruit in the air, or that sweetness one breathes in the altitudes where the sun is shining upon the great conifers.

“The world has talked much of the omnipotence of God,” Mahatma-ji went on. “India, at last, is preparing to put her faith to test. Passive resistance has been called the weapon of the weak; if this is so, the Soul is weaker than the flesh. Passive resistance calls upon its devotees to endure great suffering, even martyrdom and death. Those who believe it is too difficult to carry out do not trust the Soul. They are not moved by true courage.”

There was no pose nor show, no straining for force, rarely an adjective or simile, no shadings of sense—a direct approach, inevitably direct. Dicky felt suddenly hopeless of ever understanding such directness. For the first time in his life, he realized that all his training to live and to write was less than straight. He had been taught half-tones, shadows to accentuate lights. Here was directness.

Gandhi resumed: “It is the sacred principle of love which moves mountains. To us is the responsibility of living out this sacred law; we are not concerned with results.”

“There is not for us. Anger is the misuse of force. Anger in thought is an enemy to clear thinking, to understanding. To understand is to love. Anger in action tends to become violence, and violence is the[170] negation of spiritual force. In fact, only those who eschew violence can avail themselves of their real powers. Only those who realize that there is something in man which is superior to the brute nature in him, and that the latter always yields to it, can effectively apply this force, which is to violence, and therefore to all tyranny, all injustice, what light is to darkness. For the exercise of the purest Soul-force, prolonged training of the individual Soul is an absolute necessity.”

Just now Dicky was contending with the feeling that he was in the presence of an evangelist or healer. He had difficulty for the moment in recalling that Gandhi was world-trained; a lawyer of London’s careful making; an opponent of governments in South Africa; a man found powerful enough in his own person to be reckoned with by the established laws of men of high place.

“We have many things to ask of England,” Gandhi said, “and she has promised us her attention, as soon as her present difficulties give her freedom of heart and hand to attend our wants here. To press our wants now, or to force our desires upon England in her crisis in Europe, would be taking an unfair advantage. So this is a time for us in India to cleanse and prepare ourselves for future action, sacrifice if necessary——”

At one moment Gandhi’s face was dull and unattractive as a camel driver’s; again it shone with a high clear calm, like the ideal most of us have of a saint or a priest. Now the instant came, as the words stopped, that Dicky seemed to be looking into the Indian face[171] actually for the first time, and Gandhi was looking into him. The American was uncentered for a second or two, as he had once felt in the quick sag of an airplane in a bit of rough going.

It began to become clear to the caller that there were only a few constantly vibrating themes in this man’s talk: the necessity for nonviolence; the control of self, essential before the control of others can be contemplated; the establishment of altruism as a basis for all political activity; the return of India into her own destiny of a handicraft civilization, which involved the making and using of her own goods and the turning of her back upon the “monster of a mechanical civilization”; freedom of speech, devotion to truth, fearlessness, always that.

Dicky now actually contemplated the look of unearthly calm in the eyes of the man before him. Was it fanaticism—this fearlessness which Gandhi put into practice? Was there a soul-calm back of the human nervous system, a central calm that a man could reach and abide in, that made anything negligible that men might do to the body? Was there something really that Miss Claes and Nagar and this man talked about—something that went on and on, that loved one’s enemies, that loved one’s love, no matter what this life effected to keep them apart? Was it worth going after, since every ordinary viewpoint seemed changed in those who had touched it?... Surely India was getting him going—he, Dicky Cobden, of the family of trowel makers! In amazement, he realized that he was responding[172] to some stimulus like the finest wine—that if he didn’t get out of here soon, he would fall to telling his troubles like a man who has had too many drinks.

Gandhi was speaking of his workers and devotees here in Ahmedabad; the manner of their life together:

“So in our Ashrama,” he explained, “every child is taught to understand political institutions and to know how his country is vibrating with new emotions, with new aspirations, with new life.... As for men and women living and working together in the Ashrama, they must live the celibate life whether married or unmarried. Marriage brings a woman close together with a man, and they become friends in a special sense, never to be parted in this life or in the lives to come; but I do not think that into that place of life, our lusts should necessarily enter.”

Dicky backed out. He was in the street alone.... The young men had not restrained him in the slightest. They had seemed to understand that he must be alone. Even Nagar had only walked at his side a moment in the hall, to say that he would come to the Entresden after dinner.... He was alone in the outskirts of the city with the miracle. Somewhere among Gandhi’s sentences about men and women, it had happened—somewhere[173] in there, when he had spoken about—yes, that was it, “about friends in a special sense!...”

A pariah dog yelped, running out of a doorway, almost banging into his knees. He was in a narrow street, and had to step upon a doorsill, while two men passed dragging at a cart. He saw their bare ribs and salt-whitened loin cloths. The sun was still high; the stillness and heat almost fetid in the byways. He passed a native market place by the river, and out of all the moving multicolored crowd, he remembered only one parasol of jade green, though he did not see the face beneath.

His American-trained mind scoffed against the thing that had happened, but his heart held on serenely.... What did this little world-warrior with the battered mouth know about love and living with a woman? What did he know about lusts that he spoke so freely of? Did he ever give three years of his life to the one battle—not to hate the woman he loved most under heaven? Or was that particular battle so far back in his experience that he merely spoke of it as one skirmish in the great campaign of fifty years, called Life?

Alone at dinner at the Entresden, Dicky conned every word the Little Man had spoken about the young married people who worked together in the Ashrama, of the celibacy they vowed themselves to, of their becoming through marriage “friends in a special sense—for this and all lives.” Yes, Gandhi talked as if it were a foregone conclusion that there were other lives....

He wasn’t tasting his dinner.... He came up from[174] the deeps of reflection to realize a waiter was coming toward him, as if in answer to a signal. He also discovered that he had been sitting over his filled plate with one hand lifted—the thumb and fingers brushing together, as if he were close to her, and it was a bit of her dress or a wisp of her hair between his fingers. His mind could scoff all it pleased, for his heart held serenely to the miracle, and this was the miracle: that Pidge Musser, married or not married, was back alive in his heart; and such a melting pity for her plight had come to him as he sat before the Little Man, that he, the hardheaded, had to rise abruptly from the interview and rush away, lest he fall to weeping and explaining all.

DICKY and Nagar sat under the punkahs in the room at the Entresden—that stillest, hottest night. A fierce stimulus was driving the American. Moment by moment he realized it more clearly—that his love had come back to him, or some strange new fire from it, as he had talked with Mahatma-ji. It compelled him, mind and emotion now, and his questions were insatiable, but he was slow and roundabout in getting to the core of matters that fascinated.

“He has no illusions about fasting,” Nagar answered. “Mahatma-ji objects to the distractions of the body. He keeps down this drum of the senses by severity of handling, an old well-tried way of the East. Ask an expert horseman what to do with a spirited saddle horse that has a tendency now and then to take the bit and run away. ‘Cut down his grain, and he will be easier to handle,’ you will be told.”

Dicky was groping feverishly within himself as the other talked. “But what has celibacy to do——” he halted and finished, “with politics and all that?”

[176]“Mahatma-ji has made himself free from the rack of sex and the drum of the senses—enough to realize his great work for others, for India. We who follow him wish to do the same. We understand that we have not the great gift for India, until we are free; that is, only a man who has freed himself from his own desires can help greatly to free others, or his country. We are not free agents so long as we are on the rack of sex. We cannot hate ourselves off that rack; in fact, we must learn to love more, not less, to escape.”

“Tunnel,” Dicky said. “No man educated on the Hudson can get that sort of thing. Have a heart, Nagar.”

Dicky smiled and smoked: “I can’t see how he’d have anything left to give the world,” he added—“a man who got on top of himself that way.”

The thing that Dicky had found in the same room with the Little Man wasn’t happiness, but it was better than the deadness he had known; good to feel the tissues of his heart alive again, not a leaden lump.

Again the next day, he went to sit with Mahatma-ji, but nothing happened, though he remained two hours. On one side he had come to doubt the whole business; on the other he had been naïve enough half to believe that all he had to do was to enter the presence of the Indian leader to get this living thing back in his heart, this pain that had the breath of life in it. Two days[177] afterward, however, while he was deeply involved with Gandhi’s explanation of Satyagraha, taking notes so that he could put down the other’s words almost exactly, the sense of Pidge Musser’s presence and plight was suddenly with him again, renewed within him, the pity of it almost more than he could endure.

There were hours also when Dicky could believe almost anything at the Ashrama, where he was permitted to sit with the native students (Gandhi often halting his speech in Hindi or Guzerati, to talk English for the American’s benefit). And occasionally during long evening talks with Nagar, on the banks of the Sabarmati or under the muffle-winged punkahs in the Entresden room, Dicky’s mind had sudden extensions of range. Still he had a vague foreboding that he would not be able to hold all this hopeful stuff when he was away from India, for slowly and surely he was being pressed to depart.

“America needs your loyalty now,” Nagar said. “We will send for you to come when the curtain rises here. The drama of India is not being played now, but the Play is written. This that you have heard, so far, is only a rehearsal of minor parts.”

In June, a letter came from The Public Square, pressing its correspondent to return to France, or at least to some of the points where the American troops were gathering.

... As for magazine conditions, Dicky [John Higgins wrote], they couldn’t be worse. Our little old[178] Public Square has fallen into sorry ways.... If you’ve had a German neighbor for thirty years and learned cautiously to respect the beast, you’re supposed now to know him no more, in trade or whist or home or club, nor his woman nor children. Old England’s bloomed out more seductive than ever, and this country’s infatuated. You couldn’t believe it. We’re more English than Canada right now. She’s borrowed everything in sight and is so tickled over herself that she’s beginning to laugh at us already. It’s a fact, her big business men can’t keep the joke any longer.... But I only meant to tell you that The Public Square has nothing to say, nothing to do. We tried a critical study of the architecture of a federal building in Des Moines, and we’re being looked into for unpatriotic motives. A lot of American business men, who once gloried in their breadth and toleration, have taken positions in what they call the Department of Justice, and their business is to probe into speeches and writings like ours. They are looking for heresies of citizenship. If we’re not suspended for making a croak, we’ll likely be forced to suspend for not having the breath. Otherwise, we’re quite well, and the trade world—you ought to be able to hear American business boom, even in India—if you’re not too far inland.

For the first time John Higgins’ views looked diminished to Dicky Cobden’s eyes. This personal treason he laid to India. He made an arrangement, however, to help The Public Square to keep alive.... Gandhi was called to Lucknow, and Dicky saw him into his third-class coach, with a catch in his throat and a sadness[179] of heart. A day or two later he left Nagar at the station where he found him—and the day looked dull and gloomy from the windows of the Bombay Inter Provincial, as the American started south alone.

RUFUS MELTON was having his coffee at Miss Claes’ table. It was noon and July, 1917. The package of mail left at 54 Harrow Street had not forgotten Rufus this morning. Another story had gone through, and he felt that the day was all right. It looked to him like a very good day to play and to shop. Miss Claes came in from the kitchen in a fresh white dress and canvas shoes, nor did she come empty handed. A crystal and silver marmalade jar was in one hand, and a plate of cold ham in the other. These she placed on the cloth before him; and noting that the loaf of rye bread lay uncut upon the board, she went to a drawer for the knife.

Rufus dropped a cube of sugar into his coffee cup and contemplated Miss Claes’ ankle. His mind became industrious. He was thinking how he would describe the ankle if he were using it in a story. He thought of several narrow white things. There was a white greyhound, but you couldn’t say a woman’s ankle was like that. There was a white pleasure yacht on the river, with narrow lines and clipper bow that bore a psychological likeness, but it would take a paragraph to put that over. The boneheads would think of boiler plate.[181] Then there was a birch tree and a polar bear and a snowy church spire ... anyway the ankle was fetching.

“She’d have me sit in a cave and growl over a story—bringing one out every three months for editors to muss their hair over and finally turn down. That’s the life——”

Miss Claes had turned to the cabinet of dishes, the double doors of which were open. One might have thought that Rufus was now entirely involved in the subject of Pidge’s idea of stories, but in reality he was studying Miss Claes’ waist and throat and profile. Her particular freshness from boots up this morning fascinated his eye. She took his coffee cup to the kitchen to be refilled, and when she came back close to his chair, Rufus’ arm moved engagingly around her hips, his face turning up with a questioning boyish smile.

His arm tightened a little, yet she stood perfectly[182] still. Rufus was now in a quandary. This sitting posture had its diminishing aspect: yet to arise and disentangle his feet from under the table, he must loosen his arm or show an uncouth line to the camera, so to speak. Rufus rarely broke his rhythms in these little performances; certainly not when the going was as delicate as this. Miss Claes had become especially desirable, because of an exciting uncertainty about her, and an affectation, at least, of allegiance to Pidge. If he had only had sense enough to turn his chair around, before taking her in. Presently Rufus reached the conclusion that it was better to draw her down to him, than take a chance of getting his arm around her again.

She came—no resistance, no rigidity. His lips found her shadowy cheek, and an indescribable and most disturbing fragrance from her neck and hair. Or was it the extraordinary coolness of everything that disturbed, or the words gently whispered in his ear:

“You’re such a lonely boy. You don’t understand at all what you are really dying for.”

Rufe was disappointed. So hers was the mothering game. Besides his position was uncomfortable, knees under the table, and his coffee was getting cold. So he let her go after all, in order to reach a standing posture, but by the time he was free of the chair and the table, Miss Claes had vanished without haste into the kitchen. Rufus now stood dangling inconveniently between his breakfast and her return.

She came; he went to her. Her dark eyes were utterly calm, no traceable deepening of the color in her[183] face. She halted, but lightly held in the two hands before her was a gold-edged dish, with a little golden globe of butter in the center.

Rufus dropped back in his chair and lifted his coffee cup. What on earth could a man do with a woman holding a butter dish? “It’s hell to be fastidious,” he thought, in regard to his own inhibitions.

Something delectable had gone out of the July day. Miss Claes was no nearer his understanding than before. Pidge would have the laugh on him, because these women could never keep anything to themselves. He didn’t mind anything about Pidge so much as her laugh. Altogether, this little brush at breakfast left him unsatisfied—and this was a play day.

She gave him a pink, an old-fashioned white one. “The butter-and-egg-man brought in some from his dooryard garden in Yonkers,” she said.

There were voices from one of the rooms on the main floor, but the second was entirely empty and silent until a rear door opened and Fanny Gallup looked out.

Fanny’s “hello” was one of the best of her little ways. She said it, as one would cast a silken noose.

Rufe looked back and down. On certain mornings he would have growled an answer and tramped on, but there was something white and calling about the face in the dim shadows this morning, and for a wonder the kids weren’t squalling.

[184]“Oh, come in. Come on in!” was in his ears. Her bare arm was raised and he saw the little muffler of dark in the pit of it. The lacing was gone from the smock, moreover, and there was a pull for the moment to Fanny’s sad little breast. The fact that the smock had once been Pidge’s, Rufe thrust back into his mind for future reference. He halted, looking around and listening again. Then he tiptoed in and the door was shut. Not a great while afterward the door was opened, the crying of children was heard. Fanny was moaning, “Don’t go ’way—oh, don’t go ’way!”

... Pidge and Rufe Melton went over to Bank Street for supper that evening. Rufus wasn’t hungry. He had bought a golf suit that looked very well on him, he said, but evidently now he was troubled how to use it. He hadn’t done any work so far to-day and felt less like it than ever. Pidge thoughtlessly mentioned that an Indian letter had come in to the office from Richard Cobden that day.

“You folks are dippy about this Cobden,” Rufe said. “Every time an article of his comes out in the Passé Square, you gather together to read it as if it had come from the Messiah. What’s he to you, Pan—a little bit tender on your Dicky?”

Rufus felt abused. He glared at her. This sort of thing had happened before. Rufe had come to look at[185] Pidge as his picket pin. He had a long rope and everything was all right, so long as the pin held. But her manner now would uncenter any man.

“I’d like to get out of Harrow Street,” he growled. “Every time I put my address on the top of a manuscript, I feel it’s a knock rather than a boost. I’ve been tempted to get an agent, for no other reason than to have his address for the magazines to work through. I was talking with Redge Walters who bought this story to-day, and he said, ‘Rufe, you sure fall for the little bobbed heads down in the Village, don’t you? Why don’t you come uptown and live in New York?’”

“You don’t make a secret of it, either,” he went on. “Of course, Miss Claes is kind and all that, but we pay for what we get, and there’s no question in my mind about the pictures in her gallery being hung crooked.”

“And that second floor needs policing up,” Rufe resumed. “I haven’t taken it to heart so much about living in the Village, but that second floor’s a tenement patch. Every time I go up and down——”

“Fanny’s my fault and Miss Claes accepts it with never a murmur,” Pidge said, wide-eyed. “I’d look well running off uptown and leaving Fanny there. Oh, Rufe, don’t you ever see any fault except on the outside?”

“What’s the use of me looking after my own faults when you’ve got them all in hand like Shetland ponies?”

Pidge arose. Black waters were welling up in her breast. It was so true. His faults were with her day and night, and the greatest of them was his entire irresponsibility. Also it touched her in the sorest quick to have him point out that Fanny lowered the values, not only of the second floor, but of the whole Harrow Street house.

Pidge never passed Fanny’s door but she was pressed by something within to enter; yet her whole personal nature rebelled. Often for hours at her work, there was a gloomy semiconscious activity within her that kept urging its notice up to her mind. When she stopped to think, she would realize that she hadn’t gone into Fanny’s room that day, or that she must drop in to-night. It was so now, only more than ever, because Rufe had located her private horror and brought it to speech. On the second floor, returning from supper, she told Rufe to go on up, that she meant to see Fanny for a few minutes.

He caught her sleeve. “It’s too hot to go up. Let’s go somewhere. Let’s get on a bus and go uptown——”

[187]She was too occupied in the thing she hated to do, to notice his concern. He spoke again:

“I’m not going up there alone. You’re colder than a frog to live with anyway——”

She didn’t hear his words, but she heard the crying of Fanny’s children. The door opened. Fanny stood there, but looked past her, over Pidge’s shoulder, and queerly enough Pidge thought of the words, “And Jove nods to Jove.” The hall door was then shut.

“I know why you come, all right. To find fault—that’s why, and you needn’t kill yourself, because I’m gettin’ along, so-so. Little old Fanny’s holdin’ her own—and that’s more’n you’re doin’.”

Pidge looked into the crib. A core of fetid vapor hung above it, and Fanny’s words seemed to blend with it.

“Think you can hold your job and hold a man, too, don’t you? Oh, yes, Redhead knows how. Redhead’s got it all worked out. Redhead can tell us all how to do it, oh, yes——”

“What’s the matter, Fanny? Are you scolding, so I won’t start? I didn’t come to start something. Just came to see you. Wouldn’t you like to go out for an hour and have me stay with the—with the——”

[188]“Worried—eh? Worried about somethin’?” Fanny piped up. “Well, I’m not tellin’ anything—except you ain’t got your little mastiff tied to no corset string——”

Pidge felt cold. She cared to know what the other meant. She didn’t say so, however. She knew a better way—an effective way that seemed to come out of depths within her that knew vast pasts and many lands, all strategies of men and maids, all secrets of tent and purdah, lattice and veil.

