Caos del Triperuno by Teofilo Folengo
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About this eBook
| Author | Folengo, Teofilo, 1496-1544 |
|---|---|
| Title |
Caos del Triperuno Opere Italiane Vol. 1 |
| Note | Reading ease score: 57.8 (10th to 12th grade). Somewhat difficult to read. |
| Credits |
Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (Images generously made available by Editore Laterza and the Biblioteca Italiana at http://www.bibliotecaitaliana.it/ScrittoriItalia) |
| Summary | "Caos del Triperuno" by Teofilo Folengo is a poetic work that exemplifies the literature from the early 16th century. It interweaves themes of life stages and human existence through a rich tapestry of allegorical dialogue among three female characters named Paola, Corona, and Livia, leading to reflections on the protagonist Teofilo's fate and literary endeavors. The structure of the work suggests it deeply explores the complexities of the human condition, drawing parallels between life, love, and folly. At the start of the text, the characters engage in a dialogue fraught with emotion and familial dynamics, expressing sorrow over the perceived failures of Teofilo, particularly regarding his literary work, "Merlino Cocaglio." The conversation hints at a deeper reflection on the nature of artistry and the responsibilities accompanying creative genius. As they discuss the implications of his writing, the discourse reveals a blend of personal anecdotes, societal reflections, and philosophical musings that foreshadow the intricate allegorical layers to be uncovered in the subsequent sections of this multilayered narrative. (This is an automatically generated summary.) |
| Language | Italian |
| LoC Class | PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese |
| Subject | Italian literature |
| Category | Text |
| EBook-No. | 35799 |
| Release Date | Apr 8, 2011 |
| Copyright Status | Public domain in the USA. |
| Downloads | 137 downloads in the last 30 days. |
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