The Project Gutenberg EBook of The Vision of the Fountain (From "Twice Told Tales"), by Nathaniel Hawthorne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Vision of the Fountain (From "Twice Told Tales") Author: Nathaniel Hawthorne Release Date: November, 2005 [EBook #9207] First Posted: August 23, 2003 Last Updated: April 2, 2013 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN *** Produced by David Widger
At fifteen, I became a resident in a country village, more than a hundred miles from home. The morning after my arrival—a September morning, but warm and bright as any in July—I rambled into a wood of oaks, with a few walnut-trees intermixed, forming the closest shade above my head. The ground was rocky, uneven, overgrown with bushes and clumps of young saplings, and traversed only by cattle-paths. The track, which I chanced to follow, led me to a crystal spring, with a border of grass, as freshly green as on May morning, and overshadowed by the limb of a great oak. One solitary sunbeam found its way down, and played like a goldfish in the water.
From my childhood, I have loved to gaze into a spring. The water filled a circular basin, small but deep, and set round with stones, some of which were covered with slimy moss, the others naked, and of variegated hue, reddish, white, and brown. The bottom was covered with coarse sand, which sparkled in the lonely sunbeam, and seemed to illuminate the spring with an unborrowed light. In one spot, the gush of the water violently agitated the sand, but without obscuring the fountain, or breaking the glassiness of its surface. It appeared as if some living creature were about to emerge—the Naiad of the spring, perhaps—in the shape of a beautiful young woman, with a gown of filmy water-moss, a belt of rainbow-drops, and a cold, pure, passionless countenance. How would the beholder shiver, pleasantly, yet fearfully, to see her sitting on one of the stones, paddling her white feet in the ripples, and throwing up water, to sparkle in the sun! Wherever she laid her hands on grass and flowers, they would immediately be moist, as with morning dew. Then would she set about her labors, like a careful housewife, to clear the fountain of withered leaves, and bits of slimy wood, and old acorns from the oaks above, and grains of corn left by cattle in drinking, till the bright sand, in the bright water, were like a treasury of diamonds. But, should the intruder approach too near, he would find only the drops of a summer shower glistening about the spot where he had seen her.
Reclining on the border of grass, where the dewy goddess should have been, I bent forward, and a pair of eyes met mine within the watery mirror. They were the reflection of my own. I looked again, and lo! another face, deeper in the fountain than my own image, more distinct in all the features, yet faint as thought. The vision had the aspect of a fair young girl, with locks of paly gold. A mirthful expression laughed in the eyes and dimpled over the whole shadowy countenance, till it seemed just what a fountain would be, if, while dancing merrily into the sunshine, it should assume the shape of woman. Through the dim rosiness of the cheeks, I could see the brown leaves, the slimy twigs, the acorns, and the sparkling sand. The solitary sunbeam was diffused among the golden hair, which melted into its faint brightness, and became a glory round that head so beautiful!
My description can give no idea how suddenly the fountain was thus tenanted, and how soon it was left desolate. I breathed; and there was the face! I held my breath; and it was gone! Had it passed away, or faded into nothing? I doubted whether it had ever been.
My sweet readers, what a dreamy and delicious hour did I spend, where that vision found and left me! For a long time I sat perfectly still, waiting till it should reappear, and fearful that the slightest motion, or even the flutter of my breath, might frighten it away. Thus have I often started from a pleasant dream, and then kept quiet, in hopes to wile it back. Deep were my musings, as to the race and attributes of that ethereal being. Had I created her? Was she the daughter of my fancy, akin to those strange shapes which peep under the lids of children's eyes? And did her beauty gladden me, for that one moment, and then die? Or was she a water-nymph within the fountain, or fairy, or woodland goddess peeping over my shoulder, or the ghost of some forsaken maid, who had drowned herself for love? Or, in good truth, had a lovely girl, with a warm heart, and lips that would bear pressure, stolen softly behind me, and thrown her image into the spring?
I watched and waited, but no vision came again. I departed, but with a spell upon me, which drew me back, that same afternoon, to the haunted spring. There was the water gushing, the sand sparkling, and the sunbeam glimmering. There the vision was not, but only a great frog, the hermit of that solitude, who immediately withdrew his speckled snout and made himself invisible, all except a pair of long legs, beneath a stone. Methought he had a devilish look! I could have slain him!