“Don’t trouble, Fanny. I just came in to see how you were getting on. I’m so sorry, you know——”

“Don’t you want me to be sorry for you, dear?” Pidge trailed. “Why, I haven’t been nearly so good as I meant to be——”

“Well, you dam’ little itch-face—talking to me about being sorry. Who’n heller-you to tell me about being sorry? Who’n heller-you to talk to me about me gettin’ penned in an’ Albert missin’, when you can’t keep your own man—when you don’t carry your own babies? Who’n heller-you anyway?”

“Never mind, dear,” said Pidge. “We can’t attend[189] to everything. I’m going out to get you some ice cream. I’ll be back in a few minutes.”

She was in the street. She brought back a paper pail without haste. Fanny had begun to cry.

Fanny cried on. Pidge served her a large dish, and a smaller one for the older child. Then from the paper, she spooned tiny mouthfuls into the face in the crib—spooned until there was sleep from the novel coolness of the sweet. Then Pidge patted Fanny’s shoulder, as she passed out, promising to come back some time to-morrow.

Upstairs she found Rufe, shirt open at the throat, standing by the back window. The light in the room was heavily shaded. He looked to her covertly, half expectantly.

EARLY the next morning in the shadowy back room, Pidge moved softly about as she dressed. She saw the new golf suit, and her lips twisted into a smile. Another toy; another bit of acting. That was all of the game he cared for—the clothes that went with it. She thought of the night on the corner when the newsboy had pointed out Rufe as a movie actor. She saw his desk by the window. It looked like a troubled face. Here she was, as usual, furiously busy with his faults—so occupied that he didn’t have to bother at all, sleeping serenely on. But he didn’t understand, never could understand, that her agony was because she saw them as part of herself; that in her own heart she couldn’t free herself from responsibility; knowing deeply the dis-ease that comes from that soul-deep question, “Am I my brother’s keeper?”

And there he was lying on his back, innocent as a child. The pain darted into her heart ... the baby carriage at Santa Monica. His complexion was almost as fresh, his black hair brushed back. It was as if he had fallen asleep with a tear in his eyes, for a little penciling of salt was on the thin blue-veined skin under the eyelid. His breast was uncovered and that spoiled[191] the picture, spoiled the pathos; for Rufe, though the least athletic of men, was hairy and glad of it.

She hadn’t slept. This, since coming home last night, was a show-down time, as she expressed it. She had met the same several times with her father, when the days became so black and evil that something had to happen. Deep, under words and surface thoughts, lay the affair of Fanny’s room. The dreary consciousness of that never left her, but actual thinking of details was another affair. She couldn’t give way to them, and keep the outer quiet she had determined upon. She had been too honest to hide from herself, even in the beginning, that Rufe habitually took life as it came. She never could forget his first appraisal of herself in the reception room of The Public Square.

So this hadn’t come in the nature of shock; rather it was a pitiless uncovering of ugliness that had been vaguely subconscious before. What hurt her most keenly, so that she was close to crying out, as she lay beside him in the night, was the inevitable tramp of Fate, audible through it all—their meeting in Dicky’s room; Dicky’s opening of The Public Square to him in the first place; her own bringing of Fanny Gallup to this house; the weaving back and forth into one, of the different lives—even her father’s.

Rufe wasn’t at home when she returned that night. He hadn’t rung her at the office, but she found word with Miss Claes that he had gone down to Washington. She felt something was going to happen, but through the day she had gathered her strength together to decide[192] that she wouldn’t be the one to bring it about. Underneath all was the old sense of her responsibility.

Pidge was half tempted to seek Miss Claes this night. She even went so far as to learn that her friend was at home. It always happened so, when she needed help: Miss Claes might be out any or at all other times. A light was in the basement room, and no voices, but Pidge crept back upstairs without speaking.... She had failed. She had run away from her father, failing there; failing here. She must see this through alone a little longer.... The next afternoon Rufe called for her at The Public Square. His eyes held a glint of triumph.

“I’m going to France,” he said, when they were in the street. “I’ve arranged to do a big feature for Redge Walters and a Sunday newspaper syndicate set.”

“Went down to Washington to start things going to fix that. Redge gave me letters. Looks as if there won’t be much trouble. You see, the Government needs the writers—public sentiment, you know.”

It wasn’t that Pidge didn’t think of things to say on this point of making public sentiment, but a great gray ennui was over her. She had said enough about his faults.

“You know, I’ve been smothering in Harrow Street—had to get away,” he added.

“Yes, I know, Rufe.” After a time, she said, “I think it’s a good thing.”

“That’s the way to look at it, Pan,” he said in a[193] relieved voice, and confided: “I need the experience, too, you know, because I’ve never been to Europe——”

“I mean I’ve never stayed long enough to look around. Of course, I’ve passed through.”

He grouched for the rest of the evening, but she felt worse about this than he did. She had thought she was through nailing him like that. It had done no good, merely an additional breaking out of her abysmal temper.... On the night before he left, Rufe was at his best—the playboy she loved so much; and, of course, she was pressed harder and harder into the realms of the Arctic Princess, which was by no means her natural habitat. At last, he had her crying, which was something, because it hadn’t happened often.

“What is it, Pan?” he demanded in the tone of the head of a household. “Get it off your mind—don’t keep anything from me.”

That started her to laughing. “It’s noth-nothing, Rufe. I’m all right now,” she said brokenly. “I’m only hurt because I haven’t done it better——”

LATER in July, Miss Claes received letters from Dicky Cobden and Nagar. Each, it appeared, had been mainly interested in writing about the other. She read Dicky’s first:

... I think I’ve seen the Man you wrote of, but I’m more interested in our own Nagar—altogether different in his native dress. I never knew how civilized clothes could slow up a man’s looks. If a white man in New York were as good-looking as Nagar is here, the movie folk would kidnap him, if necessary, for the screen.... Things look differently over here. Sitting in this plain house of the one they call Mahatma-ji, I seem to understand things that would appear absurd in New York.... Nagar has opened up. He talks freely and laughs. He is human, and his American years show in fine light. Try to think how startling all this was to one coming up from Bombay, expecting the old sphinx of your basement and halls.... I find myself frequently at the Ashrama—a houseful of saints—young men and women devoted to the Mahatma-ji, like Nagar, and who apparently have taken vows covering self-sacrifices unlimited. Gandhi is a bit of old brass with a mustache; terribly battered, only fifty they say, but he shows the wear of greater years. I seemed to feel[195] that he had been frozen, that he had been whipped, that he had been burned. Some of his teeth are gone.... He tells us that you can’t fight back and expect to get anywhere. He says to answer a hurt with a hurt is to prepare for hurt again. He says you never can understand your enemy by hating him. He says that India can only triumph by returning into herself. Imagine such unearthly affairs from a barrister educated in Middle Temple, London! And Nagar appears to understand all this.... I haven’t the organs to believe much. My training hasn’t prepared me easily to accept miracles—more later, when I cool down. But Nagar is great to me in himself. I think I find him more interesting, even than Gandhi. Sometimes he seems to contain Gandhi. But it would smash everything I have to work with, if I gave either one of them my entire belief. Yet I dread the thought of going away....

The letter from Nagar was then read slowly twice, and the smile on the face of Miss Claes gradually lost itself in a blur of white, as if twilight had crept into the basement room.

... The American whom we know never speaks directly of the one he loves; it does not seem to occur to him that we have sympathy that enfolds his secrets. He asks questions—asks questions. He shakes his head. His college-trained intellect does not reach up, does not hold up its cup to receive the synthesis. It moves wearily from one to another of its separate analyses, with only rarely a connective flash of intuition.[196] But his heart keeps burning, yearning all the time, and as he learns, he acts. So he seems very safe.... I have wished so often that he were going to you, instead of to his work in Europe, but that, of course, is selfish. He has his work there. We must hold him between us. He knows already that he will not be able to see and feel in France, as he does here. It is his ordeal. I have told him many times; every day, in fact, that what he sees and feels here, he must remember there, and hold to, until it is made working knowledge within him.... Our work is merely preparing. The Little Man, as Richard calls him affectionately from that old story, realizes that the hour is not yet. We work in the midst of many shades of darkness and obliquity and inhibition. We are marking time, marking time.... Our American will return to India in time to see the Day break. I have promised to keep him informed. As Paul Richard says, “We must prepare in ourselves that magnificent day.”

Miss Claes sat in silence. Then she seemed to become aware that voices above vaguely distracted. She went to the door, and listened. Fanny Gallup was crying, with little care who heard.

DICKY hadn’t had his clothes off for several days. He was in the “Oregon” Forest with Colonel Boulding who was no sort of man to tie to for one who felt that a clean washrag was one of the necessities of life. Dicky hadn’t cared for strenuous field work but it had come to him in France; not the actions of the big fields so much as the extraordinary little back-line dramas that break the laws of perspective by rising more clearly, as days drew on. Four days before, on his way in to Paris, he had met Boulding, who was taking out several fresh battalions to relieve a hard-pressed front at St. Aignan.

“I’ve got an extra horse,” said Boulding, “good old Yorick, steady as a tram-car, and we’ll be back in three days.”

Dicky stood in the twilight, half rain, half snow—one of the interminable waits for order, Boulding back in the ranks somewhere. The firing had died down and Dicky dropped his bridle rein to bang his arms about to get some blood stirring in them. One of the problems of life just now was why wet snow soaked through leather quicker than straight rain water; another was why letters from home always dragged around the[198] wrong fronts before being delivered; another was how long was IT going to last; another was hot coffee.

His mount had turned gently away in the thickening dusk, turned on his toe corks through the slush to follow a wind-blown leaf. Plop—a water-soaked trench-siding gave way, and Yorick disappeared into an unused pit. Dicky stared down into the inky dark. The beast snorted. A flashlamp was procured from one of Boulding’s lieutenants and Dicky found his way down into the trench.

It became clear why Yorick couldn’t rise, even if unhurt. The trench bottom was a six-inch paste of water and clay. Holding the flashlight in front of him, Dicky approached the sprawled beast. Yorick looked like a monster in the process of being born out of the mud. There was something both humorous and hopeless about the gaunt lifted head that came up into the ray. And now Dicky discovered that Yorick’s left foreleg below the knee veered off suddenly to the left, at a decided angle from the way it should lie. Dicky felt alone in a harrowing under world. The leaf that had caused it all, or possibly one like it, protruded from the snaffle ring. Yorick had come up to his leaf all right, and then forgotten what he had gone after.

“Pretty lucky old boy, you are,” Dicky said. “Work done, war over for you, nice warm ditch to lie up in at the last, and I’ve got to take all the responsibility.”

He drew the pistol from his belt and placed it on the little twist of hair halfway between the eyes.

[199]“I ought to take the saddle off first, but I’m not going to. So long, old kid, and best luck.”

The pistol banged in the dugout like a cannon cracker under a flower pot, and the voice of an American sentry above was heard to say:

“Some fool’s blowed his head off, down there. Why in hell can’t a man be patient!”

Dicky climbed up on the level ground, no sicker than before, but a trifle more tired.... He was chafed. Yorick had done some of it in the last four days, but not all. He was chafed in and out and over, chafed from his boots and belt and helmet, but especially from his key ring. This last had ground into him all day. He took it out now, as he waited for coffee. Meanwhile he edged as near as possible (without murdering anybody) to the trench stove Boulding’s cook had got going.

There was the key to his mother’s house in Fiftieth Street—a thick brass stubby affair that belonged to the door of a house where hardware was well understood. This key couldn’t be thrown away. Though it was practically unthinkable—a man might some time get home. It had been done. There was a key to 54 Harrow Street. The woman who ran the place had told him to keep it with him, because it was a symbol of something which he had professed at the time to understand. Then there was a long, old-fashioned inside door key, black and a little bent—the meanest of all to dig into a man’s hip—this to the hall door of certain rooms in the same Harrow Street[200] house. Its duplicate was in the hands of a girl he used to know. She had said she would look in on the apartment while he was gone, but she was married now. No use keeping it any longer.

Certain things were good, but hard to get. Brandy was good. Coffee was good, especially hot. Saddle-horse stew was good. Porkpie, pork and beans, pork sausage and pancakes were reasonable and of good report, but keys on key rings that gored a man while he rode or slept, and stretched back into meanings of the Utterly Absurd that a man couldn’t get straight in Paris, much less in this slaughterhouse of the Western Front—keys on key rings were sheer perversities, especially when a man wasn’t game to toss them into any one of these open sewers....

They were saying at home that his stuff was blurred and unconvincing. Even John Higgins had been singularly silent of late. Chris Heidt, the managing editor of his newspaper connection, had recently written: “We miss that fine patriotic ring that we have come to expect from our correspondent. Your stuff shows subtleties and innuendoes and the dissatisfaction of the boys—the little things back of the lines that make for disorganization, rather than the big doings at the front.”

It was dawning on Dicky that there were two kinds of American patriots, soldier and civilian; and that for keenness and fire-eating zest, the man in the zone of advance was not to be compared to the paper-fed folk[201] at home. In fact, there were only two ways for a writer to please the firesides of America, as the hot flames of Hun-hatred and world-correcting benefactions went up the chimney. One was to stay at home and write the war as you supposed it to be, and the other was to remember how you felt, how the war seemed to you, before you reached France, and write it from that angle.

Blurred, all right, and chafed. One thing he was getting to understand a little, and to have an affection for. That was the American soldier—not officer, so much, but the ruffian in the ranks, dogus bogus Americanus—the fellow fused of Irish, Scotch and Jew, of German, English, Russian and French; something of each in the solution, something of all. In the first place, this Yank was the funniest thing ever turned loose on the planet. His officers were occasionally funny in a different way.

Dicky vaguely perceived that an abyss was slowly but surely forming between this Yank and the patriots at home—an abyss only to be bridged by silence. Quite as slowly but surely Dicky’s heart opened to this enlisted man. One has to love something. Once or twice, things he saw this laughing maniac from America do made him very much ashamed of his own mental antics in a certain red room of Bombay.

SO far as Dicky was concerned, the things of great moment in his experience in France all happened in the fall of 1918. He was in Paris at the end of that shocking summer, and found a letter from Nagar which reiterated that the curtain could not rise on the Drama of India until Great Britain was through fighting in France and the land of the Euphrates.... He was stopping at the Garonne. There was a knock at his room door one afternoon and voices outside. It was Haddon and Ames, correspondents out of New York, and they wanted money. Haddon talked first:

“... He’s off his head and in a mess. He mentioned your name. He says he sniffed some gas out in the vineyards somewhere in April, and can’t get over it. Either that, or the family he’s fouled up with is feeding him ground glass.”

“Who’s this you’re talking about?” Cobden asked, though he had heard the name.

“His French father-in-law picked on me first,” Ames put in. “Just happened. I’m at the Charente, where a lot of Americans are putting up. Told me a long story[203] of wrongs to his only child—a female child now married to Author Melton. Mentioned your name——”

“He says he was,” said Haddon. “It’s an operation case, all right. Melton will have to be cut out of that French house.”

“I don’t know whether it’s gas in my case or not,” Dicky said, “but the fact is I am not rightly aboard this conversation.”

“The idea is to get aboard with some American currency,” said Ames. “American in trouble—fellows all willing to help a little. Up to somebody to get the fool out. Father picked on me——”

“Let me get this straight,” Dicky heard himself saying, though all he wanted under heaven at this moment was to be alone.

Ames was one of the best Washington correspondents in the American press, a fact-getter extraordinary, who had a semi-inspired way now and then of putting down his stuff. He was fifty, a friend of John Higgins and weathered to a fuzzy gray like a fence board. Just now he bluffed out his embarrassment by speaking of one of Melton’s stories which Dicky was professionally familiar with:

“A short story in one of the weeklies—called Dr. Filter—hell of a good story.... It’s nothing to me,” Ames finished. “Only the kid’s an American, and he’s tight up against one of Paris’ prettiest ways.”

“The Frenchman’s name is Ducier. Melton’s been[204] living at his house—mixed with the daughter—forced to marry. Now Parent Ducier says the least he can do is to get a living for himself out of it—hard times.”

“Showed me the passport,” said Ames. “I couldn’t get a word alone with Melton. He can’t leave his bed. One of the family always in the room.”

Dicky was straining so hard that he resisted easy comprehension. It was an intense moment. There was more talk.

“What you can spare,” Haddon said. “The parents ask twenty thousand francs, but they’ll take half that easy. Just now the boy’s too sick to escape.”

The gray one came closer and examined Dicky’s face. “I heard it, too,” he said. “You really mean this?”

“I would give you the amount now, but I understand that you aren’t sure what it will be. I know Melton. I’m glad to help, of course.”

“I’ve heard you were rich, too,” Ames repeated slowly. “But I didn’t believe it.”

“You’re too good a newspaper man,” said Ames.[205] “I didn’t think a man could have real money and be as good a newspaper man as you.”

Dicky hardly heard the tribute. The two men were leaving. That was the important thing.... He was alone. An intermittent geyser was at work within him. Every few minutes a surge of hot hope boiled up in his breast. It threatened to deluge him. Out of all the year’s work was netted at this time one bit of working knowledge, as Nagar might have called it, that he must not be deluded by this hope! He tried to cork it up; failing in that he stood as still as he could in the midst of the surges. Gradually, he got the thing in hand, but it was bitter work, this refusing to take the first real breath of life he had known for years.

He found himself in twilight. The day had slipped off, while he struggled alone. His forehead was clammy with the effort going on. To go back into that dreary hopelessness, and not be able to think out the reason why! The force that he had to work with now came from the painful mistake he had made in working for reward before; from the shock of that realization in the red room, that underneath everything, he had counted on his virtue being crowned with Pidge somehow coming across.

Now the fight changed. Persistently in the depths of him grew an awareness that he had not done the full task called of him merely in offering Ames money. This point became so ugly and evident—that he had to laugh. More and more, as moments sped on, it faced[206] him squarely. He had no sentimentalism to tide him over; his emotions stayed ice cold.

Then again the words broke from him: “But living God, suppose she doesn’t want the bundle back! Suppose she’s been trying to lose it, and here I am running after her, saying, ‘You’ve dropped something, Madame——’”

“I’ve been thinking over this thing, Mr. Ames, and I’m asking a favor——”

“Yes,” came coldly across the town. Ames believed he was trying to wriggle out of his promise to pay half.

“I’ve come to the conclusion that this thing is up to me—the whole business, and I’ll thank you very much for Mr. Melton’s present address.”

“Sure you don’t want me—or one of us to go along with you?” Ames persisted.

QUEER drama, from eight to twelve that night in the little house of Ducier. Four hours—as long as an uncut opera! The sick man moaned, and interrupted everything, calling to Dicky Cobden:

“For the love of God, don’t go ’way and leave me here! I’m done for, if you leave me alone again.... Oh, Cobden, Cobden——”

The daughter wept. It was her entire part. She had a brown mole upon her ruddy rounded cheek, and very white small teeth in gums of a red that Dicky had never seen before except in dental advertisements. She was made of little curves, and all of them were required in the art of her weeping.

