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The Patchwork Girl of Oz
June, 1997 [Etext #955]
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Affectionately dedicated to my young friend Sumner Hamilton
Britton of Chicago
Through the kindness of Dorothy Gale of Kansas, afterward
Princess Dorothy of Oz, an humble writer in the United States of
America was once appointed Royal Historian of Oz, with the
privilege of writing the chronicle of that wonderful fairyland.
But after making six books about the adventures of those
interesting but queer people who live in the Land of Oz, the
Historian learned with sorrow that by an edict of the Supreme
Ruler, Ozma of Oz, her country would thereafter be rendered
invisible to all who lived outside its borders and that all
communication with Oz would, in the future, be cut off.
That seemed a good idea; so the Historian rigged up a high
tower in his back yard, and took lessons in wireless telegraphy
until he understood it, and then began to call "Princess Dorothy
of Oz" by sending messages into the air.
And that was the way Dorothy heard that the Historian wanted
to speak with her, and there was a Shaggy Man in the Land of Oz
who knew how to telegraph a wireless reply. The result was that
the Historian begged so hard to be told the latest news of Oz, so
that he could write it down for the children to read, that
Dorothy asked permission of Ozma and Ozma graciously
consented.
L. Frank Baum.
"Where's the butter, Unc Nunkie?" asked Ojo.
"Isn't," said he.
"Gone," he said.
"All," said Unc, again stroking his beard as he gazed from the
window.
"Nothing grows in our yard but the bread tree," he mused, "and
there are only two more loaves on that tree; and they're not ripe
yet. Tell me, Unc; why are we so poor?"
"Why are we so poor, Unc?" repeated the
"I think we are," declared Ojo. "What have we got?"
"I know; but everyone in the Land of Oz has a place to live.
What else, Unc?"
"I'm eating the last loaf that's ripe. There; I've put aside
your share, Unc. It's on the table, so you can eat it when you
get hungry. But when that is gone, what shall we eat, Unc?"
"Of course," said Ojo, who was obliged to talk because his
uncle would not, "no one starves in the Land of Oz, either. There
is plenty for everyone, you know; only, if it isn't just where
you happen to be, you must go where it is."
"By tomorrow morning," the boy went on, we must go where there
is something to eat, or we shall grow very hungry and become very
unhappy."
"Where shall we go? I don't know, I'm sure," replied Ojo. "But
you must know, Unc. You must have traveled, in your time, because
you're so old. I don't remember it, because ever since I could
remember anything we've lived right here in this lonesome, round
house, with a little garden back of it and the thick woods all
around. All I've ever seen of the great Land of Oz, Unc dear, is
the view of that mountain over at the south, where they say the
Hammerheads live--who won't let anybody go by them--and that
mountain at the north, where they say nobody lives."
"Oh, yes; one family lives there, I've heard. That's the
Crooked Magician, who is named Dr. Pipt, and his wife Margolotte.
One year you told me about them; I think it took you a whole
year, Unc, to say as much as I've just said about the Crooked
Magician and his wife. They live high up on the mountain, and the
good Munchkin Country, where the fruits and flowers grow, is just
the other side. It's funny you and I should live here all alone,
in the middle of the forest, Isn't it?"
"Then let's go away and visit the Munchkin Country and its
jolly, good-natured people. I'd love to get a sight of something
besides woods, Unc Nunkie."
"Why, I'm not so little as I used to be," answered the boy
earnestly. "I think I can walk as far and as fast through the
woods as you can, Unc. And now that nothing grows in our back
yard that is good to eat, we must go where there is food."
By and by Ojo lighted the fire and the logs blazed freely in
the broad fireplace. The two sat in the firelight a long
time--the old, whitebearded Munchkin and the little boy. Both
were thinking. When it grew quite dark out-side, Ojo said:
But Unc Nunkie did not eat the bread; neither did he go
directly to bed. Long after his little nephew was sound asleep in
the corner of the room the old man sat by the fire, thinking.
Just at dawn next morning Unc Nunkie laid his hand tenderly on
Ojo's head and awakened him.
Ojo dressed. He wore blue silk stockings, blue knee pants with
gold buckles, a blue ruffled waist and a jacket of bright blue
braided with gold. His shoes were of blue leather and turned up
at the toes, which were pointed. His hat had a peaked crown and a
flat brim, and around the brim was a row of tiny golden bells
that tinkled when he moved. This was the native costume of those
who inhabited the Munchkin Country of the Land of Oz, so Unc
Nunkie's dress was much like that of his nephew. Instead of
shoes, the old man wore boots with turnover tops and his blue
coat had wide cuffs of gold braid.
Ojo was well pleased. He was dreadfully tired of living all
alone in the woods and wanted to travel and see people. For a
long time he had wished to explore the beautiful Land of Oz in
which they lived. When they were outside, Unc simply latched the
door and started up the path. No one would disturb their little
house, even if anyone came so far into the thick forest while
they were gone.
All the morning they trudged up the mountain path and at noon
Unc and Ojo sat on a fallen tree-trunk and ate the last of the
bread which the old Munchkin had placed in his pocket. Then they
started on again and two hours later came in sight of the house
of Dr. Pipt.
Unc knocked at the door of the house and a chubby,
pleasant-faced woman, dressed all in blue, opened it and greeted
the visitors with a smile.
"I am, my dear, and all strangers are welcome to my home."
"He is very busy just now," she said, shaking her head
doubtfully. "But come in and let me give you something to eat,
for you must have traveled far in order to get our lonely
place."
"A lonelier place! And in the Munchkin Country?" she
exclaimed. "Then it must be somewhere in the Blue Forest."
"Dear me!" she said, looking at the man, "you must be Unc
Nunkie, known as the Silent One." Then she looked at the boy.
"And you must be Ojo the Unlucky," she added.
"I never knew I was called the Unlucky," said Ojo, soberly;
"but it is really a good name for me."
"How can I lose that 'Un,' Dame Margolotte?"
Ojo had never eaten such a fine meal in all his life. There
was a savory stew, smoking hot, a dish of blue peas, a bowl of
sweet milk of a delicate blue tint and a blue pudding with blue
plums in it. When the visitors had eaten heartily of this fare
the woman said to them:
Unc shook his head.
The woman seemed thoughtful.
"Thank you," replied the boy, much pleased. "I would like to
do that."
Unc Nunkie came forward to greet his old friend, but not being
able to shake either his hands or his feet, which were all
occupied in stirring, he patted the Magician's bald head and
asked: "What?"
"You must know," said Margolottte, when they were all seated
together on the broad window-seat, "that my husband foolishly
gave away all the Powder of Life he first made to old Mombi the
Witch, who used to live in the Country of the Gillikins, to the
north of here. Mombi gave to Dr. Pipt a Powder of Perpetual Youth
in exchange for his Powder of Life, but she cheated him wickedly,
for the Powder of Youth was no good and could work no magic at
all."
"Yes; it is perfection," she declared. "The first lot we
tested on our Glass Cat, which not only began to live but has
lived ever since. She's somewhere around the house now."
"Yes; she makes a very pleasant companion, but admires herself
a little more than is considered modest, and she positively
refuses to catch mice," explained Margolotte. "My husband made
the cat some pink brains, but they proved to be too highbred and
particular for a cat, so she thinks it is undignified in her to
catch mice. Also she has a pretty blood-red heart, but it is made
of stone--a ruby, I think--and so is rather hard and unfeeling. I
think the next Class Cat the Magician makes will have neither
brains nor heart, for then it will not object to catching mice
and may prove of some use to us."
"She brought Jack Pumpkinhead to life, for one thing," was the
reply. "I suppose you've heard of jack Pumpkinhead. He is now
living near the Emerald City and is a great favorite with the
Princess Ozma, who rules all the Land of Oz."
"That is one reason you are Ojo the Unlucky," said the woman,
in a sympathetic tone. "The more one knows, the luckier he is,
for knowledge is the greatest gift in life."
"So I do," she answered. "I want it to bring my Patchwork Girl
to life."
"I think I must show you my Patchwork Girl," said Margolotte,
laughing at the boy's astonishment, "for she is rather difficult
to explain. But first I will tell you that for many years I have
longed for a servant to help me with the housework and to cook
the meals and wash the dishes. No servant will come here because
the place is so lonely and out-of-the-way, so my clever husband,
the Crooked Magician, proposed that I make a girl out of some
sort of material and he would make her live by sprinkling over
her the Powder of Life. This seemed an excellent suggestion and
at once Dr. Pipt set to work to make a new batch of his magic
powder. He has been at it a long, long while, and so I have had
plenty of time to make the girl. Yet that task was not so easy as
you may suppose. At first I couldn't think what to make her of,
but finally in searching through a chest I came across an old
patchwork quilt, which my grandmother once made when she was
young.
"A bed-quilt made of patches of different kinds and colors of
cloth, all neatly sewed together. The patches are of all shapes
and sizes, so a patchwork quilt is a very pretty and gorgeous
thing to look at. Sometimes it is called a 'crazyquilt,' because
the patches and colors are so mixed up. We never have used my
grand-mother's manycolored patchwork quilt, hand-some as it is,
for we Munchkins do not care for any color other than blue, so it
has been packed away in the chest for about a hundred years. When
I found it, I said to myself that it would do nicely for my
servant girl, for when she was brought to life she would not be
proud nor haughty, as the Glass Cat is, for such a dreadful
mixture of colors would discourage her from trying to, be as
dignified as the blue Munchkins are.
"Yes, for a Munchkin. All our country is blue, you know. But
in other parts of Oz the people favor different colors. At the
Emerald City, where our Princess Ozma lives, green is the popular
color. But all Munchkins prefer blue to anything else and when my
housework girl is brought to life she will find herself to be of
so many unpopular colors that she'll never dare be rebellious or
impudent, as servants are sometimes liable to be when they are
made the same way their mistresses are."
"Good idea," he said; and that was a long speech for Unc
Nunkie because it was two words.
Then back she came, lugging in her arms the Patchwork Girl,
which she set upon the bench and propped up so that the figure
would not tumble over.
Ojo examined this curious contrivance with wonder. The
Patchwork Girl was taller than he, when she stood upright, and
her body was plump and rounded because it had been so neatly
stuffed with cotton. Margolotte had first made the girl's form
from the patchwork quilt and then she had dressed it with a
patchwork skirt and an apron with pockets in it-using the same
gay material throughout. Upon the feet she had sewn a pair of red
leather shoes with pointed toes. All the fingers and thumbs of
the girl's hands had been carefully formed and stuffed and
stitched at the edges, with gold plates at the ends to serve as
finger-nails.
The head of the Patchwork Girl was the most curious part of
her. While she waited for her husband to finish making his Powder
of Life the woman had found ample time to complete the head as
her fancy dictated, and she realized that a good servant's head
must be properly constructed. The hair was of brown yarn and hung
down on her neck in several neat braids. Her eyes were two silver
suspender-buttons cut from a pair of the Magician's old trousers,
and they were sewed on with black threads, which formed the
pupils of the eyes. Margolotte had puzzled over the ears for some
time, for these were important if the servant was to hear
distinctly, but finally she had made them out of thin plates of
gold and attached them in place by means of stitches through tiny
holes bored in the metal. Gold is the most common metal in the
Land of Oz and is used for many purposes because it is soft and
pliable.
"You ought to have had her face all pink," suggested the
boy.
"Has she any brains?" asked Ojo.
"Wrong," said Unc Nunkie.
"He means," explained Ojo, "that unless your servant has good
brains she won't know how to obey you properly, nor do the things
you ask her to do."
With this she went to another cupboard which was filled With
shelves. All the shelves were lined With blue glass bottles,
neatly labeled by the Magician to show what they contained. One
whole shelf was marked: "Brain Furniture," and the bottles on
this shelf were labeled as follows: "Obedience," "Cleverness,"
"Judgment," "Courage," "Ingenuity," "Amiability," "Learning,"
"Truth," "Poesy," "Self Reliance."
Unc Nunkie, who with Ojo stood beside her, touched the bottle
marked "Cleverness."
"A little 'Cleverness'? Well, perhaps you are right, sir,"
said she, and was about to take down the bottle when the Crooked
Magician suddenly called to her excitedly from the fireplace.
She ran to her husband's side at once and helped him lift the
four kettles from the fire. Their contents had all boiled away,
leaving in the bottom of each kettle a few grains of fine white
powder. Very carefully the Magician removed this powder, placing
it all together in a golden dish, where he mixed it with a golden
spoon. When the mixture was complete there was scarcely a
handful, all told.
Unc Nunkie, Margolotte and the Magician all stood looking at
the marvelous Powder, but Ojo was more interested just then in
the Patchwork Girl's brains. Thinking it both unfair and unkind
to deprive her of any good qualities that were handy, the boy
took down every bottle on the shelf and poured some of the
contents in Margolotte's dish. No one saw him do this, for all
were looking at the Powder of Life; but soon the woman remembered
what she had been doing, and came back to the cupboard.
Margolotte now carried the dish of brains to the bench.
Ripping the seam of the patch on the girl's forehead, she placed
the powder within the head and then sewed up the seam as neatly
and securely as before.
"This powder must not be used before tomorrow morning; but I
think it is now cool enough to be bottled."
"At last," said he, rubbing his hands together gleefully, "I
have ample leisure for a good talk with my old friend Unc Nunkie.
So let us sit down cosily and enjoy ourselves. After stirring
those four kettles for six years I am glad to have a little
rest."
"I know; but that renders your uncle a most agreeable
companion and gossip," declared Dr. Pipt. "Most people talk too
much, so it is a relief to find one who talks too little."
"Don't you find it very annoying to be so crooked?" he
asked.
He was really very crooked and Ojo wondered how he managed to
do so many things with such a twisted body. When he sat down upon
a crooked chair that had been made to fit him, one knee was under
his chin and the other near the small of his back; but he was a
cheerful man and his face bore a pleasant and agreeable
expression.
"Magic must be a very interesting study," said Ojo.
"What does the Liquid of Petrifaction do?" inquired the
boy.
"Fine!" said Unc Nunkie, wagging his head and stroking his
long gray beard.
"Let me in! Hurry up, can't you? Let me in!"
"Ask like a good cat, then," she said.
"Yes; that's proper cat talk," declared the woman, and opened
the door. At once a cat entered, came to the center of the room
and stopped short at the sight of strangers. Ojo and Unc Nunkie
both stared at it with wide open eyes, for surely no such curious
creature had ever existed before-even in the Land of Oz.
The cat was made of glass, so clear and transparent that you
could see through it as easily as through a window. In the top of
its head, however, Was a mass of delicate pink balls which looked
like jewels, and it had a heart made of a blood-red ruby. The
eyes were two large emeralds, but aside from these colors all the
rest of the animal was clear glass, and it had a spunglass tail
that was really beautiful.
"Excuse me," returned the Magician. "This is Unc Nunkie, the
descendant of the former kings of the Munchkins, before this
country be came a part of the Land of Oz."
"True," replied Unc, with a low chuckle of amusement.
"Who is the dwarf?" asked the cat.
"Oh. Is that magic?" the glass animal inquired.
"No one can regret more than I the fact that you made me,"
asserted the cat, crouching upon the floor and slowly swaying its
spun-glass tail from side to side. "Your world is a very
uninteresting place. I've wandered through your gardens and in
the forest until I'm tired of it all, and when I come into the
house the conversation of your fat wife and of yourself bores me
dreadfully."
"Can't you take 'em out, then, and replace em with pebbles, so
that I won't feel above my station in life?" asked the cat,
pleadingly.
The cat walked up to the bench on which the Patchwork Girl
reclined and looked at her attentively.
The Magician nodded.
"I won't. I couldn't respect such a bundle of scraps under any
circumstances."
"Why didn't you make her pretty to look at?" asked the cat.
"You made me pretty--very pretty, indeed--and I love to watch my
pink brains roll around when they're working, and to see my
precious red heart beat." She went to a long mirror, as she said
this, and stood before it, looking at herself with an air of much
pride. "But that poor patched thing will hate herself, when she's
once alive," continued the cat. "If I were you I'd use her for a
mop, and make another servant that is prettier."
The Glass Cat yawned and stretched herself upon the floor.
Ojo and Unc Nunkie slept that night in the Magician's house,
and the boy was glad to stay because he was anxious to see the
Patchwork Girl brought to life. The Glass Cat was also a
wonderful creature to little Ojo, who had never seen or known
anything of magic before, although he had lived in the Fairyland
of Oz ever since he was born. Back there in the woods nothing
unusual ever happened. Unc Nunkie, who might have been King of
the Munchkins, had not his people united with all the other
countries of Oz in acknowledging Ozma as their Sole ruler, had
retired into this forgotten forest nook with his baby nephew and
they had lived all alone there. Only that the neglected garden
had failed to grow food for them, they would always have lived in
the solitary Blue Forest; but now they had started out to mingle
with other people, and the first place they came to proved so
interesting that Ojo could scarcely sleep a wink all night.
"This is the last meal I shall have to cook for some time, for
right after breakfast Dr. Pipt has promised to bring my new
servant to life. I shall let her wash the breakfast dishes and
sweep and dust the house. What a relief it will be!"
"Only those that an humble servant requires," she answered. "I
do not wish her to feel above her station, as the Glass Cat does.
That would make her discontented and unhappy, for of course she
must always be a servant."
As soon as breakfast was over they all went into the
Magician's big workshop, where the Glass Cat was lying before the
mirror and the Patchwork Girl lay limp and lifeless upon the
bench.