Thus did the Vision leave me; and many a doleful day succeeded to the parting moment. By the spring, and in the wood, and on the hill, and through the village; at dewy sunrise, burning noon, and at that magic hour of sunset, when she had vanished from my sight, I sought her, but in vain. Weeks came and went, months rolled away, and she appeared not in them. I imparted my mystery to none, but wandered to and fro, or sat in solitude, like one that had caught a glimpse of heaven, and could take no more joy on earth. I withdrew into an inner world, where my thoughts lived and breathed, and the Vision in the midst of them. Without intending it, I became at once the author and hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and experiencing every change of passion, till jealousy and despair had their end in bliss. O, had I the burning fancy of my early youth, with manhood's colder gift, the power of expression, your hearts, sweet ladies, should flutter at my tale!
In the middle of January, I was summoned home. The day before my departure, visiting the spots which had been hallowed by the Vision, I found that the spring had a frozen bosom, and nothing but the snow and a glare of winter sunshine, on the hill of the rainbow. "Let me hope," thought I, "or my heart will be as icy as the fountain, and the whole world as desolate as this snowy hill." Most of the day was spent in preparing for the journey, which was to commence at four o'clock the next morning. About an hour after supper, when all was in readiness, I descended from my chamber to the sitting-room, to take leave of the old clergyman and his family, with whom I had been an inmate. A gust of wind blew out my lamp as I passed through the entry.
According to their invariable custom, so pleasant a one when the fire blazes cheerfully, the family were sitting in the parlor, with no other light than what came from the hearth. As the good clergyman's scanty stipend compelled him to use all sorts of economy, the foundation of his fires was always a large heap of tan, or ground bark, which would smoulder away, from morning till night, with a dull warmth and no flame. This evening the heap of tan was newly put on, and surmounted with three sticks of red-oak, full of moisture, and a few pieces of dry pine, that had not yet kindled. There was no light, except the little that came sullenly from two half-burned brands, without even glimmering on the andirons. But I knew the position of the old minister's arm-chair, and also where his wife sat, with her knitting-work, and how to avoid his two daughters, one a stout country lass, and the other a consumptive girl. Groping through the gloom, I found my own place next to that of the son, a learned collegian, who had come home to keep school in the village during the winter vacation. I noticed that there was less room than usual, to-night, between the collegian's chair and mine.
As people are always taciturn in the dark, not a word was said for some time after my entrance. Nothing broke the stillness but the regular click of the matron's knitting-needles. At times, the fire threw out a brief and dusky gleam, which twinkled on the old man's glasses, and hovered doubtfully round our circle, but was far too faint to portray the individuals who composed it. Were we not like ghosts? Dreamy as the scene was, might it not be a type of the mode in which departed people, who had known and loved each other here, would hold communion in eternity? We were aware of each other's presence, not by sight, nor sound, nor touch, but by an inward consciousness. Would it not be so among the dead?
The silence was interrupted by the consumptive daughter, addressing a remark to some one in the circle, whom she called Rachel. Her tremulous and decayed accents were answered by a single word, but in a voice that made me start, and bend towards the spot whence it had proceeded. Had I ever heard that sweet, low tone? If not, why did it rouse up so many old recollections, or mockeries of such, the shadows of things familiar, yet unknown, and fill my mind with confused images of her features who had spoken, though buried in the gloom of the parlor? Whom had my heart recognized, that it throbbed so? I listened, to catch her gentle breathing, and strove, by the intensity of my gaze, to picture forth a shape where none was visible.
Suddenly, the dry pine caught; the fire blazed up with a ruddy glow; and where the darkness had been, there was she,—the Vision of the Fountain! A spirit of radiance only, she had vanished with the rainbow, and appeared again in the firelight, perhaps to flicker with the blaze, and be gone. Yet, her cheek was rosy and life-like, and her features, in the bright warmth of the room, were even sweeter and tenderer than my recollection of them. She knew me! The mirthful expression that had laughed in her eyes and dimpled over her countenance, when I beheld her faint beauty in the fountain, was laughing and dimpling there now. One moment our glance mingled,—the next, down rolled the heap of tan upon the kindled wood,—and darkness snatched away that Daughter of the Light, and gave her back to me no more!
Fair ladies, there is nothing more to tell. Must the simple mystery be revealed, then, that Rachel was the daughter of the village squire, and had left home for a boarding-school, the morning after I arrived, and returned the day before my departure? If I transformed her to an angel, it is what every youthful lover does for his mistress. Therein consists the essence of my story. But slight the change, sweet maids, to make angels of yourselves!
End of the Project Gutenberg EBook of The Vision of the Fountain (From
"Twice Told Tales"), by Nathaniel Hawthorne
*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN ***
***** This file should be named 9207-h.htm or 9207-h.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/9/2/0/9207/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.