Dicky was glad to hear that he was going to get what he came for, but the obstacles still looked serious.

[208]It was new to Cobden’s experience just how obdurate an outraged European can be. M. Ducier reiterated grimly that weeks ago in this house, he had suddenly discovered a condition which destroyed all his past and future. He had forced marriage, but that did not suffice. Dicky turned to the bed at this point.

Here the daughter’s cries arose, the hands of the mother were uplifted to heaven, and the face of the father became more grim. It was against Dicky’s training and heredity to stand for being bilked, yet he hesitated to call for help. To start the police at work would mean the American Legation before he was finished, and incredible delay. Momentarily Melton made it harder.

“If you go away and leave me after all they have said,” he moaned, “there won’t be any need for you to come back! I am telling you, Cobden, they keep me here—just as if my legs were tied.”

Rufe spoke in English, which the mother and father did not understand, but of which the daughter had plenty to catch the drift. Dicky did not miss the fact that in the midst of her weeping there were subtle affairs to confide to her father.... It cost him eighteen hundred dollars to get Melton clear that night; but, at least, Melton was thoroughly clear, the marriage certificate and receipt for heartbalm in full, in his pocket. He watched curiously now to see if the tears[209] of Daughter Ducier were dried—but no, though Melton spurned her last proffer of a kiss—at least with her, money was not all.

In the days that followed, Dicky wasn’t able to get any rest from a sense that he had done well. With every ounce of his returning strength Rufe Melton yearned to get out of Paris. He had been abused; he was frightened to depths hitherto unplumbed. He lived in a mortal dread day and night that the Duciers would come for him again.

“I can’t get a passage for you at a moment’s notice,” Dicky would say. “Besides, you’re not fit to travel for a few days yet. I don’t want to send you back to New York looking like a hounded Apache. Let me do this thing right, Melton, while I’m in on it.”

“But don’t go away and leave me here!” Rufe moaned. “Let me go out with you when you go.”

“You don’t know them! You don’t know her!” Rufe moaned. “I want to get out of here. I want to get on the ship. I don’t want to be left alone.”

And this was what he was getting ready to send back to Pidge! Once, when Dicky was really hard driven, a sudden chill of rage came over him and he proceeded this far with a sentence:

The other words—“to death,” he somehow managed to keep from speech. Dicky suffered especially from the[210] feeling that he was playing the boob. To be sincerely in wrong was his pet aversion—dating from the night of the Punjabi dinner. Besides, he was tortured with the thought that Pidge Musser wouldn’t thank him. Surely, for her sake, his mind repeated, it would have been better even to put old Ames straight, and let one American meet Paris unaided. But Rufe had called for him in his trouble, had mentioned the name of Cobden to the others.

One of the strangest things to Dicky now was that Pidge’s husband could accept all this—somehow as if it were his due. Like a family affair. Rufe seldom spoke of Pidge. Apparently getting back to New York meant her; apparently they weren’t separated. Rufe had the most extraordinary sense of taking her for granted. If he had any money or resources in Paris, he didn’t let the fact be known. It was Dicky who purchased his passage for New York. Again Dicky’s capacity for astonishment was stretched, because Rufe seemed able to comfort himself with the fact that he had it all coming. He had never been sick before. His present infirmity was entirely engrossing. “I was gassed,” covered all discrepancies of word and deed.

Back in his room, after packing Rufe aboard the steamer, Dicky found himself nervous, tired and irritable. A servant came and took out the extra bed Rufe had occupied. The place was stiller than ever, after that—no moaning, no fears, no complaints; but it wasn’t all relief as Dicky had fancied it would be. He[211] missed something—the world was so crazy anyway—something that had taken him out of himself for two weeks; something at least, that had played upon a different set of faculties. Suddenly it dawned upon him, though he couldn’t tell why, that Pidge would be glad after all. If you play orderly and guardian and benefactor to a child—of course you miss the wretch. And Pidge was a woman, and she had said—what had she said, about there not being two ways? Now Dicky felt better. There had not been two ways for him. The chapter was ended at any rate....

Another event of this fall of 1918, so far as Dicky Cobden was concerned, was the Armistice. You can tell how inactive hope had become within him at this time, and within the breasts of tens of thousands of others, when he hadn’t believed that any other than a state of war could exist.

And finally, in December, six weeks after the Armistice, at the time of the greatest rush in history for trans-Atlantic steamers, when Dicky had about concluded that the quickest way home to New York would be around by Asia, a sepoy on leave crossed the city of Paris from the cantonments in Lourdenvoie, and asked to see the American at the Garonne.

“You are Richard Cobden?” the young Hindu said, when the room door was closed.

Dicky nodded, a certain gladness in him that he did not understand. At the same time he was intent in a scrutiny of the caller’s face—a youth, but very worn.[212] Something about the eyes made the American think of a camel.

“Yes.” Now Dicky knew that it was the patience in the young Hindu’s eyes that made him think of a camel.

The soldier bowed. “It is well. I was told to be assured, before giving you the message. It is this: That the curtain has risen, the play begun, and that a seat is reserved for you.”

“That need not be changed, since it was added for me to say—that it will be well for you to travel westward rather than to the East.”

“Only say to Nagarjuna—that I, too, hope to come for the end of that play.”

PIDGE MUSSER had moved around in an indescribable “deadness” for several days following Rufe’s departure, before it landed on her, theme and all, that she could do a book. Almost four years had elapsed since she wrote the Lance. One Sunday morning after the new work was begun, Pidge took out the old story from the drawer under the wavy glass, and glanced over the pages, a puckered smile on her lips. Then she took the manuscript down to the kitchen range, and there was a hot fire for a while.

The new writing was not so simple and flowing. In the first place, there were only Sundays and an hour or two in the evening; but more than that was the fact that she had learned so well what stories long and short are not! She was now in the toil of technic, which is a long passage. First the freedom of ignorance—“A man’s a fool before he learns technic,” John Higgins had said. “He’s a cripple while he’s learning it. When he’s learned it, and forgotten he’s learned it—he begins to be a workman. That’s the freedom of knowledge.”

The old editor didn’t know he had “said it all” for Pidge Musser that day as he looked up from Rufe Melton’s story. She wouldn’t forget. Edit and rewrite—some[215] evenings with nothing but a torturing inhibition to go to bed with. There was no other way. She was tough and broad shouldered. She could toil. She had an instinctive awareness also, that the deadliest danger in the whole scheme of things for her, at least, was to brood inactively. Piled up energy to Pidge meant inevitable disruption.

The Public Square was staying alive under the energy amassed by the family of trowel makers, but John Higgins wasn’t standing the punishment of the days. Pidge saw him falling into the fear of small things. Among other institutions he hated was the U. S. Department of Justice, but this department was hot after him and he was bluffed at last. The climax had come upon the arrest of a famous pacifist, when John Higgins was cornered with the necessity of silence. Since there was no outlet in protest, his venom turned in on himself. His periods of “illness” were frequent, and Pidge had a great deal to do. His old reaction against her marriage was apparently forgotten, though his temper was unreliable. He was using her now as never before. Once in a while, he would look at her long and queerly, and often he said, “I wish Dicky were here.”

In April, 1918, about the same time, a book and a boy were born in 54 Harrow Street. Pidge was present at both deliveries. The enactment of the boy’s coming required a full night; and during the next day, her activities at The Public Square were remote to[216] Pidge, who had shrunk so deeply into herself from nausea and a new kind of fright, that the meaning of outer events was distorted and ungrippable. John Higgins didn’t miss the fact. In the drag of the afternoon, she was called to the telephone—Miss Claes on the wire:

An hour later, between five and six in the afternoon, she was in the Harrow Street house, looking down into Fanny’s face which squirmed from side to side. The eyes moved around the room and finally fixed on Pidge.

Fanny lay a moment in pallid anger. Then her eyes slowly opened wider, stretched, filled with astonishment, part rapture, part fear.

“Why, Musser,” Fanny said in an awed tone, as one listening to a far sound, “Holy Christ, I’m dying!”

A queer little dud with his black hair that stayed[217] combed. No telling what he knew any of the time. He didn’t open his eyes so that anybody could catch him at it for several days, but the nurse never would have done raving over his black lashes. Finally Pidge heard the news—that the eyes weren’t black after all, as the hair and lashes would indicate, but a dense blue.

“He’s going to be a soldier—such a soldier!” the nurse exclaimed. “I know I’ll die when I have to leave him.”

Pidge’s lips worked without sound, and then a funny little twisted smile stayed there—that made Miss Claes love her as never before.

RUFE MELTON came home to find life not the same. Matters had evolved while he was away about his country’s business, matters that didn’t please him now. He had rushed to Pidge. As the steamer approached New York, a novel and unforeseen eagerness awoke within to get to her, but she hadn’t put off her Arctics. Besides, off duty from her editorial job, there was an infant in her arms for the most part—a seven-months-old male infant with combed hair, that had looked into his face and begun to yell. Rufe took this as a personal affront. He had supposed it hers at first.

Harrow Street furnished the statement and proof, however, that it was Fanny Gallup’s, who was dead.

Rufe stood it for two days. “This can’t go on, Pan. I’ve got to get to work—no nerves to work in this racket, since I was gassed——”

Under his surface anger, she saw the old look of hurt wonder that harrowed her so.

“Come back—any time, Rufe—come whenever you can. Always a place here, you know.”

WHEN Dicky Cobden reached New York, he found that Pidge had been called to Los Angeles, because her father was ill. It was an evening in mid-January, 1919, and he went at once to his mother’s house in Fiftieth Street. The strain of waiting for his home-coming had been almost too much there. Grandfather had flickered out; his bed and chairs gaped and would not be comforted. Dicky went into the living arms, however, and found rest and gave it. His mother and aunt and sister livened up like plants, newly-watered. He was queerly astonished to learn that Pidge recently had called upon his people—“just a social call,” his mother said.

Outwardly things looked as hopeless as possible at The Public Square. From his latest retirement to his rooms for a change of luck, John Higgins had been taken to the hospital, instead of returning to his desk. It was a gray-faced old man that Dicky found in the early morning of his first full day at home, in a room that smelled of drugs. The face didn’t look at him squarely. The light hurt John Higgins’ eyes and made the features writhe. Dicky wanted to move around to the other side of the bed, so the face would be shaded, but his old friend was gripping him with both hands.

It wasn’t the unshaven white stubble that changed the face so much as the quiver of the upper lip, when John Higgins spoke.

“Indigestion—all kinds of indigestion. Damn ’em, Dicky, they’ve made me eat my own words——”

“The most pestiferous public nuisance ever organized—Department of Justice.”

Dicky did not need to be warned against the bête noir. Its shadow was upon John Higgins’ face.

“I rather liked yesterday’s issue,” he said, “and they tell me that the next two numbers are practically made up.”

“No. I called up from home at breakfast. That’s how I heard you were here. Just off ship last night——”

“My turn didn’t come—everybody dying to get home since the racket stopped.”

“I’m looking for you to buy the rest. My equity is on the market. The Public Square is alive, but it’s not my fault.”

Dicky looked bewildered. A glint of the old humor had come back to John Higgins’ eyes, as he added:

“Suddenly discovered she had a father who couldn’t be denied. Ripped out of here on the fifth and left a hole in every department.... They say I’m done with the desk for a time. I knew it without them telling me. I’d have had to wire her to-day or to-morrow to come back, if you hadn’t turned up.”

Dicky’s thoughts now became busy adjusting to the fact that John Higgins wasn’t returning to the desk at once.

“I know when I’m done,” the old man repeated. “It’s taken nearly sixty years, but I know. You’ve heard about the serpent that stings itself to death in captivity?”

“It’s just the chafing of the muzzle, John. You’re not stinging yourself to death——”

“We all have our little code, Dicky, and I haven’t been true to mine. Your paper’s alive, in spite of what I would have done. My code pulled me the other way—against you—but that little thing stood by your interests. You’ve got her to thank, not me.”

“They were doing things in this country that I knew about——” the old man shut his eyes, as if in[222] nausea—“but she kept me still. Then they arrested an old friend of mine—man I’ve known for thirty years—man who loves his country all the time—as I do not—and they arrested him. One Sunday morning I wrote my little say about it all, and as I wrote, I heard them singing ‘Nearer, My God, to Thee,’ in a church down the block from my rooms. That’s what I called the article. I was sober. I wrote for all days, and every year I had lived went into it—all I was. I was willing to throw you—a little matter of money which you could afford. I was throwing myself, but I was pleased enough with the story to show it to her Monday morning, instead of sending it down to the composing room.”

The narrative halted for several seconds. Dicky moved around the bed to rest the old man’s eyes.

“That little tumult had me bluffed from the beginning. She barred the way to the printer, that’s all. I thought she was done for when she married Melton, but she came back stronger than ever.... Barred the way, Dicky—put her arms across the door. ‘You can’t do it, John Higgins, you can’t send that down. It’s just wanton destruction. It won’t do what you hope. It won’t help your friend, but make life harder for him and for all the C. O.’s. This isn’t your property to waste. My heart’s in it and Dicky’s money’s in it——’ Well, she had her way—and the thing turned in on me—my own words. My organs of assimilation weren’t strong enough to get away with it.”

Dicky gripped John Higgins’ shoulder. The old man[223] added impressively, “Dicky, I’ve sat at the desk for hours and studied how I could ever tell you this one truth! I haven’t written a decent line since that article! My old side-wheeler doesn’t work—that’s the size of it.”

“I’ve studied how I could tell you. It doesn’t seem quite so hard this morning at the show-down—but she’s written all the decent stuff that’s supposed to come from the Desk.... I mean what I said. I’m for sale. I’ve put it to you straight—the worst. But the paper’s alive and the books are for you to look at. Times are getting freer. The next two issues will get out themselves. It’s all I’ve got——”

“No. That would be a drain. That’s morals possibly, but not business. I want to sell, Dicky, and what I ask won’t break you. I thought for a while I was done for, and I made out my part to her. That would be simple—but the old hulk still floats—so I have to have some money.”

Now Dicky dwelt reverently upon the old man’s secret. Only one thing could have prevented John Higgins from getting his masterpiece into print; also John Higgins had made out his single possession in the world to Pidge—when he thought he was done for. This thought now electrified Richard Cobden. He wanted events to turn out this way with such one-pointed[224] fury that he forgot for an instant that it entailed the death of his friend. But some time Pidge must have this gift—some way—John Higgins’ life work! Dicky arose. The fact that he could do nothing right now required extraordinary self-control.

“I’ll look the whole property over to-day and tell you to-morrow morning, John. Be sure it will be all right for you. We’re——”

“... Bert Ames can help you for a few days until she comes back. No better Washington man, anywhere, but Bert knows the desk work, too.... Wait. I’ve got to tell you before you go how he dropped in to see me, day or two after he came back from France. I asked him if he’d seen you. He rather allowed he had—and launched into the story of your saving young Melton from the clutches of the French family. Couldn’t stop him in time. He hadn’t the slightest notion that the woman at the desk yonder was Mrs. Melton.”

“It didn’t knock her out. That’s the queer part,” John Higgins added. “... Get Bert Ames. There’s one man who isn’t doing any damage to you as he loafs around New York.”

“I’ll be back to-morrow morning,” Dicky said. “Where’s Melton now—Los Angeles?”

DICKY was in the street and it was still only ten in the morning. The first thing he did then was to telegraph Pidge of his arrival; that all was well, and for her not to hurry. He spent the day at The Public Square offices studying the books, reading up in the files. He fancied that he found an aggressive sort of integrity here and there through the systems, that was familiar. The publishing property had weathered the war; it was a building base. Dicky found much that he liked, but fought enthusiasm—fought back a rush of possessive impulses, until he was tired.

At six, when he reached Harrow Street, for the first time, he was not permitted to use the key to the street door that he had carried so long, for Miss Claes met him at the basement entrance. He had heard her voice over the telephone in the morning, but had not remotely anticipated the stir of feeling that the sight of her awakened. No emotionless reporter about Mr. Cobden at this moment. He followed her to the open fire; the door was shut. They stood together in silence, and he had never seen her look so well.

“Why, Miss Claes, you are just the same!” he was saying. “I mean, all day I have been seeing the ravages[226] of the war years in the people at home, in John Higgins, in everybody. But you——”

Firelight and a fragrant room, and the stillness of Harrow Street. Miss Claes was speaking of Nagar—of Pidge—of Pidge and the child—of Rufus Melton—of Fanny Gallup—of himself—as if they were all one, all blent in destiny.... Pidge had taken the child to Los Angeles.

A ring at the street door! Dicky watched Miss Claes’ face as she left the room, purse in hand. She returned in a moment with a telegram for him.

Welcome home. So glad to hear, so relieved. Needed here a little longer.

Pidge.

The door shut again.... Miss Claes had heard of everything—even of his experience with Rufe Melton in Paris, and from Pidge what Ames had told John Higgins.

“I should have put Ames wise about that,” Dicky told her. “It was pretty hard to have Pidge hurt that way.”

“She brought home the news exultingly,” Miss Claes said. “Hurt, of course—her old sorrow for Rufus Melton, but a compensating gladness, too. You would have to be a woman, to feel exactly what it meant to her. Pidge learned that day that you were close enough in sympathy to share her work. That was light to her out of the depths.”

[227]“Pidge accepts no revelations from the sacred writings,” Miss Claes added. “Only messages of action count with her. Your action in Paris freshened up her life—that you had been brave enough to help her with her task. And how richly Pidge will pay!”

“All that matters now is that it is done. One crosses a goal, or one does not. The rest is forgotten.”

He told her of John Higgins and The Public Square; of his talk in the morning and the day with the files. She inquired regarding details, mechanical and commercial—her same old rational grasp upon materials. Of course, he did not speak of John Higgins’ secret, nor of his own possible purchase. It was a matter of mercantile tradition in the Cobden house not to discuss an incompleted transaction; but he told her of Pidge’s part at the time of the arrest of the editor’s old friend.

“John Higgins calls her ‘The Weekly,’” he added. “He says it was Pidge who kept the paper going.”

Miss Claes turned to the fire to smile. Dicky didn’t notice. He was lost in the problem of how John Higgins could give half-interest to Pidge, and sell it to himself at the same time.... They were speaking of India.

“Of course, I’ve arranged to go,” he said. “Nagar promises the story of the age——”

“Nagar sent his message here for you, in case you did not receive word from the sepoy in Paris—‘No haste, but no delay.’”

[228]He started. This house of Harrow Street seemed like an office of all the world to him to-night.

“... The hardest part is with my people—for me to go away again,” he was saying, a little later at the door. “Of course, they can’t understand—my mother and aunt and sister. Everything looks all right, except that—leaving them so soon again.”

“Perhaps I can help a little. I’ll go to them often—while you are away.”

“That’s quite too good for me to think of,” he said, and told her of Pidge’s call. “Why, Miss Claes, I haven’t known what it meant to be rested and straightened out like this—since Ahmedabad,” he said at last.

“Don’t think about it. Don’t analyze. Just—go to them—and come back when you can. This also is your home always.”