As he spoke he went to a phonograph, which screwed fast to a
small table, and wound up the spring of the instrument and
adjusted the big gold horn.
The phonograph was now playing a stirring march tune and the
Magician unlocked his cabinet and took out the gold bottle
containing the Powder of Life.
"All ready?" asked Dr. Pipt.
So the Magician leaned over and shook from the bottle some
grains of the wonderful Powder, and they fell directly on the
Patchwork Girl's head and arms.
But suddenly the Patchwork Girl threw up one arm, which
knocked the bottle of powder from the crooked man's hand and sent
it flying across the room. Unc Nunkie and Margolotte were so
startled that they both leaped backward and bumped together, and
Unc's head joggled the shelf above them and upset the bottle
containing the Liquid of Petrifaction.
Ojo pushed the Patchwork Girl away and ran to Unc Nunkie,
filled with a terrible fear for the only friend and protector he
had ever known. When he grasped Unc's hand it was cold and hard.
Even the long gray beard was solid marble. The Crooked Magician
was dancing around the room in a frenzy of despair, calling upon
his wife to forgive him, to speak to him, to come to life
again!
"Whee, but there's a gaudy dame! Makes a paint-box blush with
shame. Razzle-dazzle, fizzle-fazzle! Howdy-do, Miss
What's-your-name?"
She bowed, and the reflection bowed. Then she laughed again,
long and merrily, and the Glass Cat crept out from under the
table and said:
"Horrid?" she replied. "Why, I'm thoroughly delightful. I'm an
Original, if you please, and therefore incomparable. Of all the
comic, absurd, rare and amusing creatures the world contains, I
must be the supreme freak. Who but poor Margolotte could have
managed to invent such an unreasonable being as I? But I'm
glad--I'm awfully glad!--that I'm just what I am, and nothing
else."
"Think ahead," said the Patchwork Girl, seating herself in a
chair. "Think all you want to. I don't mind."
The Magician looked gloomily at the musicmachine.
He went up to it and found that the gold bottle that contained
the precious powder had dropped upon the stand and scattered its
life-giving grains over the machine. The phonograph was very much
alive, and began dancing a jig with the legs of the table to
which it was attached, and this dance so annoyed Dr. Pipt that he
kicked the thing into a corner and pushed a bench against it, to
hold it quiet.
"No insults, please," answered the phonograph in a surly,
tone. "You did it, my boy; don't blame me. "
"Except me," said the Patchwork Girl, jumping up to whirl
merrily around the room.
"That's nonsense, kiddie," retorted the Patchwork Girl
cheerfully. "No one can be unlucky who has the intelligence to
direct his own actions. The unlucky ones are those who beg for a
chance to think, like poor Dr. Pipt here. What's the row about,
anyway, Mr. Magic-maker?"
"Well, why don't you sprinkle some of that powder on them and
bring them to life again?" asked the Patchwork Girl.
"Why, I hadn't thought of that!" he joyfully cried, and
grabbed up the golden bottle, with which he ran to
Margolotte.
"Higgledy, piggledy, deeWhat fools magicians be! His head's so
thick He can't think quick, So he takes advice from me."
Standing upon the bench, for he was so crooked he could not
reach the top of his wife's head in any other way, Dr. Pipt began
shaking the bottle. But not a grain of powder came out. He pulled
off the cover, glanced within, and then threw the bottle from him
with a wail of despair.
Then the Magician bowed his head on his crooked arms and began
to cry.
"You can make more Powder of Life, Dr. Pipt."
"Can't anything else be done?" asked the Patchwork Girl.
"There is one other compound that would destroy the magic
spell of the Liquid of Petrifaction and restore my wife and Unc
Nunkie to life," said he. "It may be hard to find the things I
need to make this magic compound, but if they were found I could
do in an instant what will otherwise take six long, weary years
of stirring kettles with both hands and both feet."
"That's the idea, Scraps," said the Glass Cat, approvingly.
"I'm glad to find you have decent brains. Mine are exceptionally
good. You can see em work; they're pink."
"I--I believe my poor wife had intended to name you
'Angeline,'" said the Magician.
"I have a foolish name that Margolotte once gave me, but which
is quite undignified for one of my importance," answered the cat.
"She called me 'Bungle.'"
"I'm not so brittle as you think," retorted the cat. "I've
been alive a good many years, for Dr. Pipt experimented on me
with the first magic Powder of Life he ever made, and so far I've
never broken or cracked or chipped any part of me."
"Tell me," pleaded Ojo, speaking to the Crooked Magician,
"what must we find to make the compound that will save Unc
Nunkie?"
"I'll find it for you," promised Ojo.
"I'll find it," declared Ojo. "Is that all?"
Saying this, the Magician unlocked a drawer of his cabinet and
drew out a small book covered with blue leather. Looking through
the pages he found the recipe he wanted and said: "I must have a
gill of water from a dark well."
"One where the light of day never penetrates. The water must
be put in a gold bottle and brought to me without any light ever
reaching it.
"Then I must have three hairs from the tip of a Woozy's tail,
and a drop of oil from a live man's body."
"What is a Woozy, please?" he inquired.
"If I can find a Woozy, I'll get the hairs from its tail,"
said Ojo. "But is there ever any oil in a man's body?"
"That's what the recipe calls for," he replied, "and of course
we must get everything that is called for, or the charm won't
work. The book doesn't say 'blood'; it says 'oil,' and there must
be oil somewhere in a live man's body or the book wouldn't ask
for it."
The Magician looked at the little Munchkin boy in a doubtful
way and said:
"I know it, sir; but I must do my best to save Unc
Nunkie."
"I will start on my journey at once, sir," said the boy.
"No, no!" exclaimed the Magician. "You have no right to leave
this house. You are only a servant and have not been
discharged."
"What is a servant?" she asked.
"Very well," said the Patchwork Girl, "I'm going to serve you
and your wife by helping Ojo find the things you need. You need a
lot, you know, such as are not easily found."
Scraps laughed, and resuming her dance she said:
The Magician looked at her thoughtfully.
"I'm going with Scraps and Ojo," announced the Glass Cat.
"Why not?"
"I beg to differ with you," returned the cat, in a haughty
tone. "Three heads are better than two, and my pink brains are
beautiful. You can see em work."
"Thank you for nothing, then," answered the cat, stiffly.
"Here is some food and a bundle of charms," he said. "It is
all I can give you, but I am sure you will find friends on your
journey who will assist you in your search. Take care of the
Patchwork Girl and bring her safely back, for she ought to prove
useful to my wife. As for the Glass Cat-properly named Bungle--if
she bothers you I now give you my permission to break her in two,
for she is not respectful and does not obey me. I made a mistake
in giving her the pink brains, you see.
"I'm going to try to save you, Unc," he said, just as if the
marble image could hear him; and then he shook the crooked hand
of the Crooked Magician, who was already busy hanging the four
kettles in the fireplace, and picking up his basket left the
house.
The Journey
Suddenly the Patchwork Girl laughed. It was funny to see her
laugh, because her cheeks wrinkled up, her nose tipped, her
silver button eyes twinkled and her mouth curled at the corners
in a comical way.
"Yes," she answered. "Your world pleases me, for it's a queer
world, and life in it is queerer still. Here am I, made from an
old bedquilt and intended to be a slave to Margolotte, rendered
free as air by an accident that none of you could foresee. I am
enjoying life and seeing the world, while the woman who made me
is standing helpless as a block of wood. If that isn't funny
enough to laugh at, I don't know what is."
"But they're part of it; and aren't they pretty trees?"
returned Scraps, bobbing her head until her brown yarn curls
fluttered in the breeze. "Growing between them I can see lovely
ferns and wild-flowers, and soft green mosses. If the rest of
your world is half as beautiful I shall be glad I'm alive."
"I have never been out of the forest," Ojo added; "but to me
the trees are gloomy and sad and the wild-flowers seem lonesome.
It must be nicer where there are no trees and there is room for
lots of people to live together."
"I think I made a mistake in giving you so many sorts of
brains," observed the boy. "Perhaps, as the Magician said, you
have an over-dose, and they may not agree with you."
"A lot," replied Ojo. "Old Margolotte meant to give you only a
few--just enough to keep you going--but when she wasn't looking I
added a good many more, of the best kinds I could find in the
Magician's cupboard."
"But they ought to be evenly balanced," said the boy, "and I
had no time to be careful. From the way you're acting, I guess
the dose was badly mixed."
After walking a long time they came to a little brook that
trickled across the path, and here Ojo sat down to rest and eat
something from his basket. He found that the Magician had given
him part of a loaf of bread and a slice of cheese. He broke off
some of the bread and was surprised to find the loaf just as
large as it was before. It was the same way with the cheese:
however much he broke off from the slice, it remained exactly the
same size.
"Why do you put those things into your mouth?" asked Scraps,
gazing at him in astonishment. "Do you need more stuffing? Then
why don't you use cotton, such as I am stuffed with?"
"But a mouth is to talk with, isn't it?"
"Ah, I didn't know that," she said. "Give me some."
"What next?" she asked, scarcely able to speak.
Scraps tried that. Her pearl teeth were unable to chew the
bread and beyond her mouth there was no opening. Being unable to
swallow she threw away the bread and laughed.
"Neither can I," announced the cat; "but I'm not fool enough
to try. Can't you understand that you and I are superior people
and not made like these poor humans?"
With this she began amusing herself by leaping across the
brook and hack again.
"Never mind."
"Don't my colors run whenever I run?" she asked.
"Then," said the Patchwork Girl, "I'll be careful, for if I
spoiled my splendid colors I would cease to be beautiful."
"Shoo-shoo-shoo!" cried Scraps, dancing around and laughing.
"And your horrid green eyes, Miss Bungle! You can't see your
eyes, but we can, and I notice you're very proud of what little
color you have. Shoo, Miss Bungle, shoo-shoo-shoo! If you were
all colors and many colors, as I am, you'd be too stuck up for
anything." She leaped over the cat and back again, and the
startled Bungle crept close to a tree to escape her. This made
Scraps laugh more heartily than ever, and she said:
"It may be," he answered, with a puzzled look.
"Don't quarrel, please," pleaded the boy, rising to resume the
journey. "Let us be good comrades and as happy and cheerful as
possible, for we are likely to meet with plenty of trouble on our
way."
This man was a woodchopper and lived all alone in the little
house. He had bushy blue whiskers and merry blue eyes and his
blue clothes were quite old and worn.
"Do you mean me?" asked the Patchwork Girl.
"You misjudge my ancestry. I'm not a crazyquilt; I'm
patchwork," she said.
"It was the Magic Powder that did it," explained Ojo.
"We're going there, anyhow," declared Scraps, sitting upon the
bench and swinging her stuffed legs.
"I see," said the woodchopper, nodding; "you're as crazy as
the crazy-quilt you're made of."
"So I can," replied the woodchopper; "but I can't see that
they accomplish much. A glass cat is a useless sort of thing, but
a Patchwork Girl is really useful. She makes me laugh, and
laughter is the best thing in life. There was once a woodchopper,
a friend of mine, who was made all of tin, and I used to laugh
every time I saw him."
"My friend wasn't always tin," said the man, "but he was
careless with his axe, and used to chop himself very badly.
Whenever he lost an arm or a leg he had it replaced with tin; so
after a while he was all tin."
"He could if he didn't rust his tin joints. But one day he met
Dorothy in the forest and went with her to the Emerald City,
where he made his fortune. He is now one of the favorites of
Princess Ozma, and she has made him the Emperor of the
Winkies--the Country where all is yellow."
"A little maid who used to live in Kansas, but is now a
Princess of Oz. She's Ozma's best friend, they say, and lives
with her in the royal palace."
"Is she patchwork, like me?" inquired Scraps.
"I suppose we shall see the Tin Woodman, for we are going to
the Country of the Winkies," said the boy.
"To get the left wing of a yellow butterfly."
"Suits me all right," said Scraps. "I'll get a chance to see
the country."
The woodchopper then invited them all to stay the night at his
little hut, but they were anxious to get on and so left him and
continued along the path, which was broader, now, and more
distinct.
"I can scarcely see the path," he said at last. "Can you see
it, Scraps?"
"I can see," declared the Glass Cat. "My eyes are better than
yours, and my pink brains--"
He got a string from his pocket and tied it around the cat's
neck, and after that the creature guided them along the path.
They had proceeded in this way for about an hour when a twinkling
blue light appeared ahead of them.
"I think the light is traveling, too, and we shall never be
able to catch up with it. But here is a house by the roadside, so
why go farther?"
"Just here beside us, Scraps."
"Who is there?" cried a voice from within.
"What do you want?" asked the Voice.
"Come in, then; but don't make any noise, and you must go
directly to bed," returned the Voice.
"There must be," said the boy. "Some one spoke to me."
"What is sleep?" inquired the Patchwork Girl.
"But why do you go to bed?" persisted the Patchwork Girl.
The cat, which could see in the dark, looked sharply around
for the owner of the Voice, hut could discover no one, although
the Voice had seemed close beside them. She arched her back a
little and seemed afraid. Then she whispered to Ojo: "Come!" and
led him to a bed.
"Lie down and keep quiet," whispered the cat, warningly.
"Can't I whistle?" asked Scraps.
"You must keep quiet," said the cat, in a soft voice.
Before she could say anything more an unseen hand seized her
firmly and threw her out of the door, which closed behind her
with a sharp slam. She found herself bumping and rolling in the
road and when she got up and tried to open the door of the house
again she found it locked.
"Never mind. Let's go to sleep, or something will happen to
us," answered the Glass Cat.
The Troublesome Phonograph
When the boy opened his eyes next morning he looked carefully
around the room. These small Munchkin houses seldom had more than
one room in them. That in which Ojo now found himself had three
beds, set all in a row on one side of it. The Glass Cat lay
asleep on one bed, Ojo was in the second, and the third was
neatly made up and smoothed for the day. On the other side of the
room was a round table on which breakfast was already placed,
smoking hot. Only one chair was drawn up to the table, where a
place was set for one person. No one seemed to be in the room
except the boy and Bungle.
"I wonder if this is my breakfast?"
He was hungry, and the breakfast looked good; so he sat down
and ate all he wanted. Then, rising, he took his hat and wakened
the Glass Cat.
He cast another glance about the room and, speaking to the
air, he said: "Whoever lives here has been kind to me, and I'm
much obliged."
"Oh, there you are!" she exclaimed cheerfully. "I thought you
were never coming out. It has been daylight a long time."
"Sat here and watched the stars and the moon," she replied.
"They're interesting. I never saw them before, you know."
"You were crazy to act so badly and get thrown outdoors,"
remarked Bungle, as they renewed their journey.
"What wolf?" inquired Ojo.
"I don't see why that should be," said the boy, thoughtfully;
"there was plenty to eat in that house, for I had a fine
breakfast, and I slept in a nice bed."
"Why, yes; I'm as tired as I was last night; and yet I slept
very well."
"It's strange," replied Ojo. "I had a good breakfast, and yet
I think I'll now eat some of my crackers and cheese."
"Kizzle-kazzle-kore; The wolf is at the door, There's nothing
to eat but a bone without meat, And a bill from the grocery
store."
"What does that mean?" asked Ojo.
"No," said the cat; "she's stark, staring, raving crazy, and
her brains can't be pink, for they don't work properly."
Just then they heard a sound as of footsteps pattering along
the path behind them and all three turned to see what was coming.
To their astonishment they beheld a small round table running as
fast as its four spindle legs could carry it, and to the top was
screwed fast a phonograph with a big gold horn.
"Goodness me; it's that music thing which the Crooked Magician
scattered the Powder of Life over," said Ojo.
"I've run away," said the music thing. "After you left, old
Dr. Pipt and I had a dreadful quarrel and he threatened to smash
me to pieces if I didn't keep quiet. Of course I wouldn't do
that, because a talking-machine is supposed to talk and make a
noise--and sometimes music. So I slipped out of the house while
the Magician was stirring his four kettles and I've been running
after you all night. Now that I've found such pleasant company, I
can talk and play tunes all I want to."
"We are traveling on important business," he declared, "and
you'll excuse me if I say we can't be bothered."
"I'm sorry; but it's true," said the boy. "You'll have to go
somewhere else."
"It isn't you we hate, especially," observed the Glass Cat;
"it's your dreadful music. When I lived in the same room with you
I was much annoyed by your squeaky horn. It growls and grumbles
and clicks and scratches so it spoils the music, and your
machinery rumbles so that the racket drowns every tune you
attempt."
"Just the same, you'll have to go away," said Ojo.
"Victor Columbia Edison," it answered.
"It'll drive you crazy," warned the cat.
"The only record I have with me," explained the phonograph,
"is one the Magician attached just before we had our quarrel.
It's a highly classical composition."
"It is classical music, and is considered the best and most
puzzling ever manufactured. You're supposed to like it, whether
you do or not, and if you don't, the proper thing is to look as
if you did. Understand?"
"Then, listen!"
"Cut it out, Vic," she said. "That's enough."
"Let's run!" cried Scraps, and they all started and ran down
the path as fast as they could go. But the phonograph was right
behind them and could run and play at the same time. It called
out, reproachfully:
"No, Vic," said Scraps, halting. "We will passical the
classical and preserve what joy we have left. I haven't any
nerves, thank goodness, but your music makes my cotton
shrink."
"What's rag-time?"
"All right," said Scraps, and turned over the record.