DICKY was riding westward through the citrus groves of the last fifty miles into Los Angeles. Eight days in New York; there had been no public announcement of a change in ownership of The Public Square, although John Higgins had retired and new energies were actively in operation. The old editor’s faith was gone in himself, but anchored all the tighter to the son of the trowel makers.

The great Range was crossed. All the forenoon the air had been clear and cold, but at noon the Limited had slipped down into San Bernardino, into summer and fruit fragrance. Now it was two in the afternoon and Dicky looked out upon one little town after another, the like of which he had never seen before. Sun-drenched and flowery towns; breathing-spaces between the houses and vine-clad trellises; and everywhere the great orchards, sometimes palm-bordered and often with rose-covered fences of stone.

A hundred times he had repeated this to-day. There was loose in him a power of feeling which made the days of his straight unemotional reporting look like a feeble affectation. Coming into the harbor of New York less than two weeks before, he had learned to[230] accept the emptiness of life. But since then, curiously enough, a new order of content had filled him. Was it necessary to be emptied of the old entirely in order to be filled with the new?

Pasadena was behind; the Limited was running down grade into Los Angeles; then momentary halts with Mexican faces turned to the car windows—Chinese faces, a tangle of freights—finally a slow down, and on one side, groups of up-turned faces, expectant, some strained to an intense kind of pain to catch the eyes of their own.... The bags had to be put out. There were people in front of him; he was shut off from windows.

A white limp-brimmed straw hat pulled down over her ears like a bonnet! A taller Pidge—no, she was standing on her toes to look over the shoulders of the crowd. Now she saw him; her eyes blinked, her shoulders lifting quickly. He moved slowly, positively not crushing anybody. Her hands were raised—one higher than the other, the fingers apart. They stayed so, until he pressed against them. She was taller. Their faces were so close—both shaded for an instant under the wide brim of her hat. He had been looking into her eyes; then they were too close to look into. It seemed neither had anything to do about it. He hardly dared remember.

Some one near by knew a happiness that shrieked. They walked away from the many voices. Then he realized that he was carrying his two hand bags.

He checked them. They walked to the other end of the yards where the big palms called.

“I think—he’s better. You heard about the baby—Fanny Gallup’s baby?”

“I brought him west with me. He’s in Santa Monica now, so I’ll have to hurry back. You’ll come?”

“My steamer trunk can wait here for a day or two. I’d better get my small bags——”

He unchecked them.... In the city car to the interurban station, she said: “Oh, Dicky, it’s so good.” Then after a pause, she added: “We don’t need to talk about ourselves.”

“I can show you around. It’s hard for me not to be troubled about The Public Square——”

“Everything’s all right there. I’ll tell you everything[232] when we get on the other car. You’ll like it all.”

“I arranged with Nagar, before I left. It’s the story of the age, he says. After that——”

They were in the Santa Monica car, on the way down to the ocean. She had shown him Hollywood, pointing out some of the moving-picture plants.... If he could only keep calm now—and not rush out to seize the incredible little attractions of the moment! It seemed so important to keep calm right now—as if this were a sort of trial trip. He must be able to move right into this light without flinching—must endure all delight in stillness. It wasn’t like repression—this that was called of him now, but faith. The wonder of it all was her perfect fearlessness with him. Their old word came back to him—comrade. He almost spoke it, but stopped in time. He must live it. But why all this holding back—after years of holding back?

“... So he won’t be coming back, I’m afraid,” he was saying of John Higgins. “He understands that his desk is there for him as long as he wants it, but he doesn’t encourage any one to believe he’ll use it again. I told him he could do Washington, and leave Bert Ames on the desk for the present, but he only shook his head.”

“I saw it coming,” said Pidge. “Oh, I’ve seen it for a long time. There was never anything I could do to help him. I never can really help when I want to.”

[233]He felt she was thinking of Melton. She was, but she was thinking of Fanny Gallup, too.

“He has no relatives,” Dicky went on, “but it’s arranged for his income to keep up; anything he wants to do for the magazine——”

“We’ve taken on young Bothwell for the advertising, and given him a little fund to work with,” Dicky reported. “Bothwell isn’t a plunger, steady sort of genius in his game. The idea isn’t to plunge in any department—just to work softly and slowly and steadily, giving everybody his money’s worth. Also, if a story or article just suits, we mustn’t let the price stand in the way any longer.”

“Bert Ames has two or three good ideas to work out at the desk before he leaves for Washington.”

... He coughed. “It isn’t like the desk in the old sense. We have talked about that. Pidge, I’m wabbling a bit, but the desk is yours.”

They were sitting in the windy front seats. She appeared to be looking into the back of the motor-man’s neck.

“This isn’t reward, this is your place; no other can hold down the job. You’ve done it for months. There[234] wouldn’t have been any Public Square, if you hadn’t. I know all about the ‘Nearer, My God, to Thee’ story, and the editorial paragraphs and how you have kept up the reviews, and somehow got stories without money and without price. John Higgins told me everything. It isn’t giving you reward. It is only going on as you were, with some money to work with, and two or three good men to help, and a salary for yourself that will make up in a small way for the pittance you’ve been living on for years.”

“I mean we’d be the laughing stock of New York, if I perched on a desk, calling myself the Editor.”

She halted, thinking of what Miss Claes had advised about her authorship of The Lance of the Rivernais.

“I’ll do what I can until you come back. It must be managed very silently. No announcements. I’ll be there as I was. I’ve been thinking a lot. The Public Square—I know how dear it is to you, Dicky. It is to me, too. It will be wonderful to have some money to work with. I know about Bothwell. He’s the right man for the advertising.”

“I left it open—for you to choose the one to help you when Bert Ames goes over to Washington.”

Her eyes turned to him directly now, searchingly. There seemed to be something intelligible for him in them, but he did not divine the meaning.

[235]“That’ll all work out,” she said presently. “We mustn’t try to plan it all now.”

“Oh, Dicky,” she said, “if I’d ever get self-conscious about feeling all the responsibilities of The Public Square resting upon my shoulders—I’d muddle the whole business in a day!”

“Yes, but I didn’t stop to think.... In another minute you’ll be able to see the ocean!”

They were silent. Then she pointed over the motor-man’s shoulder, and he saw a vast stretch of leveled azure, like sky ironed out smooth.

“And—you’re—going—across!” she said suddenly—“still after the Big Story that you’ve always been looking for. And oh, Dicky, I’ll go to see them when you’re gone—your mother and aunt and sister.”

“Dicky,” she said solemnly, “when they told me what you’d done in Paris——”

“And when I remembered that Sunday afternoon you took me to your house—and what a beast I was—oh, how that hurt! I’ve been so sorry and so grateful.”

He had seen Pidge with the baby in her arms. He had held the baby himself, in fact, while she got breakfast one morning, and their laughter had disturbed[236] Mr. Adolph Musser, who felt that the world was no place for such laughter with his nerves in the condition they were.

Pidge gave him a look, and went on timing the eggs. Mr. Musser’s egg had to lie three and one-half minutes in water that had ceased to boil.

He had held converse with Mr. Musser, which was an experience. Mrs. Rab Gaunt Hastings had gone her way after a series of such experiences, her fortune undivided. It had been said that the undivided nature of her departure was in a measure responsible for Mr. Musser’s nervous breakdown, though he explained it metaphysically. Since he could not be left in his weak state, it was arranged for him to return with Pidge to New York.

“I have known for many months that the field of my labors was to be amplified,” said Mr. Musser, with one of his sudden hopeful flashes. “My illness is but a cleansing in preparation. Always the wrecker before the builder. My throat, for instance——”

Pidge called at this point from the fig tree back of the bungalow. It was their last day.... For seven days they had walked the sunny silent mesas, traced the interminable canyons, and miles and miles of curving shore of the sea. To-night for him, the Valley train to San Francisco; to-morrow afternoon, the Pacific[237] Mail steamer.... She had spoken of Rufus Melton for the first time.

“They frightened him into it,” Dicky said. “It seemed to me as if Rufe looked upon it as a way out—then found that they didn’t mean to let him escape, even then.”

There was no suffocating emotion about this talk. It was only in moments like this that he understood that he had earned something through the years. They had to go back to the bungalow for lunch with the elder and the child, who objected to each other. There was only a little while alone in the afternoon, because he had to be in Los Angeles for his train at six.

“I started things going among the agents in New York, for a serial,” he said at the last, “but you’ll have to decide. We want a corking long story, Pidge—one that has brain and brawn——”

She would have gone into the city with him, but he objected: “You would have to come back alone!”

“It’s work, now,” he said. “We go opposite ways for the same job—the Story of the Age.”

[238]They stood in the superb sunlight at the edge of the escarpment. Hundreds of feet below was the old abandoned bathhouse, and the three white lines of surf pressing into the land, like tireless fingers of a modeler upon the clay. To the left was the portal of the Canyon, to the right the fallow lands with feathery brushes of eucalyptus against the sky.

“We’re all meshed yet, Dicky—meshed in wantings and struggles, all tracked up with recent experiences. We can’t see each other clearly yet——”

He was looking into her face in half profile. Quietly it had dawned upon him that he couldn’t have spared a single one of the hard days of the past five years, not a single one of the black patches, even. They were the dark rooms in which this present striking film had been developed.

She was speaking, but still he didn’t hear, for that moment in the superb sunlight, he saw Pidge Musser as he had never seen her before.

DICKY reached Calcutta toward the end of March, 1919, and had no difficulty in learning that the Little Man would be in Bombay within a week. Where Gandhi was at any given time in the Indian Empire these days was the most public of all facts. It was as if one entered a house and asked the children where their mother was. Both the native and English press were full of his sayings and doings, though he was seen and heard, of course, from different angles. The Rowlatt Bills had just been passed, and Dicky painstakingly looked into the nature of these.

He heard that Gandhi was ill; that he scarcely could stand, in fact; but that he was speaking to great throngs every day. A few days ago he had talked to thousands on the Beach at Madras. Since then he had traveled to Trichinopoly, to Tuticorin, to Negapatam where he had addressed a monster gathering in the Nazir gardens, pledging the people to Satyagraha by thousands, and warning them with terrible warnings before they pledged, that the step they took meant self-suffering; that they must not use violence against the Government in thought or deed.

Dicky crossed to Bombay immediately, hoping to find Nagar there. On the train a young officer of the[240] military who had come from Singapore on the same ship with him, met an elderly friend of the civil service. They talked in Dicky’s presence.

The elderly departmental officer smiled. “That’s what they all ask at first,” he said.

“He is also preaching nonviolence. British Government hasn’t a better friend in India at the present hour than this same little barrister. The people are upset over the Rowlatt Bills, and Gandhi is calming them down. Arrest him, I think not!... We have much to thank Gandhi for. He helped along enlistments, and now he preaches nonviolence. It’s all religion with him. He’s a political saint. The thousands follow him like a Messiah. Pretty safe sort of thing, to have a Messiah around advising the multitudes to turn their other cheek. Not that we’ve slapped one, you know.”

In the sweltering core of the native city, Dicky found the house which Gandhi used as headquarters while in Bombay. Here a letter awaited him from Nagar, written at Lahore, advising him to look to Mahatma-ji for counsel; and hoping that they would soon be together. In his room Dicky sent out for an armful of recent newspapers and publications, determined to get the situation further in hand.

... No question about India being a bit stunned over the passage of the Rowlatt Bills two weeks before. These measures provided that the ordinary criminal[241] laws should be supplemented, and certain emergency powers added by the Government to deal with anarchical and revolutionary movements. The shock to native India lay in the fact that she had been led to expect that the measures adopted during the War would be mitigated, rather than intensified at this time. And Mahatma-ji was on the war path of the Soul.

Gandhi reached Bombay on April third. He was followed by a great crowd from the railroad station to the house of his host. Dicky, who had watched from a distance the emerging of the Indian idol from his third-class coach, wondered if he were ever again to get the Little Man alone in a room as in Ahmedabad. He hadn’t been in the hotel an hour, however, before he received a message to accompany bearer to Gandhi’s headquarters.

The native led him through the crowd without difficulty, and to an inner room where Mahatma-ji sat alone, both hands extended. Dicky sat down on the empty cushion before him.

“It is good to see you again, Mr. Cobden.... I regret that I was not in Bombay when you arrived; especially since it happened that Nagarjuna was needed in the north at this time, but we cannot think first of our own affairs. I am expected in Lahore on the tenth, but doubtless you will start for there or for Amritsar, which is very near, before that. Nagarjuna is now in Amritsar.”

“My way of travel is not yours, I am afraid. It might be interesting enough for just one journey, but I question the judgment of it. To be seen too much with me is to become persona non grata to the English. This would prove a detriment to the work you are to do. Remember that you are an American, and that basically the American spirit is above partisanship.”

Gandhi was slightly changed. The wasted body was even lower on its cushions. The look of intense weariness was still apparent, but the look of fearlessness was enhanced. Dicky heard the humming of the charka in the next room as before. The fragrance returned to his nostrils. The old feeling stole over him of eagerness to do something for the physical welfare of the man before him, something to make the mere enduring of life easier.

“Physicians tell me that I should be very quiet,” Gandhi explained with a smile. “It is true that I was unable to keep all my appointments to speak on the other side of India, but in the main I am very active. The human body may be made to do what is required of it, after a fashion.... Yes, there are many changes. Our position is rapidly becoming one of direct opposition to Government. We were slow to realize these things.... Our movement depends for its success entirely upon perfect self-possession, self-restraint, absolute adherence to truth and unlimited capacity for self-suffering. In this manner only may we dare to oppose the Rowlatt legislation, and resist[243] the spirit of terrorism which lies behind it, and of which it is the most glaring symptom.”

Dicky’s reaction was queer. He understood the point about the Government daring to leave this man at large, but didn’t Government see deeper than this placid mask? Of all keepers of the peace, Gandhi was apparently master; but in the fearlessness of the eyes that gazed on him now, Dicky fancied for a moment, at least, that he saw what British Government did not. The Little Man suddenly appeared to him as the living embodiment of the Enemy to all existing Governments, utterly terrible in stillness and poise. At the same time, Dicky didn’t lose for a moment his feeling of pity for the wasted figure before him, that tenderness which he could not even have explained to an American.

“... I see you have been faithfully at work, Mr. Cobden,” the Little Man was saying now. “Some time I would have you tell me of your days on the French fields—what you found there after India—whatever you care to speak of experiences which evidently have brought you forward in kindness and understanding and peace——”

“It is well for me to tell you, but that is sufficient,” Gandhi added. “These are our affairs, not yours——”

“We have a saying that one who is coming forward in attainment must not delay his progress by pausing to contemplate or analyze himself. One’s attainment[244] rightly is the joy and affair of every other being but that one.”

Dicky now felt that there was something to report to America in the story of Gandhi and his following of millions. For three days he was with the Little Man, morning and afternoon. Very sternly he had impressed upon himself the fatuousness of expecting anything like the old “miracle.” There was no need for that miracle now, Dicky informed himself gravely and repeatedly, for something of Pidge Musser ceased to be alive in his heart at no time, though much pain of yearning was connected with it and pity and human questionings. He had learned well by now that all really important experiences are spontaneous and can only steal into a mind that is emptied of anticipation and its own inferior pictures.

But on the third day something came to him—as fruits from his dreary months of France. He had been speaking to Gandhi of the hideous directionless campaign days there. Suddenly, as he himself talked, the American Soldier in composite was unveiled before him—the game and grinning Yank, who had held fast in faith to but one thing under smoke and sun, against shock and night itself—his sense of Humor, the fun of the thing.

Dicky saw the Yank, now. That was all there was to it. In the dark room of France the picture had developed and the presence of Mohandas Gandhi now brought it out to the light. It was Dicky’s for all time, and his eyes closed with pain that his old friend John[245] Higgins had missed it—the one thing that one needed to know, to keep one’s faith in America, and to gamble even to life itself that the new order of nobleman should one day arise with laughter.

... He walked the streets of Bombay afterward, and then wrote to Pidge late at night, though he was leaving for the north early in the morning. It seemed he could not wait to tell her. All the meanings of New York that he had caught as a New Yorker, in his own home and in the house of Miss Claes, as an exile in Asia and correspondent in France—fused into a sort of splendid synthesis at last.

He saw ships coming from all Europe to New York Harbor—coming in through The Narrows bearing the emigrants of all Europe—passing under the Statue of Liberty—tiny seeds diffusing into the vast crucible of The States, running out from the meeting point of Manhattan on all the red lines of railroad, into all the green rivers, planting themselves in all parts, for the emerging of the New Race at last—the Laughing Men, the dense physical model of which he had seen in France.

“NO haste, but no delay.” Gandhi had used the very words in suggesting that it would be well for Dicky to join Nagar in the north. The American telegraphed that he would reach Amritsar on the evening of the ninth, and made his way northward leisurely, stopping over in Cawnpore, for a full day. It was in Cawnpore, toward midday, after a two hours’ ramble in white dust and the killing colorless heat, that Dicky halted in the shade of a little grove of mangoes. He took off his helmet and mopped his brow with a piece of silk already damp. In the shade, at a slight distance (his left foot twisted into the ground), sat an ascetic who kept on with his muttering, not turning the way of the American.

The look of an iron statue suggested itself. There were ashes, and worse, in the holy man’s hair, and in one empty eye socket. The hands were held out in space—twisted, seared hands, but so moveless that Dicky thought of the iron statue again. The wrists were thick and very strong. Cobden squinted his eyes back toward the pitiless Indian street, and then he perceived the Hindu’s face turned to him. A single vivid eye held him, as by the scruff of the neck. The voice was deep and resonant as from one who had learned to[247] breathe, a rare art. The words in English were quietly spoken:

“It is written, my son, that you are to come to the end of your search within six days.”

“So it reads in the crystals. To one who truly reads, the tale is one—whether read in the crystals or the stars.”

The holy man lifted from between his thighs a handful of stained and rusty stones.

“You will go to a wall,” he added studiously. “You will enter through the gate of the wall——”

“Who knows? I see the wall. The end comes within six days, and there is tumult.”

The deep voice of the hathayogin went on: “The crystals foretell, but the wisdom and daring of man forestall. Had you not come to this tree, there would be no hope. As it is, you may come again to-morrow at this time.”

“I’m afraid not, father. Whatever wall it is, I shall be one day nearer it, to-morrow.”

Few would have noted the faint film of pallor under Dicky Cobden’s tan. As white men go, he knew something about the Indian holy men. The more he learned, the more he respected certain rare types. There is a saying in India that the real mystic never begs. Dicky[248] determined to learn the quality of the man before him, for he arose now to depart without offering a present in money.

“Perhaps, father, from this meeting, I shall be wiser to face the fate that awaits me at the wall.”

“I cannot take what is not altogether my own,” the American laughed. “I am saying good-by now.”

He walked slowly out of the shade of the trees. With each step, his blood chilled a little, in spite of noon heat. He thought of The Public Square, of Pidge Musser at the desk there, of Harrow Street. Death had to come some time, but life wasn’t boring him just now. The sunlight of the open stretch stung his eyes with great weariness. The deep voice called from behind:

Dicky halted and returned, looking down into the apparently guileless and desireless eye. “Alms for the temple in Cawnpore,” the lips intone.

“By all means, father,” the other said, no visible change upon his face, as he placed in the palm of the beggar several bits of silver from his purse. In the burning day again, he lifted a tired smile to the sun. No true mystic, perhaps, but what had this man seen in the crystals?

NAGAR took him by the hand at the railway station in Amritsar on the evening of the ninth of April, 1919. The need for many words seemed past; there was quiet gladness. Dicky took up his quarters in the Golden Temple Inn. Under the lights at the entrance, as he passed in with Nagar, groups of Mohammedans and Hindus stood together, with self-conscious but eager shows of mutual friendship, and the American rubbed his eyes.

If there was one thing in India that could be counted upon like Government itself, it was the mutual hatred of these two great divisions of native life. Dicky had heard in recent days much of the swift breaking down of these barriers, under the influence of Mahatma-ji, but he had seen no example of it working out like this under the lights of the Inn.

“But what do the English think when they see the Hindu and Moslem kowtowing to each other—as at the door below when we came in?” Dicky inquired.

“The Deputy Commissioner, the highest English civilian of Amritsar, looked upon a similar spectacle to-day,” Nagar said. “I did not hear him, but he is reported to have remarked, ‘There’s going to be a row here,’ and drank much cold soda water.”

“I have been working among the students at the college of Lahore, and now here in Amritsar, working with the young men and women.”

“The Government regards him as harmless because he speaks of Soul-force. It deals with precedents; Mahatma-ji with ideals——”

“I remember,” said Nagar, “hearing the school children in New York sing, ‘John Brown’s body lies a-moldering in the grave, but his Soul goes marching on.’ A spiritual beginning never stops. Mahatma-ji has already brought his few spiritual principles into matter, into action.”

“Night and day Mahatma-ji has been preparing his entire people to stand quiet and hateless; no matter what happens to him,” Nagar went on with a smile. “He tells them that in the event of his imprisonment, or even of his martyrdom, they would only wound his spirit, by answering the shedding of blood with blood——”

They talked late. For fully an hour after Nagar left,[251] Dicky sat by the open window, smoking to keep the insects away. Tobacco did not entirely quench the stale tired smell of the town. Even after he put out the light, sleepless hours passed, so it was late in the forenoon when he awoke, hearing cries in the street below. He crossed to the window.

“Hindu Mussultmanki jai!” a voice cried. This he took to mean a native impulse to promote Hindu and Moslem unity, or something of the sort. Also he heard the cry repeatedly, “Mahatma Gandhiki jai!” Also Gandhi’s name associated with the names of “Kitchlew and Satyapal,” native leaders in Amritsar, of whom Nagar had spoken last night. Presently there was a knock at his door. A serious but friendly young Hindu in student’s garb bowed, entered and walked to the center of the room, saying in careful English:

“From Nagarjuna I have come to be at the service of Cobden Sahib for the full day.”

The student bowed again and proceeded: “My name is Lala Relu Ram and I am glad to come and make you acquainted with the disposition of the city.”

“My people are gravely disturbed. Doctors Kitchlew and Satyapal have been sent for by the Deputy Commissioner Sahib. It is feared for them by my people.”

[252]“In the terms of public speech they have cried out—also against the Rowlatt Bills, and for the amity of all peoples in Amritsar, Dr. Kitchlew being a Mohammedan and Dr. Satyapal a Hindu, which is anomalous.”

“I’ll be ready to go out with you in an hour or less,” he said. “Would you not like to go down and get a line on what is going on?”

The student confessed that he would, but plainly the American idiom “get a line on” fascinated him. He paused to inquire, and Dicky explained.

“That is very good,” the student observed. “We are taught that the language of the future is to be made of most flexible symbols. I will get a line upon what is in the air and return.”

He was back within a half hour saying that the worst had happened. Doctors Kitchlew and Satyapal had been arrested under the Defense of India Act, ordered to write farewell letters to their families, and been driven out of town, their destination unknown.

“My people are gathering to go to the bungalow of the Deputy Commissioner with a faryad (petition) that will remonstrate very firmly,” the Hindu boy said.

“We had better be there, don’t you think, when the doings begin?” Dicky inquired.

[253]They heard the slamming of boarded shop windows in all the native streets. The word for suspension of trade had gone abroad. The two pressed through gathering groups all making their way in one direction.

They had passed through a stretch of bazaars and before them now was a carriage bridge over the railroad right of way. On the bridge, they were packed tightly in the throng by the railings on either side. In a moment, the crowd in front halted and surged back. Lala Relu Ram gripped his arm queerly. Now they heard voices far ahead—angry voices in English—demanding the people to disperse. The van of the crowd had been confronted by a police and military piquet, but the pressing forward did not cease.

“My people are refusing to be stopped. They claim the right to make their plea,” the student whispered.

Dicky was sinking himself into the purpose of the populace. As ever from his training, he sought to clear his mind of preconception and self-interest—so that the events might write upon a clean surface. Just now a shot was heard; a bullet sang overhead—then a volley. It was not until that moment that he remembered the dusty twisted ascetic in the mango grove at Cawnpore. But that was only two days ago, and where was the wall?

He found himself in the very quick of the Indian people—under the cuticle of India herself. India the timid, the terrible; India talking of Soul-force; India running with its faryad to the ranking English representative[254] of Amritsar; explaining her griefs and her hurts to herself and to the English, seeing neither the humor of her plight on one side, nor its grimness on the other; India led about on a string which she might have broken with the flick of a finger.

That was what India had always seemed most like to Dicky Cobden—hathis, the elephant, gentlest and strongest of creatures. For many generations she had been banged about by the shouts and blows of the white mahout, who was not in the cult of elephant lore, never a native of her habitat. He had made her stand around according to his own ideas—India, the great female elephant, full of tremors and flutterings; of vast strange delicacies and uncomputable powers.... Now she was leaving her white mahout to follow about a little black man with an invisible string.

Dicky heard the voice raised now in the lull that followed the first volley.... A little black man with an invisible string, called Soul-force.

One with the crowd, he felt its galvanic jerk of ugliness pass through himself. The murmur of protest that now arose from the open mouths was like something from himself—as if his mouth, too, were open with sound. A bearded native in soiled white garments turned suddenly and pressed him back. This man had felt a stone under his bare foot and he was making room to reach down to pick it up. Dicky saw his fingers stretch toward the muck. He understood. Here was one of the primal impulses of the human[255] body in a stress of fear and hate. Far ahead, the English officers roared commands for the natives to go back. The voices of native leaders standing with the English, also implored the people to disperse. But the people had their faryad. They wanted talk. Also there were dead and wounded on the earth before the eyes of the front ranks. Another volley sounded.

Instead of being driven back by the second pelting of shots, the native crowd crushed its way across the bridge. In the opening on the other side, it halted, now in the Civil Lines, no longer jammed by the narrow rails of the bridge. The throng had not yet become insensate; no individual had seized the office of leadership. This was the instant of all to Dicky Cobden, the turning point. The native gathering might still have been reasoned with, as it stood leaderless, looking upon its own dead; but instead of reason, came the third volley from the soldiers and police, the prod of the ankus that turned the elephant musth.

The shuddering of revolt that the people felt passed through Richard Cobden as well—whipped up in his own breast. Then he was carried forward with the mob. Nothing gentle or yielding about the bodies now, a rough, bruising, muscular mass pushed from behind by incredible power.

Dicky glanced about to look for Lala Relu Ram, and that instant was whacked to the ground, a slug from the pistol of one of the troopers, gouging his left shoulder. He arose to one knee, still turned back, a laugh on his lips, looking for the student.

[256]And now a most extraordinary shock was meted out to the son of the trowel makers. A running native with gray, patchy face, completely carried away by mob impulse, halted, stood above the kneeling white man, struck him in the face with both hands, emptying his mouth at the same time. Some of the natives immediately behind, without questioning but that Dicky was one of the English, now tramped over his body as they ran. Though fallen, he still preserved a final waver of consciousness—face down, head covered in his arms. Finally he was caught by the arm and jerked to the side.

It was Lala Relu Ram who had pulled him out of the crowd and looked down into a face covered with blood and mud, and a welt or two. The only white about that face now was the lips which smiled and repeated a word which the Hindu student had never heard in all his linguistic studies of the East and West.

DICKY really came to back in an apothecary shop on the way to the Golden Temple, where Lala Relu Ram had carried him. The filth of that face that had opened upon him as he looked up from his knee—a shudder about that, something he would never be able to tell. It had been uglier to take than the blows. As moments dragged on, he fell to wishing Nagar would come. A curious wonder played incessantly in his mind about the twisted ascetic under the mango trees in Cawnpore, but where was the wall? The crystal gazer had repeated that the thing which was to befall would be within a wall.

“... The bullet didn’t think enough of you to stay, Mr. Cobden,” the young English surgeon said after examination. “It merely bit out a chunk of muscle and went its way. Since there is no cavity for it to drain into, it means nothing but a stitch or two, and a clean bandage. But you’ve been considerably mashed about the face. There’s going to be a strain on your drainage system for a few days to carry off dead tissue.”

He was taken to his room at the Inn, much bandaged, and Lala Relu Ram sat by his bedside, his face[258] often turned to the open window that looked out over the street.

“I’m all right—don’t stay,” Dicky urged, as he began to understand the sacrifice of the student in remaining with him instead of following the mob.

“Nagarjuna did not say for one hour, or for half of one day, but for the full day,” Lala Relu Ram declared, “and who knows but that I too might have disobeyed the orders of Mahatma-ji and become violent?”

Dicky hadn’t much of a grin left, but such as it was, he was free to let it work under the folds of gauze. He sent the student below on one pretext after another, knowing that the young man was exhausting himself from strain to hear all that had happened.

“It is more terrible than we supposed,” the student reported, as the long day ended. “Enraged by their dead and wounded, and being prevented from carrying their request to the Deputy Commissioner, my people have burned buildings, bank buildings—the National, the Chartered, the Alliance banks——”

“That’s hitting them where they live,” said Mr. Cobden, impelled to Americanisms as never before.

The student was thoughtful, and then resumed: “It is with sorrow that I have to confess that my people have forgotten themselves in the case of Mr. Stewart[259] and Mr. Scott of the National Bank and Mr. Thomason of the Alliance Bank——”

“Dead,” said the student, with a dramatic pause. “And that is not all. Miss Sherwood was most brutally assaulted, and outside the city a railway guard named Robinson, and a havildar in charge of the Electric, named Rowlands, were beaten to death where they live, and the station goods yard burnt——”

Dicky’s eyes squinted under the cloths. “And what of your own people?” he managed to ask.

This was an item that did not require the enumeration of details. Hathis had gone musth, but not for long. Hathis was horrified at the awfulness of the thing she had done. Hathis was back in her pickets again, not realizing her own hurts, anticipating a clubbing on the toes, and in the immortal way of hathis, half suspecting that a clubbing was deserved.

“It is about that moment when you fell,” said Lala Relu Ram. “Rather, it was when I reached you, and had driven off my people who thought you were one of the English——”

“You were partly out of the body—unconscious.[260] Yet your eyes were open and you were speaking some word that I have never heard—several times, as you would speak the Holy Name in devotion, with breathing.”

“What was that name?” Dicky inquired, pulling the bandage down farther over his eyes.

“It is not one which I have ever heard in my speech or yours—that is why I ask. It was like this, ‘Pid-gee—Pid-gee.’”

“That is—the fact is, that’s right curious,” he said. “I must have been ‘out of the body,’ as you say. That—that is a little expression we use in childhood!”

As Nagar stood under the light that evening, Dicky saw that his eyes, too, were burning with strange sorrow. Lala Relu Ram bowed himself out, walking backward. When they were alone, Nagar came to the bedside, drawing a chair, and his hand found the American’s.

“I don’t think you understand it quite,” Dicky said. “I was there this noon, at the place they call the Hallgate Bridge——”

The Oriental smiled. “It is not the provocation that we deal with, but the losing of oneself in anger. Nothing remains to us but the fact that Amritsar lost its self-control.”

[261]“You think the Little Man will be unhappy about what has happened, when he comes?”

“Mahatma-ji was arrested this morning at Kosi, served with an order not to enter Punjab, nor the district of Delhi, but to confine himself to the Bombay Presidency.”

Dicky studied his friend. He couldn’t help feeling if Nagar had been at the Hallgate Bridge—— Finally he spoke:

“I’m just a reporter, Nagar. I’m not granting that Gandhi knows it all or that the natives to-day are all right, and the English all wrong. Still, I can’t help wondering at what you ask of your people—as a reporter would ask, you understand. They turned the other cheek! They took the first volley and the second. I was there. No man has three cheeks. I saw it all in that minute between the second and third firing.”

Nagar’s hand pressed his and Dicky lowered his voice, though his tone had not been loud.

“Anything might have happened that instant had there been a bit of leadership,” he added. “The people wanted to talk to their father—the Deputy. You would have wept for their forbearance, or stupidity, as you like. Their dead were at their feet, the cries of the wounded in their ears, and still they weren’t maddened. They only wanted to show their faryad. If there had been the right Englishman on the spot—why, the crowd would have been allowed to go forward with its document. I’ve an idea that it was something dangerously like funk that caused that third volley, and that nobody[262] will ever be so sorry for what happened to-day, as England herself. I call it human the way your people lost their heads.”

“Mahatma-ji’s ideal isn’t human, Richard. It is of the Soul. We shall suffer and India shall suffer—for to-day.”

“I’ve got a lot to learn about this man’s India. I can see that,” the American said queerly.

PIDGE was choosing a serial for The Public Square. The choice lay now between two manuscripts on the desk before her eyes. One was by a maker of the “new” American literature, named Carver, who had dared to perform the work in one sustained, slow movement, bound to ward off excessive popularity, a thing of drabs and tans and grays, but earnest, even in its hopelessness. It consistently portrayed a cross section of life, a fine piece of human observation, but altogether unlit with intuition.

The other book was a novel of New York, by a woman whose name was entirely unheard of. This manuscript had been refused several times as a serial in the past year, and several times as a book prospect. The letters of refusal from the different editors were also on Pidge Musser’s desk. One said, “This book is too much of a gamble for an unknown name.” The united opinion of all professional readers was that this story was unquestionably an augur for the future of the novelist, rather than a compelling announcement of her arrival.

In her own heart, Pidge believed that the woman’s story would interest more readers than Carver’s. Also,[264] The Public Square would be saved considerable money in taking the woman’s story, for Carver stood out for rather a high price for his first American serial rights.

“It isn’t the freedom of ignorance,” she said at last, about the lower-priced book, “but it isn’t the freedom of knowledge, either. ‘A man is crippled while he’s learning technic.’... No, I can’t take the chance!”

So the novel by the unknown woman went back to Harrow Street with its refusals, and found a resting place in the drawer under the mirror that waved; and only Miss Claes and the author, herself, knew who was hurt.

Mr. Adolph Musser, in New York with his daughter, began to have callers. The two small upper rooms in Harrow Street were not adapted for callers, even in the adaptable Village. Especially this was so because an adopted male child of one year was rooted and ramifying in the place. One of the ramifications was a female lodger and one-time nurse who looked after the child while Pidge was away at the office. Mr. Musser, during his first week in New York, before he found an apartment in the Sixties, had pronounced this woman too heavy-footed to live with.

Though Pidge had received an important increase of salary, dating from the first of this year of 1919, she did not find herself in a greatly improved condition when the additional expenses of nurse and her father’s separate maintenance were considered. However, something happened which she had not foreseen. Mr.[265] Adolph Musser became rapidly self-supporting. According to his predictions, New York proved to be suffering from a “biological hunger and thirst” for his very sort of metaphysic. Los Angeles had been sated. One had merely to move from temple to temple in Los Angeles. Cultists of all colors were there; light-bringers from all lands. Mr. Musser, according to predictions, found New York a virgin oil field and he was not long in getting his derricks up.

Late in May there was a letter from Richard Cobden, mailed at Bombay in early April. Though it was written to Pidge personally she saw in it Dicky’s first real work, his first actual grasp and retention of essentials, to her idea. It opened to her, also, the lineaments of the Big Story they had talked so much about. She read the letter through twice on the day it arrived, and that night took it home to read to Miss Claes, who came to the upper room in the latter part of the evening, as she had come to hear The Lance of the Rivernais, over five years ago. Their faces were close together, and Pidge read low and rapidly:

I have been with Gandhi several times in the past three days, and early to-morrow I start north for Amritsar to join Nagar. I hadn’t thought of writing this until just now, on my way to bed, and the subject of the Little Man suddenly filled me. I feel an unadulterated American to-night, and there may be an advantage, at least an angle, in a study of Gandhi from that point.... He is very ill, can scarcely stand, but more than ever full of his kind of light and power.[266] In the last three days with him, I have come to understand you as never before—and America and the American soldier. I have found out, Pidge, what you mean by stating and living the fact, that it isn’t how much one knows that counts, but how much one does. Gandhi is a doer. I used to hear in church something about the Spirit being made flesh, and now I’ve got an inkling of what that means. Gandhi’s genius doesn’t dream. It does. The sun shines on all India, but Gandhi has become a lens. The rays focalize through him. The ground burns under his feet.... He is called a bigot, a fanatic, a living Blue Law, and it is all true, Pidge. He is drawn in black and white. He has no half-tones, no twilights, no afterglows. He is devoid of atmosphere as the moon. His lines of light and shadow are never blent or diffused. He is vivid noon where his light strikes, densest night where light ends.... It is not that he loathes the West, but that he knows the East. He has become a specialist, as Nagar says repeatedly. He has withdrawn his attention from the world to India, Herself. He has brought in his eyes from the future, to the Now. He sees the next step which India must take, and leaves to the dreamers of the world to point out the glories and the penalties. He stands in the road in front of India to-day, like a man before a runaway horse——

Dicky had ended the letter suddenly, saying he was sleepy, but had more to say later. The two women talked low, because of another in the room. This other was not to be disturbed. They stood over him now. He would not have approved at all of their gayety and[267] know-it-all manner, had he been awake. His lids were down, however; the black curving lashes reposed in their hollows; the world, which was the big horse he must some time ride, was away minding its own business.

“I’m glad to hear this much before I go——” Miss Claes stopped and took both of Pidge’s hands.

“This little slate of Harrow Street is all written over. It is to be rubbed out now, Pidge. My part is finished here—I don’t know how well, but it’s finished. I am leaving New York.”

“Why, that—that seems—insupportable!... Why, I thought anything could happen but that—to my New York!”

“Only you are to know, dear,” Miss Claes said moments afterward. “Yes, it is India——”

“These are terrible days for India. It means work—work—tests for every one’s courage. Little Harrow Street is still and steady, compared.... But this is dear to me—the thought that I go ahead to make ready for you another place to come——”

TOWARD the end of the afternoon of Sunday, the 13th, Richard Cobden ordered a carriage. He was still bandaged about the head, his left arm in a sling. This was his first descent from the room since his hurts on the 10th, and meanwhile General Fyatt had taken control of the city, bringing in troops from nearby stations. Dicky had met Fyatt in France, and was on his way now to pay his respects to the General at his Headquarters in the Ram Bagh. He was getting it very clearly just now that if it were observed that he had any sort of affiliation with the natives, he would promptly be placed out of reach of all Punjabi events, even as a spectator.