Muffled as it was, the phonograph played on.
The music stopped, at that, and the machine turned its horn
from one to another and said with great indignation: "What's the
matter now? Is it possible you can't appreciate ragtime?"
"It is, indeed, dreadful!" exclaimed Ojo, with a shudder.
"Music hath charms to soothe the savage breast," asserted the
phonograph sadly.
"Never! He'd smash me."
"Run along, Vic, and bother some one else," advised Scraps.
"Find some one who is real wicked, and stay with him till he
repents. In that way you can do some good in the world."
"Is that the way we go?" asked Bungle anxiously.
The foolish Owl and the Wise Donkey
When Ojo read this sign aloud Scraps said laughingly: "Well,
here is a place to get all the advice we want, maybe more than we
need. Let's go in."
"Come in!" called a deep bass voice.
"Good morning," said the donkey, in his deep voice, which
seemed bigger than he was. "Did you come to us for advice?"
"Certainly," said the donkey. "Advice doesn't cost
anything--unless you follow it. Permit me to say, by the way,
that you are the queerest lot of travelers that ever came to my
shop. Judging you merely by appearances, I think you'd better
talk to the Foolish Owl yonder."
"Hoot-ti-toot-ti-toot!" cried the owl.
"That beats your poetry, Scraps," said Ojo.
"But it's good advice for the foolish," said the donkey,
admiringly. "Listen to my partner, and you can't go wrong.
"Patchwork Girl has come to life; No one's sweetheart, no
one's wife; Lacking sense and loving fun, She'll be snubbed by
everyone."
"Why?" asked the Patchwork Girl.
"It is my beauty that dazzles you," she asserted. "You
Munchkin people all strut around in your stupid blue color, while
I--"
"Hoot-ti-toot!" cried the owl;
"Is the owl so very foolish?" asked the boy.
The owl flapped its wings again, muttering these words:
"Have you noticed my pink brains?" inquired Bungle, proudly.
"You can see 'em work."
"The owl hasn't given us any advice, as yet," the boy
declared.
"Just foolishness," replied Ojo. "Scraps does the same
thing."
"The sign says that you are wise," remarked Scraps to the
donkey. "I wish you would prove it."
"What is the best way to get to the Emerald City?" asked
Ojo.
"I know; but what road shall I take?" was the boy's next
question.
"And how shall we find the road of yellow bricks?"
"Thank you," said the boy. "At last you have told me
something."
"No," replied the donkey; "I know many other things, but they
wouldn't interest you. So I'll give you a last word of advice:
move on, for the sooner you do that the sooner you'll get to the
Emerald City of Oz."
"Off you go! fast or slow, Where you're going you don't know.
Patches, Bungle, Muchkin lad, Facing fortunes good and bad,
Meeting dangers grave and sad, Sometimes worried, sometimes
glad-Where you're going you don't know, Nor do I, but off you
go!"
"Then let's take it and go," replied Ojo.
They Meet the Woozy
"There seem to be very few houses around here, after all,"
remarked Ojo, after they had walked for a time in silence.
"There are worse colors than yellow in this country," asserted
the Glass Cat, in a spiteful tone.
"No; I mean you, if you must know it," growled the cat.
"I wouldn't!" retorted the cat. "I've the clearest complexion
in the world, and I don't employ a beauty-doctor, either."
"Please don't quarrel," begged Ojo. "This is an important
journey, and quarreling makes me discouraged. To be brave, one
must be cheerful, so I hope you will be as good-tempered as
possible."
They soon discovered that the path they had been following now
made a bend and passed around the enclosure, but what made Ojo
stop and look thoughtful was a sign painted on the fence which
read:
"That means," he said, "that there's a Woozy inside that
fence, and the Woozy must be a dangerous animal or they wouldn't
tell people to beware of it."
"But one of our errands is to find a Woozy," Ojo explained.
"The Magician wants me to get three hairs from the end of a
Woozy's tail."
"Perhaps there isn't any other, at all," answered Ojo. "The
sign doesn't say: 'Beware a Woozy'; it says: 'Beware the Woozy,'
which may, mean there's only one in all the Land of Oz.
"It would hurt him, I'm sure, and that would make him cross,"
said the cat.
"I am, a little," the boy admitted; "but this danger must be
faced, if we intend to save poor
"Climb," answered Scraps, and at once she began climbing up
the rows of bars. Ojo followed and found it more easy than he had
expected. When they got to the top of the fence they began to get
down on the other side and soon were in the forest. The Glass
Cat, being small, crept between the lower bars and joined
them.
So far they had met no living creature, but when Ojo saw the
cave he knew it must be the den of the Woozy.
"I guess the Woozy is asleep," said Scraps. "Shall I throw in
a stone, to waken him?"
But he had not long to wait, for the Woozy heard the sound of
voices and came trotting out of his cave. As this is the only
Woozy that has ever lived, either in the Land of Oz or out of it,
I must describe it to you.
Seeing the strangers, the Woozy folded his hind legs as if
they Lad been hinged and sat down to look his visitors over.
"Why did they shut you up here?" asked Scraps, who was
regarding the queer, square creature with much curiosity.
"Are you fond of eating honey-bees?" inquired the boy.
"Why not?"
"But what do you eat now?" asked Ojo.
"You must be awfully hungry," said the boy. "I've got some
bread and cheese in my basket. Would you like that kind of
food?"
So the boy opened his basket and broke a piece off the loaf of
bread. He tossed it toward the Woozy, who cleverly caught it in
his mouth and ate it in a twinkling.
"Try some cheese," said Ojo, and threw down a piece.
"That's mighty good!" it exclaimed. "Any more?"
"That'll do," said the Woozy, at last; "I'm quite full. I hope
the strange food won't give me indigestion.
"Well, I must say I'm much obliged, and I'm glad you came,"
announced the beast. "Is there anything I can do in return for
your kindness?"
"What is it?" asked the Woozy. "Name the favor and I will
grant it."
"Three hairs! Why, that's all I have--on my tail or anywhere
else," exclaimed the beast.
"They are my sole ornaments, my prettiest feature," said the
Woozy, uneasily. "If I give up those three hairs I--I'm just a
blockhead."
"I always keep my word, for I pride myself on being square. So
you may have the three hairs, and welcome. I think, under such
circumstances, it would be selfish in me to refuse you."
"Any time you like," answered the Woozy.
"What's the trouble?" asked the Woozy, which Ojo had dragged
here and there all around the clearing in his endeavor to pull
out the hair.
"I was afraid of that," declared the beast. "You'll have to
pull harder."
"Wait a jiffy," called the Woozy, and then it went to a tree
and hugged it with its front paws, so that its body couldn't be
dragged around by the pull. "All ready, now. Go ahead!"
"Give it up," advised the Glass Cat, as the boy arose and
assisted the Patchwork Girl to her feet. "A dozen strong men
couldn't pull out those Hairs. I believe they're clinched on the
under side of the Woozy's thick skin."
"They're goners, I guess," said the Patchwork Girl.
But Ojo did not feel that way. He was so disheartened that he
sat down upon a stump and began to cry.
"Why don't you take me with you?" asked the beast. "Then, when
at last you get to the Magician's house, he can surely find some
way to pull out those three hairs."
"That's it!" he cried, wiping away the tears and springing to
his feet with a smile. "If I take the three hairs to the
Magician, it won't matter if they are still in your body."
"Come on, then," said the boy, picking up his basket; "let us
start at once. I have several other things to find, you
know."
"How do you intend to get the beast out of this forest?"
"Let us go to the fence, and then we may find a way,"
suggested Scraps. So they walked through the forest to the fence,
reaching it at a point exactly opposite that where they had
entered the enclosure.
"We climbed over," answered Ojo.
Ojo tried to think what to do.
"No," answered the Woozy, "for I have no claws. My feet are
quite flat on the bottom of them. Nor can I gnaw away the boards,
as I have no teeth."
"You haven't heard me growl, or you wouldn't say that,"
declared the Woozy. "When I growl, the sound echoes like thunder
all through the valleys and woodlands, and children tremble with
fear, and women cover their heads with their aprons, and big men
run and hide. I suppose there is nothing in the world so terrible
to listen to as the growl of a Woosy."
"There is no danger of my growling, for I am not angry. Only
when angry do I utter my fearful, ear-splitting, soul-shuddering
growl. Also, when I am angry, my eyes flash fire, whether I growl
or not."
"Of course, real fire. Do you suppose they'd flash imitation
fire?" inquired the Woozy, in an injured tone.
"Ah, I have never thought of that plan, or I would have been
free long ago," said the Woozy. "But I cannot flash fire from my
eyes unless I am very angry."
"I'll try. You just say 'Krizzle-Kroo' to me."
"Terribly angry."
"I don't know; that's what makes me so angry," re-plied the
Woozy.
"Aha! That did the business, all right. It was a happy thought
for you to yell all together, for that made me as angry as I have
ever been. Fine sparks, weren't they?"
In a few moments the board had burned to a distance of several
feet, leaving an opening big enough for them all to pass through.
Ojo broke some branches from a tree and with them whipped the
fire until it was extinguished.
"So they will," declared the Woozy, chuckling gleefully. "When
they find I'm gone the farmers will be badly scared, for they'll
expect me to eat up their honey-bees, as I did before."
"None at all?"
"All right; I'll promise," said the Woozy, cheerfully. "And
when I promise anything you can depend on it, 'cause I'm
square."
"Of course it does," returned the Woozy, very decidedly. "No
one could trust that Crooked Magician, for instance, just because
he is crooked; but a square Woozy couldn't do anything crooked if
he wanted to."
"No; you're round, so you're liable to do anything," asserted
the Woozy. "Do not blame me, Miss Gorgeous, if I regard you with
suspicion. Many a satin ribbon has a cotton back."
Shaggy Man to the Rescue
It was a broad road, but not straight, for it wandered over
hill and dale and picked out the easiest places to go. All its
length and breadth was paved with smooth bricks of a bright
yellow color, so it was smooth and level except in a few places
where the bricks had crumbled or been removed, leaving holes that
might cause the unwary to stumble.
"Where are you bound for?" asked the Woozy.
"Then go west," said the Woozy. "I know this road pretty well,
for I've chased many a honey-bee over it."
"No. I am very shy by nature, as you may have noticed, so I
haven't mingled much in society."
"Me? With my heart-rending growl-my horrible, shudderful
growl? I should say not. I am not afraid of anything," declared
the Woozy.
"I hope nothing will break me," said the Glass Cat, in a
nervous voice. "I'm a little brittle, you know, and can't stand
many hard knocks."
"I'm not sure you have a heart," Ojo reminded her.
"They seem fast enough when you run," he replied; and then,
looking ahead of them, he exclaimed: "Oh, what lovely trees!"
"Why, they are not trees at all," said Scraps; "they are just
monstrous plants."
Suddenly a leaf bent lower than usual and touched the
Patchwork Girl. Swiftly it enveloped her in its embrace, covering
her completely in its thick folds, and then it swayed back upon
its stem.
"Look out," cried the Woozy. "Run! Run fast, or you are
lost."
The boy had no chance to escape. Half a dozen of the great
leaves were bending toward him from different directions and as
he stood hesitating one of them clutched him in its embrace. In a
flash he was in the dark. Then he felt himself gently lifted
until he was swaying in the air, with the folds of the leaf
hugging him on all sides.
Then Ojo quieted himself and tried to think. Despair fell upon
him when he remembered that all his little party had been
captured, even as he was, and there was none to save them.
He pushed against the leaf that held him and found it to be
soft, but thick and firm. It was like a great bandage all around
him and he found it difficult to move his body or limbs in order
to change their position.
No sound came to him through the leaf; all around was intense
silence. Ojo wondered if Scraps had stopped screaming, or if the
folds of the leaf prevented his hearing her. By and by he thought
he heard a whistle, as of some one whistling a tune. Yes; it
really must be some one whistling, he decided, for he could
follow the strains of a pretty Munchkin melody that Unc Nunkie
used to sing to him. The sounds were low and sweet and, although
they reached Ojo's ears very faintly, they were clear and
harmonious.
Suddenly the whole leaf toppled and fell, carrying the boy
with it, and while he sprawled at full length the folds slowly
relaxed and set him free. He scrambled quickly to his feet and
found that a strange man was standing before him--a man so
curious in appearance that the boy stared with round eyes.
"Oh!" exclaimed Ojo, greatly astonished at the sight of this
stranger; and then he added: "Who has saved me, sir?"
"Yes; I can see that," said the boy, nodding. "Was it you who
rescued me from the leaf?"
Ojo gave a jump, for he saw several broad leaves leaning
toward him; but the Shaggy Man began to whistle again, and at the
sound the leaves all straightened up on their stems and kept
still.
"You see, the music charms 'em," said he. "Singing or
whistling--it doesn't matter which-makes 'em behave, and nothing
else will. I always whistle as I go by 'em and so they always let
me alone. Today as I went by, whistling, I saw a leaf curled and
knew there must be something inside it. I cut down the leaf with
my knife and--out you popped. Lucky I passed by, wasn't it?"
"What companions?" asked the Shaggy Man.
"A what?"
"Glass?" asked the Shaggy Man.
"And alive?"
"What's a Woozy?" inquired the Shaggy Man.
"What won't come out?" asked the Shaggy Man; "the tail?"
"Of course," said the Shaggy Man, nodding his shaggy head. And
then he walked back among the plants, still whistling, and found
the three leaves which were curled around Ojo's traveling
companions. The first leaf he cut down released Scraps, and on
seeing her the Shaggy Man threw back his shaggy head, opened wide
his mouth and laughed so shaggily and yet so merrily that Scraps
liked him at once. Then he took off his hat and made her a low
bow, saying:
When he cut down the second leaf he rescued the Glass Cat, and
Bungle was so frightened that she scampered away like a streak
and soon had joined Ojo, when she sat beside him panting and
trembling. The last plant of all the row had captured the Woozy,
and a big bunch in the center of the curled leaf showed plainly
where he was. With his sharp knife the Shaggy Man sliced off the
stem of the leaf and as it fell and unfolded out trotted the
Woozy and escaped beyond the reach of any more of the dangerous
plants.
Soon the entire party was gathered on the road of yellow
bricks, quite beyond the reach of the beautiful but treacherous
plants. The Shaggy Man, staring first at one and then at the
other, seemed greatly pleased and interested.
"Haven't you always lived in the Land of Oz?" asked the
Munchkin boy.
"How do you like Oz?" asked Scraps. "Isn't the country and the
climate grand?"
So Ojo related the story of his visit to the house of the
Crooked Magician, and how he met there the Class Cat, and how the
Patchwork Girl was brought to life and of the terrible accident
to Unc Nunkie and Margdotte. Then he told how he had set out to
find the five different things which the Magician needed to make
a charm that would restore the marble figures to life, one
requirement being three hairs from a Woozy's tail.
"I see," returned the Shaggy Man, who had listened with
interest to the story. "But perhaps I, who am big and strong, can
pull those three hairs from the Woozy's tail."
So the Shaggy Man tried it, but pull as hard as he could he
failed to get the hairs out of the Woozy's tail. So he sat down
again and wiped his shaggy face with a shaggy silk handkerchief
and said:
"One," said Ojo, "is a six-leaved clover."
"Thank you," replied Ojo. "The next thing is the left wing of
a yellow butterfly."
"Oh, I've heard of him!" exclaimed Ojo. "He must be a
wonderful man."
"The next thing I must find," said the Munchkin boy, "is a
gill of water from a dark well."
"No," said Ojo.
"I can't imagine," said Ojo.
"The Scarecrow! But surely, sir, a scarecrow can't know
anything."
"Better than mine?" asked Scraps.
"Well, you can't see the Scarecrow's brains work, but they do
a lot of clever thinking," asserted the Shaggy Man. "If anyone
knows where a dark well is, it's my friend the Scarecrow."
"He has a splendid castle in the Winkle Country, near to the
palace of his friend the Tin Woodman, and he is often to be found
in the Emerald City, where he visits Dorothy at the royal
palace."
"But what else does this Crooked Magician want?" asked the
Shaggy Man.
"Oh; but there isn't such a thing."
"I wish you good luck," said the Shaggy Man, shaking his head
doubtfully; "but I imagine you'll have a hard job getting a drop
of oil from a live man's body. There's blood in a body, but no
oil."
"I don't doubt it," returned the Shaggy Man admiringly.
"You're a regular comforter and as sweet as patchwork can be. All
you lack is dignity."
"She's just crazy," explained the Glass Cat.
"She's delightful, in her way," he said. "I'm sure Dorothy
will be pleased with her, and the Scarecrow will dote on her. Did
you say you were traveling toward the Emerald City?"
"I'll go with you," said the Shaggy Man, "and show you the
way."
"No," said the other, "I wasn't going anywhere in particular.
I've been a rover all my life, and although Ozma has given me a
suite of beautiful rooms in her palace I still get the wandering
fever once in a while and start out to roam the country over.
I've been away from the Emerald City several weeks, this time,
and now that I've met you and your friends I'm sure it will
interest me to accompany you to the great city of Oz and
introduce you to my friends."
"I hope your friends are not dignified," observed Scraps.
"There's some sense in that," said Scraps, nodding her queer
head in approval. "Come on, and let's get to the Emerald City as
soon as possible." With this she ran up the path, skipping and
dancing, and then turned to await them.
After walking some distance over the road of yellow bricks Ojo
said he was hungry and would stop to eat some bread and cheese.