The American was personally and intensely interested in Nagar and Gandhi, but still he did not feel that he had taken sides in the least. He looked upon Gandhi’s work as visionary, and the work of the British in India as substantial, and the more likely to endure. He had seen Nagar but a moment or two each day since the 10th, and had kept in touch with developments through the English sources.

The air was still furiously hot, though it was after four in the afternoon. The streets were crowded, this being the day of the Baisaki fair, and thousands were[269] in from the country. Dicky heard the roar of a ’plane over the city, and craned out of the window of his half-closed carriage for a glance at its flight. The pilot was making circles over a point at a little distance ahead—a low peculiar hovering.

Dicky inquired of his driver the meaning, and was told that the ’plane appeared to be hanging over the great crowd assembled in the Jallianwalla Bagh—that thousands of the visitors attending the fair were there, listening to the speakers, as well as many townsfolk.

The driver had not heard. Dicky reflected that the ’plane didn’t appear to be there for the amusement of a crowd—no circus ’plane, but an effective bit of government property, rather, with an air of business. It rose now and vanished over the city.

The carriage continued on the way to the Ram Bagh, until it was halted for the passage of troops in the street. A half-hundred Gurkhas and Baluchees, two motor cars with English officers and civilians, the whole outfit trailed by a pair of armored cars, and moving in the direction where the government ’plane had hovered.

“Public square,” Dicky muttered. “Turn in short[270] after the armored cars,” he commanded the driver. “Follow close.”

It is a difficult proceeding, requiring formalities, to alter one’s orders in Asia.

“Listen. I am changing my purpose. Not Ram Bagh, but Jallianwalla. Turn in after the soldiers—now!”

To Dicky, that afternoon, Amritsar was a place of heated and offensive stenches. As they passed through hot and narrow streets, certain of these odors startled his comprehension, because they were so subtly vindictive. The thought occurred to him, as he watched the naked children playing in the wet shadows, of what a correspondent had remarked in Cawnpore: that it was hard to tell whether the streets soiled the children, or the children soiled the streets. The movement forward was very slow, and Dicky bent to inquire at length if they were still moving toward Jallianwalla Bagh.

“Yes, it is very near,” said the driver, churning at the lines with both hands.

The American did not let himself think further. He fell into his old queer absorption; the reporter of his makeup taking him over. He shut out Amritsar from mind; the Native Idea, the English Idea, and his own that hovered between. He was just a stranger in a half-closed carriage looking out from under a bandaged brow. He heard the flies in the air. He did not seem to have any mental guard to shut out that distracting[271] buzz—flies winging across the vapors of filth. They came to a narrow lane, a kucha, the driver called it. The armored cars ahead were having difficulty in this constricted place. Finally they halted and Dicky heard a British soldier on the nearest turret call out that the cars could proceed no further.

His own carriage was of course blocked. The kucha appeared less than eight feet wide. He was still lame, and had not intended to do much walking about in the furious heat, but beyond the armored cars he had glimpsed the Gurkhas filing forward and the officers stepping out of their machines. He let himself to the ground, ordered the driver to wait, and followed the soldiers through the wet trampled lane.

A minute later he was in the broken ranks of the Gurkhas—little muttering men with big sprawly hands holding fast to their rifles, fingers running loosely over breech and stock and barrel. The halt had come because there was a sudden rise to the ground—a mound of earth closing the lane, and running at angles to each side. The soldiers were ordered up and deployed along the mound; equally divided to the right and left.

Now Richard Cobden, in the midst of the officers and civilians who had occupied the two motor cars, also gained the eminence with some pains; and at this point he saw the man he had started out to find that afternoon—General Fyatt, a significant picture, indeed, here in Amritsar, who had been but a small obscure exhibit in the broad gallery of France.

Fyatt didn’t see him, and the American looked over[272] the vast assembly of natives in the burning light. On a raised frame toward the center, a Sikh speaker stood. Dicky could hear his words, but did not understand. He saw, however, that the coming of the soldiers had interrupted the tenor of the speech and that many of the people were frightened and drawing away. An English officer beside him, after listening a moment, spoke with an ironical laugh:

“We have nothing to fear. Sarkar is our father and our mother. Government would not injure its children——”

Dicky realized that the young officer had quoted a translation of words the Sikh speaker had just spoken to the people—from twelve to fifteen thousand in the maidan, he reckoned. All faces were now turned to the soldiers—waves of faces. It was as if the color of a tree had changed by a steady pressure of wind that showed the under side of all the leaves. A nervous laugh from the young Englishman who had interpreted; then from General Fyatt, the low single sentence:

To Richard Cobden it was quite incredible, but another officer on the far side of the lane repeated the command, and the line of leveled rifles spurted on either side. Dicky winced at the crashes. He had been in the firing pits many times, but one can never remember how these concussions close by hurt one’s head and spine.... Of course, they were firing blanks. This[273] was Martial Law. The people had been ordered not to assemble and they had disobeyed—twelve thousand of them, or more. General Fyatt had undertaken to impress upon them that his word was Law, Martial Law. Of course, this was also the English answer to April 10th, at the Hallgate Bridge. A bit uncouth to stampede a big crowd like this.

They were trampling themselves to death already. This wasn’t English humor. It was more like the fool who yells, “Fire!” in a packed theater.

The great open place was walled. There were no broad exits. The several narrow vents had locked of themselves by the pressing of bodies against them. “Why,” Dicky thought, with a wrench and shiver at the sight of the monster throng in the process of constricting itself, “why, this is a womb of death!”

Cries were sustained at the end of this April holiday—cries of battle and accident and pestilence, the cries from a great ship going down.

Dicky thought of a pot beginning to boil. He thought of a yard of leaves suddenly caught in a swirling wind. He thought of all the old stale similes used and over-used since bloodshed began, and his mind sank back in the hollow of hopelessness. It couldn’t be told, but his faculties tried again and again, even though his heart sobbed with the people.

A great square of colored cloths in the sunlight—from twelve to fifteen thousand human beings listening[274] to a man who cried out against violence, who cried out that Sarkar couldn’t hurt his children—suddenly being ground in the great crush of Fear, being sprayed with rifle fire—blanks, of course—but to a result almost as deadly, for the people were destroying each other. They didn’t mean to, but they were trampling each other to death. Thus his mind viewed and reviewed—all this in a matter of seconds.

Now Mr. Cobden saw something he didn’t understand. Down in the maidan on the ground, not fifty feet away—a giant Sikh in white turban, running forward with raised hands, like a messenger—a close-up possibly for Dicky’s eyes alone—suddenly halted, spun and slapped limply to the ground with a curving fling. A glorious fall, if it had been a bit of acting—the fall a man makes when a bullet hits him.

But Dicky was quite possessed with the idea that the soldiers were firing blanks.

At this point, an English officer roared at his Gurkhas, who apparently had been firing high. His words were in vernacular, but the American saw the little dark men shorten their range.

Thus it dawned upon him slowly, as if he were a very stupid man, that Fyatt was punishing Amritsar indeed—in fact, that the General was making a day of it. Also at the same time it dawned upon him that the public square was walled. He had seen the wall before, partly formed of buildings, but it hadn’t properly registered in connection with the words of the twisted ascetic of Cawnpore.

[275]Now he knew also that the several narrow throats of the walled square, none so wide as the kucha through which he had entered, had become points of intensified death, because the great throng had divided to crush itself against these impossible apertures. The English officers appeared to be directing the fire of the soldiers toward these points where the maddened masses were most dense.

Almost directly across the square the wall was low, less than six feet. Hundreds were jammed against it, but their bodies were so locked by the pressure from behind that no one could climb or be pushed over into safety.

The Gurkhas looked like monkey men. They stamped queerly as they pumped. They were being told what to do and were in a great concentration to obey exactly. They emptied their magazines, each man taking his own time, and halted to fill them again, carefully avoiding with their fingers the burning metal of the barrels, as they refilled and fired.

An English civilian, an elderly man, face livid, bumped Cobden’s wounded shoulder, as he lurched past, muttering:

Another Englishman followed him, venting an hysterical laughter—both faces Dicky had seen in one of the motor cars. For an instant it seemed the only sane action left in the world—to rush out into the lane the way he had come, as these Englishmen were doing, to[276] cover face and ears, to rush forth, to continue to the ends of India and the uttermost parts of the earth.

Dicky started to follow, but turned back.... No, he wouldn’t rush off to be sick. This was the wall that he was to come to. It was something else.... What was it? Oh, yes, it was the Big Story that he had been pacing up and down the world to find.... Of course, it would be like this. He would find himself in the midst of it, without knowing at first.

He ducked forward under the rifles of three sepoys to reach the staff. He couldn’t go away without paying his respects to the General. Was not this what he had started out for to-day? He stumbled over a soldier on his knees—a Baluchee, vomiting with all his might. He saw Fyatt a few paces forward—Fyatt, grizzled, square-shouldered, behind a field glass. A mocking laugh rose in Richard Cobden’s heart. A man didn’t need a field glass to cover the maidan. One could see the faces; one could see the fallen; one could see the writhing cords of human bodies. Oh, no, one didn’t need a field glass. One could see the thousands on the maidan now—as one up-turned face, the face of a child betrayed, but unable to believe. Fyatt merely chose this way to cover his own face. His back looked stiff and blocky as he swung slowly around behind the glasses. His shoulders and neck didn’t move. He turned from the hips, Dicky perceived, as he touched the General’s sleeve.

A NOTE of unison had come to the great cry from the people at this moment—one note that tugged at the white man’s soul—the deadly hurt of a child.... General Fyatt was not tall for a soldier, with square lines of figure; square of chin and temple and shoulder and elbow, pivoting on his hips. But there were two remarkable curves in the ensemble, the sidewise curve of the hooked nose and the bow of his booted legs. Now as the American stood by, a new key presented itself to the man—that hooked smile. It opened other hooks—hook of the eye-corner, as well as the corner of the mouth and the bent nose, hook of the fingers on the field glass. The face turned to him—a white welt from the glasses on the bridge of the nose.

Dicky felt the horrible slowness over everything—that somehow there was not in this man’s volition the power to order the firing to cease. No recognition showed in Fyatt’s eyes. He stared. It was like the man who had stared at him on the docks in Bombay, when he heard that America had entered the War.

Dicky felt rebuked. Then came to his ears again the terrible drowning cry of the children, and he saw[278] Fyatt differently—not as England; at least, not all of England—a black crooked finger operating merely—the face of England turned away.

“I only wanted to ask——” Dicky stopped and raised his voice above the tumult of shots and voices. “Cobden of New York—saw you in France!”

It was utterly ridiculous to yell one’s identity. He had forgotten that his face might look different under a bandage. The field glass that had been partly raised again was whipped down. The hooks tightened.

“I see!” the American yelled back. He felt like a maniac. “I see! I merely wanted to ask, General, if you had gone mad—or have I?”

“Sixteen hundred and fifty rounds, sir. Mainly used up. Some of the men finished——”

“Ease them off back to the armored cars. Let the others finish firing—fire low.”

Fyatt turned to Cobden, shouting staccato sentences: “Didn’t catch what you said. Teaching Amritsar a lesson! Plover says we ought to take a thousand for one! Teach them to assault women——”

Dicky walked away. He had looked again at the maidan. Everything was overturned. The thousands were prone or kneeling.... If one steel rifle bullet plows through sixteen inches of oak—how many human bodies will it plow through? How many will 1650 steel bullets?... No shots wasted since the first minute or two. They couldn’t be all down—wounded or done for. Suddenly Dicky realized that many of the people were now praying. He was back at the head of the lane, moving in circles like a man who has been beaten on the head.... A black-coated Englishman with a clergy’s vest, grasped him by the arm, peering into his face—eyes gone utterly daft. He shook Dicky’s arm and pushed it from him; then ran to a soldier near by and peered again.

“Tell it to the General,” Dicky called absurdly, but his words weren’t heard.

Now he saw one of the elder civilians who had escaped a few moments before, coming back. This person scrambled upon the mound from the lane side and inquired of the earth and sky:

“We might need a cartridge or two in the streets going back——” a voice behind him said.

Then Richard Cobden happened to look at the west and found the sun still high in the sky. This struck him as altogether peculiar.

COBDEN found himself in the lane, turned away from the maidan, his hands lifted and clenched. From behind still came the sounds of a ship going down—all but down, the firing ceased. In front of him, the sepoys were running low as if to escape. It made him think of ball players leaving the field in the summer dusk after a game, running through the crowd to the clubhouse. The armored cars were backing out before him.

“... Of course,” he kept telling himself, “it had to come this way—end of the old story, the beginning of the story of the age. This isn’t an English-Indian story. It’s a story of all the world.”

Only natives were about him—ashen-lipped, muttering, frightened, dazed. He continued through the kucha, following the armored cars. He must get to the hotel. He had something to write, copy to file. But this delusion did not carry him far, before its absurdity struck home. The outer world would never hear of this story, until it leaked through by letter or word of mouth. The cables had been tight before. They would be drum-tight now.

Vaguely and dully he realized that all things were changed for him for all time. The reporter in his[282] makeup that had blithely set out for Jallianwalla Bagh was done for, all aloofness of the spectator gone—the little poise of ego which had carried him so well and so long, so far as associations with men went, up and down the world until this hour—that ego poise was leveled and smeared. Amritsar’s public square—the massacre in the maidan had cloven him, and into the opening all India had rushed. The face of the hooked man came back to him—hard unto silliness, the English stare against the sinking city.

He had overtaken the nearest of the armored cars. He looked upon them strangely, their sleek integration. They had not been needed; India had died and been born again without them. Something similar had happened in himself. No casual reporter now—one living emotion, rather—one fire, one fury, a burning of unqualified pity in every cell that held his life.

The driver of his carriage hailed him. Cobden lifted his hand in return, but halted. Suddenly he realized that he didn’t want to go back to the Golden Temple Inn. The thing alive in him now was bigger than a story to be written, bigger than the finding of a free cable, which was not in India. He paid the driver and stemmed his way back against the people that thronged the lane. He knew now that he must keep his mouth shut in an altogether different way; that a new life, terrible in its potency, had seized upon him, was somehow being born in his flesh and brain. He must hold still—hold still.

Dicky’s head bowed under his helmet. He was slow to believe that the firing had lasted only ten minutes. It amazed him now that this was still a world of hot daylight. He looked back upon his coming through this lane as one does upon the last memory before a great sickness. He had to memorize and register again and again upon his faculties that he had alighted from his vehicle only fifteen minutes ago, and this was all one day, all one afternoon, all one quarter of an hour. In the interval there had been death and birth for India and for himself—a mysterious conception, at least.

“God forgive me for losing my head,” he muttered, for there was something in him that still counted losing one’s head as the first moral offense. He was thinking of the moment standing before Fyatt. He would move very quietly now. As he reclimbed the mound where the sepoy firing line had stood, it came to him that a man might lose his head for a moment, at least, to find his heart.

He let himself down from the mound to the bloody ground. There he found presently a man wedged under the bodies of two already dead. He dragged this man loose, only to find that he was apparently bleeding to death from a shattered knee. He unwound a turban from one of the dead men and wrapped the wound, knotting it tightly above the flow of blood. His own left hand was impeded by the sling. Presently, he freed[284] it entirely, his personal scratches appearing ridiculous in this broad field of bloody men. Thus began his work. It was as if he had entered single-handed upon a task to alter the sewerage system of a city.

There were no English about, no police or native soldiers. Martial Law had done its part and gone to supper. The people flocking into the maidan with moanings and horror-stricken cries now were those looking for their own. From the farthest parts of Amritsar they were drawn, from many houses to which one or more did not report for the evening meal. Living men and women—hurrying, bending—hands reaching down, hands pressed to faces—the quick and the dead.

A while afterward he looked up to find that the sun had gone down. His knees were wet with blood. He felt the wet spreading heat upon his left shoulder. His wound had opened from exertion—a smile at that.

He had worked a little on battlefields before, but they weren’t like this. A persistent thought held him that this was the field of his own dead! He didn’t understand how his brain could deal with such weird stuff. He concluded that he was in a half-dream where thoughts appeared veritable that wouldn’t hold water when he fully waked.

Now he had extricated from the mass near the Hasali Gate the body of a trampled girl child. She was warm, possibly not dead. She smelled of the earth and tears.... His heart thumped, and pity like a warm breath surged through him—pity, which[285] some one said was the pain of love—oh, yes, that was Miss Claes’ expression. He touched the girl’s long coarse black hair in the thick twilight.

His lips formed with explanations and thoughts as he worked—the things he would tell Pidge, the way he would tell these things to Pidge. He placed the unconscious one down at the feet of a native doctor who was binding wounds, but often raising his eyes to heaven in prayer that the soldiers might not come back.

Dicky stood up in the warm dark, lifted his helmet and mopped his forehead with his grimy right hand. He could actually smell what horses smelled (as he remembered in France and Arabia) when they snorted and ran aside.... The dead would never end—hundreds of dead—public square covered with dead. And what was pulling at his brain—something trying to gain admittance? He had it now. Pidge Musser was close again; close as she had come in the Ashrama—not weeping, horrified, not in the least dismayed or hopeless by all these lifeless ones on the ground, but the spirit of swift-handed helpfulness, utterly in accord with him in thought and purpose, no words being necessary. So this was why he had been standing in the dark with uncovered head, rubbing his hand over his brow—that her closeness might come through to him! Not so weird, after all, that he should know this, standing upon the soaked turf of the maidan. Things of this kind had often happened to soldiers on the battlefields of France.

[286]Was this what it was all about then—the separation, the struggling—at last to become connected to her this way, though across the world? He mustn’t study it too closely. He had a warning that he would spoil it, unless he kept on heartily with the work. So he continued separating the wounded, but every little while when his hands were free he would stop and uncover his head to the moist warmth of the evening. Would she come nearer and nearer through the years?... And these were her dead and her dying, and she had blessed the little Hindu girl with coarse black hair. He smiled at the absurdity of his thoughts.

Now it was full dark and the cries of the living women across the maidan were raised in agony because they must leave the Bagh before the curfew sounded. Hundreds were still searching. They had not found their own, but it was close to eight o’clock and this—the dead on the field—was what had come of breaking Martial Law to-day. It did not matter that lives might still be saved if the wounded could be taken out from the dead. Sarkar had fired upon them to-day. Sarkar would come with more death, if they disobeyed. Husbands dragged away the women whose faces turned back.

Richard Cobden stayed on. He had the sense of not being alone. Moreover, there was much to do. There were voices to answer. He heard cries and callings from the windows of the houses that overlooked the maidan. No English came that night—but the pariah[287] dogs from all the city and outskirts. They moved like ghouls in the shadows. There were mysteries everywhere—white vapors from the ground. He saw and felt the unutterable; became rich for future years in that one night with the fruits of sadness.