He offered a portion of the food to the Shaggy Man, who thanked
him but refused it.
Saying this, he took a bottle from his pocket and shook from
it a tablet about the size of one of Ojo's finger-nails.
"I'm square," said the Woozy. "Give me one, please."
"You have now had a six course dinner," declared the Shaggy
Man.
"One should only eat to sustain life," replied the Shaggy Man,
"and that tablet is equal to a peck of other food."
"You are quite wrong, my poor beast," said the Shaggy Man in a
tone of pity. "Think how tired your jaws would get chewing a
square meal like this, if it were not condensed to the size of a
small tablet--which you can swallow in a jiffy."
"No, no! You've already eaten a big dinner!" protested the
Shaggy Man.
Ojo gave the beast what he wanted, but the Shaggy Man shook
his shaggy head reproachfully and said there was no animal so
obstinate or hard to convince as a Woozy.
"Dear me!" exclaimed Ojo, staring hard. "What has happened to
you?"
"Are you so broken up that you can't play?" asked Scraps.
"That is too bad," remarked Ojo. "We've no objection to you as
a machine, you know; but as a music-maker we hate you."
They looked at one another inquiringly, but no one could
answer such a puzzling question. Finally the Shaggy Man said:
Ojo sighed. "We've been very happy since we met you, sir," he
said.
"It's a popular song, sir. In all civilized lands the common
people have gone wild over it."
"Wild with joy, I mean," explained the phonograph. "Listen.
This song will prove a rare treat to you, I know. It made the
author rich--for an author. It is called 'My Lulu.'"
"Ah wants mah Lulu, mah coal-black Lulu; Ah wants mah loo-loo,
loo-loo, loo-loo, Lu! Ah loves mah Lulu, mah coal-black Lulu,
There ain't nobody else loves loo-loo, Lu!"
"It's the latest popular song," declared the phonograph,
speaking in a sulky tone of voice.
"Yes. One that the feeble-minded can remember the words of and
those ignorant of music can whistle or sing. That makes a popular
song popular, and the time is coming when it will take the place
of all other songs."
But before he could say more the phonograph turned and dashed
up the road as fast as its four table-legs could carry it, and
soon it had entirely disappeared from their view.
During the afternoon the travelers found themselves in a
lonely and uninhabited part of the country. Even the fields were
no longer cultivated and the country began to resemble a
wilderness. The road of yellow bricks seemed to have been
neglected and became uneven and more difficult to walk upon.
Scrubby under-brush grew on either side of the way. while huge
rocks were scattered around in abundance.
"We may as well pass the night here, where there is shelter
for our heads and good water to drink. Road beyond here is pretty
bad; worst we shall have to travel; so let's wait until morning
before we tackle it."
For supper the Shaggy Man ate one of his tablets, but Ojo
stuck to his bread and cheese as the most satisfying food. He
also gave a portion to the Woozy.
"Won't you tell us a story?"
"Raven, or crow?" asked the Glass Cat.
They were glad enough to be entertained, and listened with
interest while the Shaggy Man chanted the following verses to a
tune that was not unpleasant:
Our Ruler's a bewitching girl whom fairies love to please;
She's always kept her magic sceptre to enforce decrees To make
her people happy, for her heart is kind and true And to aid the
needy and distressed is what she longs to do.
I'll not forget Nick Chopper, the Woodman made of Tin, Whose
tender heart thinks killing time is quite a dreadful sin, Nor old
Professor Woggle-Bug, who's highly magnified And looks so big to
everyone that he is filled with pride.
And now I'll introduce a beast that ev'ryone adores-The
Cowardly Lion shakes with fear 'most ev'ry time he roars, And yet
he does the bravest things that any lion might, Because he knows
that cowardice is not considered right.
It's hard to name all of the freaks this noble Land's
acquired; 'Twould make my song so very long that you would soon
be tired; But give attention while I mention one wise Yellow Hen
And Nine fine Tiny Piglets living in a golden pen.
"I seldom sing in public, for fear they might want me to start
an opera company," remarked the Shaggy Man, who was pleased to
know his effort was appreciated. "Voice, just now is a little out
of training; rusty, perhaps."
"Every one of 'em. I even forgot one thing: Dorothy's Pink
Kitten."
"No; just ordinary kitten."
"Dorothy's kitten is all pink--brains and all-except blue
eyes. Name's Eureka. Great favorite at the royal palace," said
the Shaggy Man, yawning.
"Do you think a pink kitten--common meat--is as pretty as I
am?" she asked.
"I'm solid now; solid glass."
"Would anyone at the royal palace break a Glass Cat?"
Bungle considered the Shaggy Man's advice so carefully that
her pink brains were busy long after the others of the party were
fast asleep.
Next morning they started out bright and early to follow the
road of yellow bricks toward the Emerald City. The little
Munchkin boy was beginning to feel tired from the long walk, and
he had a great many things to think of and consider besides the
events of the journey. At the wonderful Emerald City, which he
would presently reach, were so many strange and curious people
that he was half afraid of meeting them and wondered if they
would prove friendly and kind. Above all else, he could not drive
from his mind the important errand on which he had come, and he
was determined to devote every energy to finding the things that
were necessary to prepare the magic recipe. He believed that
until dear Unc Nunkie was restored to life he could feel no joy
in anything, and often he wished that Unc could be with him, to
see all the astonishing things Ojo was seeing. But alas Unc
Nunkie was now a marble statue in the house of the Crooked
Magician and Ojo must not falter in his efforts to save him.
Suddenly he became aware that he had been looking at that tree
a long time--at least for five minutes--and it had remained in
the same position, although the boy had continued to walk
steadily on. So he stopped short. and when he stopped, the tree
and all the landscape, as well as his companions, moved on before
him and left him far behind.
"What's wrong?" asked the Shaggy Man.
Scraps looked down at her feet and said: "The yellow bricks
are not moving."
"True; quite true," agreed the Shaggy Man. "I know all about
the tricks of this road, but I have been thinking of something
else and didn't realize where we were."
"No," replied the Shaggy Man; "it won't do that, for I know a
trick to beat this tricky road. I've traveled this way before,
you know. Turn around, all of you, and walk backward."
"You'll find out, if you obey me," said the Shaggy Man.
"How long must we keep this up, Shags?" asked Scraps, who was
constantly tripping and tumbling down, only to get up again with
a laugh at her mishap.
A few minutes later he called to them to turn about quickly
and step forward, and as they obeyed the order they found
themselves treading solid ground.
With new courage and energy they now trudged forward and after
a time came to a place where the road cut through a low hill,
leaving high banks on either side of it. They were traveling
along this cut, talking together, when the Shaggy Man seized
Scraps with one arm and Ojo with another and shouted: "Stop!"
"See there!" answered the Shaggy Man, pointing with his
finger.
"Well, what of it?" asked Scraps.
"Chiss! What is Chiss?
"Then we will be foolish to get too near, said Scraps.
"Oh; can you growl?" asked the Shaggy Man.
"In that case," said the Shaggy Man, "you are now able to do
us all a great favor. Please growl."
"True; but we must take that risk," decided the Shaggy Man,
bravely. "Being warned of what is to occur we must try to bear
the terrific noise of your growl; but Chiss won't expect it, and
it will scare him away."
"I'm fond of you all, and I hate to shock you," it said.
"You may be made deaf."
"Very well, then," said the Woozy in a determined voice, and
advanced a few steps toward the giant porcupine. Pausing to look
back, it asked: "All ready?"
"Then cover up your ears and brace yourselves firmly. Now,
then--look out!"
"Quee-ee-ee-eek."
"Why, I--I did growl!" retorted the Woozy, who seemed much
astonished.
"It is the most awful growl that ever was heard, on land or
sea, in caverns or in the sky," protested the Woozy. "I wonder
you stood the shock so well. Didn't you feel the ground tremble?
I suppose Chiss is now quite dead with fright."
"Poor Wooz!" said he; "your growl wouldn't scare a fly."
"That is true," declared Scraps; "I saw it done myself. But
your ferocious growl isn't as loud as the tick of a beetle--or
one of Ojo's snores when he's fast asleep."
"Never mind," Ojo said soothingly; "it is a great talent to be
able to flash fire from your eyes. No one else can do that."
When the attack was over they all ran to the Shaggy Man, who
was moaning and groaning, and Scraps promptly pulled the quill
out of his leg. Then up he jumped and ran over to Chiss, putting
his foot on the monster's neck and holding it a prisoner. The
body of the great porcupine was now as smooth as leather, except
for the holes where the quills had been, for it had shot every
single quill in that one wicked shower.
"I'm going to do worse than that, old boy," replied the Shaggy
Man. "You have annoyed travelers on this road long enough, and
now I shall put an end to you."
"Perhaps that is true," said the Shaggy Man in a tone of
disappointment. "Seems to me I've been told before that you can't
be killed. But if I let you go, what will you do?"
"And then shoot them at more travelers? No; that won't do. You
must promise me to stop throwing quills at people."
"Why not?"
"Why, there's some sense in that argument, admitted the Shaggy
Man, thoughtfully; "but people who are strangers, and don't know
you are here, won't be able to keep out of your way."
"Ah, that's a clever idea. You and Ojo must gather up the
quills while I hold Chiss a prisoner; for, if I let him go he
will get some of his quills and be able to throw them again."
"It's the meanest trick I ever heard of," muttered the
porcupine gloomily. "How would you like it, Shaggy Man, if I took
all your shags away from you?"
Then they walked on and left Chiss standing in the road sullen
and disconsolate. The Shaggy Man limped as he walked, for his
wound still hurt him, and Scraps was much annoyed be cause the
quills had left a number of small holes in her patches.
"I am Ojo the Unlucky," he said, "or we would never have met
that dreadful porcupine. But I will see if I can find anything
among these charms which will cure your leg."
"Rub it on the holes in my patches," suggested Scraps, and Ojo
tried it, but without any effect.
"They'll let in the air, and I don't want people to think I'm
airy, or that I've been stuck up," said the Patchwork Girl.
So now they went on again and coming presently to a pond of
muddy water they tied a heavy stone to the bundle of quills and
sunk it to the bottom of the pond, to avoid carrying it
farther.
From here on the country improved and the desert places began
to give way to fertile spots; still no houses were yet to be seen
near the road. There were some hills, with valleys between them,
and on reaching the top of one of these hills the travelers found
before them a high wall, running to the right and the left as far
as their eyes could reach. Immediately in front of them, where
the wall crossed the roadway, stood a gate having stout iron bars
that extended from top to bottom. They found, on coming nearer,
that this gate was locked with a great padlock, rusty through
lack of use.
"It's a good guess," replied Ojo. "Our way is barred by this
great wall and gate. It looks as if no one had passed through in
many years.
"It prevents our going any farther, anyhow," said Scraps.
"There is no one to mind the gate and let people through, and
we've no key to the padlock."
"All very true," answered the Shaggy Man, quietly; "but I know
this gate, having passed through it many times."
"I'll show you how," said he. He stood Ojo in the middle of
the road and placed Scraps just behind him, with her padded hands
on his shoulders. After the Patchwork Girl came the Woozy, who
held a part of her skirt in his mouth. Then, last of all, was the
Glass Cat, holding fast to the Woozy's tail with her glass
jaws.
"I can't," objected Scraps. "My eyes are buttons, and they
won't shut."
"What's the game, anyhow--blind-man's-buff?" asked Scraps.
He took Ojo's hand and led him forward over the road of yellow
bricks, toward the gate. Holding fast to one another they all
followed in a row, expecting every minute to bump against the
iron bars. The Shaggy Man also had his eyes closed, but marched
straight ahead, nevertheless, and after he had taken one hundred
steps, by actual count, he stopped and said:
They did so, and to their astonishment found the wall and the
gateway far behind them, while in front the former Blue Country
of the Munchkins had given way to green fields, with pretty
farm-houses scattered among them.
They were delighted to know this, and proceeded with new
courage. In a couple of hours they stopped at a farmhouse, where
the people were very hospitable and invited them to dinner. The
farm folk regarded Scraps with much curiosity but no great
astonishment, for they were accustomed to seeing extraordinary
people in the Land of Oz.
"You ought to have a hat to wear," remarked the woman, "for
that would keep the sun from fading the colors of your face. I
have some patches and scraps put away, and if you will wait two
or three days I'll make you a lovely hat that will match the rest
of you."
"Not much," replied the woman. "You are still very gorgeous,
in spite of your long journey."
"Children are rough playmates," she remarked to the Shaggy
Man, "and although this home is more pleasant than that of the
Crooked Magician I fear I would soon be smashed to pieces by the
boys and girls."
By and by Ojo began to walk on the green grass, looking
carefully around him.
"A six-leaved clover," said he.
"She wouldn't know it," declared the boy.
"Does she always watch the Magic Picture?" asked Ojo.
"I don't care," said Ojo, in an obstinate tone of voice;
"Ozma's only a girl."
"You ought to care for Ozma," said he, "if you expect to save
your uncle. For, if you displease our powerful Ruler, your
journey will surely prove a failure; whereas, if you make a
friend of Ozma, she will gladly assist you. As for her being a
girl, that is another reason why you should obey her laws, if you
are courteous and polite. Everyone in Oz loves Ozma and hates her
enemies, for she is as just as she is powerful."
They presently came to a beautiful grove of tall and stately
trees, through which the road wound in sharp curves--first one
way and then another. As they were walking through this grove
they heard some one in the distance singing, and the sounds grew
nearer and nearer until they could distinguish the words,
although the bend in the road still hid the singer. The song was
something like this:
"Ah!" exclaimed the Shaggy Man; "here comes my friend the
Scarecrow.
"Yes; the one I told you of. He's a splendid fellow, and very
intelligent. You'll like him, I'm sure.
The Scarecrow wore the blue dress of the Munchkins, in which
country he was made, and on his head was set a peaked hat with a
flat brim trimmed with tinkling bells. A rope was tied around his
waist to hold him in shape. for he was stuffed with straw in
every part of him except the top of his head, where at one time
the Wizard of Oz had placed sawdust, mixed with needles and pins,
to sharpen his wits. The head itself was merely a bag of cloth,
fastened to the body at the neck, and on the front of this bag
was painted the face--ears, eyes, nose and mouth.
The Sawhorse was almost as curious as its rider. It had been
rudely made, in the beginning, to saw logs upon, so that its body
was a short length of a log, and its legs were stout branches
fitted into four holes made in the body. The tail was formed by a
small branch that had been left on the log, while the head was a
gnarled bump on one end of the body. Two knots of wood formed the
eyes, and the mouth was a gash chopped in the log. When the
Sawhorse first came to life it had no ears at all, and so could
not hear; but the boy who then owned him had whittled two ears
out of bark and stuck them in the head, after which the Sawhorse
heard very distinctly.
As the Scarecrow came in sight of the party of travelers, he
reined in his wooden steed and dismounted, greeting the Shaggy
Man with a smiling nod. Then he turned to stare at the Patchwork
Girl in wonder, while she in turn stared at him.
While his friend punched and patted the Scarecrow's body, to
smooth out the humps, Scraps turned to Ojo and whispered: "Roll
me out, please; I've sagged down dreadfully from walking so much
and men like to see a stately figure."
"Allow me, Miss Patchwork," said the Shaggy Man, "to present
my friend, the Right Royal Scarecrow of Oz. Scarecrow, this is
Miss Scraps Patches; Scraps, this is the Scarecrow.
Scarecrow--Scraps; Scraps--Scarecrow."
"Forgive me for staring so rudely," said the Scarecrow, "but
you are the most beautiful sight my eyes have ever beheld."
"Yes, of course; that's my straw, you know. It bunches up,
sometimes, in spite of all my efforts to keep it even. Doesn't
your straw ever bunch?"
"But cotton is a high-grade stuffing. I may say it is even
more stylish, not to say aristocratic, than straw," said the
Scarecrow politely. "Still, it is but proper that one so
entrancingly lovely should have the best stuffing there is going.
I-er--I'm so glad I've met you, Miss Scraps! Introduce us again,
Shaggy."
"Then tell me where you found her, and--Dear me, what a queer
cat! What are you made of--gelatine?"
"No more have I," said the Scarecrow, shaking hands with
Scraps, as if to congratulate her on the fact. "I've a friend,
the Tin Woodman, who has a heart, but I find I get along pretty
well without one. And so--Well, well! here's a little Munchkin
boy, too. Shake hands, my little man. How are you?"
Meantime, the Woozy had approached the Sawhorse and begun to
sniff at it. The Sawhorse resented this familiarity and with a
sudden kick pounded the Woozy squarely on its Lead with one
gold-shod foot.
The Woozy never even winked.
The Sawhorse rolled its knot eyes wickedly and kicked again,
but the Woozy trotted away and said to the Scarecrow:
"I think the trouble is that you haven't been properly
introduced," said the Scarecrow, regarding the Woozy with much
wonder, for he had never seen such a queer animal before.
The Woozy was somewhat abashed by this speech and did not know
how to reply. But Ojo said:
The Scarecrow looked and saw that this was true.
So Ojo related the sad story of Unc Nunkie's transformation
into a marble statue, and told how he had set out to find the
things the Crooked Magician wanted, in order to make a charm that
would restore his uncle to life. One of the requirements was
three hairs from a Woozy's tail, but not being able to pull out
the hairs they had been obliged to take the Woozy with them.
"We must see Ozma about this matter," he said. "That Crooked
Magician is breaking the Law by practicing magic without a
license, and I'm not sure Ozma will allow him to restore your
uncle to life."
At this Ojo began to cry. "I want my Unc Nunkie!" he
exclaimed. "I know how he can be restored to life, and I'm going
to do it--Ozma or no Ozma! What right has this girl Ruler to keep
my Unc Nunkie a statue forever?"
"I'm a better beast than he is," retorted the Woozy,
indignantly. "My eyes can flash fire, and his can't."
"Yes," said Ojo, and told how the Woozy had set fire to the
fence.
"I have a most terrible growl--that is, sometimes," said the
Woozy, as Scraps laughed merrily and the Shaggy Man smiled. But
the Patchwork Girl's laugh made the Scarecrow forget all about
the Woozy. He said to her:
"No wonder they call you the Wise Scarecrow," replied
Scraps.
"When do you expect to return to the Emerald City?" asked the
Shaggy Man.
"Anything that suits you suits me," returned the wooden
horse.
Ojo Breaks the Law
"And so nice and polite," added Scraps, bobbing her Lead. "I
think he is the handsomest man I've seen since I came to
life."
"I didn't notice any brains in his head," observed the Glass
Cat.
"Is the Wizard of Oz a humbug?" asked Ojo.
They walked a little while in silence and then Ojo said:
The Shaggy Man shook his head.
"Is Dorothy the little girl who came here from Kansas?" asked
the boy.
"What is queer about it?" asked Scraps.
"Did you see no girls as beautiful as I am in your own
country?" she inquired.
"What a queer country America must be!" she exclaimed in great
surprise. "The Scarecrow, whom you say is wise, told me I am the
most beautiful creature he has ever seen."
As they drew nearer to the Emerald City the travelers were
filled with admiration for the splendid scenery they beheld.
Handsome houses stood on both sides of the road and each had a
green lawn before it as well as a pretty flower garden.
He was walking ahead, with Scraps, and behind them came the
Woozy and the Glass Cat. Ojo had lagged behind, for in spite of
the warnings he had received the boy's eyes were fastened on the
clover that bordered the road of yellow bricks and he was eager
to discover if such a thing as a six-leaved clover really
existed.
He glanced ahead and saw that none of his companions was
looking back. Neither were any other people about, for it was
midway between two houses. The temptation was too strong to be
resisted.
The Emerald City, which is the most splendid as well as the
most beautiful city in any fairyland, is surrounded by a high,
thick wall of green marble, polished smooth and set with
glistening emeralds. There are four gates, one facing the
Munchkin Country, one facing the Country of the Winkies, one
facing the Country of the Quadlings and one facing the Country of
the Gillikins. The Emerald City lies directly in the center of
these four important countries of Oz. The gates had bars of pure
gold, and on either side of each gateway were built high towers,
from which floated gay banners. Other towers were set at
distances along the walls, which were broad enough for four
people to walk abreast upon.
They stood a long time on the hilltop, feasting their eyes on
the splendor of the Emerald City.
"Why, you belong to Dr. Pipt," replied Ojo, looking at her in
amazement. "You were made for a servant, Scraps, so you are
personal property and not your own mistress."
"In this country," remarked the Shaggy Man, "people live
wherever our Ruler tells them to. It wouldn't do to have everyone
live in the Emerald City, you know, for some must plow the land
and raise grains and fruits and vegetables, while others chop
wood in the forests, or fish in the rivers, or herd the sheep and
the cattle."
"I'm not sure they are not happier than the city people,"
replied the Shaggy Man. "There's a freedom and independence in
country life that not even the Emerald City can give one. I know
that lots of the city people would like to get back to the land.
The Scarecrow lives in the country, and so do the Tin Woodman and
Jack Pumpkinhead; yet all three would be welcome to live in
Ozma's palace if they cared to. Too much splendor becomes
tiresome, you know. But, if we're to reach the Emerald City
before sundown, we must hurry, for it is yet a long way off."
At last they reached the great gateway, just as the sun was
setting and adding its red glow to the glitter of the emeralds on
the green walls and spires. Somewhere inside the city a band
could be heard playing sweet music; a soft, subdued hum, as of
many voices, reached their ears; from the neighboring yards came
the low mooing of cows waiting to be milked.
"Halt!" said the Soldier with the Green Whiskers, not in a
stern voice but rather in a friendly tone.
"Good evening, Colonel," said the Shaggy Man. "What's the news
since I left? Anything important?"
"She has a right to be," agreed the Shaggy Man. "Let me see;
that's about seven thousand chicks she has hatched out; isn't it,
General?"
"It will give me pleasure to do that," said the Shaggy Man.
"But you will observe that I have brought some strangers home
with me. I am going to take them to see Dorothy."
"Why, that's me!" cried Ojo, astonished at hearing his name on
the lips of a stranger.
"Arrest me!" exclaimed the boy. "What for?"
"Breaking a law!" said Scraps. "Nonsense, Soldier; you're
joking."
"And only one man!" exclaimed the Patchwork Girl.
"But you are wrong," said Scraps. "Ozma is wrong--you are all
wrong--for Ojo has broken no Law."
With this he took from his pocket a pair of handcuffs made of
gold and set with rubies and diamonds, and these he snapped over
Ojo's wrists.
The boy was so bewildered by this calamity that he made no
resistance at all. He knew very well he was guilty, but it
surprised him that Ozma also knew it. He wondered how she had
found out so soon that he had picked the six-leaved clover. He
handed his basket to Scraps and said:
The Shaggy Man had been gazing earnestly in the boy's face,
uncertain whether to defend him or not; but something he read in
Ojo's expression made him draw back and refuse to interfere to
save him. The Shaggy Man was greatly surprised and grieved, but
he knew that Ozma never made mistakes and so Ojo must really have
broken the Law of Oz.
"Listen!" he said, holding up his hand for silence. "I've just
composed a tune called 'The Speckled Alligator.' It's in
patch-time, which is much superior to rag-time, and I've composed
it in honor of the Patchwork Girl, who has just arrived."
"It's my business to know who's coming, for I'm the Guardian
of the Gate. Keep quiet while I play you 'The Speckled
Alligator.'"
"Guardian, I have here a prisoner."
"No; this boy."
"Can't say," replied the soldier. "All I know is that he has
broken the Law."
"Then he must be innocent, and soon will be released. I hope
you are right, Guardian. Just now I am ordered to take him to
prison. Get me a prisoner's robe from your Official
Wardrobe."
As the Guardian unlocked a gate leading from his room into the
streets of the Emerald City, the Shaggy Man said to Scraps:
"What will they do with him?" asked Scraps.
"Seems to me that girl Ruler of yours is making a big fuss
over nothing," remarked Scraps, tossing her yarn hair out of her
eyes with a jerk of her patched head. "I don't know what Ojo has
done, but it couldn't be anything very, bad, for you and I were
with him all the time."
They soon separated from the Munchkin boy, who was led by the
Soldier with the Green Whiskers down a side street toward the
prison. Ojo felt very miserable and greatly ashamed of himself,
but he was beginning to grow angry because he was treated in such
a disgraceful manner. Instead of entering the splendid Emerald
City as a respectable traveler who was entitled to a welcome and
to hospitality, he was being brought in as a criminal, handcuffed
and in a robe that told all he met of his deep disgrace.
The little Munchkin boy was so busy thinking these
things--which many guilty prisoners have thought before him--that
he scarcely noticed all the splendor of the city streets through
which they passed. Whenever they met any of the happy, smiling
people, the boy turned his head away in shame, although none knew
who was beneath the robe.
A woman opened the door and, seeing Ojo in his white robe,
exclaimed:
"The size doesn't matter, Tollydiggle, my dear. The fact
remains that he is a prisoner," said the soldier. "And, this
being the prison, and you the jailer, it is my duty to place the
prisoner in your charge."
They entered the house and passed through a hall to a large
circular room, where the woman pulled the robe off from Ojo and
looked at him with kindly interest. The boy, on his part, was
gazing around him in amazement, for never had he dreamed of such
a magnificent apartment as this in which he stood. The roof of
the dome was of colored glass, worked into beautiful designs. The
walls were paneled with plates of
"May I stay here a little while before I go to prison?" asked
the boy, pleadingly.
"I know that very well," replied the soldier and at once
unlocked the handcuffs and released the prisoner.
"What name?"
"Unlucky? Ah, that accounts for it," said she. "What
crime?"
"All right. There's your receipt, Soldier; and now I'm
responsible for the prisoner. I'm glad of it, for this is the
first time I've ever had anything to do, in my official
capacity," remarked the jailer, in a pleased tone.
Saying this, be nodded farewell to Tollydiggle and Ojo and
went away.
Ojo thought about it. Then he said: "I'll take the chops, if
you please."
Ojo was much astonished, for not only was this unlike any
prison he had ever heard of, but he was being treated more as a
guest than a criminal. There were many windows and they bad no
locks. There were three doors to the room and none were bolted.
He cautiously opened one of the doors and found it led into a
hallway. But he had no intention of trying to escape. If his
jailor was willing to trust him in this way he would not betray
her trust, and moreover a hot supper was being prepared for him
and his prison was very pleasant and comfortable. So he took a
book from the case and sat down in a big chair to look at the
pictures.
Tollydiggle sat near him while he ate, sewing on some fancy
work she held in her lap. When he had finished she cleared the
table and then read to him a story from one of the books.
"Indeed it is," she replied. "It is the only prison in the
Land of Oz."
"Bless the child! Of course."
Tollydiggle seemed surprised by the question, but she
presently answered:
Ojo thought this over very carefully. "I had an idea," said
he, "that prisoners were always treated harshly, to punish
them."
"I--I hate to be different from other people," he
admitted.
"Yes," said Ojo, "I've lived all my life in the heart of a
lonely forest, where I saw no one but dear Unc Nunkie."
Princess Dorothy
Dorothy was reading in a book this evening when Jellia Jamb,
the favorite servant-maid of the palace, came to say that the
Shaggy Man wanted to see her.
"But he has some queer creatures with him--some of the
queerest I've ever laid eyes on," reported Jellia.
But when the door opened to admit not only the Shaggy Man, but
Scraps, the Woozy and the Glass Cat, Dorothy jumped up and looked
at her strange visitors in amazement. The Patchwork Girl was the
most curious of all and Dorothy was uncertain at first whether
Scraps was really alive or only a dream or a nightmare. Toto, her
dog, slowly uncurled himself and going to the Patchwork Girl
sniffed at her inquiringly; but soon he lay down again, as if to
say he had no interest in such an irregular creation.
"Who, me?" asked Scraps, looking around the pretty room
instead of at the girl. "Oh, I came from a bed-quilt, I guess.
That's what they say, anyhow. Some call it a crazy-quilt and some
a patchwork quilt. But my name is Scraps--and now you know all
about me."
"That's an easy job," said Scraps, sitting upon a big
upholstered chair and making the springs bounce her up and down.
"Margolotte wanted a slave, so she made me out of an old
bed-quilt she didn't use. Cotton stuffing, suspender-button eyes,
red velvet tongue, pearl beads for teeth. The Crooked Magician
made a Powder of Life, sprinkled me with it and--here I am.
Perhaps you've noticed my different colors. A very refined and
educated gentleman named the Scarecrow, whom I met, told me I am
the most beautiful creature in all Oz, and I believe it."
"Yes; isn't he jolly?"
"He only practices magic for the benefit of his own family,"
explained Bungle, who was keeping at a respectful distance from
the little black dog.
"I'm glass, and transparent, too, which is more than can be
said of some folks," answered the cat. "Also I have some lovely
pink brains; you can see 'em work."
The Class Cat hesitated, eyeing the dog.
"Beast! Why, that's my dog Toto, an' he's the kindest dog in
all the world. Toto knows a good many things, too; 'most as much
as I do, I guess."
"He can't talk, not being a fairy dog," explained Dorothy.
"He's just a common United States dog; but that's a good deal;
and I understand him, and he understands me, just as well as if
he could talk."
"This cat, Toto," she said to him, "is made of glass, so you
mustn't bother it, or chase it, any more than you do my Pink
Kitten. It's prob'ly brittle and might break if it bumped against
anything."
The Glass Cat was so proud of her pink brains that she
ventured to come close to Dorothy, in order that the girl might
"see 'em work." This was really interesting, but when Dorothy
patted the cat she found the glass cold and hard and
unresponsive, so she decided at once that Bungle would never do
for a pet.
"He made me," replied the cat; "so I know all about him. The
Patchwork Girl is new--three or four days old--but I've lived
with Dr. Pipt for years; and, though I don't much care for him, I
will say that he has always refused to work magic for any of the
people who come to his house. He thinks there's no harm in doing
magic things for his own family, and he made me out of glass
because the meat cats drink too much milk. He also made Scraps
come to life so she could do the housework for his wife
Margolotte."
"I think you'd better let me explain that," interrupted the
Shaggy Man, and then he told Dorothy all of Ojo's story and how
Unc Nunkie and Margolotte had accidentally been turned to marble
by the Liquid of Petrifaction. Then he related how the boy had
started out in search of the things needed to make the magic
charm, which would restore the unfortunates to life, and how he
had found the Woozy and taken him along because he could not pull
the three hairs out of its tail. Dorothy listened to all this
with much interest, and thought that so far Ojo had acted very
well. But when the Shaggy Man told her of the Munchkin boy's
arrest by the Soldier with the Green Whiskers, because he was
accused of wilfully breaking a Law of Oz, the little girl was
greatly shocked.
"I fear he has picked a six-leaved clover," answered the
Shaggy Man, sadly. "I did not see him do it, and I warned him
that to do so was against the Law; but perhaps that is what he
did, nevertheless."
"Don't mention it," said Scraps. "That's no affair of mine.
Margolotte and Unc Nunkie are perfect strangers to me, for the
moment I came to life they came to marble."
"I'm glad she did," retorted the Patchwork Girl. "A heart must
be a great annoyance to one. It makes a person feel sad or sorry
or devoted or sympathetic--all of which sensations interfere with
one's happiness."
"That's a pretty hard heart of yours," said Dorothy. "And the
Woozy, of course--"
Dorothy walked over and patted the Woozy on his square
head.
"I can make my eyes flash fire--real fire--when I'm angry.
When anyone says: 'Krizzle-Kroo' to me I get angry, and then my
eyes flash fire."
"I--I thought I bad a very terrifying growl," said the Woozy,
with hesitation; "but perhaps I was mistaken."
"I don't know," she said, shaking her head thoughtfully. "Ozma
will see him 'bout it, of course, and then she'll punish him. But
how, I don't know, 'cause no one ever has been punished in Oz
since I knew anything about the place. Too bad, Shaggy Man, isn't
it?"
Scraps was quick-witted, and although she had no heart she
recognized the fact that Ojo was her first friend. She knew at
once that because the boy had taken the clover he bad been
imprisoned, and she understood that Ojo had given her the basket
so they would not find the clover in his possession and have
proof of his crime. So, turning her head to see that no one
noticed her, she took the clover from the basket and dropped it
into a golden vase that stood on Dorothy's table. Then she came
forward and said to Dorothy:
"Ozma ordered the boy's arrest," said Dorothy, "and of course
she knew what she was doing. But if you can prove Ojo is innocent
they will set him free at once.
"I s'pose so."
As it was nearly time for Dorothy to dine with Ozma, which she
did every evening, she rang for a servant and ordered the Woozy
taken to a nice room and given plenty of such food as he liked
best.
"You can't eat honey-bees, but you'll be given something just
as nice," Dorothy told him. Then she had the Glass Cat taken to
another room for the night and the Patchwork Girl she kept in one
of her own rooms, for she was much interested in the strange
creature and wanted to talk with her again and try to understand
her better.
The Shaggy Man had a room of his own in the royal palace, so
there he went to change his shaggy suit of clothes for another
just as shaggy but not so dusty from travel. He selected a
costume of peagreen and pink satin and velvet, with embroidered
shags on all the edges and iridescent pearls for ornaments. Then
he bathed in an alabaster pool and brushed his shaggy hair and
whiskers the wrong way to make them still more shaggy. This
accomplished, and arrayed in his splendid shaggy garments, he
went to Ozma's banquet hall and found the Scarecrow, the Wizard
and Dorothy already assembled there. The Scarecrow had made a
quick trip and returned to the Emerald City with his left ear
freshly painted.
Much has been told and written concerning the beauty of person
and character of this sweet girl Ruler of the Land of Oz--the
richest, the happiest and most delightful fairyland of which we
have any knowledge. Yet with all her queenly qualities Ozma was a
real girl and enjoyed the things in life that other real girls
enjoy. When she sat on her splendid emerald throne in the great
Throne Room of her palace and made laws and settled disputes and
tried to keep all her subjects happy and contented, she was as
dignified and demure as any queen might be; but when she had
thrown aside her jeweled robe of state and her sceptre, and had
retired to her private apartments, the girl-joyous, light-hearted
and free--replaced the sedate Ruler.
"What a lovely left ear! Why, it's a hundred times better than
the old one."
"It really is wonderful," she agreed, as they all took their
seats; "but the Sawhorse must have his legs twinkle to have
carried you so far in one day. I didn't expect you back before
tomorrow, at the earliest."
Ozma laughed.
"Have you seen her, then?" the straw man eagerly asked.
"I fear the picture didn't do her justice," said the
Scarecrow.
"I am glad you like her," said the Scarecrow in a satisfied
tone. Although the straw man did not eat, not being made so he
could, he often dined with Ozma and her companions, merely for
the pleasure of talking with them. He sat at the table and had a
napkin and plate, but the servants knew better than to offer him
food. After a little while he asked: "Where is the Patchwork Girl
now?"