COBDEN walked back from the maidan through the streets of Amritsar in the dawn. He did not feel like a foreigner. That which had happened during the night had furnished him with what rarely comes to a white man—the Indian point of view. He was in the Indian fabric for the moment, at least; no longer a spectator from the West. He did not hate England, not even the crooked finger that had mismanaged for England. He knew something right now that he might not be able even to remember—more sorrow than anger.

As he approached the Golden Temple, near which was the Inn, Nagar appeared in the street, and they walked together in silence. As he tottered a little, Nagar’s arm swung around him and Dicky said:

Now that the light was coming on, they saw people hurrying to the Jallianwalla Bagh.

“Make a lot of tea, Nagar. Sorry you won’t join me in a little drink from the flask.”

“I think after all, you’ll have to help me get off this shirt. I’m a rubbed-in mess of blood and dirt.”

[289]Nagar perceived that the body of the American trembled full-length; also that his clothing was soaked with blood from the wounded shoulder, as well as from stains received from handling others.

“... Some of them crawled about in the dark!” Dicky was saying. “A woman sat there moaning through the whole night. The pariahs came—I heard them lapping, lapping. From the windows of the houses around the Bagh came the cries of the women who dared not disobey the curfew.... Why, that ten minutes of firing was longer than whole years I lived as a schoolboy, but the ten hours since dark—that passed, Nagar, like a man walking by a house, not a lame man.... I saw your India, oh, yes. The gentlest-tempered crowd I ever moved through, but something dangerous and deadly in its pain and grief. God help us—when you wake up——”

Nagar helped him. Dicky bathed his neck and face and hair copiously with one hand, and then washed the left arm. With Nagar’s help the wound was packed with clean lint. Dicky drank hot tea, filling his goblet several times and shivering, though the heat of the night was still in the room. Finally he sat down in his bathrobe by the open window and lit a cigarette. The sunlight had found the gold of the Temple dome.

“... I actually forgot myself,” Dicky repeated. “When an American forgets himself, Nagar, you can be sure a big show is being pulled off.... I’ve smoked too much, talked too much. I am going to lie down for a little—until breakfast.... Bed! Think[290] of having a bed, in Amritsar. A bed with sheets.... Out there so many were lying on the ground. Oh, I say, Nagar, where will they put them all?”

The Hindu’s cool, slim fingers reached over and touched his hand. He didn’t speak, just kept his hand still, and Dicky found it easier to stop talking, because of that hand; easier to endure the furious forces of activity in his brain. Finally Nagar spoke:

“I had to stay with the students. They wanted to go to the maidan. That would not have been well, but it was well for you to be there—to forget yourself there through the hours. It will come forth from you for years—not as the voice of an American, but as a citizen of the world. You have prepared long; last night India found you prepared, and dared to show you something of herself. Miss Claes would be very glad to be here with us this morning.”

Dicky’s mind fumbled with the idea that he had not only come closer into the Indian heart, but into Nagar’s as well.

“You might sleep a little until breakfast. I shall not leave you until after that. You are very tired and spent, but you will not be injured from last night. When a man forgets himself, as you say, he is strangely replenished.”

“... In the days that you remain in Amritsar finishing your work (for last night will mean more and more to you as the days go on) you and I shall not[291] be much together. What you see in Amritsar—you must watch without feeling or partisanship. One cannot tell—you may see strange things. Remember, always remember, that you are American; that as an American you have no enemies, and belong to the world. In the fusion of all Europe, which America is, to form a new type of nobility, remember that no country has furnished a nobler ingredient—than England. And forgive my many words, Richard, if I ask you to remember this also: that anything which might happen to me here in Amritsar in the days you remain, must never make you forget that you have a message to carry to America.”

“It is difficult to say. I can only repeat: Anything which might happen to me in this city must not arouse in you a personal or partisan effort to help me. We must be strangers—unless I come to you alone. The English are beside themselves; they know not what they do. You must have no feelings about me—to betray you. Go further into the English. Forget me—except as a part of your own source of kindness and strength.”

Nagar was gone. As Dicky conned all this, he began to wonder if he would see his friend again. All the days before this in Amritsar, he had been waiting for things to get quiet so that he and Nagar might really begin to get together.... “India’s messenger,” he muttered, as he fell asleep.

THE second part of Dicky Cobden’s letter about Gandhi written after his three interviews in Bombay, reached Pidge fully a fortnight after the first. Of course, it interested her, as it could no one else.

... From several angles I placed before Mahatma-ji, the concept of dreamers of all countries—the dream of the mating of the East and West, that the New Race is to be born of this mating; that globe means globe, and a world citizen must belong to all; that as Goethe says, “above the nations is Humanity.” This thing, you understand, has attracted me merely as a concept, not with the dreamer’s fire at all. Short work Gandhi made of the mating of the East and West. The damsel, New India, is not ready for marriage. She is not clean. She has not found herself, therefore has not herself to give. (These are not his words, but the idea.) She must become free, before she has anything to bestow. She is just a perfumed body, which the West has already desecrated and begun to despise—merely an offering now, not a wife. What Gandhi arrays himself against to-day is the fact that India has already fallen under the lure of the West. She has felt the fascination of his big toys, the glamour of his mighty works. The Little Man has made me see[293] that a woman who “falls for” a man, can never become the man-maker which a wife must be, maker of her husband as well as child. Queer, how it came to me that way first, before I saw the man’s side of it—the great thing you have done, pushing me back, forever pushing me back into myself, until that day when I shall be able to stand, not “fall for” you. I am learning—learning so slowly what I bargained for that night at the Punjabi Fireplace. “... Go back into your house!” Gandhi cries to India. (Not his words, you know; merely my picture of him.) “Fast and pray. That is safe. Fast and pray and spin! Pray to the hum of the charka. Forget your lover. Find yourself. You are the East, the inner. Already you have been lured by his brutal boyish games. You have flattered him, but already he despises you. What does he bring now, but a bloody carcass to your hearth, saying, ‘Arise. Gut and skin.’”... Mahatma-ji is on the ground. Now, To-day, seeing but one step—the next step—crying, “Go Back!” This is the most extraordinary part to me, that his very limitations appear to be in use!

In early July, Pidge made her first move since coming to New York. The spirit had gone out of the house in Harrow Street for her, with Miss Claes’ departure. She sent the boy-baby up into the country and took a room at the Sennacherib in Gramercy Park, a step of which Rufe Melton strongly approved:

“You were getting stale down there, Pan,” he said, one night when he came to dine. “The Village is all right for a novelty, but real New York hasn’t time for[294] that sort of thing. I see you’re running Carver’s novel in the P. S. What did you get in on that for? Did he give it to you?”

“Carver could never have slipped that over on you, Pan,” he broke in, “if you had lived uptown. But no, you never would listen to me, that a thing isn’t great because it’s nasty——”

There was truth in what he said. The new novel was rapidly unreeling in generous installments, without much gratifying noise from the readers.

Rufe confided that he was doing a long story, and that Redge Walters was very much interested in it as a serial prospect.

“Business,” said Rufe. “Shipping—grain—iron—packing-houses. Everybody’s panting for business since the War.”

She was thinking of Amritsar—of the first Amritsar mail recently in from Richard Cobden, posted at Pondicherry, French India—of hathis and her new mahout—of British bulletins, native documents, and Dicky’s own straight story of April 10th and 13th. It[295] had been difficult for Pidge not to become too excited by all this. For the first time Dicky’s work had carried her off her feet. That had been days ago, and she had not altogether trusted her fiercely fresh enthusiasm, but it didn’t subside, and at the present minute, the epic of the Great Lakes sounded to her like a forlorn side show. Moreover, Dicky’s Amritsar story, about to be printed in The Public Square, took away most of the disappointment in that Carver’s novel hadn’t proved a powerful stimulus to circulation.

“Its capital is Chicago,” Rufe further divulged about his book. “Funny how you have to get away from there to see that big town. All the years I lived in Chi—never got next to her, as I have since I came to New York.... Yes, it’s booming along. Haven’t been really right until just now, since I was gassed.”

He chuckled again. “Didn’t know I’ve been going in for the occult, did you? Say Pan, there’s one fine thing about you. I never feel as if you could be disappointed in your Rufie.”

“You haven’t started to expect anything of me.... Oh, yes, had to have a mahatma in the story.[296] It’s the new thing. Everybody’s got one since the War. Not enough to go round.... This mahatma of mine in Chi is wise to the stock exchange. It’s his tip, you know, that the whole tale turns on. Reader never thinks of it—until it’s pulled.”

He laughed again. “Right in the family, Pan. Been going to hear Adolphus. Say, you never did appreciate your father. Bad habit of yours, Pan, honest to God—to lose respect for a man just because you live with him.”

Pidge was in a whirl. Her hands dropped down to the seat of her chair on either side and gripped hard. The world looked about as big to her as Delaware; Amritsar and New York signaling to each other.

“Heard him this afternoon—in the ballroom of the Pershing—swell crowd out,” Rufe pursued. “Talked on Lytton’s Zanoni. I’m going to read that book. And didn’t Adolph put it over to the damsels and dowagers! Just what I need for my white mahatma. Where does the old man get all that? It’s a wonder you haven’t gotten in on your father’s stuff, Pan.”

She wanted Miss Claes as never before. This was too much for one small person to hold. When she really listened again, Rufe was asking to go upstairs with her to see her room.

Her hands dropped to the seat of her chair again. She saw the new want in his eyes and something else—the old captive thing.

There were two possible answers to his question, and it took every minute of her twenty-five years, and all that had gone before, to choose. This is what she said:

PIDGE felt the hugeness of life around her at last. Doors were being opened as never before. She saw as clearly as if Rufe Melton had confessed to her, that it was he who wanted to be free. She could grant this well enough; having been forced to it, in effect, from the beginning. He would doubtless come again soon, making it plain that he wanted her to agree to divorce. The point was that certain barriers and limitations in her own life were suddenly lifted. It was as if she had emerged from a city, to the shore of the sea, and before her eyes was an unbroken horizon line.

The abrupt extension frightened her. The story of Amritsar now unfolding for her from the Indian mail—in its hatelessness, in its devotion to truth and unsentimental love for the people—unveiled for her eyes a man—not Gandhi, not Nagar, but Richard Cobden, himself. The few sentences he had inserted in his letter about Gandhi, “—the great thing you have done, pushing me back, forever pushing me back into myself, until the day when I shall be able to stand, not fall for you!”—in these words there was for Pidge an invincible call.

She had searched the language for another expression[299] to convey what that little slangy verb “to fall for” meant. It was one of her treasures. When one “fell for” a person or thing—one couldn’t stand for the same. One was captive, not co-worker. Here was the difference between infatuation and romance. Dicky had found it out. There was expressed in his letter more than she had dreamed as possible; and this time words thrilled her furiously, because she believed they had become working knowledge, before it had occurred to him to express the idea. She saw this knowledge working out in his studies of Gandhi. He did not “fall for” the Little Man. He did not rush into eulogy; he sought to understand. In a word, he stood for Gandhi. But now that Dicky was ready to stand for her, she was ready to fall, and all her horizons were being pushed back to give her room.

... She was very weary. She had not known it before. The Public Square thrived. It was strong pulsed with new life. For the first time in her experience she sensed from the magazine’s field, following the issue of the first Amritsar story—silence, the perfect tribute, the instantaneous readjustment of all other journals; then crowded mails, the answer from people everywhere. Something about Gandhi touched hundreds of people to the point of saying so, in a letter to The Public Square.

Yes, she was weary. She had held grimly to the post. She wanted to turn it over to Dicky Cobden now.... It had been like this once before—on the night of Somebody’s Shoulder. She had wanted to[300] give him what he wanted that night—the tiredest and most hopeless girl in New York. Only that night it had been—for what he had. Now it was for what he was.

John Higgins lost his bearings in the city traffic. A copy of the issue containing the first section of the Amritsar story was in the old editor’s hand when he fell in the street. She was with him for several hours, until the end. He looked at her long and strangely—eyes more “run-out” than ever. He did not seem to hear her words, but if she remained in silence too long, a little frown gathered on his forehead, and his hand would pull at hers. He had waited for the big story. Once he said:

The next day a solicitor called at the office and Pidge still felt squally. She couldn’t grasp what he was saying. She thought it had something to do with a secret society that was going to attend an absurd matter, known as “obsequies.” She was deluged in words.

“... Be perfectly calm, Mrs. Melton,” the solicitor said at last. “This isn’t exactly bad news, but I’ve known lasting injury from the one, as well as the other——”

“That he has left you—this paper in my hand being the memorandum—his interest in The Public Square——”

Pidge glanced around the room. The man was sitting. The first and terrible obstacle of life was to remove him, or escape from him.

But he was still sitting, after she had signed. He wanted to be sociable.... She was on the car going home. She hopped off at Eighth Street, and was turned into Harrow, before she realized that she didn’t live there any more but in Gramercy Park.... Curving Harrow Street was quiet and calling. She went in to the curve and stood before the old green front. A sign on the door announced “Rooms, Permanent and Transient.”... “What kind of rooms are transient rooms?” she thought. The curb and doorstep thronged with memories. “Oh, Dicky, it’s too much,” she whispered at last. “Come soon, and prop me up!”

“DO you people want peace or war? If you wish for war the Government is prepared for it, and if you want peace, then obey my orders and open all your shops; else, I will shoot. For me the battlefield of France or Amritsar is the same. I am a military man and I will go straight. Neither shall I move to the right, nor to the left. Speak up, if you want war. In case there is to be peace, my order is to open all shops at once. Obey orders. I do not wish to have anything else. I have served in the military for over thirty years. I understand the Indian sepoy and the Sikh people very well. You must inform me of the budmashes. I will shoot them. Obey my orders and open shops. Speak up if you want war.”

General Fyatt was talking to a large company of Amritsar’s native representatives, lawyers, merchants, doctors, in the kotwali, the day after the massacre.

The Deputy Commissioner added: “You have committed a bad act in killing the English. The revenge will be taken upon you and upon your children.”

The large company of natives listened. Not one spoke of the Jallianwalla Bagh, or of the dead which still lay there. Richard Cobden reasoned with himself; neither did he speak. Out of all the burn of feelings and the great waste of ineffectual thoughts, it was[303] dawning upon him that in their own good time, the dead of Amritsar’s public square would speak for themselves.

In the days that followed Dicky worked quietly, worked from the standpoint of the English almost entirely. He “exposed” himself like a film to the aftermath of the tragedy. He went after facts and statements. It was never to be ascertained, the number of killed and injured. The English granted about three hundred dead; the natives claimed five times that, even more. He was much at Headquarters; and confined himself altogether to the Civil Lines. Through Lala Relu Ram, he received certain secret reports from the native point of view, and guarded these little tissues assiduously. A cigarette case contained them all.

He went each day to the Crawling Lane, as one doing a city beat for a newspaper would call at city hall or recorders’ court. This was the place where Miss Sherwood was assaulted by the natives, on the 10th. It was narrow and thickly populated, with double-story buildings on either side, and numerous blind alleys shooting out of the lane.

The crawling order remained in force for eight days. Although General Fyatt called it “going on all fours,” and it had been called the “hand and knee order” by the press, the process consisted in the persons lying flat on their bellies and crawling like reptiles. Any lifting of the knees or bending thereof brought the rifle butts of the soldiers and police on the native backs.

[304]“But, General,” Dicky said cheerfully, “people are forced to crawl through there or go without food and medicine—people who have never seen Miss Sherwood, much less taken part in the assault.”

“She was beaten,” General Fyatt declared. “We look upon women as sacred.”

In the Crawling Lane and elsewhere were erected tikitis for flogging. These were triangles of wood, upon which the hands could be suspended and tied. A general order was issued for all the native population of Amritsar, a city of one hundred and sixty thousand, to salam to English in the streets. Those who did not salam were arrested, often flogged. Many of the people were so terrified, that they dared not sit down anywhere outside of their own houses, lest one of the English appear suddenly and not find them standing and in position to salam.

During the late days of April, Richard Cobden did not see Nagar, though occasional brief messages reached him from his friend through the students. One of these was a suggestion, which Dicky followed, to send off whatever mail he had ready, in care of one of the young men who was leaving for Pondicherry, French India. Finally there was the episode of the tennis court, in the Civil Lines. Dicky drew up to the crowd.

A set of doubles or singles was not in progress. This was a game of triangle—a tikiti in the center of the court; a naked native strung up and being whipped.[305] Dicky had seen about enough of this, and was ready to turn back, when something of the carriage of the native’s head arrested his eye, and started a peculiar sinking in his heart.

The bare back was toward him, but the face turned sidewise revealed the profile of Nagar. His hands were strapped high toward the top of the great frame formed in the shape of the letter A. Nagar had been stripped to the loincloth, his head bare, his white robes and turban cloth flung upon the turf. The stripes were being put on by one of the native police. The whip was a rigid canelike affair, but longer than a walking-stick. A detachment of native soldiers was drawn up on one side, police on the other. Two young officers of the military, one of whom Dicky knew, were in charge of the affair.

Dicky had halted, hand to mouth. Each stroke blinded his eyes; his body became, for an instant after it, like a house in flames with every curtain tightly drawn. Then he would see the sunlight before the next stroke, and the naked man with bleeding back. He had direct need to turn his back upon this thing—the old nausea. It never occurred to him that this was his own great test, greater than Nagar’s, for such tests of the human heart do not come announced; but out of all past experience, one thing stood in the midst of a rocking universe—that if he did anything in this red blindness, he would do worse than nothing.

He walked away, his elbows jerking up as another stroke fell. The thing that saved him was already[306] accomplished. The turning of his back was all that was required, apparently, since in this instant he got a life and death grip on the word Messenger. Was he Nagar’s friend or India’s messenger?

Then he knew just one furious smearing doubt. What of human loyalty—to stand by and allow this thing to go on? He was answered in his mind from Nagar’s own words, “Mahatma-ji’s ideal isn’t human, Richard. It is of the Soul.” Action of a foreigner in behalf of a native would only intensify the English fears and the native’s plight. To rush in was John Higgins’ code. Evidently there was another.

He walked around to meet Nagar face to face. Ten feet away, he stood until Nagar’s eyes came up to his. Had Nagar’s hand been free to lift and command Silence, his lips free to speak, the word could not have been more fiercely impressed. Indeed, the word Silence seemed to have been shot into the American’s consciousness.

A blow fell. Nagar’s eyes closed; his lips stretched out as if struck by an invisible hand. Then under the trailing eyelids, Dicky saw a look of inexpressible gratitude and relief—the barest beginning of a smile. Nagar had found him fit to trust. It was another moment of real life, that moment of the look, another instant of essential recognition.

It was Langoyer, one of the young English officers, who spoke. He was leaning upon his cane, to flick a[307] cigarette stub off the court with his boot. Langoyer paid no attention to the flogging. The men attended to that, you know. One had to stand by—as one would wait for his horse to drink.

Dicky was now being lashed to the quick himself. He had seen clearly—but a sort of hideous night had settled upon him again. He had to watch his temper.

The whipping stopped. A tin bucket of water was brought and dashed upon Nagar’s face and shoulders. A moan came from him because he was not quite conscious. Then the knees drew up and his feet felt for the ground.