"She's half crazy, I think," added the Shaggy Man.
Another thing they avoided was conversing on unpleasant
subjects, and for that reason Ojo and his troubles were not
mentioned during the dinner. The Shaggy Man, however, related his
adventures with the monstrous plants which had seized and
enfolded the travelers, and told how he had robbed Chiss, the
giant porcupine, of the quills which it was accustomed to throw
at people. Both Dorothy and Ozma were pleased with this exploit
and thought it served Chiss right.
"Still," said the Shaggy Man, "the Glass Cat is very pretty
and if she were not so conceited over her pink brains no one
would object to her as a companion.
"That Powder of Life which is made by the Crooked Magician is
really a wonderful thing. But Dr. Pipt does not know its true
value and he uses it in the most foolish ways."
"I've never heard that story," said the Shaggy Man, looking at
Ozma questioningly.
That story interested the Shaggy Man very much, as well as the
others, who had often heard it before. The dinner being now
concluded, they all went to Ozma's drawing-room, where they
passed a pleasant evening before it came time to retire.
The next morning the Soldier with the Green Whiskers went to
the prison and took Ojo away to the royal palace, where he was
summoned to appear before the girl Ruler for judgment. Again the
soldier put upon the boy the jeweled handcuffs and white
prisoner's robe with the peaked top and holes for the eyes. Ojo
was so ashamed, both of his disgrace and the fault he had
committed, that he was glad to be covered up in this way, so that
people could not see him or know who he was. He followed the
Soldier with the Green Whiskers very willingly, anxious that his
fate might be decided as soon as possible.
When Ojo was escorted into the great Throne Room of the palace
he found hundreds of people assembled there. In the magnificent
emerald throne, which sparkled with countless jewels, sat Ozma of
Oz in her Robe of State, which was embroidered with emeralds and
pearls. On her right, but a little lower, was Dorothy, and on her
left the Scarecrow. Still lower, but nearly in front of Ozma, sat
the wonderful Wizard of Oz and on a small table beside him was
the golden vase from Dorothy's room, into which Scraps had
dropped the stolen clover.
Seated on ivory chairs before Ozma, with a clear space between
them and the throne, were many of the nobility of the Emerald
City, lords and ladies in beautiful costumes, and officials of
the kingdom in the royal uniforms of Oz. Behind these courtiers
were others of less importance, filling the great hall to the
very doors.
"Hullo, Ojo," said Scraps; "how are you?"
At a sign from Ozma the soldier removed Ojo's white robe and
the boy stood face to face with the girl who was to decide his
punishment. He saw at a glance how lovely and sweet she was, and
his heart gave a bound of joy, for he hoped she would be
merciful.
"One of the Laws of Oz forbids anyone to pick a six-leaved
clover. You are accused of having broken this Law, even after you
had been warned not to do so.
"All this fuss is about nothing at all," she said, facing Ozma
unabashed. "You can't prove he picked the six-leaved clover, so
you've no right to accuse him of it. Search him, if you like, but
you won't find the clover; look in his basket and you'll find
it's not there. He hasn't got it, so I demand that you set this
poor Munchkin boy free."
"So the clover hasn't been picked, eh?" he said. "I think it
has. I think the boy hid it in his basket, and then gave the
basket to you. I also think you dropped the clover into this
vase, which stood in Princess Dorothy's room, hoping to get rid
of it so it would not prove the boy guilty. You're a stranger
here, Miss Patches, and so you don't know that nothing can be
hidden from our powerful Ruler's Magic Picture--nor from the
watchful eyes of the humble Wizard of Oz. Look, all of you!" With
these words he waved his hands toward the vase on the table,
which Scraps now noticed for the first time.
The Patchwork Girl looked at the clover and said: "Oh, so
you've found it. Very well; prove he picked it, if you can."
"Did you pick the six-leaved clover?" she asked.
"What caused you to think that?" asked the Ruler.
Ozma regarded him musingly, her chin resting upon her hand;
but she was not angry. On the contrary she smiled a little at her
thoughts and then grew sober again.
Ojo knew she was right and felt greatly mortified to realize
he had acted and spoken so ridiculously. But he raised his head
and looked Ozma in the face, saying:
Ozma smiled more brightly, then, and nodded graciously.
"I beg your pardon; I'm Ojo the Unlucky," said the boy.
The people were glad to hear Ozma's decree and murmured their
approval. As the royal audience was now over, they began to leave
the Throne Room and soon there were none remaining except Ojo and
his friends and Ozma and her favorites.
"The Crooked Magician was wrong to make the Glass Cat and the
Patchwork Girl, for it was against the Law. And if he had not
unlawfully kept the bottle of Liquid of Petrifaction standing on
his shelf, the accident to his wife Margolotte and to Unc Nunkie
could not have occurred. I can understand, however, that Ojo, who
loves his uncle, will be unhappy unless he can save him. Also I
feel it is wrong to leave those two victims standing as marble
statues, when they ought to be alive. So I propose we allow Dr.
Pipt to make the magic charm which will save them, and that we
assist Ojo to find the things he is seeking. What do you think,
Wizard?"
"I will," promised Ozma.
"The three hairs from the Woozy's tail I have," said the boy.
"That is, I have the Woozy, and the hairs are in his tail. The
six-leaved clover I--I--"
"Thank you!" cried Ojo gratefully. Then he continued: "The
next thing, I must find is a gill of water from a dark well.'
"I am willing to travel for years, if it will save Unc
Nunkie," declared Ojo, earnestly.
Dorothy bad been listening with interest to this conversation.
Now she turned to Ozma and asked: "May I go with Ojo, to help
him?"
"Yes. I know Oz pretty well, but Ojo doesn't know it at all.
I'm sorry for his uncle and poor Margolotte and I'd like to help
save them. May I go?"
"If Dorothy goes, then I must go to take care of her," said
the Scarecrow, decidedly. "A dark well can only be discovered in
some out-of-the-way place, and there may be dangers there."
"I'll take care of myself," announced Scraps, "for I'm going
with the Scarecrow and Dorothy. I promised Ojo to help him find
the things he wants and I'll stick to my promise."
"I prefer to remain here," said the cat. "I've nearly been
nicked half a dozen times, already, and if they're going into
dangers it's best for me to keep away from them."
"Better take me along," said the Woozy. "My eyes can flash
fire, you know, and I can growl--a little."
After consulting together they decided that Ojo and his party
should leave the very next day to search for the gill of water
from a dark well, so they now separated to make preparations for
the journey.
"If such a thing is anywhere in the settled parts of Oz," said
Dorothy, "we'd prob'ly have heard of it long ago. If it's in the
wild parts of the country, no one there would need a dark well.
P'raps there isn't such a thing."
"That's true," agreed Dorothy; "and, if it's anywhere in the
Land of Oz, we're bound to find it."
"Don't do that," begged Ojo, earnestly. "I'm called Ojo the
Unlucky, you know."
A day's journey from the Emerald City brought the little band
of adventurers to the home of Jack Pumpkinhead, which was a house
formed from the shell of an immense pumpkin. Jack had made it
himself and was very proud of it. There was a door, and several
windows, and through the top was stuck a stovepipe that led from
a small stove inside. The door was reached by a flight of three
steps and there was a good floor on which was arranged some
furniture that was quite comfortable.
The body of this remarkable person was made of wood, branches
of trees of various sizes having been used for the purpose. This
wooden framework was covered by a red shirt--with white spots in
it--blue trousers, a yellow vest, a jacket of green-and-gold and
stout leather shoes. The neck was a sharpened stick on which the
pumpkin head was set, and the eyes, ears, nose and mouth were
carved on the skin of the pumpkin, very like a child's
jack-o'-lantern.
The travelers were cordially welcomed to this quaint domicile
and invited to pass the night there, which they had planned to
do. The Patchwork Girl was greatly interested in Jack and
examined him admiringly.
Jack turned, at this, to examine the Scarecrow critically, and
his old friend slyly winked one painted eye at him.
"I adore stuffing," said the Patchwork Girl.
"Oh; do you change your head?" asked Ojo.
"Who carves the faces on them?" inquired the boy.
Before she had started on the journey Dorothy had packed a
knapsack with the things she might need, and this knapsack the
Scarecrow carried strapped to his back. The little girl wore a
plain gingham dress and a checked sunbonnet, as she knew they
were best fitted for travel. Ojo also had brought along his
basket, to which Ozma had added a bottle of "Square Meal Tablets"
and some fruit. But Jack Pumpkinhead grew a lot of things in his
garden besides pumpkins, so he cooked for them a fine vegetable
soup and gave Dorothy, Ojo and Toto, the only ones who found it
necessary to eat, a pumpkin pie and some green cheese. For beds
they must use the sweet dried grasses which Jack had strewn along
one side of the room, but that satisfied Dorothy and Ojo very
well. Toto, of course, slept beside his little mistress.
The Pumpkinhead considered the matter gravely.
"I fear that wouldn't do," replied the Scarecrow. "The well
must be naturally dark, and the water must never have seen the
light of day, for otherwise the magic charm might not work at
all."
"A gill."
"Why--a gill is a gill, of course," answered the Scarecrow,
who did not wish to display his ignorance.
"No, no; that's wrong," interrupted the Scarecrow. "There are
two kinds of gills, I think; one is a girl, and the other
is--"
"No; a measure."
"Well, I'll ask Dorothy."
"I don't just know how much a gill is, but I've brought along
a gold flask that holds a pint. That's more than a gill, I'm
sure, and the Crooked Magician may measure it to suit himself.
But the thing that's bothering us most, Jack, is to find the
well."
"This is a flat country, so you won t find any dark wells
here," said he. "You must go into the mountains, where rocks and
caverns are.
"In the Quadling Country, which lies south of here," replied
the Scarecrow. "I've known all along that we must go to the
mountains."
"But--goodness me!--the Quadling Country is full of dangers,"
declared Jack. "I've never been there myself, but--"
"It's a wild country," remarked Dorothy, soberly, "and if we
go there we're sure to have troubles of our own. But I guess
we'll have to go, if we want that gill of water from the dark
well."
It was a two days journey from Jack Pumkinhead's house to the
edge of the Quadling Country, for neither Dorothy nor Ojo could
walk very fast and they often stopped by the wayside to rest. The
first night they slept on the broad fields, among the buttercups
and daisies, and the Scarecrow covered the children with a gauze
blanket taken from his knapsack, so they would not be chilled by
the night air. Toward evening of the second day they reached a
sandy plain where walking was difficult; but some distance before
them they saw a group of palm trees, with many curious black dots
under them; so they trudged bravely on to reach that place by
dark and spend the night under the shelter of the trees.
Our travelers preferred to attempt to climb these rocks by
daylight, and they realized that for a time this would be their
last night on the plains.
By this time Dorothy had discovered they were people, tiny and
curiously formed, but still people. Their skins were dusky and
their hair stood straight up, like wires, and was brilliant
scarlet in color. Their bodies were bare except for skins
fastened around their waists and they wore bracelets on their
ankles and wrists, and necklaces, and great pendant earrings.
"Who are you?"
"We're the jolly Tottenhots; We do not like the day, But in
the night 'tis our delight To gambol, skip and play.
"We're ev'ry one chock full of fun, And full of mischief, too;
But if you're gay and with us play We'll do no harm to you.
"Glad to meet you, Tottenhots," said the Scarecrow solemnly.
"But you mustn't expect us to play with you all night, for we've
traveled all day and some of us are tired."
These remarks were greeted with shouts of laughter by the
impish creatures and one seized the Scarecrow's arm and was
astonished to find the straw man whirl around so easily. So the
Tottenhot raised the Scarecrow high in the air and tossed him
over the heads of the crowd. Some one caught him and tossed him
back, and so with shouts of glee they continued throwing the
Scarecrow here and there, as if he had been a basket-ball.
The little brown folks were much surprised at being attacked
by the girl and the dog, and one or two who had been slapped
hardest began to cry. Then suddenly they gave a shout, all
together, and disappeared in a flash into their various houses,
the tops of which closed with a series of pops that sounded like
a bunch of firecrackers being exploded.
"Is anybody hurt?"
"I feel much the same way," said Scraps. "My cotton stuffing
had sagged a good deal with the day's walking and they've
loosened it up until I feel as plump as a sausage. But the play
was a little rough and I'd had quite enough of it when you
interfered."
Just then the roof of the house in front of them opened and a
Tottenhot stuck his head out, very cautiously, and looked at the
strangers.
"If I had such a quality," replied the Scarecrow, "your people
would have knocked it out of me. But I don't bear grudges. I
forgive you."
"It was just a little rough-house, that's all," said the
Tottenhot. "But the question is not if we will behave, but if you
will behave? We can't be shut up here all night, because this is
our time to play; nor do we care to come out and be chewed up by
a savage beast or slapped by an angry girl. That slapping hurts
like sixty; some of my folks are crying about it. So here's the
proposition: you let us alone and we'll let you alone."
"Well, you ended it, so we won't argue the matter. May we come
out again? Or are you still cruel and slappy?"
"That's a bargain!" cried the Tottenhot eagerly, and he gave a
queer whistle that brought his people popping out of their houses
on all sides. When the house before them was vacant, Dorothy and
Ojo leaned over the hole and looked in, but could see nothing
because it was so dark. But if the Tottenhots slept there all day
the children thought they could sleep there at night, so Ojo
lowered himself down and found it was not very deep."
Dorothy handed Toto to the boy and then climbed in herself.
After her came Scraps and the Scarecrow, who did not wish to
sleep but preferred to keep out of the way of the mischievous
Tottenhots.
Toto kept an eye open, however, and uttered low, threatening
growls whenever the racket made by the creatures outside became
too boisterous; and the Scarecrow and the Patchwork Girl sat
leaning against the wall and talked in whispers all night long.
No one disturbed the travelers until daylight, when in popped the
Tottenhot who owned the place and invited them to vacate his
premises.
As they were preparing to leave, Dorothy asked: "Can you tell
us where there is a dark well?"
"Does anyone live on those mountains beyond here?" asked the
Scarecrow.
"What are the people like?" Dorothy inquired.
So they left the man snuggling down to sleep in his dusky
dwelling, and went out into the sunshine, taking the path that
led toward the rocky places. They soon found it hard climbing,
for the rocks were uneven and full of sharp points and edges, and
now there was no path at all. Clambering here and there among the
boulders they kept steadily on, gradually rising higher and
higher until finally they came to a great rift in a part of the
mountain, where the rock seemed to have split in two and left
high walls on either side.
"How about that sign?" asked Ojo.
The Munchkin boy pointed to some words painted on the wall of
rock beside them, which Dorothy had not noticed. The words
read:
The girl eyed this sign a moment and turned to the Scarecrow,
asking:
The straw man shook his head. Then looked at Toto and the dog
said "Woof!"
This being quite true, they went on. As they proceeded, the
walls of rock on either side grew higher and higher. Presently
they came upon another sign which read:
"Why, as for that," remarked Dorothy, "if Yoop is a captive
there's no need to beware of him. Whatever Yoop happens to be,
I'd much rather have him a captive than running around
loose."
"Still," said Scraps, reflectively:
"Not queer, but crazy," said Ojo. "When she says those things
I'm sure her brains get mixed somehow and work the wrong way.
"Never mind; we'll find out all about him when we get to where
he is," replied the little girl.
"Ah," said the Scarecrow, who was leading the way, "we must be
near Yoop."
"What is it?" asked Dorothy, standing on tip-toes to look over
his shoulder. But then she saw what it was and cried "Oh!" in a
tone of astonishment.
"MISTER YOOP--HIS CAVE
Department Store advertisements). Temper, Fierce and
Ferocious.--(Except when asleep.) Appetite, Ravenous.--(Prefers
Meat People and Orange Marmalade.)
"It's a long way back," declared Dorothy.
But the Giant wasn't asleep. He suddenly appeared at the front
of his cavern, seized the iron bars in his great hairy hands and
shook them until they rattled in their sockets. Yoop was so tall
that our friends had to tip their heads way back to look into his
face, and they noticed he was dressed all in pink velvet, with
silver buttons and braid. The Giant's boots were of pink leather
and had tassels on them and his hat was decorated with an
enormous pink ostrich feather, carefully curled.
"I think you are mistaken," replied the Scarecrow. "There is
no orange marmalade around here."
"Haven't you eaten anything in many years?" asked Dorothy.
"Oh, I'm not going to be eaten," said Dorothy.
"I shall keep out of your way," she answered.
With this the Giant pushed his big arms, which looked like
tree-trunks (except that treetrunks don't wear pink velvet)
between the iron bars, and the arms were so long that they
touched the opposite wall of the rock passage. Then he extended
them as far as he could reach toward our travelers and found he
could almost touch the Scarecrow--but not quite.
"I'm a Scarecrow."
"Me?" asked Scraps. "I'm a Patchwork Girl, and I'm stuffed
with cotton."
Toto growled, keeping a good distance away.
So they turned and went around the bend in the passage, where
they were out of sight of the cave and Mister Yoop could not hear
them.
"He'd grab us," said Dorothy.
They decided to try this plan and Dorothy took Toto in her
arms, so as to protect him. She followed just after the
Scarecrow. Then came Ojo, with Scarps the last of the four. Their
hearts beat a little faster than usual as they again approached
the Giant's cave, this time moving swiftly forward.
The poor Scarecrow went whirling through the air and so
cleverly was he aimed that he struck Ojo's back and sent the boy
tumbling head over heels, and he tripped Dorothy and sent her,
also, sprawling upon the ground. Toto flew out of the little
girl's arms and landed some distance ahead, and all were so dazed
that it was a moment before they could scramble to their feet
again. When they did so they turned to look toward the Giant's
cave, and at that moment the ferocious Mister Yoop threw the
Patchwork Girl at them.
"We did it!" exclaimed the Scarecrow, with satisfaction. "And
now we are free to go on our way.
"Allow me to apologize for the Giant," said the Scarecrow,
raising the Patchwork Girl to her feet and dusting her skirt with
his stuffed hands. "Mister Yoop is a perfect stranger to me, but
I fear, from the rude manner in which he has acted, that he is no
gentleman."
"Of course," said the little girl, when they had walked a way
along the passage, "it was lucky for us the Giant was caged; for,
if he had happened to be loose, he--he--"
Hip Hopper the Champion
As they gazed upward at the great mass of tumbled rocks that
covered the steep incline, Dorothy gave a little groan and
said:
"Suppose," said Ojo, "you wait here and let me do the
climbing, for it's on my account we're searching for the dark
well. Then, if I don't find anything, I'll come back and join
you.
So they began the climb and found it indeed difficult, for a
way. But presently, in creeping over the big crags, they found a
path at their feet which wound in and out among the masses of
rock and was quite smooth and easy to walk upon. As the path
gradually ascended the mountain, although in a roundabout way,
they decided to follow it.
"Who are the Hoppers?" asked Dorothy.
"I didn't hear him," replied the girl.
"He said in the mountain," declared Scraps; "but of course he
meant on it."
"No; he only said they were two separate nations, and that the
Horners were the most important."
"Is this mountain in the Land of Oz?" asked Scraps.
"If the mountain is under Ozma's rule, why doesn't she know
about the Hoppers and the Horners?" Ojo asked.
"Yes," admitted the straw man, "I've been considerable of a
traveler, in my time, and I like to explore strange places. I
find I learn much more by traveling than by staying at home."
"There wouldn't be a path, though, if it didn't go somewhere,"
said the Scarecrow, wrinkling his forehead in deep thought.
"The path is locked, the way is blocked, Yet here we've
innocently flocked; And now we're here it's rather queer There's
no front door that can be knocked."
"Well," said Dorothy, "I'm glad of a little rest, for that's a
drea'ful steep path."
"Why, here's where the path goes to!" she exclaimed.
"It's underground; right inside the mountain," said Ojo,
peering into the dark hole. "perhaps there's a well there; and,
if there is, it's sure to be a dark one."
Toto looked in and barked, but he did not venture to enter
until the Scarecrow had bravely gone first. Scraps followed
closely after the straw man and then Ojo and Dorothy timidly
stepped inside the tunnel. As soon as all of them had passed the
big rock, it slowly turned and filled up the opening again; but
now they were no longer in the dark, for a soft, rosy light
enabled them to see around them quite distinctly.
After proceeding some distance, Toto, who had gone on ahead,
began to bark loudly. They ran around a bend to see what was the
matter and found a man sitting on the floor of the passage and
leaning his back against the wall. He had probably been asleep
before Toto's barks aroused him, for he was now rubbing his eyes
and staring at the little dog with all his might.
Toto was usually a well behaved dog, but this time he was
angry and snapped at the man's leg again and again. This filled
the poor fellow with fear, and in hopping out of Toto's reach he
suddenly lost his balance and tumbled heel over head upon the
floor. When he sat up he kicked Toto on the nose and made the dog
howl angrily, but Dorothy now ran forward and caught Toto's
collar, holding him back.
"Who? Me?" asked the Hopper.
"Am I captured?" he inquired.
"Well," replied the man, "if I'm captured I must surrender,
for it's the proper thing to do. I like to do everything proper,
for it saves one a lot of trouble."
"I'm Hip Hopper--Hip Hopper, the Champion."
"Champion wrestler. I'm a very strong man, and that ferocious
animal which you are so kindly holding is the first living thing
that has ever conquered me."
"Yes. My people live in a great city not far from here. Would
you like to visit it?"
"I think not. We have wells, you know, hut they're all well
lighted, and a well lighted well cannot well be a dark well. But
there may be such a thing as a very dark well in the Horner
Country, which is a black spot on the face of the earth."
"The other side of the mountain. There's a fence between the
Hopper Country and the Horner Country, and a gate in the fence;
but you can't pass through just now, because we are at war with
the Horners."
"Why, one of them made a very insulting remark about my
people. He said we were lacking in understanding, because we had
only one leg to a person. I can't see that legs have anything to
do with understanding things. The Homers each have two legs, just
as you have. That's one leg too many, it seems to me."
"You don't need them," argued the Hopper, obstinately. "You've
only one head, and one body, and one nose and mouth. Two legs are
quite unnecessary, and they spoil one's shape."
"Walk! Who wants to walk?" exclaimed the man. "Walking is a
terribly awkward way to travel. I hop, and so do all my people.
It's so much more graceful and agreeable than walking."
"Yes; there is another path from the rocky lowlands, outside
the mountain, that leads straight to the entrance of the Horner
Country. But it's a long way around, so you'd better come with
me. Perhaps they will allow you to go through the gate; but we
expect to conquer them this afternoon, if we get time, and then
you may go and come as you please."
The Joking Horners
Built beneath this vast dome was a pretty village--not very
large, for there seemed not more than fifty houses
altogether--and the dwellings were of marble and artistically
designed. No grass nor flowers nor trees grew in this cave, so
the yards surrounding the houses carved in designs both were
smooth and bare and had low walls around them to mark their
boundaries.
"All hail, Champion!" cried a man in the first group of
Hoppers they met; "whom have you captured?"
"Then," said another, "we will rescue you, and capture them,
for we are greater in number."
"Never mind that," said Dorothy. "We will give you your
liberty and set you free."
"Yes," said the little girl; "your people may need you to help
conquer the Horners."
"This war with our neighbors is a terrible thing," remarked
one of the women. "Some one is almost sure to get hurt."
"Because the horns of our enemies are sharp, and in battle
they will try to stick those horns into our warriors," she
replied.
"Each has one horn in the center of his fore head," was the
answer.
"No; they're Horners. We never go to war with them if we can
help it, on account of their dangerous horns; but this insult was
so great and so unprovoked that our brave men decided to fight,
in order to be revenged," said the woman.
"We have no weapons," explained the Champion. "Whenever we
fight the Horners, our plan is to push them back, for our arms
are longer than theirs."
"Yes; but they have those terrible horns, and unless we are
careful they prick us with the points," returned the Champion
with a shudder. "That makes a war with them dangerous, and a
dangerous war cannot be a pleasant one."
"Oh!" cried the Hoppers in a chorus; "can you help us? Please
do! We will be greatly obliged! It would please us very much!"
and by these exclamations the Scarecrow knew that his speech had
met with favor.
"Why, it's just the other side of the fence," they answered,
and the Champion added:
So they followed the Champion and several others through the
streets and just beyond the village came to a very high picket
fence, built all of marble, which seemed to divide the great cave
into two equal parts.
Looking through the open pickets of the fence our friends
watched the Horners, who did not know they were being watched by
strangers, and found them very unusual in appearance. They were
little folks in size and had bodies round as balls and short legs
and arms. Their heads were round, too, and they had long, pointed
ears and a horn set in the center of the forehead. The horns did
not seem very terrible, for they were not more than six inches
long; but they were ivory white and sharp pointed, and no wonder
the Hoppers feared them.
None of the Horners was yet aware of the presence of
strangers, who watched the little brown people for a time and
then went to the big gate in the center of the dividing fence. It
was locked on both sides and over the latch was a sign
reading:
"Can't we go through?" asked Dorothy.
"I think," said the Scarecrow, "that if I could talk with
those Horners they would apologize to you, and then there would
be no need to fight."
"Not so well," replied the Scarecrow. "Do you suppose you
could throw me over that fence? It is high, but I am very
light."
"No matter about that," returned the Scarecrow. "Just toss me
over and I'll be satisfied."
Perhaps if the Scarecrow had been a trifle heavier he would
have been easier to throw and would have gone a greater distance;
but, as it was, instead of going over the fence he landed just on
top of it, and one of the sharp pickets caught him in the middle
of his back and held him fast prisoner. Had he been face downward
the Scarecrow might have managed to free himself, but lying on
his back on the picket his hands waved in the air of the Horner
Country while his feet kicked the air of the Hopper Country; so
there he was.
"Course not," said Dorothy. "But if he wig-gles that way he
may tear his clothes. How can we get him down, Mr. Champion?"
"I don't know," he confessed. "If he could scare Horners as
well as he does crows, it might be a good idea to leave him
there."
"You are lucky to have anyone to help you," declared Dorothy.
"But don't worry. We'll rescue the Scarecrow somehow."
"All right," said the Champion, and he picked up the Patchwork
Girl and threw her in the same manner he had the Scarecrow. He
must have used more strength this time, however, for Scraps
sailed far over the top of the fence and, without being able to
grab the Scarecrow at all, tumbled to the ground in the Horner
Country, where her stuffed body knocked over two men and a woman
and made a crowd that had collected there run like rabbits to get
away from her.
"Who are you, Unknown Being?" he asked.
"And where did you come from?" he continued.
He looked at her thoughtfully.
"You must have been to visit the Wise Donkey," said Scraps,
laughing so merrily that the crowd smiled with her, in sympathy.
"But that reminds me, Captain--or King--"
"Of course; Little Jack Horner; I might have known it. But the
reason I volplaned over the fence was so I could have a talk with
you about the Hoppers."
"You've insulted them, and you'd better beg their pardon,"
said Scraps. "If you don't, they'll probably hop over here and
conquer you.
The Chief smiled as he said this and the smile made his face
look quite jolly.
"A Horner said they have less understanding than we, because
they've only one leg. Ha, ha! You see the point, don't you? If
you stand on your legs, and your legs are under you, then--ha,
ha, ha!-then your legs are your under-standing. Hee, bee, hee!
Ho, ho! My, but that's a fine joke. And the stupid Hoppers
couldn't see it! They couldn't see that with only one leg they
must have less under-standing than we who have two legs. Ha, ha,
ha! Hee, bee! Ho, ho!" The Chief wiped the tears of laughter from
his eyes with the bottom hem of his white robe, and all the other
Horners wiped their eyes on their robes, for they had laughed
just as heartily as their Chief at the absurd joke.
"Exactly; and so there's no need for us to apologize,"
returned the Chief.
"Not if we can help it," admitted Jak Horner. "The question
is, who's going to explain the joke to the Horners? You know it
spoils any joke to be obliged to explain it, and this is the best
joke I ever heard."
"Diksey Horner. He is working in the mines, just now, but
he'll be home before long. Suppose we wait and talk with him
about it? Maybe he'll be willing to explain his joke to the
Hoppers."
"No, he's short; he's shorter than I am. Ha, ha, ha! Say!
that's a better joke than Diksey's. He won't be too long, because
he's short. Hee, hee, ho!"
Peace Is Declared
So Scraps accompanied him along the street to a house that
seemed on the outside exceptionally grimy and dingy. The streets
of this city were not paved nor had any attempt been made to
beautify the houses or their surroundings, and having noticed
this condition Scraps was astonished when the Chief ushered her
into his home.
"That's radium," answered the Chief. "We Horners spend all our
time digging radium from the mines under this mountain, and we
use it to decorate our homes and make them pretty and cosy. It is
a medicine, too, and no one can ever be sick who lives near
radium."
"More than we can use. All the houses in this city are
decorated with it, just the same as mine is."
"Outside? Who cares for the outside of anything?" asked the
Chief. "We Horners don't live on the outside of our homes; we
live inside. Many people are like those stupid Hoppers, who love
to make an outside show. I suppose you strangers thought their
city more beautiful than ours, because you judged from
appearances and they have handsome marble houses and marble
streets; but if you entered one of their stiff dwellings you
would find it bare and uncomfortable, as all their show is on the
outside. They have an idea that what is not seen by others is not
important, but with us the rooms we live in are our chief delight
and care, and we pay no attention to outside show."
"Seems? Why, you're all seams, my girl!" said the Chief; and
then he laughed heartily at his latest joke and a chorus of small
voices echoed the chorus with "tee-hee-hee! ha, ha!"
"These," said the Chief, "are my sweet daughters. My dears, I
introduce to you Miss Scraps Patchwork, a lady who is traveling
in foreign parts to increase her store of wisdom."
"Why do they sit so still, and all in a row?" asked
Scraps.
"But some are just children, poor things! Don't they ever run
around and play and laugh, and have a good time?"
"Is it impolite to romp and shout and be jolly?" asked
Scraps.
"That old bachelor who made the rules ought to be skinned
alive!" declared Scraps, and would have said more on the subject
had not the door opened to admit a little Horner man whom the
Chief introduced as Diksey.
The Chief told the man that his joke had not been understood
by the dull Hoppers, who had become so angry that they had
declared war. So the only way to avoid a terrible battle was to
explain the joke so they could understand it.
So the Chief and Diksey and Scraps left the house and went
back to the marble picket fence. The Scarecrow was still stuck on
the top of his picket but had now ceased to struggle. On the
other side of the fence were Dorothy and Ojo, looking between the
pickets; and there, also, were the Champion and many other
Hoppers.
"My good Hoppers, I wish to explain that what I said about you
was a joke. You have but one leg each, and we have two legs each.
Our legs are under us, whether one or two, and we stand on them.
So, when I said you had less understanding than we, I did not
mean that you had less understanding, you understand, but that
you had less standundering, so to speak. Do you understand
that?"
"That is clear enough; but where does the joke come in?'"
"I'll tell you where the joke comes in," she said, and took
the Hoppers away to a distance, where the Horners could not hear
them. "You know," she then explained, "those neighbors of yours
are not very bright, poor things, and what they think is a joke
isn't a joke at all--it's true, don't you see?"
"Yes; it's true because you don't understand such a poor joke;
if you did, you'd be no wiser than they are."
"So I'll tell you what to do," continued Dorothy. "Laugh at
their poor joke and tell 'em it's pretty good for a Horner. Then
they won't dare say you have less understanding, because you
understand as much as they do."
"What do you think, Champion?" asked one of them.
They readily agreed to this and returned to the fence laughing
as loud and as hard as they could, although they didn't feel like
laughing a bit. The Horners were much surprised.
"I won't," promised Diksey. "If I think of another such joke
I'll try to forget it."
There was much joyful shouting on both sides of the fence and
the gate was unlocked and thrown wide open, so that Scraps was
able to rejoin her friends.
"We must get him down, somehow or other," was the reply.
"A ladder's the thing."
"To be sure. We use ladders in our mines," said he. Then he
ran away to get the ladder, and while he was gone the Horners
gathered around and welcomed the strangers to their country, for
through them a great war had been avoided.
As soon as he was on his feet and standing on solid ground the
Scarecrow said:
The Horners began to laugh, thinking this was a joke, but the
Scarecrow shook himself and
The little girl examined him carefully.
"Do so," he begged earnestly, and again the Hoppers laughed,
to the Scarecrow's great annoyance.
"One of his legs is ripped, too!" she exclaimed.
"Ha, ha, ha!" laughed the Chief, and the other Homers at once
roared with laughter.
"Don't you see?" asked Diksey, who had laughed even harder
than the others. "That's a joke. It's by odds the best joke I
ever made. You walk with your legs, and so that's the way you
walk, and your legs are the ways. See? So, when you mend your
legs, you mend your ways. Ho, ho, ho! hee, hee! I'd no idea I
could make such a fine joke!"
"I don't know," said Diksey modestly. "Perhaps it's the
radium, but I rather think it's my splendid intellect."
Ojo had been deep in thought, and now he asked the Chief: "Is
there a dark well in any part of your country?"
"Oh, yes," said Diksey, who overheard the boy's question.
"There's a very dark well down in my radium mine."
"Can't say; I've never looked to see. But we can find
out."
"Still," said he, "I prefer not to do picket duty again. High
life doesn't seem to agree with my constitution." And then they
hurried away to escape the laughter of the Homers, who thought
this was another joke.
They now followed Diksey to the farther end of the great cave,
beyond the Horner city, where there were several round, dark
holes leading into the ground in a slanting direction. Diksey
went to one of these holes and said:
He went in first and after him came Ojo, and then Dorothy,
with the Scarecrow behind her. The Patchwork Girl entered last of
all, for Toto kept close beside his little mistress.
The floor of the tunnel was difficult to walk upon because it
had been worn smooth as glass, and pretty soon Scraps, who was
some distance behind the others, slipped and fell head foremost.
At once she began to slide downward, so swiftly that when she
came to the Scarecrow she knocked him off his feet and sent him
tumbling against Dorothy, who tripped up Ojo. The boy fell
against the Horner, so that all went tumbling down the slide in a
regular mix-up, unable to see where they were going because of
the darkness.
"Now," said Diksey, when they had all re gained their feet, "I
will show you where the dark well is. This is a big place, but if
we hold fast to each other we won't get lost."
"Be careful," said he warningly. "The well is at your
feet."
Ojo knelt again and by feeling carefully in the dark managed
to fill the flask with the unseen water that was in the well.
Then he screwed the top of the flask firmly in place and put the
precious water in his pocket.