The lieutenant stepped forward taking Nagar’s ear in his right hand and calling aloud:

Nagar looked at him without hatred. He tried to speak twice before the words came:

[308]“Finish the thirty, then take him to kotwali. A few days more will make him tell all right.”

The hands were unstrapped. The robe was cast about the shoulders. Nagar could stand. Dicky left the officers and followed his friend and the native policemen to the station, feeling like a pariah’s whelp.

DICKY reflected that there were two ways of looking at a person or a thing, a fact proven several times in his experience. There had been a moment in the presence of Gandhi, after many minutes of talk, when the face, that had been dull and unattractive as a camel driver’s, had suddenly appeared to him with memorable, essential significance. It had been so with Miss Claes: also the moment when he had really seen Pidge, as they stood together on the Palisades of Santa Monica. Recently he had caught an immortal something in the look from Nagar on the rack.

He did not see Nagar again in Amritsar, but up to mid-May the students reported that his friend was still imprisoned. The sound of those falling strokes was slow to die out of the corridors of Dicky’s memory. They awoke him in the night. It was far easier, however, to recall the splendor of gameness in the way Nagar had taken his beating. This satisfied every American instinct; and even above this, was the mystery of compassion for the English, in Nagar’s face. Here was a man on a tennis court in a remote Punjabi town, hardly heard-of in this war-racked world, plainly putting over the thing he had marveled at, as a small[310] boy in Sunday school: “Father, forgive them, for they know not what they do.”

Apparently the same majestic composure. Life held many things; yet Richard Cobden couldn’t be sure altogether, that he had not outraged the spirit of friendship in failing to register his protest of word and deed. Of course, the consequences might have been disastrous, but, at least, a certain man-to-man loyalty would have been satisfied.

If further tortures were inflicted upon Nagar, Dicky was not informed. The Amritsar story was no longer on the outside; it was in Richard Cobden’s brain and heart. He wrote some of it and his letters were forwarded, but still he conned and brooded. Having held still through the whipping of Nagar, he found it easier to stand in the midst of current events without losing his head, or letting emotion or opinion have right of way.

Late in May, a student brought word that Nagar was free and had gone south. This was all that Dicky had been waiting for. Crawling, salaming, flogging, imprisonment and forced testimony had long since become to him a full and bitter cup. At the station, as he waited for his train, a student, edging near, managed to whisper two words:

He was not met at the station there, but a servant at the Entresden told him to go at once to the Ashrama.[311] He obeyed, and found himself listening for the voice of Mahatma-ji, as he entered, but his eyes searched the shadows of the hall for Nagar, a kind of breathless pain about it all.

As the door of an inner room opened, at last, and the native who conducted him drew back, Dicky saw a woman standing in the dimness. Her face, turned toward him, was a mere blur of darkness, but there was a leap toward her in Richard Cobden’s breast. Then he stood before her, in a daze of joy, one hand in hers, one upon her shoulder.

“It happened very quickly in New York,” she told him. “A letter saying that I was coming could hardly have reached you before the steamer that brought me——”

“You will know what to do,” she said. “And about the things that were in your rooms. I had them carefully boxed and sent to your mother, who was well when I left. Also your aunt and sister.”

He took from his pocket the old dark key to the “parlor” door. She bent and touched it.

[312]Dicky turned to find his friend standing behind them at the door. He had felt a presence there, but thought it was the native who had brought him. Nagar’s eyes looked very large in the wasted face.

“Oh, yes, all is well with me,” he said. “I have been sorry to leave you so much alone in the north.... Yes,” he added, “it was harder for you than for me—the test that day on the tennis court. You were brave, my friend. I knew all was well—when the instant passed and you remained silent.”

“I knew that the message of India would get to America—since you did not spoil it by defending me.”

“I saw the fury and fright rise in his eyes, and all the impulses of ethics of the West—then silence over all. It was as if we were cemented——”

As he moved about and talked, he was vaguely conscious of watching the other two together. It was as if Pidge would want to hear of every gesture and detail. Miss Claes was less Indian here than in Harrow Street. There he had thought of her as belonging to the East; here she seemed of the West. Something of the composure he had noted on the tennis court had come to stay in Nagar’s eyes. As moments passed, Dicky knew that they contained deep vitalities of meaning that would appear in coming days.

It was as if his limitations were being stretched, but by consummate hands. There was repeatedly brought[313] to him, from them, something that he refused to hear or dwell with: that he had done well, that he was deeply approved of in their sight; that there was much more to take place between them as a group, even though they were to stay in Asia, and he was leaving for The States.... Then all faces turned, and in the doorway stood the Little Man.

No one spoke, but to Richard Cobden it was one moment of his life that he thought of as religious. Mahatma-ji came in between them, and Dicky felt the old urge somehow to help with his hands; the sense, too, of all India thronging, whispering around them. For a moment the four had been standing in silence, when they heard the sweep of bare slow feet in the hall, and now an old dark face was in the doorway, a smile serene as nothing else on earth but the Hills themselves—a dark wrinkled old face, and she came forward and stood very low and little in the midst of them—Gandhi’s comrade.

In San Francisco, waiting for the departure of his train east, a card was sent up to Cobden’s hotel room. It was from Chris Heidt, the managing editor of his former newspaper connection.

“The first big story I ever ran across. I feel like[314] one of Job’s servants, who said he alone remained to make a report.”

Mr. Heidt had been much on trains during the past few days, and had missed the fact, so far, that The Public Square had begun to publish the story.

“I have much more than The Public Square could use in months. It really should get out into the broad market. The end of one world and the birth of another took place that Sunday in Amritsar—all in miniature, you understand——”

He spoke of Gandhi, whose name had scarcely been heard at this time in America, and touched upon the story of maidan.

“Sure,” said Mr. Heidt. “Sure, it’s a big yarn, but months ago. No way to substantiate it. You’re a little out of perspective, Cobden, seeing it all first hand that way.”

“I know, but the whole story’s a trouble-maker. Far as I can make out, this Gandhi is a sort of sanctimonious Lenine, and we’re not promoting any kind of Lenines just now. Red roughhouses all over the world, but we’re not advertising the fact. The best newspaper interests here and in England are letting that sort of thing die down. Everybody’s healthily intent on getting back to business right now. Make a corking fiction setting—your Amritsar—series of short stories that would do no harm.”

DICKY was considerably subdued. India had permitted his ideas to romp at large. He had forgotten that, home again, these ideas must be brought down to an orderly trudge. America, as a whole, seemed one-pointedly trying to get back to work after the War, calling all protestors untimely and in bad taste. Dicky thought out the situation minutely and severely during the three full travel days to Chicago. At the end of each day he was somewhat exhausted from the big bonfires that had taken place within him—piles of rubbish, glamour and the like.

In Chicago he procured two numbers of The Public Square preceding the current issue, and before his eyes was the manner in which Pidge had “sprung” the Amritsar story. He felt the magic of her working with him in an altogether new way. The latest number confessed, not without grace, that the story of Gandhi and Amritsar had aroused the more open-minded element of the American public, as nothing else since the War; but thanks to Chris Heidt, the returning correspondent watched the rising tide of public interest in his work, as a spectator unexpectant, instead of a performer who fancies he has the world by the tail. It dawned on him, however, that Chris Heidt hadn’t[316] known quite all that was going on in America under the homely thunders of trade.

He reached New York in the early evening and went to Fiftieth Street at once. There he had dinner, and an hour of talk, before he rang up Mrs. Melton at the Sennacherib.

“Mrs. Melton left word for you to go to 54 Harrow Street—to the parlor on the second floor, the card says.”

Mr. Cobden didn’t take out his own car that night. Perhaps he didn’t feel as if he could keep his mind on getting himself downtown. He sat back in the cushions of his mother’s limousine; and Conrad, whose career as Cobden coachman had changed to Cobden chauffeur nearly twenty years ago, handled the big box like a hearse.

“Sit tight, Dicky,” he breathed, and never once urged Conrad forward. In fact, Dicky didn’t speak, until it became necessary to show the way a little, for Harrow Street is tricky to find from Washington Square.

“Don’t wait—yes, you’d better wait, Conrad,” he called, crossing the walk to the door.

The outer door was unlatched. He hurried up one flight. The same curtain, the white light.

She came forth from the inner room. She halted a few feet from him, and he saw her searching, imploring look. His shoulders straightened, his hands[317] dropped to his side. The finer elements of his understanding sensed the great need of a woman, which his brain did not actually register. To answer her need in action, however, was instantly more dominant within him than his thirst for herself.

She came a step nearer. Light was filling her eyes—the shining of an almost incredible hope.

“... And, oh, since I knew you were coming, everything has been different. I haven’t been me at all! I’ve never played—and now everything—all work—is silly, unimportant. Dicky, everything seems to be done!”

[318]“... Since your telegram from San Francisco—it seemed I could hardly stay alive! Oh, it’s so good to rest!”

“Everything seemed done—and no place for me!... Rufe and a rich girl uptown—oh, they’re in full blossom and he wants to be free! My father caught on in New York—no need now for me. The Public Square on the high road at last; your Amritsar story capturing the whole field; nothing to do but to feed the presses more and more; Miss Claes gone, and the Legacy—oh, Dicky, I saw your hand back of that! I couldn’t miss it. It touched me—touched me——”

“It was his idea first, Pidge. All I had to do was to help him carry it out.”

“All happened at once—all the strains lifted—no one depending—no one needing me!... I’ve been dying to be a woman just once. I’ve never dared—never had time. It’s so terrible to feel like a woman and not be able——”

“Don’t think, Dicky! I’m just resting a little. We must work together a lot. We must clear our heads with stacks of work—and then maybe we’ll know if we can play.... Fanny Gallup did that for me, and Rufe Melton is as much a baby as his infant. Other girl, or not—Rufe will always need—us!”

“Pidge, listen! I couldn’t stand any more than that now. To have you say that—us! To have the work with you—to have earned that—to have your faith;[319] that you dare come this close—to have years to make the big moments we have known apart, come true together—I couldn’t stand more, right now; that’s the fact of it—quite!”

“The boy has come back to your face—that you lost in Africa—but the new and lasting Boy!”

He laughed and looked around the room. It was furnished, but barely, the “parlor” having reverted to a sleeping room.

“I couldn’t let you come to Gramercy Park. I remembered that you waited to see me here after Africa, not at the office. I came down this way—the afternoon of the Legacy and saw the sign, ‘Rooms, Permanent and Transient.’... I’m better now. It’s been hours, hasn’t it?”

“... This room’s all paid for,” she whispered. “I mean we don’t have to stop to speak to anybody—only walk out.”

[320]“Dear Dicky, the years have done so much for you! The blur, the maze has gone out from between us. It’s so much more wonderful, isn’t it, than that other night here, when I almost, almost——?”

He waited for her to reach the hall curtains, before he turned off the light. In the dimness of the hall, he heard her low, slow tone:

“... I remember once, Pidge, I went up the next flight and knocked at the door of your little back room——”

“My two books that were written there—and all the rest! I can tell you everything now—and of the book that is still to be written—our story, Dicky.”

THE GLIMPSES OF THE MOON
By EDITH WHARTON

“I can think of no American novel, written within the last few years, and dealing with contemporary life, to compare with it. And not only does Mrs. Wharton write better than anyone else, but she knows how to unfold a more exciting tale.”—Katherine Fullerton Gerould in the New York Times.

THE MIRACLE
By E. TEMPLE THURSTON

A keen, human story of the west coast of Ireland, with peculiar fascination in the rich background of Irish folk lore.

THE VAN ROON
By J. C. SNAITH

An unusual and totally absorbing plot, delightfully told, and a remarkable set of characters, unmatched since Dickens.

THE MOUNTAIN SCHOOL TEACHER
By MELVILLE DAVISSON POST

How would Christ act if He appeared in the world today? Through Mr. Post’s story of the Kentucky mountains runs an impressive allegory.

ABBÉ PIERRE
By JAY WILLIAM HUDSON

This charming novel of life in quaint Gascony has proved that a novel that is a work of true literary art may be a best seller of the widest popularity.

CHAPTER	PAGE
I.	54 Harrow Street	1
II.	The Colored Man	10
III.	A Fish Omelet	17
IV.	Lambill Knocks	23
V.	Luncheon at Sharpe’s	31
VI.	Enter, Fanny Gallup	36
VII.	“The Freedom of Ignorance”	47
VIII.	Somebody’s Shoulder	52
IX.	“You Both Have Keys”	61
X.	April Breathes Again	69
XI.	The Baby Carriage	75
XII.	Under the Same Lamp	81
XIII.	“Mother”	87
XIV.	Isolation	93
XV.	The Cobden Interior	99
XVI.	Dicky Feels a Slump	109
XVII.	New Lodgers for Harrow Street	113
XVIII.	An Outer Change	118
XIX.	Fanny Dries Her Tears	120
XX.	They Walk in Circles	124
XXI.	The Dinner Coat	129
XXII.	A Letter from Pidge	136
XXIII.	The Red Room	143
XXIV.	Miss Claes Speaks	149
XXV.	“Be It Ever So Humble”	154
XXVI.	The Hanging Sock	161
XXVII.	The Mahatma and the Miracle	167
XXVIII.	The Rack of Sex	175
XXIX.	Rufus’ Play Day	180
XXX.	The Head of the House	190
XXXI.	Two Letters from India	194
XXXII.	France, 1918. The Yank	197
XXXIII.	Paris, 1918—Haddon and Ames	202
XXXIV.	The House of Ducier	207
XXXV.	Fanny Hears the Drum	214
XXXVI.	Rufe Hurries Home	218
XXXVII.	John Higgins’ Code	219
XXXVIII.	An Office of the World	225
XXXIX.	Seven Flawless Days	229
XL.	The Yank Developed	239
XLI.	Under the Mangoes of Cawnpore	246
XLII.	Lala Relu Ram	249
XLIII.	Hathis Laments	257
XLIV.	The Slate and the Sponge	263
XLV.	Amritsar, April 13, 1919	268
XLVI.	The Hooked Man	277
XLVII.	In the Warm Dark	281
XLVIII.	“India’s Messenger”	288
XLIX.	Pidge Tries Gramercy Park	292
L.	Dicky’s Idea Works	298
LI.	“We Look Upon Women as Sacred”	302
LII.	The Old Face	309
LIII.	The White Light Again	315

THE PUBLIC SQUARE

CONTENTS

I 54 HARROW STREET

II THE COLORED MAN

III A FISH OMELET

IV LAMBILL KNOCKS

V LUNCHEON AT SHARPE’S

VI ENTER, FANNY GALLUP

VII “THE FREEDOM OF IGNORANCE”

VIII SOMEBODY’S SHOULDER

IX “YOU BOTH HAVE KEYS”

X APRIL BREATHES AGAIN

XI THE BABY CARRIAGE

XII UNDER THE SAME LAMP

XIII “MOTHER”

XIV ISOLATION

XV THE COBDEN INTERIOR

XVI DICKY FEELS A SLUMP

XVII NEW LODGERS FOR HARROW STREET

XVIII AN OUTER CHANGE

XIX FANNY DRIES HER TEARS

XX THEY WALK IN CIRCLES

XXI THE DINNER COAT

XXII A LETTER FROM PIDGE

XXIII THE RED ROOM

XXIV MISS CLAES SPEAKS

XXV “BE IT EVER SO HUMBLE”

XXVI THE HANGING SOCK

XXVII THE MAHATMA AND THE MIRACLE

XXVIII THE RACK OF SEX

XXIX RUFUS’ PLAY DAY

XXX THE HEAD OF THE HOUSE

XXXI TWO LETTERS FROM INDIA

XXXII FRANCE, 1918. THE YANK

XXXIII PARIS, 1918—HADDON AND AMES

XXXIV THE HOUSE OF DUCIER

XXXV FANNY HEARS THE DRUM

XXXVI RUFE HURRIES HOME

XXXVII JOHN HIGGINS’ CODE

XXXVIII AN OFFICE OF THE WORLD

XXXIX SEVEN FLAWLESS DAYS

XL THE YANK DEVELOPED

XLI UNDER THE MANGOES OF CAWNPORE

XLII LALA RELU RAM

XLIII HATHIS LAMENTS

XLIV THE SLATE AND THE SPONGE

XLV AMRITSAR, APRIL 13, 1919

XLVI THE HOOKED MAN

XLVII IN THE WARM DARK

XLVIII “INDIA’S MESSENGER”

XLIX PIDGE TRIES GRAMERCY PARK

L DICKY’S IDEA WORKS

LI “WE LOOK UPON WOMEN AS SACRED”

LII THE OLD FACE

LIII THE WHITE LIGHT AGAIN

THE
PUBLIC SQUARE

I
54 HARROW STREET

II
THE COLORED MAN

III
A FISH OMELET

IV
LAMBILL KNOCKS

V
LUNCHEON AT SHARPE’S

VI
ENTER, FANNY GALLUP

VII
“THE FREEDOM OF IGNORANCE”

VIII
SOMEBODY’S SHOULDER

IX
“YOU BOTH HAVE KEYS”

X
APRIL BREATHES AGAIN

XI
THE BABY CARRIAGE

XII
UNDER THE SAME LAMP

XIII
“MOTHER”

XIV
ISOLATION

XV
THE COBDEN INTERIOR

XVI
DICKY FEELS A SLUMP

XVII
NEW LODGERS FOR HARROW STREET

XVIII
AN OUTER CHANGE

XIX
FANNY DRIES HER TEARS

XX
THEY WALK IN CIRCLES

XXI
THE DINNER COAT

XXII
A LETTER FROM PIDGE

XXIII
THE RED ROOM

XXIV
MISS CLAES SPEAKS

XXV
“BE IT EVER SO HUMBLE”

XXVI
THE HANGING SOCK

XXVII
THE MAHATMA AND THE MIRACLE

XXVIII
THE RACK OF SEX

XXIX
RUFUS’ PLAY DAY

XXX
THE HEAD OF THE HOUSE

XXXI
TWO LETTERS FROM INDIA

XXXII
FRANCE, 1918. THE YANK

XXXIII
PARIS, 1918—HADDON AND AMES

XXXIV
THE HOUSE OF DUCIER

XXXV
FANNY HEARS THE DRUM

XXXVI
RUFE HURRIES HOME

XXXVII
JOHN HIGGINS’ CODE

XXXVIII
AN OFFICE OF THE WORLD

XXXIX
SEVEN FLAWLESS DAYS

XL
THE YANK DEVELOPED

XLI
UNDER THE MANGOES OF CAWNPORE

XLII
LALA RELU RAM

XLIII
HATHIS LAMENTS

XLIV
THE SLATE AND THE SPONGE

XLV
AMRITSAR, APRIL 13, 1919

XLVI
THE HOOKED MAN

XLVII
IN THE WARM DARK

XLVIII
“INDIA’S MESSENGER”

XLIX
PIDGE TRIES GRAMERCY PARK

L
DICKY’S IDEA WORKS

LI
“WE LOOK UPON WOMEN AS SACRED”

LII
THE OLD FACE

LIII
THE WHITE LIGHT AGAIN