They returned to the mouth of the tunnel and began to creep
cautiously up the incline. This time they made Scraps stay
behind, for fear she would slip again; but they all managed to
get up in safety and the Munchkin boy was very happy when he
stood in the Horner city and realized that the water from the
dark well, which he and his friends had traveled so far to
secure, was safe in his jacket pocket.
"Now," said Dorothy, as they stood on the mountain path,
having left behind them the cave in which dwelt the Hoppers and
the Horners, "I think we must find a road into the Country of the
Winkies, for there is where Ojo wants to go next."
"I don't know," she replied. "I s'pose we can go back the way
we came, to Jack Pumpkinhead's house, and then turn into the
Winkie Country; but that seems like running 'round a haystack,
doesn't it?"
"A yellow butterfly," answered the boy.
"Of course," replied the Scarecrow, brightening at the
suggestion. "The Tin Woodman will do anything we ask him, for
he's one of my dearest friends. I believe we can take a crosscut
into his country and so get to his castle a day sooner than if we
travel back the way we came."
They were obliged to go down the mountain before they found
any path that led in the direction they wanted to go, but among
the tumbled rocks at the foot of the mountain was a faint trail
which they decided to follow. Two or three hours walk along this
trail brought them to a clear, level country, where there were a
few farms and some scattered houses. But they knew they were
still in the Country of the Quadlings, because everything had a
bright red color. Not that the trees and grasses were red, but
the fences and houses were painted that color and all the
wild-flowers that bloomed by the wayside had red blossoms. This
part of the Quadling Country seemed peaceful and prosperous, if
rather lonely, and the road was more distinct and easier to
follow.
"This is queer," mused Dorothy, looking at the water
reflectively. "Why should there be any road, if the river stops
everyone walking along it?"
"That's the best answer you'll get," declared the Scarecrow,
with his comical smile, "for no one knows any more than Toto
about this road."
"Ev'ry time I see a river, I have chills that make me shiver,
For I never can forget All the water's very wet. If my patches
get a soak It will be a sorry joke; So to swim I'll never try
Till I find the water dry."
"No," decided Dorothy, "we couldn't swim it if we tried. It's
too big a river, and the water moves awful fast."
"Couldn't we make a raft?" suggested Ojo.
"Wow!" said Toto again, and Dorothy saw he was looking along
the bank of the river.
A quarter of a mile along the bank stood a small, round house,
painted bright red, and as it was on their side of the river they
hurried toward it. A chubby little man, dressed all in red, came
out to greet them, and with him were two children, also in red
costumes. The man's eyes were big and staring as he examined the
Scarecrow and the Patchwork Girl, and the children shyly hid
behind him and peeked timidly at Toto.
"I think I do, Most Mighty Magician," replied the Quadling,
bowing low; "but whether I'm awake or dreaming I can't be
positive, so I'm not sure where I live. If you'll kindly pinch me
I'll find out all about it!'
"But he's alive," protested the man, "and he oughtn't to be,
you know. And that other dreadful person--the girl who is all
patches--seems to be alive, too."
"I've a right to be surprised, haven't I?" asked the man
meekly.
"Never mind all that," said Dorothy. "Tell us, good Quadling,
how we can get across the river."
"Don't you ever cross it?" asked the girl.
"Don't travelers cross it?"
They were much surprised to hear this, and the man added:
"It's a pretty big river, and the current is strong. I know a man
who lives on the opposite bank, for I've seen him there a good
many years; but we've never spoken because neither of us has ever
crossed over."
The man shook his head.
"Where does this river go to?" asked Dorothy.
The Scarecrow looked at the water before them.
"That is true," agreed Dorothy; and then they all looked
thoughtful and wondered what could be done.
"Will you?" inquired Dorothy, turning to the Quadling.
"I'm too lazy," he said. "My wife says I'm the laziest man in
all Oz, and she is a truthful woman. I hate work of any kind, and
making a raft is hard work."
"No; I don't care for emeralds. If it were a ruby, which is
the color I like best, I might work a little while."
"Without trouble!" exclaimed the Quadling, much interested;
"then those tablets would be fine for a lazy man. It's such hard
work to chew when you eat."
"I'll do it," decided the man. "I'll help, and you can do most
of the work. But my wife has gone fishing for red eels to-day, so
some of you will have to mind the children."
There were a number of fallen trees near the house and the
Quadling got his axe and chopped them into logs of equal length.
He took his wife's clothesline to bind these logs together, so
that they would form a raft, and Ojo found some strips of wood
and nailed them along the tops of the logs, to render them more
firm. The Scarecrow and Dorothy helped roll the logs together and
carry the strips of wood, but it took so long to make the raft
that evening came just as it was finished, and with evening the
Quadling's wife returned from her fishing.
This they did, spending a pleasant evening with the Quadling
family and being entertained with such hospitality as the poor
people were able to offer them. The man groaned a good deal and
said he had overworked himself by chopping the logs, but the
Scarecrow gave him two more tablets than he had promised, which
seemed to comfort the lazy fellow.
Next morning they pushed the raft into the water and all got
aboard. The Quadling man had to hold the log craft fast while
they took their places, and the flow of the river was so powerful
that it nearly tore the raft from his hands. As soon as they were
all seated upon the logs he let go and away it floated and the
adventurers had begun their voyage toward the Winkie Country.
They had floated several miles down the stream and were
enjoying the ride when suddenly the raft slowed up, stopped
short, and then began to float back the way it had come.
They began to recognize the scenes they had passed, and by and
by they came in sight of the little house of the Quadlings again.
The man was standing on the river bank and he called to them:
They had no time to answer him, for the raft was swept past
the house and a long distance on the other side of it.
But they could not get to land. They had no oars, nor even a
pole to guide the raft with. The logs which bore them floated in
the middle of the stream and were held fast in that position by
the strong current.
"Good day! Glad to see you again. I expect I shall see you a
good many times, as you go by, unless you happen to swim
ashore."
"This is pretty hard luck," said Ojo in a discouraged voice.
"The Trick River keeps changing, it seems, and here we must float
back and forward forever, unless we manage in some way to get
ashore."
"No; I'm Ojo the Unlucky."
"I don't know whether I could swim, or not," remarked Scraps;
"but if I tried it I'd surely ruin my lovely patches."
So there seemed no way out of their dilemma and being helpless
they simply sat still. Ojo, who was on the front of the raft,
looked over into the water and thought he saw some large fishes
swimming about. He found a loose end of the clothesline which
fastened the logs together, and taking a gold nail from his
pocket he bent it nearly double, to form a hook, and tied it to
the end of the line. Having baited the hook with some bread which
he broke from his loaf, he dropped the line into the water and
almost instantly it was seized by a great fish.
When they reached the place where the current had before
changed, the fish was still swimming ahead in its wild attempt to
escape. The raft slowed down, yet it did not stop, because the
fish would not let it. It continued to move in the same direction
it had been going. As the current reversed and rushed backward on
its course it failed to drag the raft with it. Slowly, inch by
inch, they floated on, and the fish tugged and tugged and kept
them going.
The fish did not give up, but held the raft bravely on its
course, till at last the water in the river shifted again and
floated them the way they wanted to go. But now the captive fish
found its strength failing. Seeking a refuge, it began to drag
the raft toward the shore. As they did not wish to land in this
place the boy cut the rope with his pocket-knife and set the fish
free, just in time to prevent the raft from grounding.
They clung to the tree until they found the water flowing the
right way, when they let go and permitted the raft to resume its
voyage. In spite of these pauses they were really making good
progress toward the Winkie Country and having found a way to
conquer the adverse current their spirits rose considerably. They
could see little of the country through which they were passing,
because of the high banks, and they met with no boats or other
craft upon the surface of the river.
Floating around a bend they saw ahead a high bank of water,
extending across the entire river, and toward this they were
being irresistibly carried. There being no way to arrest the
progress of the raft they clung fast to the logs and let the
river sweep them on. Swiftly the raft climbed the bank of water
and slid down on the other side, plunging its edge deep into the
water and drenching them all with spray.
After passing the wall of water the current did not change or
flow backward any more but continued to sweep them steadily
forward. The banks of the river grew lower, too, permitting them
to see more of the country, and presently they discovered yellow
buttercups and dandelions growing amongst the grass, from which
evidence they knew they had reached the Winkie Country.
"Pretty soon," he replied. "The Tin Woodman's castle is in the
southern part of the Winkie Country, and so it can't be a great
way from here."
"There it is! There it is!"
"The Tin Woodman's tin castle. I can see its turrets
glittering in the sun. It's quite a way off, but we'd better land
as quickly as we can."
The Winkie Country was really beautiful, and across the fields
they could see afar the silvery sheen of the tin castle. With
light hearts they hurried toward it, being fully rested by their
long ride on the river.
"How beautiful they are!" cried Dorothy, stopping to admire
the perfection of these exquisite flowers.
"Why not?" asked Ojo.
"Are flowers alive?" asked Scraps.
"Once," said Dorothy, "the Tin Woodman stepped on a beetle and
killed the little creature. That made him very unhappy and he
cried until his tears rusted his joints, so he couldn't move
'em."
"Put oil on them, until the joints worked smooth again.
It was a long walk, but a pleasant one, and they did not mind
it a bit. Late in the afternoon they drew near to the wonderful
tin castle of the Emperor of the Winkies, and Ojo and Scraps, who
had never seen it before, were filled with amazement.
When they entered the spacious grounds our travelers found
more to admire. Tin fountains sent sprays of clear water far into
the air and there were many beds of tin flowers, all as perfectly
formed as any natural flowers might be. There were tin trees,
too, and here and there shady bowers of tin, with tin benches and
chairs to sit upon. Also, on the sides of the pathway leading up
to the front door of the castle, were rows of tin statuary, very
cleverly executed. Among these Ojo recognized statues of Dorothy,
Toto, the Scarecrow, the Wizard, the Shaggy Man, Jack Pumpkinhead
and Ozma, all standing upon neat pedestals of tin.
The Tin Woodman Objects
The Tin Woodman wanted to know, first of all, where Dorothy
had found the Patchwork Girl, so between them the visitors told
the story of how Scraps was made, as well as the accident to
Margolotte and Unc Nunkie and how Ojo had set out upon a journey
to procure the things needed for the Crooked Magician's magic
charm. Then Dorothy told of their adventures in the Quadling
Country and how at last they succeeded in getting the water from
a dark well.
Presently the Tin Woodman changed his position, and at once
Ojo, to the astonishment of all, dropped to the floor and held
his crystal vial under the Emperor's knee joint. Just then the
drop of oil fell, and they boy caught it in his bottle and
immediately corked it tight. Then, with a red face and
embarrassed manner, he rose to confront the others.
"I caught a drop of oil that fell from your knee-joint,"
confessed Ojo.
"Never mind," said Dorothy. Ojo seems glad to have the oil,
for some reason."
"You are very welcome to it, indeed," said the Tin Woodman.
"Have you now secured all the things you were in search of?"
The Munchkin boy said this with much pride and pleasure.
"The left wing of a yellow butterfly," said Ojo. "In this
yellow country, and with your kind assistance, that ought to be
very easy to find."
"Surely you are joking!" he said.
"But do you think for a moment that I would permit you, or
anyone else, to pull the left wing from a yellow butterfly?"
demanded the Tin Woodman sternly.
"Why not? You ask me why not? It would be cruel--one of the
most cruel and heartless deeds I ever heard of," asserted the Tin
Woodman. "The butterflies are among the prettiest of all created
things, and they are very sensitive to pain. To tear a wing from
one would cause it exquisite torture and it would soon die in
great agony. I would not permit such a wicked deed under any
circumstances!"
"Who cares for a butterfly?" she asked.
"Not the snap of a finger, for I have no heart," said the
Patchwork Girl. "But I want to help Ojo, who is my friend, to
rescue the uncle whom he loves, and I'd kill a dozen useless
butterflies to enable him to do that."
"You have kind instincts," he said, "and with a heart you
would indeed be a fine creature. I cannot blame you for your
heartless remark, as you cannot understand the feelings of those
who possess hearts. I, for instance, have a very neat and
responsive heart which the wonderful Wizard of Oz once gave me,
and so I shall never--never-never permit a poor yellow butterfly
to be tortured by anyone."
"I'm glad of that," said the Tin Woodman. "As I rule the
Winkie Country, I can protect my butterflies."
"Then he must remain a marble statue forever," declared the
Tin Emperor, firmly.
"I'll tell you what to do," said Scraps. "We'll take a whole
yellow butterfly, alive and well, to the Crooked Magician, and
let him pull the left wing off."
"Then what in the world shall we do?" asked Dorothy.
"We must all go back to the Emerald City and ask Ozma's
advice. She's a wise little girl, our Ruler, and she may find a
way to help Ojo save his Unc Nunkie."
"Is anything hurting you?" inquired the Tin Woodman in a
kindly tone, for the Emperor was with the party.
"Why are you Ojo the Unlucky?" asked the tin man.
"Friday is not unlucky," declared the Emperor. "It's just one
of seven days. Do you suppose all the world becomes unlucky
one-seventh of the time?"
"Thirteen! Ah, that is indeed a lucky number," replied the Tin
Woodman. "All my good luck seems to happen on the thirteenth. I
suppose most people never notice the good luck that comes to them
with the number 13, and yet if the least bit of bad luck falls on
that day, they blame it to the number, and not to the proper
cause."
"And mine," said Scraps. "I've just thirteen patches on my
head."
"Many of our greatest men are that way," asserted the Emperor.
"To be left-handed is usually to be two-handed; the right-handed
people are usually one-handed."
"How lucky!" cried the Tin Woodman. "If it were on the end of
your nose it might be unlucky, but under your arm it is luckily
out of the way."
"Then we must turn over a new leaf and call you henceforth Ojo
the Lucky," declared the tin man. "Every reason you have given is
absurd. But I have noticed that those who continually dread ill
luck and fear it will overtake them, have no time to take
advantage of any good fortune that comes their way. Make up your
mind to be Ojo the Lucky."
"Never give up, Ojo," advised Dorothy. "No one ever knows
what's going to happen next."
The people joyfully cheered the appearance of the Tin Woodman,
the Scarecrow and Dorothy, who were all three general favorites,
and on entering the royal palace word came to them from Ozma that
she would at once grant them an audience.
"He is quite right," said Ozma, who did not seem a bit
surprised. "Had Ojo told me that one of the things he sought was
the wing of a yellow butterfly I would have informed him, before
he started out, that he could never secure it. Then you would
have been saved the troubles and annoyances of your long
journey."
"As it has turned out," remarked Ojo, "I can never get the
things the Crooked Magician sent me for; and so, unless I wait
the six years for him to make the Powder of Life, Unc Nunkie
cannot be saved."
"Dr. Pipt will make no more Powder of Life, I promise you,"
said she. "I have sent for him and had him brought to this
palace, where he now is, and his four kettles have been destroyed
and his book of recipes burned up. I have also had brought here
the marble statues of your uncle and of Margolotte, which are
standing in the next room.
"Oh, let me see Unc Nunkie! Let me see him at once, please!"
cried Ojo eagerly.
The Wonderful Wizard of Oz
"I did my best, Unc," he said, with a sob, "but it was no
use!"
Aside from the marble statues of Unc Nunkie and Margolotte,
the Glass Cat was there, curled up on a rug; and the Woozy was
there, sitting on its square hind legs and looking on the scene
with solemn interest; and there was the Shaggy Man, in a suit of
shaggy pea-green satin, and at a table sat the little Wizard,
looking quite important and as if he knew much more than he cared
to tell.
Ozma took a chair which Jellia Jamb wheeled forward for the
Ruler, and back of her stood the Scarecrow, the Tin Woodman and
Dorothy, as well as the Cowardly Lion and the Hungry Tiger. The
Wizard now arose and made a low bow to Ozma and another less
deferent bow to the assembled company.
As he pronounced these words the Wizard waved his hand toward
Dr. Pipt and instantly every crooked limb straightened out and
became perfect. The former magician, with a cry of joy, sprang to
his feet, looked at himself in wonder, and then fell back in his
chair and watched the Wizard with fascinated interest.
"I thank you," said the cat, in a soft voice.
"Much obliged," said the Woozy. "That beats being fenced up in
a lonely forest and starved."
"That's all right," said Scraps.
As he said this the Wizard advanced to the statue of Margolote
and made a magic pass, at the same time muttering a magic word
that none could hear distinctly. At once the woman moved, turned
her head wonderingly this way and that, to note all who stood
before her, and seeing Dr. Pipt, ran forward and threw herself
into her husband's outstretched arms.
But now Ojo rushed up and threw his arms joyfully about his
uncle, and the old man hugged his little nephew tenderly and
stroked his hair and wiped away the boy's tears with a
handkerchief, for Ojo was crying from pure happiness.
"I have given to you, my dear Ojo and Unc Nunkie, a nice house
just outside the walls of the Emerald City," she said, "and there
you shall make your future home and be under my protection."
"Yes; and it is true!" replied Ojo, gratefully.
THE WIZARD OF OZ THE LAND OF OZ OZMA OF OZ DOROTHY AND THE
WIZARD IN OZ THE ROAD TO OZ THE EMERALD CITY OF OZ THE PATCHWORK
GIRL OF OZ TIK-TOK OF OZ THE SCARECROW OF OZ RINKITINK IN OZ THE
LOST PRINCESS OF OZ THE TIN WOODMAN OF OZ THE MAGIC OF OZ GLINDA
OF OZ